Feet step quickly, sometimes with cowrie-shell anklets accentuating the percussiveness.
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Both mother and daughter sport matching gold anklets, decorated with delicate charms.
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Anklets, gold and silver spoons, and amulets with precious stones also are popular.
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Technological solutions, like electronic anklets that monitor an individual's whereabouts, are another option.
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And the anklets my boyfriend had made for me at New Top in Chinatown.
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And we've introduced anklets, a new category for adult woman, and they're pretty elegant.
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Let's let these be a one-and-done pair of shorts/pants/belt/anklets. (Help.)
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She lent me a pair of anklets with pink trim because they complemented my dress.
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Seemingly overnight, little chili peppers have taken on every form — earrings, anklets, mini bags...the works.
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Vera had had a plaid dress, a Toni home permanent, white anklets, for her trip to Minneapolis.
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As cumbersome as that sounds, the socks are comfortable and the anklets are unnoticeable and stay securely attached.
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Head ornaments, earrings, necklaces, brooches, bracelets, and anklets also possess functions at once magical, utilitarian, seductive, and decorative.
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Teething jewelry includes beaded necklaces, bracelets, or anklets that can be worn by either the infant or an adult.
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Adding beads to braids has origins in West Africa, where beads are used to accessorize bracelets, necklaces and anklets.
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You know perfumed flesh, in anklets, and spirit, unadorned, take turns at lead and follow, one in action and repose.
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Stylistic accouterments — tattoos, makeup anklets, too many waist beads or rings stacked atop one another — are seen as excessive and inappropriate.
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In addition to customized engagement rings, Ring Concierge sells earrings, bracelets, necklaces, anklets, charms, and other jewelry that starts at $100.
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With textile sensors woven into the plantar area, the socks transmit data to a mobile app via anklets connected to the socks.
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Acute Ankles — You might not have seriously considered anklets since you still had "Oops I Did It Again" spinning around in your Discman.
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Plus, they go hand-in-hand with the other pre-teen style favorites that have made a revival, like scrunchies and shell necklaces and anklets.
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A Maasai from the nearby village of Endulen helps dress brides in traditional garb, including a silver beaded shuka, a beaded hat, bracelets, anklets and necklaces.
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Indians vie with Chinese as the world's biggest consumers, buying just under 1,000 tonnes a year and stashing it in anklets, safe-deposit boxes and Hindu temples.
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Acquaintances of the brothers wear electronic anklets after run-ins with the police, gossip about imams teetering too close to extremism and complain about their shrinking paychecks.
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Teething jewelry often comes in various forms (necklaces, bracelets or anklets) and materials (amber, wood, marble or silicone) and can be worn by either an adult or child.
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In the video, she opened up about more fashion insights including the trend she hopes comes back (anklets) the item she'd never wear (suspenders) and discussed Bieber's sense of style.
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On Sunday, the Victoria's Secret Model shared two adorable photos on her Instagram Story showing off the matching anklets she shares with Gio Grace, 5 months, and Dusty Rose, 1½.
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On my first use, firing up the Sensoria iPhone app and connecting it to the socks/anklets via Bluetooth was quite simple—even for someone who's never used techwear before.
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Many systems actually impose on the criminal defendant the cost of a probation officer or the cost of monitoring anklets with which they're discharged, and the fines and fees accumulate.
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They've even launched a brand-new Festival Collection that's full of bright beads, tassels, layered chain necklaces, anklets and hoops that are perfect for dancing the night away in the desert.
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I was a fan of this style because the navy color stood out against my black Timberland boots, and as someone who grew up wearing anklets, this felt normal for me.
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Historic jewelry meant to adorn every part of the body also will be featured, including hair ornaments, a bridegroom's crown and nose rings, as well as armlets, anklets and toe rings.
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The singer created 19 styles for this line, including some all new toeless and footless silhouettes, anklets, over the knee and thigh high styles, all in an array of black, white and pastel tones.
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A beautiful woman waits for him on dark street corners, her anklets adorned with bells that jingle merrily, until you notice that her feet are reversed and she speaks through her nose, he explained.
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This time, we're skipping the My So-Called Life grunge and instead channeling our inner Lizzie McGuire — meaning adult versions of accessories like power beads, friendship bracelets, and anklets might just find their way back into your jewelry box.
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In the past year or so, we've seen pretty much every '90s trend we loved, didn't mind, and really couldn't stand make its way back into our closets; everything from anklets and mood rings to crop tops and mom jeans.
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And like most other Indian women in my family, I avoid silver jewelry — any anklets, bangles, and earrings I've ever been gifted from Indian relatives are gold and typically worked into the shape of an Om, flower bud, or teardrop.
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Allowing tracking devices — which can include locking bracelets and anklets — to be applied for purposes other than locating missing persons seemed to many critics to open up the floodgates for their use in ways that would inappropriately limit the autonomy of disabled Americans.
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Made sexier with fishnets, more delightful with creative pant hems, and more satisfying with all the anklets, ankle tattoos, and ankle straps, these six inches are the highly Instagrammable, highly complimentable zone worth spending a little more time dolling up before you leave the house.
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Buxwaha, INDIA (Thomson Reuters Foundation) - For his 2000-year-old daughter's wedding last year, Makhanlal Ahirwal bought Bhawani saris, bangles and anklets, got her in-laws a water cooler, a bed, and utensils as dowry and threw a feast for 216 people in his village in central India.
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The pieces that Ms. Aiche (pronounced eye-EESH) and her team create are designed for informal wear — and layering, as Ms. Aiche did on a recent warm morning, teaming the pieces she described as her "second skin" (including several delicate anklets and a thin gold chain with diamonds that stretched around her neck, down her torso and around her waist) with loose Levi's cutoff shorts and a spaghetti-strap T-shirt.
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The dancers wear anklets. Anklets are worn on both ankles.
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In ancient times men also wore anklets. Traditionally, only Kshatriya (royal/warrior caste) persons can wear gold anklets, and other castes wear silver anklets. The word "payal" (payalak) is a word for the anklet in Hindi and Punjabi.
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Today, anklets are not commonly worn by Egyptian women in public due to increased Islamic conservatism that has spread in Egypt where wearing anklets in public is generally perceived as being immodest. Anklets are still commonly worn by dancers in public events.
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Neolithic and chalcolithic periods at Mehrgarh indicate use of anklets. Jhon Marshall describes dancing girl statue as being adorned with armlets, bangles, and anklets A first-century CE epic of Tamil literature called Silappatikaram (The Story of the Anklet) dealt with a woman whose husband was killed while trying to sell one of her anklets to a dishonest goldsmith. The anklets are described in great detail in the poem. Rajasthani women wear the heaviest type of anklets, which are silver and signify tribal adherence.
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Oriya marriages are incomplete without Tarakasi anklets and toe rings.
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The leaves are used by the Santhal girls for making anklets.
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They have also been worn by Egyptian women since predynastic times. In the United States both casual and more formal anklets became fashionable from the 1930s to the late–20th century. While in Western popular culture both younger men and women may wear casual leather anklets, they are popular among barefoot women. Formal anklets (of silver, gold, or beads) are used by some women as fashion jewellery.
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Jesses and anklets need to be replaced periodically, and checked for fit if they are causing injury.
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Nainativu Nagapooshani Amman Temple is believed to be where the silambu (anklets) of Gauri had fallen. Anklets have been given immense importance in the worship of Shakti since time and memorial. This ornament is also referred to in the famous Tamil epic Silapathikaram - where the story begins and ends with an anklet.
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During weddings, the bride is frequently adorned in gold. Many Somali women by tradition also wear gold necklaces and anklets.
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Anklets are an important piece of jewellery in Indian marriages, worn along with saris. Occasionally, anklets on both ankles are joined by a chain to limit the step. This practice was once prevalent in Southeast Asia, where the effect was to give a "feminine" short tripping step. Today, a few Western women follow this practice, but rarely in public.
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The city of Madurai was ruled by the Pandya king Neduncheziyan. Upon arrival to Madurai, Kovalan set out to sell Kannagi's anklets. While on his way to sell the anklet, he was held by the king's guards for the alleged theft of one of the queen's anklets. Upon the king's orders, he was beheaded without trial.
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Anklets were also worn by dancers like those shown in the tombs of Kagemni, Ti, and Akh-hotp. In the early–20th century, anklets were commonly worn by Egyptian women of inner cities. They were called kholkhal (pl. khalakheel) and were most commonly worn by women of Alexandria, along with a traditional dress covered by a one-piece black cloth called melaya leff.
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Nylon Aylmeri jesses have recently grown in popularity. Thinner, lighter, and stronger, they do not rot or need oiling to stay supple. The anklets are grommetted on, like their leather counterparts, but instead of a folded button keeping the straps from falling through the anklets, a knot is used. The end of the knot is melted with a cigarette lighter to keep it from fraying.
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Anklets were worn as an everyday ornament by Egyptian women of all social classes in ancient Egypt from as early as predynastic times. The name for anklets was not much different from that of bracelets being menefret (mnfrt) except by adding a phrase to denote connection to the feet. They were made of different metals and in multiple shapes, with more expensive metals like gold being more common among the rich, while less expensive ones like silver and iron more common among lower social classes. During the fourth, fifth, and sixth dynasties, anklets were usually made of beads threaded in several rows held together with spacer-bars.
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The last mantra describing Devi's physical appearance is the 46th name, "sinjana mani majira mandita sripadambuja" (whose feet are adorned with musical anklets filled with gem stones).
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After all they only have golden anklets of Kannagi which is valuable and they are subjected to sight of the people in Kaveri Patuna City. They run away from Chola kingdom to Pandya kingdom with the intention of live freely there with the selling of golden anklets of Kannagi. They escaped secretly without knowing others but except Madhavi. She waits for them on the way of them with her hostess.
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Shekhawat is called and the body is found exactly where the boy had said. Upon questioning by Shekhawat, the boy alludes to a ‘woman whose anklets sounded so sweet’ and Shekhawat recoils in horror. It is revealed that Shekhawat had a lover (with sweet sounding anklets) in Benares. She became pregnant, there was an argument and Shekhawat, who could not risk his own marriage, strangled her and buried her body in Benares.
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Badges of rank are worn on dark blue epaulette slides on the shoulder of this uniform. The guards of the units wear whitened 1937 Pattern belts with brass furniture and anklets.
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The women wear these as costume jewelry, but also to show their bravery as a tribe against other rival tribes. The fashion for heavy anklets is declining in India now, but is still common in rural areas. In the eastern Indian state of Odisha, which is known for its traditional jewelry, there are varieties of anklets known as Paunji Nupur, which are worn by women. Another variety, which covers the entire foot, is known as Padapadma.
