126 Sentences With "accessioned" | Random Sentence Generator

Officials at the museum said records showed that the sculpture had never been accessioned into the permanent collection.

The artworks that brought in the huge sums at Christie's were being de-accessioned by the Fujita Museum in Osaka, Japan.

Three Buddhist illustrations on view were accessioned with evidence that they were payment to an American doctor, who was based in Cambodia before WWII.

Andrew Garrett, professor and chair in the UC Berkeley Department of Linguistics, told Hyperallergic that all the cylinders being scanned are accessioned in the California Language Archive.

Mr. Schulman assuaged his concerns with a letter, bearing Mr. Priore's name, that said that the book had been "de-accessioned," or officially removed from the library's collection.

It was made in 1974 by some engineer, probably as an office prank, but it was officially accessioned, so now it's part of the records of the Forest Service.

Susan Benne, executive director of the antiquarian booksellers' group, said the organization was working to create best practices for handling materials de-accessioned from libraries and is developing training on theft and provenance.

This much sought-after painting was acquired thanks to a trade exchange of various de-accessioned works, a swap proposed by Larry Gagosian who was long aware of this lacuna in the Pittsburgh Museum.

After an earlier professional assessment in 2011, a previous provost suggested that the collection be de-accessioned and moved to another institution — perhaps the nearby Historic Northampton museum, which is known for its costume and textile collection.

" The Association of Art Museum Directors' code includes an even narrower definition of when sales are permissible, stating: "A museum director shall not dispose of accessioned works of art in order to provide funds for purposes other than acquisitions of works of art for the collection.

The announcement was accompanied by a detailed breakdown of the lucky recipients of this giveaway, with 99.4% — or 10,753 pieces — of the collection's works to stay in Washington; that overall percentage includes the 8,631 total pieces that were previously accessioned by the National Gallery (which still picked up a few more works this week).

A recent iteration of "After Willis," her wall-mounted reclaiming of de-accessioned seats from the Chicago Transit Authority, which also appeared in a gallery group show earlier this year, serves as a kind of gentle introduction: Mass produced but individually worn, locked together by circumstance, with subtle but unmistakable civil rights resonance, they're a social metaphor as well as a handsome variation on the ready-made.

Hanson sold the collection to The Clark in 2000 and was accessioned in 2001.

Works are accessioned across the globe into presidential and royal palace collections, and prominent museums.

The PTU Library has accessioned 8856 text and reference books, 973 complementary books and more than 1000 thesis.

In December 2019, two costumes from the series were accessioned by the National Museum of American History at the Smithsonian Institution.

The Sutphin Fountain is dedicated in memory of Samuel Brady Sutphin. The fountain was officially accessioned into the IMA's non-art collection in 2003.

Functional Analysis of a Model Filamentous Fungus and accessioned over 13,000 gene deletion mutants together comprising a whole genome deletion set between 2006 and 2014.

There are over 250 vehicles at Bo'ness, of which 150 are accessioned to the museum collection and are owned by the Scottish Railway Museum Collections Trust.

She also collected in Washington, Wyoming, and Nebraska. While curator at UO, she also mounted, labelled and accessioned roughly 3,000 specimens collected by Oregon botanist Lilla Leach; incorporated the approximately 3,800 collections of Eugene collector Orlin Ireland; formally accessioned hundreds of specimens; and updated names on hundreds of herbarium sheets in accordance with the 1973 "Flora of the Pacific Northwest" (Hitchcock and Cronquist) and other new floral references.

Identification of objects for which the institution has a legal responsibility, including loaned objects and objects that have not been accessioned. Information recorded includes object location and status.

After the tours were complete the artworks were accessioned into the permanent collection of the New Zealand National Art Gallery - now the Museum of New Zealand Te Papa Tongarewa.

Distinguishing the pathways of primer removal during Eukaryotic Okazaki fragment maturation Contributor Author Rossi, Marie Louise. Date Accessioned: 2009-02-23T17:05:09Z. Date Available: 2009-02-23T17:05:09Z.

La Hermana was donated to the IMA from the Joseph Cantor Collection in 1987. It was accessioned in the same year.Indianapolis Museum of Art. "La Hermana del Hombre Boveda", Explore Art: IMA Collections.

Memories of Prague was received at the IMA in May 1985. It was accessioned the same year, and in November the artwork was given a dedication ceremony, also in honor of Mrs. Valentine.

Moses was accessioned by the Toledo Museum of Art in 2009. It was a gift of Marshall Fields, by exchange. It is currently on display in the Georgia and David K. Welles Sculpture Garden.

Frank Messina Biography, SpokeFace.com. Accessed October 11, 2007. In 2013, his original hand-written journal of 9/11-related poetry was accessioned into the permanent collection of the National September 11 Memorial & Museum in New York City.

Although a number of these items are on display in its exhibitions, many of these specimens are held at a off-site storage facility, the Natural Heritage Campus in Gatineau, Quebec. The off-site facility holds over 3.1 million accessioned lots representing more than 10.6 million specimens. As of 2014, approximately 22 per cent of the accessioned lots have been digitized and may be viewed through an online database. Since 2001, there were approximately 43,000 specimens added to the museum's collections annually; acquired primarily through fieldwork by staff, research associates and other collaborators.

For the past five years 3,000 books and 2,000 newspapers have been accessioned. So far, 3,000 persons used the library. The library is having more than 125 members. Mo subscription is received from the members of the library.

Adopt a Stone a gift to last a lifetime. Peterborough Cathedral 2013 (accessioned 20131229) The sculptor Alan Durst was responsible for some of the work on the statues on the West Front.Alan Durst, Mention of work on West Front.

The sculpture was accessioned by the BMA in 1966 as a gift from the Wurtzburgers, along with thirty-five other works of art. However, it was not moved to the museum until the opening of the sculpture garden in 1980.

Thomas Balston, Wood- engraving in Modern English Books (London, National Book League, 1949). This was Spring Morning by her cousin Frances Cornford, published by the Poetry Bookshop in 1915. It was accessioned at the British Museum Library in May 1915, which makes it the first modern British book illustrated with wood engravings, as the other contender, The Devil's Devices illustrated by Eric Gill, was accessioned in December 1915. In 1922 she contributed two wood engravings to Contemporary English Woodcuts, an anthology of wood engravings produced by Thomas Balston, a director at Duckworth and an enthusiast for the new style of wood engravings.

A hydrographic chart of the island ("Anaphi, Pasha and Makrea") from 1859, under the direction of Captain Thomas Spratt (1811-1888) of HMS Medina, can be found in the archives of the UK Hydrographic Office, accessioned 4 June 1860 and ref D4737.

