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18 Sentences With "atmospherical"

How to use atmospherical in a sentence? Find typical usage patterns (collocations)/phrases/context for "atmospherical" and check conjugation/comparative form for "atmospherical". Mastering all the usages of "atmospherical" from sentence examples published by news publications.

The event wasn't big enough to be measured in magnitudes and wouldn't have been perceptible to the general population, according to the Institute for Geological and Atmospherical Investigations, which is not a government agency.
They deal with fungi, the electric column, and atmospheric phenomena. He invented the sliding portfolio, the atmospherical electroscope, and an orrery of perpetual motion (a failure).
By the same token the butterfly can be seen as triggering a tornado, its cause being assumed to be seated in the atmospherical energies already present beforehand, rather than in the movements of a butterfly.
Estetica degli spazi emozionali. Laterza, Rome-Bari. tr. Atmospheres. Aesthetics of Emotional Spaces, Ashgate, Farnham 2014 and aims to consider atmospherical feelings and moods (including pain, shame, twilight, gaze, felt-bodily isles, etc.) as prototypes of the new ontological category of quasi-things.Griffero, Tonino (2013). Quasi-cose.
The oeuvre of Rodokanakis is mainly characterized by landscape depictions but also figure painting. There are unmistakable references to symbolism and Art Nouveau, especially in his early creations. Many works have an impressionistic touch. His typical painting style is an atmospherical, sometimes few opaque colorouring applied with a light brush stroke.
Carlos Capelán (Montevideo, Uruguay, 1948) is a contemporary artist. Although his conceptual work includes drawings and paintings, his installations are more widely known for their atmospherical impact, constituting an environment in which the viewer is free to wander around and experience notions of displacement. In 1995, Capelán received the Guggenheim Fellowship. In 1973, Capelán moved to Lund, Sweden.
Hawthorne defined a romance as being radically different from a novel by not being concerned with the possible or probable course of ordinary experience.Porte, 95 In the preface to The House of the Seven Gables, Hawthorne describes his romance-writing as using "atmospherical medium as to bring out or mellow the lights and deepen and enrich the shadows of the picture".
Corrado Roi Corrado Roi (born February 11, 1958), is an Italian comic book artist. Roi was born in Laveno Mombello, province of Varese, Lombardy. He published stories for Il Monello and Staff di If until, in 1986, he became one of the artists working at Dylan Dog, for Sergio Bonelli Editore. The newborn horror series soon became the most sold in Italian comics, and imposed Roi's atmospherical, dark qualities in the field.
It contained 4 songs, which were recorded from April to May 1999 in Agrotikon studio owned by Nikos Papazoglou in Thessaloniki. These songs were indicative of the band's double sound direction. On one hand, calm and atmospherical compositions ("Diastimoploia" and "Hathika") and on the other hand, explosive dancing rhythms and electronic sounds ("Trofi gia ta thiria" and "Tora arhizo kai thymamai"). In fact, this single was the precursor of their next and final studio album that would be released a year later.
Mitag developed from a low pressure system near the Micronesia Islands on September 24. Tracking generally northwestward, the system gradually organised and the Japanese Meteorological Agency issued its first advisory on Tropical Depression 19W on September 27. Traipsing toward the Philippines and eventually entering the Philippine Area of Responsibility the next day with the Philippine Atmospherical, Geological and Astronomical Services Administration routinely named it Onyok. The JMA followed suit after the system intensified to become a tropical storm, naming it Mitag on September 28.
In March he wrote to several people regarding the new "air" that he had discovered several months earlier. One of these letters was read aloud to the Royal Society, and he published a paper in Philosophical Transactions titled "An Account of further Discoveries in Air." Priestley called the new substance "dephlogisticated air" and described it as "five or six times better than common air for the purpose of respiration, inflammation, and, I believe, every other use of common atmospherical air."Qtd. in Schofield, Vol. 2, 107.