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Maliti meaning a type of rifle, a single loader. 89\. Manjolo meaning tubular anklets. 90\. Manyenga meaning a worried person, also means to render fat. 91\. Mathambo (Masambo) meaning small wires. 92\.
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The diversity and manufacture of these pieces, then, indicates a significant development in human evolution, especially as it comes in such various forms (hairbands, placed in clothing, bracelets, anklets, and so forth).
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From adzes, scoops, spoons, dippers and other tools to personal ornaments such as earrings, anklets, bracelets and beads. These different artefacts made of shells were unearthed from various archaeological sites from the country.
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They received these markings as children. Fula ethics are strictly governed by the notion of pulaaku. Women wear long robes with flowery shawls. They decorate themselves with necklaces, earrings, nose rings and anklets.
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The story revolves around Bharathi (Parthiban), a low-caste worker for a rich landlord Vellaisamy Thevar (Vijayakumar). At the local fair Vellaisamy's daughter, Kanamma (Meena), begins to love him after he saved her from thugs at the fair. Bharati's sister, Pechi (Indhu), accompanies him to the fair and wants some anklets that Bharati cannot afford. However, when they return and Pechi goes to collect their food for the night, Kanamma doesn't serve them until the rest leave and then gives Pechi anklets.
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When Kannagi was informed of this, she became furious, and set out to prove her husband's innocence to the king, by showing him the anklets. Kannagi came to the king's court, broke open the anklet seized from Kovalan and showed that it contained rubies, as opposed to the queen's anklets which contained pearls. Realizing their fault, the king and the queen died of shame. Unsatisfied, Kannagi tore out a breast and flung it on the city, uttering a curse that the entire city be burnt.
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Vakulãvalikã enters who decorates Mālavikā's foot with dyes, anklets, etc. Queen Iravati comes with mild intoxication. Without being observed, she listens to conversation of Mālavikā and Vakulãvalikã. Vakulãvalikã tells Mālavikā about the King’s passion for her.
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Scuba divers sometimes wear lead anklets to stop a tendency for their legs to float up when diving in a drysuit. Convicted criminals may wear ankle monitors as electronic tagging devices while being confined to a specific venue.
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This group are excellent in basketry and wood carving. In addition, they are also famous for their beautifully crafted body accessories. Their combs, bracelets, necklaces and anklets are usually made of wood, beads, brass and copper.Philippine Ethnic Crafts: Tagbanua .
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Dancers might also wear decorations such as necklaces, bracelets, and anklets, as well as many lei (in the form of headpieces (lei poʻo), necklaces, bracelets, and anklets (kupeʻe)), and other accessories. Hula dancers in a Luau in Lahaina, in traditional kī leaf skirts A skirt of green kī (Cordyline fruticosa) leaves may also be worn over the pāū. They are arranged in a dense layer of around fifty leaves. Kī were sacred to the goddess of the forest and the hula dance Laka, and as such, only kahuna and aliʻi were allowed to wear kī leaf leis (lei lāʻī) during religious rituals.
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A precolumbian art form, featherwork provides distinctive personal adornment. Brilliantly colored feathers are fashioned into anklets, bracelets, collars, headdresses, and even entire cloaks. Guaraní medicine men used to wear full feather cloaks. The Guaraní create feather headdresses called jeguaka worn during ceremonial occasions.
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Kannan (Prashanth) is a young music shop employee. He dreams of a girl who wears gold anklets. One day he sees the feet of a running girl, and realises that she is the girl he has been dreaming of. He follows her.
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The Tagbanwa also carved wooden combs and bracelets. They strung bead necklaces to be used in covering women's necks. Anklets of copper and brass wire were also crafted and worn by women. Tagbanwa women wear bright body ornament and brightly colored clothes.
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It is sometimes argued that the only concession to Indian art appears in the anklets worn by the cupids. These scenes had a very broad influence, as far as Amaravati on the eastern coast of India, where the cupids are replaced by yakṣas.
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"Anklets of Bronze" National Museums Scotland. Retrieved 29 April 2008. The "Ballachulish Goddess" is a life-sized female figure from 700–500 BCE in oak with quartz pebbles for eyes, found at Ballachulish, Argyll.I. Armit, "The Iron Age" in D. Omand, ed.
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During weddings, the bride is frequently adorned in gold. Many Somali women by tradition also wear gold necklaces and anklets. Xirsi, a quranic necklace, also worn in countries such as Ethiopia and Yemen, is also frequently worn. Henna is another important part of Somali culture.
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When a noble freewoman [al-Ḥurqah] has wrapped > herself > In my clothes, [she is] planted in pearls and coral. > 3\. [She is] the daughter of the kings, the owners of kingdoms and high > ranks, > She wears anklets and is the best of Nuʻmān’s [family]. > 4\.
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It bears Goddess Lakshmi on the right chest and Sri Padmavathi Devi on the left. Nagaabharanam ornaments are on both shoulders of the idol. The lotus feet are covered with gold frames and decked with clinging gold anklets. A strong curved belt of gold encompasses the legs.
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When Raghu's family move to another village, Sujatha and Raghu do not even say goodbye to each other. Meanwhile, Raghu's father gifts Sujatha with silver anklets and requests her to never remove them, to which she obliges. Several years pass by. Raghu and Sujatha are fairly distanced.
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Women are dressed in exquisitely embroidered, set in mirrors cholis, ghaghras and bandhani dupattas! Extensive jewelry in the form of necklaces, bracelets and anklets are also worn. The typical dress code of men is kehediyu, chudidar and a turban. ;Garbi Originally men used to perform this dance.
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She is in the nude except for yellow shoes, gold anklets, and a dark grey mantle that covers her legs. A second female figure stands behind Achilles. Most of her upper body is lost. From what we can see, she runs to the left of the scene.
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When Raghu's family moves to another village, Sujatha and Raghu do not even say goodbye to each other. Meanwhile, Raghu's father gifts Sujatha with silver anklets and requests her to never remove them, to which she obliges. Several years pass by. Raghu and Sujatha are very distanced.
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The final segment of the film showcases Bala's solo performance of a pada varnam, which is based on Carnatic music, known as "raagamaalika" (garland of ragas). For this performance, Bala uses the same pair of anklets she had used for her debut performance at the age of seven.
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Silapathikaram, the literary work of Ilango Adigal describes the poor life of Kannaki with her husband merchant Kovalan, who lost his all wealth during his life with a lavish courtesan dancer called Madhavi and travelled to Madurai to start a new life. While kovalan selling anklets of Kannaki for money in Madurai, he was misunderstood as the thief of Pandya queen's anklet and beheaded by King's order without any inquiries. Kannaki became furious and advocates at the court of the King and by breaking the anklets, she proves that anklet seized from Kovalan is hers. Pandya King shocked and died while Kannaki took an oath to express her chastity by burning the City, Madurai.
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The Cholistanis are fond of jewellery, especially gold jewellery. The chief ornaments made and worn by them are Nath (nose gay), Katmala (necklace) Kangan (bracelet), and Pazeb (anklets). Gold and silver bangles are also a product of Cholistan. The locals similarly work in enamel, producing enamel buttons, earrings, bangles, and rings.
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Bracelets and anklets were both made from giant clams and cone shells. Shell bracelets made from the top shoulder of the body whorls of cone shells (Conus litteratus) are characteristic of the Late Neolithic Age. The natural spiral found along the shoulders of the shell serves as a decorative motif.
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They wore a small petticoat, and a ravaky (short body, just reaching short of the waist), with no hats or footwear. Jewelry worn were nose-studs, earrings, anklets, silver belts, gold necklaces. All instructions were given in Tamil. The teacher rode a pony from Shoolay to reach the school in Ulsoor.
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Senebtisi was adorned with an array of personal adornments, many of them especially just made for the burial. There are three broad collars, armlets and anklets and several bead necklaces. The body was also adorned with an array of weapons and royal insignia. Around the pelvis she was wearing a royal apron.
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The owners proudly embellish their elephants with vibrant colours, jhools (saddle cloth) and heavy jewellery. It is quite a treat to see female elephants wearing anklets, which tinkle as they walk. One can see people sprinkling 'gulaal' (coloured powder) perched on top of the elephant. The most beautifully decorated elephant is awarded.
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The beauty of the intricate footwork is heightened by the tinkling of anklets and bells and also by the rhythmic clapping of hand. The whirling movements become faster as the dancing reaches a climax. This dance is performed during the Onam festival season very often. The dance is also called Chuvadukali or Chavittukali.
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Manufahi's agriculturalists produced horses, sheep, cereals, fruit, coffee and tobacco. Its craftsmen were the finest silver and goldsmiths in Portuguese Timor, manufacturing bracelets and anklets. There were also skilled pyrographers working bamboo pipes. More ominously, Manufahi produced leather cartridge belts and musket shot, materials that could be put to use in a revolt.
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Hemp and bead jewelry Hemp jewelry is the product of knotting hemp twine through the practice of macramé. Hemp jewellery includes bracelets, necklaces, anklets, rings, watches, and other adornments. Some jewellery features beads made from crystals, glass, stone, wood and bones. The hemp twine varies in thickness and comes in a variety of colors.
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She is dressed in royal attire, including ear pendants, necklaces, bracelets, anklets, and pendants hung from several girdles. In her right hand, she holds a lotus bud, which symbolized deceased royalty in transformation.Jan Fontein, R. Soekmono, and Satyawati Suleiman. Ancient Indonesian Art of the Central and Eastern Javanese Periods, New York: Asia Society Inc.
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In the upper chamber were placed several burial goods. The body of Nubhetepti-khered was placed in a wooden coffin, decorated with inscribed gold leaf. In the coffin were found the remains of an inner, mummyform, gilded coffin. The body of Nubhetepti-khered was adorned with a broad collar and with armlets and anklets.
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In recent years the testing practice has been met with some opposition. The girls wear traditional attire, including beadwork, and izigege,izinculuba and imintsha that show their bottoms. They also wear anklets, bracelets, necklaces, and colourful sashes. Each sash has appendages of a different colour, which denote whether or not the girl is betrothed.
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Chittani knew no world other than Yakshagana. Even at his ripe old age, not a single day was complete without Chittani tying anklets to his feet for the dance.Chittani was also known for his generous and encouraging attitude especially towards his fellow artists. Chittani grew up to the sounds of the Chande and Maddale.