A single chariot burial is recorded on the site which is now accessioned to the Yorkshire Museum. The vast majority of skeletons were aligned on a north- south axis; a trait evident across Arras Culture sites and all were recorded as being found in a crouched position.

The marble sculpture was de-accessioned by the Ny Carlsberg Glyptotek in 1974. After passing through several private collections, it was sold at Christie's in 2003 for £446,650. In 2017, John Schaeffer donated the marble replica to the Art Gallery of New South Wales, in Sydney, Australia.

In view of the large number of individuals involved in the discovery process, it was considered improper to single out one of them as discoverer. The holotype is the skeleton accessioned as BMNH R10001 and MIWG 6348. In 1999, Hutt dedicated his (unpublished) master thesis to Neovenator.Hutt, S.C. 1999.

Sow Farm is a realtime portrait of a related agri- industrial complex in the midwest. A single transport truck pulls to each building every 156 days and waits for one hour. Behind the sheds lie large effluent lakes. In 2015 Sow Farm was accessioned to the Tate Collection.

The diesel locomotives received new motors and other upgrades, as well as a new paint scheme. The steam locomotives received some cosmetic restoration at this time as well. The railroad had de- accessioned its last remaining steam locomotives in early 2013, and currently owns and operates diesels exclusively.

Dr. Helen O. Dickens married Dr. Purvis Henderson and had two children, Dr. Jayne Henderson Brown and Norman Henderson. She donated papers from the latter part of her career to the University of Pennsylvania in 1994 (accession number 1994: 62) with a further donation accessioned in 2002 (accession number 2002:7).

"On the horizon of Protopteryx and the early vertebrate fossil assemblages of the Jehol Biota." Chinese Science Bulletin, 53(18): 2820-2827. J. luanhera was described from a nearly complete fossil. The fossil seems not to have ever received a catalogue number, nor to have been accessioned by a museum.

Retrieved September 28, 2017. In Fall 2019, Dr. Ozarin's student microscope was donated to the NIH Stetten Museum in Bethesda, Maryland. It is a 1932-3 Bausch and Lomb Type H, Model HA. It has been accessioned by the museum's curator, and it is searchable through the museum's online archive.

Commission Archéologique et Littéraire de Narbonne, 2008, Arthur- Richard Dillon, dernier Président-Né des Etats de Languedoc, de 1763 à 1790, Bulletin de la Commission Archéologique et Littéraire de Narbonne 51, 27-36 On 19 May 2008, the porcelain dentures were accessioned into the Cobbe Museum (currently housed at Hatchlands, East Clandon).

In 1959, Hayflick developed the first inverted microscope for use in cell culture research. To this day, all inverted microscopes used in cell culture laboratories worldwide are descended from this prototype. His microscope was accessioned by the Smithsonian Institution in 2009. Hayflick developed the first practical method for producing powdered cell culture media in 1965.

Fyodor Gavrilov was a Russian painter active in the second half of the eighteenth century. The Tver Regional Picture Gallery contains a single painting by him, a portrait of Nikita Kuzhin which it accessioned in 1950; a label formerly affixed to the back of the painting dates it to 1767. Nothing further is recorded of his career.

Previous to its purchase by the IMA, Two Figures was kept in the artist's collection in London. Marlborough Gallery in New York represented the Hepworth's work in the United States and sold the artwork to the IMA in 1980. It was accessioned that same year through the Henry F. and Katherine DeBoest Fund in memory of Henry F. DeBoest.

Elaltitan is known only from a single individual, represented by an associated partial postcranial skeleton. The holotype includes both PVL 4628 and MACN-CH 217 comprising three dorsal vertebrae, two caudal vertebrae, left scapula, left humerus, left radius, both ulnae, right pubis, proximal half of right femur, distal part of left tibia, distal two-thirds of left fibula, right astragalus and calcaneum. Elaltitan is the first titanosaur skeleton to preserve an associated calcaneum. Although all of the material was originally housed in the Colección de Paleontología de Vertebrados de la Fundación Instituto Miguel Lillo in Tucumán, Argentina and accessioned as PVL 4628, the dorsal vertebrae and complete caudal vertebra were subsequently moved to the Museo Argentino de Ciencias Naturales “Bernardino Rivadavia” in Buenos Aires, where they were accessioned as MACN-CH 217\.

In order to keep track of the FIC collection, a temporary number should be assigned that is completely different in format from the museum's accession number to avoid further confusion. Whether the item is to be accessioned or deaccessioned, it requires establishing a chain of custody, which can be started with the application of a temporary number and assemblage of any associated documentation.

Hayflick demurred in favor of Mycoplasma pneumoniae. This smallest free-living microorganism was the first to be isolated and proven to be the cause of a human disease. For his discovery, Hayflick was presented with the Presidential Award by the International Organization of Mycoplasmology. The inverted microscope under which Hayflick discovered Mycoplasma pneumoniae has been accessioned by the Smithsonian Institution.

Procession of Ants is a public sculpture by American artist, David Bowen, located on the Indiana University-Purdue University Indianapolis campus, which is near downtown Indianapolis, Indiana. The sculpture can be found in the flower bed of Taylor Hall on the north side of the building. It was accessioned in 1998 as a part of a competition to create more artwork for IUPUI.

American Collectors (Fred and Marcia Weisman) is a 1968 painting by British artist David Hockney. The painting is currently in the collection of the Art Institute of Chicago. It was accessioned by the museum in 1984 after being donated by Frederic G. Pick and his wife. The painting depicts Frederick and Marcia Weisman, two American art collectors from Los Angeles.

Most T 16s stayed in the west; the last Deutsche Bundesbahn 94.2 was retired in 1955. The few locomotives that stayed in the east had been retired by 1968. The last locomotive, 94 249 was transferred to the Dresden Transport Museum. In 1983, it was de-accessioned and traded to Heiligenstädter Eisenbahnverein (Heiligenstadt Railway Club) for 60 tonnes of scrap.

The first Procolophon fossil was discovered in the 1870s in Donnybrook, an area southwest of Pietermaritzburg in present-day Kwa-Zulu Natal of South Africa. The fossil was accessioned to Harry Seeley, who described the fossil in 1878. Numerous other fossils have been recovered since from localities across the Eastern Cape and Free State provinces of South Africa.Gow, C.E., 1977.

Washington, DC: AAM Press. If the object is to be formally accessioned into the permanent collection, a Transfer of Title is also required upon the object's arrival. The documentation required for a transfer of title could be a Deed of Gift or a sale slip. As part of the standard accessioning process, condition reports are also created, numbers are assigned and marked, and photographs can be taken.

Knight was also represented in the collection of the Corcoran Gallery of Art until the institution's demise; two of her sculptures from the collection were then transferred to the National Museum of Women in the Arts, while a lithograph and a drawing were accessioned by the Katzen Arts Center at American University. The Art League presents the Jennie Lea Knight Creativity Award in her memory.

