65 Sentences With "all singing, all dancing"

After all, it can't be as terrible as "All Singing, All Dancing."

The effect was to impart a new, all-singing, all-dancing dramatic coherence to the form.

Give the people the all-singing, all-dancing Fast & Furious Presents: Hobbs & Shaw movie they — we — deserve!

While we all want the shiniest, all-singing, all-dancing technology, a lot of us are restricted on price.

I was an all-singing, all-dancing child, but I "grew out of it," for want of a better expression.

And who else but Brucie was the final starburst of the variety show, all-singing, all-dancing, all awful jokes?

In the all-singing, all-dancing world of entrepreneurial theatre, the important part is the part that nobody tells you.

This was perceived as too dark at the time — certainly compared with its Judy Garland-starring, all-singing all-dancing predecessor.

Beppe Grillo had known that Rousseau—the long-awaited, all-singing, all-dancing version of the direct democracy web portal—was on its way.

It's hellishly early and Ishizaki and I are at Billingsgate Market in London, on an all-singing, all-dancing fish trip—hence the discovery.

India's own 'rebel without a cause' became an all-singing, all-dancing, comedic, romantic leading man and one of the best paid actors in Bollywood.

Whether it takes phonics, whole-language learning, all-singing, all-dancing teachers, or the gradual introduction of criminal penalties for illiteracy, something has to change.

Even Robin, who appeared wide-eyed and unmoved by the all-singing, all-dancing crowd in the video posted by his mother, has become a fan.

Ken Clarke, a former Tory home secretary, argues that a scheme might satisfy civil-libertarians if it did not become an "all-singing, all-dancing collection of data".

The latest tale of crowdfunding woe is Coolest, a company that was meant to build an all-singing, all-dancing cooler with a built-in blender and Bluetooth speaker.

Advertise on Hyperallergic with Nectar Ads Growing up in London, photographer Magnus Hastings was an "all-singing, all-dancing child," as he puts it, who loved to wear his sister's clothes.

The only thing that kept us going was the hope other people would be as sick of watching all-singing, all-dancing cooking construction shows as we were of making them.

Although not competing for awards, the all-singing, all-dancing depiction of John's most famous hits was still one of the most anticipated screenings of the film festival on the French Riviera.

MUMBAI (Reuters) - India's all-singing, all-dancing movie hits capture the attention of hundreds of millions of fans - but they generate precious little in box office profits for the world's largest cinema industry.

Smart TVs are all-singing, all-dancing snapshots of the future, with integrated internet and interactive features which allow you to stream music and videos, browse the internet, view photos, and even watch television programmes.

Critic's Notebook Faced with broadcasting an all-singing, all-dancing, happy-faced celebration of art and commerce less than 24 hours after the deadliest mass shooting in American history, CBS did about what you'd expect.

The building, basically an all-singing, all-dancing amusement park to sell Swarovski merchandise to visitors, included avant-garde artworks and an outdoor lake with artificial clouds dotted with crystals floating above on almost invisible wires.

Despite its low-on-fanfare release, One Foot Out is an album that pricks your ears through its content rather than because of any all-singing all-dancing promotion—which we suspect is just how Nines likes it.

With the advance of sound, all-singing-all-dancing melodramas and religious epics grew popular with Indian audiences, but a number of "social-problem" films, naturalistic in their depiction, also found fans, and this, despite being on a less-than-equal footing.

The greats come and go in Muay Thai but one name in the pantheon of eight-limbed legends rings out loud from all of the rest, the all-singing, all dancing, king of the kickboxers and the so-called best of the best, Samart Payakaroon.

Buckingham has seen this from both sides: in the mid-2000s he was a member of the British boyband V. Their management was already riding high with Busted and McFly, who'd put a guitar-based twist on the boyband formula, but V were an all-singing, all-dancing affair.

A video of the episode in Beirut — with Robin staring wide-eyed at the all-singing, all-dancing group and then glancing at his mother as he clutched his bottle — quickly spread online and has become something of a symbol for the antigovernment demonstrations that have gripped Lebanon for days.

Now that GOT is the world's favorite feudal soap opera, perhaps it wouldn't be so bad to feature a guest star from the golden years of showbiz every episode: an all-singing, all-dancing Muppet Show–style revue featuring Rip Torn and Kris Kristofferson as wisecracking deserters from the Night's Watch, Roger Moore as a serially tardy lord who always apologizes for being late to the feast, and Sandy Duncan as the queen of the elves.

