197 Sentences With "autotune" | Random Sentence Generator

We're still pumped to see this movie — autotune or no autotune.

Did you use Melodyne or AutoTune on Invasion of Privacy?

Good thing there's autotune which Kylie Jenner can most definitely afford.

"Britney Spears performing "Toxic" without Autotune is legit!" a fan wrote.

"It sounds like autotune and probably not live," the fan wrote.

I liked the fact that POP MUSIC was right next to AUTOTUNE.

Madonna and Cher are no strangers to the odd bit of autotune.

It sounds like there's a decent amount of Autotune on this record.

AutoTune itself actually has a sound even if it's not technically affecting notes.

"Free app with lots of simple options to autotune," wrote Baldwin on Twitter.

I like the lyrics but I don't like the beat or the autotune.

Mr. Simmons said he was concerned that Ms. Watson might need autotune. Beat.

It's a more country-influenced album, blended with newer things like AutoTune and synths.

Curiosity may kill the cats but autotune just makes them jump around a lot.

AND FINALLY ... Probably just autotune Guess you don't need your favorite pop star anymore.

His vocals are often dipped in AutoTune, but his fragility drills through the effects.

Jukebox musicals can be hit or miss, but icons who pioneered autotune are forever.

Garbus purposefully used more Autotune and voice manipulation here than on any previous album.

"It's essentially a polyphonic autotune that you can play like a keyboard," he explains.

Now I'm kind of doing both of them, with a little bit of autotune.

I used a touch of AutoTune on Kehlani's vocals in "Ring" but not a lot.

After a critic accused the singer of using autotune and not singing live, Grande responded.

When you think of autotune, you generally think of T-Pain and awkward 8th grade dances.

I mean there's no—I just can't believe it—there's no autotune, there's no melodyne on it.

"), desire for connection in an increasingly connected world ("translate 'love'"), and innate curiosity ("how does autotune work?

The reveal that Randy Marsh is secretly Lorde via autotune and DJ skillz is a genius moment.

I don't know if anyone cares about autotune anymore—didn't Jay-Z kill it a few years back?

Ariana Grande masterfully shut down a critical person who accused her of using autotune at a recent concert.

AUTOTUNED makes its Times Crossword debut, although the present tense AUTOTUNE has been in the puzzle three times.

Autotune is the sound of music now and its rebirth as an artistic tool will be Kanye's lasting legacy.

TODAY'S WEATHER AND FINALLY The autocat Autotune works for rappers and pop stars, so why not for our pets?

Wayne comes in near the end of the track, his voice through autotune and trying to sound softer than ever.

Without autotune, her voice is more authentic, and the raspiness of the vocals gives the song a brand new twist.

"I know there are other important things going on, but Britney Spears singing Toxic without autotune is glorious," another added.

But with a little bit of autotune... If they can help me out I might be able to pull something together.

On it, Chance jumps into the autotune world and modulates the fuck out of his voice over a spinning soul beat.

I definitely used some AutoTune on Migos' vocals in "Drip," because that's what they like — that robotic, T-Pain-type sound.

Sure. A lot of the time, I am the one that will slap AutoTune on there, if that's what they want.

The autotune is also really funny and fun to impersonate—making it a clear karaoke banger that will probably get you laid.

Of course the rational thing to do would be to make an autotune song out of the situation using the app Voloco.

Twitter was quick to cry "autotune" on the clip — and lament the fact that no, it seems Emma Watson is not infallible.

A version of "Toxic" without autotune was just leaked, and it proves we need an acoustic album from the pop star ASAP.

More so than some of his Windy City peers, Collins leans toward melancholic, crooning AutoTune, giving his music an occasional pop sheen.

Apparently not for the foreseeable future — old YouTube legends of song parody and autotune, schmoyoho, have thrown their cowboy hats into the mix.

The song is a sum assembled of intricate strata, a swirl of licorice keys and AutoTune with a heart of bell-bottomed funk.

"Bad Hombres, Nasty Women" combines all the debate's best (worst) moments with a lot of AutoTune and a chorus that's honestly pretty catchy.

If you could auto-enhance and autotune everyone and everything around you, why would you not want to do that all the time?

Tiny desk concerts are such a big deal that, in 2014, T-Pain agreed to perform songs there without the use of autotune.

For a rapper who's defined musical trends, from sped-up soul samples to earnest autotune and emo rap, West suddenly felt out of step.

In fact, Kaytranada tweeted this afternoon that he sings in autotune on the album cut "Lust," which is a highly unusual move for the beatmaker.

I feel like Young Thug is like if that one period of Lil Wayne, where he got really good into autotune, became a whole artist.

But Johnston's work is proof that one doesn't need a fancy recording studio, autotune, or anyone else at all to write a deeply meaningful song.

They cut and autotune these sounds, splicing them with melodies from classroom instruments like melodicas and glockenspiels, or new agey equipment like theremins, for their tracks.

Then, he'll head into the booth, tell his engineer exactly which AutoTune settings to call up, summon a beat from a stray email attachment, and pounce.

The paid tiers give users access to more music software tools and autotune and increase the number of projects a user can have going at once.

We were first graced with the a cappella intro to the pure love song "I'm Sprung" in 2005, back when heavy autotune was a brand new thing.

Where Dylan went electric, Wayne began using AutoTune—then looked at as a passing curio—in weird and wonderful ways, amping up the otherworldliness of his voice.

Things like AutoTune, the use of samples and loops, and Digital Audio Workstations were all "disruptors" that we adapted to and are now commonplace tools and methods.

To come back to the Rolling Stones analogy, the "youthification" is the equivalent of the venerable band deciding to autotune (digitally alter the pitch of) their vocals.

The Future-featuring "Smoke Break" is a fun, heavy-lidded slice of trap, but with Chance's voice wrapped up in AutoTune, it just sounds like a Future song.

Elon Musk appears to have gone from tech titan to SoundCloud rapper overnight -- assuming a goofy autotune track about Haramabe that he linked to is actually his doing.

The one that makes T-Pai, an intelligent doghouse built into a five foot model of a London-style double-decker bus (not the dude who really loves autotune).

Other entries that have been seen before in The New York Times Crossword but add to the fun of this solve include WAX POETIC, OCTOPUSSY, GO PRO and AUTOTUNE.

Here's Cedric The Entertainer singing his new Christmas album on the spot ... with an a capella version of some holiday classics that removes any doubt he was using autotune.

It's an impressive cavalcade of autotune and synth pads that brings to mind Sky Ferreira (if you're being generous) or sped-up conference call hold music (if you're not).

Be smart: The pushback from the country music establishment shows that new tech can disrupt any genre — not just rap or pop, which often use autotune features and futuristic sound.

A couple of years ago, John Boswell made a splash when he began to autotune scientists like Neil deGrasse Tyson and Carl Sagan in a series called Symphony of Science.

And it's not a coincidence that Walter Bankston (Mike Britt), the neighbor who watches the survivors' SWAT rescue unfold — and gets the autotune treatment for the show's theme song — is also wearing yellow.

She would obviously perform her own songs, and unlike with certain Beauty and the Beast cast members (looking at you, Emma Watson autotune), this would be the purest of blessings and basically a freebie album.

Lil Tracy and Mackned lean more towards Southern rap flows with liberal use of autotune, Horse Head has a deliberate pop punk influence in his vocal melodies, and JPDreamthug's sound is colder and more futuristic.

