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43 Sentences With "appreciators"

How to use appreciators in a sentence? Find typical usage patterns (collocations)/phrases/context for "appreciators" and check conjugation/comparative form for "appreciators". Mastering all the usages of "appreciators" from sentence examples published by news publications.

What's your take on these fellow appreciators of morose music?
"You have to keep inviting younger appreciators," Ms. Sonariwo said.
Which is not to say she doesn't have legions of appreciators—she does.
Art dealers and appreciators will be shuttling around the Continent to see them all.
All of that is arranged into the ultimate minimalistic backpack that backpack appreciators will recognize at a single glance.
Aspiring, Callard thinks, is a common human activity: there are aspiring wine lovers, art appreciators, sports fans, fashionistas, d.j.
That means that art dealers, collectors, curators and appreciators will be shuttling around the Continent to see it all.
Whether they're budding musicians or just appreciators, older kids can use tools to compose, stay motivated, and practice regularly.
Like girls at high school parties and Dave Matthews Band deep cut appreciators, Maple the dog cannot get enough acoustic guitar.
Enter Trey Songz, who approaches the comments of both his haters and appreciators with the calm openness of a post-meditation monk.
He was happy to continue the conversation with these art appreciators, who proceeded to ask questions about his process and conceptual approach.
But she also did her homework on one area that architecture appreciators might forget about: specially-designed homes for animals and pets.
Now comes Holly George-Warren's masterfully researched "Janis: Her Life and Music" — the significance-establishing project Joplin appreciators have been waiting for.
Former appreciators, including Camille Pissarro, were shocked—catching an introductory whiff of the artist's rapturously cynical, gravely trivial, authentically ersatz sincere insincerity.
It includes the work of trained artists who were early appreciators, among them, Charles Sheeler, Yasuo Kuniyoshi, Marsden Hartley, Florine Stettheimer and Elie Nadelman.
It is hitting all of us fans, who, not coincidentally, are also mostly appreciators of art or artists ourselves, in a very deep and resonant place.
The Rockaway Narcissus Garden, a simple ferry ride away from Pier 11 in lower Manhattan, will be packed with art appreciators and amateur influencers alike this summer.
Now a largely positive term claimed by hardcore appreciators of everything from Beyoncé to burritos, "Stan" plunges its hands into the messy dynamic between artists and their fans.
All-around appreciators of NFL conspiracies should have a lot to feed on this week, as I myself can't imagine even one reason why Roger Goodell wouldn't want New England to advance to the Super Bowl.
Dubbed the "model-off-duty" look by the fashion industry and street-style appreciators, this relaxed approach to style signaled a "presentable, casual, but still stylish" shift to come in the new decade, according to Shapiro.
The shoes were never released onto the market — they appeared on the Chanel runway — but the dull colorway and oversized Chanel logo on the heel still made a lasting impression on both sneakerheads and high-fashion appreciators.
Fans of cryptic crosswords, who relish the mental adrenaline kicks they get from being forced to slalom from cliché to climax, with precious little in the way of linkage, may also be unlikely appreciators of the robot oracle's semantic gaps.
Started by Eli Ozer, a 603-year-old programmer living in Tel Aviv, in 2008, the site now boasts over three million unique visitors per month, over 50,000 active users, and a robust—if politically complicated—community of foot enthusiasts who range from casual appreciators of aesthetics to hardcore masturbators living lives of constant sole searching.
It is an annual meeting point for the exchange between collectors, artists and art appreciators.
The Center's goal is to organize activities through which art appreciators of all ages and from all walks of life can interact with the arts, as well as to become a prestigious performing arts center renowned for the quality of its performing national and international artists and groups. The auditorium has a seating capacity of 912.
Baglione is considered to be part of the Caravaggisti, a group of artists and art appreciators who followed Caravaggio and attempted to defend and even emulate his style. Though Baglione emulated Caravaggio's style, he hated him. He even wrote a scathing biography of Caravaggio. The two artists loathed each other and constantly accused each other of inappropriate behavior.
Nearly all of his immediate family members were enthusiastic appreciators of music, as well as amateur musicians. Alfred trained in first on piano and then on violin and attended concerts frequently. He started quartet playing in his mid-teens and for his talents, was gifted a now-rare Niccolo Giagnano violin by his parents. He greatly admired the compositions of Scriabin and Nicolas Medtner.
