"Como que lo minimizó", dijo Evslin, "'Ah, está viejo, es un abuelo'".
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A turning point came when he told his 86-year-old abuelo in 2010.
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A man of few words, abuelo rarely talked about fighting in the revolution while I was growing up.
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If you want to feel shame, go get whooped at dominoes by a Cuban abuelo at Domino Park.
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She'd walked past a Mexican flag in the closet, then met the so-called abuelo in the den.
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Naturally I wanted one for a pet, but my abuelo, who knew everything about every animal in Azua, just laughed.
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Abuelo also never hesitated to remind me that No. 16 was born in Santa Clara, in the middle of the island.
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Me mostró una fotografía de mi abuelo que nunca había visto, se le veía burlón e irónico sentado sobre un burro.
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Os he estado explicando por Stories sobre los higos y la variedad que más me gusta, que era la favorita de mi abuelo.
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My abuelo used to say, no hay mal que por bien no venga (there is no misfortune that does not come with good reason).
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Mi abuelo fue cofundador de una de las constructoras más grandes del país, una de las empresas que se investigaron en la Operación Lava Jato.
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El abuelo de Mendoza fue el fundador de Empresas Polar, el consorcio de alimentos que se ha convertido en la empresa privada más grande del país.
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El abuelo que lo estaba educando fue quien le dio las armas y, actualmente, se encuentra bajo un investigación por lavado de dinero y fraude fiscal.
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Tomaron el apellido Nazario, gracias a un agente migratorio argentino que le dijo a mi tío abuelo Asad Eben Naser Loush que nadie podría pronunciar su nombre.
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Much of these accolades are due to Maestracci's innovative use of local ingredients, like maracuja (passion fruit) and hibiscus, and Panamanian liquors like Seco Herrerano and Ron Abuelo.
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MIAMI — Ted Cruz bounded onstage to a seldom-heard introduction — "the first Hispanic president of the United States" — and spoke later of his "abuelo and abuela" in Cuba.
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You could stand outside, in my backyard, and you'd know Jose Fernandez was making batter after batter whiff, because, above that bilingual commotion, you'd hear abuelo cheer and laugh.
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When my 85-year-old abuelo passed away in January, I lamented that he didn't live to see the Marlins win another World Series, with Fernandez leading the way.
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Ayer, el Día Internacional de los Derechos Humanos, no pude acompañar a mi madre a visitar a mi abuelo, quien está enfermo de cáncer; no pude comprar comida ni trabajar.
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La investigadora ha decidido que llegó la hora de reconocer públicamente que tiene la enfermedad que ha estudiado toda su vida y de la que murieron su madre, sus tíos y su abuelo.
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As we grew older, my sister and I were able to begin visiting my abuela and abuelo, my cousins and my tías, but my abuela always, always, always, made sure we felt at home.
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El muro, las luces y las carreteras se van a construir en unas 303,8 hectáreas que su abuelo compró en los años 20, y le quitarán las invaluables vistas del río Bravo que tanto atesora.
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Nakatani creció comiendo platillos que fusionaban ambas culturas; su abuelo japonés y su abuela mexicana inventaron los famosos cacahuates japoneses (maní cubierto con una fina capa de masa que luego se fríe) en la década de 1940.
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A lo largo de su carrera, regresó a la cultura maya buscando inspiración; indagó en los mitos de la creación de la cultura ancestral para Venerable abuelo maíz, un fresco original de 1995 en el mismo museo de antropología.
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Para Yola Jiménez, el mezcal era un negocio de su abuelo, pero cuando heredó la plantación familiar de agave decidió unirse con dos socias para desarrollar una marca que contrata e impulsa a mujeres en Estados Unidos y en México.
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El ministro de Fomento no hará lo que le diga su confesor o su tío abuelo o su albañil de cabecera o su conciencia foucaultiana-extremeña; será el fiel ejecutor de esos acuerdos y, por lo tanto, a qué partido pertenezca tendrá un peso menguado.
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El abuelo de López le reveló, por primera vez, que él había sido arrestado y su hermana había sido asesinada por el régimen militar porque ambos habían escondido a un político de izquierda y a su familia y luego los habían ayudado a escapar al extranjero.
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A veces indagar en el pasado de nuestros ancestros no da los resultados esperados, como le sucedió a Silvia Foti, quien dedicó años de estudio a revisar la biografía de su abuelo, un héroe local en Lituania... y descubrió que en realidad había sido un asesino nazi.
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La elección de su medio de transporte es resultado de la tensa situación con China, el estado de las aeronaves norcoreanas y un aparente homenaje a su abuelo Kim Il-sung, quien visitó Vietnam en 1958 a bordo de un tren para reunirse con Ho Chi Minh.
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The players have mockingly known Pérez as abuelo, or grandfather, for some time; that he is sufficiently awed by Zidane not to dictate team selections, to afford him independence, naturally places the players at the coach's back, rather than in their more familiar position at their manager's throat.
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"Después de la muerte de mi abuelo, quería continuar con sus costumbres", comentó Zamanbol, una joven cazadora de 14 años que forma parte de una generación de jóvenes nómadas que están adoptando costumbres centenarias, mientras buscan una conexión con sus raíces y la naturaleza en un mundo transformado por la tecnología.
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Del mismo modo, la esperanza de que el gobierno de Corea del Norte colapse no es, por el momento, más que una fantasía: para el 20 de enero de 2017, si Kim Jong-un continúa al mando, la dinastía de la familia Kim (abuelo, padre e hijo) habrá sobrevivido a una docena de presidentes estadounidenses.
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My recollections of the island were the scattered sense memories of childhood — my sweat on the clear vinyl slipcovers that protected the couches in my grandparents' house in Bayamón, uncomprehended Spanish cartoons, the competitive clack of dominoes, the stringy texture of sugarcane that my abuelo cut for me from the field behind his house, a panoply of cousins whose faces I barely recall.
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Caminar por la costa desde el centro (una de las pocas zonas en las que no se alquilan sombrillas ni casetas y que se conoce como Playa Popular) hacia el sur equivale a ascender metro a metro en la pirámide social, desde los obreros que disfrutan del hotel gremial a los jóvenes de clase media que aprovechan el departamento del abuelo y de ahí, ya a la altura de Punta Mogotes, a las playas de los más ricos.
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About this time, Miguel started using Abuelo as his artistic surname. After Gabis left (he was attending college and was reluctant to commit to the band), Abuelo drafted Norberto Napolitano (Pappo). After some more psychedelic-oriented fare, Pappo started nudging the band in the direction of blues, causing Abuelo to leave. Over time, Pappo's project mutated into Pappo's Blues.