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This dance is performed in temples during Amman festivals or Navaratri festival. The dancers wear ankle-bells and hold anklets or silambu in their hands, which make noise when shaken. They perform various stepping styles jumps. The dance is in praise of all female deities, the most preferred being the powerful angry goddess - Kali or Durga.
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Suryavarman II is the first Khmer king to be depicted in art. A bas relief in the south gallery of Angkor Wat shows him seated on an elaborate wooden dais whose legs and railings are carved to resemble naga snakes. On his head is a pointed diadem, and his ears have pendants. He wears anklets, armlets and bracelets.
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Mughal royal dresses consisted of many parts as listed below. Mughal women wore a large variety of ornaments from head to toe. Their costumes generally included Pajama, Churidar, Shalwar, Garara and the Farshi , they all included head ornaments, anklets, and necklaces. This was done as a distinctive mark of their prosperity and their rank in society.
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She wears anklets with bells, and though seldom seen, she can be heard by the tinkling of her anklets.The Hymns of the Rigveda, Ralph T. H. Griffith, 1973. Hymn CXLVI, Page 640 She is also described as a dancer. Her ability to feed both man and animals though she 'tills no lands' is what the supplicant finds most marvellous.
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In this scene Ariadne lies on a large leopard skin, with her back to the viewer. She wears gold armlets and anklets, tiny blue flowers in her hair, and a yellow mantle with a light-blue border. The mantle is wrapped around her legs and pulled up towards her front. Her back and bottom are nude.
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The only precious thing left to be sold was Kannagi's pair of anklets. They went with it to the king of Madurai to sell it. But an anklet was stolen from the Queen which looked similar to Kannagi's. When Kovalan tried to sell it, he was mistaken for the theft and beheaded by the king's soldiers.
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There are some stories saying that "KOTA MAHALAKSHMI" used to guard the FORT from the evil forces and enemies in the days gone by. While she was roaming in the fort campus, people used to listen the anklets of the Goddess KOTA LAKSHMI, during night time. The city is famous for the Dasara festival, Chedugud/ Kabaddi (rural sports), basketball.
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If he trusts her, then he was not allowed to look back to see if she followed him or not. If he did, then wouldn't go any further. He agrees and they proceed walking. They were walking down the Kodachadri hills, with Shankara leading the way and goddess' anklets tinkling and letting him know that she was with him.
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Nicknamed "Princie",The Princie Diamond was so named in his honor he was the apple of her eye. She attended some of the most exclusive events on the globeTime Magazine Sept 13, 1968 and partied with other international luminaries, e.g. Aristotle Onassis.Time Magazine 21 March 1969 In 1953 the Maharani sold a pair of bejewelled anklets to Harry Winston.
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They perform rhythmically accompanied by the sound of their anklets and the intoxicating beat of Damaru. During the performance they sing praises of lord Mailara Linga and repeat Paraks. As they dance they sit and eat the offerings laid out to them. They lie flat on their stomachs and eat the offering without touching it with their hands.
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Their legs are adorned with anklets called akpulu- ulu. Their hair do is usually is I mbute (wigs). These attire drive men crazy. The last four days were marked with a lot of celebrations, parents came to town with plenty of foods and drinks to entertain family members, friends in- laws who came to celebrate with their daughters.
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Some of the variations in Lobi sculpture is sculptures that are only a few centimeters tall. While the wood craving is better known of the works created by the Lobi bronze has also been used. Some of the uses of bronze include pendants of animals and figures, bells, and some bracelets and anklets. Another type of creation by the Lobi is marriage poles.
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He confesses his mistakes to Kannaki. She forgives him and tells him the pain his unfaithfulness gave her. Then she encourages her husband to rebuild their life together and gives him one of her jeweled anklets to sell to raise starting capital. Kovalan sells it to a merchant, but the merchant falsely frames him as having stolen the anklet from the queen.
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A multitude of jewellery is also worn by the female dancers. These include earrings, several pairs of bangles, a garland of flowers in the form of a bracelet, bracelets, anklets and an armlet that is worn on the right. Several body chains cross over the body like a sash. A circular or diamond shaped pendant is worn around the neck.
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55; who would go on to serve as deputy to the Grand Mufti of Jerusalem, and Qadi in Ramla, Gaza and Nablus in the early 18th century. Hundreds of clay pipes, and various types of weaponry, including gunflints, and lead and iron bullets and shells. A large amount of glass bracelet and anklets span both the Mamluk and Ottoman Periods.
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They wore copious jewellery, mainly of copper and brass. It consisted of neck-chains, bracelets, and anklets. The women in modern Akamba society also dress in the European fashion, taking their pick from dresses, skirts, trousers, jeans and shorts, made from the wide range of fabrics available in Kenya. Primarily, however, skirts are the customary and respectable mode of dress.
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The dancer is typically adorned with jewelry on her ear, nose, and neck that outlines her head or hair. Her face has conventional makeup, eyes lined and ringed by collyrium, which help viewers see her eye expressions. Her hair is tied up in the traditional way, often braided in with fragrant flowers (veni or gajra). She wears one or more leather anklets (ghungroos).
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An anklet on female feet. A toe ring with attached anklet. An anklet, also called ankle chain, ankle bracelet or ankle string, is an ornament worn around the ankle. Barefoot anklets and toe rings historically have been worn for at least over 8000 years by girls and women in South Asia, where it is commonly known as pattilu, payal and sometimes as nupur.
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In general, however, Somali women cover up with Hijab when outside their home or in the presence of men outside of the immediate family (cousins, uncles, friends). Additionally, Somali women have a long tradition of wearing gold and silver jewelry, particularly bangles. During weddings, the bride is frequently adorned in gold. Many Somali women by tradition also wear gold necklaces and anklets.
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Some old poems refer to Elisedd and assert he had a "special crown, a chain of twisted gold links, and armlets and anklets of gold which were the badges of sovereignty of Powys".Pre Welsh History These artifacts have disappeared from history but perhaps resurfaced briefly during the coronation of Owain Glyndŵr in 1400. Elisedd was succeeded by his son Brochfael ap Elisedd.
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In Payyavoor village there was a Brahmin family known as Ayyankara. The lady of the Ayyankara royal family went for her usual bath in the nearby Payyvur river. As she was bathing, she heard a ringing sound, similar to the sound made by anklets. To her surprise she spotted a baby floating in a basket of flowers in the river water.
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They are usually worn with barefoot sandals, anklets, bare feet or flip flops. Like finger rings, toe rings come in many shapes and forms, from intricately designed flowers embedded with jewels to simple bands. Fitted toe rings are rings that are of one size, whereas adjustable toe rings have a gap at the bottom so they can be easily made to fit snugly.
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Macramé's popularity faded, but resurged in the 1970s for making wall hangings, clothing accessories, small jean shorts, bedspreads, tablecloths, draperies, plant hangers and other furnishings. Macramé jewelry became popular in America. Using mainly square knots and granny knots, this jewelry often features handmade glass beads and natural elements such as bone and shell. Necklaces, anklets and bracelets have become popular forms of macramé jewelry.
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Proceedings of the Society of Antiquaries of Scotland, retrieved 21 Aug 2011."Anklets of Bronze" National Museums Scotland, retrieved 29 April 2008. There are also a number of smaller items of metalwork from the late Bronze Age found at the Sculptor's Cave, Covesea in Morayshire."Site Record for Sculptor's Cave Covesea", Historic Commission on the Ancient and Historic Monuments of Scotland, retrieved 4 March 2014.
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He bears Lakshmi Devi on his right chest and Padmavathi Devi on his left chest. His feet are covered with gold frames and decked with gold anklets. A curved gold belt encompasses his legs. The Ananda Nilaya Divya Vimana was covered with gilt copper plates and surmounted with a golden vase in the 13th century, during the reign of the Vijayanagara king Yadava Raya.
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Drums like the duggi, a small hand- held earthen drum, and dhol and khol; small cymbals called khartal and manjira, and the bamboo flute are also used. Ghungur and nupur are anklets with bells that ring while the person wearing them dances. A Baul family played on stage in London for The Rolling Stones' Hyde Park concerts in 1971, '72 and '78 in front of thousands.
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Wahshi then slit open his stomach and brought his liver to Hind bint Utbah, whose father Hamza had killed at Badr (see above). Hind chewed Hamza's liver then spat it out. "Then she went and mutilated Hamza and made anklets, necklaces and pendants from his body, and brought them and his liver to Mecca". Hamza was buried in the same grave (, ') as his nephew Abdullah ibn Jahsh.
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Chandrakumar is attacked by his company's labourers because he had suspended their union leader. Divya brings him to a nearby hospital, where he survives after receiving treatment. After he is discharged from the hospital, Divya takes care of him and realises that she has fallen in love with him. She tries to show it by wearing the anklets which are Chandrakumar's wedding gift to her.
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Samburu chief Men wear a cloth which is often pink or black and is wrapped around their waist in a manner similar to a Scottish kilt. They adorn themselves with necklaces, bracelets and anklets, like other sub tribes of the Maasai community. Members of the moran age grade (i.e. "warriors") typically wear their hair in long braids, which they shave off when they become elders.
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Khenmet was buried in a set of three containers. There was an outer, undecorated sarcophagus, next, a wooden coffin, decorated on the outside with gold foil and on the inside with hieroglyphic texts. Finally there was an inner anthropoid coffin, that was found only badly preserved. The body of Khenmet was adorned with an array of jewellery including a broad collar, armlets, and anklets.
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Children wore no clothing until 6 years old. Once they turned six years old they were allowed to wear clothing to protect them from the dry heat. A popular hairstyle among the children was the side-lock, an unshaved length of hair on the right side of the head. Even though children usually wore no clothing, they wore jewelry such as anklets, bracelets, collars, and hair accessories.
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If they are fair, the better. Putting oil on her exposed skin parts so that they shine enhances her beauty even more in the Tongan mind. Around her middle she wears a belt (kafa) also usually made from leaves and fragrant flowers. Wristlets and anklets (vesa) may be worn, ranging from simple bands of cloth or ngatu to elaborate belts of leaves and flowers again.
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On the day of her dance, Sachin, her father, brings anklets, expecting she will do a Kathak dance. When Radhika sees Sachin while dancing, she freezes on stage and therefore gets eliminated. Tara, Bedane, and Aiji stay as Tara auditions for the wild card entry. Tara wins the wild card entry while Radhika has a feud with her family and leaves for Mumbai for a heroine entry.
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Kovalan feels Madhavi is unfaithful to him, leaves her, returns to Kannaki. Kovalan is poor, they move to Madurai, and try to restart their life. Kannaki gives him one from her pair of jeweled anklets to sell and raise capital. Kovalan sells it to a merchant who grows suspicious of the stranger and falsely accuses of theft of the queen' jeweled anklet which is also missing.
