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28 Sentences With "add colour to"

How to use add colour to in a sentence? Find typical usage patterns (collocations)/phrases/context for "add colour to" and check conjugation/comparative form for "add colour to". Mastering all the usages of "add colour to" from sentence examples published by news publications.

They will add colour to outlets that otherwise resemble post offices.
Distinguished guests lecturer Mr.A.N.S Kulesinghe, participated in the event to add colour to the occasion. Though the programme of the anniversary was scheduled for 7 days, the programme was terminated by 2 days of time.
The bass recitative, "'" (So gloriously you stand, dear city!), is introduced and concluded with a fanfare-like trumpet and timpani line, further wind instruments, recorders and oboes da caccia add colour to the middle section, in an unusual movement for the Leipzig congregation.
It has its origins in early NDPs as various mass display items put up by community groups or schools to add colour to the otherwise military parade. These items revolved around the themes of racial harmony, ruggedness among youths etc., which are represented by ethnic dances and mass gymnastics displays.
The edible flower of the cornflower can be used for culinary decoration, for example to add colour to salads. Cornflowers have been used historically for their blue pigment. Cornflowers are often used as an ingredient in some tea blends and herbal teas. Cornflower seed is one of the favourite foods of the European goldfinch.
It will add colour to the megacity that we are dreaming for Lagos and this is a bold step towards achieving the transformation plan. Segun Olulade, a member of Lagos State House of representatives, representing Epe constituency, believes the market has become a haven for criminals and a place to hide arms and ammunition.
Los Reyes started out as a gypsy band. They traveled around France, playing at weddings, festivals, and in the streets. Because they lived so much like gypsies, the band adopted the name Gipsy Kings. Later, they were hired to add colour to upper-class parties in such places as St. Tropez, but their first two albums attracted little notice.
The speeches of Sadhu Kochoonju Upadesi was enjoyed by the old and young alike. He used a wide range of stories, examples, experiences and humour liberally throughout his messages to add colour to his speeches. He was very inclined to people experience a born again warmth than bored again. He incorporated his own composed songs in these gatherings, which later made his revised hymns popular.
A common feature of these and other such raga-s is the free movement they allow the artist, since they do not depend for their identity on rigidly formulated tonal sequences, irrespective of the compositions involved. In fact, one may say that they have a built-in provision for mixing raga-s or for moving out of the raga actually presented in order to add colour to the proceedings.
However, it was a goldmine for later writers, who various copied it, expanded on it, or used it to add colour to pamphlets and plays. Harman's taxonomy is reproduced in William Harrison's Description of England, contained in Holinshed's Chronicles (1577, 1587), as history, and extensively copied by in rogue literature, including Thomas Dekker, in Lantern and Candlelight (1608), Richard Head The English Rogue (1665), and The Life and Adventures of Bampfylde Moore Carew', (1745).
Banners do not exist merely to add colour to parades, but rather have several levels of meaning. At the most basic level, the topics show the allegiance of the person carrying them. A banner depicting Daniel O'Connell expresses a belief in Irish nationalism, while one of Queen Victoria or Edward Carson shows a desire to remain part of the United Kingdom. Likewise, banners of the Virgin Mary and Martin Luther signify Catholicism and Protestantism.
In agriculture and horticulture, seed treatment or seed dressing is a chemical, typically antimicrobial or fungicidal, with which seeds are treated (or "dressed") prior to planting. Less frequently, insecticides are added. Seed treatments can be an environmentally more friendly way of using pesticides as the amounts used can be very small. It is usual to add colour to make treated seed less attractive to birds, and easier to see and clean up in the case of an accidental spillage.
Stain is composed of the same three primary ingredients as paint (pigment, solvent (or vehicle), and binder) but is predominantly vehicle, then pigment and/or dye, and lastly a small amount of binder. Much like the dyeing or staining of fabric, wood stain is designed to add colour to the substrate (wood and other materials) while leaving some of the substrate still visible. Transparent varnishes or surface films are applied afterwards. In principle, stains do not provide a durable surface coating or film.
