The first tier — home of 33 boxes with small anterooms — will bear the Blavatnik name for 50 years.
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The most basic requirement was a suite of rooms, including anterooms, drawing rooms and a bed chamber, to recreate the ceremony of royal courts.
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Webster Hall, housed in an 543 building, part of which has been declared a landmark, is a rabbit warren of staircases and anterooms that surround a grand ballroom.
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"Anterooms," his last collection of new poems and translations, was published in 2010 — a slim volume whose better pieces were "as good as anything Wilbur has ever written," the Times's reviewer, David Orr, wrote.
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Impeachment is not just witnesses facing hours of questioning from lawmakers, but it is also House members conferring in anterooms, catching news coverage in the privacy of their offices or taking a minute to assess the latest developments.
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The Armory looks inviting, decked with white fabric — and while most of the dealers are in the building's cavernous drill hall, more than a dozen can be found in the ornate historical anterooms on both the ground and second floors.
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That may not be strictly true -- the President is spotted on the golf course nearly every weekend that he spends in South Florida -- but Trump has at moments converted his 90-year-old compound into the center of power for the US government, complete with strategy sessions on the patio and top-secret briefings carried out in converted anterooms.
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Around dinnertime, the line of young, well-heeled diners that predictably slithers out of Szechuan Mountain House is long and unrelenting enough that regulars have mastered a routine: wordlessly retrieve a number from the headset-wearing maître d', ascertain the estimated wait time (usually between thirty and ninety minutes), and limber up the palate at one of the three bubble-tea places on the block that serve as informal anterooms to the spiciest kitchen on St. Mark's Place.
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The building was used as a waiting room for dignitaries on their official visits to the palace. They were ushered into three different anterooms according to their ranks.
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The banking hall is accessed from the central doorway on Chambers Street, which leads to a foyer with marble geometric-patterned floors. A curved marble screen, containing three sets of revolving doors, separates the foyer and the banking hall, and is faced with polished limestone on the banking hall side. Anterooms extend west and east, while the main banking hall extends north, nearly the whole length of the buildings. The walls of the anterooms contain panels with Greek fret designs, as well as bronze plaques with the bank's name and the dates of the bank's founding and building's construction.
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It also contained other anterooms and offices. As the cotton trade continued to expand, larger premises were required and its extension was completed in 1849. The Exchange was run by a committee of notable Manchester industrialists. From 1855 to 1860 the committee was chaired by Edmund Buckley.
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It has 56 dressing rooms for the artists and 16 anterooms. The concert hall is elliptical and has 106 boxes placed on four tiers plus a regal box and a gallery. The frescoes on the ceiling are of the local artist Domenico Pellizzi. The curtain was painted by Alfonso Chierici.
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Alples produces furniture for bedrooms, living rooms, dining rooms, youth rooms and anterooms, special line of cabinets for audio-video equipment and coffee tables. 50% of the products are exported, the rest are sold in domestic market. Main export markets are the United States, Austria, Croatia, Hungary, Russia, Slovakia, Czech Republic, Japan, and Macedonia.
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In the basement was a lunch room, 900 lockers and to the rear of the building, a gym. Over the gym on the second floor level was the assembly hall which could seat 1,000. At the front there was a stage and two anterooms and at the rear a large balcony. Arched timbers were exposed in the ceiling.
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Although no Halaf settlement has been extensively excavated some buildings have been excavated: the tholoi of Tell Arpachiyah, circular domed structures approached through long rectangular anterooms. Only a few of these structures were ever excavated. They were constructed of mud-brick sometimes on stone foundations and may have been for ritual use (one contained a large number of female figurines). Other circular buildings were probably just houses.
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The District 7 School is a historic one-room schoolhouse at 565 Main Street in Hanson, Massachusetts. The single-story wood frame structure was built in 1845, and is the town's oldest surviving schoolhouse. It has two entry doors to anterooms which lead to the main schoolroom. The building was enlarged, apparently in 1882, when it was also moved across the street from its original location.
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The actual builder and first resident was philanthropist William Haldimand. The building was situated on an area of 10.686 square feet at the western side of Belgrave Square, Parish St. George Hanover Square in Middlesex County. It had 4 floors facing Belgrave Square, and 5 floors on the back facing the mews. In 1866, it consisted of 74 living rooms, salons, corridors, anterooms, servants’ pantries, staircases and closets.
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The first floor, formerly the banking hall, contains ceilings high, marble floors and walls, and floor-to-ceiling windows. It is aligned on a largely north–south axis; anterooms, originally used as officers' quarters, extend west and east from the southern end of the banking room. The interior of the banking hall is made of Arena Pola limestone blocks brought from Istria. Since conversion, the banking hall contains a three- bedroom apartment as well as a separate event space.