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The south garbha griya is 8'x8' feet square, but includes niches into the wall for more space. The image of Krishna in the sanctum is 4.5 feet high. He wears ear rings, necklaces, armlets, bracelets, finger rings, toe rings, anklets, girdle and jewelled diadem. His legs are crossed, head slightly bent as he plays the bansuri (flute) he holds with both his hands.
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In the meantime, Kovalan catches Madhavi red-handed sleeping with another man. Realising his mistake he returns to Kannaki, who welcomed him with happy tears and open arms, eventually forgiving him. Kovalan, who was now penniless, decided to start his business from scratch. He requested Kannaki for one of her anklets so that they could sell it and have some capital to start a business to which Kannaki readily heeded.
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While skimming the coast of Cuba from bay to bay, the ships were visited by many native vessels of life- boat and galley styles. The natives invited them to visit their villages ashore. He found the natives comely and friendly. They were under a pyramidal tribal structure, were polygamous, wore no clothes, painted their bodies, and wore jewelry: rings, bracelets, anklets, necklaces, some of which were made of gold.
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Bronze anklets are visible as early as the Bronze Age in temperate Europe, in an area roughly along the Danube, in the Alpine foreland, up the Rhine to the Atlantic, and also down the Rhône (Sherratt, 2001). These were found among hoards in these areas, along with other bronze items characteristic of this time (c. 1800 BCE onwards), and are attributable to the Tumulus culture that spread across this region.
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They are of extremely fine fabric and are uniformly baked. They have light darkish red colour, though some of them do have a red-slip on them. They have an elaborate headdress, beaded bands on the head, studs or discs shaped earrings in their ears and with elaborate flat necklaces. Apart from these, they are heavily decorated with bangles anklets armlets and broad bejewelled girdles on the waist.
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Again, they might wear bulky malo made of many yards of tapa. They also wore necklaces, bracelets, anklets, and lei. The materials for the lei worn in performance were gathered in the forest, after prayers to Laka and the forest gods had been chanted. The lei and tapa worn for sacred hula were considered imbued with the sacredness of the dance, and were not to be worn after the performance.
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All three or only the kathakadu wear anklets (also called as gajjelu), which add even more music when they dance. The right side performer (hasyaka, meaning joker) acts as a joker and cracks satires and jokes. The left side performer (rajakiya, meaning politician) acts as someone who knows worldly ways and talks about politics and social issues. The main performer and co-performers constantly was address each other.
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She forgives him and tells him the pain his unfaithfulness gave her. Then she encourages her husband to rebuild their life together and gives him one of her jeweled anklets to sell to raise starting capital. Kovalan sells it to a merchant, but the merchant falsely frames him as having stolen the anklet from the queen. The king arrests Kovalan and then executes him, without the due checks and processes of justice.
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The child is offered with gifts, money by close relatives, and gold and silver ornaments by grandparents. These ornaments include heavy silver anklets (kalli) carved with dragon at both the ends to keep the bad omens away from baby. These ornaments can be handed on as heirlooms. In some Newari communities, it is also common for sons to have upper lobe of the right ear pierced with gold ornaments with different beads.
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Suddenly he could hear the anklets of the Goddess Meenakshi and when he opened his eyes slightly, he got a magnificent glimpse of the divine feet. The Goddess then raised the swamy to his feet and as her hands touched him, his skin turned golden. She told him that six earlier attempts to establish the temple had failed. Chidambaraswamy reached Thiruporur to find that it was a dense forest full of palm trees.
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Thereafter she removed her anklets and gave them to the old woman's two daughters. Then they took her aboard the ship, but they did not allow her to enter the tent where the dead chieftain lay. The girl received several vessels of intoxicating drinks and she sang, before the old woman urged her to enter the tent. "I saw that the girl did not know what she was doing", notes Ibn Fadlān.
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The Ifa oracle suggested they try the same ritual that had worked for their mother. No sooner than Efe and Gelede performed these rituals - dancing with wooden images on their heads and metal anklets on their feet - they started having children. These rituals developed into the Gelede masked dance and was perpetuated by the descendants of Efe and Gelede. This narrative is one of many stories that explains the origin of Gelede.
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Sumptuary regulations regarding dress and ornamentation were carefully observed. Designs with the peacock insignia were strictly reserved for the royal family and long-tailed hip-length jackets () and surcoats were reserved for officials. Velvet sandals () were worn exclusively by royals. Gold anklets were worn only by the royal children. Silk cloth, brocaded with gold and silver flowers and animal figures were only permitted to be worn by members of the royal family and ministers’ wives.
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Kannagi got infuriated when she heard the news and rushed to the King with the second pair of anklet. She broke one of the anklets and it contained rubies while the Queen's contained pearls. She cursed the city of Madurai, and it is said that due to her chastity, the curse came true and Madurai burned. Kannagi is said to have attained salvation after the Goddess of the city appeared before her.
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In fact Yakshagana is one art that provides a huge canvas for the characters to come to life. Probably no other art form offers that scope. As a result, the growth of the artiste means the growth of the character and hence the growth of the art itself. Wearing anklets on his feet and having dedicated more than six decades of his life to Yakshagana,Chittani was an artist of very high calibre.
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In his infatuation, he left his wife Kannagi and gradually spent all his wealth on the dancer. At last, penniless, Kovalan realised his mistake, and returned to Kannagi after a year. Their only asset was a precious pair of anklets (Tamil: Silambu), filled with gems, which she gave to him willingly. With these as their capital they went to the great city of Madurai, where Kovalan hoped to recoup his fortunes by trade.
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At the Kanyakumari beach, Geetha (Shriya Saran) looks at a lonely lying personal diary where she enjoys a poem written in it. She admires the poem by relying on the same page. While she and her friend admire the beauty of sunrise, she accidentally loses one of her anklets (it falls in the sea). She sees a person jumping in after it and she perceives him to have died in the waters.
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Though Bagobos have the most stunning costumes among the Davao ethnic groups, they wear them only on special occasions. Like the Mandayas and Mansakas, they shave their eyebrows to a thin line and file and blacken their teeth. Bagobo smiths cast little bells which are attached to pouches, bracelets, jackets, anklets and inlaid metal boxes. Tagacaolos number about 23,000 and occupy the area between the western shores of the gulf and the slopes of Mount Apo.
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Techniques for making and using beads have been in place long before that with beads made from bone, clay, stone, coral, turquoise, pyrite, jade and seeds. Huichol art was first documented in the very late 19th century by Carl Lumholtz. This includes the making of beaded earrings, necklaces, anklets and more. What mostly links the yarn paintings and beaded objects made today is the continuance of the traditional patterns used for centuries to represent and communicate with the gods.
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When Kannagi was informed of this, she became furious, and set out to prove her husband's innocence to the king. Kannagi came to the king's court, broke open the anklet seized from Kovalan and showed that it contained rubies, as opposed to the queen's anklets which contained pearls. Realizing the fault, the king committed suicide in shame, after having delivered such a huge miscarriage of justice. Kannagi uttered a curse that the entire city of Madurai be burnt.
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The Prowler's various iterations have no superhuman powers, although Hobie Brown is naturally inventive, especially in the field of pneumatics despite no formal education in that science. Each one relies on a suite of technical gimmicks. Prowler wears modified coveralls interwoven with denim and stretch fabric, equipped with gas cartridge bracelets and anklets capable of propelling projectiles at high velocity. Their arsenal of projectiles include steel darts ("flechettes"), gas pellets, small explosives, magnesium flares and cleaning fluid.
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Male and female Bulul statues are often found together, with sex-related symbols such as the mortar for the female and pestle for the male. Male bulul may sometimes be depicted with loincloth, and females with tapis (wrap skirts), earrings and anklets. Although the form varies, the bulul is commonly represented as seated on the ground, with arms crossed over his upraised knees. The bulul has a simplified form, and is traditionally carved from narra or ipil wood.
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As Mr.Manimaran explains "Performing at funerals would mean that we cannot wear uniforms/anklets nor can we express ourselves. Moreover, the women performers are not allowed in cremation grounds. It is also unfair to negotiate wages during that time" It is to be noted that artistes in Buddhar Kalaikuzhu do not touch the Parai with alcohol in their blood. So far, Buddhar Kalaikuzhu has performed across India in Tamil Nadu, Karnataka, Andhra Pradesh, Bihar and West Bengal.
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During the second period, tombs have been documented where the corpses (not preserved) lied down surrounded by pots, probably containing food and alcoholic beverages. The deceased were interred with their adornments (collars, bracelets and anklets) and a few personal possessions (knives and adzes). When Portuguese sailors arrived in the Mino Estuary in 1471, they noted that the islands in the area were mainly unpopulated. They named Corisco after 'lightning', due to the gales they experienced around the island.
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Dancers in Naiyandi costume perform during the initial preparations of the Kohomba Kankariya festival, during the lighting of the lamps and the preparation of foods for the demons. The dancer wears a white cloth and white turban, beadwork decorations on his chest, a waistband, rows of beads around his neck, silver chains, brass shoulder plates, anklets, and jingles. This is a graceful dance, also performed in Maha Visnu (Vishnu) and Kataragama Devales temples on ceremonial occasions.
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The ethnological gallery exposing the culture and manner of life of Chitral valley. The gallery include embroidery, jewelry, weapons, ceramics, musical instruments, hunting tools, furniture and household objects. The embroidery includes shirts from Kohistan regions, Swat and Nooristan, female purse, waist coats, caps, table mats, pillow covers etc. The jewelry displayed in the gallery represents the cultural trends containing copper and silver bangles, pendants, ear rings, finger rings, necklaces, bracelets, amulets, ornaments, head ornaments, torques, anklets and shoulder.
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Preparations of the artist Headgear and painted faces are the main attractions of kalenja's eco-friendly costume which is made of leaves and flowers. The person who masquerades as Kalenja makes the headgear using stems of Ixora coccinea (kepula in Tulu language). They adorn themselves with costumes made of tender palms of the coconut tree, anklets, colourful clothes and a long cap made up of Areca spate etc. The headgear, also called the mudi, is then decorated with flowers.
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The farima, like all farari, reported directly to the mansa who went out of his way to lavish awards on him in the form of special trousers (the wider the seat, the higher the merit) and gold anklets. A farima was part of Mali's warrior aristocracy. He was always present at court, though not necessarily a ton-tigi. He "owned" land and held jonow, which accompanied him to war in much the same fashion as they had his predecessors.
