A vaguely Mediterranean vibe arches over all of the new music.
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Pastel-colored butterflies surrounded grassy arches over a beautifully decorated seating area.
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It's kind of like an Amazon Echo That also has a LED ring that arches over the top of the base/speaker.
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Related: [Exclusive] A Rainbow Yarn Bridge Arches Over LA Sky Bridge Robot Sculpture Responds to Nature London's New Bridge Might Be a Sci-Fi Masterpiece
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Related: [Exclusive] A Rainbow Yarn Bridge Arches Over LA 8 Textile Artists Weave a Narrative of Racial Injustice In Art, a Terminally-Ill Artist Finds Infinity
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The families drop the required 4 pesos into the turnstile to begin their walk up the international bridge that arches over the Rio Grande and connects this part of Mexico to the United States.
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Via Fubiz Related: A Rainbow Yarn Bridge Arches Over LA This Mirrored Rainbow Room Is a Playground for Light Step Inside A 5,000 Square Foot Rainbow A Rainbow of Light Takes Over the Amsterdam Central Station
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It has a nave and a rectangular apse, arches over columns with capitals with Renaissant motives.
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The exterior façade has distinct arches over the first floor, thus also serving as protection to the fans from the elements.
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Gothic is a style that incorporated pointed arches over doors and windows, flying buttresses, and spires. And the features can be clearly seen to the exterior of this Church include such pointed arches over doors and windows, and it has buttressed walls, which incorporate pinnacles to their top. The reference to the Tudor styling refers to chiefly the interior of the Church.
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This is suggested by the lines: "The upright post at the gate has fallen / My women are frisky / The leopard arches over my homestead".
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It features semicircular arches over the main door and adjacent windows. and Site map It was added to the National Register of Historic Places in 1986.
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Court Street Bridge is a historic stone arch bridge located at Rochester in Monroe County, New York. It was designed by city engineer J. Y. McClintock, constructed in 1893, and spans the Genesee River. It has six shallow arches over the river and two arches over the Johnson and Seymour Raceway and Erie Canal. Shallow arch spans are 52 feet and rises vary from 13 to 20 feet.
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The stable at the rear of the property is a two-story building dating to the same period, which includes keystoned arches over its major openings, and a period oculus window.
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The soil on both sides of the trail is sandy and well-drained, with water not far down for trees with tap roots. A canopy of tall trees, including black walnuts, arches over the trail.
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The original, wood-framed windows were replaced in 1972. The building's two main entrances feature stone arches over recessed doors; eleven step stairways lead to both doors. New doors were installed in both entrances in 1971.
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Of the convent, which extended from the southern, nothing remains, although there exist elements associated with its construction including a small space with arches over pilasters and Doric columns, that were part of the convent structure.
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However, Schuyler said that the contrast between the brownstone base and the brick-and-terracotta upper stories helped unite the two sections, and also praised the Broadway pavilion "work[ing] out naturally and effectively into a tower". Modern critics have also praised the Corbin Building. Architectural writers Sarah Landau and Carl Condit wrote in 1996 that the building exhibited "fine detail and slablike proportions". David W. Dunlap of The New York Times wrote in 2003 that "the Corbin Building looks something like a Roman aqueduct with French Renaissance flourishes, arches over arches over arches".
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The flexor retinaculum (transverse carpal ligament, or anterior annular ligament) is a fibrous band on the palmar side of the hand near the wrist. It arches over the carpal bones of the hands, covering them and forming the carpal tunnel.
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The central front bay is distinguished by a semicircular fantail window over the main doors, semicircular arches over the second story windows, and an oculus window illuminating the attic. In the interior, both floors have two rooms with a hall across the front.
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The building was extensively remodeled from 1960 to 1961 and the cupola and arches over the windows were removed, and the main entrance was changed. A brick veneer was also placed over the exterior. The building is capped with a hipped roof.
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Aberdeen is an imposing brick temple-form house. The main facade features an imposing pediment finished with horizontal flush sheathing. The walls are laid in Flemish bond with flat arches over the openings. A diminutive portico with Doric order columns is the central feature.
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194-95, p. 194 ; plan, section, and elevation p. 193. The buildings had an "English-industrial" appearance and were horizontally organised with a taller central section giving an impression of "importance, balance and pragmatism" and ornamented with round arches over doors and windows and an acorn motif.
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The material is used for window sills, lintels, and arches over the two primary entryways as well. The four-story clock tower is the dominant feature of the building. It has a square plan and a hip roof. Roofing of the entire building is sheathed using slate shingles.
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Guianan squirrel monkey males have a body between long with a tail between long. Females have a body between long with a tail between long. Males weigh between and females weigh between . The Guianan squirrel monkey has a pink face, black muzzle and white arches over the eyes.
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The Pittsburg–Clarksville Covered Bridge (also known as the Bacon Road Bridge) is a wooden Paddleford truss bridge with added arches over the Connecticut River located between Pittsburg and Clarksville, New Hampshire. It was closed to traffic in 1981. The bridge is the northernmost covered bridge crossing the Connecticut River.
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Over the sacristy is the inscription: :IDFICADA / P.oR P.WG / SEB. ANT / DAS. 1787 In the rear of the building are two diamond-shaped oculi, corresponding to the tops of the lateral naves. The interior naves are separated by five rounded-arches over rectangular pillars, with salient bases and capitals in granite.
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The symmetrical cut-stone structure faces south. Two plate-glass windows make up the first floor, with a glass door at the eastern corner. Three cut-stone columns break up the first story's facade and culminate in Romanesque arches over the plate glass windows. A stone band separates the first and second stories.
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Originally opened on 24 May 1971, the station has been rebuilt twice. In July 2007, a large part of the rebuilding was completed and on 17 November 2007 the station was fully opened. The new station was designed by Grimshaw Architects of London in association with Arcadis Architecten. The station arches over the ArenA Boulevard.
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Azimpur Mosque has the same architectural plan as the nearby Khan Muhammad Mridha Mosque. The mosque is single domes and a two-storied structure. Some experts say that the dome bears Ottoman Empire architecture. Five arched doorways are there and each of the doors has a half domed vault consisting of two arches over them.
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Sketch of the Nydeggbrücke in 1850. Looking southwest from across the Aare toward the Old City of Bern The Nydegg bridge is a freestone structure with three arches over the Aare. The bridge was built with a core of Merlinger and Jura limestone (from Solothurn) and then clad with blue sandstone from nearby Ostermundingen.Hofer, pg.
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It is a narrow stone packhorse bridge, on the southern outskirts of Dunster, with two arches over the River Avill. It has a roadway width of , a total width of and is long. The side of the bridge each have four narrow chamfered ribs. The approach from the village is via a raised causeway.
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In 1864 it was proposed to build a "New Station" in Leeds. Construction began in 1866 and the station was completed in 1869. The new station was built on arches which span the River Aire, Neville Street and Swinegate. The building of the station led to the creation of the 'Dark Arches' over Neville Street.
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The Elisha and Lizzie Morse Jr. House is a house in the Whittier neighborhood of Minneapolis, Minnesota, United States, listed on the National Register of Historic Places. The house is designed in the Italian Villa style. Its most distinctive feature is the cupola with shallow arches over paired windows. The siding is also a unique design.
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Ketchikan sign, which arches over Mission Street. Front Street is in the immediate foreground. Ketchikan is home to four radio stations: KTKN-AM 930, KGTW-FM 106.7, KFMJ-FM 99.9, and community-owned NPR-affiliated KRBD-FM 105.3. Ketchikan has one over-the-air broadcast television station, KUBD (TV), Channel 13 digital and 4 visual, a CBS network affiliate.
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A description of the church can be found at www.sfxmissoula.com When the church was built in 1892, it became the largest church in Montana. It is a cruciform church in the Romanesque Revival style. The arches over the windows and doors are semicircular, and there are smaller arches along the eave line, small buttresses, and a bell tower.
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Pali Hill has an expanse of trees that form arches over the roads. Originally an area of orchards, fields and untamed forests, from 1980-2020 it was deforested and made suitable for residential habitation. A few giant trees remain in building compounds, bungalow gardens and on the roads. The most widely seen tree is the gulmohar tree.
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These rooms have ornate plaster cornices and ceilings. The lounge and dining rooms have timber parquetry floors and coloured leadlight windows in distinctive art deco patterns. On the second floor bedrooms and bathrooms are linked by a central corridor. Much of the fabric dates from 1889 including doors, architraves and skirtings, plasters arches over the hallway and main stairwell.
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Each summer, during the "marching season", there are many Protestant/loyalist marches in the town. Loyalists put up numerous flags and raise arches over some streets. These marches, and the raising of these flags and arches near the homes of Catholic families, continues to be a source of tension and sometimes violence."Parkmount row after flags are removed" .