If there's a major weakness to the film, though, it's that Watson doesn't have the pipes to play Belle: The autotune gets downright distracting in some points, and it takes away from Belle's solo songs.

But that isn't a knock on Boo Boo — Chaz Bear, formerly known as Chaz Bundick, retains the band's relaxed, Tame Impala-esque vibe while bringing in new elements like more extreme autotune and drum machines.

Lamar carries the song in much the same way, throwing us in and out of his natural register with (again taking after Wayne)) autotune, but with the added inclusion of string sections because duh, he's Kendrick.

The indie producer-singer Chaz Bundick (Toro y Moi) brings the many facets of his diverse musical catalog together and adds a slathering of well-executed autotune on his crisp and inventive single, "Girl Like You."

Unable to solidify his hold on Toronto, Lanez allows legions of Toronto rappers to mutate into uninspired Owl Clones, otherwise known as "Hooters", capable only of expressing themselves through Autotune and slow, groaning R&B samples.

The rising Sydney MC was blowing up on the back of his Dopamine produced track "Everyday," and his style that fused hard-hitting bars with just the right amount of autotune was gaining traction in Sydney and beyond.

We used a program called Melodyne, which is kind of like a polyphonic AutoTune, and we kind of tuned it 50 times, and the result of it is a kind of perfected, so to speak, version of sound.

Drenched in autotune and accompanied by melancholy keyboard plucks, Vann raps about feeling out of place with his childhood white friends, and McLennon solemnly narrates his conflicts with mental health ("Shit was never sunny, wrists were sort of bloody").

Replacing the jazz elements that flowed through "To pimp a butterfly" is a discordant batch of raw materials: siren-synth 808 beats, candy-cane autotune, slow, sparse reverb, scattered across the album's 54 minutes but never blended into a cohesive whole.

Read more: Ariana Grande shut down a person who accused her of using autotune at a concert: 'I could do this in your living room'Speaking to Insider, a representative for Forever 21 said the company is supportive of Ariana Grande's career.

His latest album, Father Figure—which we dubbed "An Album For Anyone Who Likes Breathing and/or Good Music"—combines undulating electronic beats with trap-influenced flows that get their melodic qualities from Raj's church-worthy singing voice instead of gratuitous autotune.

A decade ago, at the height of T-Pain's fame, the idea of an acoustic show would have sounded like a punch line: The musician most closely identified with the artistic use of the vocal-processing software AutoTune, performing without its assistance?

The video for "Used To This"—an autotune-heavy, piano-led radio banger—takes place between a stadium show and a women's soccer game, presumably as a #metaphor of some sort about how being a successful rapper is just like playing sports because WINNING.

" Adds the New Kids on the Block star: "The best part is that we have a karaoke machine that we use on holidays, and she sings the gobble-gobble parts of the song with the autotune—it's just like T. Pain singing our Thanksgiving song.

The 30-minute special, which is now streaming, is a riff on popular visual albums like Lemonade; except, instead of Beyoncé, viewers get bad haircuts, autotune, and plenty of hilarious '80s references, like Cool Water and Drakkar Noir colognes, NordicTrack exercise machines, and high-waisted thongs.

The imagery of a man in an eternal battle for his soul, combined with his application of autotune and usage of the right cadences and flows to convey his emotions, have led to some of the most haunting and contemplative songs of the century so far.

Also, interesting tidbit: "Believe" was one of the first tracks to ever use AutoTune, so as well as giving the world music that makes you want to stand on the nearest surface and scream whenever you hear it, she also basically made Travis Scott, Future et al happen.

Israel's El Al Airlines is so excited to fly the Queen of Pop to Tel Aviv for her concert on July 3 that they recently posted a video of the flight attendants dancing and lip-syncing to "Toxic" — the same song that was recently leaked sans autotune and blew people's minds.

You could argue that Lil Wayne's mainstream breakthrough in the late 00s is partially thanks to T-Pain; not only did the latter feature on big, iconic hits like "Got Money" but Wayne also borrowed heavily from T-Pain's AutoTune crooning on "Lollipop" and his own features (remember Kevin Rudolf?).

Opener "Never Again" is replete with a sing-songy chorus and Imogen Heap-esque AutoTune harmonies, while "The Ending" is like if a tropical house beat was fed through software that makes it sound like a lullaby—it's the best of the lot, with a hook that drifts up, taking you skyward.

Everyone is on fine form—Kim opens proceedings with an AutoTune-inflected verse, Trina takes the middle section with what is arguably the line of the track ("I'm better, better than them / And I get wetter than them," simple, effective and absolutely amazing), and Eve rounds off proceedings nicely with a good old fashioned brag-fest centred on her skills.

Read more: Ariana Grande said that touring is 'hell' because performing her own songs is 'like reliving it all over again'Ariana Grande's 20 most popular songs, rankedAriana Grande is suing Forever 21 over ads she says featured 'a look-alike model' wearing her signature hairstyleAriana Grande shut down a person who accused her of using autotune at a concert: 'I could do this in your living room'

They're totally massive in France—massive like their hit "Le Monde Ou Rien" from last year has 45 million views kind of massive—they were born in the Parisian suburb of Corbeil-Essonnes and the band are made up of two brothers who go by the names Ademo and N.O.S. Tonally the Algerian-Corsican brother's songs are melancholy Autotune-assisted numbers; their facial hair is very exacting.

The song features "latin flair, trappy electro-synth and burly AutoTune".

In 2009, Jay-Z shot the music video for "D.O.A." (Death of Autotune) at Rao's.

During World War II Collins Radio became a key supplier of ground, ship, and aircraft communication equipment, expanding from about 350 to a peak of about 3700 employees. Arthur Collins was a co-designer of the Autotune device.Collins, A.A. 1944. History of the Autotune.

On June 9, R&B; artist Trey Songz released an unofficial remix of the song on his blog. Renamed "Death of Autotune Kellz", it was directed at artist R. Kelly for using the effect on a previous mixtape.Death Of Autotune Kellz My Response Accessed 2009-06-09. Rappers AZ and Jay Rock have also both recorded remixes.

The EP's songs show heavy use of autotune, the songs were co-written by the Danish production team Pitchshifters (Mads Møller and Thor Nørgaard), and Medina.

With Suzuki's vocals being processed with autotune and vocoder post-production work, With Suzuki's vocals being processed with autotune and vocoder post-production work, "Super Music Maker" is a "funky" dance and disco song. "Super Music Maker" is recorded in both Japanese and features the English lyrics "Super music maker". While composing the track, knowing the single was to be influenced by Erotica, Nakata fused pop music with the theme and made "Eropop".

Sputnik Music gave the song a negative review saying that it "strives for an electropop sound, but ends up sounding like NSYNC if it were older and used less autotune".

Due to its complex analog architecture, the Memorymoog has been historically prone to certain reliability problems, and subsequently developed a reputation for non-roadworthiness. However, several factory updates - most notably the AutoTune Upgrade, which increases the "capture range" of the autotune circuit, allowing the instrument to tune itself more successfully - have made the Memorymoog a far more reliable instrument. Physically, the Memorymoog was extremely well constructed utilizing solid walnut cabinetry - again a nod to its Minimoog heritage - and brushed aluminum front/rear panels.