The museum is legally responsible and ethically obligated for the maintenance of up-to-date information detailing the location of all objects within the collection, including loaned items and objects that have yet to be accessioned; this is stipulated by many museum associations, including the American Association of Museums.Gordon McKenna and Efthymia Patsatzi, ed., SPECTRUM: The UK Museum Documentation Standard (Cambridge: Museum Documentation Association, 2007), 77.

Visual storage at the Victoria & Albert Museum, London, England Once accessioned into the collection, museum objects must be appropriately cared for. New objects may be examined by a conservator and treated for any pre-existing damage. The object is then cataloged by a curator or other specialist with knowledge of the object's importance and history. The object will then be given an appropriate storage location.

Leila Arboretum children's garden The Leila Arboretum is an arboretum and garden located at 928 West Michigan Avenue, Battle Creek, Michigan. The arboretum is 72 acres, and is open to the public. The Arboretum’s collections include nearly 1,700 accessioned woody plants and about 25,000 total plants, comprising trees, shrubs, and perennial and annual plantings laid out in the manner of European gardens. Many plantings date back to the 1920s.

Richens, R. H. (1983). Elm. Cambridge University Press; p.244 The proprietor of the nursery, who in collaboration with the local tree officer took cuttings, bred 2000 trees via micropropagation. The variety has been sold as a form of "English elm" with a "high resistance" to DED, covered in the national press and BBC, exhibited by the Royal Horticultural Society, and donated to and accessioned by Kew Gardens.

In the Skinner Asian Arts Auction, an 18th-century bamboo Chinese brush pot was sold for $539,500. The pot was inscribed with detailed figures of immortals and animals set in mountainous landscapes. In March 2019, the Art Institute of Chicago de- accessioned 22 Chinese jade carvings at a sale at Sotheby’s New York. A white jade “Imperial Procession” brushpot from the Qing dynasty was sold for US$2,060,000.

There are over 5,000 accessioned artifacts in the collection and many more that are display items, extras, or permanent loan items. It is reported to be one of the largest collections of its kind in the United States. Items from the collection are used for MOAH permanent and rotating exhibits. Other museums and institutions are able to borrow items from the MOAH collection for their exhibits or other displays.

The museum feature a number of historic boats (see Exhibits). Collections information is not available through the primary website. The absence of a full-time collections manager may indicate the museum does not hold a traditional collection of accessioned, permanent objects. This does not mean the Working Waterfront is not a museum, but it is closer to the ecomuseum tradition, instead of the classic cabinet of curiosities model.

The grounds of Oldfields were landscaped by Percival Gallagher of the Olmsted Brothers in the 1920s. The property and all sculptures on it were donated to the IMA by the family of former Oldfields owner Josiah K. Lilly, Jr., in 1967. In 2001 the outdoor sculptures were assessed, and eighteen selected pieces were accessioned into the IMA's Lilly House collection. The Three Graces was assigned Accession Number LH2001.227.

Also in that year the 1, 2, and 3 were used at the awards podium for the 1982 National Sports Festival, which was held in Indianapolis. Although the entire series was accessioned into the IMA's collection in 1988, only the 6 was put on display at the museum at the time, because of an expansion project taking place. The rest of the numbers were added to the outdoor display in 1992.

An inventory is an itemized list of objects that the museum has accessioned or received via loan(s) and must be physically located by an examiner. A complete, one-hundred percent inventory, or a random inventory of the collection must be carried out periodically to ensure the museum is operating under best practices and for security purposes.Dorothy H. Dudley, Irma Bezold Wilkinson, et al., Museum Registration Methods (Washington, D.C.: American Association of Museums, 1979), 413,415.

173 Land of the Pharaohs (1955)"Gerry Blattner", British Film Institute (BFI), retrieved 26 December 2013 as production manager, and Fanny (1961)."Robert Lennard Collection", WRL/29/1, p.6, Extent - 20A, Accessioned - May 2002, The National Archives, UK Although Raoul Walsh, with whom he worked on Captain Horatio Hornblower, described Gerry Blattner as the "studio head" in his autobiography ch.20 (and mistakenly called him "Jerry"), he was actually the head of Warner Bros.

The grounds of Oldfields were landscaped by Percival Gallagher of the Olmsted Brothers in the 1920s. The property and all sculptures on it were donated to the IMA by the family of former Oldfields owner Josiah K. Lilly, Jr., in 1967. In 2001 the outdoor sculptures were assessed, and eighteen selected pieces were accessioned into the IMA’s Lilly House collection. Female Herm was assigned Accession Number LH2001.240, and Male Herm was assigned LH2001.241.

On June 30, 2015, he officially retired and closed the Earth Policy Institute. His legacies will live on through a Lester R. Brown Reading Room at Rutgers University (his alma mater). The room will house the collection of his books along with their translations, honorary degrees, and awards. His electronic collection of presentations, radio and television interviews, and documentaries in which he is featured will be accessioned into the Rutgers University library system.

Weather Tower, a public sculpture by American artist Jerald Jacquard, is located on the Indiana University-Purdue University Indianapolis campus, which is near downtown Indianapolis, Indiana. The sculpture is located off White River Parkway East Drive in a plaza near IUPUI campus housing. Jacquard created this painted steel sculpture in 1985. It was acquired by the Indianapolis Museum of Art in 1999, where it stood at the front entrance until de-accessioned and moved to IUPUI's campus in 2005.

In 1875, the War Department came to Brady's relief and purchased, for $25,000, the remainder of his collection, which were mostly portraits. Anthony Co. possessed most of Brady's war views, received by them as compensation for Brady's continued indebtedness. From the War Department, the collection went to the U.S. Signal Corps, and in 1940 it was accessioned by the National Archives. On January 15, 1896, Brady died penniless in the charity ward of Presbyterian Hospital in New York City.

She provided the illustrations for Dallimore and Jackson's Handbook of Coniferae and F.J. Hanbury's Illustrated Monograph of the British Hieracia. Lister's botanical and mycological collections can be found in the Natural History Museum, London, Stratford museum and Kew Gardens. She bequeathed 74 research notebooks to the British Mycological Society, which later were accessioned to the Natural History Museum, London, which documented the work Lister and her father had conducted on historical collections as well as their own.

The grounds of Oldfields were landscaped by Percival Gallagher of the Olmsted Brothers in the 1920s. The property and all sculptures on it were donated to the IMA by the family of former Oldfields owner Josiah K. Lilly Jr., in 1967. In 2001 the outdoor sculptures were assessed, and eighteen selected pieces were accessioned into the IMA’s Lilly House collection. The Seasons were among these and were assigned the accession numbers listed above in the description.

