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66 Sentences With "at one and the same time"

How to use at one and the same time in a sentence? Find typical usage patterns (collocations)/phrases/context for "at one and the same time" and check conjugation/comparative form for "at one and the same time". Mastering all the usages of "at one and the same time" from sentence examples published by news publications.

These are both really tasty and deliciously dirty at one and the same time.
Donald Trump is a patriotic American and a pragmatist at one and the same time.
" — thus, he writes, "democratizing you and howard-johnsoning you at one and the same time.
And it is, at one and the same time, about being a man, but it is also aspirational.
On Tuesday morning, Kristol tweeted: Amazing but true: You can AT ONE AND THE SAME TIME be thoroughly critical of Elizabeth Warren and utterly disgusted by Donald Trump.
I can be loyal at one and the same time to several identities—to my family, my village, my profession, my country, and also to my planet and the whole human species.
To emerge safely from these perilous times China and America, in particular, will have to learn to co-exist as competitors, trade partners and ideological rivals, at one and the same time.
"Study for the Risen Christ" (19720) opened up in me a sense of covert possibility for the human body that I felt at one and the same time to be both dangerous and indispensable.
We can die for others or let them perish in the cold; we can create extraordinary things only to enjoy their utter destruction; human society can be paradise and hell at one and the same time.
We belong to communities that are, at one and the same time, engaged in day-to-day struggles against settler-colonialism, white supremacy, patriarchal violence, police terror, mass incarceration, population displacement, deportation, economic precarity, and climate disaster.
As I watched him navigate his new school and establish himself with a new group of friends, it was abundantly clear to me how valuable it was to have a subject that was at one and the same time profoundly close to his heart and also oddly impersonal.
"Potential history […] is at one and the same time an effort to create new conditions both for the appearance of things and for our appearance as its narrators, as the ones who can — at any given moment — intervene in the order of things that constituent violence has created as their natural order," she wrote in 2013.
Mouth: At one and the same time luminous and meaty, the mouth is impressive in its fruity exoticism and natural vinosity.
He has referred to a 'certain morbidity' in his work. Well, that is an element of life too. The young ballerinas seem to be under a spell, in thrall. At one and the same time he is tender artist and tyrant.
Furthermore, Tymoczko argues that two separate key-areas can, at least at a rudimentary level, be heard at one and the same time: for example, when listening to two different pieces played by two different instruments in two areas of a room .
See e.g. Gianni Pieropan: Storia della grande guerra sul fronte italiano 1914–1918, Milan 2001. After World War II, the Alps entered a new phase. At one and the same time, regional identities were reinforced and a common Alpine identity was constructed.
The > ending of the film is really kind of a counterpoint. He runs and wins the > fastest time, so there’s a triumph, and at one and the same time, he’s lost > his soul. Strauss says he "was so impressed" by Mann's script "I asked if he could direct it." He ran 70 miles a week to prepare for the role.
The Surrealists were at one and the same time a serious art movement and a parody of other art forms and political movements. Surrealism had been developed by André Breton and others from the Dada movement. Based in several European countries, Surrealism was destined for trouble when the Nazis came to power. Subcultures and "degenerate art" were almost completely stamped out and replaced by the Hitler Youth.
Business cares never > crossed the threshold. When he hung up his hat he laid down his cares, > burying himself in the bosom of his family. He was not only a father upon > whom his children could lean but he was to them a companion in whom they > could confide and with whom they could make free. He was to them at one and > the same time father, brother, sweetheart and friend.
But it can also be thought of as the sum of an infinite numbers of parts. So it is with everything, small or large: the world exists both as "one" (the absolute) and as a cumulation of an infinity of units. It is this duality that Yuval Yairi's photographs attempt to capture. They are almost all, at one and the same time, a collection of fractions, and a whole.
Historian Eric Van Young reviewed Meyer's Esperando a Lozada, saying "the major essays are beautifully written, talky, strongly rhetorical, slightly wistful in tone, and intensely romantic and hardheaded at one and the same time, as with much of the best French annaliste history."Eric Van Young, "To See Someone Not Seeing: Historical Studies of Peasants and Politics in Mexico." Mexican Studies/Estudios Mexicanos 6, no. 1 (1990): 147.