More and more people are experiencing this transformation first-hand. PapaInk expects to draw 1.5 million visitors to its digital archive this year alone. As a singularly rich resource of children's expression and experience, PapaInk attracts a world audience of libraries, schools, academicians, parents, children and members of arts communities. Beyond engaging the public as viewers and appreciators of children's works, PapaInk provides a venue for young artists, their families and communities to exhibit and preserve their art.
Dick Lucas in 2004 The collection owes its existence to two Lincoln University faculty members, Dick Lucas and Mike Smetham, both lecturers in the Plant Science department. Lucas was an expert on legumes for dryland pasture, and Smetham an authority on subterranean clover. Both were also collectors and appreciators of New Zealand art. Although Lincoln College had from its earliest days acquired portraits of former principals and other people of note, it did not have a formal collecting policy.
This is no longer the case, as Austen appreciators reclaim the term on social media. Modern Janeites are described by their most fervent detractors in the same tones as Trekkies; academically speaking, the Janeite phenomenon can be seen as the very first "subculture" with all the attendant aspects, including pejorative but also positive. Johnson noted Janeites are "derided and marginalized by dominant cultural institutions bent on legitimizing their own objects and protocols of expertise".Johnson, 224.
The Cape Tercentenary Foundation was set up as a fund to support the cultural development of the city of Cape Town and its surrounds. The Cape Tercentenary Foundation (or Cape 300 Foundation) was set up in 1950 by brothers Edward and Harry Molteno, pioneers of the Cape fruit industry. The influential exporters were great appreciators of music and the arts, and were deeply concerned about the natural environment. They therefore wanted to establish "a fund for the cultural development of Cape Town" as well as for environmental causes.
Club members who were established and successful, pillars of their community, respectable family men, redefined their own form of bohemianism to include people like them who were bons vivants, sportsmen, and appreciators of the fine arts. Club member and poet George Sterling responded to this redefinition: Despite his views, Sterling associated with the Bohemian Club, and caroused with artist and industrialist alike at the Bohemian Grove. Canadian composer Oscar Ferdinand Telgmann and poet George Frederick Cameron wrote the song "The Bohemian" in the 1889 opera Leo, the Royal Cadet.
Since 1991, property owners have 58 artist live/work lofts and in 2002, the City of Peekskill and the County of Westchester joined with a private real estate company to develop The Peekskill Art Lofts. This 28 unit limited equity income co-op offered artist an opportunity for affordable home ownership. Peekskill has drawn a number of artists and art appreciators to its environs recently. Local highlights include Paramount Center for the Arts, a restored 1930 movie palace which now serves as the area's cultural hub with music, comedy, drama and independent films.
Sean Michaels, "George Harrison and Ravi Shankar collaborations to be reissued", guardian.co.uk, 18 August 2010 (retrieved 19 August 2014). Writing for AllMusic, Richie Unterberger considers Collaborations to be a "bountiful gathering of some of Shankar's more accessible recordings" that has "value not just for Beatles completists [through Harrison's involvement], but also for more general appreciators of traditional Indian music". Unterberger describes the Music Festival from India studio album as offering "a more diverse group of arrangements than is heard on many Indian recordings" and "[a] mood [that] is largely one of devout humility interspersed with some low- key, joyful boisterousness".
Ain't It Cool News gave the film a positive review, writing, "Strange Factories may not be for the more literal-minded of horror fans. But fans of the theatrical side of performances, the technical side of writing, and the appreciators of the surreal and offbeat will find a lot of things to appreciate." Sarah Stewart from The Londonist praised the film's atmosphere, suspense, and innovative blending of celluloid and live-action performance. Rachel Simm from The Latest Brighton gave the film three out of five stars, praising the film's atmosphere, and suspense, calling it "eerie, unsettling and somewhat puzzling".
Presidio Brass is a brass quintet based in San Diego, California. Founded in 2006 primarily as a vehicle for promoting music education,San Diego Union Tribune - Growing 'appreciators of live music' the ensemble has become perhaps equally known for their work on the concert stage. The group's repertoire is made up of classical and commercial music transcriptions, including selections from composers Aaron Copland, Samuel Barber and George Gershwin to popular songs from jazz legend Dave Brubeck, the rock band Queen and the Broadway smash hit, West Side Story. The group often utilizes other instruments beyond brass, most notably piano, vocals/singing, and percussion.