For acoustic and folk gigs Flegg favours Gibson and Martin guitars, recording using mainly a green Gibson L-4A acoustic and a Martin OMC41 (Richie Sambora signature model). For jazz, he uses a Les Paul Custom or a Gibson L-5 as shown on the cover of the album Her Favourite Flower. The green Gibson L-4A acoustic is also featured on the My Green Guitar album. Flegg has also experimented with alto and soprano sax and Anglo concertina to add colour to recordings of new songs.
On 4 July in the evening the Dree priest traditionally inaugurates the Dree festival in their respected villages. Next day on the 5th July, Dree is officially solemnized and celebrated at common ground with traditional gaiety after it is inaugurated by a Chief Guest unfurling the Dree flag followed by Dree Anthem sung by group of artistes. Everybody present are served with Dree Taku (cucumber), Dree 'O' (rice or millet beer) followed by community feast. To add colour to the celebration the Pri-Dances, Daminda and other folk dances are displayed.
The source was acknowledged by Sickert in an inscription on the painting. Park's photograph was in black and white so Sickert was obliged to add colour to the painting, however, he used a restricted palette causing the critic Frank Rutter to describe the work as "practically a monochrome". Sickert also greatly enlarged the proportions, resulting in a finished work of 245 x 92 cm. Unusually, the Tate Gallery acquired the painting the same year after a fund-raising campaign to buy it for the gallery led by the Tate's director, James Bolivar Manson.
Bedding plants add colour to Felling Park at Sunderland Road. The entrance to Gateshead International stadium at Neilson Road, Felling The Blue Bell at Victoria SquareThere are four principal parks. Arguably the most notable is Felling Park, a landscape park which envelops the old Town Hall buildings at the eastern end of Sunderland Road and the Holly Hill area. Opened in 1910, this park contains an open bandstand at the centre (but was taken down due to vandalism), tennis courts and a bowling green and a traditional children's play area.
However, this is broken by a return of the forte octave passages from the previous variation, modulating between C major, B major and B minor, before finishing in the original key of E minor. ;Variation VII The bass takes on the melody with wide, rolled chords, while the treble engages itself with undulating sextuplet thirty-second scale runs. Again, it modulates through the melodic minor, while sevenths and ninths add colour to the harmony. The scale flourish in the last bar is the first moment in the piece where Alkan notates use of a pedal.
The conservation park occupies a parcel of land known as ‘Allotment 101 of Deposited Plan 51151’ in the cadastral unit of the Hundred of Auld in the locality of Sandalwood. The country is characterised by sand dunes with a mosaic of open mallee scrub. Ridge-fruited and red-tipped slender leaf mallees add colour to the dunes with broombush growing in the mottled shade.Dept. of Environment and Natural Resources website Since 2008, “certain existing and future rights of entry, prospecting, exploration or mining” permitted under the state's Mining Act 1971 have applied to the extent of the conservation park.
The band of the EFR 1st Battalion is known as the State band of the West Bengal Government. Its splendid performances during combined Police parades, Republic Day parades, state functions at Raj Bhavan and visits of foreign dignitaries like the Emperor of Ethiopia, Prime Ministers of the People's Republic of China, Poland, Romanian People's Republic, Argentina, Queen Elizabeth II, King of Nepal, President of Indonesia and others were appreciated by all who were present at those occasions. Whenever any state function is held in West Bengal, the services of this band party are requested to add colour to the occasion. Ex. Sub.
When shooting for the film was almost complete, Prasad felt that a celebration song set after the film's harvest scene would add colour to the black-and-white film. Lyricist Kosaraju Raghavaiah remembered a song he had written for producer Thottempudi Ramaiah's shelved film Paleru, that was composed by Venu. Chanakya and Prasad liked the lyrics and the tune, and Vedantam Jagannatha Sarma suggested Waheeda Rehman, then a dancer, to the makers. She was signed on a remuneration of for being the dancer in the song, "Eruvaaka Sagaroranno Chinnanna", and Rojulu Marayi thus marked her feature film debut.
Blue and white flowers of Sheep's bit (Jasione montana) and pink and flowers of Sea Bindweed (Calystegia soldanella) lend colour to Studland dunes in June. Both Heath Spotted Orchid (Dactylorhiza maculata) and Southern Marsh Orchid (Dactylorhiza praetermissa) are frequent on Corfe Common that month, and Harebells (Campanula rotundifolia) and Purple Betony (Stachys officinalis) flowers add colour to the Common in July. Dorset Heath (Erica ciliaris), the county flower, can be found in July and August in large numbers, especially on and around Hartland Moor, in damper parts of the heathland. Bog Asphodel (Narthecium ossifragum) gives displays of yellow flowers there in early July.