For example, from a 1995 article in The Daily Telegraph: The phrase also appears in the 1996 novel Fight Club, and the 1999 film based on it, in which the character Tyler Durden excoriates his disciples: "You're the all singing, all dancing crap of the world." A 1998 episode of The Simpsons was titled "All Singing, All Dancing".

Poster advertising the film The Broadway Melody, from which the idiom is derived. All singing, all dancing is an idiom meaning "full of vitality", or, more recently, "full-featured". It originated with advertisements for the 1929 musical film The Broadway Melody, which proclaimed the film to be "All talking all singing all dancing". Recently, the idiom has come to be used to describe high tech gadgetry such as smartphones, indicating that the product is very advanced, or has an abundance of features.

Several Simpsons animators, including Pete Michels and David Silverman, consider Lisa the most difficult Simpsons character to draw.Michels, Pete. (2006). "A Bit From the Animators", illustrated commentary for "All Singing, All Dancing", in The Simpsons: The Complete Ninth Season [DVD]. 20th Century Fox.

John Rawls is the subject of A Theory of Justice: The Musical!, an award-nominated musical billed as an "all-singing, all-dancing romp through 2,500 years of political philosophy." The musical premiered at Oxford in 2013 and was revived for the Edinburgh Fringe Festival.

The episode also had problems with the censors as they objected to scenes of Snake pointing his shotgun at the Simpsons' baby daughter, Maggie. In spite of this, "All Singing, All Dancing" is one of the few episodes of The Simpsons that has been given a G-rating on American television.

"A Bit From the Animators", Illustrated Commentary for "All Singing, All Dancing", in The Simpsons: The Complete Ninth Season [DVD]. 20th Century Fox. Lisa's physical features are generally not used in other characters; for example, in the later seasons, no character other than Maggie shares her hairline.Groening, Matt; Reiss, Mike; Kirkland, Mark. (2002).

Your support means more than you know. What you are looking at is an 'official bootleg', recorded and presented to you by Hundred Reasons. It is not an all- singing, all-dancing big budget live album and will not be available over the counter in any shop. It is possible you will be the only person you know who owns this record.

The album's liner notes is an early review by Gary Boldie, where he contemplates the city of Rugby and finds it an odd source for this new sound, and while he declares Spacemen 3 as the "all singing, all dancing answer to the problems of a grey 1985," he admits they are still raw, a little too repetitive, and need time to blossom.

Lloyd Webber, Imogen. "Billy Elliot Will Dance Out of London: Long-Running Musical Sets West End Closing Date", Broadway.com, 10 December 2015 The show reportedly cost £5.5 million to produce (the original film version cost $5 million).Shoard, Catherine. "All-singing, all-dancing, all- smoking (Interview with Haydn Gwynne)"The Telegraph, 11 April 2005 The producers were Working Title Films, Old Vic Productions Plc and David Furnish.

Reisner appeared on season 3 of Million Dollar Listing New York on Bravo. His penthouse duplex at 230 Central Park South has appeared on 30 Rock and in the film Did You Hear About the Morgans? The Out NYC was featured on the sitcom Happily Divorced.David Vincent, “The Out NYC – New York’s new all singing, all dancing gay hotel,” The Guardian, March 15, 2012.

Anderson, Mike B.; Groening, Matt; Michels, Pete; Smith, Yeardley. (2006). "A Bit From the Animators", Illustrated Commentary for "All Singing, All Dancing", in The Simpsons: The Complete Ninth Season [DVD]. 20th Century Fox. The features of Bart's character design are generally not used in other characters; for example, no other characters in current episodes have Bart's spiky hairline, although several background characters in the first few seasons shared the trait.

The enthusiasm of audiences was so great that in less than a year all the major studios were making sound pictures exclusively. The Broadway Melody (1929) had a show-biz plot about two sisters competing for a charming song-and-dance man. Advertised by MGM as the first "All-Talking, All-Singing, All-Dancing" feature film, it was a hit and won the Academy Award for Best Picture for 1929.

While designing Lisa, Groening "couldn't be bothered to even think about girls' hairstyles". At the time, Groening was primarily drawing in black and white; when designing Lisa and Maggie, he "just gave them this kind of spiky starfish hair style, not thinking that they would eventually be drawn in color".Groening, Matt. (2006). "A Bit From the Animators", illustrated commentary for "All Singing, All Dancing", in The Simpsons: The Complete Ninth Season [DVD].

"A Bit From the Animators", illustrated commentary for "All Singing, All Dancing", in The Simpsons: The Complete Ninth Season [DVD]. 20th Century Fox. Groening storyboarded and scripted every short (now known as The Simpsons shorts), which were then animated by a team including David Silverman and Wes Archer, both of whom would later become directors on the series. The Simpsons shorts first appeared in The Tracey Ullman Show on April 19, 1987.