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In 2006, the band also produced their own version of "Cosas Mías" for the tribute compilation to Miguel Abuelo "Quiero Ser Abuelo". They performed the song live at Centro Cultural Borges, in Buenos Aires, on occasion of the official tribute presentation.
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After a few rehearsals, Abuelo left. Later, with David Lebon in his place, the band would achieve fame as Pescado Rabioso. Wishing to escape what he perceived as an oppressive environment, Abuelo followed Lernoud's advice and took off to Barcelona in 1971.
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Abuelo tried to create new bands, and for a short time was singer of El Huevo (the Egg), which would later become the core of Pescado Rabioso. Abuelo took off to Barcelona in 1971 to try to re-create his career. Abuelo spent ten years in Europe, until bass player Cachorro López, who was a popular session musician with reggae and funk bands, convinced him to return to Argentina for a second incarnation of the Abuelos.
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For the latter, he contributed a piece called "El Abuelo," which was sold to the family of Josefina Vázquez Mota.
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Riquis family continued to strengthen their ties to Cuba. His grandfather, Abuelo, wanting to hold unto this life from Cuba created an animal farm in his backyard. This consisted of a Chickens, a rooster, some bunnies and a dog. This however, was not allowed and Animal Control made Abuelo get rid of his animals.
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Common friend Techi Aldao arranged for the travel expenses, and Abuelo returned to Argentina in 1981 and started looking for musicians.
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For ten years, Abuelo did odd jobs as a migrant farm hand, selling handmade purses, and playing music. He assembled and dissolved bands in France (with Daniel Sbarra and other expatriate musicians). He release in Paris his first lp called "Miguel Abuelo" with the record label of Moshé Naïm "Emen". This album was also released in cd in 1995.
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He became known to the men under his command as "el Abuelo" ("the grandfather") due to his relative age and good temperament.
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Miguel Angel Peralta, (March 21, 1946 – March 26, 1988) known by his artistic name Miguel Abuelo, was an Argentine rock musician and singer.
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The crowd reacted badly to the band's evident lack of motivation (the pouring rain and the badly mixed sound did not help), and Abuelo was hit in the face by a bottle hurled from the field. The band played the remainder of their set with Abuelo visibly bleeding. Also during 1985, Abuelo put out a solo album recorded together with many of his older and newer friends. The album included new versions of La Cueva-era classics "La balsa" (The raft) and Mariposas de madera (Wooden butterflies), and a Hoelderlin-influenced song, Buen día día (Good day, day).
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Spanish le and les are changed to se when followed by lo, la, los, or las. For example, "Mi abuelo les compró los regalos" becomes "Mi abuelo se los compró". See also "Combining pronouns in Spanish" below. In addition, Spanish uses sé as an irregular verb in the first person singular indicative of saber (to know), and the second person singular imperative of ser (to be).
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With the band dissolved, Abuelo started playing small venues, harking back to his roots of poetry-influenced songwriting. Late in 1986, he drafted Polo Corbella, Kubero Díaz, and sax player Willy Crook to form a new Abuelos band, which recorded Cosas mías in 1987 with relative success. In late 1987, following gallbladder surgery, Miguel Abuelo was diagnosed with AIDS; terminally ill, he died from cardiac arrest a few days after his 42nd birthday.
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Adiós Abuelo (English language: Goodbye Alexandra, Andrea) is a 1973 Argentine drama film directed by Carlos Rinaldi and written by Norberto Aroldi. The film starred Ángel Magaña and Raúl Padovani.
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Villaverde played the character Rafael in Amores y Amorios on August 7, 1966. Villaverde also played Abuelo in the show Gullah Gullah Island. This was a children’s show on Nickelodeon.
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In 1979 Abuelo met Argentinian colleague Guillermo Carlos Cazenave in Sitges (Barcelona) and started to record many songs that "Guill" produced in his 4 channel Portastudio, that was also used for the re-union of the Abuelos three years later on in Buenos Aires. Miguel used to stay living at Guillermo's house near the beach, in which they both jammed and sang together many new and old songs, one of them, Verilí, included in Cazenave's album of duets Duplex (2002). In Ibiza, Abuelo had met bass player Cachorro López, who was a popular session musician with reggae and funk bands. López insisted that Abuelo should return to Argentina to re-create the Abuelos, and that he (López) would be their bassist and producer.
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While his father was a professional wrestler, Emilio Charles Jr. was not trained by him; instead, he was trained by Diablo Velasco and Abuelo Carrillo before making his debut in February 1980.
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A pitched battle between Jalisco New Generation Cartel led by "El Mencho" and Michoacan self-defense forces led by "El Abuelo" leaves 9 dead and 11 injured in Tepalcatepec on August 30, 2019.
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Adiós Abuelo (English language: Goodbye Grandad) is a 1996 Argentine musical film directed by Emilio Vieyra and written by Isaac Aisemberg. It stars Jairo and Stella Maris Lanzani. It was filmed in Buenos Aires.
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His novels have yielded many cinematic adaptations: Beauty in Chains (Doña Perfecta) was directed by Elsie Jane Wilson in 1918; Viridiana (1961), by Luis Buñuel, is based upon Halma; Buñuel also adapted Nazarín (1959) and Tristana (1970); La Duda was filmed in 1972 by Rafael Gil; El Abuelo (1998) (The Grandfather), by José Luis Garci, was internationally released a year later; it previously had been adapted as the Argentine film, El Abuelo (1954). In 2018, Sri Lankan director, Bennett Rathnayke directed the film Nela.
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Gabis was reluctant to commit to the band, so Abuelo drafted promising young guitarist Norberto Napolitano, better known as Pappo. After some time, the band's materials started drifting towards blues, and Abuelo agreed to quit and let Pappo take over. Eventually, the band mutated into Pappo's Blues, while Gabis found his place in Manal, another blues band. After a brief period of drifting and fighting amphetamine-induced depression, in 1970 Miguel joined Pomo, Carlos Cutaia on keyboards, and Luis Alberto Spinetta on guitar, in a band called El Huevo (The Egg).
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Buoyed by reviving some of his good Ibiza memories and by a new love interest, Abuelo was in unusually good spirits throughout the sessions. The album became a sales hit as expected. Later that year, Melingo, who was also working with García and another band (Los Twist), called it quits and was replaced by Alfredo Desiata. By early 1985, the band's spirits were damaged due to Bazterrica's antics (he had become addicted to cocaine, and was separated from the band after missing several dates), and to the rivalry between Abuelo and Calamaro for top billing.
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The stories are narrated by the central character Grandpa Mouse, who reads them to his two grandchildren while they are having a boring time. The series was titled "El Abuelo Ratón" in Spanish. Each story has twelve pages.