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The structures on this level seemed to have been domestic in nature. The next layer of mound fill is known as the "primary mound surface" and was surmounted by a large rectangular structure with at least two rooms and anterooms, or porticoes, appended to it. The final layer of mound fill is the "secondary mound surface". Due to the amount of historic period soil disturbance on the summit it is unclear if any structures sat atop this phase.
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The former Masonic temple is a rectangular timber framed building clad externally with hardwood chamferboard. It is set on low metal stumps and has a gabled roof clad with corrugated iron. A verandah along the front appears to have been built in and a small gabled timber porch shades the front entrance and is accessed by timber stairs to each side. Windows along both sides and the front have been blocked but the front windows lighted the anterooms and not the hall proper.
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NIH Special Clinical Studies Unit, a specialized biocontainment unit. The negative- pressure anterooms on the left lead to negative-pressure patient rooms (not shown in the picture). The United States has the capacity to isolate and manage 11 patients in four specialized biocontainment units. These include the University of Nebraska Medical Center in Omaha, Nebraska, the National Institutes of Health in Bethesda, Maryland, St. Patrick Hospital and Health Sciences Center in Missoula, Montana and Emory University Hospital in Atlanta, Georgia.
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History The Medical library has a long history at the University, and it wasn't always in the Bosch building or as well resourced. It was originally in the Blackburn building, a Georgian style building overlaid with art deco. The library space was an octagonal room which, while being architecturally beautiful, was insufficient to house the growing collection and student population. Material was stored in the most unlikely places such as the staff tea room and anterooms to the lecture theatres.
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The stairwell and anterooms on both levels are lined with horizontal tongue-in-groove boarding, painted with a colour scheme of a dark brown dado, cream walls and white ceilings. Floors are timber. A small storage room is located at the top of the stairs and a narrow landing leads to the main Lodge room which is entered via a door at the eastern side of the building. The main room is lined in horizontal tongue-in-groove boarding painted in tones of blue and white.
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On the ground floor there were two drawings rooms, a dining room and a breakfast room and on the first floor there were three large bedrooms with anterooms. On the rear, western side of the building are two service wings extending towards the west. The northern wing is considered to be part of the original 1869 design while the southern wing is thought to have been added by the Coghlan family in the 1880s.The northern wing held the original kitchen, provision rooms and laundry on the ground floor, with servants' bedrooms on the first floor.
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Visitors entered the house through a hexastyle portico of Corinthian columns that led to a foyer that was flanked on either side by anterooms. Carlton House was unusual in that the visitor entered the house on the main floor. (Most London mansions and palaces of the time followed the Palladian architectural concept of a low ground floor (or rustic) with the principal floor above.) From the foyer, the visitor entered the two story top lit entrance hall that was decorated with Ionic columns of yellow marble scagliola. Beyond the hall was an octagonal room that was also top lit.
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The second floor contains four large meeting rooms with tall ceilings that open off the north-south hallway, and extend all the way from the hall to the east wall of the building. The temple meeting rooms, traditionally referred to as "lodge rooms" by the Freemasons, are outstanding in scale and ornament. The rooms are similar in layout and size, with anterooms and lockers nearest the hallway, and the large rooms beyond through large solid oak doors with inset wood trim of different colors. The rooms have decorative beamed and coffered ceilings, two arched windows on the east, and faux arched windows to appear similar, on north and south.
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The sides and back of the building are clad in weatherboards with four aluminium framed windows at the upper level and three smaller windows at the lower level. Five small wall vents with iron hoods are located between the windows on the top floor on both sides of the building. The planning of the interior of the building is simple, the front section contains anterooms and a stairwell with the rest of the building occupied by hall-like spaces on both levels. On the ground floor, there is a wide entry hall decorated with framed photographs of early members of the Lodge, the Queen and photographs of the building over time.
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Three trains ran each day through the three tracks of the station towards Stuttgart and Friedrichshafen. The travel time between Ulm and Stuttgart was four hours and between Ulm and Friedrichshafen it was three hours and 15 minutes. The station building, which was designed by the architect Ludwig Friedrich Gaab in a style combining gothic revival and neoclassical elements, was opened in December 1850. It consisted of a two-story central building, which had three- storey side towers at each end, and contained on the ground floor an entrance hall, two waiting rooms, a station restaurant, a luggage room, a room for the service staff, a room for the porter and two cash rooms with anterooms.
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They also appeared in the French provinces, the royal residence by Emmanuel Héré in Nancy, and also in Aix-en-Provence and Bordeaux. All of these buildings featured rooms arranged in the new style; the bedrooms took on new importance, and were surrounded by smaller anterooms and cabinets, including an entirely new kind of room, the dining-room. All of them needed new furniture to match the new style and arrangement. For a quarter of a century, the furniture designs of the rocaille style was dominant, particularly under the influence of Juste-Aurèle Meissonier (1695-1750), the Italian-born architect who became royal architect and designer of Louis XV, and the ornament designer Nicolas Pineau (1684-1754).
