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34 Sentences With "ambitiousness"

How to use ambitiousness in a sentence? Find typical usage patterns (collocations)/phrases/context for "ambitiousness" and check conjugation/comparative form for "ambitiousness". Mastering all the usages of "ambitiousness" from sentence examples published by news publications.

People who knew him in those days mostly remember his ambitiousness.
Sadly, though, the exhibition's greatest virtue — its prodigious ambitiousness — is also its greatest downfall.
There's this ambitiousness that's very odd, it's almost like people play music to get their picture taken.
Mr Biden and the refreshingly realistic Ms Klobuchar aside, the candidates touted the expanse and ambitiousness of their plans.
General Magic's unfocused hyper-ambitiousness was financially disastrous, but it created a wealth of quirky hardware and software footage for the film to explore.
Diversity of thought and ambitiousness is also important for driving a business forward, explained Makarim, who said he now sees it as his role to draw that out of his staff.
Shengzhou exuded the ambitiousness of a boomtown, its layout interrupted by sprawling construction projects adorned with bold-face Chinese lettering encouraging residents to help make it China's best, cleanest, healthiest city.
"The back story is that when the economy turned, I bought this house for $20,000 and had that ambitiousness of 'I'm gonna flip this house, here we go, easy breezy,'" Mr. Richardson said, laughing.
A panel of distinguished experts will consider each applicant's accomplishments, based on the clarity, ambitiousness, and feasibility of their vision; the degree of innovation and uniqueness apparent in the work samples; and the applicant's impact on the field.
Given the ambitiousness of much of the policy work being done in the primary so far, these are attacks that will probably ultimately be lobbed at every Democrat, but they likely preview how Warren and Sanders will be targeted next month.
Like Platt, Witherspoon is adroit at making terminal ambitiousness more appealing than it ought to be by virtue of her own charisma, and if 1999's post-Lewinskygate, pre-9/11 climate was deserving of a savage political satire, 2019 could not provide richer fodder.
As Elena, she draws on some of her previous characters—the preppy pep of Elle Woods; the competitive, neurotic ambitiousness of Tracy Flick; the ritzy obliviousness of Evelyn Williams; the wealthy alpha vibe of Madeline Mackenzie—the way Dr. Frankenstein drew on dead bodies: She has created a new and startling monster, a composite with familiar parts.
Tuner ambitiousness. Flit. Dour entombment. Legals' saner kinking lapse. Nests glint.
But on top av my ambitiousness there was an empty place in my sowl, an' me own opinion av mesilf cud not fill ut.
GameSpot noted the game's similarity to the Total War franchise. Games Radar praised its ambitiousness. Meristation said the game lacked the detail of the Command & Conquer series. GameZone felt the interface was "clean" and easily navigable.
First logo 1957 - 1993 Second logo 1993 - 2001 The thinner blue stripes symbolize the thin to thick diameters of wires, which are supposed to symbolize the look ahead as well as the ambitiousness of Drahtzug Stein. The long blue stripe represents the base, the foundation of the company over the entire spectrum.
Art projects are solicited for FIGMENT through a curatorial process, based on artistic merit, ambitiousness, and interactivity. FIGMENT focuses on art projects that demonstrate an ability to transform their environment and the perception of participants. FIGMENT is produced by Figment Project, Inc., a 501(c)(3) not- for-profit organization registered in New York State.
Thompson's work embraces visceral and subconscious elements of human experience which are seldom seen on stage. While the ambitiousness of her scope can occasionally result in plays which seem somewhat unwieldy in their form, she has an astonishing gift for providing theatrical experiences which incisively reach the deepest recesses of her audience's imaginations. She is currently a Professor of theatre studies at the University of Guelph, in the School of English and Theatre Studies.
Meanwhile, Manfredi, who was feeling increasingly isolated and betrayed by the republic he had passionately defended, became gradually more receptive to a plan to return him to obedience to the Church, devised by nuncio Gessi. Gessi rejected the Curia’s proposed use of force and instead managed to exploit Manfredi's ambitiousness and vanity to cajole him.Cicogna, 1382/L; 1629/III, c. 17; 2120: G.C. Sivos, Vite dei dogi overo Cronica veneta, III, cc. 168–173 p.