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The film's success continued on television. Its premiere earned a 31.1% share, making it the third most watched Spanish film of the decade, second only to Abuelo Made in Spain and the film's sequel Torrente 2: Misión en Marbella.
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C. eques and C. goeldii display some geographic variations in certain morphometric characteristics. C. abuelo has a dusky-gray body colouration that varies from relatively plain to having numerous small brown spots, and usually has a broad, diffuse band crossing the nape at the dorsal fin origin. Both C. goeldii and C. eques have a relatively uniform body colouration without spots; C. goeldii has a small, triangular spot at the dorsal fin origin, while C. eques has a distinct dark band at the dorsal fin origin. C. abuelo appears to attain the largest size of the three species, reaching at least .
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For the occasion, Gringui Herrera replaced Bazterrica, Juan del Barrio reinforced Calamaro in keyboards, and Melingo played some songs as a guest musician. This line-up played their last gig in October 1985, in José Amalfitani Stadium, to fulfill their contractual obligation to the "Rock and Pop" festival which featured INXS and Nina Hagen. The crowd reacted badly to the band's evident lack of motivation (the pouring rain and the badly mixed sound did not help), and Abuelo was hit in the face by a bottle hurled from the field. The band played the remainder of their set with Abuelo visibly bleeding.
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Near his death, Abuelo told friends: No me lloren, crezcan. (don't cry for me; grow up instead). Abuelo's death came a little after Luca Prodan's and shortly before Federico Moura's. They were three of the leaders of the Argentine youth music scene during the 1980s.
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María Carrasco (born July 15, 1995) is a Spanish singer. Her biggest success to date came with the debut album Hablando con la Luna, which she released at the age of 11. It hit number seven in the Spanish charts. The album featured her debut single "Abuelo" ("Grandfather").
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Monterrey only needed a draw to stay in the Primera Division, and with a memorable performance from Francisco Javier "El Abuelo" Cruz who had played a vital role in Monterrey's first title win thirteen years before, Monterrey managed to draw 1–1 and stay in the Mexican Primera Division.
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With the band dissolved, Abuelo started playing small venues, harking back to his roots of poetry-influenced songwriting. Late in 1986, he and Polo Corbella hired to Kubero Díaz on guitar, Marcelo "Chocolate" Fogo on bass and Juan del Barrio on keyboards to form a new line-up, which recorded Cosas mías in 1986 with relative commercial success. After the first shows, Polo Corbella left the band, replaced by Claudio "Pato" Loza, then with the addition of Willy Crook (former Patricio Rey y sus Redonditos de Ricota) on sax. In late 1987, following gallbladder surgery, Miguel Abuelo was diagnosed with AIDS; terminally ill, he died from cardiac arrest a few days after his 42nd birthday.
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Omar (Gustavo Egelhaaf) is forced to obtain a job to earn a living in a tech company at Mexico City after his grandpa Abuelo (Alejandro Suárez) gets heart attack and Omar is in need to finance his grandpa's health, but Omar meets a quirky ensemble a nine to five job.
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El abuelo y yo (English: The Grandpa and Me), is a Mexican TV series produced by Pedro Damián for Televisa in 1992. Ludwika Paleta, Gael García Bernal and Jorge Martinez de Hoyos star as the main protagonists, while Flor Eduarda Gurrola, Wendy de los Cobos and Ivette Proal star as the main antagonists.
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The Choqueyapu River, sometimes called the La Paz River, is a river in the La Paz Department of Bolivia. It belongs to the drainage basin of the Amazon. The river originates in a spring called Achachi Qala (Aymara: achachi border stone, old, grandfather, qala stone)Ludovico Bertonio, Spanish-Aymara dictionary (transcription):Achachi. - Viejo. Abuelo.
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The 2006 edition attracted approximately 200,000 people. During 11 days, important national and international rock bands played in several outdoor and indoor stages. Acts performing that year included Iggy & The Stooges, Plastilina Mosh, Michael Rose, Mancha de Rolando, Guasones, Las Pastillas del Abuelo, Babasónicos, Intoxicados, No te va Gustar, Rata Blanca, Arbol, La Mosca, Bahiano, Las Pelotas and Miranda!.
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The awelo (derived from Spanish abuelo, meaning "grandfather") is the religious supernatural tribal protector that embodies the essence of the Tigua Indians. The awelo is similar to the kachinas found in other Puebloan societies. The awelo monitors the conduct of tribal members by punishing those who behave incorrectly. The awelo is believed to live near Cerro Alto Mountain.
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It also resulted in the creation of musical ensembles of this style. One of them, renowned band LoLoyal. The implantation of cumbia santafesina at the end of the 70's in Greater Buenos Aires, very especially in the South zone. It also resulted in the creation of musical ensembles of this style. One of them, the renowned band Los Leales. In the city of Resistencia, capital of the Chaco Province, Santa Fe cumbia is very popular in the southern neighborhoods of the capital. With the cumbia santafesina already consolidated new bands appeared, and incorporated new trends. Osvaldo “El Abuelo” Raggio leaves Los Palmeras to form Grupo Alegría,Diario Uno de Santa Fe, La cumbia suena triste tras la muerte el Abuelo Raggio with a faster cumbia style that emphasized the accordion and the timbaleta.
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Pedro, the grandfather and first coach of Piatti, died in March 2015. Piatti paid tribute to him by lifting his jersey to reveal the message ‘Abuelo te amo’, which translates to 'Grandfather, I love you', on a couple of occasions, most notably at Estadio Azteca after he scored the opener in the first leg of the CONCACAF Champions League Finals.
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The title was dedicated to the memory of the beloved batboy who remained with the team for many years, Antonio 'El Abuelo' Mora. The 2004 and 2005 campaigns were difficult for the team, but they managed to qualify for the playoffs. In 2005, they celebrated their 65th anniversary, and decided to play only Mexican players. In 2008, they returned to fielding foreign-born players as well.
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He produced seven more telenovelas for Televisa during the 1990s, including El abuelo y yo, this while continuing to direct. In 2002 he was executive producer for a telenovela for teens, Clase 406, running over four seasons and 365 episodes. This was followed by Rebelde, which ran for three seasons and 440 episodes. Cast members of the series formed a band, RBD, which Damián represented and produced.
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The young jazz pianist Helder Rojas took over the synthesizer chair. Randolf Chacón (formerly with Bamboleo) became the new bassist. The new horn section consists of Osmani Collado, Yunior Romero (also from Bamboleo), Juan Manuel Jiménez (from Rojitas), and Carmelo "El abuelo" Andrés. Carmelo is the consummate professional trumpeter and had already had a long and successful career with Paulito y su Élite and Rojitas.