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As part of this he added images of the heads of Native Americans in the keystones of the arches over the ground floor windows. Hastings transformed the façade in Beaux-Arts style and added a grand staircase. He also modified rooms on the lower two floors to make them more suitable for entertaining. Eight ambassadors lived in the house.
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All the sculpture on the exterior of the building is by Edmund C. Thompson. The keystones in the arches over the doorways and above some of the windows are carved with cherubs. Rather than all being identical, their designs are slightly varied. A frieze runs around the building just below the level of the top floor windows.
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Windows are two-light vertical sashes with brick arches over. Timber shutters were provided by Blacket to most windows although not shown on the original drawings. The roof is sheeted with galvanised iron and has three high brick chimneys. The three gables were finished with highly decorative timber fretwork that gave the relatively plain building some period detail and interest.
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The building consists of two late-Georgian semi-detached cottages with good detailing. It has bonded red brick walls and flat brick arches over openings. The building has 12 pane windows, 4 panelled doors and wooden picket fences to a verandah which faces directly onto the street alignment. The verandah roof is of galvanised iron and is supported on timber lattice columns.
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This polychrome brick and stone Federation era building comprises four storeys with a basement. The upper three levels are encompassed by giant order pilasters that separate the window openings. These have plain capitals that support cut stone semi-circular arches over the top windows. The parapet has four shallow concave curves punctuated by projecting piers at the centre and ends.
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The inflorescence is a raceme of flowers that arches over as the flowers and fruit develop. Each flower has a bell-shaped calyx of green or purplish sepals bearing up to fifteen long purple stamens tipped with large yellow anthers. There is a single carpel and no petals. The fruit is a dry achene with longitudinal ridges and tipped with a bristle.
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A bust of his face can be seen at the entrance to the monument. The Great Platte River Road Archway Monument gained fame by being featured in the movie About Schmidt with Jack Nicholson. On July 16, 2000, he dedicated the 50,000 square-foot building that arches over Interstate 80. Morrison wrote an autobiography, My Journey Through the Twentieth Century in 2001.
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It was "utilitarian in appearance" except for having "red brick arches over its windows and red brick ridges along the top of the building." With . The building was deemed significant in the area of social history and performing arts history of Nebraska. It was identified as one of 25 Nebraska historic opera house buildings worthy of intensive study in a 1988 review.
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The twelve-sided events hall is encircled by seating and two floors of boxseating. To the northeast and southwest, respectively, are special boxseats, framed by three arches, over one of the three accesses. The hall is covered by metal ceiling, supported by steel tubing. The events hall has a capacity of between 2846 (seated) to 4000 people, depending on its configuration.
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The Camelback Bridge is a restored historic wooden bridge that arches over the Constitution Trail in Normal, Illinois. It is on the U.S. National Register of Historic Places. The bridge's main span is a wooden kingpost pony truss. The bridge is supported by Phoenix columns, a type of wrought iron column that was patented by the Phoenix Iron Company in 1862.
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It has been designated as a Grade I listed building and Scheduled Ancient Monument. It is a narrow stone packhorse bridge, on the southern outskirts of Dunster, with two arches over the River Avill. It was originally known as Gallows Bridge and has a roadway width of , a total width of and is long. The river then skirts Dunster New Park surrounding Dunster Castle.
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The two arches over the embankments are each long. The bridge has a total width of (8 lanes), and its total length with approach ramps is . Although it is a concrete structure, Alexey Shchusev finished the bridge in pink granite slabs to create the illusion that the bridge is actually built in stone. On 27 May 1987 German aviator Mathias Rust landed on the bridge.
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The Royal Württemberg State Railways built some earthworks north of Endersbach for the establishment of the Rems Valley Railway (, old spelling) from Cannstatt to Wasseralfingen. It built a viaduct with four arches over the Haldenbach river and the road to Großheppach. It built Endersbach station a little to the east. The first trains ran over the new route on 25 July 1861, as planned.
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By 1906, he was so well known that Architectural Record devoted an entire article in November 1906 to his work. The Brooklyn Savings and Loan building uses a diverse set of architectural styles. The structure is symmetrical and its elements tend to be regular and repetitive, which are elements of the Neoclassical style. There are deep segmental arches over the second-story windows are Late Victorian, however.
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At the end of it is a long mantel and fire-place. ... The walls ... are covered above the red mahogany wainscot with stamped leather of golden arabesque figurings on a groundwork of reddish brown. The semi-circular arches over the windows are filled with stained glass. ... The mantel curves into the room, and is supported by Ionic columns quite clear of the carved griffins.
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Art Modern, Ranch Style and Prairie houses were also scattered through the area. Spanish Colonial Revival houses take their characteristics from the Southwestern architectural tradition. Identifying features include flat or low-pitched roofs with little or no overhang, red tile roof shingles, prominent arches over doors, windows and porches, and an asymmetrical stuccoed facade. In contrast, Tudor Revival homes draw from the medieval architecture of Europe.
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The mansion was designed in a style popular in the 1920s for representing Spanish Mediterranean influence. Prominent throughout the building is the use of wooden round arches over the building's large windows and doorways, many of them adorned with small stained glass panes. Some openings are also decorated in ornate iron work. The two towers that accentuate the building's eastern and western sides have red roof tiles.
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Construction of the church began in 1669 by the architect Marcos López. Work was continued by others, including likely José de Churriguera and Pedro de Ribera, and not completed till 1761 by Francisco de Moradillo. Moradillo's facade was built of granite, and features three arches. Over the arches are statues of San Cajetan, Our Lady of Grace, and San Andrés Avelino, by Pedro Alonso de los Ríos.
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About three days after the egg is laid, the free end of the egg becomes glassy white. The grub chews its way out with its tiny, dark-tipped mandibles. Eventually, the eggshell splits, revealing the glistening, white, footless grub. The grub, still attached to the host tarantula by its tail end, arches over and digs into the tarantula's skin, creating a perforation aided by a dissolving fluid.
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The three nave plan (one of which was truncated) has wood flooring and slabs of granite, with access staircase in rose marble. The central nave is longer and wider than the lateral lengths, separated by arches, on columns and pilasters. Walls on the southeast and northeast have arcades of masonry, while the northeast have arches over decorated marble. The entire space is covered in wood ceiling.
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Cornice with decorative trapezoidal brackets shows its classical heritage. Holes are cut into the eaves in the shape of diamonds and eight pointed stars for decoration. Double hung windows with curved segmental arches over them are used on the ground and upper floors of the original design. The only exceptions are the large Serlian window to the western elevation and the tripartite window above it.
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Seisdon is a hamlet within the parish of Trysull and Seisdon (formerly named Trysull, only), lying one mile north-west of the village of Trysull, near the border with Shropshire. There is a narrow bridge of several arches over the river Smestow,History, Gazetteer and Directory of Staffordshire by William White, pub. Sheffield, 1834 (section on Trysull Parish) which is of 18th century origin.Listed Buildings web site britishlistedbuildings.co.
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There is little decoration, with plain rubbed brick flat arches over the windows. Ornament is confined to the central bay, whose door is framed by engaged Ionic columns and topped by a fanlight. Above the door the second floor window is framed with a surround and entablature. The interior presents the appearance of symmetry where it is in fact not symmetrical, using false doors where necessary to maintain the illusion.
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The station was opened on 18 January 1911 with the inauguration of the line that it is on, as a branch of Line 7 from Louis Blanc to Pré Saint- Gervais. Because the station is built in a backfilled quarry, it was constructed with arches over each of the tracks to strengthen the station box. On 3 December 1967, the branch was separated from Line 7, becoming Line 7bis.
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This chapel is an addition to the original church, and is entered through a ponderous arch bored through the massively thick walls. The interior is square and rather small with the dome above supported on squat arches over each corner. The lantern above has stained glass lights. There is another similar chapel on the opposite wall which gives the nave a footprint in the shape of the crucifix.
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It was built in 1891–1892, and is a two-story Italianate-influenced brick building. The building features segmental arches over door and window openings, and low flat parapets at the side elevations. The Bank of Hampton operated until 1926. From the 1930s to the 1960s the building was operated as rental commercial space, with upstairs law offices. Since 1987, the building has housed the Hampton Museum and Visitors’ Center.
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Both the doors and windows have two rowlock brick arches over them. The car entrance is on the west side; a passage door is on the north side. A clear-glass window with 16 panes is on the east side. On the west side, north of the car entrance, is a window with beveled lead- glass panes, which appear clear from the outside but red from inside the building.
