But, that doesn't mean that everyone must embrace such waywardness.
|
|
He felt their loneliness, their waywardness as the world spun frantically out of their control.
|
|
The first act tends toward waywardness, and while it runs just an hour, it feels longer.
|
|
A 2018 Harris poll found that 42 percent of adults in relationships admitted to financial waywardness.
|
|
Daniel's crystalline monologues of recollection aside, "The Waverly Gallery" often has the ostensible waywardness of recorded conversations.
|
|
Their determination to silence Miguel's guitar arises from heartbreak, and from the instrument's association with the waywardness of men.
|
|
Schmid's waywardness on the extra hole, however, was an anti-climactic end to a match otherwise worthy of a final.
|
|
That dream of waywardness is liable to get a black boy killed, but Smith's imagination operates as though it still exists somewhere.
|
|
So a second law was passed to exempt the stadium from campus carry, with no apology from the Republican Legislature for its waywardness.
|
|
I am twenty-five, and oblivious of all the ways she is wrong for me, oblivious of her sorrows, her waywardness, her alcoholism.
|
|
Albert Einstein, dapper in his youth, cultivated a waywardness of appearance in old age that has contributed to the trope of the mad professor.
|
|
Even as the Mariners continue on in their familiar way, beset by injuries and waywardness, unable to cross that elusive postseason threshold, things have changed.
|
|
If Kloppenberg is a prophet of democracy, he casts himself as a Jeremiah, not an Isaiah—this is a story of waywardness rather than of redemption.
|
|
SHANGHAI, April 7 (Reuters) - China's official Xinhua news agency said on Saturday that U.S. "waywardness" in its tit-for-tat tariff exchange will only end in defeat.
|
|
His waywardness began at a fairly early age: a precocious youngster (from whom his family expected much), he was expelled from Yale and was hospitalized after a breakdown.
|
|
It is fair for both the media and concerned voters to demand more: a tangible, substantive GOP strategy that honestly confronts the President's waywardness in policy and personal integrity.
|
|
But in my mother's case, it was her future brother-in-law who spotted her shining cheeks and infectious smile, and decided that she was the cure for my father's waywardness.
|
|
Goethe's early life was a privileged one—he was the only surviving son of a prosperous bourgeois family in Frankfurt—and as a young man he teetered on the brink of waywardness.
|
|
The review accounts for some of Schuyler's aesthetic waywardness, his position apart, not only from well-known mainstreams historical and contemporary, but also from those New York School poets with whom he is often associated.
|
|
It has become standard practice to turn youthful characters into psychology textbook cases: The kid commits a crime or dives into drugs, and soon we learn of an alcoholic parent or abusive uncle, the traumatic upbringing becoming the explanation for the waywardness.
|
|
118 In his book Isadora, an Intimate Portrait, Sewell Stokes, who met Duncan in the last years of her life, describes her extravagant waywardness. Duncan's autobiography My Life was published in 1927. The Australian composer Percy Grainger called Isadora's autobiography a "life-enriching masterpiece."Gillies, Malcolm; Pear, David and Carroll, Mark.
|
|
Tok embodies the Saltrock brand and is featured on many of their products. The Saltrock brand portrays a love of fun and waywardness which is personified in Tok. Tok is a prankster who causes trouble and mischief to no end. Tok appears in all guises from a cheeky sprite to evil spirit.
|
|
Tariq (Heera Malik) lives a double life: gambler in reality, practicing Muslim in front of his father. His father, Haji Saab runs a small business and is widely respected in the neighborhood, is ignorant of Tariq's waywardness. Tariq is also seduced by Mohni (Saima) living next door. Tariq, over a gambling dispute, murders a rival.
|
|
Having heard rumours that his father had died, he had made preparations for assuming the crown. These included the murder of the former shah Tahmasp and his family, including the nine-year-old Abbas III. On hearing the news, Reza's wife, who was Tahmasp's sister, committed suicide. Nader was not impressed with his son's waywardness and reprimanded him, but he took him on his expedition to conquer territory in Transoxiana.
|
|
The environment of Dhurmaji's home pushed Bhikaji further into a life of indolence and waywardness. He eventually accumulated debts which he hoped to clear using the property that accompanied Rukhmabai into the house. Rukhmabai refused to move in to the household of Dhurmaji to live with Bhikaji, a decision supported by her step-father. In contrast, in the same years Rukhmabai studied at home using books from a Free Church Mission library.
|
|
Out of curiosity, they defied their fate of guarding the herb alone, and managed to meet each other. At first sight, they fell in love with each other. God, exasperated by their waywardness, separated the miserable couple, and laid a curse on them as a punishment: the flowers of Mañju shall never meet the leaves of Saka again. It was said that when the couple met after death in Diyu, they vowed to meet each other after reincarnation.
