The courtiers, as if waiting in antechambers, occupy whichever half of the space the monarchs aren't occupying.
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But in the antechambers of these archives there's this huge exhibit area, a shrine to McConnell and to Chao.
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Because at its core, fandom is a movement about building new antechambers onto old spaces, to make room for more and more people.
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The store was labyrinth, with narrow staircases in the backs of small rooms, and chambers and antechambers that opened up into expansive arenas of clothing.
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As a transitory space that bridges the main room with its more intimate antechambers, Render's piece serves as an obstruction as much as it's a requisite.
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They bounced with bottles of Voss, queued up for $8 Stella Artois, communed in hidden antechambers, meditated in solitude, ate falafel and slipped into dark corners.
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Rather than waiting in winged armchairs in the antechambers of congressional offices, they wanted to stick it to the government agency they felt had most betrayed them.
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You scream at flickering lanterns to see their flames burst into life—yes, there's an achievement for that—and different statues that turn antechambers into magical elevators.
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The platform and puzzle elements and the secret antechambers and conspiracies all tie back into the game's myths and rhythms, but they take away from its cinematic flow.
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In one of the cardinal's antechambers, amid religious statues and book-lined walls, Cardinal Burke and Mr. Bannon — who is now President Trump's anti-establishment eminence — bonded over their shared worldview.
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She spent a heroic amount of time in these protests' digital antechambers, too, attending a Tunisian meet-up of Arab bloggers and visiting the café offices of self-made social-media reporters.
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Though Soviet forces liberated Auschwitz in January 21, months passed before US journalists understood that Buchenwald and other sites reached first by American soldiers had served as antechambers to the Nazis' most nefarious acts.
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But as anyone who's spent much time in similar rooms knows, antechambers to death are incubators for those guffaws that it's hard to distinguish from sobs, places where you find yourself fighting a close battle with the urge to giggle madly.
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Meanwhile, Vladimir Putin, through his alliance with Syria's Bashar al-Assad, has become the Tehran-whisperer through whose antechambers all western nations apparently must pass if they want to do business in suppressing ISIS in Syria and its immediate neighbors.
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As I stand here, it occurs to me that this is the essence of fiction: the liminal space between the tangible world outside and the inner layout of the mind, the antechambers of reality that usher us into the imagination.
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No. For months, another Indian, who called himself a notary and said that he represented the interests of Don Diego de Alvarado Huanitzin and the newly founded village of Nearby, waited from sunup to sundown in the antechambers of the archdiocese without being received by Quiroga.
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If you're one of the millions who've seen the sci-fi drama Arrival, about a linguist's attempts to establish communication with aliens who've just landed all over Earth, you might have found yourself wondering who was behind the film's beautifully sleek images, its gigantic alien antechambers and carefully guarded reservoirs of emotion.
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Thouret renovated the Bildergalerie in Tuscan Neoclassicism from 1803 to 1805, adding a fireplace by Isopi and a statue of Apollo opposite it. The frescoes in the Bildergalerie's antechambers were painted in 1730 by either Scotti or Carlo Carlone.
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The Disney Gallery comprised several rooms and antechambers, as it was designed to be living quarters for the Disney family. Each room contained its own set of artwork and usually revolved around a certain theme that pertained to the overall exhibit.
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From the parlor is the western addition, now the kitchen wing, with two antechambers on its kitchen. It, too, has a fireplace. The rooms all have their original wideboard flooring. All rooms have plaster walls, except for two in the parlor, which are wood.
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To create a suitably sumptuous approach, the rooms behind the south façade overlooking the Cour de Marbre were modified to create three large antechambers (the vestibule, Salle des gardes du roi, and the Première Antichambre) preceding the King's bedchamber, followed by the Grand Salon at the center of the west façade.
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Frederick I had Thouret remodel the Ahnengalerie in 1805–06, retaining Carlone's frescoes and adding stucco to the two antechambers. The portraits in the Ahnengalerie trace the lineage of the rulers of Württemberg from Eberhard I the Bearded, the first Duke of Württemberg, to Wilhelm II, the last King of Württemberg.
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The mosque has a reported capacity of 10,700 for Friday prayers. It has intricate carvings, with inscriptions in Quranic script. The mosque, in a walled enclosure, is made of interlocking coral blocks with its hypostyle roof supported by cut-coral columns. With three entrances, the mosque has two prayer halls surrounded by antechambers on three sides.
