Step back and the photograph recomposes itself into an elegant abstract composition of texture and color.
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For me, the interplay between the human subject and the abstract composition raises all kinds of questions.
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"VIP (Viewer Improved Painting) 2014" contains an algorithm that creates a fluctuating, abstract composition based on where the viewer looks.
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Outside the spring sun is blazing, only hours after Voigt performed his beat-free abstract composition "Rückverzauberung" live at Kraftwerk Berlin.
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"Paris," an oil on board painted the same year, shows a jumble of buildings and bridges, all recognizable but in an abstract composition.
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"I imagined the letters tangled together, but I also didn't want the illustration to be just an abstract composition," she wrote on her website.
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Rifling through the remainder of Everything at Once's museum-sized offerings, we see an extravagantly long Richard Long painting near Lee Ufan's monastic abstract composition "Dialogue" (2017).
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The colorful abstract composition was bought at a Sotheby's auction in 0003 by collector Myron Kaplan, but now the government is claiming ownership and threatening to sue him.
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The care with which it was painted — the almost abstract composition, the contrast of soft feathers against a smooth peel — make it seem soothing at first, and then unsettling.
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One was an abstract, composition of fuzzy shadows and white splotches, like a Jackson Pollock viewed under a microscope: in fact, a recent NASA image of the moon's surface.
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An inflatable swan floats in a kidney-shaped swimming pool that itself contains a Hockney painting: an abstract composition with curving blue lines dispersed rhythmically across the surface, like a cartoon rendition of waves.
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Other notable lots in the mix included Henry Ossawa Tanner's "At the Gates (Flight into Egypt)" (circa 503-27), which sold for $341,000; Kenneth Victor Young's "Untitled (Abstract Composition)" (1972), and which went for $233,000.
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Other notable lots in the mix included Henry Ossawa Tanner's "At the Gates (Flight into Egypt)" (circa 1926-27), which sold for $341,000; Kenneth Victor Young's "Untitled (Abstract Composition)" (1972), and which went for $233,000.
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The title of "The Rear View" (2018) may allude to the compressed reflection we see looking into an automobile's rearview mirror, but the abstract composition evokes a still life as Freeman again plays shapes against colors.
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Stacks of sugar cubes and piled-up matchboxes, photographed up close, resemble jagged brick skyscrapers; a detail of a string instrument is transformed into a geometric abstract composition; a zoomed-in shot highlights the fractals in a feather's barbs.
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The Bolotowsky canvas — an abstract composition of geometric shapes in a soothing palette of blues, pinks and beiges — had wrapped around a circular room in the hospital and required Mr. Mayne to accommodate a similar space in his floor plan.
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You don't see another painting by a woman until the seventh gallery, where the Russian Constructivist Varvara Stepanova's weirdly brushy yet angular "Figure" of 7083 (acquired in 2708) shares a corner with Sophie Tauber-Arp's abstract "Composition of Circles and Overlapping Angles" from 29400 (acquired 221).
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Block and Koenig also depicted some of their own designs, like the latter's Stahl House, with its floor-to-ceiling windows and panoramic views of LA. Both photographed buildings with an architect's geometrically minded and detail-oriented eye, never presenting them as mere real estate: a close-up of a blue and yellow porthole skylight at the Palm Springs Frey residence resembles an abstract composition, while a shot of Wright's Taliesin West highlights the interplay of shapes between the red-and-white checked canvas roof and surrounding mountains.
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Lissitzky and Chagall knew each other from their time as students in the studio of Yuri Pen, a figurative, realist painter who had offered young Jewish students an art education denied to them by Tsarist law (A "Self Portrait" by Pen styled after the self portraits of Rembrandt is nestled between an abstract "Composition" (21920) by Mikhaïl Veksler and a Cézanne-like still life by Mikhaïl Kounine in the exhibition's second gallery.) Chagall invited both Pen and Lissitzky to teach at the People's school in Spring 21922, as heads of the Painting-Drawing and Architecture-Printmaking departments, respectively.
