"The anarch wages his own wars," the JüngerBot said at a fund-raiser to a journalist who'd asked if it missed battle.
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Ernst Jünger's book Eumeswil, had the character of the Anarch, based on Stirner's Einzige.Bernd A. Laska: Katechon und Anarch. Nürnberg: LSR-Verlag 1997 (online). Several other authors, philosophers and artists have cited, quoted or otherwise referred to Max Stirner.
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The key theme in the novel is the figure of the Anarch, the inwardly-free individual who lives quietly and dispassionately within but not of society and the world. The Anarch is a metaphysical ideal figure of a sovereign individual, conceived by Jünger. Jünger was greatly influenced by egoism thinker Max Stirner. Indeed, the Anarch starts out from Stirner's conception of the unique (der Einzige), a man who forms a bond around something concrete rather than ideal,Warrior, Waldgänger, Anarch: An essay on Ernst Jünger's concept of the sovereign individual by Abdalbarr Braun, accessed 14 May 2016.
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And now she was discovering what a disorganizer love is, what an anarch among plans, what a smasher of china.
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Jünger (left) and his wife Liselotte at a reception of the President of the Bundestag, Philipp Jenninger in 1986 One of the most important contributions of Jünger's later literary production is the metahistoric figure of the Anarch, an ideal figure of a sovereign individual, conceived in his novel Eumeswil (1977), which evolved from his earlier conception of the Waldgänger, or "Forest Fleer" by influence of Max Stirner's conception of the Unique (der Einzige).Warrior, Waldgänger, Anarch: An essay on Ernst Jünger's concept of the sovereign individual by Abdalbarr Braun, accessed 22 December 2007.Ernst Jünger – Anarch An exposition of the figure of the Anarch through citations from Juenger's Eumeswil.] In 1981, Jünger was awarded the Prix mondial Cino Del Duca.
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An exposition of the figure of the Anarch through citations from Juenger's Eumeswil. but it is then developed in subtle but critical ways beyond Stirner's concept.
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Seabreeze made her racecourse début on 15 April 1887 at the Newmarket Craven meeting in the Fitzwilliam Plate. Seabreeze started as the 2/1 favourite and raced down the centre of the track. With three furlongs left to run she was just behind the leader Anarch. Anarch then lost ground, but came back in the closing stages to win by a neck from Baron Rothschild's Robert the Devil filly.
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In 2010, LAVA The Libertarian, Agorist, Voluntaryist and Anarch Authors and Publishers Association created the Charles Angrand (Artwork) Award, which has been awarded annually since 2011. The LAVA Awards are held annually to honor excellence in books relating to the principles of liberty, with the Charles Angrand Award being the grand prize award for artwork.
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Warrior, Waldgänger, Anarch: An essay on Ernst Jünger's concept of the sovereign individual by Abdalbarr Braun. Retrieved 22 December 2007. :A form of anarchism which does not declare affiliation with any specify subtype of anarchism (as may be suffixed to anarcho- or anarcha-), instead positioning itself as pluralistic, tolerant of all anarchist schools of thought.Esenwein, George Richard "Anarchist Ideology and the Working Class Movement in Spain, 1868–1898" [p.
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Seabreeze was a further three quarters of a length back in third place. On 8 June at Royal Ascot Seabreeze started as a 5/1 shot for the Biennial Stakes over five and half furlong two-year-old course. Seabreeze led the field from the start and despite being challenged by Dieman's Land in the final two furlongs, she extended her lead and won by five lengths. Beaufort's Hark was second and Anarch third.
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Retrieved March 21, 2019 – via The Anarchist Library. In January 2004, Laissez Faire Books established the Lysander Spooner Award for advancing the literature of liberty. The honor is awarded monthly to the most important contributions to right-libertarian literature, followed by an annual award to the winner. In 2010, the Libertarian, Agorist, Voluntaryist and Anarch Association of Authors and Publishers (LAVA) created the Lysander Spooner Award for Book of the Year which has been awarded annually since 2011.
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The book, by Frederick H. Martens, suggests not only the level of Ornstein's fame at age twenty-four, but also his divisive effect on the cultural scene: > Leo Ornstein to many represents an evil musical genius wandering without the > utmost pale of tonal orthodoxy, in a weird No-Man's Land haunted with > tortuous sound, with wails of futuristic despair, with cubist shrieks and > post-impressionist cries and crashes. He is the great anarch, the > iconoclast.Martens (1975), p. 9.
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Founded as HRŠD "Anarch", the club's first colors were black (the color of Anarchists). HRŠD stood for Hrvatsko radničko športsko društvo (Croatian Workingmen's Sports Society). In 1933, as influence of "red" (organized labour, Social democrat and Communist) youth grew stronger, the club changed its colors to all red and its name to Radnički nogometni klub Split (Workingmen's Football Club Split). During SFR Yugoslavia RNK Split played in the top football division four times, but did not win a Championship or Cup title.
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Thy Hand, Great Anarch! is a 1987 autobiographical sequel to Indian essayist Nirad C. Chaudhuri's The Autobiography of an Unknown Indian. Its title was inspired from the concluding couplet of Alexander Pope's The Dunciad which runs thus: Written when Chaudhuri was in his 80s, this book provides a perspective to the Indian political scene from the 1920s to India's independence. The book covers the writer's working life in India, first as a clerk in the Military Accounts Department, then as an editor, writer and publicist.
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On the forge world of Urdesh, the massed forces of the Imperial Crusade engage in a final bloody battle with the Archenemy commander known as the Anarch, and his elite warriors - the barbaric Sons of Sek. A victory for either side will decide more than just the fate of Urdesh... it will determine the outcome of the entire Sabbat Worlds Crusade. Ibram Gaunt – now serving at the right hand of Warmaster Macaroth – finds himself at the very heart of the struggle. His regiment, the Tanith First "Ghosts", holds the vital key to ultimate success.