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In some cases, an antechamber provides a space for a host to prepare or conduct private business away from a larger party or congregation. Antechambers are often found in large buildings, homes, or mansions. They are also very common in palaces and crypts. In a theme park, an antechamber may be used to tell guests about a ride before they experience it.
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The audience chamber is located to the west of the palace and is flanked by the yellow and lilac cabinets. The cabinets were only used as antechambers to the larger rooms. Ludwig II never used this room to hold an audience. This would have been against the private character of Linderhof and the chamber would have been much too small for it.
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Scarisbrick, p. 154. Anne was a skillful player at the game of courtly love, which was often played in the antechambers. This may have been how she caught the eye of Henry, who was also an experienced player. Some say that Anne resisted Henry's attempts to seduce her, refusing to become his mistress, and often leaving court for the seclusion of Hever Castle.
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Flanking it are a couple of annexes with narrow antechambers: the north vestry and the south chapel. The two-storey facade is flanked to the left by a tower, and on the right by a chapel annex. Above the portico, resting on three arcades, is a strip of six semi-circular niches. The upper storey of the facade is filled with a large rosette.
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The entrance hall (Előcsarnok) opened from Lions Court, under an arcaded Neo-Renaissance portico, through ornate wrought-iron doors. This now serves as the entrance of the Hungarian National Library. The hall was a long, oblong-shaped room with 4+4 free standing Ionic columns in front of the walls on the longer sides, holding a trabeation. In the end of the shorter sides two doors opened into antechambers.
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B'Stard is a selfish, greedy, dishonest, devious, lecherous, sadistic, self-serving ultra-right-wing Conservative backbencher, a sociopathic schemer who occasionally resorts to murder to fulfill his megalomaniac ambitions. The show was mostly set in B'Stard's antechambers in the Palace of Westminster and featured Piers Fletcher-Dervish as B'Stard's twittish upper-class sidekick. B'Stard shared a middle name with Norman Tebbit. B'Stard was MP for the then fictional constituency of Haltemprice.
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Quoted by Thomson, 169. Catherine de' Medici was closely involved in planning and supervising the building.De l'Orme wrote that Catherine, with "an admirable understanding combined with great prudence and wisdom," took the trouble "to order the organization of her said palace (the Tuileries) as to the apartments and location of the halls, antechambers, chambers, closets and galleries, and to give the measurements of width and length". Quoted by Knecht, 228.
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Cleanroom air shower with a blue sticky floor mat for shoe sole cleaning. Air showers are specialized enclosed antechambers which are incorporated as entryways of cleanrooms and other controlled environments to reduce particle contamination. Air showers utilize high-pressure, HEPA- or ULPA-filtered air to remove dust, fibrous lint and other contaminants from personnel or object surfaces. The forceful "cleansing" of surfaces prior to entering clean environments reduces the number of airborne particulates introduced.
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The sanctum has a linga, the southern side of the sanctum features Brahma- Sarawati, the western side Vishnu-Lakshmi, and the northern side Shiva- Parvati. The temple can be entered from four directions. Inside the temple is a large mandapa with intricately carved pillars, several antechambers with artwork, a sanctum with linga and a circumambulation passageway around it. The passageway opens to smaller shrines dedicated to Hindu gods and goddesses from various Hindu traditions.
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The Small Oak Room and Bedroom are contemporary with the Great Oak Room but much less richly panelled. The Bedroom has the moulded plaster ceiling upon which the knot garden’s design is based. The common layout of Tudor rooms in an apartment with people travelling from most public to most intimate suggests that the Great Oak Room was the most public room whilst the Small Oak Room and Bedroom were more private antechambers, possibly bedrooms and cabinets.
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CPIP Doctrine 2009 was for hospitals to cancel "non-emergency procedures", and antechambers would contain no toys or reading material. Doctrine 2009 "also cautions against the kind of knee-jerk reactions that do absolutely nothing to protect public health: the distribution of masks, the installation of extra hand-sanitizer dispensers in public places, the recruitment of increased number of cleaners at office buildings. Doctrine 2009 held that "an all-out travel ban does little else but stoke public anxiety and hammer local economies.