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Dinu Grigoresco, Nantes, 1979 DInu Grigoresco, Abstract composition, 1983 Dinu-Alexandre Grigoresco (1 November 1914, Bucharest, Romania – 11 October 2001, Fontenay-aux-Roses, France) was a Romanian-born French painter.
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Paul Sietsema. Wexner Center for the Arts, Print. Sietsema mounted his next exhibition at Matthew Marks Gallery in New York in 2014. The show featured his new 35mm film Abstract Composition.
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In the First World War he was involved in transferring dazzle camouflage designs onto ships for the Royal Navy, and after the war he continued to paint nautical themes. Abstract Composition, 1915 Tate Gallery.
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Harold Frank (1921–1995) was an American abstract expressionist artist, born in Southampton, England.Harold Frank , Turner Bennett, USA.Index of Materials on Harold Frank, Artist, California State University, Dominguez Hills, USA.Harold Frank — 'Abstract Composition',Klassik Mobel Kunst.
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The unnatural construction of these seemingly absolute histories form the framework for many of Sietsema's films.Sietsema, Paul. Seven Films by Paul Sietsema. Milan, Italy: Mousse, 2014. 123-26. Print. Abstract Composition, the artist's first 35mm film, focuses on a cardboard sign rotating in space, displaying a brief description of a different object with each rotation.
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Women with fashionable clothes and placed in the showroom, and can be rotated in different directions. In his right hand he holds a green apple. With this and other paintings ironic applied swipe "brave new world" of constructivism. The artist uses precise details, geometric shapes and colors that puts them in an abstract composition.
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Joanne Julian is an Armenian/American artist. She is known for her works on paper of our organic world, and has mastered several media over her long career. These include printmaking, botanical and avian illustration, Zen Buddhist ink painting, calligraphy, and abstract composition. Julian is an artist whose oeuvre is informed by Zen aesthetics.
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"As in music you play a theme around the subject." Bowden's abstract composition with yellow background (1937), shown at left, is an example of his pure abstractionist style. His "Plant On Table" (1936), shown at right is an example of his semi- abstractionist style. The sketch of Fernand Legér (1936), shown at right, is an example of his drawing technique.
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Meanwhile, the work references mechanical printing with the Ben-Day dots background, which enables Lichtenstein to parody his predecessors and make a "powerful abstract composition". Although Abstract Expressionists in general considered their style as opposing popular culture, Lichtenstein's juxtaposition of the Brushstrokes against the mechanical process links the style to popular culture and results in a statement of the importance of mass media in the promotion of the style.
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Bochman has worked with oil paints and acrylics on canvas and plywood. More recent works include mixed media on a papier-mâché foundation, embedding of small objects and often featuring multi-chromatic glazing. One of the notable works by Bochman was painted on a wooden wall and commissioned by Vamos & Partners Architects for the UNEP Headquarters in Nairobi. Another mural was a more abstract composition called Maasai Necklaces at the entrance of the Ya-Ya Centre in Nairobi.
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Abstract composition of cubic Bézier curves ray-traced in 3D. Ray intersection with swept volumes along curves is calculated with Phantom Ray-Hair Intersector algorithm Alexander Reshetov and David Luebke, Phantom Ray-Hair Intersector. In Proceedings of the ACM on Computer Graphics and Interactive Techniques (August 1, 2018). . The simplest method for scan converting (rasterizing) a Bézier curve is to evaluate it at many closely spaced points and scan convert the approximating sequence of line segments.
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The ten meter high, abstract composition of bronze is outside the boundary of the camp, so that they can be seen from the bridge and the fortress. On 8 July to 4 November 2001, the Jewish Museum, Vienna was held an exhibition, " Kladovo – An Escape to Palestine". The basis of the exhibition were photographs that were taken by participants of transport during the flight and were by survivors Ehud Nahir from Palestine. The album compiled by Nahir was reproduced from Douer.
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The four works she contributed to the Vorticist exhibition in 1915 are now thought to be lost, as is the original of The Engine which was reproduced in an edition of Blast. Both the Victoria and Albert Museum and the Tate hold one example each of Dismorr's work from this period and the collector John Quinn displayed several examples in New York in December 1916. Dismorr exhibited with the Vorticists again in New York in January 1917 at the Penguin Club. Abstract composition ca.