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The name was taken from a passage in a book by Leopoldo Marechal. As Molar did not call his bluff, Peralta actually assembled a band, featuring Claudio Gabis on guitar, Alberto Lara on bass, Héctor "Pomo" Lorenzo on drums, and Eduardo "Mayoneso" on keyboards. Their first single, Diana Divaga (Diana wanders), featured psychedelic influences. About this time, Miguel started using Abuelo as his artistic surname.
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Cheirocerus abuelo, is a species of demersal catfish of the family Pimelodidae that is native to Lago Maraciabo basin of northwestern Venezuela. It grows to a length of 20.0 cm. It inhabits fresh water rivers in Río de los Pajaros, río Agua Caliente, río Negro, río Apón, río Socuy and Lago Maracaibo. It is clearly distinguished from other species with 30-33 gill rakers.
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Los Abuelos de la Nada (The Grandparents of Nothingness) were an Argentine new wave/rock band that underwent several incarnations, all of them led by singer and songwriter Miguel Abuelo. The group has produced numerous hit singles through the 1980s as "Sin Gamulán", "Costumbres argentinas", "Mil horas", "Himno de mi corazón", "Lunes por la madrugada" and "No te enamores nunca de aquel marinero bengalí".
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Oscar Joaquin de la Rosa, his grandfather, 'Abuelo' inspired Chad to be gentle. Afterwards, Oscar gave Chad an old Mexican coin, which he treasured after Oscar's death. Since then, Chad vowed that he would never fight unless it was to protect others, as instructed — even if his own life was in danger. However, because of his constant involvement with gangsters, Chad gained a reputation as a ruthless gangster himself.
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Taublieb Films is the creative agency of record for Monster Energy and produces viral videos and other content for clients including Ferrari, Lamborghini, Fox Studios, Disney, and ESPN. He also creates short-form viral videos with talent including Rob Drydek and Wee Man. In 2014, he produced and directed the soccer video "Abuelo Memo" for the Mexican company Coppel. It quickly went viral and currently has over 100 million views worldwide.
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Ludwika impressed the casting directors so much that soon after, she was offered her first television role in Carrusel (1989). Paleta became an instant celebrity with her character. Three years later, in 1992, she returned to the small screen in what she calls her favorite television job yet, El abuelo y yo opposite Gael García Bernal. Roles in Huracán, Amigas y Rivales, and Mujer de Madera soon followed.
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Satragni reprised songs from Spinetta Jade in the December 2009 recital Spinetta and the Eternal Bands, which covered the entire career of Spinetta and his associated acts. They collaborated with diverse Argentinian musicians such as Moris, Lito Nebbia, Miguel Abuelo, León Gieco, David Lebón and the Uruguayan Osvaldo Fattoruso and Ruben Roadstead, among others. Raíces pictured in 1980: Raúl Cuadro, Alberto Bengolea, Andrés Calamaro, Beto Satragni, and Jimmy Santos.
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Her great-great-grandfather was a Tehuelce cacique Juan Chiquichano and his great- grandfather, also cacique Adolfo Nahuelquir Chiquichano.Rosa Chiquichano, sus ancestros tehuelches y el origen del quillango She completed her education in Trelew, and became teacher.ROSA CHIQUICHANO HABLA DE SU ABUELO JUAN CHIQUICHANO She later studied law at the Esquel headquarters of the National University of Patagonia San Juan Bosco, graduating in 1999. Thus she became the first lawyer of Tehuelche origin.
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Poza Rica is close to the Costa Esmeralda, the northern beaches of Veracruz, such as Tecolutla, Tuxpan, Cazones and Playa Esmeralda. The UNESCO World Heritage Site of El Tajin is away. The downtown area presents shopping opportunities. It has a high viewing point called "El cerro del abuelo" where it's possible to see the whole city and its "quemadores", big petroleum burners which were used to light the city in the early years.
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Luis Antonio Álvarez Murillo (born April 13, 1991, in Mexicali), also known as El Abuelo (The Grandfather), is an athlete from Mexico, who competes in archery. Álvarez was selected as a member of the Mexican male archery team to compete at the 2012 Summer Olympics at London, after winning the 2012 Archery World Cup in Ogden, United States. This will be the first olympic games for the Mexican archer.Athlete biography: Luis Alvarez , www.london2012.
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He also starred in promotional ads of the same network. In recent years, Negrete has dedicated most of his time to go on tour throughout Mexico in cultural festivals, fairs, and touristic & cultural events. His album "Sabores" was remastered and re-released for the digital music market on August 25, 2017. A new album named "Manzanero Presenta: Las Canciones que Cantaba mi Abuelo", is currently in post-production and will be released in 2020.
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Ivete Sangalo was born in Juazeiro, Bahia, where she spent her whole childhood. She is of paternal Spanish descent ( her grandfather was born there).La cantante brasileña Ivete Sangalo saca por primera vez un disco en el mercado español (Spanish interview)"Porque mi abuelo era español y mi padre me hablaba siempre de España". - "My grandfather is Spanish and my father always spoke about Spain"Her father is of Spanish descent "Meu pai é descendente de espanhóis".
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Garci's subsequently films include La herida luminosa (The Wound of Light, 1997), and El abuelo (The Grandfather, 1998), which was Spain's submission for the Best Foreign Film category of the Academy Awards, getting the final nomination. Recently, Garci directed Una historia de entonces (You're the One, 2000), Historia de un beso (Story of a Kiss, 2002)), Tiovivo c. 1950 (2004), Ninette (2005), Luz de domingo (2007), Sangre de mayo (2008) and Holmes & Watson. Madrid Days (2012).
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"La frontera", El pecado de Oyuki, El abuelo y yo, Tres veces Sofía, Besos prohibidos and Mirada de Mujer, el regreso. In the last two, she performed as the character 'Mamá Lena', who has become a cultural icon in Mexico. 'Mama Lena' is the personification of traditional values meeting the modern world and the emotions that accompany the clashes that inevitably occur. In addition to serials, Elizondo has filmed several commercials, including commercials for American television.
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Mirla Castellanos's album "Como Nunca" is a compilation of her greatest hits. Amongst many successful songs there lots emblematic songs for Castellanos, one being an emotional and strong version of a song composed by Alberto Cortez: "El Abuelo". Castellanos has taken part, almost every year, in musical presentations for the annual contest Miss Venezuela, produced by Joaquín Riviera. The use of expensive costumes and sparkling choreographies were aspects well managed by Mirla during the "golden years" of Venezuelan television.