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Based upon analysis of the bone fragments and items found in the tomb, it is believed the interred was a middle-aged or older male of aristocratic background. The paintings have suffered the ravages of time, and, as National Treasure of Japan and World Heritage, their preservation has been accorded the highest priority. The entire tomb has been roofed over, and a series of adjoining antechambers were constructed to isolate the central chamber from temperature and humidity fluctuations, and prevent contamination by airborne mold spores and microorganisms.
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Here we can admire French and Flemish tapestries of the 16th, 17th and 18th centuries along with furniture and paintings from the same periods. The "Sert" room: was the boudoir of Matías Errázuriz Alvear and its name honors the Catalan painter, Josep Maria Sert (1876-1945), who created this decoration in the Art Déco style. The stucco paneled walls, the enormous entablature, the gilded doors, and the four paintings are part of the project of the Spanish artist. The antechambers and the bedroom of Matías Errázuriz Alvear complete the apartments of the son.
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Stomatal crypts are sunken areas of the leaf epidermis which form a chamber-like structure that contains one or more stomata and sometimes trichomes or accumulations of wax. Stomatal crypts can be an adaption to drought and dry climate conditions when the stomatal crypts are very pronounced. However, dry climates are not the only places where they can be found. The following plants are examples of species with stomatal crypts or antechambers: Nerium oleander, conifers, and Drimys winteri which is a species of plant found in the cloud forest.
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The Mezek Fortress was built out of stone, with two decorative lines of bricks on the outside. It suffered some destruction around 1900, when stones from the fortress were used for the construction of Ottoman barracks in Svilengrad. The Mezek Thracian tomb dates to the 4th century BC. It is a large, elongated tomb that includes a covered passage of , two rectangular antechambers of different size and a round burial chamber with a stone sarcophagus. The number of burials of noble Thracians in the tomb was no less than four.
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After attending the king's awakening, Lalande starts his search in the antechambers. Under a large painting "Supper at Emaüs" he finds a small key in one of four pots. After eavesdropping on a conversation between Hardouin Mansart and Jean Racine he stumbles across Charles Lebrun, who asks him to look for his lost painting sketches which he needs later in the morning. In a downstairs dressing room, he finds a pair of scissors and a pamphlet in which Lebrun is satirized, with a peculiar hint lying at the bottom of the page.
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These included work on châteaux at Montceaux-en-Brie, Saint-Maur-des- Fossés, and Chenonceau, and the building of two new palaces in Paris: the Tuileries and the Hôtel de la Reine. Catherine was closely involved in the planning and supervising of all her architectural schemes.De l'Orme wrote that Catherine, with "an admirable understanding combined with great prudence and wisdom", took the trouble "to order the organization of her said palace [the Tuileries] as to the apartments and location of the halls, antechambers, chambers, closets and galleries, and to give the measurements of width and length". Quoted by Knecht, 228.
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The seats in some Bordrestaurant have been converted to the red bench seating while Bordbistro receives the new stand tables. The cabin illumination is provided by LED lamps, providing more illumination, while the reading lamps are eliminated. The seat reservation panels are moved from the walls above the windows to the seat headrests per EU directive on accessibilities: the new panel has bigger and more visible white lettering and Braille. The yellow LCD information monitors in the antechambers are replaced with larger full-colour LED displays, showing the map, train number, speed, and other pertinent information.
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Redoute Wing Wedding Supper at Redoutensaal by Martin van Meytens- the wedding of Princess Isabella of Parma and Joseph II, Holy Roman Emperor Empress Maria Theresia had a 17th-century opera house converted into the dance and concert halls now known as the Redoutensäle, which consists of a small and a large hall. Together with a number of smaller antechambers they form the Redoute Wing. The original plans were drawn up by , while the external façades are the work of Nicolò Pacassi and . The Redoutensäle soon became the setting for the cultivated style of baroque entertainment.
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Stairs leading to an underground tomb. Portrait of a servant, mid-8th century, color on silk, Tang Dynasty, from the Astana Graves The tombs consist of sloping passageways leading downwards for 4 or 5m to a rockcut entrance, about a meter wide and over a meter high. A step then leads into a brick-lined chamber, square or oblong and measuring between two and four meters wide, three to four meters long and up to two meters high. Some tombs contain one or two narrow antechambers in which there are niches on either side for guardian beasts in effigy.