"All Singing, All Dancing" is the eleventh episode of The Simpsons' ninth season. It originally aired on the Fox network in the United States on January 4, 1998. In the fourth Simpsons clip show, Homer claims he hates singing, so Marge shows family videos of musical numbers from previous seasons. Additionally, the episode itself takes the form of a sung-through musical, featuring spoken dialogue only at the start and end of the episode.

Brown is trained in tap dance, musical theatre and acting . She began acting with the Young Vic youth theatre and went on to perform in the Talawa Theatre Company young people's theatre. Brown took the lead in NPV Arts adaptation of Cinderella, an all singing all dancing musical theatre piece called 'Cinderella Shoeshine' . Brown went on to play a wholesome teenager 'Theresa' in a four-year touring show called Do You Know Where Your Daughter Is?.

John Simpson was the first chief editor of the OED3. He retired in 2013 and was replaced by Michael Proffitt, who is the eighth chief editor of the dictionary. The production of the new edition exploits computer technology, particularly since the June 2005 inauguration of the "Perfect All-Singing All- Dancing Editorial and Notation Application", or "Pasadena". With this XML- based system, lexicographers can spend less effort on presentation issues such as the numbering of definitions.

The song "We Do" was not included in the original script and was suggested by Matt Groening. It was written by the writers' room, who threw in as many things that annoyed them as they possibly could. It was described as "one of the series' best musical numbers" by Colin Jacobson at DVD Movie Guide, and was later included in the clip show "All Singing, All Dancing". The episode guest stars Patrick Stewart as Number One.

" Graham Griffith from About.com wrote that "the disco-lite 'Big Girl (You Are Beautiful),' which includes an admirable sentiment, fails to distinguish itself otherwise." Liz Colville from Pitchfork said that it is "a pumping, chorus-infested jam session complete with gospel backup singers that tragically feels the need to reassure big girls they can be beautiful." Lizzie Ennever from BBC Music wrote a positive review, saying that the track is "upbeat, poppy, all-singing, all-dancing, big-band.

Auditions for an "all-singing, all-dancing pop group" were held between autumn 1997 and spring 1998 in front of the songwriters and producers Mike Stock and Matt Aitken and future manager Steve Crosby. Heidi Range auditioned for the group but was declined after it was revealed she was only 14 years old. The final foursome was formed in October 1998. For the first few months the group were kept low-key and spent time on their image and sound.

Michael Dunne analyzed the episode "All Singing, All Dancing" in his book American Film Musical Themes and Forms, and gave examples from it while explaining that singing and dancing performances are generally not seen as acceptable in the television medium. He notes that Homer calls singing "fruity" and "the lowest form of communication" during the episode. However, Dunne also notes the fact that Homer himself sings "his objection that musicals are fake and phony". Dunne describes the frame narrative as establishing Marge as "..more favorably disposed toward musicals than the males in her house".

Mirkin returned to the role of showrunner to produce the episodes "The Joy of Sect" and "All Singing, All Dancing" for season nine. He pitched the plot for "The Joy of Sect", because he was attracted to the notion of parodies of cults, calling them "comical, interesting and twisted". Mirkin still works part-time on the show as a consultant, helping with the re-write process. The show's nine-month production cycle allows him to contribute to each episode in some form, whilst engaging in other projects as well.

Her radio series based on the show, Josie Long: All of the Planet's Wonders was broadcast on BBC Radio 4 in early 2009. Long has been nominated for the Edinburgh Comedy Award for Best Show three times, with her 2010 show, Be Honourable!, 2011's The Future Is Another Place and 2012's Romance & Adventure. Along with fellow comics Hils Barker, Steve Hall and James Sherwood, she founded the All- Singing, All-Dancing Competitive News Bonanza, a live topical panel show that ran at the Red Lion pub in Soho in 2004/05, and at the Arts Theatre Club in Soho in 2006.

In 2006 O'Neal appeared on the Weakest Link, All Singing All Dancing Edition, where he was the 5th contestant voted off the show. In 2006 and 2007, O'Neal participated on the British reality singing contest show Just the Two of Us. In 2008 O'Neal took part in a Wife Swap UK special, swapping his wife Cynthia with broadcaster and TV personality Jilly Goolden. The programme included an in-depth interview with O'Neal by noted UK R&B; writer Pete Lewis of the award-winning magazine Blues & Soul. The interview was featured in full in the August 2008 issue of the magazine.

