But sometimes the answer is as old as the hills where the food is grown.
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Globalism, which we take to be so 21st century, is as old as the hills.
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" In another ad, the tagline was "When you are as old as the hills, you tend to know what to wear in them.
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Also, I mean, children's story reading apps and interactive kids' e-books are pretty much as old as the hills in Internet terms at this point.
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In both K-12 and higher education, technology remains supplemental to chalk-and-talk practices as old as the hills, and not much more effective from a pedagogical standpoint.
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While sinking your teeth into a hot dog at the game is a tradition as old as the hills, Australians prefer to tuck into a meat pie while watching sport.
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The winner on current trends will most likely be Apple, but Microsoft and Amazon are now at the same level—not bad for a firm that by tech-industry standards is as old as the hills.
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But the melody, which steps through a string of sprightly notes as if guided by some faultless celestial logic, gives the song the feel of a folk artifact, a thing that's as old as the hills.
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It's a story as old as the hills: "In modern human cultures where social hierarchies are ubiquitous, people typically signal their hierarchical position through consumption of positional goods — goods that convey one's social position, such as luxury products," explains a study published Tuesday in Nature.
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"Behind the ostensible façade of Jeff Koons' art world triumphs and record-breaking auction sales — illustrated by a never-ending parade of museum, art fair and art gallery exhibitions — lurks a well-oiled machine, more specifically an established, archaic System as old as the hills applied to the art world to exploit art collectors' desire to own Jeff Koons sculptures," the suit states.
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To paraphrase Dan Ariely, founder of The Center for Advanced Hindsight, "Education technology is like teenage sex: everyone talks about it, nobody really knows how to do it, everyone thinks everyone else is doing it, so everyone claims they are doing it…" In both K-12 and higher education, technology remains supplemental to chalk-and-talk practices as old as the hills, and not much more effective from a pedagogical standpoint.
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There is quote in Brendan Behan's Borstal Boy that mentions Tullow: "Littlewood was twenty and married. We thought he was as old as the Hills of Tullow." Statue of Father John Murphy, Tullow.
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She is as old as the hills, her appearance being small and ducked, wrinkly and ugly. She has staring eyes and is sometimes said to have an iron head, a typical demonic feature. The Buschgroßmutter's hair is long, as white as snow, but messy and full of lice. The Buschweibchen holds a gnarled stick in her hand.
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Dixie takes the next train to California. When she arrives, she is disappointed to find that Buelow has been fired from the studio and that there is no part for her. Dixie meets Donny Harris (Blanche Sweet), a former star who is out of work because she is considered "as old as the hills" at the age of 32.Bradley 2004 p.
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Ziya Us Salam, reviewing for The Hindu, wrote that Emraan Hashmi performs "with such mechanical ease that one would be forgiven for believing that a robot was at work". Rediff.com termed the story as being 'as old as the hills'. Taran Adarsh for Bollywood Hungama wrote that the film "looks like a collage of scenes, assembled in a film that abounds in mediocrity".
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A review of the history of the three utilities problem is given by . He states that most published references to the problem characterize it as "very ancient". In the earliest publication found by Kullman, names it "water, gas, and electricity". However, Dudeney states that the problem is "as old as the hills...much older than electric lighting, or even gas".
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Mother Grundy is an etiological myth referring to a mountain, the "Madre Grande". The myth refers to a woman who is literally "as old as the hills" who came from this mountain, clinging to the "old ways" when the original inhabitants of Mexico and California lived around the area of the mountain. These old ways became erroneously associated with grundyism, giving rise to the eponym.
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But the feeling that actual human communication is taking place more than compensates for this. Communicating to an audience at the time is becoming a lost art because of the ascension of recorded music as the music of this culture." The album was nominated for a number of Grammy Awards, including Album of the Year and won Best Male Country Vocal Performance for "A Boy Named Sue". Reviewing the 2000 Columbia/Legacy reissue, Blender magazine's Phil Sutcliffe said, "Cash, just 25 , sings as old as the hills — and looks oddly Volcanic.
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Gandhian economics has the following underlying principles: #Satya (truth) #Ahimsa (non-violence) #Aparigraha (non-possession) or the idea that no one possesses anything While satya and ahimsa, he said were 'as old as the hills', based on these two, he derived the principle of non-possession. Possession would lead to violence (to protect ones possessions and to acquire others possessions). Hence he was clear that each one would need to limit one's needs to the basic minimums. He himself was an embodiment of this idea, as his worldly possessions were just a pair of clothes, watch, stick and few utensils.
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Early in the novel Lucia's former conman partner, Philip Sanger, had speculated that Piet, dispensing with his past anger at his business failure and at his unfaithful girlfriend, was now driven by 'a new kind of anger', anger against Lucia's enemies. Towards the end of the book Sanger revises his opinion. He now thinks that what drives Piet isn't new but as old as the hills: he has discovered his vocation as a crook. Following his suicide attempt, instead of prescribing pills and electro-shock treatment, his psychiatrists should just have told him to go rob a bank.
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It provides a glimpse of how Conrad wished to be seen by his British public, as well as being an atmospheric work of art. The "Familiar Preface" Conrad wrote for it includes the often quoted lines: "Those who read me know my conviction that the world, the temporal world, rests on a few very simple ideas; so simple that they must be as old as the hills. It rests notably, among others, on the idea of Fidelity." Conrad wrote a new 'Author's Note' to A Personal Record for the Doubleday collected edition of his works (published in 1920) in which he discussed his friendship with the British colonial official and writer Hugh Clifford.
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Paul LePetit of the Sunday Telegraph wrote that it was "a relentlessly bright but banal night. Plenty of colour and movement, but little plot and a lot of over-acting." The Sun Herald's Colin Rose said that the "clichéd storyline, as old as the hills, was merely an excuse to play the great hits (27 of them) from rock'n'roll's heyday, songs such as Jailhouse Rock, Great Balls Of Fire and Johnny B Goode." Chelsea Clarke writing in the Daily Telegraph praised the " dazzling costumes, excellent staging, bright choreography and stunning use of the impressive lighting rig." but said that from "a creative point of view, though, it lacks a great deal of what made other arena spectaculars such as Grease so successful".
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" Describing the band's new approaches, Roots World said that the band's guitarist Donogh Hennessy "seeks out new chord progressions, pushing tunes into a higher gear, adding an accompaniment worth listening to in its own right; yet he is also able to provide an appropriate sensitive finger-picked guitar when required," whilst the band's bassist Trevor Hutchinson, "long regarded as a major accompanist in Irish circles, is close to perfection with his double bass playing. With Lunasa's distinctive approach, old tunes take on a new lease of life while new tunes appear as old as the hills." "Cregg's Pipes" is a reworking of a Bothy Band track which "adds a pair of quirky little-known reels." A rhythmic set, "the interplay between the three lead instruments as they weave in and out of the melody, brings out tuneful qualities which are not immediately apparent.
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