The song and the video also attracted mockery by other content creators who satirized it. A few days after the original was published, the rapper Jonas Platin uploaded a version of the original with edited acoustics which he claimed to be a recording of the song without pitch correction. His video spread quickly across various social networks and attracted a lot of attention.Hörsturzgefahr: Kein Autotune: So schief klingt Bibis "How it is" ohne Effekte auf „Männersache“So Hört sich Bibis Musikvideo (Wap Bap …) ohne Autotune an.

Her delivery is real confident now. It's definitely a new Kelly Rowland. She wouldn't even let me put autotune on her voice this time round. She was like 'No, I want people to really get me'.

The autotune. Most of the radio hits you hear now don’t even > have an actual musical instrument on them, at all. It’s all done by > sequencing on computers. And no, a computer is not a musical instrument.

Critical response to album was mixed. "MusikExpress" gave the album 2 out of 5 stars rating, calling it a "boom-boom-autotune". Overall, the album was mostly praised for lyrical improvements but criticized for the use of Auto-Tune.

Tom Breihan of Stereogum called the song "gorgeously thrumming". Salvatore Maicki of The Fader described the song as "intoxicating and gritty", saying Rosalía "whisks the deceptively simple production into a universe of her own with syrupy autotune and uncoy demands".

Any use of autotune, metronomes, quantizers, or anything similar is forbidden. # Vocalist must do all mixing and engineering by themselves. All outside assistance is forbidden. # All instrumentation must be externally sourced and licensed; no track-outs allowed under any circumstances.

On the single "On Fire" produced by Cool & Dre, Lil Wayne has been said to play the guitar; he plays bass in "Da Da Da". Most of Lil Wayne's vocals are recorded using AutoTune. He considered naming the album: "Rebirth Of Auto-Tune".

Zegler's YouTube channel has been active since July 2015 and has received attention. As of 2020, Zegler's video of herself singing "Shallow", from A Star is Born, has garnered over 11 million views on Twitter.Zegler, Rachel. "Someone: you use autotune...", Twitter, December 14, 2018.

"Wandering Star" and "Lay Your Cards Out" feature vocals by Mike Noyce from Bon Iver. On the use of vocal effects, Leaneagh explained that "I'm not using Autotune to correct my voice, I'm using it to distort it, to catch the notes in between the melody line".

" Gina Sepre of E! Online praised the performance saying, "When Adele took the stage to perform her understatedly stripped-down and hugely impactful performance of 'Someone Like You,' there were no pyrotechnics, no acrobatics, no lavender hair, and no autotune. And guess what? We didn't miss it.

Maldonado states his musical influences are reggaeton & rap. Maldonado stated that his biggest influences are rappers like Control Machete, Cypress Hill, Dyablo, Magisterio, Caballeros del Plan G, Gamberroz, Big Boy and Vico C. Maldonado's music has been known as "reggaetonero" and "romantic rapper". Most of his songs are often used autotune.

"Brave" was recorded in 2010 at Casa de Kelis studios in Los Angeles, California. Robert Orton mixed the track, whilst Ryan Buendia recorded it. Orton had arranged and edited the vocoder and autotune post-production tools. Kelis' edited vocals are delivered during the first verse, between 30–34 seconds of the song.

The channel also periodically aired a short-form program called The Parker Report, hosted by Erik Parker; in each episode, Parker featured hip-hop artists, normally under a theme (for instance, one episode featured the Grand Hustle team of T.I., Alfamega, and Big Kuntry King) to talk about issues in hip-hop. In the aforementioned episode, the four discussed the autotune "T-Pain" effect and about how he rediscovered it. The panel came to a conclusion about the issue discussed; for instance, the guests and host came to the conclusion to, when using the autotune, either "shout out" to T-Pain or feature him on the record. The network also aired the Ozone Awards for several years under a brokered programming arrangement.

This track follows the style of her previous single, "Air Balloon", and is a bubblegum pop and electropop song. The song also features heavy amounts of autotune, as well as chipper synths. Described as a "no brainer [song]" by Allen herself, the song describes her love to a man, whom nobody can ever steal away from her.

Arbiter introduced Autotune in 1975, which allowed drums to be quickly replaced and retensioned. In the late 1980s, while visiting Japan, Arbiter discovered karaoke and began importing and manufacturing karaoke machines. In 2001, Arbiter received a lifetime achievement award from the Music Industries Association. Arbiter retired in 2003 and died in London in 2005 after a battle with cancer.

Charles Holmes of Rolling Stone judged that the song keeps PartyNextDoor's "tropical pop and drastic AutoTune vocal runs [...] intact, but there's also a new sense of sweetness". Jordan Darville of The Fader wrote that the track "combined PartyNextDoor's talent for the left-of-center with his impeccable pop instincts, which were boosted by a feature from Drake".

"Boyfriend" is a mid-tempo pop song which utilizes styles of dance-pop, hip-hop and teen-pop. The song features the use of monochromatic beats, condensed instrument sounds, layered and tuned vocals and autotune. According to the digital music sheet published at Musicnotes.com by Sony/ATV Music Publishing, the song is composed in a key of E major.

Discussions with Auto Union led to a Caribbean shell being mated with a DKW Junior chassis, a Mantzel-tuned prototype reaching 106 m.p.h.Motor Sport, April 1963, Pages 259-261. As the result of a slump in sales, Falcon Cars was wound up in 1964. Falcon Mk 2 was relaunched in the late 1980s as the Autotune Gemini.

Since the song is copyrighted, any footage containing that song can't be used. Therefore, Tracy's irresponsibility wouldn't be aired on the show. Liz tries to outcrazy him with autotune, but she later realizes that she can't match his insanity. They finally talk it out alone and each argue that the other person would have been a failure without their help.

Heartbreak on Hold spawned two singles during its promotional activities. The first single was "Elephant", featuring and produced by Colombian musician Erick Morillo. Despite continuous delays, the song was released on 9 March 2012 on digital formats. "Elephant" received mixed reviews from music critics, with most critics being ambivalent towards the track's production, composition and use of Autotune and Vocoder effects.

Accessed March 25, 2008. the group "wanted to give it that other side of crossover, and go a little bit to that pop realm". "Forever" is one of four new songs Brown recorded for the re-release of his second studio album Exclusive. He recorded the song using an autotune effect, as he did in one of his previous singles, "Kiss Kiss".

" On the content of A Love Letter to You 3, Trippie Redd told Lowe: "It has some stuff about relationships, but that's life. 'Toxic Waste' is about a toxic relationship. What you hear is mixed — everybody has to mix their vocals for how it's supposed to sound. When I record, I do use autotune, but I don't use it how people use it.

"Litty" is a hip hop and trap song. The rappers talk about their luxurious lifestyles with "machismo-like" lyrics. Due to his heavy use of AutoTune, Tory Lanez's feature was initially mistaken for Travis Scott. Meek Mill and Tory Lanez both take shots at Drake; Lanez references Quentin Miller, whom Mill accused as a ghostwriter of Drake in a number of his songs.

In the chorus of the song, Ryan Beatty sings about spending his nights alone waiting for someone to call him, and that specific person is someone he wants by his side when he falls asleep. Dom McLennon emotionally sings about a troubled relationship in autotune, and Matt Champion's verse references drug use. Bearface's verse is a pre-chorus, and Kevin Abstract sings the bridge.