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García also drafted López, Melingo and Calamaro for his band, in parallel with their work for the Abuelos. The 1982 debut album included many compositions by Abuelo-López, and a reggae hit by Calamaro's former partner Gringui Herrera, Tristezas de la ciudad (City blues). For their 1983 album, Vasos y Besos (Glasses and Kisses), Melingo wrote his own reggae hit: Chala-man, Bazterrica contributed No se desesperen (Don't despair), and Calamaro chimed in with Mil horas (A thousand hours).
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Andres Calamaro was born in Buenos Aires. At 17 years of age he participated as a guest in the recording of an album of the group Raíces, and shortly after he started his own band, the Elmer Band, with guitarist friend Gringui Herrera. This band had an underground hit, Tristeza de la Ciudad (City Blues).Official biography (Spanish) When Miguel Abuelo, leader of Los Abuelos de la Nada, returned to Argentina, he reunited the band and invited Calamaro to play keyboards.
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Cheirocerus is distributed throughout much of the Amazon River basin, and appear to be absent from the Orinoco River. C. abuelo occurs in the Lake Maracaibo basin, C. eques in the Amazon River basin, and C. goeldii in the Purus River basin. C. goeldii is more typical of lowland large rivers where the water may be warmer and deeper, though it may also occur far upstream. C. eques appears to occur closer to Andean foothills where rivers may be cooler and shallower.
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Late in life, Pérez Galdós began a career as a dramatic playwright. His most notable plays include La Loca de la Casa (The Crazy Woman of the House), Hija de San Quintin (The Daughter of San Quintín), Electra (whose opening sparked a riot) and El Abuelo (The Grandfather), which was adapted into a 1998 film by José Luis Garci. Galdós's theater works are characterized by sincerity and non- conformism; although contemporary at the time they were written, some of his theater works sound dated by current standards.
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Viñoly Barreto directed 28 feature films between 1947 and 1966 including The Black Vampire, Paper Boats, the 1954 film El Abuelo which starred Enrique Muino and Mecha Ortiz and Esta Es Mi Vida starring Miguel de Molina. His 1958 film Los dioses ajenos was entered into the 8th Berlin International Film Festival. His 1965 film La pérgola de las flores was entered into the 4th Moscow International Film Festival. Two years later, he was a member of the jury of the 5th Moscow International Film Festival.
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In 1953, during the government of Manuel A. Odría, Vargas Llosa enrolled in Lima's National University of San Marcos, to study law and literature. He married Julia Urquidi, his maternal uncle's sister-in-law, in 1955 at the age of 19; she was 10 years older. Vargas Llosa began his literary career in earnest in 1957 with the publication of his first short stories, "The Leaders" ("Los jefes") and "The Grandfather" ("El abuelo"), while working for two Peruvian newspapers.The newspapers were El Mercurio Peruano and El Comercio.
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In 1995, she created another mural for the Museo de Antropologia called "Venerable abuelo maiz". Although she and her husband, García Bustos, were both students of Kahlo and Rivera, they had not worked together over their careers because of their different areas of interest. However, in 1997, she worked with her husband to design and paint a 2.7 by 7 meter portable mural called "Realidad y sueno en el mundo maya. Mágico encuentro entre hombres y dioses", which was inaugurated at the Hotel Casa Turquesa in Cancún.
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Benavides as Juan Pablo in the Univision's series La bella y las bestias. Benavides began his career in television from an early age, on the telenovela El abuelo y yo, along to Gael García Bernal, and Ludwika Paleta. Two years later, in 1995 he played Nandito, the lost son of María la del Barrio, thanks to his character, he won in the edition 14th TVyNovelas Awards for Best Young Lead Actor. In that same year he also participated in the telenovela El premio mayor as Chicles.
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José Luis García Muñoz (born 20 January 1944), known professionally as José Luis Garci, is a Spanish director, producer, critic, TV presenter, screenwriter and author. He earned worldwide acclaim and his country's first Best Foreign Language Film Academy Award for Begin the Beguine (1982). Four of his films, including also Sesión continua (1984), Asignatura aprobada (1987) and El abuelo (1998), have been nominated for the Academy Award for Best Foreign Language Film, more than any other Spanish director. His films are characterized for his classical style and the underlying sentimentality of their plots.
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Nothing closer is known about the novel, Carmen Alonso Ímaz, La novela histórica alemana y los austrias españoles, Madrid 2007, , p. 88 Amongst the Spanish novelists Gabriel Miró is a writer counted among Generación de 1914. He is worth noting because his Oleza novels,numerous Miró's novels are set in the late 19th century in a fictitious city of Oleza; by scholars it is identified with Orihuela, the city of his youth e.g. El abuelo del rey (1915), provide a veiled discourse on tradition and change with Traditionalism present in the background.
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He also participated in the filming of Adiós, abuelo (Goodbye, grandfather). Following a period outside Argentina, Cutzarida returned in 1997, playing Lucio in the soap opera Carola Casini. After thirteen years in Mexico and the US, where he acted in Ángeles (Angels), Legacy como Edward de Sosa, and Tuesdays with Morrie (1999) as Armand and Noriega: God's Favorite (2000), in the episode "Who Do You Know?" of the series Soul Food (2001), and in Polly and Marie (2007). He returned to Argentina in the soap opera Champs 12 in 2009.
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Some of the acts performing in the 2007 edition included Andrew Tosh, Gondwana, Ratos de Porao, Hereford, Babasónicos, Attaque 77, Las Pelotas, Rata Blanca, Kapanga, Intoxicados, Las Pastillas del Abuelo, Callejeros, Carajo, Almafuerte, La 25, Los Pericos and others. The bands will be performing in a main stage, and two secondary stages. In 2009 the festival was headlined by British hard rock band Deep Purple. Since 2011, the setting changed to the aerodrome in Santa Maria de Punilla, because the producer, José Palazzo, had problems with residents of the commune.
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Also they invited Jerson Vázquez on the drums and Carlos Zavala "El Abuelo" on bass, with whom Juan Manuel had formed previously the group Un Teni. The new band with the name Torreblanca, taken from the last name of Juan Manuel, published an EP, Defense, with four songs, co-produced by Arturo "Turra" Medina and León Polar, LoBlondo from Hello Seahorse! and Natalia Lafourcade. After listening to them at Vive Latino festival, Quique Rangel from Café Tacuba decided to be the producer of their first LP, Bella época.
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Hugo Orlando Gatti (born 19 August 1944) is an Argentine former professional football goalkeeper who played in the Argentine Primera División for 26 seasonsHugo Orlando Gatti bio – Redargentina.com – educar.org and set a record of 765 league and 52 international appearances, totaling 817 games played.El abuelo y tapicero que se convertirá en el jugador con más partidos en el fútbol argentino, La Nación, 5 Nov 2014A 30 AÑOS DEL RÉCORD INALCANZABLE DE HUGO GATTI, Deportea During his career, Gatti won three Primera División titles, two Copa Libertadores tournaments, and one Intercontinental Cup, all with Boca Juniors, and played professionally until the age of 44.
