Miss Piggy now glorified geisha, forced to be active listener.
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Maddow's is the rare television news show that requires an active listener.
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Brian: To be an active listener and have smart, alive, and energetic eyes.
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He'd been a kind, active listener; a great friend; and an amazing support system.
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Be an active listener and pay attention to the doors that are opening and closing.
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Become an active listener who can offer support and assurance that the infection is manageable.
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Ask a neutral question, then listen to the whole damn answer — and be an active listener.
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This breed is an active listener and obedient, making it especially good with children and the elderly.
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Instead, I serve as an active listener, letting the other person really talk about all their conflicting emotions.
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Thankfully, even if you're introverted, you can pull off networking by asking the right questions and being an active listener.
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Mars offers more energy to be an active listener, so practice repeating what you're hearing back to the person giving you the information.
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His colleague Evangeline Ryder (Amy Madigan) has better boundaries but might as well wear a sign proclaiming her a profound empath and active listener.
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I think that the most important role [I have] is to be that early supporter, whether that's listening—meaning being an active listener—or showing up.
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There is Rosa Isela López — middle-aged, full cheeks, an active listener — whose son is rumored to have been shot off his motorcycle by Veracruz state police.
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In fact, what makes him one of the greatest communicators of all time is his ability to be an active listener, according to speech and language pathologist Simon Friedman.
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"Really discuss with your man in a non-judgmental [way], be an active listener, caring with curiosity, kindness and compassion, not fear that they&aposre hurting you or that they&aposre sick," Ruskin said.
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I suppose the main difference is that with classical stuff, you can write it for an active listener who will sit and give you ten minutes of their time and then think about what they heard.
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" Even when lauding Wallace's positive attributes, she denigrates herself: "Of course, given David's experience résumé relative to mine, he had every right not to care too much about anything I had to say, but the guy really was the best active listener you could possibly imagine.
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An active listener analyzers what the speaker is saying for hidden messages, and meanings contained in the verbal communication. An active listener looks for non-verbal messages from the speaker in order to indicate the full meaning of what is being said. With active listening, a person must be willing to hear what someone is saying and the intent to try to understand what the meaning of what the other person said. When active listening is used, there can be multiple benefits.
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Being an active listener means that you have the possibility to become a more effective listener over time, and your leadership skills will strengthen. Active listening is an exchange between two or multiple people. When those people are active listeners, the quality of the conversation will be better and more clear. They connect with each other on a deeper level with each other in their conversations.
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The Active Listener: 6# out of #10 Music blog The Active Listener voted Dimly Lit #6 place out of #50 in 'The Active Listener's Favorite 50 Albums of 2013' poll in November 2013, and claimed the album to be "... a record full of solid songs with hooks everywhere – a worthy successor to Broadcast's earlier work perhaps?". Levitation: #3 out of #10 Music website Levitation put Dimly Lit at #3 out of #10 in their 'Top ten albums for 2013'. Dom Gourlay (Drowned in Sound): No. 3 out of #50 Drowned in Sound writer Dom Gourlay was an early supporter of the album and put it at No. 3 out of No. 50 in his personal Top 50 Albums of 2013. White Tapes: #16 out of #100 German-based music site White Tapes placed Dimly Lit at #16 out of #100 in their best records of 2013, voted by users.
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The active listener listens to music to discover the method of composition, while to the passive listener music is merely sound. He writes, “The most important factor in the mental process which accompanies the act of listening to music, and which converts it into a source of pleasure, is frequently overlooked. We here refer to the intellectual satisfaction which the listener derives from continually following and anticipating the composer’s intentions – now, to see his expectations fulfilled, and now, to find himself agreeably mistaken.
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Rob Clarke and The Wooltones have also appeared on vinyl, CD and download compilations from Fruits De Mer, Winter Records, Active Listener, Psychedelic Underground Generation, Trip Inside This House and Pyschgaze, whilst receiving airplay in the UK, Europe and the US. The band have also performed a cover of "Atlantis" by Donovan and "Mind of a Child" by Clouds, this on the Fruits de Mer album A Phase We're Going Through. They also contributed an electric guitar cover, likened in style to that of The Bevis Frond, of the BBC The Sky at Night theme originally composed by Jean Sibelius to the Fruits De Mer release Do Not Adjust Your Set.
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Her work is usually perceptually based in the individual (Drift, Jerusalem Windows, Monumenti), informed by her own phenomenological investigations of how music functions, based on the writings of Edmund Husserl and Martin Heidegger. There is often, as with history, a presentation of incomplete ideas, which are intended to be completed in the mind of the listener. It is a language of connotations; within each piece, a new syntax is fully established to allow the perceptive, active listener to respond to or to complete fragmentary statements, which the composer, in turn, comments upon, verifies or denies later in the work. There is a deliberate engagement of the listener, a demand upon one’s attention which is rewarded through correspondence.
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Eavesdropping: A Memoir of Blindness and Listening is Stephen Kuusisto’s second memoir to date, published in 2006. Written in the form of linked essays, Kuusisto offers his story of living a life by ear, developing an aural landscape so that he hears “layers of space” rather than sees them—Reed Elsevier of Publisher’s Weekly contends: “A crowd is not a crowd to him; instead it is a series of sound points, indicating space, pace, rhythm and mood”—and of overhearing the world taking place about him. Eavesdropping becomes an art for Kuusisto, the attentive, active listener and keen observer that he is, and the memoir is composed of countless anecdotes recounting his experiences doing just that. He discusses his childhood and reveals that he was more of a recluse, his constant companion being music—from the rhythm of the wind, to the sound of trees tapping on windows, to the song of birds, to the Victrola he discovers in his grandmother’s attic—but particularly the sounds of Enrico Caruso, a famous Italian tenor. Kuusisto also confides that his grandmother was his first “guru of listening”.
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