Los Angeles had a second team with Vancouver, Seattle, Portland and San Francisco in the Pacific Coast Hockey League. Although the quality of hockey played in the WIHL was considered superior to that of the other league, Kimberley, Nelson and Trail were small towns, and hockey did not appeal to wealthy patrons. To add colour to the league, the Los Angeles Ramblers' executive came up with the George Montgomery-Dinah Shore Cup, a beautiful trophy donated by the film-famed pair from Hollywood. The trophy went to the league champions, with the Kimberley Dynamiters the first team to have their name carved on the cup.
Palmer draws attention to instrumental combinations, such as oboe doubling cello and viola playing with bassoon and cor anglais. After an opening that evokes a strong breeze, with harp glissandi and a swift and agile woodwind theme, a muted solo cello moves the melodic content forward. The main theme, a descending, chromatic, three-note figure, dominates the first part of the work, which is developed before the second subject, an andante con moto, in which harp and celeste add colour to a theme played by cor anglais, bassoon and viola. A central section, with pianissimo strings and high horns precedes a brief sonata form development and recapitulation.
He particularly made prominent use of its signal-chain editing capability in order to add colour to his own voice as well as Robert Fripp and Phil Manzanera's guitar work. His early band, Roxy Music, supposedly requested that he join them after watching him tinker with the Synthi AKS for only a few minutes. Jean-Michel Jarre featured the Synthi AKS on his albums Oxygène and Équinoxe, as well as on Oxygène: Live in Your Living Room. Pink Floyd used the synthesiser to create the electronic riff of the track "On the Run" and to play the solo of "Any Colour You Like", both from the 1973 album The Dark Side of the Moon.
Zeng's eccentric personality and mannerisms earned him considerable coverage in local media, and is frequently referred to as Parrot Man, a moniker that came about after Zeng blamed his pet parrot for committing a crime he was charged for. Benson Ang stressed the controversy surrounding Zeng, describing him as "Toa Payoh's nutty professor". Tessa Wong of The Straits Times acknowledged that his appearance during elections "does add colour to what is otherwise a serious day". Others facetiously dub him as an "election veteran" in Singapore while noting his tendency of not filing his nomination papers and his public antics; Ilsa Chan, writing for Toggle SG, billed Zeng as "the candidate who never gives up" but found his backing out of the 2015 general election bizarre.
Schneider, Günther et al (2005). "Skin Cosmetics" in Ullmann's Encyclopedia of Industrial Chemistry, Wiley-VCH, Weinheim. Cosmetics designed for skin care can be used to cleanse, exfoliate and protect the skin, as well as replenishing it, through the use of cleansers, toners, serums, moisturisers, and balms; cosmetics designed for more general personal care, such as shampoo and body wash, can be used to cleanse the body; cosmetics designed to enhance one's appearance (makeup) can be used to conceal blemishes, enhance one's natural features (such as the eyebrows and eyelashes), add colour to a person's face and, in the case of more extreme forms of makeup used for performances, fashion shows and people in costume, can be used to change the appearance of the face entirely to resemble a different person, creature or object. Cosmetics can also be designed to add fragrance to the body.
" Trenton Webb reviewed Ravenloft Monstrous Compendium Appendices I & II for Arcane magazine, rating it an 8 out of 10 overall. He noted that this product was a re-release of the first two Monstrous Compendium appendices for Ravenloft, in a single bound volume, and that Appendix I details "the variants, updates and unique monsters which lurk in the Demiplane's mists" while Appendix II "takes these new creatures and fleshes them out into full NPCs, expanding the descriptions in Appendix I". He commented that as a reference book, "Appendix I does its job well enough. The true worth of the work, though, undoubtedly comes from the quality of Appendix II's creations" which "offer referees a varied and rich source of legends to drop into their tavern conversations or to add colour to campaigns". Webb concluded his review by saying: "All Appendices I & II offer DMs who own the old loose leaf versions are a few new piccies and the tidy new bound form, which is all well and good but hardly enough to justify [the price].

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