Dima believes that the only way to her heart lies through money and status, which in turn are only attainable through ambitiousness and egoism. This belief is strengthened when Dima sees the success of Nastya's friend, Max (Ivan Zhidkov), who also happens to have a Mercedes. Dima begins working as a flower delivery boy. During one of the runs, he gets into trouble with Kuptsov's men, and while being chased by them, accidentally engages the car's flight system.
However, the untrustworthiness, unruliness, ambitiousness, and sheer expense of these mercenary troops meant that they disrespected state authority and also conducted raiding in the Byzantine Anatolia, even sometimes working with Turkic raiders whom they were employed to fight against. These mercenary bands also took service with Aristocrats revolting against the government. During this time, the conflict with the Armenians broke out again. The state administration, economy, and military system were allowed to fall into neglect, largely through self-inflicted wounds.
The implementation of Infitah is generally considered to have been flawed in its over-ambitiousness and its appearance of having abandoned "solidarity with the poor."Tarek Osman, Egypt on the Brink, p.125, 127 The government rewarded its cronies and allies (many of whom became quite rich), and built a power base loyal to the regime with concessions on land, goods and commodities; mandates and contracts to agencies and dealerships, but did little to create free markets and an open economy.Tarek Osman, Egypt on the Brink, p.
Philip Ó Ceallaigh (born 23 March 1968) is an Irish short story writer and translator living in Bucharest. Eve Patten, in The Irish Times, praised his "ambitiousness with the short story shape", and "his break from the grip of ingrained Irish modes". Michel Faber, in The Guardian, described his control of tone, dialogue and narrative contour as "masterful". Ó Ceallaigh won the 2006 Rooney Prize for Irish Literature and was the first Irish writer to be shortlisted for the Frank O'Connor International Short Story Award.
Yuya Shimizu of Rolling Stone Japan praised the effort that went into "Endless", calling a "compilation-like work". He felt that the ambitiousness of the song reminded him of electronic musician Rei Harakami, especially his remix of the band's song "Native Dancer". CDJournal reviewers praised the "calm piano intro" that transitioned from the album's previous song "Ryūsen", and how the song progressed into "a Sakanaction-like electro and rock fusion sound". They praised Yamaguchi's lyrics, feeling they were "symbolic" and "like two recursive mirrors".
Gonzalez cited the ambitiousness of albums such as Mellon Collie and the Infinite Sadness as the reason he made Hurry Up, We're Dreaming a double album. In addition, he described the two discs as brother and sister, with each track having a sibling on the other disc. The album was recorded in Los Angeles at Sunset Studio and The Sound Factory. Because of budget constraints and union issues, the string and brass players who contributed to the album were not paid and were credited with pseudonyms.
A few years later, Kim was elated when Chris returned. However, she had concerns that he was back with Emily Stewart. However, Emily would be the least of Kim’s worries. Upon arriving in town, Chris was at loggerheads with Bob over a research project conducted by Evan Walsh IV. While Chris felt the project was cutting-edge and would help people in the end, Bob felt it was far too risky. Though Bob had intended to groom Chris to eventually take over as Chief of Staff, Chris’s arrogant ambitiousness unsettled Bob.
A few years later, after having left Oakdale to work in Pittsburgh and then Africa, Chris returned home with none other than Emily. Chris accepted Bob's offer to return to Memorial as head of research. Immediately, Chris was at loggerheads with his father over a research project conducted by Evan Walsh IV. While Chris felt the project was cutting-edge and would help people in the end, Bob felt it was way too risky. Though Bob had intended to groom Chris to eventually take over as Chief of Staff, Chris's arrogant ambitiousness unsettled Bob.
The Interpersonal Circumplex is a taxonomy of interpersonal personality traits and behaviours. The circumplex consists of orthogonal dimensions and concentric circles indicating the level of intensity The interpersonal circle or interpersonal circumplex is a model for conceptualizing, organizing, and assessing interpersonal behavior, traits, and motives. The interpersonal circumplex is defined by two orthogonal axes: a vertical axis (of status, dominance, power, ambitiousness, assertiveness, or control) and a horizontal axis (of agreeableness, compassion, nurturant, solidarity, friendliness, warmth, affiliation or love). In recent years, it has become conventional to identify the vertical and horizontal axes with the broad constructs of agency and communion.