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The sculpture's complex composition yet fluid movement is an excellent example of how Wein could manipulate shape and form into three- dimensional magic. Albert Wein said that "every good work of art is a good abstract composition" or could at least be represented by one. That the subject, devoid of details and pared down to only what is necessary to convey the "essence" of the composition is what really mattered in an artistic work. Albert Wein created over 500 sculptures and 300 painting and drawings.
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The same year she submitted work to the annual exhibition of the Royal Hibernian Academy. Mainie Jellett, Abstract Composition, 1935, oil on canvas, 119.5 x 96.9 cm In 1921, along with her companion Evie Hone moved to Paris, where, working under André Lhote and Albert Gleizes she encountered cubism and began an exploration of non-representational art. Her new style, including colour and rhythm was greatly inspired by her stay in France. After 1921 she and Evie Hone returned to Dublin but for the next decade they continued to spend part of each year in Paris.
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As a result of this series, Lichtenstein was able to present works to the viewing audience that resembled what they had become accustomed to seeing, however, his result is completely flat without any trace of the brushstroke or the artist's hand. Meanwhile, the work references mechanical printing with the Ben-Day dots background, which enables Lichtenstein to parody his predecessors and make a "powerful abstract composition". The effort to make the painting appear mechanically produced by flattening the brushstroke also gives the illusion that the brushstroke is floating freely. The works in the series are considered ironic mechanical representations of gestural techniques.
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The design is an abstract composition and consists of a round stage representing the island of Cyprus, real water along the front of the stage, two jetties, the waves breaking and moving away from the island and five sailing boats with oars. During the competitive performances, a beach ball with the design of the performer's national flag would be floating in the on-stage pond while they were performing. For the contest, various changes to the rules were made. One was that adults could assist children to write the songs submitted to their national broadcaster; previously only children could write the songs, with no assistance from adults.
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"On the contrary", wrote the architect, the design makes "the building and the painting an uninterrupted, beautiful symphony such as never existed in the World of Art before." Other critics, and many artists, felt that it is awkward to properly hang paintings in the shallow, windowless, concave exhibition niches that surround the central spiral. Prior to the opening of the museum twenty-one artists signed a letter protesting the display of their work in such a space. Historian Lewis Mumford summed up the opprobrium: > Wright has allotted the paintings and sculptures on view only as much space > as would not infringe upon his abstract composition.
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His archetypal figures are generally rendered in side or frontal view, and drawn efficiently with a limited number of lines and strokes. This basic method of depiction allowed for the figures to be both actors expressing the core human condition—while at the same time, and of equal importance, each artwork became a sophisticated abstract composition unto itself. The art both tells a story, and at the same time creates a visceral visual experience for the viewer. By being incessantly creative with the constant re-combination of familiar subjects and new materials, Rotter keeps his humanistic theme fresh and unhackneyed with each iteration of this familial tale.
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Chiaroscuro study drawing by BouguereauTone in an artistic context refers to the light and dark values used to render a realistic object, or to create an abstract composition. When using pastel, an artist may often use a colored paper support, using areas of pigment to define lights and darks, while leaving the bare support to show through as the mid-tone. When making a portrait for example heavy dark tones to represent a moody or dark side to a personality. Tone can also be used to make the face look three-dimensional, for example darker tones around the chin, nose and eyes; lighter tones on forehead, nose and cheeks.
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Harry Bowden, Abstract Composition, Yellow Background, 1937, watercolor and gouache, 8 1/2 x 7 inches Harry Bowden, Plant on Table, about 1936, gouache, 12 x 9 inches Harry Bowden, Fernand Legér, graphite, 16 1/2 x 14 inches Harry Bowden, Street Children, Mexico, 1941, gelatin silver print, 9 3/4 x 7 3/4 inches Bowden worked in oil, gouache, graphite, watercolor, and mixed media. Most pieces are small enough to have been made on an easel. In the 1930s he studied Cubist painters and his style then showed some Cubist influence. In this period he made both representational and non-representational works. Writing in 1941, a critic noted that he had by then outgrown his tendency toward pure abstraction.