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A rough pencil sketch made at about the same time, and entitled "part of old church discovered in Honey Lane", shows the remains of masonry walls including three pointed arches over what appear to be blocked openings. Two "Norman" capitals and the capital of a "Saxon" column, decorated with twisted serpents, were also found. One of the serpent capitals - now considered to be 12th century - is in the British Museum.
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The building reflects a mix of Victorian and Romanesque Revival influences. The facades, with vertical pilasters and horizontal belt courses creating a grid, reflect Victorian compositional strategies. Details such as the round arches over groups of windows and the arched main entrance and corner entrance are Romanesque Revival elements. The exterior walls are load-bearing, as is the firewall that extends through the building from the street to the alley.
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The blood of the animals is then sprayed over the small huts and the flowing water. The villagers then cooked the goats and the fowls are reclaimed by their respective owners. With the meat and khaung, they made an offering to the nat before they begin the feast. Meanwhile, the village is shut down for three days and the villagers fix up bamboo arches over the village path.
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The building is a two-storey masonry commercial building constructed in several phases over the latter nineteenth century. The street facade is constructed of coursed granite blocks with shaped flat arches over the openings. A stucco cornice and parapet demonstrates the part of the wall that was above the location and profile of the former two-storey veranda that had a bull nose roof. The windows are twelve-pane sliding sashes.
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The roofing was originally wood shakes but is now asphalt shingling. A metal-roofed cupola is on one corner of the building. Romanesque detailing on the building include the cut stone, arches over the windows and doors, and the polished granite columns supporting the front porch overhang. The building remains essentially unaltered from its original construction, and is an effective reminder of the opulence of the surrounding community in the Victorian era.
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When Max tricks Ben into signing The Arches over to him, Jay discovers that most of the cars he has been fixing are stolen. Phil lets Max believe that the stolen cars have been located by the police and Max signs the business back to Phil. When Ben is arrested on suspicion of killing Lucy, Jay tells Sharon, Lola and Billy that Ben mugged Lucy. Jay and Lola begin a romantic relationship.
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Almost all G-506s had closed Chevrolet cabs, shared with the closed cab versions of the GMC CCKW – except for three models. A panel van version was built for the Army Signal Corps, open cabs were used on bomb servicers and cab over engine types were used for long-bodied cargo trucks. The pilot models had flat top panels of the front fender, but production trucks had arches over at the fender crowns.
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The Village Hobby Shop is a thoroughly brick building; its walls, its foundation, and its decorative elements are all brick masonry., Ohio Historical Society, 2007. Accessed 2013-02-21. Numerous architectural elements combine to make it a clear example of the Italianate style of architecture, including the massive arches over the large display windows, a small cornice over the entrance and windows, and the imitation arcade situated underneath the bracketed upper cornice.
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In an attempt to prevent this happening experiments were made to construct a fireproof mill. The wooden beams supporting the floor timbers were replaced with beams of cast iron, (steel was not available till after 1860) and between them were low vaults made of brick with a span. Above this rubble was used to level the floor which was made of brick. The floor arches over the wheel pit were of a hollow clay construction.
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The south western wing is three storeys tall with a gable roof. It has brick arches over casement windows to the lower and upper floors and banding at the line of the sill of ground level windows. The two storeyed brick wing, nearer the north eastern end of the building, has a hipped roof. Internally the school house has rendered masonry walls on the lower levels and painted brick work on the upper level.
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Wrather Arch was once thought to be the longest natural arch span outside of the state of Utah, originally reported to be in span. The recent discovery of longer arches in China, Afghanistan, and Chad; and a shortening of its estimated length by the Natural Arch and Bridge Society−NABS, have taken Wrather Arch off their "largest arches over 200 feet in span list." Recent NABS assessments estimate the span has an approximate length of .
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The name Withiel comes from the Cornish word Gwydhyel, meaning "wooded place".Mills, A. D. (1981) The Popular Dictionary of English Place-Names, The parish contains the hamlets of Withielgoose, Retire and Tregawne; the parish had a total population of about 300 in 1824. At Ruthernbridge is an early 15th-century bridge with two pointed arches over the Ruthern. The hamlet here was until 1933 a halt on the Bodmin to Wadebridge railway line.
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The sixth, seventh and eighth floors of one wing held the courts, judges, clerks and US Marshal. The floors in the dome were reserved for the Civil Service Commission, Railway Mail Service and weather bureau with other agencies occupying the remaining space. The base consisted of a central entry on each facade flanked by eight bays of windows. The bays were separated by Corinthian pilasters with arches over the windows of the second floor.
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Interstate 471 would have three lanes in each direction (which has since been reworked into four lanes in each direction due to a construction project). The bridge between Newport and Cincinnati was constructed between November 1971 and September 1976 and named after Covington native Daniel Carter Beard, the founder of the Boy Scouts of America. It developed the nickname of the "Big Mac Bridge" because its massive yellow arches over the river resemble the golden arches of McDonald's restaurants.
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These trees also occur along either side of the carrier canal (which is also currently in the process of being roofed and sealed). The western bridge is a former rail bridge (associated with siding provided to bring coal for the Pumping Station) which runs diagonally across the Main. It is a simple concrete structure which arches over the pipeline and encloses it completely. This bridge has virtually no features above ground level and is entirely unadorned.
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Woodlawn is built of steel frame faced in ornamental concrete, with a large headhouse at the northern end. Three large steel arches over Jerome Avenue support the mezzanine level. The tracks above them are supported by through girders with four half-inch () expansion joints at their intersection with the supporting members in order to mitigate stress to the concrete caused by vibrations from passing trains. Burlap coated in coal tar atop the girders provides a waterproof track floor.
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The four walls at the top the tower end in step gables, with louvered openings to let out sound from the bell chamber. The lower part of the tower, with round arches over the columns, encloses a platform from which proclamations were announced. On the middle of the building's three main stories, a distinctly Flemish dining hall has been preserved, with an elegant mantelpiece, oaken ceiling and old windows glazed with the coats of arms of nobles and clergymen.
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Sutton Bridge, Oxfordshire is a road bridge across the River Thames near the village of Sutton Courtenay, Oxfordshire, England. It is a stone structure built in 1807 with three arches over the main river and two smaller ones across the flood plain. An extension was built in 1809 across the Culham Cut, just below Culham Lock. It was originally a toll bridge and replaced an earlier multi-arch bridge over the original weir and a ferry at this site.
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While the line opened as a branch of Line 7 from Louis Blanc to Pré Saint-Gervais on 18 January 1911, the opening of the station was delayed by 13 months to 13 February 1912 due to the difficulty of its construction in a backfilled quarry. As a result, the station is built with arches over each of the tracks to strengthen the station box. On 3 December 1967, this branch was separated from Line 7, becoming Line 7bis.
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Construction for the Albright building started in September 1901. The larger footprint of this building allowed for it to be built around the previous brick building, which itself had been built over the original, wooden "Holly Works" structure. The brick and stone building has stone foundation of two-foot thick slab and 17-inch walls on all sides. The two color brick scheme provides accent around the windows and doors, highlighting the arches over the windows.
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The auditorium is semi- circular and octagonal in shape. The First Congregational Church of Sterling was designed by architect Wesley Arnold in the Richardsonian Romanesque style and built by builder P.J. Van Horne. The building has several elements of the style including: heavy sandstone foundation which contrasts with smooth and rough faced brick, wide round arches over rows of windows, and the buildings two towers. The building is laid out in what was known as the "Akron Plan".
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The church has a Baroque facade with raised patterns, fronted by a stone paved atrium which has a fountain with an image of the Archangel Michael. The main portal is flanked by Doric pilasters holding up an arch and a cornice to the choir window. Inside, at the base of the arches over the main altar, there are feather designs unique to Mexico. The town of San Nicolás Totolapan is centered on the Plaza Cívica Benito Juárez.
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It has tooled limestone ashlar triangular cut-waters. In 1835, the bridge was renovated with two random rubble limestone parapets with coping. As well as the five arches there is also a pair of elliptical arches over a culvert, one of which has been blocked with concrete. The bridge was temporally remodelled in 1969, when the missing parapet on the north (upstream) facade of the bridge was removed and a cantilevered steel walkway and services were added.
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It usually employed the "double square" formula, that is, the house was twice as long as it was high. Timber-framed with weatherboarding and brick examples are known equally. Stylistic elements that were typical of the type were massive bookend chimneys with rectangular caps, flat or segmented arches over door and window openings, and a raised, often molded brick, water table. When built with brick masonry load-bearing walls, decorative detailing often included Flemish bond and English bond.