Aside from the exhibition there was a lecture hall, laboratory and library. From here, the museum moved to Leinster House in 1815 when the RDS purchased it from His Grace The 3rd Duke of Leinster. Here the Leskean Cabinet continued to be displayed, along with newly accessioned collections from the professor of mineralogy and geology, Charles Lewis Giescke, curiosities, and the Hibernicum which was a display of minerals and geological specimens from the island of Ireland.

More than 200 other genera of woody plants are also available for study, as well as native forest areas, herb and perennial landscapes, a native prairie garden, several provenance tests, aquatic areas, and conifer plantations. The arboretum contains approximately 2500 accessioned woody taxa and 60 species of spontaneous woody plants. Permanent records include provenance information, propagation method and year, and mapped location within the arboretum. In 2008, Starhill Forest became the official arboretum of Illinois College.

The Soothsayer's Recompense is currently owned by the Philadelphia Museum of Art, and was first shown there in 1954. It originally hung in the home of the Arensberg family, where it inspired Philip Guston to become a painter. Since being accessioned by its current owner, it has been shown elsewhere, including twice at the Estorick Collection of Modern Italian Art in 2003 and again in 2014, and at the Institute of Contemporary Art, Los Angeles in 2007.

Overcrowding led the organization in May 2008 to 298½ University Avenue West, Saint Paul, MN, above the Hmong ABC (Arts, Books & Crafts) store. Since early 2012 Hmong Archives had relocated to 343 Michigan Street, Saint Paul, MN. Regular office hours are Monday, Wednesday, and Friday from 10AM to 6PM. Collections range from rare Hmong record albums to Hmong embroidery, Hmong children's drawings, videos and books in over a dozen languages. As of March 2013, over 150,000 items had been accessioned.

These strains have been deposited by 310 different individuals, 64 of whom have deposited only one strain. The FGSC also holds a number of non-accessioned strains including the wild-type strain collection of Dr. David Perkins as well as Neurospora strains from a number of other researchers who have retired. These are held with the understanding that they will keep them as long as space is available. They are not curated and are available on an as-is basis.

The Guild had over 69 million upload views on YouTube as of September 2011. The series won several awards since its launch, including six Streamy Awards and four IAWTV Awards, and in February 2009, Rolling Stone named it one of "The Net's Best Serial Shows". A costume from the series has been accessioned by the National Museum of American History of the Smithsonian Institution. In 2014 The Guild was listed on New Media Rockstars Top 100 Channels, ranked at #37.

Ngā Taonga Sound & Vision's Strategic Plan 2016-2024 published in mid-2016, noted significant issues with the archive's acquisition and deposit activities. The Strategic Plan noted the Selection and Acquisition Policy was out of date, there were three different deposit agreements and there was a significant backlog of material that hadn't been accessioned/catalogued. There were also a large number of depositors who had been promised a copy of their items but had not received them - with some waiting over ten-years.

In December 2005, l'Atelier national du Manitoba presented a 60-minute video-collage Death by Popcorn: the Tragedy of the Winnipeg Jets at the Winnipeg Film Group's Cinematheque for three screenings."Plight of the 'Peg," by Alison Gillmor, CBC.ca, December 6, 2005 The video was edited in October and November, 2005. Subsequent to the video's Winnipeg premiere, l'Atelier became involved in a highly publicized public controversy and legal battle with media conglomerate CTV BellGlobeMedia over Fair Use of de- accessioned television footage.

In 2009, the National Science Foundation (NSF) funded the redesign of the Ask A Biologist website including the addition of Web 2.0 tools as part of the National Science Digital Library (NSDL). In 2010, Ask A Biologist released its new website developed using a Web content management tool Drupal and adding Web 2.0 options. The new content management expanded website features including translations of content into French and Spanish and an improved interface for audio streaming. The website was officially accessioned by the NSDL in September.

The original excavations by William Watson uncovered more than 100 square-barrows, square earthworks several metres long containing a single inhumation grave often accompanied by grave-goods. Material uncovered in the graves is of particularly high quality and is often unique in Iron Age Britain and includes copper-alloys, iron, animal bone, coral, jet and enamel. Of the four barrows, most material from the King's Barrow, the Queen's Barrow and the Charioteer's Barrow are accessioned to the Yorkshire Museum and the Lady's Barrow to the British Museum.

The United States National Herbarium is a collection of five million preserved plant specimens housed in the Department of Botany at the National Museum of Natural History, which is part of the Smithsonian Institution. It represents about 8% of the plant collection resources of the United States and is one of the ten largest herbaria in the world. The herbarium was founded in 1848, when the first collections were accessioned from the United States Exploring Expedition, when botanists pressed approximately 50,000 specimens, representing 10,000 species of plants.

The Soothsayer's Recompense is a 1913 painting by the Italian artist Giorgio de Chirico. It is now in the Philadelphia Museum of Art as part of the permanent collection. It was accessioned in 1950 as one of the thousand items donated to the institution by Walter and Louise Arensberg. The piece was created in France, through a process of "squaring-up" in which De Chirico drew a version of the piece divided into nine squares, and subsequently used this draft to quickly create the fleshed-out painting.

Several amateur paleontologists, among them Keith and Jenny Simmonds, now began to search for additional remains of the predator. Ultimately, the total of secured bones included the snout, teeth, a front lower jaw, most of the vertebral column, ribs, belly ribs, chevrons, the left shoulder girdle, pelvis bones and a hindlimb. These were accessioned under numbers BMNH R10001 and MIWG 6348. They equalled approximately 70% of the skeleton. In 1985, excavations undertaken by Dr Steve Hutt of the MIWG revealed two vertebrae of a second individual, specimen MIWG.5470.

The main library holding volumes include the Graduate Studies, Theology and the Special Collections. The Elementary Library has 30,071 volumes, the High School library has 20,024, and the College of Law Library, 6,108 accessioned volumes. Periodicals. The Library maintains subscriptions to both local and foreign print periodicals as well as subscription to ONLINE journals (OVID Medline), 8 local newspapers and more than 1,200 irregular titles or serials acquired through/from library linkages. In addition, the library receives 1,315 titles through exchanges and through gifts from local and foreign institutions.

The two worked together on a fashion line called Imitation of Christ in 2003, along with Scarlett Johansson. The film was accessioned by the film library at the Museum of Modern Art in New York City, where it is sometimes screened to the public. It was last shown at the museum's Pop Rally event in August 2009, with Stillman and Eigeman present for a question-and- answer session following the screening. Subkoff was also present during the Q & A. An after-party in celebration of the screening was advertised and held that evening as well.