In some parts of the song, the singer changes her microphone to one that has an electronic effect that allows her to sing higher notes that may seem as autotune. She proceeds to perform J Balvin's "Brillo" where she puts on sunglasses and plays around with her hair alone. The unreleased track "Como Ali" is the following song. Her dancing crew accompanies her during this song.

Caitlin Devlin, Console, International Pony, Johannes Heil, Autotune, Justus Köhncke & Band, Phantom/Ghost, Telemen Hanson & Schrempf, Dapayk, Metaboman, Fuzzel, Sven Väth, Richie Hawtin, Westbam, Timo Maas, DJ Rush, Chris Liebing, Bad Boy Bill, ;2004: Green, Pitchtuner LIVE, MIA. LIVE, Alter Ego LIVE, The Orb LIVE, The Chemical Brothers LIVE, Carl Cox, Richie Hawtin vs. Ricardo Villalobos, D.Hoerste aka White Horse, Standent Elise, Windy, Apollo ft.

In sections where the jazz arranger wants the performers to read notated pitches rather than improvise, they indicate this with the notation "as is". autotune : A pitch correction effect that corrects sung or played pitches. With extreme settings, it creates unusual sounds that are used in some pop and hip-hop genres. There has been debate over the use of pitch correction in popular music.

Instrumentals often also have a sliding bass, hard hitting kicks, and dark melodies. AXL Beats explained that the 808's and fast-tempo snares are derivative of grime music. Both genres typically utilise a tempo of approximately 140 bpm. Autotune, unlike American drill, is largely absent within UK drill, with British drill artists utilising a much harsher, stripped-back delivery indebted to grime and earlier road rap.

"Reincarnation" was recorded in late 2008 at Avex Studio in Tokyo, Japan. "Reincarnation" was described as a dance-pop song with numerous musical elements, including club music and electropop. Throughout the entire song, Suzuki's vocals are processed with autotune and vocoder post-production work. Tetsuo Hiraga from Hot Express noted the "super aggressive" progression of Suzuki's club music sound, and believed that the progression was due to her DJ work.

Address to Collins Radio Technical Association, May 2, 1944. Invented for commercial aviation shortly before the war, it allowed the pilot to remotely switch to preset frequencies. Autotune precisely adjusted the radio in about 40 seconds, without the lengthy hand- tuning normally required by a designated radio operator. The ART-13 100-watt HF military radio was highly prized for this feature and for its rugged and reliable construction.

Pitch correction/vocal effects: Pitch correction effects use signal-processing algorithms to re-tune faulty intonation in a vocalist's performance Brice, Richard (2001). Music Engineering, Newnes. p. 413. or create unusual vocoder- type vocal effects. One of the best known examples of this is Autotune, a software program and effect unit which can be used to both correct pitch (it moves a pitch to the nearest semitone), and add vocal effects.

"Nick Clegg Says I'm Sorry (The Autotune Remix)", also shortened to "I'm Sorry", is a 2012 song created for the satirical website The Poke by music producer Alex Ross. The song is a remixed version of a video of Nick Clegg (then Deputy Prime Minister of the United Kingdom) apologising for voting in favour of raising tuition fees. The song reached number 143 in the UK Singles Chart.

According to ABC News blogger Allan Riable, he analysed the song; "An electronic effect is evident on her voice, but it's subtle enough not to draw attention away from the track's focus. Such an effect is more of a sonic decoration than a vocal fix." During the third chorus, the electronic synths are replaced with an acoustic guitar. During this section, Kelis' vocals are not edited with autotune or vocoder.

Siddarth Srinivas of Cinemalead gave 2 out of 5 and concluded, "Though the autotune tsunami bashes this album to an extent, Thaman has come up with decent songs in "Manamae" and "Aetti Enga Porae". The saturation point has been breached for the composer, and its high time he comes up with innovative music. Otherwise, he better stick to the Telugu industry where he is a celebrated figure!"Srinivas, Siddarth (2 September 2014).

In 2011, the band released a new album "Недетское время" ("Nedetskoe vremya", A Time not for Kids), featuring a more electropop- sounding style, and for the first time the autotune was used. The album itself was released online for free. In July 2012, Timofeev left the band to start his own solo career. The main reason cited by both sides was a continuous strain in the relationship between Nikolay and the rest of the band.

He expressed disappointment that he was never allowed to collaborate with Wilson for the album That's Why God Made the Radio, as had been promised, and that during the performances, she attempted to install an autotune unit on each of the band members' microphones. This was the beginning of some backstage quarrels between Love and Ledbetter, which ended with his stipulating that she be banned from rehearsals until the tour was over.

Retrieved on 2010-11-18. Sputnikmusic's Channing Freeman viewed that while the album featured a number of songs longer than five minutes in duration, "they all feel incredibly lean and devoid of bullshit". Freeman stated that the track primarily "slides right by because of its gorgeous beat and Kanye's excellent vocals (808s-style singing sans autotune plus laid-back rapping), and the instrumental second half of the song is beautiful."Freeman, Channing (2010-11-11).

Musically, "Brave" is a mid-tempo disco song, influenced by heavy elements of electronic dance music. The song opens with a slow-pace, until it progresses with electronic dance music. Throughout the song, Kelis' vocals are heavily processed with autotune and vocoder post- production tools. Lyrically, the song is a self-empowerment anthem that discusses several phases of her personal life, including marriage/divorce, self-discovery, and the birth of her son.

Majority of the numbers consists of synthesizers, drum machines, electric and acoustic guitars, and keyboards, whilst it was the group's first experimentation with tools such as autotune and vocoder. Upon its release, Tangled Up received universal acclaim from music critics, who commended the dance-oriented sound, songwriting and fun production. However, minor criticism was aimed towards certain inclusions on the record. Despite this, Tangled Up has been identified by numerous commentators as Girls Aloud and Xenomania's best work.

While temporarily living in his hometown of Las Palmas de Gran Canaria, El Guincho started working on what would be his new album, HiperAsia. With a departure from his more tropical sound, the album takes influences from trap and electronic music, and employs heavy use of Vocoder and Autotune. It was released in 2016. Around 2016, El Guincho saw Spanish singer Rosalia live, and fascinated by her sound he contacted her through social media looking to do a collaboration.

T-Pain stated that after Jay-Z released "D.O.A. (Death of Auto-Tune)", the first single from The Blueprint 3, his 2009 album, he would still continue using autotune and release his new album UBER. In an interview with Ryan Seacrest, T-Pain confirmed that he was working on a song with singer Kesha and rapper Pitbull to be featured on the album. T-Pain later renamed the album RevolveR and expected to release his album in 2010.

"Soft" as chosen for Japanese to give a more whisper-like quality to the vocal. The Japanese "normal" draft was powerful in pitch especially with #G3, a decision was made to not focus on power. The plug-in "Electronica-Tune" was designed to be a snap-in pitch plug-in and mimicks Autotune, adding vocal effects within Vocaloid itself rather than via the DAW. On September 18, the winner of the design contest was revealed to be mikuma.

The majority of the album was recorded in Dessner's garage studio in Hudson Valley, New York.. The album seeks to convey the relational role of people in the creation of music, hence why there were so many contributing artists. In March 2020 the Vernon produced album "Sorry You Couldn't Make it" by Swamp Dogg was released. Vernon also played guitar on all of the tracks. He had previously appeared as a guest on Swamp Dogg's 2018 album Love, Loss & Autotune.