However, his largest achievement, and the one he himself was most proud of, was taking Denmark into the European Economic Community in 1973. With that task accomplished he felt he could retire at a high point. Krag was at one and the same time one of the most charismatic and withdrawn Danish politicians ever. He never enjoyed the attention to which he had to subject himself, and many people found him rather arrogant.
Calichman (2005: 135) Yasuda was at one > and the same time a "born demagogue" and a "spiritual treasure"; he could > not have been a spiritual treasure were he not also a demagogue. This is the > Japanese spirit itself. Yasuda represents something illimitable, he is an > extreme type of Japanese universalist from which there is no escape. ... The > intellectual role played by Yasuda was that of eradicating thought through > the destruction of all categories.
Théophile François Marcel Bra (23 June 1797, Douai - 1863) was a French Romantic sculptor and exact contemporary of Eugène Delacroix. He was deeply involved in the Romantic era through his uncompromising personality and complex spirituality. His fantastical inspiration evokes the universes inhabited by Goya, William Blake or Victor Hugo - he was at one and the same time a Bonapartist and an anglophile, a passionate Christian disciple of Swedenborg and an admirer of Judaism, Hinduism and Buddhism.
He obtained an M.A. in Hispanic Languages and Literatures in 1993, and a Ph.D. in Hispanic Languages and Literatures in 1997, both at University of California, Berkeley. His Ph.D. thesis was on the life and works of Alcides Arguedas; stemming from this research, a biography was published in 2003. He was awarded a Guggenheim Fellowship in 2006. Río fugitivo (1998) is at one and the same time a Bildungsroman, a detective mystery novel, and a historico-political novel about Bolivia.
Felix Neff (8 October 1798 – 1829), Swiss Protestant divine and philanthropist, was born at Geneva. Originally a sergeant of artillery, he decided in 1819 to devote himself entirely to evangelistic work. He was ordained to the ministry in 1822, and soon afterwards settled in the valley of Freissinières, where he labored in the manner of J. F. Oberlin, being at one and the same time pastor, schoolmaster, engineer and agriculturist. He was so successful that he changed the character of the district and its inhabitants.
However, he also sees the desert as "a-tonal, cruel, clear, inhuman, neither romantic nor classical, motionless and emotionless, at one and the same time – another paradox – both agonized and deeply still." The desert, he writes, represents a harsh reality unseen by the masses. It is this harshness that makes "the desert more alluring, more baffling, more fascinating", increasing the vibrancy of life. In his narrative, Abbey is both an individual, solitary and independent, and a member of a greater ecosystem, as both predator and prey.
Brian Higgins died in 1965, before his third book of poems The Northern Fiddler appeared. In an introduction to this book the poet George Barker wrote that Higgins "had perceived that the secret at the heart of affairs constituted the most ingenious practical joke, which only a man who was at one and the same time a mathematician and a poet of sentiment could start functioning for the amusement and edification of all concerned." Higgins called himself "a realist who wished to be romantic".
"Hamas: Palestinian Identity, Islam, and National Sovereignty," in Asher Susser (ed.) Challenges to the Cohesion of the Arabic State . Moshe Dayan Center for Middle Eastern and African Studies. Tel Aviv University. 2008. p. 153: 'One of the secrets behind the success of Hamas is that it is an Islamic and national movement at one and the same time,' which is regarded, either in whole or in part, as a terrorist organization by several countries and international organizations, most notably by Israel, the United States and the European Union.
But I want to mention one other quality that I think she has both as a person and as a poet, and that is her tenacity. It’s not simply brute survival that a poet is involved with, although sometimes they are; it’s more than that. It’s a tenacity that has to be at one and the same time, physical, intellectual, and moral. I believe this tenacity is something that Vassar Miller is richly endowed with.” Over the course of a literary career which spanned almost forty years, Miller published ten volumes of poetry in all.
He defended the Hamburg program as thoroughly founded in Judaism and in the very line of the synagogue's own history, though he was not blind to its inconsistencies. Yet, even though authority of tradition was denied and recognized at one and the same time, the movement stood for the differentiation of the Jewish national from the Jewish religious elements. He also wrote an opinion (Gutachten) on the prayer-book of the Hamburg Temple (Hamburg, 1841), justifying its departures from the old forms by appealing to Talmudical precedents (Soṭah vii.1; Ber.
126 For the play drive to successfully mediate the two drives, man must be educated of two things. He must learn passivity, to exercise his sense drive and become receptive of the world. He must learn activity, to free his reason, as much as possible from the receptive. Accomplishing both, man is able to have a twofold experience simultaneously, "in which he were to be at once conscious of his freedom and sensible of his existence, were at one and the same time, to feel himself matter and come to know himself as mind".