Of those, one airborne and two seaborne divisions were British. The British airborne formation involved was 6th Airborne Division, with the British seaborne divisions being the 3rd Infantry Division landing at Sword Beach and 50th (Northumbrian) Infantry Division and 8th Armoured Brigade on Gold Beach. No.48 Commando landed with the 3rd Canadian Infantry Division at Juno; the remaining divisions were provided by the United States.See "Canadians on D-Day: June 6, 1944" Canada at War, accessioned 19 April 2015 The British formations were assigned to the eastern end of the beachhead.

Plant records are maintained on a computerized database, BG-BASE 6.8 (BG-BASE Inc.), which was initiated in 1985 at the request of the Arnold Arboretum and the Threatened Plants Unit (TPU) of the World Conservation Monitoring Centre (WCMC). Currently the Arboretum utilizes a suite of ESRI Desktop and Mobile GIS software applications to manage, analyze, query, capture, manipulate, and display geographic information. A computer-driven embosser generates records labels. All accessioned plants in the collections are labeled with accession number, botanical name, and cultivar name (when appropriate), source information, common name, and map location.

As noted in Alexander Gilchrist's 1863 book, Life of William Blake, the design of The Ancient of Days was "a singular favourite with Blake and as one it was always a happiness to him to copy."Gilchrist (1863). pp. 379-380 As such there are many versions of the work extant, including one completed for Frederick Tatham only weeks before Blake's death. The British Museum notes that one copy, accessioned in 1885, was excluded from Martin Butlin's 1982 catalogue raisonné of Blake's paintings and drawings, suggesting the author doubted that attribution.

Beginning in the 1960s, Arnold Arboretum propagator Al Fordham created a seed herbarium in the Dana Greenhouse. Collecting the seed of several hundred rare and unusual taxa, Fordham envisioned a unique resource for the identification and propagation of woody plants from around the world. Carrying forward Fordham’s vision, Arboretum greenhouse staff continued to collect seed, and today maintain a seed herbarium of more than 2,000 samples, almost a third of which are from accessioned plants in the living collection. The SHIP team installed an on-location archival image library, which holds digital seed herbarium images.

The hybrid elm cultivar Ulmus × hollandica 'Viminalis' [:osier-leaved] was listed by the Späth nursery of Berlin as Ulmus scabra Mill. var. viminalis in 1890 and as Ulmus montana viminalis from 1892.Späth, L., Catalogue 89 (1892-93; Berlin), p.117 Though Späth's catalogues stated that it was "also distributed under the name planera aquatica" (an American species little known in Europe), it remained in his lists under 'elm' and was accessioned by the Dominion Arboretum, Ottawa, and by the Royal Botanic Garden Edinburgh as an elm cultivar.

Brickell was one of the artists featured in Treasures of the Underworld, the New Zealand pavilion exhibition at Seville Expo '92. The exhibition toured to the Netherlands and throughout New Zealand before the works were accessioned for the collection of the National Art Gallery, now held by the Museum of New Zealand Te Papa Tongarewa. He wrote several books and small publications, including A New Zealand Potters' Dictionary (1985) and Rails toward the Sky (2011). In 1996, Christine Leov-Lealand published the biography Barry Brickell: A Head of Steam.

J. P. Morgan collected Nevers wares, and had bought the collection of Gaston Le Breton (1845–1920), a leading art historian of the subject. Morgan left most of his "vast collections" to the Metropolitan Museum of Art in New York (accessioned in 1917), including a number illustrated here.McNab, "Foreward"; including the mustard ewer at the start of the article Most other major ceramic collections have examples, for example the Victoria and Albert Museum in London has over 60.a search on "Nevers Tin-glazed earthenware" returns 80 results, but some are imitations, old attributions, photos etc.

It was revived and rebuilt by Sacramento General Shops into a "camera car" for the purpose of shooting motion picture background plates for a ground-based full-motion locomotive training simulator. As camera car number 8799, it was retired in 1984 and donated to the California State Railroad Museum in Sacramento, California. It was de-accessioned by CSRM and acquired by the Pacific Locomotive Association and moved to the Niles Canyon Railway's Brightside, California rail yard in the summer of 2008. At the date of its inception, its type represented the highest-horsepower six-axle diesel locomotives in the world.

Eriphostoma was named in 1911 by Robert Broom, based on a poorly preserved specimen collected by the Reverend J. H. Whaits in the town of Fraserburg Road (now Leeu-Gamka), South Africa. The holotype was accessioned in the American Museum of Natural History with the specimen number AMNH FARB 5524. It was the first named gorgonopsian from the Tapinocephalus Assemblage Zone of the Beaufort Group. Despite its status as one of the oldest known gorgonopsians, its poor preservation meant that the specimen was largely ignored for the rest of the 20th century, and typically regarded as a nomen dubium.

IEG maintains a library, well stocked with 1,31,000 accessioned documents such as books, monographs, workshop papers, proceedings of conferences, statistical documents in the fields of economics, economic development, energy, environment, finance, econometrics, mathematics, agriculture, forestry, industry, irrigation, sociology, social anthropology, gender, demography and health. It also has a wide range of unaccessioned micro documents on the subjects. It is accessible to research scholars, trainee officers and students of Delhi School of Economics and University of Delhi. The library maintains around 20,000 bound volumes of journals and subscribes to 104 paid journals, 51 exchange journals and 123 gratis journals.

The Museum has been collecting artefacts relevant to the historical and cultural development of the County since 1955, with artefacts ranging from pre-settlement to present time. Each artefact in the collection is accessioned, digitized (digitally photographed), cleaned, catalogued and housed according to current Canadian Museum Standards. As per most Canadian museums, only a fraction of the collection is exhibited at one time, and artefacts rotate onto exhibition depending on the exhibition schedule and often compliment larger, rented exhibits. The majority of the exhibited items can befound in the Moreston Heritage Village buildings which are open seasonally.

After additional takeovers and bankruptcies, the Louisville Herald-Post ceased publication in 1936. According to their website,"The newspaper's photo morgue was then donated to the Louisville Free Public Library where it was used extensively as a research collection before being accessioned by the University of Louisville Photographic Archives in 1994." The University of Louisville Library's Herald- Post Collection has digitally archived the old editions of the now defunct newspaper for which Lewis Craig Humphrey was associate editor. Of the 31 years Lewis Craig Humphrey worked as a Louisville journalist, all but three years were spent at the old Evening Post as chief editor.

Her work has been reviewed in major publications such as The New York Times, Art in America, frieze and Artforum, where she also has been featured as a contributing writer. She is represented by Tanya Bonakdar Gallery in New York, where she lives and works. In 2015, the Solomon R. Guggenheim Museum commissioned her work The End of Signature to be projected onto the outside facade of the building and accessioned it to be part of the museum's permanent collection. Her first solo exhibition in the United States, exformation, was featured at SculptureCenter in 2013 and she had a solo exhibition at the Center for Contemporary Art, Tel Aviv in 2017.