Jackson's official website announced a music video for "Hollywood Tonight". While expected originally to be released at the end of February, it was later pushed back to March 10, 2011. A 19-second sneak preview of the video was made available on Jackson's official Facebook page. On March 10, as expected the full video was released with a new mix called "Throwback Mix", featuring alternate demo vocals without autotune, sampling the beat of "Billie Jean" and removing the spoken word bridge.

Pre-Human Ideas is a compilation album released by Phil Elverum under the name Mount Eerie, on November 12 2013. The album consists of computerised versions of songs from his 2012 releases Clear Moon and Ocean Roar, plus 2 organs excerpts from the songs 'Pale lights' and 'the Place Lives' from Clear Moon and Ocean Roar respectively. The album is a diversion from Elverum's typical sound with his vocals layered in autotune and pitched higher in some instances to resemble a female voice.

Jay-Z and West worked with several guest recording artists, including Beyoncé, Frank Ocean, and Mr Hudson. "No Church in the Wild", the last song recorded for the album, was conceived by Jay-Z, West, and the song's producer 88-Keys throughout most of June. Producer and recording artist The-Dream sings a verse on the track using AutoTune. The song features R&B; singer Frank Ocean, who released his debut mixtape nostalgia,ULTRA in early 2011 to critical acclaim.

Development of harmonic enhancement was in its first stages in 1999 when Antares, developer of Autotune, noticed that the tube emulation feature in its microphone simulator was used more than its other features. In response, Antares created a specific plug-in, called Antares Tube, which implemented tube emulation. The algorithms for harmonic enhancement were just beginning and market interest was shown to be present. During its development period, harmonic exciters and harmonic enhancement plug-ins were looked down upon by most of the pro-audio industry.

Originally, it was supposed to be released in early 2013, but the album was held back and released on April 22, 2014. Bell has described this as his dream album, working with his childhood guitar hero, Brian Setzer, and having Setzer executive produce and also play on the album. The album is notable as having been recorded live, with no autotune, no computer enhancements and no use of a click track. "Bitchcraft", the lead single of the album, was released on January 28, 2014.

"All Time Low" received its second four out of five star rating after a review by Fraser McAlpine from the BBC. McAlpine reviewed the track mentioning: "Now, for a transparent piece of silly old pop music, this has class cooties. The telltale signs are there in the string riff, and the mature, subtle way they approach the singing, and the restraint with which they have applied the autotune." He went on to say that the song was good despite sampling a melody from Coldplay's "The Scientist" (2002).

Produced by Zedd, "Heaven" was compared to the work of Lady Gaga. The high- energy track "Poison" is another club number that focuses on the theme of love, whereas the following song "La La La" is inspired by dancehall and trance music. The latter track was described by St. Michel as one of her more "confiden[t]-ridden" examples on the album. "Supernatural Love"—another high- energy recording—includes heavy usage of vocoder and autotune techniques, and also borrows sonic influences of K-pop.

Sivan described "Take Yourself Home", saying, "I loved the idea of there being this really gentle, beautiful acoustic guitar and this like gentle, beautiful melody." The "catchy" song took on a darker atmosphere than originally intended, featuring a "hauting melody" and an electronic dance coda. Paper called it "perhaps the first great song to come out of our collective apocalyptic state of mind during the COVID-19 outbreak". "Easy" contains "'80s pop synths", evoking "an earlier version of Troye with an upgraded style" and "stylized" autotune.

Maiellaro provides the voice of Err the Mooninite, the Cybernetic Ghost of Christmas Past From the Future, and other various roles on Aqua Teen Hunger Force, as well as various characters for the other Adult Swim shows he's involved with. When voice acting on Aqua Teen Hunger Force, he is sometimes credited as "The Amazing Voice of Matt Maiellaro". Maiellaro also provided the voice for Mouse Fitzgerald, the main protagonist in his series 12 oz. Mouse. Most of the time, his voice is modified through Autotune.

Kumi announced that she would release a new extended play, marketed as a single, entitled 3 Splash, which would consist of three recordings: "Lick Me", "Ecstasy" and "Hashire!" with three additional interludes. 3 Splash opens with the first interlude, "09:00AM", which is an instrumental piece with "groovy" DJ spins and scratches. "Lick Me", the first tracks to include vocals, is an uptempo "cute summer number" with suggestive lyrics. "Ecstasy" is an electronic song with Kumi's "cool husky" vocals being heavily processed with autotune and vocoder effects.

Viper is prolific, having released 347 albums in the year 2014 alone. His low-budget, DIY aesthetic is present not only in his music but also its accompanying videos and album art, which frequently consist of simple self- portraits, clip art and his name and the album title superimposed in plain text. Musically, he is recognized for his deep voice, occasional use of autotune, and slowed-down, low-fidelity and glitchy and ethereal production typical of cloud rap or the chopped and screwed subgenre native to Viper's Houston scene.

In 2017 as part of the 25th year of Star Magic together with Julia Barretto, Liza Soberano, Kathryn Bernardo, Janella Salvador, Maris Racal, Sofia Andres, Sue Ramirez, Alexa Ilacad, Ylona Garcia, Andrea Brillantes and Kira Balinger, they were featured as the cover girls of the June 2017 issue of Metro Magazine as the "twelve hottest" young stars of Star Magic. She was cast on the primetime television series The Good Son playing the role of Hazel. In 2018, her song "Sasamahan Kita" was released which is gadget-oriented incorporated with autotune.

The album was recorded and mixed exclusively with Steinberg Cubase digital audio workstations on Microsoft windows operating systems with Waves SSL and Abbey Road TG12413 plugins. It was revealed that neither Brahm nor Marc know how to operate Autotune, so it was not used. The songs were often performed to a click track, but there was no "snapping the drums to a grid", which is a popular computerized technique to ensure that drums are in perfect time while simultaneously sucking the life out of an otherwise real performance.

Soundtrap is a freemium online cross-platform digital audio workstation for browsers that allows users to create music or podcasts. The DAW is operated by Soundtrap AB, which was bought by Spotify in November 2017. Soundtrap is offered in English, Spanish, French, German, and Swedish, with the latter four being added in 2017. The DAW includes inputs for external instruments, a instrument player, a way to input and export MIDI files, collaboration features, Patterns BeatMaker (introduced in 2017) and a built-in autotune provided by Antares Audio Technologies.

Reviewing the reissue, Kris Needs of Record Collector wrote that the "cut-and- paste beats and sample-based rough house" would become "a major influence through to the next decade." He concluded: "In today’s laptop-and- autotune quagmire, it’s time to hear again from a real master at work." In the 2000 third edition of the All Time Top 1000 Albums, All in the Mind ranked at number 31 on a list of the all-time top 50 dance albums.All Time Top 1000 Albums, 3rd Edition, Virgin Books, 2000, ed.

The song has a futuristic beat and creates different scenarios about men being misled and blown off by women. The title and style of the song refers to the chopped and screwed genre of music created in Texas. It also features the autotune feature to produce its static and powerful beat T-Pain performed the song on Saturday Night Live on November 22, 2008 with Ludacris, along with "One More Drink". At the 2008 BET Hip-Hop Awards, T-Pain and Ludacris performed the song along with Lil Wayne.