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The year 1987 ended in tragedy for Argentine rock. Luca Prodan had finally lost his personal battle with alcohol and was found dead on December 22, due to complications from his addiction.Luca Prodan/Sumo (Spanish) His death was a shock to the entire music industry and to millions of heartbroken fans. Following Prodan's death, the members of Sumo split, founding two new rock outfits: Divididos and Las Pelotas; both bands became major players of 1990s rock. Miguel Abuelo, following gallbladder surgery, was diagnosed with AIDS; terminally ill, he died from cardiac arrest on March 26, 1988.
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The song was recorded live by the group for their only live album in 1985. There are only three versions of the song: the album version in May 1985, a second live recording released as part of the compilation album Himnos del corazón 1982-1987 in 2004, and an unreleased version at the Rock & Pop Festival in October of the same year. By December of 1985, nearly the entire lineup of the band would change, with only Miguel Abuelo and Polo Corbella staying in the group. Although considered one of Calamaro's most emblematic songs, it was never recorded in studio by the band.
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Some of his television credits include soap operas as Cara Sucia, Cristal, La Revancha, for Venevisión-Univisión. In 2006, Rodríguez also became the winner of the Nuestras Voces National Playwriting Competition with his play “Cartas a una Madre” (originally “Bestalia”) which was produced with a great success at Repertorio Español, company that he also belongs as a current cast member. “Cartas a una madre” was published by the end of 2012. In 2009 and 2010, he also placed among the finalist of Nuevas Voces with his plays “La Papaya Dulce” and “Los Súper Héroes del Abuelo”.
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Charly García took the band under his wing after dissolving Serú Girán, and the Abuelos played in García's 1982 Christmas concert. García also drafted López, Melingo and Calamaro for his band, in parallel with their work for the Abuelos. The 1983 debut album included many compositions by Abuelo- López, and a reggae hit by Calamaro's former partner Gringui Herrera, Tristezas de la ciudad (City blues). For their 1983 album, Vasos y Besos (Glasses and Kisses), Melingo wrote his own reggae hit: Chala-man, Bazterrica contributed No se desesperen (Don't despair), and Calamaro chimed in with Mil horas (A thousand hours).
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Club celebrating their first league title in 1986.On 1 March 1986, the Rayados won their first league title in the return leg of a series against Tampico-Madero in the Estadio Tecnológico during the Torneo México 86, winning by an aggregate 3–2 score. The goals were scored by Brazilian Reinaldo Güeldini, who scored from a penalty after Mario Bahia was fouled, and Mexican 20 year-old Francisco Javier "El Abuelo" Cruz, who finished the season as the league leader in goals. For many years, the team's logo did not show the star of the first league title, up until 2003.
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Poza was born in Tulancingo, Hidalgo, Mexico. He started his acting career in the movie Bandidos in 1990, but his career as a TV actor started in 1992 in the telenovela El abuelo y yo by Pedro Damian along with Gael García Bernal. Then he got involved in other projects or more and less success. In 2001 he worked in the novela Atrévete a olvidarme, which only lasted a month on air, but a couple of months later he was called by the TV producer Carla Estrada to offer him a character in her new novela El Manantial.
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Later that year, Melingo, who was also working with García and his own band Los Twist left, and was replaced by Alfredo Desiata. By early 1985, the band's spirits were damaged due to Bazterrica's cocaine addiction, which eventually had him fired from the band, and the rivalry between Abuelo and Calamaro for top billing. About that time, Calamaro wrote what would be his last mega-hit with the band: Costumbres argentinas (Argentine habits). Sensing that the band was on the verge of dissolution, the band recorded a live album in the Opera theater in Buenos Aires in May 1985.
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Francisco Javier Cruz Jiménez (born May 24, 1966 in Cedral, San Luis Potosí) is a Mexican football player who played for C.F. Monterrey and Tigres UANL, becoming one of the few players to be successful in both professional teams from Monterrey. He is nicknamed El Abuelo, which means "The Grandfather". He also played for a short time in Spain, for CD Logroñés He scored many goals for both Rayados and Tigres, even in the Clásico Regiomontano, where he became an idol of the city. Because of this, he is loved by fans of both teams, a rarity in the competing atmosphere of Monterrey.
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Through this platform, he produced influential Argentine rock artists such as Manal, Miguel Abuelo, Moris, Vox Dei, Alma y Vida and Tanguito, among others. Later, through the Music Hall and Talent-Microfón labels, he worked with Pescado Rabioso, Sui Generis, Invisible, Color Humano, La Cofradía de la Flor Solar and Billy Bond. In 1971, he acted in Edgardo Cozarinsky's 1971 film Puntos suspensivos o Esperando a los bárbaros. Due to the civil-military dictatorship—which warned him that he was "creating a revolutionary youth"— Álvarez had to go into exile in Madrid in 1977, where he produced Spanish artists such as Antonio Flores, Mecano, Olé Olé, Marta Sánchez and Joaquín Sabina.
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In Buenos Aires, three young men influenced by the advent of post-punk in Britain started exchanging ideas, and decided to form a band with the name Soda Stereo. In 1980 friends who were enthralled by the wave of US and UK punk formed the band Los Violadores. Miguel Abuelo, a founding figure of Argentine rock in the 1960s, would return after a decade in Europe and form Los Abuelos de la Nada, which happened to feature a young man by the name of Andres Calamaro. Someone named Miguel Mateos, after talking to Freddie Mercury, won the opportunity to open for Queen in Buenos Aires with his new band ZAS.
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With Cachorro on the bass, the band was assembled: teenage phenom Andrés Calamaro (voice and keyboards), Gustavo Bazterrica (guitar), Daniel Melingo (sax), and Polo Corbella (drums). After playing some "underground" dates (Melingo was especially active on that circuit), their first songs started receiving radio play. The 1982 Falklands War () was a catalyst for Argentine rock, as songs with English-language lyrics were not broadcast for several months. Abuelo and his band wrote materials favored by radio DJs, including No te enamores nunca de aquel marinero bengalí (Never fall in love with that Bengali sailor) which grew out of improvisation during rehearsals, and Sin gamulán (Without a coat), written by Calamaro.
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About that time, Calamaro wrote what would be his last mega-hit with the band: Costumbres argentinas (Argentine habits). Sensing that the band was on the verge of dissolution, Calamaro and López persuaded Abuelo to record a live album in their last major concert, in the Opera theater in Buenos Aires on May 1985. For the occasion, Gringui Herrera replaced Bazterrica, Juan del Barrio reinforced Calamaro in keyboards, and Melingo played some songs as a guest musician. The band played one more gig on October 1985, in the José Amalfitani Stadium, to fulfill their contractual obligation to the "Rock and Pop" festival which featured INXS.