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They blew their elephant tusks (oke) they salute the others with their nza (horse tail). At this stage the friends, family members and well wishers appreciate them by spraying money. It is at this point that the celebrant is permitted to put on the red cap and ege appended with eagle feathers. The Ogbuevi wears beads, ona worn on his legs and a rope worn on the anklets to show that he is now a titled man.
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Hemp and bead jewelry Hemp jewelry uses hemp twine material which is made from the Cannabis sativa plant, otherwise known as “Common Hemp”, which is cultivated to make goods such as food, fuel, clothing and textiles, cosmetics, paints, paper, building materials, and plastics, among others. Some types of hemp jewelry include bracelets, necklaces, anklets, rings, watches, masks, purses, and other adornments. The jewelry can also make use of other materials, such as glass, wood, bones, rocks, or gems.
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M. MacDonald, Scottish Art (London: Thames and Hudson, 2000), , p. 13. The Migdale Hoard is an early Bronze Age find at Skibo Castle that includes two bronze axes; several pairs of armlets and anklets, a necklace of forty bronze beads, ear pendants and bosses of bronze and jet buttons.J. Anderson,(1901) "Notice of a hoard of bronze implements, and ornaments, and buttons of jet found at Migdale, on the estate of Skibo, Sutherland, exhibited to the society by Mr. Andrew Carnegie of Skibo".
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This crossing of gender boundaries has been interpreted variously. At the very least, the wearing of a toga would have served to set the meretrix apart from respectable women, and suggest her sexual availability; Bright colors "Colores meretricii" and jewelled anklets also marked them out from respectable women. In Pompeii, there have been artifacts found that may suggest some sexually enslaved peoples may have worn jewelry gifted to them by their masters. Expensive courtesans wore gaudy garments of see-through silk.
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Bhairava (Sanskrit: , "Terrible" or "Frightful",For as one of the eight forms of Shiva, and translation of the adjectival form as "terrible" or "frightful" see: Apte, p. 727, left column.), sometimes known as Bhairo or Bhairon or Bhairadya or Bheruji (In Rajasthan), is the fierce manifestation of Shiva associated with annihilation.For Bhairava form as associated with terror see: Kramrisch, p. 471. He is depicted ornamented with a range of twisted serpents, which serve as earrings, bracelets, anklets, and sacred thread (yajnopavita).
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The jewelry worn in Odissi, one of the classical dances of India originating from Odisha, are made from Tarakasi work. These ornaments adorn the head, ear, neck, hands, fingers and waist of the dancer. The ornaments include a choker, ‘padaka-tilaka’ (a long necklace), ‘bahichudi’ or ‘tayila’ (armlets), ‘kankana’ (bracelets), a 'mekhalaa' (belt), anklets, bells, ’kapa’ (earrings) and a ‘seenthi’ (ornament work on the hair and forehead). These ornaments are embellished with natural un-cut stones lined with silver and gold.
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A typical ese Ifa is a narrative about a person or animal with a problem and the steps to resolve that problem. An ese Ifa explains the origins of Gelede as beginning with Yemoja, "The Mother of all the orisa and all living things." Yemoja could not have children and consulted an Ifa oracle, who advised her to offer sacrifices and to dance with wooden images on her head and metal anklets on her feet. After performing this ritual, she became pregnant.
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No sooner than Efe and Gelede performed these rituals – dancing with wooden images on their heads and metal anklets on their feet – they started having children. These rituals developed into the Gelede masked dance and were perpetuated by the descendants of Efe and Gelede. This narrative is one of many stories that explains the origin of Gelede. An old theory stated that the beginning of Gelede might be associated with the change from a matriarchal to a patriarchal society among the Yoruba people.
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At that moment, seeks him to endorse his duty when his aura is freed from the body which successfully finishes the verses. Being aware of it, Tulasi Murthy tries to steal the verses when he loses his eyesight as divine retribution and bows his head down. At last, Lord directs Kshetrayya to reach his native place Muvva as it is the time of his salvation. Finally, the movie ends Kshetrayya transforming into bell which conjoins with Lord Siva anklets at Kailasam.
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She is dressed in a simple long dress and has a long tripartite wig. She wears bracelets, anklets, and a necklace. Kaemnefret is shown at a smaller scale before the queen and is holding a censer in his hands. In a register below this scene four ka-servants are depicted: Ptahsheri carries a ewer and a basin, Ihy carries a live goose, followed by Iynefer who is holding a duck in each hand, and then Ptahwer who carries another live goose.
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Yes, > the Sheikh Khaz'al has a universal humanitarian taste, for he does not > alienate that which is ugly or vilified in life, and he knows no preference > or discrimination in his generosity. A singer visits from Aleppo or Damascus > to Mohammerah with nothing but her anklets. After residing a few months at > the palace, she returns rich and laden with jewels. And the poets come with > poems of praise in their pockets, and return from Mohammerah with bags of > gold.
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It is more of a sport than a dance for young girls. Two girls stands face to face close to each other and hold their hands crossing arms with their bodies inclined back; in this position their arms are stretched to the maximum and hands interlock firmly. Then they wheel round fast continuously with their dupattas floating in the air and anklets making tinkling sound. The other ladies encourages them to go faster and faster by singing songs with clapping.
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Mardin area and especially Midyat ilçe (district) is known for silver works In the ethnography hall, necklaces, earrings, bracelets, anklets, diadems, hair jewelry and copper and silver ornaments are exhibited. There are also clothes, swords, prayer beads, and coffee sets (locally known as mırra). In the archaeological halls, tools from old Bronze Age, Assyrian, Urartu, Hellenistic, Achaemenid Empire, Roman Empire, Byzantine Empire, Seljuks, Artukids and the Ottoman Empire are exhibited. These are stamps, figurines, jewelry, ceramics, coins, tear bottles, candles etc.
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The White Knight saves Alice from his opponent (the Red Knight). He repeatedly falls off his horse and lands on his head, and tells Alice of his inventions, which consists of things such as a pudding with ingredients like blotting paper, an upside down container, and anklets to guard his horse against shark bites. He recites a poem of his own composition, 'A-Sitting on a Gate', (but the song's name is called 'Haddocks' Eyes') and he and Alice depart.
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Agni gave his Shastayudha, Yama the Kaladanda, Indra his Vajrayudha & Airavatha, Jaldipathi hands his pasha, Brahmma the lotus flower, Ksheerasagara gives a white garland, white dress, Chudamani, ear rings, the crescent moon necklace and anklets. The Sea God offered a garland of lotus flowers and the Himalayas transformed into a lion (Vahana) to SRI DEVI. This phenomenon was witnessed by a sage called Katyayana. He was a worshipper of SRI DEVI and cherished the desire of her being born as his daughter.
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There is a castlelike building complex at the “Dr. Geier” ore and manganese pit, built between 1917 and 1919, as well as a miners’ village. The municipality is known for its vineyards, and as the site of a late 4th-century BC chariot burial that defines a stage in the La Tène culture that is generally known as "Waldalgesheim style". The lack of weapons recovered from the tomb and the fine gold torc, bracelets and anklets, have led archaeologists to infer that the deceased was a woman.
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In this version, Aravan is granted boons of watching the battle for a "few days" and of dying gloriously after killing many enemies, though Villiputuralvar does not actually specify whether Aravan's head survives to see the complete battle after his bodily death on the eighth day.Hiltebeitel (1995) p. 453 alt=A black stone sculpture of a young topless, standing woman, wearing a conical crown with a halo and various ornaments around her waist, necklaces, bangles, bracelets, earrings, anklets as well as the sacred thread.
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Bichhuwas (toe-rings of silver) are worn by married women whose husband are alive. Keels (small studs) worn on the left nostril, nose ring (Naths) and ear rings made of gold and hansulis (ornament worn round the neck), chandanhar (necklaces) and necklaces consisting of coloured beads or rupees or of the teeth and claws of the Panther are generally worn by women and girls. Silver amulets set with turquoise are also worn round the neck and arms. Married women wear anklets made of copper or silver.
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Within time rice writing and rice art evolved, soon creating rice jewelry where the rice grain was enclosed in a vial with a liquid/oil that magnifies the individual grain making it easier to appreciate the painstaking and intricate details. This went further with rice jewelry like good luck pendants, charm bracelets, anklets and earrings. In modern times most of these artisans and artists set up shop with street side stalls where they can personally write your message or name on a rice grain while displaying their wares and hard work.
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These include ceramic bowls; shell beads; jadeite anklets, bracelets and beads; pearls; pyrite and hematite artifacts; and, the most outstanding of all, a carved jade head of the Sun God, Kinich Ahau. The head has a height of 14.9 cm, a circumference of 45.9 cm and a weight of 4.42 kg. It was placed at the pelvis of the body, with the face of the jade boulder facing the skull. The Sun God's Tomb marks the starting point for tomb construction in Structure B-4 during the Late Classic period.
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Guru Gopinath was one such artist who could show the nuances of the nine emotions in Kathakali and he could show different emotions on each half of his face at the same time. He died on stage, as he wished, with makeup, attire and anklets while enacting the role of King Dasharatha in his famous ballet Ramayana on 9 October 1987 at Fine Arts Hall Eranakulam. The Kerala government has established a dance village named 'Guru Gopinath Natanagramam in Trivandrum. The Natanagramam has a 3-storey dance museum dedicated to him.
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Joseph claimed that the black community were likely unaware of the statues existence at the front of the hotel, suggesting that members of the black community can not afford to go to hotels. It has since been suggested that the theory of these being depictions of slaves is incorrect as the manacles or anklets the statues are adorned in were likely jewellery and represented African royalty. She has also commented on the international movement to remove statues which commemorate those who engaged in or profited from the slave trade.
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In order to symbolise Rajeshwari back as a married woman, other gods and goddesses donate materials like sindoor, mangalsutra, red saari, anklets, rings, etc., which would symbolise Rajeshwari back as a married woman. Finally, the sacrifice is accepted, and the arrest breaks off. With Akkamma's blessings and parabrahma, a divine energy is formed inside the fire, and Rajeshwari transforms into a divine Narasimhi (female form/consort of Lord Narasimha) She kills Karkotakudu with her mega divine superpowers, and everything finally becomes back to normal, with Rajeshwari returning back to normal human form.
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He tells Divya to either sign the divorce papers he has just obtained, or accept the anklets he bought as his wedding gift to her; Divya chooses divorce. They consult a lawyer who tells them that according to the law, since they are newly married they must wait one year to file for divorce. The couple are forced to live together for a year. Having told Chandrakumar about her past and the reason why she was unable to accept her marriage, Divya finds herself finally free from her mental baggage and depressed state.