They are being peace and making peace at one and the same time. Most of the more complex and mediated techniques and strategies of non-violent agonistics are derived from and extend the bodily logic of interaction and transformation of this famous phenomenological prototype. [citing Richard Gregg's 1934 The Power of Nonviolence] The other technique that is equally important is non-cooperation. As we have seen, the civic tradition claims that unjust regimes rest not on violence or manufactured consensus but on cooperation in the sense of compliance.
Another point of discussion is whether the Goddess is immanent, or transcendent, or both, or something else. Starhawk speaks of the Goddess as immanent (infusing all of nature) but sometimes also simultaneously transcendent (existing independently of the material world). Many Goddess authors agree and also describe Goddess as, at one and the same time, immanently pantheistic and panentheistic. The former means that Goddess flows into and through each individual aspect of nature—each tree, blade of grass, human, animal, planet; the latter means that all exist within the Goddess.
Expeditionary Strike Group SEVEN/Task Force 76 (Amphibious Force U.S. SEVENTH Fleet) is a United States Navy task force. It is at one and the same time operationally a task force of the United States Seventh Fleet and administratively, the USN's only permanently forward-deployed expeditionary strike group. It is based at the White Beach Naval Facility at the end of the Katsuren Peninsula in Uruma City, Okinawa, Japan. CTF 76 conducts operations throughout the U.S. Seventh Fleet area of operations, which includes the Western Pacific Ocean and the Indian Ocean.
In Esseintes's mind, the taste of each liqueur corresponded with the sound of a particular instrument. "Dry curaçao, for instance, was like the clarinet with its shrill, velvety note: kümmel like the oboe, whose timbre is sonorous and nasal; crème de menthe and anisette like the flute, at one and the same time sweet and poignant, whining and soft. Then to complete the orchestra, comes kirsch, blowing a wild trumpet blast; gin and whisky, deafening the palate with their harsh outbursts of cornets and trombones:liqueur brandy, blaring with the overwhelming crash of the tubas."Huysman, 1884/1931, p.
Another criticism that Ibn Jinni levels at the poet relates to his excessive repetition of certain words. "I told him, you use tha (this) and thi (this) a great deal in your poetry." al-Mutanabbi responds that the poetry was not all composed at one and the same time. According to Khulusi, Ibn Jinni did not simply accept the material that he was presented with but meticulously scrutinised every verse in terms of its language and its aesthetic quality. Khulusi notes that the Commentary shows evidence that Ibn Jinni played several literary roles as a compiler, reviser, critic and copy editor.
Tarr explained that he had been drawn to adapt the novel because "it deals with the eternal and the everyday at one and the same time. It deals with the cosmic and the realistic, the divine and the human, and to my mind, contains the totality of nature and man, just as it contains their pettiness." It was the first of the director's films not to feature the Hungarian language or an Eastern European setting. The ensemble cast of the film included Czech Miroslav Krobot, Briton Tilda Swinton, and the Hungarians János Derzsi and István Lénárt.
Also arising from the "Bavaria Project" and Kershaw's work in the field of Alltagsgeschichte ('everyday history') was Popular Opinion and Political Dissent in the Third Reich. In this 1983 book, Kershaw examined the experience of the Nazi era at the grass-roots in Bavaria. Kershaw showed how ordinary people reacted to the Nazi dictatorship, looking at how people conformed to the regime and to the extent and limits of dissent. Kershaw described his subject as ordinary Bavarians: > the muddled majority, neither full-hearted Nazis nor outright opponents, > whose attitudes at one and the same time betray signs of Nazi ideological > penetration and yet show the clear limits of propaganda manipulation.
In a paper entitled "A Shtetl in Disguise: Israeli Bourekas Films and their Origins in Classical Yiddish Literature", Rami Kimchi claims that the portrayal of Israeli Mizrahi communities in these films bears a strong resemblance to the portrayal of the 19th century East European shtetl by classic Yiddish writers.A Shtetl in Disguise, Rami Kimchi Kimchi attributes the commercial success of these films to their "hybridity", i.e. they were Israeli/Mizrahi and Diasporic/Ashkenazi at one and the same time, thereby satisfying the political, sociological, and psychological needs of both Mizrahi and Ashkenazi audiences in Israel. He believes eleven films produced between 1964 and 1977 make up the corpus of the genre.