The structures show an adaption to Queensland's climate and the increased availability of materials and skills over time, including improvements in brick manufacturing processes. The designs of the constituent buildings also demonstrate the increased ambitiousness of the projects of the Colonial/Government Architect's Office between the 1870s and the 1910s. The survival of the main Government Printing Office buildings, despite 1960s plans for the demolition of the complex, demonstrates how increased public concern about the preservation of heritage buildings influenced government redevelopment plans during the 1970s and 1980s. The place demonstrates rare, uncommon or endangered aspects of Queensland's cultural heritage.
Andre Sennwald of The New York Times said, "Gladys Swarthout's voice can be heard, if you listen carefully, above the groans and bone-creakings of the plot in Rose of the Rancho at the Paramount Theatre. With an ambitiousness that must have seemed more plausible in the studio conferences than in the pre-view room, Paramount has converted David Belasco's ancient hack-piece into an elaborate musical horse opera. It is the misfortune of the film that, instead of combining the most fascinating qualities of operetta and the six-shooter drama, it merely accents the weaknesses of both forms in one handsome blur." Writing for The Spectator in 1936, Graham Greene gave the film a mildly negative review.
Raspopova was born on to a Russian peasant family in the city of Magdagachi in the Russian Empire. Her mother died when Nina was just ten years old, and because her father was an unskilled worker she was just fifteen years old when she started attending mining school, despite previously having worked as a cook at another mine. She graduated from the Blagoveshchensk Mining School before graduating from the Khabarovsk Flight School in 1933; the local Komsomol committee had offered her a chance to enroll in the flight school in 1932 after she was noticed for her ambitiousness. Eager to become a pilot, she was not deterred by the fact that she was one of only two female students in the school.
As a consequence, his work often receives mixed reviews from critics, some of whom have noted a tendency toward grandiosity and obviousness in some of his work. Yet it is this very ambitiousness, his striving toward meaning, and attempts to deal with the big themes of human life, that also make his work so clearly appreciated by other critics, his audiences and collectors. His early work established his fascination with issues that continue to inform his work today. In particular, Viola's obsession with capturing the essence of emotion through recording of its extreme display began at least as early as his 1976 work, The Space Between the Teeth, a video of himself screaming, and continues to this day with such works as the 45-second Silent Mountain (2001), which shows two actors in states of anguish.
The stance of the figures, with their chins raised in a dignified gesture towards cityscape ahead suggest a confidence and ambitiousness in their collective futures in this new northern industrial terrain. Even the child, clutched securely in the arm of the mother figure against her breast is not only serenely grinning, but calm enough to appear to gently doze, confident in that the journey ahead will result positively, poses no threat. The exposed arm of the woman is notable as well, being unusually thick and muscular, along with the general proportions of the kneeling father, who position on the ground appears not pleading but rather in a slightly exhausted, but upright gratefulness for the promise ahead. Thrash makes it clear that this family has traveled a long way, but is not depleted; rather they are strong and preparing for further hard work and hopeful success ahead.
" Newman noted that the film "suffers from a few minor compromises: notably a decision made fairly late in shooting to change the specifically English setting for an ambiguous (and unbelievable) mid-Atlantic one." Newman also noted that the Cenobites were "well used suggestive figures" but "their monster companion is a more blunderingly obvious concession to the gross-out tastes of the teenage drive-in audience". Newman concluded that the film was "a return to the cutting edge of horror cinema" and that in more gruesome moments the film "is a reminder of the grand guignol intensity that has recently tended to disintegrate into lazy splatter". Q stated that "Hellraiser does have its share of problems: the re- dubbing of peripheral character with a mid-Atlantic twang, the relocation of the film in a geographical limbo [...] The film, however, cannot be faulted for the ambitiousness of its themes [...] Sadly the moral and emotional complexity that is the film's greatest strength is likely to be deemed its greatest weakness by an audience weaned on the misplaced jocularity of House or Fright Night.

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