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Wilson claims an array of influences from anti-state and libertarian political thinkers, including left-wing market anarchists such as mutualist theorist Pierre-Joseph Proudhon, paleolibertarian anarcho-capitalists such as Austrian School economist Hans-Hermann Hoppe, and classical liberals such as Frederic Bastiat. His political thought has been compared to the "conservative revolutionary" ideas of Ernst Jünger. Jacob Siegel wrote that "Cody Wilson arrives at a place where left, right—and democracy—disappear" and that he oscillates "somewhere between anarch and anarchist." Wilson is an avowed crypto-anarchist, and has discussed his work in relation to the cypherpunks and Timothy May's vision.
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Formed in 1992 in Tampa, Florida, the group consisted of performer/singer Bunny and producer David Christophere. After several singles released on Monk and David Christophere's Hallucination Recordings label under the name Anarch-E, their first success as producers came in 1993 with the release of the "Phases of an Out of Body Experience" single on Hardkiss Records. As remixers, Rabbit in the Moon has reworked songs by artists such as Garbage ("Queer" and "Milk"), Tori Amos ("Precious Things"), Sarah McLachlan ("Fear", "Possession"), Orbital ("Are We Here?"), Smashing Pumpkins ("The End Is the Beginning Is the End"), Goldie ("Inner City Life"), White Zombie ("Blood, Milk and Sky") and Delerium ("Euphoria").
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In a letter to his son Richard Burke dated 10 October, he said: "This day I heard from Laurence who has sent me papers confirming the portentous state of France—where the Elements which compose Human Society seem all to be dissolved, and a world of Monsters to be produced in the place of it—where Mirabeau presides as the Grand Anarch; and the late Grand Monarch makes a figure as ridiculous as pitiable".Clark, pp. 61–62. On 4 November, Charles-Jean-François Depont wrote to Burke, requesting that he endorse the Revolution. Burke replied that any critical language of it by him should be taken "as no more than the expression of doubt", but he added: "You may have subverted Monarchy, but not recover'd freedom".
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The club had a strong fanbase in the Split's shipyard. The club was founded on 16 April 1912 as Anarch, but has had several names like Borac, Jug, HAŠK, Dalmatinac, and Arsenal since then. During the Spanish Civil War, RNK Split organized an unsuccessful expedition of his volunteers for the fight on the side of the anti-fascist coalition against Francisco Franco's forces. In World War II, the club became well-known because 120 of its players were killed fighting on the side of Josip Broz Tito's Partisans, fighting against Axis forces.U NOB-u poginulo 120 splitovaca Slobodna Dalmacija After achieving three consecutive promotions from 2008 to 2010, the club went from playing in Croatia's fourth tier to playing in the Croatian First League, Croatia's top division.
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Ernst Jünger's novel Eumeswil's (1977) key theme is the figure of the Anarch, the inwardly-free individual who lives quietly and dispassionately within but not of society and the post apocalyptic world. John Crowley's novel Engine Summer (1979) takes place perhaps a thousand years after "the Storm" (not described) destroyed industrial civilization. Surviving cultures seem to be influenced by the 1960s and 1970s counterculture. The Christian-themed Left Behind series of 16 novels published between 1995 and 2007, and four film adaptations produced between 2000 and 2014, posits a world in which the righteous believers have suddenly been raptured, en masse, up to Heaven, leaving behind an increasingly troubled and chaotic world in which the Antichrist, foretold in the Book of Revelation, arises to despotically rule over those unfortunate enough to have been "left behind".
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The conservative revolutionary concept of the anarch as articulated by German philosopher Ernst Jünger is central to national-anarchism. National-anarchists stress that the "artificial nationalism" of the nation state which they claim to oppose must be distinguished from the primordial "natural nationalism" of the people (volk) which they believe in its more consistent expressions is a legitimate rejection of both foreign domination (imperialism) and internal domination (statism). National-anarchists see "American global capitalism", consumerism, globalization, immigration, liberalism, materialism, modernity, multiculturalism, multiracialism and neoliberalism as the primary causes of the social decline of nations and cultural identity. They propose a strategic and ideological alliance of ethnic and racial nationalists and separatists around the world (especially in the Global South), neo-Eurasianists in Russia, Islamists in Muslim-majority countries and anti-Zionists everywhere to resist the New World Order—globalization viewed as an instrument of American imperialism and the antisemitic canard of Jewish-dominated international banking—that is inevitably leading to global economic collapse and ecological collapse.
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While the combination of post-left opposition to capitalism and statism with right-wing support for ethnic and racial separatism makes its classification on the left–right political spectrum problematic, scholars who have examined national-anarchism consider it to be on the radical right. In his 2003 essay From. Slime Mould to Rhizome: An Introduction to the Groupuscular Right, Roger Griffin argued that national-anarchism is a segment of the groupuscular right which has evolved towards a "mazeway resynthesis" between "classic fascism, third positionism, neo-anarchism and new types of anti-systemic politics born of the anti-globalization movement", whose main ideological innovation is a stateless palingenetic ultranationalism. In his 2005 essay Co-opting the Counter Culture: Troy Southgate and the National Revolutionary Faction, described as a "case study of the National Revolutionary Faction (NRF)" which "provides a salutary example of fascism's cogent syncretic core and its ability to produce novel and pragmatic syntheses", Graham D. Macklin argued that the conservative revolutionary concept of the anarch provides sanction for the ideological shapeshifting and unrestrained syncretism of national- anarchism, allowing its adherents to assert they have transcended the dichotomy of conventional politics to embrace higher political forms that are "beyond left and right".
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