Both tracks feature autotune and vocoder pro-tools, a first for Hamasaki. The album's sixth track, "Green", shows a departure from the album's earlier electronic style; it focuses more on older traditional Japanese sound, alongside instrumentation of electric guitars and drums. The album's third interlude, "Load of the Shugyo", was described as an "atmospheric" number with heavy rock instruments in its composition. Rock music is then influenced on the following tracks "Identity"—a song that discusses about self- confidence—the single "Rule", and the tune "Love 'n' Hate", which talks about the effects of lust.

Musically, "Universe" is an "aggressive sounding" dance tune that was noted as an "edgier" departure from their work with E-Girls, Happiness and Flower. According to a staff member at Selective Hearing, he/she recognized the sound as a "crossover" between the work of E-Girls and Japanese singer Namie Amuro. An editor at Asian Junkie, however, noted its appeal as a "safe EDM track". Throughout the track, both Shuuka and Karen's vocals are processed with vocoder and autotune, and performed it with "high-pitched" singing and an additional rap section before the first chorus.

Musically, "Free Free" is the creation of a newly founded genre by Nakata titled Eropop, which he generated by combining 1980s pop, house and disco music; furthermore, the single also incorporates influences of contemporary EDM. The lyrical content is based on the theme of freedom and having fun. With that said, erotica is another factor that inspired the tracks lyrics and Suzuki's image for the track. Backed by synthesizers and keyboards, it is Suzuki's first English language recording and her vocals are processed through pro-tools such as autotune and vocoder.

It instantly became the biggest clubbing megahit of all time. Lyrics "Sedmi sprat i mrak u stanu, znam da imaš to u planu, da mi pokažeš koliko si jak...baš se vidi da si lak" (Floor seven, it's dark in your apartment, I know what you have on your mind, you want to show me how strong you are....you are so easy...) are accepted as a sort of a hymn to the clubbing, outgoing persons. Third single was "Slaki", an uptempo Latino-Greek style summer hit. It was the most famous for extensive use of autotune and vocoder effect.

The single was released a week after the album's first single, "Aishi Aisarete Ikiru no Sa" (a Kenji Ozawa original), on October 20, 2010 on online retailer iTunes. A teaser PV for the single was released on November 3, 2010 via D-Topia's official YouTube account, along with the song's sample with the other tracks on the same day. The lyrics for the song was written by Mitsuki Aira herself while the composition was written by Alex Funk It. The lyrics are expressed using autotune, in which voice shifting devices became a standard in almost all of Aira's songs.

The song has received positive reviews from several publications. Many of them deemed "Faith" an EDM song. Effectively, Cillea Houghton of American country radio KEAN-FM called the single "an EDM production" and "a feel-good jam made for the club with its infectious techno-style beat" and with "Parton's voice [which] still shines even with autotune on lyrics that make her a loyal and encouraging companion as she sings [her chorus]". Annie Reuter of Billboard called the song a "dance-ready track" with the presence of "thumping beats and hand-clapped rhythms [which] replace the piano for a sing-along earworm".

Drum replacing is often mentioned, along with autotune, harmonizers, and advanced compressors, as being symptomatic of the "artificial nature" of modern western music by certain critics. Some critics suggest that the practice defeats the purpose of having a live drummer as opposed to a drum machine, since the end result is effectively exactly the same as what a drum machine would produce if the drum machine had a custom sample recorded for it by the engineer. Others laud it as one of the subtleties of studio technique, used by engineers to give their craft more complexity in an increasingly automated world.

"Can't Stop the Disco" was recorded mid 2008 by Nakata at Avex Studio in Tokyo, Japan, and was co-distributed by Nakata's label Contemode, owned by Avex and Yamaha in Japan. "Can't Stop the Disco" was described as a dance-pop song with numerous musical elements, including techno and club music. Throughout the entire song, Suzuki's vocals are processed with autotune and vocoder post-production work. Tetsuo Hiraga from Billboard's Hot Express magazine compared the "club" sounds and production to Suzuki's previous single "Free Free", feeling that both songs displayed "full energy" and "dynamism" through Suzuki.

This caused some problems for producers Take a Daytrip as the popularity of these snippets meant that much of the work had to be "locked in" so the resulting songs would match the previews. Lil Nas X announced the 7 EP on May 18, 2019, on all social media platforms along with its June 2019 release date. This teaser included the snippet of a song described by Spins Rob Arcand as "singing a trap-pop hook through a slurred AutoTune drawl". Lil Nas X stated that the EP would include a collaboration with "one of [his] favorite artists ever".

"California Boy" is a rock song and takes influences from various subgenres, including garage rock, surf-pop, college rock and soft rock. The song does not utilize rhyming and beats unlike Lil B's previous works in hip hop genre, opting for a guitar-based sound reminiscent of the style of indie rock acts such as Real Estate and Best Coast. The song also incorporates acoustic elements. On the song, Lil B stated that he didn't use Autotune effect on his vocals, in reference to its extensive use on rapper Lil Wayne's rock music album, Rebirth (2010).

Dogma 19 seeks to purify the creative process of the vocalist by forbidding the use of expensive, artificial, and otherwise spectacular special effects, pitch correction, modifications and other technical gimmicks (autotune, quantizers, and so on). It is a challenge, a test, a ritualization of the vocalist's approach designed to raise talent and ingenuity to the forefront of the audience's concerns. Listeners are brought closer to the artist, their attention no longer distracted by overproduction. Dogma 19 records are characterized by a conformation to the following rules: # All writing and recording must be done alone, in isolation.

The track was recorded with "Super Music Maker" between June–July 2007 at Nakata's home studio and Avex Studios in Tokyo, Japan, and was co-distributed by Nakata's record label Contemode, which was owned by Avex and Yamaha. Suzuki's vocals were processed with pro-tools such as autotune and vocoder, all programmed and managed to Nakata. The lyrical content of the recording is based on the theme of freedom and having fun. With that said, erotica is another factor that inspired the tracks lyrics and Suzuki's image for the track; she commented "the theme [of the track] is to sound erotic,".

It is his first album in which autotune is used, a controversial step among his fans. The album brings us the (fictitious) story of Chris Carlino, a man who has ruined his life, through a series of interludes. As usual for KJ-52, the album includes both songs with a strong Christian message and songs that are meant only to entertain. KJ-52 also rapped in the Newsboys cover of "Jesus Freak". KJ-52 also rapped in the tobyMac remix of the song "One World" on the album Hip-Hope which also includes the KJ-52 remixed song "What You Want".

"Lost My Mind" is a sparse mellow dance ballad, with heavy Autotune that discusses the end of a relationship, whilst Allen questions her own sanity after a painful breakup. "Higher" contains elements of dancehall, soft guitar notes and bass switches, whilst lyrically the song is a melancholy relationship drama that starts with an intro performed by grime MC Meridian Dan. "Family Man" is a piano ballad that drew comparisons to the work of The Carpenters. "Apples" features Allen singing over a guitar in a falsetto vocal, whilst lyrically it deals with the breakdown of Allen's marriage, self blame and drawing a connection between her marital failures and her parents.