The Gospel of the Saviour is a fragmentary Coptic text from an otherwise unknown gospel that has joined the New Testament apocrypha. It consists of a fragmentary fire-damaged parchment codex that was acquired by the Egyptian Museum of Berlin in 1961 (accessioned as Papyrus Berolinensis 22220). Its nature was only discovered in 1991, when it came round to being conserved (the sheer number of similar manuscripts being conserved causing the 30-year delay), and was revealed in a 1996 lecture by Charles W. Hedrick. It has been edited and translated into English by Hedrick and Paul Mirecki (Hedrick and Mirecki 1999) and by Bart D. Ehrman (Ehrman 2003).

After declassification, the documents from many agencies are accessioned at the National Archives and Records Administration and put on the open shelves for the public. NARA also reviews documents for declassification. NARA first established a formal declassification program for records in 1972, and between 1973 and 1996 reviewed nearly 650 million pages of historically valuable federal records related to World War II, the Korean War, and American foreign policy in the 1950s as part of its systematic declassification review program. From 1996 to 2006, NARA had processed and released close to 460 million pages of federal records, working in partnership with the agencies that originated the records.

This type of large omnibus, sometimes called a "barge" was used primarily in New England for excursions. Many of these vehicles were named for famous people or locations; this particular omnibus is named after Grace Darling, a popular maritime heroine who was responsible for the dramatic rescue of survivors from a shipwreck off the coast of England in 1838. This omnibus was operated by the Huntress family who owned a livery business in South Berwick, Maine from the 1860s to 1904 before being acquired by the St. Paul's school to transport athletic teams to sporting events. The Gypsy Wagon (1860–1885) was accessioned into the collection in 1955.

Before its donation to MoMA, the piece was displayed on and off at The Metropolitan Museum of Art, due to an earlier conflict between Sonnabend and the United States Fish and Wildlife Service over the piece, which forced Sonnabend to allow Canyon to be displayed publicly in order to keep it in her possession. Although MoMA ultimately won out, the Met also attempted to persuade Sonnabend's family to donate the piece to their institution. Canyon has been part of MoMA's permanent collection since 2012. After the work was accessioned, a show celebrating both it and Sonnabend titled Ileana Sonnabend: Ambassador for the New was held at MoMA.

The 2006 Iowa Biennial exhibition received a 2007 "ICKY" award nomination -- along with exhibitions on Andy Warhol and Grant Wood -- for Best Visual Arts Programming from the Iowa Cultural Corridor Alliance for its exhibition at the University of Iowa Project Art Gallery. In late 2007, The Iowa Biennial Exhibition & Archive merged its efforts with The Texas Biennial Exhibition & Archive to form The Americas Biennial Exhibition & Archive of Contemporary Prints, a non- profit, all-volunteer, fine arts endeavor. All works formerly entered into either The Iowa Biennial Exhibition & Archive or the Texas Biennial Exhibition & Archive have been accessioned into The Americas Biennial Exhibition & Archive [TABEA] within their respective collections.

As of 2019, the LLM was the only museum in the world dedicated to artwork documenting the LGBTQ experience. The Museum maintains a Permanent Collection into which more than 1,300 objects have been accessioned. The Permanent Collection contains works by a number of well-known gay artists such as Berenice Abbott, Abel Azcona, David Hockney, Ingo Swann, Catherine Opie, Andy Warhol, Tom of Finland, Delmas Howe, Jean Cocteau, David Wojnarowicz, Robert Mapplethorpe, George Platt Lynes, Horst, Duncan Grant, James Bidgood, Duane Michals, Charles Demuth, Don Bachardy, Attila Richard Lukacs, Jim French, Del LaGrace Volcano, Paul Thek, Peter Hujar, Arthur Tress and many others.Sanchez, "Leslie-Lohman Gallery: The Ultimate Gay Portfolio," Genre Magazine, September 2000.

Charles C. Glover, Jr., a granson of the couple, specifies " a daughter, Matilda, the wife of Robert Harper Williamson, also lived to be eighty-seven, and another daughter, Mary Jane, wife of Abraham Ferree Shriver, lived to the age of ninety-four, dying of influenza in the war epidemic of 1918. The only son of Charles and Jane Glover was Richard Leonidas, who married Caroline Percy of North Carolina". A portrait of Glover by Pietro Bonanni was painted in 1821, and later became part of the collection of the Corcoran Gallery of Art. At that museum's dissolution in 2014 the painting was accessioned by the National Portrait Gallery of the Smithsonian Institution, where it currently resides.

A second specimen is in the collection of the Liaoning Provincial Museum of Paleontology, and is catalogued as LPM 0193 it was reported as a new species, Shenzhouraptor sinensis, in the journal The Geological Bulletin of China in 2002, but is likely a junior synonym of Jeholornis prima. Two more specimens were later accessioned by the IVPP as V13550 and V13553 and they were reported in the journal Naturwissenschaften in 2003. A fifth specimen, SDM 20090109, was described in 2012 and made the type specimen of the species J. palmapenis. A sixth specimen, STM2-51, was reported in 2013 and preserved round structures in the body cavity which were interpreted as ovaries.

Arizona transformed his work. Peirce turned to the desert for inspiration, his prints capturing the tonality and stark grandeur of the Sonoran desert. His compositions are infused with solace, dignity, and the ethereal beauty of the west.Carnegie Magazine - Volume 19 - Page 174, 1945 In 1939, in partnership with his friend and contemporary Stanford Stevens, he illustrated the publication “Plants of Sun and Sand.”Stevens, Stanford, Plants of Sun and Sand: The Desert Growth of Arizona, 1939 His prints gradually gained national recognition. His work is accessioned into the permanent collection of institutions including the Metropolitan Museum of Art, Boston Museum of Fine Art, Cleveland Museum of Art, Library of Congress, the Smithsonian and Harvard’s Fogg Museum.

On May 14, 1988, Spencer was ordained a priest by Archbishop Borders at the Cathedral of Mary Our Queen. His first assignment was as an associate pastor at Sacred Heart Church in Glyndon, for three years. In 1991, he was named director of the Monsignor Clare J. O'Dwyer Retreat House in Sparks, and also accessioned again into the Army Reserve as a battalion chaplain, serving with the 92nd Field Hospital in Baltimore and the Aviation Brigade of the Maryland Army National Guard. Following his completion of the Chaplain Officer Advance Course in 1994, Spencer served a deployment in Europe in support of Bosnia as a National Guardsman. From 1994 to 1998, he was administrator of St. Peter the Apostle Church in Oakland.