Robert Bruce, p.80 During the Great Cause, which led to the First War of Scottish Independence, the MacSweens were supporters of the powerful MacDougall Lords of LorneCASTLE SWEEN Retrieved on 26 June 2007 who supported John Balliol as patriots, as long as John was king of Scotland.Robert Bruce, p. 231 After the murder of John Comyn, the nephew of Balliol, by Bruce in 1306, the First War of Scottish Independence became at one and the same time a civil war. The Balliol and Comyn parties taking the side of the English in opposition to Bruce, crowned Robert I of Scotland on 25 March 1306.
The first is called sensible desolation and is the opposite of sensible consolation. It includes aridities, dissipation of mind, weariness, and disgust in the exercises of piety; and it is often experienced by beginners in the practice of mental prayer. It may co- exist with consolation of a higher order, just as in the natural order we may experience pain of body and joy of spirit at one and the same time. The second kind of desolation affects the intellect and will, and consists in the privation of the feeling of the presence of the supernatural virtues as described by St. Teresa of Avila in her Life (ch. xxx).
When it came time to compose the final aria Or sei pago, ol ciel tremendo, the librettist's words gave him no inspiration at all and, at their next meeting, Romani agreed to re-write the text. Returning within half an hour, the second version left Bellini equally cold—as did a third draft. Finally, when asked what it was that he was seeking, Bellini replied: "I want a thought that will be at one and the same time a prayer, an imprecation, a warning, a delirium ...". A fourth draft was quickly prepared: "Have I entered into your spirit?" asked the librettist—and he was embraced by the young composer.
42 of Dread -that force which at one and the same time attracts and repels from the suspected danger of a fall and is present even in the state of innocence, in children. It finally results in a kind of "dizziness" which is fatal. Yet, so Kierkegaard contends, the "fall" of man is, in every single instance, due to a definite act of the will, a "leap" – which seems a patent contradiction. To the modern reader, this is the least palatable of Kierkegaard's works, conceived as it is with a sovereign and almost medieval disregard of the predisposing undeniable factors of environment and heredity (which, to be sure, poorly fit his notion of the absolute responsibility of the individual).
A fleur-de-lis The fleur-de-lis, also spelled fleur-de-lys (plural: fleurs-de- lis, or fleurs-de-lys) is a stylized lily (in French, fleur means "flower", and lis means "lily") that is used as a decorative design or symbol. The fleur-de-lis has been used in the heraldry of numerous European nations, but is particularly associated with France, notably during its monarchical period. As France is a historically Catholic nation, the fleur-de-lis became "at one and the same time, religious, political, dynastic, artistic, emblematic, and symbolic," especially in French heraldry. The fleur-de-lis has been used by French royalty and throughout history to represent Catholic saints of France.
So far as the dating of the human figurines are concerned, scholars generally believe that hand–made figurines were made earlier than those produced with the help of a mould. But this common belief does not find any favor in this region because practice of both modelling and moulding went hand in hand at one and the same time in some cases. However, many of the significant terracotta figurines, relevant for a study of this art, are simply accidental finds and no accurate data with regard to the level of their discovery are available. These specimens seem to have been disturbed from their original level due to some actions of men or of nature.
Sometimes his robes are gold or white, symbolizing divine glory; sometimes they are blue and red, symbolizing the two natures of Christ (see Christology). His face is depicted as that of an old man, indicating the Christian teaching that he was at one and the same time both a fully human infant and fully the eternal God, one of the Trinity. His right hand is raised in blessing. The term Virgin of the Sign or Our Lady of the Sign is a reference to the prophecy of Isaiah : "Therefore the Lord himself shall give you a sign; Behold, a virgin shall conceive, and bear a son, and shall call his name Immanuel".
The German people were to be represented by a bicameral parliament, with a directly elected Volkshaus (House of commons), and a Staatenhaus (House of States) of representatives sent by the individual confederated states. Half of each Staatenhaus delegation was to be appointed by the respective state government, the other by the state parliament. Sections 178 and 179 called, at one and the same time, for public trials, oral criminal proceedings, and jury trials for the "more serious crimes and all political offenses." The introduction of the jury trial was followed by its adoption by the overwhelming majority of German states, and continued with the German Empire Gerichtsverfassungsgesetz (GVG) of 27 January 1877, and would last until the Emminger Reform of 4 January 1924 during the Weimar Republic.