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Well-to-do men wore the Petha or Kulavi, a tall turban made of silk and decorated with gold. As in most Indian societies, jewellery was used by men and women and records describe the use of anklets, bracelets, finger-rings, necklaces and ear rings of various types. During celebrations men and women adorned themselves with flower garlands and used perfumes made of rose water, civet musk, musk or sandalwood. In stark contrast to the commoners whose lives were modest, that of the king and the queens were full of ceremonial pomp.
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Shiva was enraged against the giants who harassed the people of the earth and sent forth six sparks of fire from his eyes. His wife, Parvati, was frightened, and retired to her chamber and in so doing, dropped nine beads from her anklets. Siva converted the beads into as many females, to each of whom was born a hero. These nine heroes (Navaveerargal), namely Virabahu, Virakesari, Viramahendrar, Viramaheshwar, Virapurandharar, Viraraakkathar, Viramaarthandar, Viraraanthakar and Veerathirar with Subrahmanya at their head, marched in command of a large force, and destroyed the demons.
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The weaponry on display include Sinhala swords of the late medieval era including a sword alleged to have belonged to Ehelepola, and a collection of old guns including a Vickers machine gun used during the First World War. The cooking utensils of the region include a tripod pan with three moulds for preparing rice flour cakes known as kiri roti. Traditional Kandyan jewellery includes necklaces, bangles, anklets and earrings. The grounds of the museum contain a palaeobiodiversity park, with life-sized animal sculptures of species believed to have existed in the region.
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Umapati Kumar was one of the most skillful players of his generation and was well known for his passing range. He is often considered to be the first Indian footballer to have perfected the art of through passes.History of Indian Football - Nirmal Nath, Page 115 He was an intelligent, elegant footballer who was supremely fit. Despite playing without boots, kneecaps or anklets for most of his career Umapati Kumar never suffered from a long term injury. Amrita Bazar Patrika once remarked that Kumar’s skills and crafts were “as smooth as muslin”.
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An Ese Ifa (oral literature of Orunmila divination) explains the origins of Gelede as beginning with Yemoja, the Mother of all the orisa and all living things. Yemoja could not have children and consulted an Ifa oracle, and the priest advised her to offer sacrifices and to dance with wooden images on her head and metal anklets on her feet. After performing this ritual, she became pregnant. Her first child was a boy, nicknamed "Efe" (the humorist/joker); the Efe mask emphasizes song and jests because of the personality of its namesake.
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By 1945 the company had expanded its line to include baseball hosiery, anklets, hockey caps, mittens, and socks for all types of activities. The company prospered for the next 65 years knitting socks, headwear, and other knit products. On January 1, 1957, the company changed its name from Hand-Knit Hosiery to Wigwam Mills, based on the popularity of the brand. The company continued under the leadership of Robert Chesebro, Sr., and eventually the third generation of ownership, Robert Chesebro, Jr. The 1980s saw growth in many areas for Wigwam.
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Upon arrival, impressed by the grandeur of Madurai city, Kovalan set out to sell one of Kannagi's anklets (Tamil: Silambu), the only left-over asset they owned, with which he intended to start a business. Kovalan entrusted the anklet to be sold to the Palace's Chief jeweller, who promises to fetch him good money from the king. The king, who is tricked by the Chief Jeweller, orders to behead Kovalan without a trial, on account of stealing the Queen's anklet. Thereby, Kovalan dies in the city of Madurai.
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Boda Dimsa is a worship dance in honour of village goddess. Men on the right and women on the left form two rows and hold one another firmly in their hands the backs. The first man in the right row with a bunch of peacock feathers in hand in rhythmical steps takes the lead while the last person in the left row joins him. Then all dancers to the sounds of anklets move zigzag in a serpent dance in a circle crying "Hari" and "Hui" return to the rows.
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The normal dress of the dancers is as formal as the dance. Often an either white or black tupenu with shirt and a taovala loukeha, although this all may be largely covered by a sisi an ornamental girdle of leaves and fragrant flowers and/or a manafau a grassskirt, but in reality made of hibiscus fibers. In addition likewise made anklets, wristlets and neck garlands are worn too. The dancers from the village of Kanokupolu, however, always perform in their traditional folaosi, an about 2 meter piece of ngatu.
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Dancers in Naiyandi costume perform during the initial preparations of the Kohomba Kankariya festival, during the lighting of the lamps and the preparation of foods for the demons. The dancer wears a white cloth and white turban, beadwork decorations on his chest, a waistband, rows of beads around his neck, silver chains, brass shoulder plates, anklets, and jingles; same as the costume of the Ves dancer except for the head-dress. This is a graceful dance, also performed in Maha Visnu (Vishnu) and Kataragama Devales temples on ceremonial occasions.
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These new Boots are made up of Lenalee's blood and repair themselves as long as she has blood in her body. When the Dark Boots are in their dormant state, they form two blood-red anklets. With these powers, she saves Allen from the Level 4 Akuma whom they manage to exorcise thanks to Cross. After the Black Order is rebuilt, Lenalee and her friends learn Allen is the vessel of the 14th Noah; eventually the Noah will control his body forcing the other exorcists to kill him if he becomes a Noah.
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The Migdale Hoard is an early Bronze Age find at Skibo Castle that includes two bronze axes; several pairs of armlets and anklets, a necklace of forty bronze beads, ear pendants and bosses of bronze and jet buttons.J. Anderson, "Notice of a hoard of bronze implements, and ornaments, and buttons of jet found at Migdale, on the estate of Skibo, Sutherland, exhibited to the society by Mr. Andrew Carnegie of Skibo", Proceedings of the Society of Antiquaries of Scotland, 11 (1901), pp. 266–75, retrieved 21 Aug 2011.
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Madurai was ruled by Pandya king Nedunj Cheliyan I. When Kovalan tried to sell the anklet, it was mistaken for a stolen anklet of the queen. Kovalan was accused of having stolen the anklet and was immediately beheaded by the king without trial. When Kannagi was informed of this, she became furious, and set out to prove her husband's innocence to the king. Kannagi came to the king's court, broke open the anklet seized from Kovalan and showed that it contained rubies, as opposed to the queen's anklets which contained pearls.
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All elderly men and women would wear a ǃgūb, which is a skirt-like loin-cloth or traditional skirt for men and women. Elderly women would also wear a ǁkhaikhōb and sometimes a khōǃkhaib (headgear fashioned of soft hide). Women being more aware of beautification would wear ǃgamdi (small traditional earrings made from iron and or copper) and wear necklaces made of ostrich egg shells known as a ǁnûib in Khoekhoegowab. Women wore ǃganudi (arm bangles) and ǃgoroǃkhuidi (ornamental anklets) they also originally made from iron and or copper later replaced by beads and or ostrich egg shells.
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A Power Balance branded hologram bracelet Hologram bracelets include a small hologram which manufacturers say is "programmed" through an undisclosed process. Power Balance, who have manufactured the bracelets since 2007, say that the programming "mimics Eastern philosophies". The holograms are most usually installed in bracelets and wristbands but are also sold as pendants or necklaces, anklets, shoe inserts, pet tags, or separately for users to apply to the back of a watch, for example. Manufacturers including Power Balance and EFX Performance make no claims on their websites for their products, but carry testimonials from users who say that they improve athletic performance.
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Giganta appears in Challenge of the Super Friends voiced by Ruth Forman. She appears as a powerful member of the Legion of Doom. In the TV series, she has the ability to grow to giant size (with accompanying superhuman strength) simply by willing it (at the time, she did not yet possess this ability in the comics). She typically dresses in a leopard skin two-piece loincloth (presumably treating them so that they grow with her when she uses her powers to achieve her gigantic stature), wears large, bangle-like bracelets and anklets, and she is always barefoot (like her original appearances).
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A bride wears a Lahanga, Odhani, Kurti or Poshak. The ornaments worn by a Rajput Bride are the Rakhdi on her forehead, the Sheesphul as headgear, the aad as a thick neck hanging, the Baju above her elbow (on arms), the "poonchis" and "bangdis" as thick golden bangles in arms, "hathfools" on hands and the Pajeb as anklets. The wedding dress and the "aad" is gifted by the groom's side to the bride. The barat at the time of "samela" presents them in the "padla" ( a collection of many lahanga, jewelry items, accessories, make-up kits, shoes etc.) for the bride.
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The message that Rokuro left behind also reveals the driving force behind the Fourze System are the bonds of friendship, making Gentaro the only one who can bring out the technology's full potential. When Gentaro places the belt on with four Astroswitches placed in while flipping , he pushes the on the side of the belt, transforming into Fourze in his default . After transforming into Kamen Rider Fourze, Gentaro shouts and says before battle. While this form usually uses Rocket, Launcher, Drill, and Radar Switches, he can switch each with other Astroswitches in different combinations via the Modules on his armlets and anklets.
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After arriving at the Queen Mother's royal residence, the women disperse the following night to surrounding areas and cut tall reeds. The following night, they bundle the reeds together and bring them back to the Queen Mother to be used in repairing holes in the reed windscreen surrounding the royal village. After a day of rest and washing, the women prepare their traditional costumes consisting of a bead necklace, rattling anklets made from cocoons, a sash, and skirt. Many of them carry the bush knives, which they had earlier used to cut the reeds, as symbols of their virginity.
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The complete costume also includes anklets that produce a metallic rattle each The headgear in the ves costume can only be worn by the males and can only be worn after a special ceremony called ves mangalaya in which the male dancer first wears the ves costume and dances. Legend says that if a female wears the headgear she will have a lot of bad luck or be ill. This even applies to males who have not performed at the ves mangalaya. Males only perform at the ves mangalaya but females have a separate ceremony called Kala Eli mangalya.
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Pigs, cattle and sheep are frequently earmarked with pliers that notch registered owner and/or age marks into the ear. Mares on large horse breeding farms have a plastic tag attached to a neck strap for identification; which preserves their ears free of notches. Dairy cows are sometimes identified with ratchet fastened plastic anklets fitted on the pastern for ready inspection during milking; however NLIS requirements apply to cattle - including both dairy and beef animals. More commonly coloured electrical tape is used as short term ankle identifiers for dairy animals to identify when one teat should not be milked for any reason.