During his career, Johnson was instrumental in arranging the receipt by the Metropolitan Museum of Art of the first item they accessioned, a Roman marble sarcophagus with garlands, after J. Abdo Debbas, the American vice-consul at Tarsus, wrote to Johnson to offer the item to the U.S. government. Johnson replied that the government could not accept such a gift and the item was instead agreed to be presented to an American institution recommended by Johnson. After meeting John Taylor Johnston and other founders of the Metropolitan Museum of Art, it was agreed that the item should be received by them. Transit to the coast at Mersin was arranged by Debbas using a team of sixteen buffalo to pull the sarcophagus on a wagon.

Official records of the Joint Staff and combatant commands are managed in accordance with internally developed policy and procedures using a disposition schedule which has been approved by the Archivist of the United States—which makes it law, in effect. Records are managed by the Joint Staff or originating combatant command's records officer throughout their lifecycle until the disposition schedule calls for them to be accessioned to the National Archives and Records Administration (NARA), at which time NARA assumes physical and legal custody of those records which have been deemed permanent. Also, the Records, Research and Content Branch is responsible for Enterprise Content Management policy for the Joint Staff. Finally, the RRC Branch maintains the system of directives for the Joint Staff.

The fourth part describes the Persian language and its influence over other languages such as Hindi, Urdu and Turkic. During the last four decades over 10,000 inscriptions have been copied from different parts of the India and duly accessioned, deciphered and listed in the Annual Reports on Indian Epigraphy (ARE) since 1952-53 onwards, under a separate Appendix with an exhaustive introduction. Among the Indian states, Uttar Pradesh has yielded the largest number of Perso-Arabic epigraphs (i.e. 2175), constituting 21.4 % of the aggregate, number-wise followed by Maharashtra (over 14%), Gujarat (over 9%), Andhra Pradesh and Madhya Pradesh (about 9%), Rajasthan (about 8%), Kamataka (7%), West Bengal (4%), Bihar, and Jammu & Kashmir (about 4% each), Tamil Nadu (2.55%), Haryana (2%), Delhi (about 2%).

Greek and Roman gallery The Met's collection of Greek and Roman art contains more than 17,000 objects. The Greek and Roman collection dates back to the founding of the museum—in fact, the museum's first accessioned object was a Roman sarcophagus, still currently on display. Though the collection naturally concentrates on items from ancient Greece and the Roman Empire, these historical regions represent a wide range of cultures and artistic styles, from classic Greek black-figure and red-figure vases to carved Roman tunic pins. The Amathus sarcophagus, from Amathus, Cyprus, arguably the single most important object in the Cesnola Collection Highlights of the collection include the monumental Amathus sarcophagus and a magnificently detailed Etruscan chariot known as the "Monteleone chariot".

Accessioning can be defined as "the process of creating a permanent record of an object, assemblage, or lot received from one source at one time for which the [institution] has custody, right, or title, and assigning a unique control number to said object, assembly, or lot." As part of the collection scope policy, collectors and institutions must lay out acquisition terms to ensure only relevant objects are successfully accessioned into the collection. This portion of the policy discusses: who within the institution is authorized to make decisions on whether an object is acquired or not, under what legal terms the object is to be acquired (i.e. documentation proving legal purchase, import and export restrictions, and intellectual property rights), and repository agreement information if the object is to be stored within an offsite facility.

In 1986, with The Eternity, a wood carving painting, he was awarded the Creative Excellence Award in the fifth Exhibition of Fine Arts of Tibet; and several of his sketches were published in the Tibetan newspaper Lhasa Evening, in the same year. His work The Celestial Burial won the Prize of Honour in the National Competition of Genre Painting in 1988; and Autumn Melody in the Mountains of Aba won a third prize in the Great Contest of Chinese Paintings held in Shenzhen, in 1989. His work High Autumn, for which he received an award of excellence in 1993, has been accepted and accessioned into the collection of the Sichuan Academy of Poetry, Calligraphy, and Painting. In 2002, The Golden Plateau, a shan-shui style painting, was exhibited at the National Exhibition of Chinese Paintings.

The Iowa Biennial Exhibition and Archive (TIBEA) began in 2004 as an international survey of contemporary miniature printmaking with its initial exhibition held at the University of Iowa in Iowa City, Iowa. Works juried for the exhibition travel for exhibitions within the U.S. as well as internationally, with exhibitions in Cedar Rapids, Iowa and Riga, Latvia, to date. The Iowa Biennial Exhibition is a non-profit endeavor that serves to support a collection of works accessioned within an open archive, The Iowa Biennial Exhibition Archive, while making the public collection available for academic education, research, museums, artists, and print students. Works within the archive are used to promote a greater awareness of the uniqueness and beauty of the print, print media, and printmaking (both traditional and non-traditional).

H. willetti is known from a single holotype specimen, BMNHB 001876 from the Wealden Group of the Isle of Wight that includes a well-preserved nearly complete skull. It was collected by Edgar W. Willett at Cuckfield, West Sussex, from the Valanginian-aged Grinstead Clay Member, of the Hastings Group, Wealden Supergroup. Willett showed the specimen to the Geological Society of London in or around 1877 or 1878, and it was then Hulke (1878) described it as a specimen of Goniopholis crassidens, an identification derived from a similar tooth form. The specimen was considered lost among the crocodyliform research community but was actually safely accessioned at the Booth Museum in Brighton. It was identified as "the long-lost crocodilian of Mr Willett" by Steve (1998), "Willett’s specimen" by Salisbury et al. (1999) and "Hulke’s specimen" by Andrande et al. (2011).

The camera car was retired in 1984 and donated to the California State Railroad Museum in 1986. Initially, volunteers removed the camera "nose" and opened up the highly modified cab windows to 1964 profiles, with the goal of restoration to original appearance. However, that restoration was halted, and the engine sat in outdoor storage exposed to weather and vandals, with much of the copper wiring and a good portion of the Behr radiator assemblies being stolen. It was de-accessioned by CSRM and donated to the Pacific Locomotive Association (PLA) in 2008, along with several pieces of rolling stock. They were moved by the Union Pacific Railroad in the summer of 2008 from Sacramento to their interchange with Niles Canyon Railway at Hearst, California. The Niles Canyon Railway then transferred SP 9010 to its Brightside Yard.

There are many challenges surrounding human remains accessioned by museums, including legal complications involved in dealing with human remains, involvement of living relatives or tribes, and potential repatriation and issues such as NAGPRA. The Native American Graves Protection and Repatriation Act of 1990 requires any federal or federally-funded institution, with the exception of the Smithsonian Institution, to submit full inventories of their Native American funerary and sacred objects and human remains and to repatriate these objects to their tribe of origin should a request be made to do so. Should a museum possess human remains which have a direct living relative or group (Native American or otherwise), it is their ethical obligation to involve these individuals in the care and treatment of the remains. Acquisition of human remains by museums can happen in a number of ways, some of which are considered to be unethical today.

