It traffics, superficially, in realism, though the budget sets, lighting and costumes are only vaguely verisimilar.
|
|
It made it feel verisimilar in a way we never could have done on our own.
|
|
The first, Zeuxis, reveals a painting of grapes so verisimilar that birds descend to peck at its surface.
|
|
Jackie heads to a wellness retreat that's both cultishly out-there and eerily verisimilar to improve her connectivity, where—okay, just watch it yourself.
|
|
Live film is used to alternate between verisimilar reinvention and commentary, both about the case and the delicate process of turning it into stage material.
|
|
A first draft existed. Whether the final draft was ever produced is not known. A "reconstruction" of it by Edmond Halley exists in Latin. There is no way to know how much of it, if any, is verisimilar to Apollonius.
|
|
It is verisimilar. On the other hand, neither was the destroyed palace (it burned) the same over the entire Mycenaean Period.Evans made most of his restorations in the second season, which is described in Evans actually owned the site, supported in this by his father and his family wealth. He was nevertheless a partisan of the British School, to whom he left the site in his will (it is now managed by the Greek government).
|
|
One of the book's key concepts is that of "masking," a visual style, dramatic convention, and literary technique described in the chapter on realism. It is the use of simplistic, archetypal, narrative characters, even if juxtaposed with detailed, photographic, verisimilar, spectacular backgrounds. This may function, McCloud infers, as a mask, a form of projective identification. His explanation is that a familiar and minimally detailed character allows for a stronger emotional connection and for viewers to identify more easily.
|
|
There are several versions about origin of Shabran city and oblast. According to one of them, the city allegedly was founded by Shapur I, the Shah of the Sassanids, and the name of the city is originated from Shapuran, Pahlavi form of his name. The given version is not considered verisimilar, as if origination of the city is dated back to 5th-7th centuries AD, but Shapur I lived three centuries earlier. Another version connects the name of the city with Savar/Sabar tribe. There is not an accurate version about the name’s origin, yet.
|
|
A number of shipwrecks of naos have been investigated, from which verisimilar general measurements could be made, and there are some statements from the literature from which dimensions can be deduced. Whether Morison, a former admiral in the United States Navy, is bringing realism to the topic, or is being perhaps slightly more skeptical than is warranted, is a matter of opinion. There is one sense in which none of the "replicas" replicate an ancient ship: the concessions to the conveniences of the modern world, especially on the ships meant actually to sail. These are well-hidden: it might be an engine, or modern rudder machinery in a closed compartment, or communications equipment.
|
|
They appear unselfconscious, at ease in their environment, and—with the possible exception of the boy to the bottom right—are locked in a pensive and solitary reverie. Horizontal and vertical lines at the middle and far distance contrast with arched backs and the relaxed postures of the figures toward the front. These postures, angles of heads, directions of gaze, and positions of limbs are repeated among the figures, giving the group a rhythmic unity. Distinctively coloured forms in close proximity, such as the grouping of horse-chestnut colours of the clothes on the bank, and the grouping of oranges of the boys in the water, add to the stability of the work—an effect reinforced in the cluster of shadows to the left on the bank, and the un- verisimilar play of light around the bathing figures.
|
|
Some write-ups accounted for the entrance of the ships from the southern part of the country whereas the account of Antonio Pigafetta revealed the entrance from the eastern part of the country, from the direction of the Pacific region Robles, H. E. (1985). The first voyage around the world: From Pigafetta to García Márquez. History of European Ideas, 6(4), 385-404.. Of utmost significance other than the non-verisimilar picture of the route of the voyage is the confusion on the encounter between the explorer Ferdinand Magellan and the two datus when the former reached the island of Limasawa, formerly called "Mazaua". According to the previous writings, after the Spaniards visited the island, they went, together with the two native kings to Butuan and there erected a cross on top of a hill to symbolize friendship with the natives and to serve as a sign to future Spanish explorers.
|
|
The Hazards of Love drew mixed to favorable reviews from music critics, with most reviewers commending the album's ambition and musical craft, but criticizing its story and characters as vague and underdeveloped. Will Hermes of Rolling Stone wrote that "The Hazards of Love brings the glorious excess... The Decemberists approach this kind of pretentiousness somewhat ironically, but they also clearly love their models, Led Zeppelin and Fairport Convention among them", while James Christopher Monger of AllMusic summarized the album as "ambitious, pretentious, obtuse, often impenetrable, and altogether pretty great". Robert Christgau was a detractor, writing that "The Hazards of Love looked to be where Colin Meloy's obvious bad points permanently swallowed his subtle good points...He has the conceit to elevate melodies that are the musical equivalent of doggerel into mini-motives". Marc Hogan of Pitchfork criticized the album's plot and lamented the absence of the band's "catchy choruses" and "verisimilar emotions", but praised its heavier songs and Shara Nova's contribution to them.
|
|
This setting is, at the same time, somewhat suggestive of a possible case of miscegenation as explanation of his origin, theory that holds ground especially since it is inconceivable to think of the author as an indio or indigenous person (it seems more verisimilar to think of Juan de Espinosa Medrano as a mestizo: probably conceived by an india or mestiza mother, in a rural area of Cuzco, after sexual intercourse with a Spaniard, perhaps a cleric who would not have, of course, assumed paternity of the child). Consequently, Agustín Cortés de la Cruz's —disciple and first biographer of the author— assertion about the origin of Espinosa Medrano should be taken as true: "in his first stages, scant favor he received from what the vulgus calls Fortune". Quotes translations by Milton André Ramos Chacón. Likewise, Clorinda Matto de Turner's novelization of the author's life as: "He who entered the world in humble cradle, set foot on the steps of book and prayer... Then ascended to reach the literary skies of the America of the South, as king of stars there he shined".
|
|