This is encapsulated in the opening lines of the novel: "All this happened, more or less. The war parts, anyway, are pretty much true." This bombastic opening—"All this happened"—"reads like a declaration of complete mimesis" which is radically called into question in the rest of the quote and "[t]his creates an integrated perspective that seeks out extratextual themes [like war and trauma] while thematizing the novel's textuality and inherent constructedness at one and the same time." While Vonnegut does use elements as fragmentation and metafictional elements, in some of his works, he more distinctly focuses on the peril posed by individuals who find subjective truths, mistake them for objective truths, then proceed to impose these truths on others.
According to , the state that Devaraja Wodeyar II left for his son was "at one and the same time a strong and a weak state." Although it had uniformly expanded in size from the mid-seventeenth century to the early eighteenth, it had done so as a result of alliances that tended to hinder the very stability of the expansions. Some of the southeastern conquests described above (such as of Salem), although involving regions that were not of direct interest to the Mughals, were nonetheless the result of alliances with Mughal Faujdar Diwan of Sira and with Venkoji, the Maratha ruler of Tanjore. For example, the siege of Trichnopoly had to be abandoned because the alliance had begun to rupture.
Filippo Cicconetti, in his 1859 biography, gives an account of Bellini's working methods, explaining how he set texts to music always with the words in front of him in order to see how inspired to compose he might become. When it came time to compose the final aria Or sei pago, o ciel tremendo, the librettist's words gave him no inspiration at all and, at their next meeting, Romani agreed to re-write the text. Returning within half an hour, the second version left Bellini equally cold—as did a third draft. Finally, when asked what it was that he was seeking, Bellini replied: "I want a thought that will be at one and the same time a prayer, an imprecation, a warning, a delirium....".
Geist combines the meaning of spirit—as in god, ghost, or mind—with an intentional force. In Hegel's draft manuscripts written during his time at the University of Jena, his notion of "Geist" was tightly bound to the notion of "Aether", from which he also derived the concepts of space and time, but in his later works (after Jena) he did not explicitly use his old notion of "Aether".Stefan Gruner: "Hegel's Aether Doctrine", VDM Publ., 2010, Central to Hegel's conception of knowledge, mind, and reality was identity in difference; mind externalizes itself in various forms and objects and stands outside or opposed to them and, through recognizing itself in them, is "with itself" in these external manifestations so that they are at one and the same time mind and other-than-mind.
For Wilhelm, all pride about being German had a certain ambivalence, as he was in fact half-British.Buruma (2000) pp. 210–11 In an age of ultra-nationalism with identities being increasingly defined in racial terms, his mixed heritage imposed considerable psychological strain on Wilhelm, who managed at one and the same time to be both an Anglophile and Anglophobe; he was a man who both loved and hated the British, and his writings about the land of his mother displayed both extreme admiration and loathing. Buruma observed that for all his much-vaunted beliefs in public about the superiority of everything German, in private Wilhelm often displayed signs of an inferiority complex to the British, as if he really felt deep down that it was Britain, not Germany, that was the world's greatest country.
Heavy fines made it impossible for preachers in poor circumstances to continue without claiming the protection of the Toleration Act, and the meeting-houses had to be registered as dissenting chapels. In a large number of cases this had only been delayed by so constructing the houses that they were used both as dwellings and as chapels at one and the same time. Until 1811 the Calvinistic Methodists had no ministers ordained by themselves; their enormous growth in numbers and the scarcity of ministers to administer the Sacrament — only three in North Wales, two of whom had joined only at the dawn of the century made the question of ordination a matter of urgency. The South Wales clergy who regularly itinerated were dying out; the majority of those remaining itinerated but irregularly, and were most of them against the change.
The Yeshiva is known for its style of learning, which emphasizes at one and the same time the precise and incisive analysis of written text, particularly the Talmud and the Rambam, as well as the quest for common-sense understanding of the logic of the sages and its reflection in halacha. Rabbi Haim Sabato teaches the introductory class for first-year students, in which he emphasizes the skill of precise and perceptive reading of text. More advanced students used to learn from Rabbi Rabinovitch when he was alive, to study the Rambam with care and precision. The yeshiva encourages advanced students undertake independent scholarly work, such as Rabbi Baruch Brener's edition of the commentary of the Malbim on Torah or Rabbi Yehuda Fris' comprehensive guide to family law, which follows the halachic tradition up to and including current practice in Israel's rabbinical courts.
