Although Chinese shipyards demanded the same deposits, they did not require the guarantees, and accepted orders from what were effectively shell companies with weak finances.
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However, most publishers accepted orders from their patrons to have their maps or atlases colored if they wished. Because all coloring was done by hand, the patron could request simple, cheap color, or more expensive, elaborate color, even going so far as silver or gold gilding. The simplest coloring was merely outlines, such as of borders and along rivers. Wash color meant painting regions with inks or watercolors.
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While wing commander he accepted orders from General John D. Lavelle to falsify classified operations reports. General Lavelle was forced to retire because of these orders. He returned to the Air Staff in July 1972, as deputy for operational forces and deputy director of operations. Gabriel served as deputy chief of staff for operations at Headquarters Tactical Air Command, Langley Air Force Base, Virginia, from February 1975 to August 1977.
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The promotion proves difficult for the couple's relationship as a result of time constraints and the relationship suffers from the pressures of being apart. Their relationship becomes even more troubled with the introduction of Macoy. Macoy is Laida's long time friend whom she broke up with after he did not keep his promise of them going together to the same college. Their situation turns worse when Miggy has to fix a few issues in the plant when he accepted orders from his brother Art's ex-girlfriend, Christina.
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The promotion proved difficult for the couple's relationship as time was very constraint and the relationship suffers from the pressures of being apart. This is only aggravated by Macoy, who Miggy is jealous of, as they become close once again. Macoy is Laida's long time friend who she had a fall- out with when Macoy did not keep his promise to her by going to the same college. Things went further haywire when Miggy had to fix a few issues in the plant when he accepted orders from his brother Art's ex-girlfriend, Christina.
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The late Ming period witnessed a drastic decline in the quality of pieces from the imperial kilns and a rise of private kilns.Liu Mingshan, 刘明杉, “明代官窑制度与实际应用,” (The Imperial Kilns Institution and Its Application in Ming), 明史研究(Ming Studies Journal) 2013: 221-243. p.242 The private kilns existed in the early Ming dynasty and their production constituted a part of the tax income of the government. Apart from making ceramics for people's everyday life, private kilns also accepted orders from the imperial court.
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Although this trade was illegal according to Spanish law, local governors and magistrates were willing to trade with Hawkins provided he either proffered them bribes or sold his merchandise at a discount. On each occasion Hawkins received written testimonials from local Spanish officials confirming his good behaviour, and his voyages were profitable.Dean, page 30 During his second voyage, while stopping at Rio de la Hacha to sell slaves, wine, flour, biscuit, and linens, he accepted orders from Spanish clients for his next journey and obtained a letter from the local Spanish treasurer attesting to his fair dealings. Nevertheless, higher Spanish authorities were alarmed by this challenge to their monopoly, and the court of justice in Santo Domingo ordered any English ships in the region to be seized along with their cargoes.
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They would no longer stand for what sociologist Max Weber would call Traditional Authority, in which they accepted orders from a king who claimed power from God and the oppressions of a class structure they could never escape simply because that was how it had always been done (Edles and Appelrouth). The logic and reason of the enlightenment prevailed and told them that the world functions through rules and laws, and they wanted these rules and laws to apply to everyone. This new culture that valued law, order, and justice was a perfect stage for melodramas. The people loved the idea that justice would always prevail, as well as the common plotpoint of physical and undeniable evidence being what condemns the villain figure. It is easy to see the reason for the success of melodramas following the French Revolution, as they almost always included “incessant struggle against enemies, without and within, branded as villains, suborners of morality, who must be confronted and expunged, over and over, to assure the triumph of virtue” (Brooks 15). The values of melodrama that grew out of enlightenment ideals ended up flourishing in the new French culture and contributed greatly to Pixerecourt’s tremendous success.
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