Maconie joined BBC Radio 2 in 1998, with shows such as All Singing, All Dancing, All Night, a northern soul music show, and, for several years, Stuart Maconie's Critical List on Saturday evenings. He also presents documentaries and deputised for Johnnie Walker on Radio 2's Drivetime programme. From April 2006 to 29 March 2008, Maconie presented the Saturday afternoon show previously presented by Chris Evans. In addition to his Saturday show, on 16 April 2007, Maconie joined forces with Mark Radcliffe to present a new show on BBC Radio 2 which was broadcast between Monday and Wednesday (Monday to Thursday up to April 2010) from 8pm to 10pm.

" Pop Crush also gave the album a positive review, commenting "Love, Sax and Flashbacks is not a game-changing pop masterpiece, and at times, the constant throwbacks start to border on pastiche. What it does have is a breezy, likable charm, and enough interesting twists to feel like a promising start for Fleur East on her quest to become an all-singing, all- dancing pop sensation" and calling it a "true standout". They awarded the album 4 out of 5 stars. The Arts Desk gave the album 4 out of 5 stars, commenting the record "does everything that good pop should, and it does it surprisingly well.

He made such films as Max Virtuoso, Max Does Not Speak English, Max and His Dog, Max's Hat and Max and the Jealous Husband. His ensemble of actors included Stacia Napierkowska, Jane Renouardt, Gaby Morlay, and occasional performances from the young actors Abel Gance and Maurice Chevalier. Linder had given Chevalier his start in movies, but the silent medium did not suit Chevalier, who stuck to the stage until the all-singing all-dancing features came in, many years later. The outbreak of World War I brought a temporary end to Linder's film career in 1914, but not before he made the short patriotic film The Second of August that year.

Apart from its victories, Israel's entries have had a mixed reception at the contest. Avi Toledano (1982) and Ofra Haza (1983) scored well with big revivalist numbers, but the all-singing, all-dancing style became less popular later in the decade and Israel's 1986 entry, Yavo Yom by Moti Giladi & Sarai Tzuriel, came in 19th, the country's worst showing yet. In 1987 Israel finished 8th with Shir Habatlanim by the satiric duo Lazy Bums. Due to its satiric nature, it prompted then Israeli Minister of Culture, Yitzhak Navon, to threaten to resign, if the song went on to represent Israel on the night of the contest.

Between 1998 and 2001, Doyle's band Dum Dums were among a handful of successful guitar bands amongst a glut of all singing, all dancing boy-bands and female pop starlets. While touring the "toilet" circuit (small clubs across the country such as "The Charlotte" in Leicester and "The Camden Monarch" in London) in the UK, they were signed to Wildstar by Ian McAndrew (Arctic Monkeys, Travis) and exploded across the radiowaves. Their first single 'Everything' hit the Official UK Top 20 and led to four UK hit singles from the first hit album, "It Goes Without Saying". Doyle became a recognisable face in the UK music scene.

The only one missing really is "Dr Zaius" from "A Fish Called Selma". In his book Planet Simpson, author Chris Turner wrote, "when songs spring up one at a time, you might notice a clever line or two, or the way that they serve the same kind of plot-advancing or energy-generating purposes they do in Singin' in the Rain or Cats, but piled together in ["All Singing, All Dancing"], they amount to a sort of Simpsonian side project: Springfield: The Musical. And ... it's a very impressive side project at that." The episode was nominated for a 1998 Emmy Award, in the "Music Direction" category.

A review of The Simpsons season 9 DVD release in the Daily Post noted that it includes "super illustrated colour commentaries" on "All Singing, All Dancing" and "Lost Our Lisa". Isaac Mitchell-Frey of the Herald Sun cited the episode as a "low moment" of the season, noting it "recycles parts of previous episodes". Michael Dunne analyzed the episode in his book American Film Musical Themes and Forms, and gave examples from it while explaining that singing and dancing performances are generally not seen as acceptable in the television medium. He notes that Homer calls singing "fruity" and "the lowest form of communication" during the episode.

Scrooge is a 1970 British musical film adaptation in Panavision of Charles Dickens' 1843 story A Christmas Carol. It was filmed in London between January and May 1970 and directed by Ronald Neame, and starred Albert Finney as Ebenezer Scrooge. The film's score was composed by Leslie Bricusse and arranged and conducted by Ian Fraser. With eleven musical arrangements interspersed throughout, the award-winning motion picture is a faithful musical retelling of the original. The film was a follow-up to another Dickens musical adaptation, 1968’s award-winning Oliver!. The posters for Scrooge included the tagline “What the dickens have they done to Scrooge?”, designed to head off any criticism of an all-singing, all-dancing old skinflint. Finney won the Golden Globe Award for Best Actor in a Musical/Comedy in 1971.