They represent these two states of being - like water attempting to be vapor and ice at one and the same time. The "thickening of time" results from the image of the "art of memory," from which Yairi sets out to make his recent series of photographs, following in the path of Simonides of Ceos (556-468 B.C.E), the Greek poet considered to be the father of mnemonics (the art of aiding memory). Simonides' method of remembering is based on the "translation" of abstract concepts into concrete objects and their imaginary placement in a space well known to the memorizer, based on the assumption that concrete images are easier to remember than abstract ideas. Thus, for example, a poem can be translated into a series of mnemonic images that can be installed in the home of the memorizer.
Council Regulation (EEC) No 2658/87 of 23 July 1987, creates the goods nomenclature called the Combined Nomenclature, or in abbreviated form 'CN', established to meet, at one and the same time, the requirements both of the Common Customs Tariff and of the external trade statistics of the European Union. The codes and the descriptions of goods established on the basis of the combined nomenclature shall replace those established on the basis of the nomenclatures of the Common Customs Tariff and the Nimexe. It is established on the basis of the Harmonized System. The combined nomenclature shall comprise : (a) the harmonized system nomenclature; (b) Community subdivisions to that nomenclature, referred to as 'CN subheadings' in those cases where a corresponding rate of duty is specified; (c) preliminary provisions, additional section or chapter notes and footnotes relating to CN subheadings.
After the murder of John Comyn, the nephew of the former King John Balliol, by Robert Bruce and his supporters in 1306, the Scottish War of Independence was at one and the same time a civil war, with the Balliol and Comyn parties taking the side of the English. In the winter of 1314 the Scottish Parliament, the first to meet after King Robert's great victory at the Battle of Bannockburn, pronounced formal sentence of forfeiture against all those who held land in Scotland but continued to fight on the side of the English. Thus was created a class of nobility known as the 'disinherited', old Balliol loyalists who would not be reconciled with the Bruce party. The 1328 Treaty of Northampton between England and Scotland, based on a full recognition of Robert Bruce's kingship, ended any immediate prospect these men had of gaining their lost inheritance.
A golden fleur-de-lis, the most common colour in French heraldry The fleur-de-lys (or fleur-de-lis, plural: fleurs-de-lis; , in Quebec French), translated from French as "lily flower") is a stylized design of either an iris or a lily that is now used purely decoratively as well as symbolically, or it may be "at one and the same time political, dynastic, artistic, emblematic and symbolic", especially in heraldry. While the fleur-de-lis has appeared on countless European coats of arms and flags over the centuries, it is particularly associated with the French monarchy on a historical context, and nowadays with the Spanish monarchy and the Grand Duchy of Luxembourg as the only remaining monarchs of the House of Bourbon. It is an enduring symbol of France that appears on French postage stamps but has not been adopted officially by any of the French republics.
The station contained a down home signal that was worked from a lever fixed at the foot of the ramp at the Lidcombe end of the platform. Electric train staff miniature type instruments were in operation on the line. The instrument at No. 4 Mortuary Station was equipped to work manually and automatically. When it was necessary for a train or trains to be run on the Branch, the Station-master, Lidcombe, delivered to the Guard of the first train the Key to operate the locks, and the Guard had to ensure that he received that Key, except when an employee was deputed by the Station-master, Lidcombe, to take charge at No. 4 Mortuary Station, when that employee obtained the Key from, and returned it to the Station-master, Lidcombe. Not more than four trains were allowed on the Branch between Lidcombe and No. 4 Mortuary Station at one and the same time, and a strict policy was in place when trains were running.
When the Raja died on 16 November 1704, his dominions extended from Midagesi in the north to Palni Hills and Anaimalai in the south, and from Coorg in the west to Dharmapuri district in the east. (Map 5 and Map 7.) According to , the polity that Chikka Devaraja left for his son was "at one and the same time a strong and a weak" one. Although it had uniformly expanded in size from the mid-17th century to the early 18th century, it had done so as a result of alliances that tended to hinder the very stability of the expansions. Some of the southeastern conquests (such as that of Salem), although involving regions that were not of direct interest to the Mughals, were nonetheless the result of alliances with the Mughal governor of Sira and with Venkoji, the Maratha ruler of Tanjore; the siege of Tiruchirapalli had to be abandoned because the alliance had begun to rupture.