|
|
Once upon a time, there was a kingdom Kalinga, ruled by King Vijayasena his younger brother Prachandasena (Gadepalli Ramaiah) a malicious, aspires to conquer the kingdom. One night he tries to eliminate him when the king is shielded by a man in a veil and shifts him to a safe place. After that, Prachandasena occupies the throne when anarchy arises due to his waywardness. So, the public starts shifting to the forest along with chief minister Paramanandayya (C.
|
|
V. Ranga Rao) as his representative. Samsthanaka keeps an evil eye on Vasantha Sena and aspires to possess her but she refuses. Eventually, anarchy arises in the kingdom due to the waywardness of King Palaka and a revolution is plotted by warrior Aryaka (Satyanarayana). Once Vasantha Sena entrusts her jewelry to Charu Datta for a future meeting which is stolen by a thief Sarvilaka (Relangi) to relieve his lover Madanika (Girija), the maid of Vasantha Sena from imprisonment.
|
|
Ramachari (Yash), a hot-headed college-goer, is a fan of Vishnuvardhan from his childhood often watching his films. Inspired by the character Ramachari portrayed by Vishnuvardhan in Naagarahaavu, he gets it tattooed on his chest. Due to his waywardness, his relationship with his father (Achyuth Kumar) is damaged to an extent where the father and son cannot stand each other. His father favours his elder son Hari (Vishal Hegde), who is docile and studious; the benchmark of an ideal son.
|
|
However, his hubris, boasting and waywardness caused difficulties with his colleagues at the university, especially since Johannes Rudbeck became his main enemy. The students were finally divided into two factions, one for him, and the other one against him. The Consistory at Uppsala became the battle ground for open fights and antics (partly with Messentius' support) that became so serious that the chancellor Axel Oxenstierna had to intervene. The two enemies were called to interrogation in Stockholm, in front of the Church council in July 1613.
|
|
Despite submitting their candidate lists to the YSK before the deadline, the Centre Party later announced on 22 September that they were withdrawing from the election, claiming that they would instead be diverting efforts to improving their local branches and support. The party's leader Abdurrahim Karslı issued a statement criticising the AKP for ignoring the will of the people in the June 2015 vote and calling a new election, accusing the government of 'thoughtlessness and waywardness' in spending over ₺2 billion on calling the new vote.
|
|
In Jainism, the term, adarsana, indicates the condition of mental unease and the suffering of loss of faith resulting from the failure in achieving the desired highest goal after long sadhana, tapas etc., which negative feeling does not affect one who has transcended anger, violence, jealousy, waywardness, bad or evil intentions, untruth, and who is disciplined and adopting the Brahmacharya Dharma has forsaken his household or family-life, all desires for possession of things and readily donates whatever is possessed by him. The overcoming of this negative feeling is called Adarsana-vijay.
|
|
Janki Kapoor (Nutan) and her two sons Ravi Kapoor (Kumar Gaurav) and Vicky Kapoor (Sanjay Dutt) come from a poor family, and have difficulties making ends meet. To add to this burden, the family has to consider the waywardness of Vicky, who is always getting into trouble with the law. Ravi, on the other hand, is a hard-working, responsible son who earns for the family, but also makes sacrifices for Vicky. Vicky is determined to get a job in Dubai as he has heard of thousands of Indians making a successful living there.
|
|
Tony Last is a country gentleman, living with his wife Brenda and his eight-year-old son John Andrew in his ancestral home, Hetton Abbey. The house is a Victorian pseudo-Gothic pastiche described as architecturally "devoid of interest" by a local guide book and "ugly" by his wife, but is Tony's pride and joy. Entirely content with country life, he is seemingly unaware of Brenda's increasing boredom and dissatisfaction, and of his son's developing waywardness. Brenda meets John Beaver and, despite acknowledging his dullness and insignificance, she begins an affair with him.
|
|
A black sheep stands out from the flock. The Black Sheep from a 1901 edition of Mother Goose by William Wallace Denslow In the English language, black sheep is an idiom used to describe an odd or disreputable member of a group, especially within a family. The term stems from sheep whose fleece is colored black rather than the more common white; these sheep stand out in the flock and their wool was traditionally considered less valuable as it was not able to be dyed. The term has typically been given negative implications, implying waywardness.