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After visiting the Sultan's palace, he would arrive home exhausted and hungry, where "I would find the antechambers filled with gentiles and Jews … I would go to heal them, and write prescriptions for their illnesses … until the evening … and I would be extremely weak."Responsa Pe’er HaDor, 143. As he goes on to say in this letter, even on Shabbat he would receive members of the community. It is remarkable that he managed to write extended treatises, including not only medical and other scientific studies but some of the most systematically thought-through and influential treatises on halakha (rabbinic law) and Jewish philosophy of the Middle Ages.
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A few remedies have been proposed to deal with this, such as putting ridges in the accelerator tube, adding antechambers to the tube, coating the tube to reduce the yield of electrons from the surface, or creating an electric field to pull in stray electrons. At the PEP-II accelerator at SLAC National Accelerator Laboratory, the vacuum pipe which contains the positron ring has a wire coiled around its entire length. Running a current through this wire creates a solenoidal magnetic field which tends to contain the electrons liberated from the beam pipe walls. The Large Hadron Collider is very prone to multipacting due to the tight spacing (25 ns) of its proton bunches.
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That they often have antechambers or forecourts is thought to imply a desire on the part of the builders to emphasize a special ritual or physical separation of the dead from the living. Saint-Michel tumulus, megalith grave in Brittany Megalithic tombs appear to have been used by communities for the long-term deposition of the remains of their dead, and some seem to have undergone alteration and enlargement. The organization and effort required to erect these large stones suggest that the societies concerned placed great emphasis on the proper treatment of their dead. The ritual significance of the tombs is supported by the presence of megalithic art carved into the stones at some sites.
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The initial rooms are the first and second antechambers, clad in green damask with portraits by Antoine Pesne and paneling by Michel Fressancourt, overdoors by Matthäus Günther, boiserie flooring, and furniture by Jacques- Philippe Carel and Jean-Baptiste Hédouin that Charles Eugene acquired around 1750. The Assembly Room, restored in 2003, prominently features overdoors by Adolf Friedrich Harper and trophies of musical instruments above the windows. Charles Eugene's third-floor residence begins with the Corner Room, again painted by Harper, which feeds into a cabinet room and then finally the bedchamber, completed in 1770. Bossi created the ceiling's stucco in 1759–60, but the room and its two closets took another decade to complete.
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The backward reclining figure of the chacmool presents a defenceless, passive appearance and has been likened by Miller to the positioning of captives in Classic period Maya sculpture and painting. Bent elbows and knees are common in depictions of Maya captives; the full-frontal view of the face is rare in Maya art except among representations of captives. The form of the Chichen Itza chacmools lacks the typical traits of Maya deities and most scholars have assumed that the iconography of Maya chacmools is equivalent to that of the central Mexican examples. Eduard Seler commented in the early 1960s that chacmools in Chichen Itza tended to be located in temple antechambers, where the bowl or disc gripped by the figure served to receive pulque as an offering.
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Of the over 200 rooms, four principal gathering rooms and a theater were available for royal functions, balls and state occasions. During his occasional stays at the palace, Frederick occupied a suite of rooms at the southern end of the building, composed of two antechambers, a study, a concert room, a dining salon and a bedroom, among others. After the death of Frederick the Great in 1786, the New Palace fell into disuse and was rarely occupied as a residence or entertainment venue. However, starting in 1859 it became the summer residence of the German Crown Prince, Frederick William, later German Emperor Frederick III. The palace was the preferred residence of Frederick and his empress, Victoria, throughout the 99 Days’ Reign.
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The wooden stalls in this room, placed against the wall, are nineteenth-century copies that Vittorio Avondo had made, while the winged altar is original to the Castle, having been made at the start of the sixteenth century. Avondo bought this altar back on the antique market after it had been sold by the previous proprietors of the manor. The wings of the polyptych and the frescoes of the chapel, showing scenes of the Nativity, the Prophets, the Apostles and the Doctors of the Church, have been attributed to Maître Colin, the same artist who created the lunettes of the portico in the courtyard and who had worked on the decoration of the collegiate church of Saint Ursus in Aosta, of which George of Challant was prior. Among the spaces that cannot be visited on the guided tour there are the private rooms of René of Challant, of his daughters Philiberte and Isabelle, of Cardinal Cristoforo Madruzzo (uncle of Giovanni Federico Madruzzo, the husband of Isabella di Challant) and their antechambers and access spaces.
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