You're going to be in it archivally, but we're not going to interview you.
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Firstenberg, Lauri. “Representing the Body Archivally in South African Photography.” Art Journal, vol. 61, no.
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He develops and archivally processes his prints using a personal variant of Ansco 130 developer. He has also modified his enlarger by using flocking paper to reduce the amount of non-image forming light that reaches the enlarging paper, and by using multi-coated optical glass for the negative carrier.
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According to some Croatian sources, the exact date and place of birth are "archivally" unknown. The same sources also claimed Constantinople and the island of Curzola (today Korčula, in Croatia) as his possible birthplace.Timothy Brook, The Troubled Empire: China in the Yuan and Ming Dynasties, 2010, , p. 24 The lack of evidence makes the Curzola/Korčula theory (probably under Ramusio influence) as a specific birthplace strongly disputed.
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As one of the markers of a scientific discipline, the early psychological organizations were key to the development of experimental psychology. Benjamin published the first archivally based histories of the Midwestern Benjamin, L. T., Jr. (1979). The Midwestern Psychological Association: A history of the organization and its antecedents, 1902 1978. American Psychologist, 34, 201 213. and Eastern Psychological Associations,Benjamin, L. T., Jr. (1991).
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Older formula rubber cements are not considered an archivally sound adhesive because of their low pH value (making them acidic) and will cause deterioration of photographs and paper over time. Today's rubber cements are acid-free, making them ideal for archival purposes. Rubber cement thinners are also available, and are used to replace the solvent that evaporates from the container or to remove residual adhesive.
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Twice yearly open days were arranged when the Society opened the garden to the public in April and October. Boundary fencing was completed so the property could again be a working farm and stock kept out of the garden. A major hawthorn and Scottish broom infestation was removed from the paddocks and work undertaken restoring the garden. Many of Klein's structures were deteriorated: they were archivally recorded and demolished.
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Other films from this period include Gogulică C.F.R. (1929) (unfinished), and Haplea (The Dullard) (animated by Marin Iorda in 1928) - the first Romanian animated film preserved archivally. From a technical point of view, making these films was very difficult. If a film camera could be obtained from newsreel photographers, the print was prepared with them also. The problem of finding a set to use was very difficult, with the director searching for a set among all nearby warehouses, granaries, stables or dance halls.
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The film was originally released in a roadshow format, at 170 minutes (not counting intermission). For re-release, it was trimmed to 134 minutes, and it was not seen at its full length until the late 1990s, when it was archivally restored to 168 minutes. This restored version is the one that has been released on DVD. The restoration was photochemical, not digital, and the titles and some of the scenes in the early reels are slightly to significantly out-of-register.
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Louisbourg Portraits explores eighteenth century social history through archivally based studies of ordinary people: an accused thief, a merchant, a young bride, a migrant fisherman, and a soldier. Called "social history as it should be written," by historian Desmond Morton, Louisbourg Portraits received Canada's leading nonfiction prize, the Governor-General's Literary Award for nonfiction, for 1982. The book featured in interviews of Moore by Peter Gzowski on CBC Radio's Morningside in September 1982. "From its first day, the show promoted Canadian writing," writes R.B. Fleming in Peter Gzowski: A Biography.
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In addition, magnetic recordings, unless preserved archivally, are gradually damaged by the Earth's magnetic field. The audio quality of the source discs, when they have survived unscathed and are accessed and dubbed anew, is usually found to be reasonably clear and undistorted, sometimes startlingly good, although like all phonograph records they are vulnerable to wear and the effects of scuffs, scratches, and ground-in dust. Many shows from the 1940s have survived only in edited AFRS versions, although some exist in both the original and AFRS forms. The Old Time Radio collection at the Internet Archive contains 4,157 recordings (as of January 13, 2019).
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In its continuing education efforts, NCSTL tries to raise awareness of the nature of good evidence practices. NCSTL presents an annual lecture series on the Stetson Law School campus that has included presentations by noted forensic scientists such as Drs. Michael Baden and Henry Lee about a wide variety of forensic topics, including forensic investigations. Thus, through its continuing education efforts, NCSTL shares with the forensic science community and the public what good forensic science practices are. NCSTL’s lecture series is not only free and open to the public, but is webcast and podcast live, as well as available archivally from the NCSTL website.
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For conservation reasons, works on paper cannot be permanently displayed, as light, temperature, and humidity conditions leave them vulnerable to damage, normally limiting an open display to no more than 6 months. They are kept in inert, acid-free boxes, albums, or portfolios behind closed doors; which considerations of space would dictate in any case for the vast majority. Where possible, they are mounted on archivally safe supports, but large collections still contain less important items loose inboxes. Storage may be in the same room as the viewing is done (the 'Reading-' or 'Study Room'), but as the largest collections have well over a million items stores are often located 'behind the scenes', along with the curators' offices.
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The older historiography came in two flavours: The Whig history interpretation and the Marxist historiography interpretation. The Whig model, dominant in the 19th century, saw an inherent conflict between irresistible, truly English ideals of liberty and individualism represented by The Puritans and Roundheads, overcoming the medieval concept of the king as the unquestionable voice of God. Historians became increasingly uncomfortable with the writing of history as a predetermined search for an idealistic goal, and the Whig approach lost favour after the First World War (1914–1918). Meanwhile, in the late 19th century, the remarkably high quality scholarship of archivally oriented historians, especially Samuel Rawson Gardiner and Charles Harding Firth had provided the rich details on national politics, practically on a day-by-day basis.
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Another method worth mentioning, which has become increasingly common in recent years, is to transfer the original colour print to a high resolution digital format and manipulate the image in the digital domain before reconstituting it back on film. Without a doubt this method offers the widest freedom in terms of restoration, since many things are possible with digital that would not be possible by traditional photochemical means. It is also, however, the most ethically questionable, since it involves the transfer to a different medium, which comes with its own unique properties and limitations, losing many of the inherent, film-like properties of the original along the way. It is also the least archivally sound, since the longevity of digital media formats has not yet been determined.
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Historian Martin Malia, who prefaced the English-language edition of the book, described it as "the publishing sensation in France, [...] detailing Communism's crimes from Russia in 1917 to Afghanistan in 1989. [...] [The Black Book of Communism] gives a balance sheet of our present knowledge of Communism's human costs, archivally based where possible, and otherwise drawing on the best secondary works, and with due allowance for the difficulties of quantification". Philosopher Alan Ryan, writing in The New York Times Book Review, stated that "[t]o the extent that the book has a literary style, it is that of the recording angel; this is the body count of a colossal, wholly failed social, economic, political and psychological experiment. It is a criminal indictment, and it rightly reads like one".
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Ideas and Weapons attempted to examine both the use of aerial weapons by the United States in World War I and the problem of weapons development more generally. Drawing on an extensive body of primary material (including records from the U.S. National Archives, the Air Force's Central Files, the Army Air Force Historical Office, and collections at different service colleges), Holley established a significant, archivally- based analysis where no effective work on the period had existed before. That larger research project yielded Holley's second major work, Buying Aircraft: Matériel Procurement for the Army Air Forces, published in 1964 as Special Studies volume in the official history of the United States Army in World War II series. In that volume, Holley explored procurement in a broad sense: "the computation of requirements, the evolution of internal organization, the relationship and accommodation of conflicts between executive and legislative agencies, the character and capabilities of the aircraft industry, and many other similar facets..." necessary together for a proper understanding the more basic elements of procurement, involving contracts, plant construction, and so on.
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