|
|
Another song from the album, "Two Ravens", took the award for Best Original Song at the BBC Radio 2 Folk Awards in 2014. Till April is Dead – A Garland Of May, Knapp's 2017 concept album about the month of May, "twists tradition... mixing in interviews about May Day rituals and samples of birdsong, buzzing flies and cuckoo clocks". It received a five-starred review in The Guardian from Jude Rogers who described it as "overflowing with warmth, light and waywardness". "Knapp’s voice throughout", she said, "is a relevation, both pure and wild, springing free".
|
|
Mount Meigs Campus in Mount Meigs, unincorporated Montgomery County, Alabama, of the Alabama Department of Youth Services Some inmates of the juvenile system are or were "status offenders", children who committed acts that are not crimes for adults, but can get juveniles in trouble with the law. Status offenses include consensual sexual acts, truancy from school, smoking cigarettes, curfew violations, drinking alcohol, running away from one's residence, chronic disobedience of parents, guardians, and/or other authority figures, waywardness, and ungovernability.Williams, Vergil L. Dictionary of American Penology. Second Edition.
|
|
During an argument, it is revealed that Gigot's downward spiral into alcoholism and virtual isolation were a result of post-traumatic stress from his time in Vietnam. The titular wool cap, which he wears throughout the film, belonged to his younger sister who died in a car accident while Gigot was at the wheel, drunk and high. Hurt by Gigot's indifference throughout the years, his father rejects him and his request to adopt Lou. Meanwhile, being a foster child is hard on Lou, who falls into a life of waywardness.
|
|
The Philadelphia Magdalen Society lodged 2,726 women in all, attempting to change them into domestic servants, factory workers, seamstresses or laundresses—and sometimes even returning the inmates to their families, hopefully with a more "proper" mindset. Still, even the Board of Managers conceded that few magdalens were converted to lives of virtue. So the Society began to focus on preventing waywardness and providing education to girls."Magdalen Society of Philadelphis", The Historical Society of Pennsylvania The Home for Magdalens moved to Montgomery County, Pennsylvania, in 1915, about the time that it was becoming clear that the refuge had outlived its usefulness.
|
|
A wealthy man gets his son (Balachandar) married to his sister's daughter (Nandini), keeping his promise made to his sister on her deathbed. The young couple are in love, but the marriage does not prove to be satisfying for the husband who believes in romancing his wife all the time. The wife, a responsible homemaker, does not find the time for such, and the frustrated husband becomes smitten by a dancer (Chellam) whose sole aim is to enslave the victim and rob him of his wealth. The neglected, tradition-bound wife is burdened by her father-in-law's death, family responsibilities and the business failing due to her husband's waywardness.
|
|
Eduardo Rivadavia of AllMusic described the album as "brimming with attitude and dangerous swagger", and Thin Lizzy's "first sonically satisfying album", with "The Rocker" their "first bona fide classic". He described "Little Girl in Bloom" as "absolutely flawless", but criticised "The Hero and the Madman" and "Slow Blues" as "overblown" and "tepid" respectively. Pitchfork reviewer Stuart Berman remarked how Thin Lizzy were "starting to kick out the jams with greater confidence and consistency" on this album, with Lynott producing "the sound of a spiritually adrift musician ecstatically discovering his true calling." Canadian journalist Martin Popoff remarked the album's "crusty sound quality and style-searching waywardness", mixing influences ranging from American blues, to Motown, to early metal.
|
|
It was excellent entertainment." Max Harris of The Bulletin wrote this was when "Australian television drama came of age ." The critic for the Sydney Morning Herald thought the play "lost little of its waywardness and some of its liveliness in a television production" and had faults with the play ("Kenna seems unable to settle decisively on one theme and to develop it boldly enough to carry his admirable intentions and considerable ability") but felt it was a "very worthwhile production, organised with some tact and imagination by Alan Burke." The critic for the Sunday Sydney Morning Herald said "there are few TV dramas I have enjoyed more... It could have been written with television specifically in mind.
|
|
Xunzi believed that all people are born with natural tendencies toward "waywardness": that is, a taste for profit and beauty and a susceptibility to jealousy and hate, all of which, if indulged in, would lead to disorder and criminality. In order to attain a oneness with the Way, a dedication to morality, Xunzi argued for the guidance of a proper teacher: only this would allow one to become morally upright. A proper teacher would have been trained in the teachings of the ancient sage kings who saw that human nature was inherently immoral and thus wrong. From this realization, the sage kings developed rituals and regulations to shape people into accordance with the Way.
|
|
Fraser picked up his fifth Test five-for, while Malcolm bowled with great pace and less of his usual waywardness, and Watkin and Such supported well. With a lead of 77, England pressed on in the second innings, Gooch (79), Atherton (42) and Hick (36) making starts before the wobbles set in. From 180/2, the hosts suddenly found themselves 186/5, and only a solid three-hour 64 from Ramprakash with initial support from Stewart steered the total above 300. After claiming overnight that they would not be batting for the draw, Australia's main worry soon became avoiding defeat once they slipped to 30/3: Watkin (4-65) ripped out the top order.