Tim was born as a conduit for the raw magic that shared the name of the most famous magician to serve it: "the Merlin". In order to increase his power and his legend, the Merlin arranged for Tim to have multiple, contradictory stories about his birth that nonetheless were each equally true. He was at one and the same time the illegitimate son of Tamlin the Falconer and Titania the Queen of Faerie, the son of Tamlin and a beautiful human girl called Mary and any number of other possible origins. At some point, these multiple origins converged and Tim ended up being raised in the Mundane World by William and Mary Hunter - although he later discovered that his mother Mary wore a glamour stone, hiding her true nature and appearance, possibly as the brownie Bridie who smuggled him to Earth at Queen Titania's request or possibly another as yet undiscovered origin for the young magician.
Hansard, Oaths Bill 1888, Second Reading, 14 March 1888; Third Reading, 9 August 1888 Karl Marx In 1844, Karl Marx (1818–1883), an atheistic political economist, wrote in his Contribution to the Critique of Hegel's Philosophy of Right: "Religious suffering is, at one and the same time, the expression of real suffering and a protest against real suffering. Religion is the sigh of the oppressed creature, the heart of a heartless world, and the soul of soulless conditions. It is the opium of the people." Marx believed that people turn to religion in order to dull the pain caused by the reality of social situations; that is, Marx suggests religion is an attempt at transcending the material state of affairs in a society—the pain of class oppression—by effectively creating a dream world, rendering the religious believer amenable to social control and exploitation in this world while they hope for relief and justice in life after death.
He became a member of the Legislative Committee, and began to adopt a more conciliatory position towards the monarchy. During the trial of Louis XVI, he recused himself on the vote on the king’s guilt, because > “having taken part in the drafting of the decree that brought him to trial, > but then having opposed the amendment to that decree which brought him to > trial before the Convention, I am not obliged to give a view on the outcome; > it is repugnant to my conscience to be at one and the same time a legislator > and a jury member on a matter which, I furthermore insist, should be > ultimately decided by the sovereign people.” He voted for the sentence against the king to be ratified by the people; on the matter of sentence, he voted for imprisonment during the war and exile thereafter; he also voted for the sentence to be reprieved. On 12 April 1793, he voted for the arraignment of Jean-Paul Marat. On 21 May 1793 he was elected to the Commission of Twelve to investigate conspiracies against the Convention.
Based on an agreement concluded in October 1205, the Podestà and his councillors (consiliarii) formed part of the executive council (consilium) of the Latin Empire, which was responsible for defence and foreign policy matters, as well as adjudicating disputes between the Emperor and his feudal lieges, alongside the Emperor and the "Frankish magnates" (magnates Francigenarum). However, the Venetian position was ambiguous: as Filip Van Tricht explains, Venice was "at one and the same time an independent state and a feudal partner in the empire". Thus the Podestà conducted his own negotiations and concluded trade agreements with neighbouring rulers, although this independence did not extend to other areas of foreign policy, and the commercial agreements appear to have been largely aligned with the Latin Empire's policy at the time. The tension between Venice and the Emperor is evident in the frequent attempts by the emperors and powerful barons of the Latin Empire to intrude in nominally Venetian jurisdictions, and restrict and even revert Venetian claims and rights deriving from the Empire's foundational treaties of 1204–1205.
Jean-Pierre Melville opened his film (1956) with a tracking shot around the Montmartre quarter where the film is set, and voiceover then says " [shot over the Basilique du Sacré-Coeur] [bird's eye view of the funicular descending, with music ] [Shot of the Place Pigalle]" ("It is at one and the same time heaven ... and ... hell"). Transcription on a viewer's personal website The funicular figures in an eponymous work by Jean Marchand (1883–1940), on view at the Musée d'Art Moderne de la Ville de Paris. It appears in literature in a short story by Boileau-Narcejac titled ("The enigma of the funicular"), published in 1971 in the review , and also in the works of Jacques Charpentreau who, in a poem entitled , compares the cabins to two contrary brothers: ("When one flies into the air, the other falls to the ground/ And la, la la"). In October 2006, at the request of the website for its "" ("concerts to download"), the singer Cali made an appearance in one of the funicular's cabins surrounded by passengers, singing her song ("The end of the world in ten minutes") from the album as it ascended.

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