He set a microphone up in a bedroom and he would sit in another room with his computer. We also didn’t have to spend as much time doing takes because so many producers want to use autotune.” With recording postponed several times due to intense touring and further songwriters and producers such as Dem Jointz, Modern Future, Kid Monroe, Raphael Saadiq, and Taura Stinson joining the project, the record started to morph into a more traditional contemporary R&B; and soul album. While Jointz and Stinson would contribute two tracks each, Saadiq collaborated with the band on his song "I'm Good" during recording at the Blakeslee Studios in North Hollywood.

" Sarah Rodman of The Boston Globe gave a mixed review to the album, when she alluded that "Much of it is perfectly acceptable. All of it is executed competently", yet Rodman called the lone highlight the "dusty story song" of "Granddaddy's Gun". In addition, Rodman noted that the album "doesn't offer enough personal touches to distinguish it from a lot of other tales coming out of Nashville." At Entertainment Weekly, Melissa Maerz signaled that Shelton is "just not a gravitas kind of guy, and the outdated production only makes it harder to take his songs seriously, especially with the talk-box-style guitar effects and the ill-advised use of AutoTune.

In that regard, Good Karma is a success—it's a mature Roxette album that doesn't disavow their past—but it's hard not to miss the bubblegum Euro style of Look Sharp!" Cryptic Rock rated the album four stars out of five, saying the record saw Roxette "soaring again", describing it as the "perfect album to celebrate Roxette's thirtieth anniversary in the music industry." The record received some mixed reviews as well. Dagens Nyheter rated the album 2 out of 5, saying Gessle and the producers sought to appeal too much to "today's young, electronic chart pop" listeners, "with digital loops, EDM beats, autotune voice and rave synths.

While her vocals on Animal were heavily processed with auto-tune, often to produce rapid stuttering or over-pitch corrected vocal effects, leading to questions on vocal talent, she expressed confidence in her abilities, showing some of her vocal talent in the ballads "Animal" and "Hungover" on the album. Kesha's second studio album Warrior used considerably less autotune, although it still showed in a number of songs. The album's piano and guitar-driven ballads such as "Love Into The Light", "Wonderland" and "Past Lives" display Kesha's vocal ability. Kesha also uses a trademark talky "white-girl" rapping style with exaggerated discordant phrasing and enunciation.

6 Force is the first mini album (third overall) of electronica singer-lyricist Aira Mitsuki. It was released on June 2, 2010 in Japan by D-topia Entertainment, and is her last release under the label. It reached #11 on the Oricon Daily charts and #34 on the Oricon Weekly charts, where it charted for two weeks, selling 3,391 copies. The mini-album marks Aira's experimentation with rock music, such that half (Fake, Level5 and Turkey) of the mini-album didn't much involve the characteristic use of autotune and vocoders and are in a new-wave rock style, showing Aira's true voice for the first time.

" Hip Hop World Magazine granted the album 4 stars out of 5, acknowledging Savage for "producing an album that accommodates her songwriting skill and pop ambitions." In a less enthusiastic review, Ogaga Sakpaide of TooXclusive gave the album 2.5 stars out of 5, adding, "Despite the involvement of different production "heavyweights" on the album, the total body of work lacks an actual identity." Sakpaide also stated that the record is "lacking the organic sound an album should possess." Wilfred Okiche of YNaija extensively said, "At 21 songs, there are just too many fillers, too much autotune, too much Don Jazzy and an over dependence on the gloss.

Ska group Suburban Legends regularly perform the song at their live shows, later releasing a studio version on 7" vinyl as part of Asbestos Records' Ska is Dead 7" Club. Los Angeles-based rock band Vayden released a rock remix, and Spanish language versions "Bed Intruder (Discoteca En Español)" and "Bed Intruder (Rock En Español)" under the alias Hide Your Kids in 2011. On August 1, 2020, the Gregory Brothers uploaded a remaster with improved autotune for the original's 10-year birthday, with a message from Antoine Dodson, encouraging viewers to vote in the election and wear masks to curtail the Covid-19 pandemic.

Later, the Kan Israel Broadcasting Corporation sued Live Nation over the performance, claiming the singer's representatives had violated the terms of their agreement and "reneged on financial promises". CNN's Holly Thomas expressed that Madonna "didn't do or say much besides create an obtuse spectacle against the backdrop of a frankly terrible song" and "offered her audience no meaningful education of the conflict she alluded to". In addition to the controversy, the singer was criticized for her vocal performance; Netherlands announcer Emma Wortelboer quipped she was “thankful for Madonna’s autotune” during the results segment of the competition. One day later, a video of the performance was uploaded to the singer's official YouTube account, this time her vocals were edited.

Initially, the tracks were to be appear on Tha Carter IV, but Wayne decided to put the old tracks on the album so new music could be recorded for Tha Carter IV. \- He uses no autotune on the album: according to Birdman, it's just "raw rap". The production to bonus track "YM Salute" was originally recorded by Young Jeezy and Ester Dean as potential material for Young Jeezy's forthcoming album TM 103. The song "I Don't Like The Look Of It" was originally released on Gudda Gudda's 2010 mixtape "Back 2 Guddaville" with a different beat under the title "Willy Wonka". The instrumental was changed when it was released on this album due to sample clearance issues.

"One" was recorded in early 2008 by Nakata at Avex Studio in Tokyo, Japan, and was co-distributed by Nakata's label Contemode, owned by Avex and Yamaha in Japan. The song was described as a dance-pop song with numerous musical elements, including club music and electropop. Throughout the entire track, Suzuki's vocals are processed with autotune and vocoder post-production work; the delivery is from the intro chorus and end of the song. Tetsuo Hiraga from Billboard's magazine Hot Express compared the "club" sounds and production to Japanese trio Perfume, a project that Nakata has contributed and produced since 2008; Hiraga felt Suzuki's song and Perfume's work emphasized a similar "club" and "energy" sound and feeling.

Seth Bogart was produced and co-written by Cole MGN, and also features vocal performances from Chela, Kathleen Hanna, Tavi Gevinson, Jeremiah Nadya, and Clementine Creevy. Seth Bogart was promoted with an art show, videos and a tour that contained props inspired by Pee-wee's Playhouse, as well as numerous pre-album song premieres. Upon its February 2016 Burger Records release, the album was praised by some reviewers for its concept of fakeness of apparent beauty in celebrity and fashion culture, as symbolized in its use of cheap keyboard sounds and vocal effects such as autotune. There were also critics that complimented its combination of elements of punk and pop music and liked it as being a fun record.

In July 2007, Snoop Dogg made history by becoming the first artist to release a track as a ringtone before its release as a single, "It's the D.O.G." On July 7, 2007, Snoop Dogg performed at the Live Earth concert, Hamburg. Snoop Dogg has ventured into singing for Bollywood with his first ever rap for an Indian movie, Singh Is Kinng; the song title is also "Singh is Kinng". He appears in the movie as himself. The album featuring the song was released on June 8, 2008 on Junglee Music Records. He released his ninth studio album, Ego Trippin' (selling 400,000 copies in the U.S.), along with the first single, "Sexual Eruption". The single peaked at No. 7 on the Billboard 100, featuring Snoop using autotune.

The > same four chords around and around, the different spiralling melodies, the > chuntery synth...well all I can say is that some songs are built for > repetition and some are not. One more play of this and I am going POSTAL. > Interesting how they really layer on that autotune at the crucial moment, > the bit where he claims to want to give you, the most important person in > his life and therefore his most precious love, his name. I wonder if that's > so the song can't be considered to be legally binding, should McLean's > actual girlfriend sue him for non-delivery of ring and promise in the event > of his becoming famous with a song in which he promises to marry her.