During the writing project for Busted's second album A Present for Everyone, Fletcher was asked by the record label if he was available to film auditions for a new band, V. It was at this time that he and Danny Jones met for the first time; Jones went to the audition mistaking the band to be a Busted-esque band, rather than the conventional, all-singing, all-dancing, boy band for which they were intended. Fletcher was impressed with Jones's style, and invited him to write with him and Bourne. When writing projects for Busted had come to an end, the two began collaborating for their own (as yet unnamed) band, and, eventually, moved into the InterContinental Hotel in London for two months to concentrate on writing together. During this time together Fletcher and Jones wrote most of their first album, Room on the 3rd Floor.

Show 1: It's A Puppet Flaming Fun Fire Show / Dancers - This show is performed by a pair (Johnathan Reynolds and Merlin Bolton-Smith) of highly trained (not to mention highly insured!), pro-technicians. Each artist, a true master with his or her own pyrotechnic paraphernalia. Betty Brawn - Australian super strong lady Christian Lee - Now you see it ... silent comic stage magician, performs to music Duelling Sabres - Fighting stunt act 3 Run - A parkour, free running act of athletic ability Bollywood Dreams - Bollywood dance crew Alina Eskina - Solo cube acrobat who spins from a strap supported only by her neck West End Fever - All singing, all dancing group singing songs from favourite musicals. Millie & Tillie - Doubles Trapeze act Guy Barrett - Box illusionist Take Fat - Comic tribute singers Gandini Jugglers - LED performers juggling clubs Pro Jump 101 - Bouncy stilt crew Trio Micheev Ring - Circus act that features a ring, balanced on a performer's forehead, with an acrobatic lady balanced on top of this.

In 2001, Tom Fletcher auditioned for Busted, but lost out on the place to Charlie Simpson. Fletcher was originally accepted as part of Busted's line-up, but Island Records went on to reassess the situation and eventually decided to have the band as a three-piece rather than a four-piece. Though the record label decided against offering Fletcher a place in Busted, they were intrigued by his songwriting talents and later offered him a place on Busted's songwriting 'team', alongside band member (and already accomplished songwriter) James Bourne, whom Fletcher credits with helping him to compose melodies. While writing Busted's second album, A Present for Everyone, Fletcher was asked by the record label if he was available to film auditions for a new band, V. It was at this time that Jones and Fletcher met for the first time; Danny Jones went to the audition mistaking the band to be an instrumental band rather than the conventional, all-singing, all-dancing boyband, for which they were intended.

In 2001, Tom Fletcher auditioned for pop punk band Busted; it was the same audition Charlie Simpson was at. Fletcher was originally accepted as part of Busted's line-up, but Island Records went on to reassess the situation and eventually decided to have the band as a three-piece rather than a four-piece. Though the record label decided against offering Fletcher a place in Busted, they were intrigued by his songwriting talents and later offered him a place on Busted's songwriting 'team', alongside band member (and already accomplished songwriter) James Bourne, whom Fletcher credits with helping him to compose melodies. While writing Busted's second album, A Present for Everyone, Fletcher was asked by the record label if he was available to film auditions for a new band, V. It was at this time that Jones and Fletcher met for the first time; Danny Jones went to the audition mistaking the band to be an instrumental band rather than the conventional, all-singing, all-dancing boy band, for which they were intended.

Lyn Gardner in The Guardian wrote that Mole was "a home-grown hit for the Curve... a show constantly paying neat homage to previous British musicals and the traditions of the TV sitcom, and yet always staying distinctive and true to its source material... a quaint, unassuming little charmer." Dominic Cavendish in The Telegraph wrote that "this all-singing, all-dancing Mole comes up trumps; in fact, it's so good it could burrow its way to the West End... the evening does that rare thing: it makes you laugh, tugs at your heart-strings and honours the spirit of the original while being playfully inventive... this fresh, funny, stirring spin on a Thatcher-era classic may be around for a long time to come." Dominic Maxwell in The Times wrote "it's no small achievement to make this first musical version such a lively, evocative pleasure... amusing and affecting enough to leave you glowing... a thoroughly charming evening: faithful to the book but with a tenderness of its own." Red Riding Hood at the Pleasance Theatre in London received 4 stars from The Stage newspaper.