The first exhibition opened on 9 July 1956 and was dedicated to the history of Ulan-Batar. In 1960, a resolution of the Central Committee of the Mongolian People's Republic made the exhibition permanent and relocated it to the current building, establishing the building as the museum of the city's history. In 1970, by a resolution of the Council of Ministers, the museum was placed under protection as a site of architectural significance. The museum covers the history of Ulan-Batar from the time of Zanabazar to the present day. In total, the museum contains 134 documents, 224 silver objects, 30 archaeological finds, 16 geological charts, 132 historical exhibits, 335 pictures, 77 printed boards and models, 54 drawings, diagrams and plans, 898 photographs, 36 albums, 1883 slides, negatives and diafilms, 27 audio and video records, 62 commemorative items, and 234 books: in total 3,832 accessioned objects.

The Pop-Up or Unfolds, or in full The World Unfolds, is a name given to any one of a range of patented, self-folding subject guides and street maps for cities around the world published by VanDam, Inc.. The first Unfolds pop-up map was designed and published in the 1984 by Stephan Van Dam as part of a series of 18 international maps which American Express offered to card members. The Unfolds Pop-Up format was licensed in custom formats by clients such as Walt Disney Company, Warner Brothers, Museum of Modern Art, Rand McNally, National Park Service, Bertelsmann, TED (conference), BMW, Pfizer, Marvel Entertainment, MTV Books and Berlitz Corporation among others. A series of educational guides called The Cosmos Unfolds with guides to the universe, Mars, Moon, Ocean, Desert and Rain Forest were published by Putnam-Berkley in the US and Canada. In 2010 The Museum of Modern Art accessioned 27 of Van Dam's pop-up maps into its permanent collection.

In 2002, industrial film archivist Rick Prelinger moved 150 of the Calvin Company's surviving film prints and approximately 25,000 cans of film master materials and unclaimed items from Calvin's laboratory from Kansas City to the Library of Congress, where about 3,000 Calvin films are, as of autumn 2019, being accessioned and catalogued. Several of the Calvin Company's films, including the cult classic The Your Name Here Story (a satire of commonly used industrial film formats and cliches produced for showing at one of the Calvin Workshop seminars), are available for free viewing and downloading from the Prelinger Archives. Also available for free viewing and downloading at Prelinger are eleven reels of outtakes and stock footage found in the Calvin Company's vaults, some of which derives from the production of The Your Name Here Story. However, the reels contain footage from many different Calvin productions dating from around 1940 to the early 1960s.

Niebla caespitosa was first collected just north of Punta Santa Rosalillita (vicinity of Rancho San Andrés, 2 May 1985, as part of a 100 gram sample that largely contained N. caespitosa to be submitted for anti-HIV screening by the National Cancer Institute, but the sample was not immediately submitted because it contained thalli of N. flabellata and N. flagelliforma; the former is distinguished by having salazinic acid as indicated above, the latter by terminal flagelliform branchlets; 55 grams were later submitted (14 Nov 1985) to the National Cancer Institute (NCI) Natural Products Branch, among 63 other lichen samples, 59 of which were from Oregon. The sample was accessioned as WBA-202 with reference to the collection number S & M 9073 (for Richard Spjut & Richard Marin), identified as Niebla aff. testudinaria.Samples of lichens were collected from the Eastern and Western regions of the United States and Baja California, Mexico during 1985 for anti-HIV screening. Prior to 1982, samples for antitumor screening were supplied in 1 kilogram (kg) quantity (dried) to the NCI by the USDA Agricultural Research Service.

Niebla flabellata was first collected just north of Punta Santa Rosalillita (vicinity of Rancho San Andrés, 2 May 1985, as part of a 100 gram sample that largely contained Niebla caespitosa to be submitted for anti-HIV screening by the National Cancer Institute, but the sample was not immediately submitted because it contained thalli of N. flabellata and Niebla flagelliforma; the former is distinguished by having salazinic acid as indicated above, the latter with divaricatic acid and terminal flagelliform branchlets;. The entire sample was analyzed by thin-layer chromatography from which 55 grams of Niebla caespitosa were later submitted (14 Nov 1985) to the National Cancer Institute (NCI) Natural Products Branch, among 63 other lichen samples, 59 of which were from Oregon. The sample was accessioned as WBA-202 with reference to the collection number S & M 9073 (for Richard Spjut & Richard Marin), identified as Niebla aff. testudinaria.Samples of lichens were collected from the Eastern and Western regions of the United States and Baja California, Mexico during 1985 for anti-HIV screening.

He and his wife Edie grow more than 2500 accessioned taxa of woody plants at Starhill Forest. The arboretum is described in the American Association of Museums Directory, the American Horticultural Society's North American Horticulture Reference Guide, and Jacobs' Gardens of North America and Hawaii, and was featured in the 1994 educational film The Greenday Kids Learn About Trees and a 2007 PBS special for Illinois Stories, WSEC TV. It was one of 30 worldwide arboreta featured in the New Trees book compiled in 2009 by John Grimshaw for the International Dendrology Society, and has been dedicated in trust to Illinois College. Guy has successfully nominated 51 current or former state champion trees in Illinois, six national champions, and a few more in Texas, Nebraska, and New Mexico, and has worked with the National Famous and Historic Tree Program to promote awareness and appreciation of special and historic trees. He has consulted on tree management for the Illinois Office of the Attorney General, the Illinois Department of Agriculture, the Illinois Department of Military Affairs, the Illinois Capital Development Board, the Illinois Supreme Court, the US Air Force, the National Park Service, and numerous communities.

After Anna's last child, Horace Jr., died in 1962, she stayed living in seclusion at Rose Terrace until her own death in 1970. After her death, the furnishings of the Music Room were willed to the Detroit Institute of Arts. The remaining contents were sold by Christie's in 1971. A catalogue of Anna Dodge's bequest was published in 1996, and includes a section on other works of art given by Anna Thomson Dodge or acquired from her estate from 1925–1973, as well as works of art purchased with the Mr and Mrs Horace E. Dodge Memorial Fund 1971–1995; however, in the year 2000, the Detroit Institute of Arts de-accessioned a number of works of art in the first category, items made specifically for the Music Room at Rose Terrace (many by Alavoine et Cie) on commission from Joseph Duveen, which were sold at Christie's in New York on May 24, namely the Aubusson carpet, the four bronze and crystal chandeliers by Baguès Fréres, the four display cabinets that had held Anna Dodge's collection of Sèvres, and the copy of a pair of Jardinières ensuite with a pair of late eighteenth century Athéniennes still in the bequest (Lots 316-321).