Jacqualine du Pré, Elizaneth Wilson This period, from the mid-1960s to the mid-1980s, saw a change in the type of person entering the recording industry; technicians who were also appreciators of music were replaced with music graduates who were educated on the technical aspects. Grubb, as one of the old school, was an advocate of the naturalistic style of recording, where the aim was to faithfully reproduce the sound of a concert hall. Grubb was distinctly cool towards modernist music, and was a firm traditionalist. He counted Ralph Vaughan Williams and Benjamin Britten among his friends, but both these composers' styles had their roots in 19th Century classicism.
In assuming that the audience for a long story consists of either people who wish for definitive pieces, or people whose tastes spark their desire to be immersed in a creatively structured piece of storytelling, then the audience is most likely geographically and demographically dispersed yet potentially very passionate regarding such articles (and also the nature of their content). Social media, trusted recommendations through Facebook, Twitter and others, allow people find their desired piece of long-form journalism. The Tyee's Twitter feed has about 47,000 followers, a positive indication that their long pieces are not discouraging those people; it may even be a sign that these followers are long-form journalism appreciators.
Sabancı Performing Arts Center () is the performing arts center and conference hall of Sabancı University in Tuzla district of Istanbul, Turkey. The late Sakıp Sabancı, Honorary Chairman of the Trustees of Sabancı University, had announced the opening of the Sabancı University Performing Arts Center, of which the official inauguration took place on Sunday, 6 June 2005, with a personally written letter of invitation, three days before he died. The Center began offering its performance series in April 2005. Sabancı University Performing Arts Center aims to contribute to the rich cultural life of Istanbul, particularly to the city's Anatolian coast, and provide cultural and artistic services to the University's students and staff, as well as to all art appreciators in the region.
They may have been influenced by the purchase of some land in the area by their older brothers, Percy and Frank Molteno. From modest beginnings farming vegetables, they eventually built up a vast farming enterprise that spanned the entire valley and what is now the largest single export fruit producing area in Southern Africa. They restructured the South African fruit farming industry along scientific lines, pioneering new farming and cold storage practices and were influential in the development and uplifting of rural communities in the area. They also founded the Cape Tercentenary Foundation in 1950 to promote and support the arts and the environment in the Cape (Both brothers were extremely well read, appreciators of music and the arts, and were deeply concerned about the natural environment).
' occupations include performing roles in anime, audio dramas, and video games; performing voice-overs for dubs of non-Japanese movies; and providing narration to documentaries and similar programs. Japan has approximately 130 voice acting schools and troupes of voice actors who usually work for a specific broadcast company or talent agency. They often attract their own appreciators and fans, who watch shows specifically to hear their favorite performer. Many Japanese voice actors frequently branch into music, often singing the opening or closing themes of shows in which they star, or become involved in non-animated side projects such as audio dramas (involving the same characters in new storylines) or image songs (songs sung in character that are not included in the anime but which further develop the character).
After going bankrupt, the father abandoned the family; the mother and children moved repeatedly over the next years, from Leyden to Lisse, and finally to The Hague. In 1907, the young Bram entered into service as an apprentice in the painting and interior decorating company of Schaijk & Kramers in The Hague. He was encouraged in his art by the co-owner Eduard H. Kramers and his son Wijnand, who were appreciators and collectors of art, and these two would become Bram van Velde's artistic patrons until around 1934. Because of his status as bread-winner for his family, Bram van Velde was exempted from service in the First World War, and he was able to continue his work as a painter and decorator, and to enroll in the Mauritshuis of The Hague, where he was able to copy masterworks in the collection.
The Maritime Art Association (1935-1945) was a Canadian regional alliance of art clubs and societies, public schools, universities, social organizations, service and civic groups, artists, art students and art appreciators. As the first organization of its type in Canada, the Association offered Maritimers a more democratic and populist arena than art associations in the rest of the country, which tended to be city-based and only a few were province-wide. The Association responded to the need for an active regional infrastructure in the arts; representing groups from Nova Scotia, New Brunswick and Prince Edward Island. Walter Abell organized the Maritime Art Association while a professor of Art at Acadia University in Wolfville, Nova Scotia. The MAA’s constitution was ratified at the Association’s first annual meeting held in Saint John, New Brunswick at the end of March 1935, and Abell was elected its President.

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