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The field is now known as Flying Cloud Airport. The Grill family sold the house and surrounding farmland to the city of Eden Prairie in 1976 for parkland. The house was listed on the National Register of Historic Places in 1982. The house itself has elements of the Greek Revival style, in the wide trim on the gable end, and elements of the Italianate style with the use of brick and the segmental arches over the windows.
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The lessees built a stone bridge consisting of seven arches over the Wye, and made the approaches on both sides. In February, 1795, the centre part and south end of the bridge was washed away by a great flood, which happened after the breaking up of a long and severe frost. Two arches only were left standing on the Raduorshire side, or north side, of the river. Long before this period the three lessees were dead.
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The building (or, rather, its preserved part), standing on a small rocky hillock, has a ground plan in the shape of a broken letter "U", with sides about 26-17-13 meters long, with the longest wing forming the southern side. All wings of the building are two-storeyed; in the southeast corner there is a gate, above which a small turret towers. To the gate leads a stone bridge (with two arches) over the former castle moat.
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The nymph reliefs are at the centres of the arches over the Seine, memorials to the Franco-Russian Alliance. The Nymphs of the Seine has a relief of the arms of Paris, and faces the Nymphs of the Neva with the arms of Imperial Russia. They are both are executed in hammered copper over forms by Georges Récipon. In the same political spirit, the Trinity Bridge in Saint Petersburg was conceived as a memorial to the Franco-Russian Alliance.
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The H. Elmer Thayer House is a two-story red brick Italianate structure with an L-shaped floor plan. The door and window openings are topped by double brick segmented arches. over the home's door and windows are the major decorative elements and lend an Italianate flavor to the structure. The house is fronted with an open veranda supported by turned and bracketed column; this is a reconstruction of the original porch which was lost through deterioration and vandalism.
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The naves are supported by wood beams and divided into four sections, while the chancel is crossed by two beams. The apse chapel is broken by arches over pilasters, surmounted by windows and frescoes; its two sections and vaulted ceiling, illuminated by two frescoes, has been considered "a programmed realization of the best aspects of the Cistercian spirit".Almeida (2001), p. 136–137 A similar conclusion was reached from the analysis of other parts of the architectural design.
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Altars consist of arches over a rectangular table. Each corner of the table has a pole to represent the four stages of human life (childhood, adolescence, adult and old age). The poles are bent towards the center above the table to form arches, and covered with branches of local flora. It shares certain elements with Day of the Dead such as cempasúchil flowers, papel picado and the creation of altars to the dead adorned with local fruit, candles and copal incense.
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In May 1946, the bridge was first opened provisionally with a single track and later rebuilt for DM 10 million, resuming operations on 1 October 1950. As with its northern counterpart, the Hohenzollern Bridge, the reconstruction did not include the decorative parts of the portals and pylons. Part of the square stone block was used for the reconstruction of the stone arches over the Rheinallee and on the bank at Porz. The total length of the bridge is now 536 m.
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" It was built of stone quarried north of Heise. It was asserted in its NRHP nomination that it "typifies the Tudor-Gothic style, with its lack of steeples and flattened arches over large stained glass windows with intricate tracery. Although the short towers, clerestory, and side aisles are symmetrically placed, a Sunday school wing on the north and an octagonal tower on the southwest corner create a feeling of picturesque irregularity. Stone buttresses and pilasters provide the vertical thrust in the design.
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Fine Romanesque detailing embellishes the arches over the doors, windows, and the judge's bench. Centered between the two doorways is the room's original ladies' balcony, entirely finished in oak. A massive seven- year restoration project begun in 1989 revived the building to its original condition. The work involved extensive materials research to determine original paint colors and decorative patterns for the walls and ceilings, including the original hand-painted-and-stenciled designs in a trompe-l'œil effect (an artistic illusion of realism).
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These with the Potsdam red > sandstone employed in forming the arches over the windows, afford a pleasant > variety of color and effect, and contrast with the general masses of light > coloured sandstone, of which the body of the work is composed. The sculptural ornament is overseen by the Dominion Sculptor. Five people have held the position since its creation in 1936: Cléophas Soucy (1936–50), William Oosterhoff (1949–62), Eleanor Milne (1962–93), Maurice Joanisse (1993–2006) and Phil R. White (2006–present).
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Ayres had planned a main lobby that was Neoclassical in design. Phillips designed rusticated walls, placed arches over every doorway, placed Doric columns throughout the lobby, added a painted and coffered ceiling, and laid terrazzo and marble down for the lobby floor. Ayres confronted a vitally important design problem concerning the nature of the soil. Due to the formerly marshy condition of the soil and the existence of several submerged streams nearby, Ayres designed a structure that would stand on more than 18,000 pilings.
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St. Peter's Church in Malmö Art Nouveau Malmö synagogue Malmö's oldest building is St. Peter's Church (). It was built in the early 14th century in Baltic Brick Gothic probably after St Mary's Church in Lübeck. The church is built with a nave, two aisles, a transept and a tower. Its exterior is characterized above all by the flying buttresses spanning its airy arches over the aisles and ambulatory. The tower, which fell down twice during the 15th century, got its current look in 1890.
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A round wading pool is located in the south west corner of the site. The bath house comprises a long curved building which hugs the edge of the slope, and is entered via a ramp leading down to a central ticket office. The restaurant, a raised pavilion with curvilinear walls, also sits on axis and overhangs the swimming pool. The restaurant building contains a kiosk at ground level, and is entered via a concrete ramp which arches over the roof of the dressing sheds.
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The facade is broken into recesses and projections, creating a dynamic composition punctuated by an arcaded entrance on the first level and Roman arches over the second- and third-story fenestration. Massive stone forms are relieved with fine decoration. The first story provides the greatest display of Romanesque ornament, featuring highly carved moldings and decorative stonework surrounding the main entrance. The building's corners are rounded by tall pinnacles with alternating bands of smooth and textured stone and are capped by conical roofs with layered trim.
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The exterior, made of stone of different provenance, is marked by pilaster strips and arches over which are precious ceramic basins (the originals are in the National Museum of St Matthew in Pisa) of Islamic, Majorca and Sicilian manufacture decorated with geometrical and figurative motifs (10th-11th centuries). The 12th-century bell tower was destroyed in 1944. Only the base has been rebuilt. The large and solemn interior, with truss ceiling, is divided into a nave and two aisles by antique columns with classical capitals.
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Among the more important of the later works of Edwards were the large bridge over the river Usk, at the town of Usk, in Monmouthshire; one, of three arches, over the river Tawe, near Swansea; another, of one arch of 95 feet span, over the same river near Morriston. In 1750, he became an ordained preacher among the independents. Shortly after, he was chosen minister of congregation to which he belonged, and he continued to hold the office for about forty years, until his death.
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The 1895 Lowell Post Office is an historic post office building at 89 Appleton Street in Lowell, Massachusetts. The imposing two-story granite building was completed in 1895 to a design by W. J. Edbrooke. The building has an H shape, and has a profusion of typical Richardsonian Romanesque features, included rounded arches over windows and a recessed entry. The focal point of the building is its five-story square clock tower, which is topped by a pyramidal roof supported by tripled round arches on each face.
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The seat of the Bajalan Pashas was Zohab which they founded according to James Silk Buckingham.Travels in Assyria, Media, and Persia, Volume 1, James Silk Buckingham SARPUL-I ZOHAB ("bridgehead of Zohab"), a place on the way to Zagros on the great Baghdad-Kirmanshah road, takes its name from the stone bridge of two arches over the river Alwand. Austen Henry Layard observes the river Holwan issues at Ser-puli-Zohab from a deep gorge through lofty precipices. The Bajalan Pass was noted by foreign travelers for its monasteries, bridges, castles and aqueducts.
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The mosaics in the arches over the entrance Designed by architect Wilfred Clarence Mangan, known for his Byzantine-influenced church buildings, the church is constructed with a polychromatic brick frontage four storeys high and in two sections. The earliest section on the left has a gabled centre with slim lancet windows above a porch with three arches. On either side of the central section are single bays with plain rectangular windows beneath a steep pitched roof with large dormers. The section on the right consists of a large presbytery over four storeys.
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As well as embracing the Colonial Eclectic style, Nam Koo Terrace also adopts Classical Revival and Italian Renaissance architectural features combined with traditional Chinese decorations and motifs. The red bricked outer wall of the building is considered to be one of the major features of its architectural construction. Besides the red brickwork; rusticated quoins, moulded cornices, and voussoired arches over the windows add to the uniqueness of the structure's architecture. The use of ironwork for the window grilles, balconies and entrance gate also provides the building with a certain ornamental aesthetic.