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The 38th Ariel Awards ceremony, organized by the Mexican Academy of Film Arts and Sciences (AMACC) took place on July 22, 1996, in Mexico City. During the ceremony, AMACC presented the Ariel Award in 25 categories honoring films released in 1995. Sin Remitente received four awards out of 14 nominations, including Best Picture and Best Director for Carlos Carrera. La Reina de la Noche was the most awarded film with six awards; La Línea Paterna and Sobrenatural with three; Dulces Compañías, El Anzuelo and Mujeres Insumisas with two; and Entre Pancho Villa y Una Mujer Desnuda, Domingo Siete, De Tripas, Corazón, and El Abuelo Cheno y Otras Historias with one.
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Given that people may have two living sets of grandparents, some confusion arises from calling two people "grandma" or "grandpa", so often two of the other terms listed above are used for one set of grandparents. Another common solution is to call grandparents by their first names ("Grandpa George", "Grandma Anne", etc.) or by their family names ("Grandpa Jones", "Grandma Smith"). In North America, many families call one set of grandparents by their ethnic names (e.g., Hispanic grandparents might be called abuelo and abuela or "abuelito" and "abuelita", French grandparents might be called papi and mamie, Italian grandparents might be called nonno and nonna, or Dutch and German grandparents might be called Opa and Oma.
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Some of the other musicians that went to Parque Centenario included Emilio Del Guercio, Rodolfo García, Gustavo Spinetta, Miguel Abuelo and, "without integrating so much", Raúl Porchetto and León Gieco. These meetings, which managed to gather 500 people, have been described by Rock.com.ar as "a true experiment of community integration, [with] debates taking place between the people of the park and the occasional passers-by." According to Del Guercio, they "were concerned to know what was going to be the place of art and culture in the society to come, how the personal transformation of each one and the understanding of the other could modify society"; according to Schanton, Artaud is the "offspring of that total liberty".
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A native of Munro, in the Greater Buenos Aires industrial belt, Miguel Peralta was one of the young rockers that grew out of the Norte hotel, the Perla del Once café and the La Cueva night club in Buenos Aires in the late 1960s. Abuelo did not play in La Cueva but was friendly with many who did. At some point, he and fellow poetry buff Pipo Lernoud were approached by Ben Molar, a recording executive of Mandioca (the only label in Argentina dedicated to record Spanish language rock). On the spur of the moment, Peralta claimed that he had a band called Los Abuelos de la Nada (the Grandparents of Nothingness) which was ready to enter the studio.
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Those killed included the regional CJNG leader, and also owner of the local El Sol de Tierra Blanca newspaper, Francisco Navarette Serna and the full lineup of La Calle, the band Serna was performing with. On 3 June, it was reported the amount of CJNG-linked assets which were frozen totaled $1.1 billion. On 11 June 2020, Insight Crime journalist Victoria Dittmar dismissed media hype that the CJNG was Mexico's "dominant cartel" and stated that the CJNG was now in fact losing influence and popularity to smaller cartels. Despite unleashing numerous New Generation attacks, Los Viagras and the Cartel del Abuelo were reported as having a "profound advantage" over New Generation in Tierra Caliente.
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When a record label, Mandioca, was created specifically to record Spanish language rock, Peralta arranged for an interview with recording executive Ben Molar where he claimed, untruthfully, that he had a band called Los Abuelos de la Nada (the Grandparents of Nothingness) which was ready to enter the studio. The name was taken from a passage in Severo Arcángelo, a book by Leopoldo Marechal. Since Molar acquiesced, Peralta went on and assembled a band, featuring friends Claudio Gabis on guitar, the brothers Micky and Alberto "Abuelo" Lara on guitar and bass, Héctor "Pomo" Lorenzo on drums, and Eduardo "Mayoneso" Fanacoa on keyboards. Their first single, Diana Divaga (Diana wanders), featured psychedelic influences.
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The new band had Abuelo as lead singer, Cachorro López on bass guitar, Andrés Calamaro on vocals and keyboards, Gustavo Bazterrica on guitar, Daniel Melingo on sax, and Polo Corbella on the drums. The 1982 Falklands War was a catalyst for Argentine rock, as songs with English-language lyrics were not broadcast for several months. The band's materials were favored by radio DJs, including No te enamores nunca de aquel marinero bengalí (Never fall in love with that Bengali sailor) which grew out of improvisation during rehearsals, and Sin gamulán (Without a coat), written by Calamaro. Charly García took the band under his wing after dissolving Serú Girán, and the Abuelos played in García's 1982 Christmas concert.
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Goldstein was also the musical director of the Jewish Theatre of Hollywood, teacher and guest performer at the Rondalla de Capistrano, Orange County, and served as kapellmeister in several synagogues in Southern California. In 2011, Pablo Goldstein, alongside poet Karina Galvez and painter Luis Burgos Flor, was one of the only three non-Mexican artists to be invited to commemorate the 125th anniversary of the opening of the Mexican Consulate General in Los Angeles, where he performed Franz Schubert's Ave Maria (Schubert) and several tango pieces for bandoneón adapted to be played with an accordion. He took part in recording sessions with Craig Taubman, Theodor Bikel, Michael Stein, Hugo Waizinger, María Escudero, Dino Saluzzi, Víctor Heredia, Cristina Plate and Miguel Abuelo, among others.
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The club was to become the cradle of Argentine rock, with celebrities-to-be such as Moris, Sandro, and Litto Nebbia performing regularly, and other figures such as Pipo Lernoud, Miguel Grinberg and Miguel Abuelo sharing the limelight. Many of them were struggling with writing rock lyrics in Spanish, and Tanguito was initially perceived as a novelty act, who could sing energetic Elvis Presley covers in broken English. The musicians would end the night by walking up Pueyrredón avenue together to have late supper or breakfast in café La Perla del Once in the Balvanera district. When Tanguito once ranted in the café's washroom about being alone and sad in the world, Nebbia encouraged him to write a song based on his refrain.
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Merci Suárez is a Cuban-American student starting the sixth grade (her second year) at Seaward Pines Academy, which she and her older brother Roli attend on scholarship. As part of her scholarship obligation, Merci mentors new student Michael Clark for the "Sunshine Buddies" program. Michael draws the interest of fellow student and mean girl Edna Santos, adding to the pressure on Merci at school. The Suárez family lives as an extended group in three neighboring houses: one for Merci, Roli, and their parents; another for Merci's tía Inéz, who runs a bakery while raising young twin sons Axel and Tomás; and the third for her abuela and abuelo, Lolo, who has always been in charge of walking the children home from school.
