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These are the formal spaces. According to Carnap, studying physical space means examining the relationship between empirically determined objects. Finally, there is the realm of what students of Kant know as Anschauungen, immediate sensory experiences, often awkwardly translated as "apperceptions", which belong to perceptual spaces.
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Alexander Wynne, The Origin of Buddhist Meditation. Routledge 2007 In the Aggi-Vacchagotta Sutta itself, it is clear that the Buddha is the subject of the metaphor, and the Buddha has already "uprooted" or "annihilated" the five aggregates. In Sn 1074, it is stated that the sage cannot be "reckoned" because he is freed from the category "name" or, more generally, concepts. The absence of this precludes the possibility of reckoning or articulating a state of affairs; "name" here refers to the concepts or apperceptions that make propositions possible.
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Brahmali, B. What the Nikāyas Say and Do not Say about Nibbāna, BSRV 26.1 (2009) 33–66 Buddhist Studies Review ISSN (print) 0256-2897. In the early texts, the practice of the noble path and the four dhyanas was said to lead to the extinction of the three fires, and then proceed to the cessation of all discursive thoughts and apperceptions, then ceasing all feelings (happiness and sadness). According to Collins, nirvana is associated with a meditative attainment called the 'Cessation of Perception/Ideation and Feeling' (sannavedayitanirodha), also known as the 'Attainment of Cessation' (nirodhasamapatti).Collins, Steven, Nirvana: Concept, Imagery, Narrative, 2010, p. 46.
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According to Vetter this kind of preparatory "dhyana" must have been different from the practice introduced by the Buddha, using kasina-exercises to produce a "more artificially produced dhyana", resulting in the cessation of apperceptions and feelings. It also led to a different understanding of the eightfold path, since this path does not end with insight, but rather starts with insight. The path was no longer seen as a sequential development resulting in dhyana, but as a set of practices which had to be developed simultaneously to gain insight. According to Alexander Wynne, the ultimate aim of dhyana was the attainment of insight, and the application of the meditative state to the practice of mindfulness.
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Leyton was a vocal proponent of the Creative CommonsLeyton on Creative Commons giving several seminars and speaking at conferences about its possible uses in the music industry, including Music TankMusic Tank (London) and Popkomm (Berlin). He has also played guitar for other musical projects live and in the studio, most notably British glam rockers Dogs D'Amour, Canadian rockers Crash Kelly (fellow Canadian musician Sean Kelly's band) and Canadian power pop outfit Galore. He participated in a side-project with Ky Anto, titled Pretty Volume, and recorded an EP with fellow Canadian guitarist Rich Jones and The Wildhearts' frontman Ginger in the UK. The Hellacopters's Nicke Andersson and Backyard Babies's guitarist Dregen were guests on Leyton's The Betrayal of the Self album, released in 2006 via Feedback Boogie and Fading Ways Records. In December 2008 he released an exclusive fans-only new album, Metacognitive Apperceptions.
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