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Information about the previous use of the land or the different construction projects on the land is scarce; however, some important details can be seen in an aerial shot. For example, the design shown in the undated picture shows a giant star made into the ground, with the plaza's stage at the center. The red point of the star that points straight to the U.S. Embassy a few hundred feet away is most clear. As of May 2006, the plaza includes a stage, metal arches over the crowd area, and a monument of 138 flags.
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St. Paul's Episcopal Church began life as the Greenville First Congregational Church, constructed in 1855/56. In 1879, the Congregationalists began construction of a new and larger church, and sold their 1856 building to the Episcopal congregation, who moved it across the street to the present site. The church is a simple gable roof structure covered with clapboard with a projecting square tower. The steep pitch of the roof, pointed arches over the windows, and triangular caps on the doorways and belfry openings give the building a Gothic Revival appearance.
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The gate got its name from Saint Michael's church and after it named uptown, from where people entered the city. In street's ground plan from the gate upward is well-preserved bended type of street in the inner gate space. From the outside of the gate is a bridge, which arches over the former ditch along the town wall. From the inside of the gate is a stone gothic sign, which states that the tower was repaired by the city council and the population of Bratislava in 1758.
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Construction started in 1731 under the direction of Italian architect Antonio Canevari, replaced in 1732 by a group of Portuguese architects and engineers, including Manuel da Maia, Azevedo Fortes and José da Silva Pais. Between 1733 and 1736, the project was directed by Manuel da Maia, who in turn was replaced by Custódio Vieira, who would remain at the head of the project until around 1747. Custódio Vieira conceived the centerpiece of the aqueduct, the arches over the Alcantara valley, completed in 1744. A total of 35 arches cross the valley, covering 941 m.
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Colthurst's Bridge is situated north of Coachford village in County Cork, Ireland, east of Aghabullogue village, and is depicted on both the 1841 and 1901 surveyed OS maps. The bridge is located at the meeting point of the townlands of Carrignamuck, Clonmoyle East and Peake, the civil parishes of Aghabullogue and Magourney, and lies within the catholic parish of Aghabullogue. The Ordnance Survey name book (c. 1840), refers to it as a bridge with four arches over the Delehinagh River, and named Coulthurst's Bridge, as it was 12 chains () south-west of Mr Coulthurst's property.
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The surviving elements of the original structure include the general arrangement of the interior: three naves separated by three ultra- semicircular arches over Corinthian capitals, and the apse formed of a single rectangular chapel. The many geometrical decorative elements are also original and more numerous than those of any other Iberian monument of the period. The interior is divided into three sections supported by three arcs, supported by cylindrical columns, with polymorphic capitals. A triumphal arch divides the chapel from the main altar, while the roofs are supported by beam timbers.
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Clopton rebuilt the nave of the Chapel of the Stratford Guild of the Holy Trinity, situated opposite his new house in Chapel Street, and he adorned the building with a tower, steeple, glass windows and paintings for the ceiling. He also built the Clopton Bridge, a remarkably fine stone bridge of fourteen arches over the River Avon, having removed at his own expense an old wooden bridge on the site. He also founded the Clopton chantry chapel in the Church of the Holy Trinity, Stratford-upon-Avon, still notable features of modern Stratford.
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Ticket hall in February 2011 looking towards Uxbridge High Street entrance following refurbishment The station was designed by Charles Holden with L H Bucknell and features a red-brick facade with paired sculptures by Joseph Armitage over the entrance, representing stylised "winged wheels" with leaf springs. A tall concrete canopy arches over the tracks with a row of clerestory windows above the platforms. The canopy at Uxbridge is similar to the one at Cockfosters, the terminus at the other end of the Piccadilly line. The station is below street level in a cutting.
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Monuments like this, and even arches over the roadway, were put up by counties as they built sections of highways including the Dixie Highway. The Dixie Highway, an idea of Carl G. Fisher of the Lincoln Highway Association, was organized in early December 1914 in Chattanooga. On April 3, 1915, governors of the interested states met at Chattanooga, and each selected two commissioners to lay out the route from Chicago to Miami. On May 22, 1915, the commission decided on a split route in order to serve more communities.
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The Thompson Block is located in Portland's Old Port area, on the north side of Middle Street. It is flanked on the left side by the Rackleff Building, which stands across Church Street, and by a less ornate brick commercial building on the right, across a narrow alley. It is a 3-1/2 story brick building, roughly trapezoidal in shape, with a polychrome slate mansard roof providing a full fourth floor. The ground floor consists of an arcade of iron supports, forming arches over either display windows or recessed store entries.
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"The Nine Gems", one of several arches over Ratchadamnoen Avenue in Bangkok in honour of the 60th anniversary of H.M. King Bhumibol Adulyadej's ascension to the throne Conmemorative Medal Ribbon King Bhumibol selected one of twelve designs presented by the Fine Arts Department of the Ministry of Culture to be the official emblem for the celebrations. The emblem selected was designed by department artist Somchai Supphalakamphaiphon. There are several symbols in the emblem. The centerpiece is a cypher of the king's name in golden yellow, the colour of Monday, his day of birth.
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De l'Orme died in 1570; in 1575 an unknown architect took over at Saint-Maur.Blunt, Art and Architecture in France, 89, believes this architect was Jean Bullant, of whom he writes: "In these last years, Bullant's desire for the colossal seems to have grown greater, and in this case it could not be harmonized with the existing building". The new man proposed to heighten the pavilions on the garden side and top them with pitched roofs. He also planned two more arches over de l'Orme's terrace, which joined the pavilions on the garden side.
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The right main bronchus subdivides into three secondary bronchi (also known as lobar bronchi), which deliver oxygen to the three lobes of the right lung—the superior, middle and inferior lobe. The azygos vein arches over it from behind; and the right pulmonary artery lies at first below and then in front of it. About 2 cm from its commencement it gives off a branch to the superior lobe of the right lung, which is also called the eparterial bronchus. Eparterial refers to its position above the right pulmonary artery.
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However, if developed by adulthood, flat feet generally remain flat permanently. A woman in her thirties dorsiflexes, showing an absence of arches, over-pronated navicular and hallux valgus in the toes typically associated with flat feet. Flatfoot in a 55-year-old female with ankle and knee arthritis. If a youth or adult appears flatfooted while standing in a full weight bearing position, but an arch appears when the person plantarflexes, or pulls the toes back with the rest of the foot flat on the floor, this condition is called flexible flatfoot.
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Philip Lybbe Powys, who visited Heythrop in 1778 remarked that the stucco work was by "the famous Roberts of Oxford", though the plasterer Thomas Roberts was born in 1711; "In the arches over the doorways", Mrs. Lybbe Powys noted "fables of Aesop, finely executed in stucco, with wreathes of vine leaves." After the fire the house remained derelict until sold to the railway contractor Thomas Brassey in 1870 as a wedding present for his third son Albert Brassey (1840–1918). Brassey commissioned the eminent architect Alfred Waterhouse to rebuild the interior.
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This 'box' consists of two parts: the access gate through which the successful bullfighters exit, and the theater box itself, which is reserved for the exclusive use of the Spanish Royal Family. The topmost part is composed of four arches over which is built a half-orange vault, whose topmost portion is covered by white and blue tiles. The sculptural group that concludes the composition is the work of the Portuguese sculptor Cayetano de Acosta. The Palco was built for the Infante de España, Felipe de Borbón, son of Felipe V and Isabel de Farnesio.
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The building was constructed as mixed use, with the main floor including storefront space. Details making it typical of late Victorian architecture include its four arched, vertically-coupled recessed double-hung windows; its rusticated stone stringcourse and sills; its front elevation with decorative brickwork, including stepped brick dentil below cornice level, semi-circular arches over fourth-storey double-hung sash windows, and moulded brickwork under rusticated stone string course. It may have been designed by George William Grant, whose nearby Ormidale Block bears some similar features. In 2003, the city of Vancouver recognized the building as one of historical significance.
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Entry to the Union Stock Yards A remnant of the Union Stock Yard Gate still arches over Exchange Avenue, next to the firefighters' memorial, and can be seen by those driving along Halsted Street. This limestone gate, marking the entrance to the stockyards, survives as one of the few relics of Chicago's heritage of livestock and meatpacking. The steer head over the central arch is thought to represent "Sherman", a prize-winning bull named after John B. Sherman, a founder of the Union Stock Yard and Transit Company. The gate is a designated U.S. National Historic Landmark.