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By the 1960s he had begun to paint large non-objective canvases in thickly applied diagonals of bold color and black. Brilliantly colored areas that appeared to be broken up at close range would fit together at a distance, producing what Wedin called a "hidden abstract" composition. Wedin's works are represented in many major private and institutional collections, including the Walker Art Center in Minneapolis, the American Swedish Institute in Minneapolis, the Mayo Clinic in Rochester, MN and the Smithsonian Institution in Washington, D.C. In 1996 Wedin was one of 33 artists whose work was featured in the exhibition "Pictures for a New Home: Minnesota’s Swedish-American Artists," at the James J. Hill House Gallery in St. Paul, sponsored by the Minnesota Historical Society. In 2008, Elof Wedin was one of the artists featured in the Weisman Art Museum's "By the People, for the People" exhibit of Works Progress Administration paintings.
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The roadster shown in the ad closely resembles a contemporaneous Mercedes Benz sport model, with its deeply V-ed radiator, cycle fenders, wire wheels and step plates. From its dramatic prow, the long hood-line sweeps back to a raked windshield spanning an aeronautical cowl, then drops to the rakish line of its cut-down doors and finally flows into a streamlined tail. The car is pictured in the unacknowledged drawing standing at the foot of a long drive winding down from a Colonial-style golf club through a manicured lawn. The drawing is heavily influenced by Japanese printmaking in its linearity, stark use of light and shade, and abstract composition. The sophisticated imagery of the advertisement is complemented by an elegantly lettered text, headed by the haiku, ‘Automobiles Biddle Speed’ and the following evocative declaration: The thrills of speed with perfect control are his who drives the Biddle car equipped with Duesenberg Motor.
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Postwar European and American art is represented by the reporters of the golden age of photojournalism: Steve Schapiro, Ruth Orkin, Sabine Weiss, and artists who pushed the boundaries of photography in both their subject choice and technique, noted for his unmanipulated self-portraits in the landscape. The gallery's pool of Russian contemporary artists encompasses a variety of styles, which flourished in the Russian photography during the last three decades, featuring underground artist from the 1980s Sergey Borisov, conceptualist Vadim Guschin, whose simple forms and abstract composition is rooted in Russian avant-garde tradition, one of the forefather of St Petersburg school of photography Alexander Kitaev and contemporary architectural photographers Vladimir Antoschenkov, admirer of St Petersburg, and Igor Palmin, centered on the exploration of Moscow modernism. The gallery showcases artists of the international contemporary scene such as Laurent Chehere, famous for his surreal series of flying houses of Paris, Wendy Paton, whose black-and-white lyrical night scenes result from unraveled mastery of film camera and method of gelatin silver printing. In 2015 the gallery participated in Fotofever Art Fair in Paris.
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Surprisingly, many of these 20 sculptures met a dramatic end or were disturbed, damaged and/or removed from their location, some not even few days after they were erected. Güzel İstanbul, by Gürdal Duyar, is removed from its foundation at Karaköy square, being found 'indecent', and is removed to the Yıldız Park being damaged in the process; İşçi by Muzaffer Ertoran becomes the targeted in attacks; the fate of Nusret Sumans Mimar Sinan is unknown; İkimiz by Namık Denizhan is removed due to 'damage from external factors'; Birlik by Mehmet Uyanık, becomes the victim of a municipal compressor gun in 1986; Yükseliş by Bihrat Mavitran is sacrificed to road construction in 1984; Yağmur by Ferit Özşen suffers natures wrath; the abstract composition by Füsun Onur is removed during Bedrettin Dalans Municipal tenure in 1985; the abstract sculpture by Seyhun Topuz collapses due to 'natural causes' in 1984; the abstract sculpture by Tamer Başoğlu disappears in 1986; the abstract sculpture by Yavuz Görey is believed to have been stolen for its material (bronze) and similarly the abstract sculpture by Metin Haseki disappears for its material (copper).
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