It's of this world, despite its scraps of yellowbluepink unworldliness.
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Biographers including Donaldson, McCrum and Phelps suggest that his unworldliness was only part of a complex character, and that in some respects he was highly astute.Donaldson, p. xiv; McCrum, p. 305; and Phelps, p.
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He cheapened his straw, preached against the public order for lessening the capacity of the bushel, and got into trouble by refusing to let the clerk of the market cut down his measure with the rest. His unworldliness meant that his wife had to borrow money to pay his harvestmen. Richer livings were steadily declined by him. Nevertheless, he was not appreciated by his flock.
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25 Jul. 2014 In 1464, Della Rovere was elected Minister General of the Franciscan order at the age of 50. In 1467, he was appointed Cardinal by Pope Paul II with the titular church being the Basilica of San Pietro in Vincoli. Before his papal election, Cardinal della Rovere was renowned for his unworldliness and had written learned treatises, including On the Blood of Christ and On the Power of God.
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Griese missed "real progress for ecumenism in practice" in the relationship between the Christian churches because, in her words, "Rome denies the Protestant Christians an encounter on an equal footing." She criticized that the Pope "conveys an unworldliness that contradicts my Christian understanding of an inviting faith," and the fact that she sees "a lot of exclusion in the Catholic Church."eins zu eins: Sind wir (noch) Papst?, WDR Fernsehen, 21.
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By the time he left the university in 1774, he had abandoned all intention of becoming a clergyman, but he was not to enter any profession. He died of consumption at Hanover. Hölty was the most gifted lyric poet of the Göttingen circle. He was influenced by Johann Uz and Friedrich Klopstock, but his love for the Volkslied and his delight in nature preserved him from the artificiality of Uz and the unworldliness of Klopstock.
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There is a sharp division among critical interpretations of "A Hunger Artist". Most commentators concur that the story is an allegory, but they disagree as to what is represented. Some critics, pointing to the hunger artist's asceticism, regard him as a saintly or even Christ-like figure. In support of this view they emphasize the unworldliness of the protagonist, the priest-like quality of the watchers, and the traditional religious significance of the forty-day period.
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Craig Harbison believes that because the interior is not based on an actual building, the viewer is not burdened by preconceptions, a device which perhaps opens up the painting's "physiological" impact. In his view, the panels capture the moment when the donor's prayer and piety is rewarded by an apparition of the Virgin and Child. The novelty and unworldliness of the situation is highlighted by the unrealistic size of the Virgin compared to her surroundings. Light plays a central role in all panels, to an extent almost comparable to van Eyck's Madonna in the Church.
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A description of Iwar von Lücken in the book by Edith Hoffmann on Kokoschka reads: "Iwar von Lücken was a Baltic aristocrat disowned by his family because he preached - and practised - Tolstoian principles; a poet and a man of great knowledge, whom poverty reduced to a Don Quixote-like appearance; while all the others cultivated a conscious dissimilarity from other people but were in fact comfortably connected with the bourgeois world which provided for their needs, Lücken, with his unworldliness, his extreme modesty, his love for children, his classical quotations, his old-fashioned politeness, his weakness for the bottle and his disreputable suits, was probably the last real Bohemian".
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God does not suffer in the sense of pain from evil as evil, but may suffer compassion () as bearing the pain of others to relieve them (of pain as also of evil). That is why at the time of Babar's invasion of India, Guru Nanak, when he witnessed the suffering of people, complained to God: The Guru, in the image of God, is also daial purakh}} (compassionate being) and (forgiver)—GG, 681. Daya is a virtue of the mind. In Indian thought, virtues are classified into (i) those of the body: (charity), (giving succor to those in distress), (social service); (ii) those of speech: (veracity), (beneficial speech), (sweet speech), (reciting of scriptures) and (iii) those of the mind which, besides , also include (unworldliness) and (reverence and piety).
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Though not characteristic of his later style, Sergei Prokofiev paid tribute not only to the "classicism" of Haydn but also to the baroque gavotte in his Symphony No. 1 in D Major, op. 25 ("Classical"). The Cecilian Movement, beginning formally with the founding of the Allgemeiner Deutscher Cäcilienverein in 1868 but conceptually reaching back to the Council of Trent (1545–63), had as its goal the restoration of traditional religious feeling and the authority of the Catholic Church. Emerging from the early stages of industrialization and the Romanticism of the late-18th and early 19th centuries, the Cecilian Movement grew out of a longing for simplicity and unworldliness, but also on an historicizing desire to return compositionally to models from the past, in particular the Renaissance masters of the 15th and 16th centuries.
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