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The Hutthal Ditch at the Unterer Hutthaler Teichdamm aqueduct Covered section of the Hohbirker Kunstgraben near Brand-Erbisdorf The Grabentour, Kunstgraben supplying ventilation shaft nos. IV and V of the Rothschönberg Gallery One of the portals of the Neuwernsdorfer Kunstgraben in Cämmerswalde Vaulted arches over the Zellerfeld Kunstgraben A Kunstgraben is a type of man-made water channel that was once used by mines to drive the water wheels needed for power, mine drainage and a host of other purposes. The term is German (plural: Kunstgräben). Similar ditches supplying water mills in England are called leats.
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The roundhouse is built of coursed mine rock masonry in the shape of a semicircle with a turntable in the center. The original structure, built in 1888 to service locomotives for the Hecla and Torch Lake Railroad, ran approximately 170 degrees around the turntable,Calumet & Hecla Roundhouse, Northeast corner of Mine & Depot Streets, Calumet, Houghton County, MI, HABS MI-428, Kevin Harrington, Historic American Buildings Survey, 1975. and had twelve train stalls ranging from deep on the south end and deep on the north. The structure is built of random mine rock with brick arches over the windows with a shed roof.
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The church façade has receding planes with leaves designed in corbel arches. Over the triple portals of the church is a high-relief frieze depicting the story of the La Naval. The giant bas-relief of Santo Domingo was designed by the Italian sculptor and expatriate Francesco Monti. In the nave of the church there are eight colorful murals by National Artist Carlos Francisco depicting the life and times of Santo Domingo de Guzmán, the Spaniard who founded the Order of Preachers. Francisco’s murals are just below the equally brilliant murals of the Four Evangelists in vivid brown tones by Vicente García Llamas.
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The house lacked any applied ornamentation, with its decorative features instead serving constructional purposes, such as the arches over the windows, and the louvre in the open roof over the staircase. According to Morris' biographer J.W. Mackail, the external design of the house was "plain almost to severity, and depended for its effect on its solidity and fine proportion." This was somewhat radical at the time, as most contemporary buildings were heavily furnished with ornamentation. Rosseti termed it "a real wonder of the age ... which baffles all description", while Morris biographer Fiona MacCarthy described it as "the ultimate Pre-Raphaelite building".
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The interior of the temple are constructed with brickwork stone, while in some areas there are vestiges of plastered and white-painted walls, parallel pavement stone and stone aisles. Along the back wall are evenly-spaced orifices, indicating the support areas for the old high-choir. To the west (of the left entrance) is the baptistery marked by arched doorway, sheltering a semi-circular stone baptismal fountain decorated with various motifs and along the back wall an old closet. At the top of the nave are two lateral arches over Tuscan pilars, and large archway marking the altar.
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The clocktower of the municipal palace/hall The first political authority within the region was founded on 4 August 1507, with the first official minutes conserved in the municipal archives dating to 5 January 1555. Between 1563 and 1564, there was a combined seismic and volcanological event resulting in complete destruction to the community and the original municipal hall. Work on a municipal building began in the 17th century and included a subterranean jail with successive floors. By 17 February 1796, there was a decision to construct two arches over the Rua das Espigas and, above them, build rooms for prison officers.
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There is a solid section on the island between the channels, with a single arch over the eastern channel and four arches over the main river. The chalk pits which provided trade to the navigation are now the location of Amberley Museum & Heritage Centre, a site with many items of industrial heritage on display. The river follows an "S"-shaped course, the northern loop encircling the village of North Stoke and the south one encircling South Stoke. Immediately to the south, the old course passes under the railway line, but a new channel was cut to the west of the railway.
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The inscription on the Västra Nöbbelöv Runestone consists of runic text in the younger futhark within a single text band that runs up the stone, arches over, and then goes to the ground. The inscription is classified as being carved in runestone style RAK, which is the oldest style. This is the classification for runic text where the text bands have straight ends and without any attached beast or serpent heads. The runestone, which is 2.3 meters in height, was discovered around 1745 split into two pieces at a rectory, and has been repaired and raised on the church grounds.
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Time plays an integral role in the theme of faith and doubt in Mrs Dalloway. The overwhelming presence of the passing of time and the impending fate of death for each of the characters is felt throughout the novel. As Big Ben arches over the city of London and rings for each half-hour, characters can’t help but stop and notice the loss of life to time in regular intervals throughout the development of the story. Experiencing the vicious war, the notion of death constantly floats in Septimus' mind as he continues to see his friend Evans talking of such things.
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Tara Hall and Old Wellington in the 1840s A rare groin vault ceiling arches over the main entrance hall and intact 19th-century plaster ceilings with mouldings unique to each room are found throughout. The manor contains a total of seven fireplaces venting through five chimneys. On the ground level, the east side of the structure contains a double length salon which converts with three 10 foot tall folding doors into a parlour and a morning room. There is evidence that the morning room opened onto a greenhouse or orangery, possibly a late Victorian addition, since removed.
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Urbana High School's current building was built in 1914. It was designed by architect Joseph Royer who also designed many other area buildings such as the Urbana Free Library and the Champaign County Court House. The architecture is of the Tudor style defined primarily by the towers over the main entrance and flattened point arches over the doors. An addition was built in 1916, which included a gymnasium and swimming pool. Due to increasing enrollment, other additions were built in 1955 and in 1965. In 1988, an enclosed athletic area was added and the old gymnasium/pool wing was converted into classrooms.
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The next train station is Candidplatz, which is decorated like a rainbow and in which the colors mix together. Above the Wettersteinplatz station is a cavity, which is planned to be built into residential underground parking, and there is a connection to Tram 25 to Grünwald located there. At the St.-Quirin-Platz station, a glass dome arches over the station, which is also called "the glass eye", making it the most architecturally unique station of the Munich subway. The end station Mangfallplatz is under the Naupliastraße and has oblique walls leading up to the center, due to the narrow conditions on the surface.
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Peculiarities of this arrangement include the position of the kitchen, between the refectory and the calefactory, and of the infirmary above the river to the west, adjoining the guest-houses. The abbot's house, one of the largest in all of England, is located to the east of the latrine block, where portions of it are suspended on arches over the River Skell. It was built in the mid-12th century as a modest single-storey structure, then, from the 14th century, underwent extensive expansion and remodelling to end up in the 16th century as a grand dwelling with fine bay windows and large fireplaces. The great hall was an expansive room .
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The construction process was supervised firstly by Ghazi Mahmud Bey and after his death by Ishak Bey. Although today its length is 1238.55 m (4063 ft) from the first arch to the last, its original length used to be 1392 m (4566 ft) with extended wings that don't exist today. The reason of why it was built this long was that the region used to be covered with vast swamps in that period. In addition, because the Ergene River causes flood in rainy season, the arches over the river were built high and opened seven bleed ports in them to prevent the bridge from collapse.
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An upward view reveals Proskuryakov's original arch Instead of scrapping the steel arch of the 1907 Andreyevsky Rail Bridge, city planners re-used it as a structural core for the new pedestrian bridge. May 22, 1999, three barges towed the steel frame to the new anchorage, 1.5 kilometre downstream. By this time, contractors already set up concrete foundations, pillars and arches at the new site; they were finished with granite slabs salvaged from the old site.Bridges of Moscow, p.130 Moskva river at this point is wider than at St.Andrew’s, so four pillars and three 25-meter arches over water were required to close the gaps.
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It was also the first to be built specifically for passengers, and the first ever elevated railway, having 878 arches over its almost four mile stretch. South of the railway's viaduct over Deptford Creek is a Victorian pumping station constructed in 1864 as part of Sir Joseph Bazalgette's London sewerage system (the Southern Outfall Sewer flows under Greenwich town centre). In 1853 the local Scottish Presbyterian community built a church, St Mark's, nearby which was extended twice in the 1860s during the ministry of Adolph Saphir, eventually accommodating 1,000 worshippers. In 1864 opposite the railway terminus, theatrical entrepreneur Sefton Parry built the thousand seater New Greenwich Theatre.
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Presently, the leopard arches over the homestead, and the wives become frisky. The final two lines detail the former's lamb feast, which resuscitates it. The speaker uses the imagery of a leopard to mean stealthy and dangerous, he goes further to suggest that they are of the same womb, from which we can infer that he speaks of a brother; older, and with more status than he. The persona's lambs are born with speckles, suggesting that the lecherous elder brother has already spawned children with the persona's wives; and, the persona has not had conjugal relations with them, as his elder visits upon his home frequently.
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The hotel was designed by George Martell Miller, the architect of the Lillian Massey building of the University of Toronto, many other public buildings in the city, as well as a large number of grand residential buildings in the Parkdale neighbourhood. The building permit was issued in September 1889 for a value of . The hotel was designed in the Richardsonian Romanesque style - in the period a popular style for public buildings such as train depots, churches, and libraries. The architectural style of the Gladstone is characterized by the rough cut stone and brick and by the dramatic arches over the windows and porch entrances.