He then went to Trinity College, Cambridge and in 1909 was elected to the Isaac Newton studentship at the National Solar Physics Observatory. After leaving Cambridge he spent a year as a lecturer in mathematics at the University of Birmingham and two years in a similar post at the Monmouthshire Training College, Caerleon. In 1916 he enlisted in the Royal Engineers (meteorological section) and during the war years did important work related to atmospherical conditions at low levels in chemical warfare. He later became meteorologist to the Air Force.
"An Account of Further Discoveries in Air". Philosophical Transactions 65 (1775): 384–94. Priestley called the new substance "dephlogisticated air", which he made in the famous experiment by focusing the sun's rays on a sample of mercuric oxide. He first tested it on mice, who surprised him by surviving quite a while entrapped with the air, and then on himself, writing that it was "five or six times better than common air for the purpose of respiration, inflammation, and, I believe, every other use of common atmospherical air".Qtd.
Midhat Ajanović has written eight books on film theory, mainly devoted to animated film. Besides this, he has authored several novels, often centered around the history and milieu of his former homeland Yugoslavia/Bosnia and Herzegovina. The first one, the satirical Kultura srca ("Culture of the Heart") was published in 1983 in Sarajevo, and the following novels has beginning 1998 been published alternatively in Croatian, Bosnian and Swedish. Portret nacrtan ugljem i kišom ('Portrait Drawn in Charcoal and Rain') from 2001 is a dark and atmospherical recollection of memories, where the narrator talks about his history as both cartoonist and hardened criminal.
Mustis is the pseudonym of Øyvind Johan Mustaparta (born 10 September 1979), a Norwegian keyboardist best known for his work in the symphonic black metal band Dimmu Borgir, as well as the black/thrash metal band Susperia. Mustis joined Dimmu Borgir in 1998 and has contributed to the further progression of their ambient, atmospherical, symphonic sound. This can be heard in songs such as "Progenies of the Great Apocalypse," which he composed, on their 2003 album, Death Cult Armageddon. His other studio work with Dimmu Borgir includes Spiritual Black Dimensions (1999), Puritanical Euphoric Misanthropia (2001), the re-release of Stormblåst (2005) and In Sorte Diaboli (2007).
In 2004 founder Nullifer Bones moved to Italy where he created the project Spectrum-X with his future wife, musician Candy Bones. A few tracks created for the Master EP from 1999 were performed live and some were used on a Spectrum-X demo entitled Dreambook which was released in 2004. In 2006 Candy Bones joined the project as bassist; during this period they created mostly atmospherical black metal and classical music with a dark ambient feel. The musical tracks they created in these years ended up being used on the Spectrum-X albums "Tea Party with Zombies"and "Darkest Night Ever," which were released by the Japanese record label Darkest Labyrinth.
Vitória is also the city that presents the lowest temperature range in practically the whole state of Espírito Santo, as a result both of its oceanic climate and the protection that the mountains afford from major weather changes influenced by air masses. Vitória is one of the hottest cities in the state of Espírito Santo, due to atmospherical pollution and the large cluster of buildings, in addition to several mountains on the island, which block the south wind, which traditionally occurs on cold days in the state. This causes the minimum of the city being warmer than the average in the state. Another contributing factor is that the level of rainfall in the city is lesser than Espírito Santo's average as a whole, by about .
John Ruskin said that an early patron, Thomas Monro, Principal Physician of Bedlam, and a collector and amateur artist, was a significant influence on Turner's style: > His true master was Dr Monro; to the practical teaching of that first patron > and the wise simplicity of method of watercolour study, in which he was > disciplined by him and companioned by his friend Girtin, the healthy and > constant development of the greater power is primarily to be attributed; the > greatness of the power itself, it is impossible to over-estimate. Together with a number of young artists, Turner was able, in Monro's London house, to copy works of the major topographical draughtsmen of his time and perfect his skills in drawing. But the curious atmospherical effects and illusions of John Robert Cozens's watercolours, some of which were present in Monro's house, went far further than the neat renderings of topography. The solemn grandeur of his Alpine views were an early revelation to the young Turner and showed him the true potential of the watercolour medium, conveying mood instead of information.

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