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Abby has a gothic style of dress, including black dresses and T-shirts, miniskirts, and goth jewelry, including anklets and toe rings. She wears pigtailed dyed hair (due to Perrette's hair being dyed as she is a natural blonde) and has at least nine tattoos on her neck, arms, back, ankle, and other places. Her neck choker appears to be one of her favorite pieces of jewelry. While some of the tattoos are Perrette's and real, others are makeup, such as the large cross on her back applied on occasions when Perrette shows her bare back on camera.
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Snake ornaments adorn his body, and bronze images often depict multiple necklaces, a waist-band, armlets, elbow bands, bracelets, anklets, and rings on all his toes and fingers. A snake is also tied around his waist and a white yagnopavita (sacred thread) is worn across the chest. Bhikshatana is often pictured with four arms in South Indian iconography. The front right arm is stretched out downwards and the hand holds a bit of grass or another plant in the kataka gesture, near the mouth of his pet deer or antelope, who leaps playfully by his side.
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The original all-natural puka shells were very easily made into necklaces, bracelets and anklets because they were naturally pierced, which enabled them to be strung like beads. Puka shell jewellery first became a popular item in Hawaii during the 1960s, as an attractive and inexpensive lei which could be made and sold on the beach where it was made. In the 1970s, this type of shell jewelry became highly sought after, and prices skyrocketed. The craftsmanship also became more refined and the lei pūpū puka, puka shell leis were strung in graduated or matching styles, rather than the original random patterns.
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They cut off noses and ears and made them into necklaces and anklets (Hind gave hers to Wahshy). She gouged out Hamza's liver and bit into it; but she was unable to swallow the bite and spat it out. (Ibn ‘Abdu l-Barr states in his book "al-Istī‘āb" that she cooked Hamza's heart before eating it.) Then she climbed a rock and "shrieked at the top of her voice": We have paid you back for Badr and a war that follows a war is always violent. I could not bear the loss of Utbah nor my brother and his uncle and my first-born.
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The 72-line 'Agaval' is a form of blank verse, close to speech. Vinayagar Agaval defines a religious path, part of the Tamil devotional tradition of Bhakti, within the Hindu philosophy of the Shaivite sect. Its application as a spiritual tool begins during concentration on a physical image of Ganesh and continues with the use of the Agaval's description of Hindu spiritual belief and practice, and aspects of the teachings on human life attributed to the deity. meaning is, the Lotus feet of Ganesha having the color of red lotus, and which is besmeared with cool sandal is adorned by anklets, sings various songs.
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Room 33 is one of the most well-excavated areas of Pueblo Bonito and belongs to the earliest construction phase of the site in the 9th century. A concentration of elite burials occurred in room 33, which are differentiated from other burials in Chaco Canyon since most people were buried outside the great houses. The oldest burial was of a man who died violently, and archaeologists believe that room 33 was built as a crypt for him and his descendants. He was buried with thousands of turquoise and shell beads and pendants, which originally formed necklaces, anklets and bracelets, making his the richest burial ever excavated in the Southwest.
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Parvati Baul performing at Bharat Bhavan Bhopal India 2017 Parvathy Baul in concert Thereafter, in 2001, she decided to devote full-time to Baul tradition, and started performing Baul music, also playing ektara and a duggi as accompanying musical instruments, and the tinkling chilambu nupur metallic anklets. She performs mystic songs both from tradition Baul repertoire and her own doha couplets. She uses elements of theatre and cantastoria or sung stories into her performances by acting out the lyrics or at times adding explanatory speeches in English. Inspired by pattachitra, scroll painters and traditional story-tellers of Bengal, she adds visual elements to performance through painted backdrops.
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Among notable rules mentioned in the Malay Annals, were the prohibition of using yellow clothes and wearing golden anklets. Under the order of the fifth Sultan, Muzaffar Shah (1445-1459), the legal digest of Muhammad Shah was further refined with the inclusion new laws and regulations. It was then continued to be expanded and improved until the reign of the last sultan, Mahmud Shah (1488-1511). As a part of important legacy of Melaka, which throughout its existence had exercised strong influence over Maritime Southeast Asia, the legal code of Melaka was copied and spread to other such sultanates as Johor, Perak, Aceh, Brunei and Pattani.
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After the efe dance, most of the attendees spend the morning sleeping in preparation for the afternoon dance, which takes place in the marketplace and features pairs of male dancers who perform to fast- paced music with a vigorous beat. Having to be trained from an early age, the maskers must be able to match up the sound of their anklets with the sound of the drums while having to be able to anticipate drum solos and the other maskers. The Gelede ceremony involves carefully choreographed dance, singing and music, and especially drumming. The performances are given by men, wearing masks that feature sculpted images of scenes including animals and people or sewing machines and drums.
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The film is based on the story of Mahakavi Kshetrayya, an advent devotee of Lord Krishna in the 17th century in the village of Movva in present-day Krishna district, Andhra Pradesh. The film begins, two bells from Lord Siva anklets plunge on earth in which first one forms as a village Muvva and the second takes an avatar as a person Varadhayya (Akkineni Nageswara Rao). Though Varadhayya is born in a respectable scholars family he is uneducated and till his teenage moves as a meander by intoning melody. Varadha loves his maternal uncle Sivaiah's daughter Rukmini (Prabha) On the other side, Bhama (Manjula) a Devadasi allures to Varadha's tunes and showers her love towards him.
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Wellcome Collection. Artifacts associated with the graves include: amulets, anklets, armlets, beads, bone point implements, borers, bowls, bracelets, celts, clips, coils, earrings, earstuds, grindstones, hair clips, hair ornaments, knives, lipstuds, maceheads, needles, nosestuds, pebbles, pendant, pins, quirms, rings, rubbers, scarabs, shells, and statuettes. Some artifacts are certifiably manufactured from outside the southern Gezira plain. Burials 263 and 524 in the East and Northeast sectors respectively, each contained a bronze statuette of the Egyptian god Shu, dating either during the Napatan or Meroitic period. A scarab in a burial in the Northeast Sector of the site, was described by Frank Addison as a steatite scaraboid, “engraved on both the back and the base.
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It is clearly the figure of a king with the umbrella of state and a nimbus round the head and in the ears the long ornaments called kundalas noticed by Arab travellers as characteristic of the Balhara or Ráshṭrakúṭa kings who were contemporary with Vanarája. The king wears a long beard, a short waist-cloth or dhoti, a waistband or kammarband, and a shoulder garment or uparna whose ends hang down the back. Besides the earrings he is adorned with bracelets armlets and anklets and a large ornament hangs across the chest from the left shoulder to the right hip. The right hand is held near the chest in the act of granting protection; and the left hand holds something which cannot be made out.
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The front piece is called the umutsha (pronounced ), and is usually made of springbok or other animal hide twisted into different bands which cover the genitals. The rear piece, called the ibheshu , is made of a single piece of springbok or cattle hide, and its length is usually used as an indicator of age and social position; longer amabheshu (plural of ibheshu) are worn by older men. Married men will usually also wear a headband, called the umqhele , which is usually also made of springbok hide, or leopard hide by men of higher social status, such as chiefs. Zulu men will also wear cow tails as bracelets and anklets called imishokobezi during ceremonies and rituals, such as weddings or dances.
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The story "Sherlock" moves between the rural milieu familiar to MT's readers and the sophisticated world of Indian immigrants in the US, highlighting the contrast between them with subtle irony. MT wrote passionately of the cruelty hidden at the heart of a seemingly idyllic rural life ("Kurukkante Kalyanam" or "The Jackal's Wedding" and "Shilalikhithangal" or "Stone Inscriptions") and of the privations endured by those dependent on the agricultural cycle ("Karkitakom" and "Pallivalum Kalchilambum" or "Sacred Sword and Anklets"). In the story "Vanaprastham", he studies the delicately balanced relationship between a teacher and a student that has miraculously survived the years. M. T. Vasudevan Nair is of the opinion that short story is a genre in which a writer can achieve near perfection.
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A major redesign by John McCurdy was completed in 1867, with the Foundry of Val d'Osne casting the four external caryatid style torchère statues. These were based on two repeated beaux-arts neoclassical models originally sculpted by the prolific French sculptor Mathurin Moreau entitled Égyptienne – the two female Ancient Egyptian figures flanking either side of the front door, and Négresse – the two female ancient Kushite (Nubian) figures flanking either corner of the main building. All four statues are wearing gold coloured anklets, and are draped, with jewellery picked out in gilt while supporting a torch with a frosted glass flambeau shade. All four statues are on a circular base with a further square metal plinth with cartouches to the angles indicating royal descent.
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While Blanka is usually depicted in his mutated form throughout the series, his original human form is briefly shown during a flashback in the episode "The Medium is the Message", in which he dresses exactly like the Street Fighter Alpha version of Charlie, but with a color scheme much closer to Blanka's (a green vest and a brown pair of cargo pants), anklets instead of boots. and a pair of shades instead of eyeglasses. Charlie's hair color and skin tone was also changed to suit the character's different ethnicity in the show. In "Eye of the Beholder", Blanka temporarily regains his human form after being subjected to an experimental serum, only to return to his mutant form by the end of the episode.
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Ray had initially planned to make a film on Bala in 1966, when she was in her prime, however he could not start filming until 1976. Though Bala was often called "a revolutionary Bharatanatyam dancer", she had never been filmed till she was 58 years old, in spite of having a career spanned over four decades. Ray decided to make the film on Bala, "the greatest Bharatanatyam dancer ever" according to him, to document her art for future generations with the "main value as archival". When Ray filmed the then 58-year-old Bala for the documentary, she wore the same pair of anklets which she had worn more than fifty years before for her debut performance, at the age of seven.
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There are daggers, horse saddles, Fantasia rifles, anklets, pendants that women attach to their chests or foreheads all decorated with semi-precious stones and enamels. What distinguishes the city of Tiznit is its dynamic civil society. There are more than 200 associations working in a number of areas, particularly development, education, culture, philanthropy, sport, and music; a fact which makes the city the center of a remarkable cultural radiation in the south of Morocco. Also, Tiznit has a number of public facilities; there are five socio-cultural centers in the city, Mokhtar Soussi Multimedia Library, 10 sport fields for proximity, Almassira Stadium with good grass, Olympic Swimming Pool, Cinema Hall Bahia, road station, Museum of Heritage, Handicraft Complex, 4 rated hotels etc.
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On 20 August 1940, it was further announced that blankets were being issued and that the intention was to provide the Home Guard with greatcoats; As winter approached, there were many complaints from Home Guardsmen who had to patrol or stand sentry without the benefit of a uniform overcoat. Therefore, a large cape made of heavy serge fabric was hastily designed and issued in the interim. There was no prospect of being able to provide sufficient sets of the 1937 Pattern Web Equipment (including belt, ammunition pouches and a haversack) to the Home Guard and so a simplified equipment set made from leather and canvas was produced. Particularly unpopular were the awkward leather "anklets" which were issued in place of the webbing gaiters worn by the army.