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The principal façade, oriented to the northwest, corresponds to the central body, where one can seem a long gallery preceded by a landing, which connects to remnants of a garden, by three steps. To the rear, is a gallery that remains partially covered in a vaulted ceiling, with arcades for a grand tank, 35 by 10 metres. In the northern lateral body, are the remains of the rectangular chapel, with semi-circular apse, covered in wicker doors, broken by an arched lintel, with straight and rectangular openings. The interior comprises two naves, separated by 3 arches over pillars, and covered by three transverse vaults.
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Auden's departure for America in 1939 was debated in Britain (once even in Parliament), with some seeing his emigration as a betrayal. Defenders of Auden such as Geoffrey Grigson, in an introduction to a 1949 anthology of modern poetry, wrote that Auden "arches over all". His stature was suggested by book titles such as Auden and After by Francis Scarfe (1942) and The Auden Generation by Samuel Hynes (1977). Commemorative plaque at one of Auden's homes in Brooklyn Heights, New York In the US, starting in the late 1930s, the detached, ironic tone of Auden's regular stanzas became influential; John Ashbery recalled that in the 1940s Auden "was the modern poet".
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Brick arches over pedestrian path, Earlwood The aqueduct comprises the sewer carrier of three diameter wrought iron and steel pipes supported on a series of brick arches, and steel bridges. The brick arches are particularly decorative, being white glazed face bricks laid in English bond with decorative motifs picked out in red coloured brick. The springing points of the arch and cornice are constructed of dressed sandstone. The sewer carrier emerges from the brick faced northern abutment below Thornley Street, Marrickville crossing the river by the steel trusses and then continuing further across the river and Wanstead Reserve by brick arches to embankment at the end of Wanstead Avenue, Undercliffe.
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He is surrounded by the four Evangelists. Saints, apostles and the Virgin Mary occupy the semi- cylinder and several scenes from the Old and New Testaments are depicted on the arches over the entrance to the apse. One scene that stands out is of Lazarus the beggar at the door of the rich man Epulon’s house, on the intrados of the arch, and at the top, the hand of God and the Agnus Dei (the Lamb of God), symbolising the death and resurrection of Christ (Rev 5, 6-14). The style combines the geometricisation of forms and the general symmetry of the composition with the decorativism in the details and ornamental elements.
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Brown's Mart is the oldest building in the city centre being built in 1885 as a Mining Exchange by Mr Brown who was a trader and a Mayor of Darwin. John George Knight, Government Secretary and Architect who was also responsible for the design of the Town hall, Residency, Courthouse, Police Station and the Gaol at Fannie Bay. Brown's Mart is of simple rectangular plan typical of early colonial buildings including semi circular arches over the front windows and doorway and simple decorations around the openings. Over the years it has been used in commerce, storage, as a shipping and insurance agency, mining exchange, auctions, meetings of local organisations, banking, defence, Naval workshop, law, policing and the arts.
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The innovative low-rise arches over the Thames became subject to considerable controversy concerning their stability or purported lack thereof. During the construction of the bridge, the timber centring used to build the arches was eased; on the eastern arch, the three lowest rings of brickwork began to settle, separating from the body of the arch across a section of between 7.6 metres and 9.1 metres. Critics were keen to hold this up as proof that the design of the arches was flawed. However, it was soon established that the problem had been a product of the mortar having not been fully hardened, while also appeared worse on the spandrels than midway underneath the arches.
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The cloister, for instance, was added between 1462 and 1499 to the southern side of the church, and the outer face of the church was updated during the Baroque period. In 1857 a great explosion in a nearby powder magazine (Mainz was a federal fortress in the 19th century) destroyed the baroque facing of the church. St. Stephan was heavily damaged in the cause of the bombing of Mainz in World War II. The cloister was heavily damaged and was rebuilt between 1968 and 1971; the restoration of the huge western belfry was also completed at that time, albeit with some difficulty. The arches over the nave and the choir could not be saved and have been replaced by a flat wooden ceiling.
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Prii also designed a complementary fountain located in front of the building with two intersecting parabolic arches over a circular pool, connecting with the canopy. The water sprays upwards out of a large, concrete element shaped like a champagne glass, and spills out into a pool. The building featured curvilinear, circle-patterned balcony railings designed in an artful pattern as its most distinctive feature. They were removed for balcony repairs to be made, but then owner Gaetano D'Addario decided not to reinstall them, choosing unremarkable clear glass railings in July 2001 as the replacement, in spite of protests from tenants, neighbours, the architect's family, and individuals in the architecture community like Larry Richards of the University of Toronto Faculty of Architecture.
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A belfry adorns the central pavilion, and the building's exterior is ornamented with an extensively bracketed cornice and segmental arches over the windows. The entry and end pavilions are emphasized with quoining, and stone sill courses separate the two stories. The roof is shallow with deep eaves, a design more decorative than practical for the Canadian climate. Aside from the addition of a porch to the main entrance in 1907, the front and sides of the building remain as they were in 1877. A hospital wing, similar in design to the original building, was added to the east rear in 1893, and a further rear addition was built in 1955 to better accommodate residents during the site's use as an old age home.
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The two-story bell-tower (on the west) is separated by frieze, with the first register marked by a small square window and the second by arches over pilasters (housing the bells), topped by a white pyramidal roof. Its bells long since removed, the belfry includes arched windows in the cardinal points towards Angra, Monte Brasil, Santa Bárbara volcano and the civil parish of São Mateus. The principal facade is oriented toward the south, circled by a cornice and terminated by frontispiece topped by acroterion, and straight framed-portal surmounted by frieze and cornice line, superimposed by two pinnacles and two fins, framing a circular sundial. Over the portico is a rectangular framed window, interrupted by the frontispiece's cornice, and laterally by windows.
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Neither in Washington nor elsewhere will be found a building which so appropriately and so adequately meets the purpose of its erection. It stands as a monument first of all to the power and grace of the kingdom of Jesus Church but it represents at the same time the history and genius of the Reformed Church. (June 11, 1903) The article further emphasized the significance of the choice of the Gothic Revival style to represent the Reformed movement: :The style of architecture; the shields of Geneva, Zurich and the Palatinate; the emblems cut into stone arches over the entrances to the church and the memorials in the windows and the chancel, combine to make one harmonious story easily understood by anyone who knows the Reformed Church. (June 11, 1903)Washington Architectural Club Catalog.
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The roof also has carved wooden angels, and above the main arches over the paths that cross at the centre of the cloister are the badges from four regiments of particularly associated with the school: the Rifle Brigade, the King's Royal Rifle Corps, the Hampshire Regiment, and the Royal Artillery. There is an apse at each of the four corners of the cloister which are dedicated to: South Africa (southeast), Australia (southwest), Canada (northwest), and India (northeast). Each apse has a large circular stone floor slab: granite from Table Mountain in South Africa, syenite from New South Wales, marble from Texada Island in British Columbia, and black marble from Budh Gaya in India. Four small stones from Ypres set into the floor near the Meads Gate to the east.
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The chapel is composed of two spaces essentially: a large rectangular narthex, open to the exterior through a triple arcade of columns and two Corinthian capitals (dated to the 3rd-4th century); and a rectangular space with cupola, atypical of other regional religious temples. The articulated volumes includes horizontal spaces with tiled roof over the main annex, while the aba extending to the sacristy and pyramidal spire over the main chapel. The main façade of the chapel (oriented towards the west), includes two spaces that correspond to the galilé and sacristy (which is slightly recessed). The body of the galilé is marked by three arches over two columns of shafts, consisting of a concave base and plinth, with the northern relief consisting of scrolls and palmettes with stylized triangles.
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Interior interior The mosque is a two-story structure in the shape of a trapezoid and is 20 meters long and 20 meters wide at its base. Near the northern front facing the street stands an octagonal minaret balcony where four windows surround the high tower, a spire in sharp gray. The front of the second floor is painted in bright green, and has the form of five arches over windows, each a small circular window (similar style windows surround the second floor on all sides). The entire facade is divided into seven parts, including seven separate pairs of narrow columns painted green on the first floor, The first floor entrance leads into an open corridor on the other side, stretching along the western facade of the building.
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The earliest example is found in the Great Pyramid, over the lintels of the entrance passage to the tomb: it consisted of two stones only, resting one against the other. The same object was attained in the Lion Gate and the Treasury of Atreus, both in Mycenae, and in other examples in Greece, where the stones laid in horizontal courses, one projecting over the other, left a triangular hollow space above the lintel of the door, which was subsequently filled in by vertical sculptured stone panels. The Romans frequently employed the discharging arch, and inside the portico of the Pantheon the architraves have such arches over them. In the Golden Gateway of the palace of Diocletian at Split the discharging arches, semicircular in form, were adopted as architectural features and decorated with mouldings.