From their EP Hot Issue (2007), the "shibuya-kei-influenced" "Fool" (Korean: 바보; Revised Romanization: Babo) contained a "heavy dance beat paired with a smooth disco coating." "Day by Day" from Stand Up (2008) was admired for "weaving in and out of tempos seamlessly and forcing a sense of anxiety on the listener through the beating undercurrent" and hailed as an "experiential masterpiece". They also collaborated with the Korean rock-band No Brain for the rock song "Oh My Friend". Alive (2012) was noted for showcasing the group's voice instead of their usual autotune, being described as having "a mature kind of intensity", with "Blue" being distinguished for including "more interesting electronic samples and production techniques" and "Bad Boy" described as having a "nostalgic" sentiment, being called a "perfect pop song" that "transcends language".

Complications is the eighth and final studio album by Spanish rock band Dover, produced by Jesús Antúnez and published by Sony Music Spain on 9 February 2015. After a record break of five years since I Ka Kené, published in 2010, the Madrid band released a new album that leaves aside the electronic sound of their previous two albums to return to their rock roots. As pointed out by their label, Sony Music, it is a total of ten songs "inspired by their favorite bands ever, but with tons of charisma." The album features heavy use of autotune and religious references in songs like "Sisters Of Mercy" which may be a callback to the album Devil Came To Me but with a different perspective than what was on that album.

In a further review, Wass called it a "dancehall-lite collaboration [...] no less subtle in its messaging or execution", but criticized the singer's heavy use of autotune. Varietys Jeremy Helligar criticized its lyrics for being "cliché" and said that they "go low when [Madonna] should be aiming higher". Kitty Empire of The Observer criticized the lack of chemistry between Madonna and Quavo, an opinion that was shared by New Yorks Craig Jenkins and the New York Posts Chuck Arnold. On a more negative review, Rich Juzwiak from Pitchfork said that "[Madonna] warbles through Auto-Tune and adopts a contemporary hip-hop posture that ends up just sounding like a flat sort of honking out of her nose. It’s not so much that she’s riffing on hip-hop that’s the problem [...] it’s that she’s being smarmy as she does it".

"Welcome 2 the Party (Ode 2 the Old School)" refers to Orson Welles' Paul Masson adverts with the lyric "I will serve no rhymes before their time". "Where U At Rock?" references philosopher Ayn Rand. "Only God Knows Why" is a country ballad, noted for its prominent use of autotune. The lyrics of "Black Chick, White Guy" deal with Kid Rock's ten-year off-and-on relationship with a classmate named Kelley South Russell, with whom he fathered one child and raised another child from a previous relationship, but broke up with her after finding out that a third child he was raising wasn't his, after which he gained custody of his son, Robert James Ritchie Jr.; these events became the inspiration for this song, which discusses them directly, although Russell denies some of the allegations made against her in the lyrics.

PopMatters listed the track as the 10th best single of the year, with the magazine's Josh Timmermann admitting it "isn't quite a pop-cultural event" like other songs by rappers while calling the track "a weirder, moodier, more personal creation" and citing it as proof "that Kanye the AutoTune Soul Man is yet another force to reckon with, in addition to Kanye the Rapper and Kanye the Super-Producer." "Love Lockdown" was voted 9th on The Village Voices Pazz & Jop poll for 2008 with 38 mentions; 37 of them were for the single version of it. The track's best achievement was being named by Time as the best song of the year. For the 2014 issue of XXL that was in celebration of 40 years of hip hop, the magazine selected the track as one of the five best singles of 2008.

None of these collaborations materialized although Sparks did confirm in an interview that she had made a pact to record a duet with Lewis for her future album as she believes the duo could be the next "Whitney Houston and Mariah Carey". The reason cited for no duets on this album was a lack of time and tight deadlines. As mentioned previously there are no vocal guests on the album although Tedder can be heard single backing vocals and ad-libs on the album's title song "Battlefield". Originally the album was intended to feature one guest in the form of T-Pain who had produced and appeared on the song "Watch You Go" with his signature vocoder (singing autotune), but for unspecified reasons this version of the song was omitted and replaced with a solo version featuring just Spark's vocals.

Meanwhile, title track "Remember" is a 'cheery synth-pop tune that reminisces about a love during the summertime,' and 'features a quick rhythm and vintage sound to beat the summer heat,'. Their 2016 title track, "Only One" is described as mature, blending in mid tempo R&B; and dance-pop with subtle hip-hop beats while song like "Boom Pow Love" shows a far more urban-pop, energetic vibe with pulsing beats compared to their previous hits. With the release of 2018's "I'm So Sick", Apink showed a shift in their style of music, moving towards a more mature and sophisticated sound. The track, with its use of autotune, synth and house beats, and its lyrical content of having 'not even one' bit of feeling left for an ex, makes "I'm So Sick" a much bolder track than what Apink is known to put out.

Hot Express writer Yuki Sugioka labelled it a "hard dancefloor-oriented" track. A Channel-Ai staff member called it one of Perfume's "most interesting" tracks from their discography. The editor continued saying, "The vocals sound more natural because the vocoder isn’t adjusted to the levels that are similar to the previous works, the instrumental flows smoothly using mid-high tones that provide the 'dreamy' feel..." The group's vocals are processed with autotune and vocoder post-production tools, which is notable throughout the group's earlier work. Martin, who also wrote about the song in The Japan Times, said that the girls vocals, "are obliterated beneath a blizzard of vocoder and an auto-tuning permafrost, all feeding into the music’s air of glacial cool..." With the lyrics discussing the girls fight to make their dreams come true, critics have analysed the lyrical content in their reviews.

On May 7, 2018, she appeared at the Met Gala and performed the song on the Metropolitan Museum of Art's grand staircase. Dressed in a cloak, she was surrounded by background singers standing as monks and church bells tolling. In May 2019, Madonna performed "Like a Prayer" and "Future", a collaboration with rapper Quavo from her fourteenth studio album Madame X, in Tel Aviv, Israel, during the finals of the Eurovision Song Contest 2019. The singer stood atop a high, staircase stage surrounded by hooded dancers in monk-like outfits, and wore an outfit consisting of silver truss with dangling suspenders, thigh boots, a metallic corset, black cape and a black bejeweled eyepatch. The performance received mixed reviews, with much criticism going to the singer's voice; the Netherlands announcer Emma Wortelboer quipped she was “thankful for Madonna’s autotune” during the results segment of the competition.

From its release until November 12, 2013, the IntelliStar 2 used a graphics package that differed from the original IntelliStar (before both systems implemented a uniform graphics package, the IntelliStar used graphics based on TWC's 2005 package while the IntelliStar 2 used graphics based on the channel's 2008 graphics). Vocal Local narration is done by TWC meteorologist/storm tracker Jim Cantore, instead of Allen Jackson, who provided the narration track for the first generation IntelliStar and WeatherStar XL. The system was gradually rolled out to major U.S. cable providers strictly for use on The Weather Channel's HD simulcast feed, and originally did not replace existing operational STAR units used on The Weather Channel's standard definition feed or Weatherscan; as a result, TWC became one of the few channels which by necessity does not have an "autotune to HD" version for providers that utilize set-top boxes allowing HD tuning to standard definition channel positions.