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They are noteworthy not only because of the picturesque description of nature that was a regular feature of most of his work but also for the use of metaphors and allegories. For example, a lone owl flying about in the night sky is taken as an omen of death, while the anklets on the feet of a swan symbolises the vivacity of life. The following are undoubtedly the most oft-quoted line from this collection: বাংলার মুখ আমি দেখিয়াছি, তাই আমি পৃথিবীর রূপ খুঁজিতে যাই না আর... Jibanananda successfully integrated Bengali poetry with the slightly older Eurocentric international modernist movement of the early 20th century. In this regard he possibly owes as much to his exotic exposure as to his innate poetic talent.
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An important category of the jewelry in the Daco-Getic environment are bronze bracelets with cord ornaments, whose typology consists of three types held in the Blaj Museum and in Simleul Silvaniei. Such circlets had been discovered at Ardeu, Cuciulata (Brasov), Costesti (Hunedoara), Ocnita (Valcea), Pecica (Arad), Simleul Silvaniei (Sălaj), Tilisca (Sibiu) and in the Orăstie Mountains. These ornaments do not seem to be specific to pre-Roman Dacia, as they were widely spread in contemporary Germany, Poland, Czech, Slovakia, Hungary and Slovenia—all during the La Tène period. Since their diameter is around 10 cm, apart from those found in Simleul Silvaniei and Orăstie which are 6 cm and 7.5 cm, they were probably worn on the arm or as anklets.
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It has been noted that the Iberian gold examples seem to be made at fixed weights that are multiples of the Phoenician shekel.González- Ruibal, "Torcs" With bracelets, torcs are "the most important category of Celtic gold", though armlets and anklets were also worn; in contrast finger- rings were less common among the early Celts.Green, 45, 74−77 The earliest Celtic torcs are mostly found buried with women, for example, the gold torc from the La Tène period chariot burial of a princess, found in the Waldalgesheim chariot burial in Germany, and others found in female graves at Vix in France (illustrated) and Reinheim. Another La Tène example was found as part of a hoard or ritual deposit buried near Erstfeld in Switzerland.
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The temple, built by the Cholas during the 12th century, (though inscriptions evidence the 5th century) is regarded as a sacred Shaivaite temple in that it is one of the 5 majestic cosmic dance halls (pancha sabhai) of Lord Shiva, known as "Ratna Sabai". The other 4 "Sabais" are Chidambaram- Kanaka Sabhai, Meenakshi Amman Temple (Madurai - Rajatha Sabhai), Thirukutralam - Chitra Sabha and sepparai Temple (Tirunelveli - Tamira Sabhai). Legend has it that when the Lord was once entranced in a deep cosmic dance, the jewels from the Lord's anklets fell onto the earth and scattered in 5 places, Thiruvalangadu being one of them. The site is one of the 275 celebrated Shaivaite sites in TN ("Padal Petra Stalam") The temple is known not only for its architectural splendour, but also for the legends associated with mallikarjuna.
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This move resulted from the belief that either two or all four of the statues represented Nubian slaves shown in manacles. Both histories of the hotel, that of 1951 by Elizabeth Bowen and that of 1999 by Michael O'Sullivan, state that two of the statues represent slaves or servants, with Bowen stating "on each stands a female statue, Nubian in aspect, holding a torch shaped lamp". Kyle Leyden, an art historian at the University of London, argued that none of the statues are of the established "Nubian slave" type, and that all four figures wear anklets indicating aristocratic status, rather than shackles. After an examination by Paula Murphy, an art historian at University College Dublin, concluded that the statues were not representations of slaves, it was announced that they would be restored to their plinths.
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Dancer readying for performance next to the Zócalo A Mexican army band performs in the Zócalo Since 1982, due to efforts to revitalize the city center, the Zócalo has become the scene of a number of artistic and cultural events. There are daily impromptu shows of Aztec dancers dancing to drums, wearing feathered headdresses and anklets made of concha shells. On a grander scale, some examples of events held here recently are Spencer Tunick's photo shoot where nearly 18,000 Mexicans bared all for the artist, surpassing the record set earlier in Barcelona and artist Gregory Colbert's Ashes and Snow Nomadic Museum. One curious event was the building of a temporary ice-skating rink of about 3,200 m² in the middle of the Zócalo, for use by the city's residents for free in the winter of 2007.
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In a test when diving with an open-circuit aqualung that had that sort of strapped- in mouthpiece, the diver went limp as if unconscious, to test the mouthpiece, and as a result he rolled belly-up, and his cheeks inflated, and the mouthpiece tried to float out, but its strap and outer flap kept it in and watertight.) The breathing bag makes the diver very stern-heavy, but that can be cured by putting 6 pounds of diver's weights (e.g. a pair of lead-shot- filled anklets) inside the wetsuit chest. The Salvus has no provision to connect to a buoyancy device; but the Salvus can be worn with a separate diver's lifejacket (not a stab jacket) which has its own small inflation cylinder. There is a small water catchment sump and drain on the underside of the canister.
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Other variants have her helped by talking animals, as in Katie Woodencloak, Rushen Coatie, Bawang Putih Bawang Merah, The Story of Tam and Cam, or The Sharp Grey Sheep—these animals often having some connection with her dead mother; in The Golden Slipper, a fish aids her after she puts it in water. In "The Anklet", it's a magical alabaster pot the girl purchased with her own money that brings her the gowns and the anklets she wears to the ball. Gioachino Rossini, having agreed to do an opera based on Cinderella if he could omit all magical elements, wrote La Cenerentola, in which she was aided by Alidoro, a philosopher and formerly the Prince's tutor. The midnight curfew is also absent in many versions; Cinderella leaves the ball to get home before her stepmother and stepsisters, or she is simply tired.
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A woollen shirt was typically worn under the wool blouse, wearing an open collar blouse (with tie) was initially restricted to officers, other ranks buttoning the top button of the blouse and closing the collar with a double hook-and-eye arrangement. Short webbing anklets covered the gap between the trousers and the ankle boots, further adding to the streamlined look and keeping dirt out of the boots without having to use a taller, more expensive leather boot. Battledress was issued widely beginning in 1939 in the British Army (as well as the Canadian Army, who produced their own, almost identical, copy of Battledress after the outbreak of war), though shortages meant that some units of the British Expeditionary Force went to France in Service Dress. Some officers initially refused to wear Battledress themselves, contrary to orders.
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Her right hands holds a curved knife (kartika), while the left is wrapped around the neck of her lord and holds a skullcup (kapala). In the other seven skull cups held in Hevajra's outer right hands are: a blue horse, a white-nosed ass, a red ox, an ashen camel, a red human, a blue sarabha deer, and an owl or cat. In the skull cups in the outer seven left hands are the white water-god Varuna, the green wind-god Vayu, the red fire- god Agni / Tejas, the white moon god Chandra, the red sun god Surya or Aditya, blue Yama lord of death and yellow Kubera or Dhanada lord of wealth. Hevajra is adorned with the six symbolic ornaments: circlet, earrings, necklace, bracelets, girdle armlets and anklets and smeared with the ashes of the charnel ground.
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The Nizam is known to have remained the richest man in South Asia until his death in 1967, but his fortune had fallen to US$1 billion by then as more than 97% of his wealth, including jewellery belonging to his family, was seized away by the newly formed Indian Government. Just before his death, the Nizam's personal fortune was estimated to be roughly £110 million, including £40 million in gold and jewels (equivalent to £ in ) The Indian government still exhibits the jewellery as the Jewels of the Nizams of Hyderabad (now in Delhi). There are 173 jewels, which include emeralds weighing nearly , and pearls exceeding 40 thousand chows. The collection includes gemstones, turban ornaments, necklaces and pendants, belts and buckles, earrings, armbands, bangles and bracelets, anklets, cufflinks and buttons, watch chains, and rings, toe rings, and nose rings.
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See Mallon, "Samoan Art and Artists" Both the dancer and the mats were generously anointed with scented coconut oil to give a cosmetic sheen. Samoan oral history maintains that dance wear for aristocratic Samoans was also painstakingly crafted from other natural materials, such as skirts made of "sega" feathers ("iefulu" or "'ofu'ula") or dresses composed of flower petals and leaves ("la'ei" or "'ofumeamata"). Anklets and armbands made of ti leaves, sea turtle shell ("uga laumei" or "uga fonu"), coconut shell, and/or boar's tusks adorned the dancer and the ensemble was completed with a necklace of cut whale's teeth ("ulalei") or boar's tusks ("ulanifo"). The "ulalei" was once an article of jewelry exclusive to the aristocracy and very few examples are still known today outside of museums; today's "ulalei" and "ulanifo" are, for the most part, mere replicas made of plastic pipe, coconut shell, or carved animal bone.
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Winston Churchill inspects the 1st American Squadron of the Home Guard on Horse Guards Parade, London, 9 January 1941. They are fortunate to have already been issued with greatcoats, steel helmets, boots and leather anklets, which many of their colleagues were still awaiting. Churchill had recognised that the Home Guard offered a powerful opportunity to promote pro-British sentiments in the United States and hoped that by encouraging US interest and participation in the Home Guard, it might be possible to advance his aspirations to bring the United States into the war against Germany. Although there were also strong practical advantages in directing weapons sourced in the United States towards the Home Guard, rather than the regular army, the prompt issuing of very large numbers of modern American rifles and machine guns to the Home Guard still offered a golden opportunity for British propaganda, which was widely exploited.
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An anklet made from moth larvae (ǀkhîs) was also worn but only during performances/dances along with a tussled apron known as a ǀhapis (for females) and or ǀhapib (for males) ǃNau-i (traditional facial foundation) also played a significant part in Damara and the wider Khoekhoe cosmetics. Women would ǀīǃnâ (perfume) hides and blankets by stewing buchu on hot stones placed under a ǀīǃnâs (dome-shaped basket) after which they would boro themselves (smear red ochre on their faces) early in the morning. They would also sprinkle some sâ-i (buchu powder) on their hides and blankets with a ǃūro-ams (powder-puff made from a piece of hare fur used to pluck ǃūros (tortoise-shell container, carried by women for holding sâ-i) to power oneself.) Man also wore arm bangles (ǃganugu) and ǃgoroǃkhuigu (anklets) which were unadorned in design and denser than those of women. A strand of beads that criss-crossed the chess known as a karab was also worn by men.
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