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This area was refurbished and extended in about 2005 to include self-contained accommodation for six priests and parish administration offices and community facilities including a large Function Room built over a little-used courtyard at the building's rear which connects with the main church building.Refurbishment and extension on Our Lady of Hal - John Kerr Associates - Architects In the three arches over the main entrance are decorative mosaics; the one in the centre depicts Our Lady of Hal, flanked by shields of arms. The entrance leads to a wide passage beneath a deep gallery in the west of the church directly into a wide nave without aisles. The roof of the nave sits on pointed arches of chamfered concrete sitting on corbel supports, while the roof above the nave is built with exposed rafters and dormer windows.
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87 It was formerly considered a town and the Grampound constituency elected two members to the Unreformed House of Commons from the reign of Edward VI until it was disfranchised in 1821, after a corruption scandal that led to the conviction and imprisonment of several men for bribery. MPs who represented the town include William Noye, John Hampden, Grey Cooper and Charles Wolfran Cornwall. The seal of the borough of Grampound was "A bridge of two arches over a river, the dexter end in perspective showing the passage over at the sinister and a tree issuing from the base against the bridge on the centre an escutcheon of the arms of the family of Cornwall viz. Arg. a lion rampant Gu. within a bordure Sa." Grampound also gives its name to Grampound Road which is 3 kilometres (2 mi) to the north west.
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The arms of the borough of Falmouth were Arg. a double-headed eagle displayed Sa. each wing charged with a tower Or. in base issuant from the water barry wavy a rock also Sa. thereon surmounting the tail of the eagle a staff also proper flying therefrom a pennant Gu. ;Fowey The seal of the town of Fowey was on a shield a ship of three masts on the sea her topsail furled with the legend "Sigillum oppidi de Fowy Anno Dom. 1702".Pascoe; p. 133 ;Grampound The seal of the borough of Grampound was A bridge of two arches over a river, the dexter end in perspective showing the passage over at the sinister and a tree issuing from the base against the bridge on the centre an escutcheon of the arms of the family of Cornwall viz. Arg.
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To the south of the station was Ealand Depot, with two sidings, which were added after representations were made by farmers. Beyond, the line rose on an embankment to Crowle swing bridge, crossing three brick arches over a road and a drain, a girder bridge over the Scunthorpe to Doncaster main line, and another brick arch as it approached. The main girders were long, and the bridge was built by the Cleveland Bridge and Engineering Company of Darlington. To the south of it was a twelve-arched viaduct known as Crowle Arches, which crossed the Hatfield Waste Drain, the North Engine Drain, the River Torne and the A18 road, and beyond that, another nine-arched viaduct spanning the South Engine Drain and the Folly Drain, beyond which the railway started to descend to return to ground level.
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The Parish (located at the corner of Northwest 11th and Everett in Portland's Pearl District) was established in May 2012 by Tobias Hogan and Ethan Powell, who had operated the North Williams Avenue restaurant Eat: An Oyster Bar. It held three preview events—a private event with local blues duo Curtis Salgado and Alan Hager on May 18, a multi-course seated dinner on May 19, and "Sunday Jazz Brunch with Pete Krebs" on May 20—before opening to the public on May 22. The 80-seat restaurant replaced In Good Taste, a cooking school which occupied the space for eleven years and closed in February 2012. Its name (inspired by Louisiana's administrative divisions) was reflected by the restaurant's "ecclesiastical" interior, which included gray and pewter-colored "cathedral- esque" arches over the bar and a host stand which was a refurbished Prohibition-era Mississippi church pulpit.
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Here is a quote from George F.: "To know in the morning that your compensation is fixed; to know that you must do the same thing all day long, to know that whether you do a little more or a little less, whether you are more or less interested and more or less efficient, your pay is automatically fixed-creates the most deadly monotony that I can believe possible". Here he describes what was then called the piece worker system, whereas Professor Melvyn Dubovsky calls Johnson's ethic "welfare capitalism". The community of Lestershire was renamed Johnson City, New York in 1916 in honor of Johnson, and Endicott-Johnson workers built two arches over the area's main road in the early ’20s, one at the entrance to Johnson City and the other in Endicott, New York stating that they were the gateways to the "Square Deal Towns". Endicott-Johnson would become the largest manufacturer of footwear in the United States, employing 24,000 workers at its peak.
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The coat of the monkey is short, soft and dense, and the majority of the fur covering the back of the monkey is a grey to olive-brown hue, while the undersides are typically white, yellow or ochre. The head is characteristically black with white arches over the eyes. The tail is the same colour as the body with a black tufted tip and is not prehensile; it usually measures around 350 to 425mm. Physically, the black-capped squirrel monkey is very similar to a number of other species of squirrel monkey, but is distinguishable from other species by a number of features. The most noticeable of these are the dark black cap and the white ‘Roman type’ arch pattern over the monkey’s eyes, which is more narrow and rounded than the ‘Gothic type’ arch pattern over the eyes of the other species. The tail of the ‘Roman type’ species is also narrower than that of the ‘Gothic type’.
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Kronauer's colleague Martin Mosebach, who delivered the laudatory speech when she received the Thomas Mann Prize, said in an interview by Deutschlandfunk on 24 July 2019 that he regards her as writing in the tradition of Jean Paul in a noble way, mentioning aspects such a sublime artistry ("kunstvoll sublim") and a tender humour with a floating, ironic, delicate undertone ("schwebender, ironischer, zarter Unterton"). He described her as a person open to visual impressions, describing a character's emotions by noting how they are reflected in mimics, and great nature scenes, realising how nature "arches over the little odd human being" ("Die Natur wölbt sich über das kleine kauzige Menschenwesen"), again similar to Jean Paul. He described her as a person with a penetrating mind, a perfect careful control of expression, always trying hard to find the right word, and of great kindliness ("... eben diese einzigartige Gegenwart eines durchdringenden Verstandes, einer vollkommenen, sehr, sehr sorgfältigen Kontrolliertheit ihres Ausdrucks, ein ungeheures Bemühen, immer das genau richtige Wort zu finden – und eine große Liebenswürdigkeit"). The FAZ called her one of the greatest post-World War II women writers in German.
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This runestone was initially noted during the Swedish surveys of runestones in the late 17th century, and a drawing of the inscription made by Johan Göransson was published under the name Bautil in 1750. pp. 195-197. The runestone was then lost, but was rediscovered in 1951 near a farmhouse by Claes Widén and moved to its current location in 1984. The stone is made of granite and is 1.6 meters in height. The runic inscription consists of runic text carved on a serpent which arches over the image of a ship. Other runic inscriptions from the Viking Age which depict ships include DR 77 in Hjermind, DR 119 in Spentrup, DR 220 in Sønder Kirkeby, DR 258 in Bösarp, DR 271 in Tullstorp, DR 328 in Holmby, DR EM85;523 in Farsø, Ög 181 in Ledberg, Ög 224 in Stratomta, Ög MÖLM1960;230 in Törnevalla, Sö 122 in Skresta, Sö 154 in Skarpåker, Sö 164 in Spånga, Sö 351 in Överjärna, Sö 352 in Linga, Vg 51 in Husaby, U 370 in Herresta, U 979 in Gamla Uppsala, U 1052 in Axlunda, U 1161 in Altuna, and Vs 17 in Råby.
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Coorparoo State School magazine. Coorparoo State School, Coorparoo, Qld, 1933, p. 9. The retaining wall is depicted on the 1936 Brisbane City Council Water Supply and Sewerage Detail Plan No. 672 (BCC Archives, Brisbane). On 30 September 1933 Reginald King, MLA opened the fourth section of the brick school building, a second tennis court, two lavatory blocks, the concrete retaining walls around the playing field; and the tubular arches over stairways.'Important Step', Courier-Mail, 2 Oct 1933, p. 5'Additional Wing for Suburban School', The Courier-Mail, 28 Sep 1933, p. 14Coorparoo State School. Coorparoo State School magazine. Coorparoo State School, Coorparoo, Qld, 1933, p. 8. Other improvements to the school grounds at this time included seven new palms, planted at the bottom of the Parade Ground on Arbor Day in May 1933, and many new flower beds and several hibiscus hedges, laid out by the Head Teacher with donated plants. With the completion of Block B, the school committee's attention focused again on increasing the grounds of the growing school. In 1934, facing Old Cleveland Road adjoining the western boundary of the school were purchased from MW Thompson for , of which 1/3 () was paid by the school committee.
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