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St Martin's Hall was built for John Hullah, in 1847, by William Cubitt, from a design by Richard Westmacott. The scheme was financed by subscription and it was built on a parallelogram of land, by wide, connected to a plot on Long Acre ( by ); and consisted of a main hall with connected anterooms, galleries and a 500-seat lecture hall.St. Martin's Music Hall 16 February 1850 The Builder, at Arthur Lloyd theatre history site, accessed 1 April 2008 It was built in the Elizabethan style, with a large domed iron roof. The music hall was capable of seating 3,000 persons and was opened in 1850 by Hullah, the founder of a new "school of choral harmony".
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From this time, the lord's residence did not move until the end of Tokugawa Shogunate. In Hōreki-13 (1763), a considerable part of the O-shita-no-yashiki Residence was destroyed by fire and reconstructed the following year. The residence then underwent renovation in Meiwa-7 (1770). The residence contained an audience chamber where the lord met with his retainers, the lord's living quarters, a large and a small study, a lesson room, secretaries' office, a recording room, a finance department office, anterooms for principal retainers and five commissioners, an apartment complex for court ladies, a kitchen, a granary which stored the five primary food staples, a charcoal storehouse, an archive, a treasury storehouse, a noh stage, and no less than 15 wells.
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The Library Board investigated the whole picture of technical education on this continent and reported that the need for such a school was obvious, but that to be effective, it should be on a much larger scale than originally contemplated by Council. They recommended that a special committee be set up to blueprint the organization and management of the proposed institution. Finally, in 1891, Council passed a motion "to establish The Toronto Technical School to be located in the St. Lawrence Hall and the anterooms connected therein." The school mainly catered to older students with the classes being held in the evenings so that employees could attend after work. Classes began on January 26, 1892, and were held from 8:00 p.m.
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Other notable rooms included the Chinese Room with its porcelain and Coromandel lacquer panels, the Portrait Hall, the Light Gallery, and the Amber Room with Andreas Schlüter's amber panels, while 5 anterooms were connected to the Great Hall, which measured 860 square meters. Construction ended in 1756, when the palace included 40 state apartments, and more than 100 private and service rooms. A New Garden was added, while the Old Garden was improved with a deepening of the Big Pond, connected to springs 6 km away, the addition of a Toboggan Slide, plus the Hermitage, Grotto, Island, and Mon Bijou pavilions. Baroque architecture gave way to Neoclassical architecture in the 1770s, when Tsarskoye Selo became the summer residence of Catherine the Great's court.
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The skull speaks in the catacombs of the Capuchin brothers beneath the church of Santa Maria della Concezione in Rome,The Crypt: Church of the Immaculate. Official site of the Capuchins where disassembled bones and teeth and skulls of the departed Capuchins have been rearranged to form a rich Baroque architecture of the human condition, in a series of anterooms and subterranean chapels with the inscription, set in bones: :Noi eravamo quello che voi siete, e quello che noi siamo voi sarete. :"We were what you are; and what we are, you will be." An old Yoruba folktaleWilliam R. Bascom: Ifá Divination: Communication Between Gods and Men in West Africa (Indiana) tells of a man who encountered a skull mounted on a post by the wayside.
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The last of Rome's bath complexes, they were constructed in the irregular space between the vicus Longus, the Alta Semita, the clivus Salutis and the vicus laci Fundani, and as this was on a side-hill, it was necessary to demolish 4th-century houses then on the site (beneath which are ruins of second- and third-century houses) and make an artificial level over their ruins.Bullettino della Commissione Archeologica Comunale di Roma 1876, pp. 102‑106 Because of these peculiar conditions these thermae differed in plan from all others in the city - no anterooms were provided on either side of the caldarium, for instance, since the building was too narrow. The building was oriented north-south so as to heat it using the sun, with principal entrances on the west side, with a flight of steps down from the hill's summit to the campus Martius, and on the middle of the north side.
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"Eddie", as he was familiarly known by leading diplomats and top-ranking officials of the Federal Government, began his career in public service in 1869, classified first as a page, and later as a messenger to Secretary of State Hamilton Fish, eventually serving under twenty-two secretaries. In 1901, from Secretary John Hay onward, Savoy was assigned to staff the diplomatic anterooms of the Secretaries of State where it was his challenge to delicately usher diplomats in and out of the office, often avoiding conflicts between ambassadors at odds with each other, and on occasion to serve passports to departing diplomats. Eddie handed passports to: Luis Polo y Barnabé, the Spanish ambassador, forcing his departure from the United States when war was declared on Spain in 1898; Lord Sackville-West, the British envoy sent home by President Cleveland; and to the Austrian Charge d' Affaire when the United States entered the First World War. Savoy was attendant to, and courier for many important international treaties, frequently the presenter of ceremonial pens, and seals for the proceedings.
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