|
|
These movements serve as an act of resistance against not only the state, but the examination of Black life under the guise of policy researchers, sociologists, and reformers aiming to improve Black women in New York and Philadelphia. Hartman asks how to imagine Black womanhood outside of the archive and "the sociological imagination that could only ever recognize her as a problem," invoking DuBois' famed question in The Souls of Black Folk: "How does it feel to be a problem?" Wayward Lives, Beautiful Experiments: Intimate Histories of Social Upheaval critiques the pathologization of Black women's lives by constructing a social space of freedom and "waywardness" as acts of world- making and possibility. It won the 2019 National Book Critics Circle Award (Criticism).
|
|
Throughout Western history, particularly factual or putative sexual deviance could only be seen as pathologically and thus counter- naturally motivated, harmful and corrupting in its consequences, criminal according to the laws, heinous and despicable to any decent person's sentience and morals, basically just plain evil. Most social out-groups in history were constructed by associating them with lewdness and sexual deviance, or, due to taboo making sexual deviance unmentionable directly, by means of cultural codifications for such that Bleibtreu-Ehrenberg related in detail after chronicling their cultural origins in Tabu Homosexualität. Such cultural codes for lewdness and sexual deviance particularly included sadism, insidiousness, madness, weakness, cowardice, untrustworthiness, obsessive lying, betrayal, treason, evil sorcery, satanism, witchcraft, intoxicating drugs and poisoning potions, laziness, stubbornness, waywardness, incorrigibility, physical diseases and ailments (especially limping). These cultural codifications always have been, until the present day, largely identical with the imaginary, or constructed, attributes that sexual minorities were, and are, tagged with.
|
|
Meanwhile, Tripoli, Safed and other Syrian strongholds, besides Damascus, had fallen into Ottoman hands. It was thus the beginning of December before the force now raised at Cairo, delayed and diminished by the insatiable demands and waywardness of the Mamluks, set out under Emir Janberdi Al-Ghazali in the forlorn hope of saving Gaza; but before it reached its destination, Gaza had already fallen, and the army was beaten back. During Emir Janberdi Al-Ghazali’s absence, an Embassy arrived with a dispatch from Selim I who, boasting of his victories, and the adhesion of the Caliph Al-Mutawakkil III, judges and other leaders who had joined him, demanded of the Sultan that his supremacy should be acknowledged both in the Coinage and the public Prayers. He said; :Do this and Egypt shall remain untouched; else swiftly I come to destroy thee, and thy Mamluks with thee, from off the face of the earth.
|
|
Williams was raised in Clarksville, Texas. His grandparents were farmers; his stepfather was a janitor in a post office. Williams attended a local junior college for a year, and then worked in media before joining the war effort in early 1942 by enlisting in the United States Army Air Force. He spent two and a half years as a sergeant in India and Burma. During his enlistment in Calcutta, he wrote pages of a novel, which later became Nothing But the Night, published in 1948 by Swallow Press and later reissued by New York Review Books Classics.Leo Robson, "John Williams and the Canon That Might Have Been," The New Yorker, March 18, 2019. At the end of the war, Williams moved to Denver, Colorado, and enrolled in the University of Denver, receiving Bachelor of Arts (1949) and Master of Arts (1950) degrees. During his time at the University of Denver, his first two books were published, Nothing But the Night (1948), a novel depicting the terror and waywardness resulting from an early traumatic experience, and The Broken Landscape (1949), a collection of poetry.
|
|
The album's second music video, "Diesel PunX", was released on April 9 and issued as a single on April 12. On May 7, the Daddies released the third music video from Bigger Life, the Celtic punk-styled "Yankee Pride", with the single following on May 10. Perry explained his intent with the song was delving deeper into the roots of the term "Yankee", a pejorative term for New Englanders which Perry - himself a New York native - associated with a sense of "stoicism", intending to "stir echoes of the past in response to the challenges and ethical waywardness of the present [...] to recall the Enlightenment values that engendered this Yankee experiment; the more upright values of freedom, tolerance and respect for all regardless of race or religion - of grit in the face of adversity". The music video portrays the Daddies performing the song in an industrial warehouse wearing a variety of costumes influenced by 1930s pulp magazine heroes such as Doc Savage, The Shadow and The Phantom, which Perry attributed to his admiration of "deliciously weird" bygone pop culture.
|
|