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The movie opens as the two protagonists, Rodrigo and Rocco join their families to hold a birthday party for their grandfather, Rodrigo Carnicero, which through most of the movie is only referred to as "El abuelo" (Spanish for Grandpa). Rodrigo is a regular middle-class teenager, while Rocco (who, in fact, is also named Rodrigo but shortens his name to Rocco) is rather more unconventional, a marijuana user and writer for an independent magazine, and has deep conflicts with his father Luis. Despite being cousins and the best efforts of the grandfather, Rodrigo and Rocco have a troubled relationship and are constantly harsh to each other. During the meal, the boys' parents (the sons of Carnicero) talk about the grandfather's will and the upcoming marriage of Luis.
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Colombo made his television debut in the 1992 Televisa soap opera El abuelo y yo, co-starring Ludwika Paleta and Gael García Bernal, and made his film debut the same year with a performance in Sonata de luna.Felipe Colombo at the Internet Movie Database Colombo then co-starred with Angélica María in the 1994 soap opera Agujetas de color de rosa, which was successful across Latin America and especially among Hispanic audiences in the United States. He appeared as Carlitos in the 1995 film Cilantro y perejil (Cilantro & Parsley), and in 1996 had a role in an episode of Mujer, casos de la vida real, a show hosted by legendary Mexican actress Silvia Pinal. In 1999 he acted alongside Anahí in the 1999 tele-novela Ángeles sin paraíso.
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In 1915 he published El abuelo del rey (The King's grandfather), a novel that tells the story of three generations of a tiny Levantine town, for the sake of presenting, and not without a little irony, the struggle between tradition and progress, the pressures of one’s environment, and above all, a meditation about time. One year later, Figuras de la Pasión del Señor (Characters from Our Lord Passion) (1916–17) was published, formed by a series of scenes about the last days of Jesus. Also in 1917, Miró began his autobiographical-style works with Libro de Sigüenza (Sigüenza's book), in which Sigüenza is not only the heteronym or alter-ego of the author, but the author's own lyrical self, which gives unity to the scenes which comprise the book. El humo dormido (The sleeping smoke) (1919) is one of his most personal books and contains various autobiographical moments.
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Dressed in traditional ceremonial dress and clothing, the chief characters are El Monarca (typically Moctezuma or other tribal leader), the captains (usually consist of 2-4 and are Moctezuma's main generals), La Malinche or Malintzín, the Native or Mestizo woman; and El Toro, the malevolent comic man of the play (also symbolizes Satan, or the Devil, according to Roman Catholic religious interpretations), dressed with the skins of the buffalo and wearing the horns of this sacred ancestor; Abuelo, the grandfather, and Abuela, grandmother. With the help of a chorus of dancers they portray the desertion of his people by Moctezuma, the luring of him back by the wiles and smiles of La Malinche, the final reunion of king and people and the killing of El Toro, who is supposed to have made all the mischief. Much symbolism is seen in these groups. The basic symbolism of the dance is good vs.
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The Orbe family clearly sided with the latter; when Circulo Católico Vascongado, a network serving as Biscay Carlist front organization, was increasingly taken over by the Nocedalistas, their opponents launched a competitive Sociedad Tradicionalista. In 1887 Orbe entered its Biscay Junta DirectivaReal Cuesta 1985, pp. 99-100, 148 and following the 1888 Integrist breakup continued to work towards recovery of loyalist structures;jointly with his father and brother; "[the correspondence] está distribuida en varios legajos, muchos con cartas fechadas tanto en Ermua como en Aspigarraga y escritas por los distintos marqueses de Valde-Espina, el abuelo, el padre o el hijo y firmadas como Pepe, Pepe Orbe, José María, Nepomuceno, Gustavo o José María del Orbe, o simplemente por el marqués de Valde-Espina", Fernández Escudero 2012, p. 66 within its ranks he rose to jefe of the Marquina district, though its organization remained largely on paper.
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He was one of the key figures who helped promote Argentine tango albums from the 1950s to the 1970s. As the owner of the label Fermata he both promoted local talent like Mercedes Sosa, El Club del Clan, Los Abuelos de la Nada and Los 5 Latinos and discovered talent, like Miguel Peralta, who performed in his early career as Miguel Abuelo. He also created famous ensembles like The Golden Triplets and adapted songs by Paul Anka, the Beatles, Chubby Checker, Bill Haley, Elvis Presley, Neil Sedaka and others for Spanish singers like Sandro and Palito Ortega. One of his most important works was project he created and produced called "Los 14 con el Tango" which included interdisciplinary works of literature, music and painting, by such artists as Carlos Alonso, Jorge Luis Borges, Carlos Cañás, Juan D'Arienzo, Florencio Escardó, Raquel Forner, Córdoba Iturburu, Leopoldo Marechal, Manuel Mujica Láinez, Astor Piazzolla, Ernesto Sábato, Raúl Soldi and Aníbal Troilo, among others.
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The song has been covered by several artists in various languages—according to Nebbia himself, over a hundred—including Catalan, German and Portuguese. Some musicians that have covered "La balsa" include Charly García, Los Corvets, Gervasio, Miguel Abuelo, Andrés Calamaro, Los Manolos, Juanse (of Ratones Paranoicos), Gato Pérez, Los Iracundos, Moris, Sonora Borinquen, Los Encargados, Los Zorros (featuring Pity Álvarez), Las Cuatro Monedas, Hilda Lizarazu and Jairo (in a French version titled "Le train du sud"). Charly García references "La balsa" in the song "Peluca telefónica", included in his 1982 debut solo album Yendo de la cama al living. In an Encuentro documentary TV episode focused on the song, Nebbia stated: > I think that song appeared at a time that harmoniously coincided with a need > that had, first of all our generation, and also with a thing that > transcended borders because a lot of stuff was happening in the world with > these generations.
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"There I met Miguel Abuelo, then there was a hitch and he took me to dinner at his girlfriend home and we were playing all night long. After that I went away with a reggae band on Bristol." He also played with the Bristol band Lola, featuring noted guitarist Steve Warrilow and legendary session drummer, Bill "Bilbo" Birks López began his career as a record producer, when Los Abuelos de la Nada traveled to Ibiza to record Himno de Mi Corazón with English producer Robin Black, and the band manager, Daniel Grinbank, asked the band to behave and that one member should work as a liaison between them and the producer, the band decided that López should do it, since he and Andrés Calamaro were already working as producers for Los Abuelos de la Nada on the past albums. At the same time he was devoted to the artistic production of musicians such as Divina Gloria and David Lebon.
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