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35 Sentences With "unpretentiously"

How to use unpretentiously in a sentence? Find typical usage patterns (collocations)/phrases/context for "unpretentiously" and check conjugation/comparative form for "unpretentiously". Mastering all the usages of "unpretentiously" from sentence examples published by news publications.

Burns is an unpretentiously charming town of about 2,000 roughly halfway between Bend and Boise.
We listen to him chatting unpretentiously about music, with his trademark mix of clarity and contagious excitement.
You can find all three at the unpretentiously stylish Fitó, which serves food inspired by the cuisine of Piauí state.
Reflecting on his career, Mr. Mabern described himself unpretentiously as "a blues player with chops," borrowing a phrase from the pianist Gene Harris.
All restaurants should keep their white wine selection so unpretentiously on display, with cluttered bottles placed on ice in a stainless steel pan.
He's unintentionally funny ("I had an ex-girlfriend who didn't believe in giraffes…"), and unpretentiously fanning out over The Cribs and The Gaslight Anthem.
Known for his stunning painted landscapes of the West Coast, Obata merged traditional Japanese ink drawing with a modern hand to produce works that are unpretentiously captivating.
She addresses important ideas unpretentiously and offers wisdom for any aspiring writer who, as the narrator fears, may never know this dear, intelligent friend — or this world that is dying.
And nothing is more inspiring to see how poor and suffering people, living under conditions incomparably worse than we endure, continue quietly and unpretentiously with courageous and committed struggle for justice and dignity.
But Mattis is also a warrior-intellectual who easily and unpretentiously quotes both the Roman stoic Marcus Aurelius and Eliot Cohen, the Republican military strategist who was a leader of the "never Trump" movement.
The band was crucial, too, and Petty so loved the Heartbreakers that they also played on his three solo albums as the archetypal backing band, committed to playing as straightforwardly and unpretentiously as they could.
Her band—bassist, guitarist, drummer—shredded, but she was always the most commanding figure onstage, dressed unpretentiously in a cropped T-shirt and partially sequined skirt that might have been plucked out of the closet of anyone her age.
This box set, as unpretentiously refined as the Arte Povera artist's sculptures, comprises a book of essays (by the archaeologist Salvatore Settis, the curator Emily Braun, and others) and a dozen stapled pamphlets that each highlight a theme or series.
Other former boy banders have had more success so far, too, including unpretentiously dorky (and tastefully queerbaiting) Nick Jonas, whose career-launching signature hit "Jealous" had more legs and ultimately made a bigger musical impact than any singles from Styles' debut album.
At lunch, along with a superb tripe-and-calf's-foot stew — the sort of classic French meal you never see in French restaurants in America, or even in France, for that matter — we tasted the Gombaude-Guillot wines and some of Mr. Techer's side projects, like Pom 'n' Roll, a delicious, unpretentiously drinkable Pomerol that does not require much aging.
On our first night at the welcoming and unpretentiously luxurious Hôtel des Berges, on the banks of the Ill, a placid river on which one can take a small boat or watch a family of ducks, we dined in the informal hotel bar: local foie gras, followed by a stellar choucroute, the sausages and meats obtained from nearby farmers or prepared and smoked in-house.
As of 2009, the Monte Carlo print advertising campaign featured intentionally misspelled French words ("tray sheek") coupled with glamorous images. The campaign's tagline was "Unpretentiously luxurious".
Gary Arnold of The Washington Post wrote, "'Meatballs' is as tartly, unpretentiously funny as its title ... As the senior boys' counselor, an easygoing role model and spontaneous comic genius, Bill Murray of 'Saturday Night Live' makes a deceptively sensational debut as a film comedy star."Arnold, Gary (July 11, 1979). "'Animal House' Goes to Camp". The Washington Post. B1.
LachrymaMontis Vallejo and family moved into Lachryma Montis in 1852. He and his wife lived there for more than 35 years. As Vallejo suffered one economic setback after another they were forced to live more and more quietly and unpretentiously. He eventually lost nearly all of his vast land holdings and was even forced to sell the vineyard and other "nonessential" acreage at the estate.
It was sort of guy things - comic books with really disfigured, screwed-up people in them, this sort of like constant love of social aberration. You know what I mean? This kind of guy mentality, you know, where men are men and women are learning." Asked about what she sees in Guyville, Phair said that "All the guys have short, cropped hair, John Lennon glasses, flannel shirts, unpretentiously worn, not as a grunge statement.
Sponsored by his literary friends, he survived through World War I, but died only months after the November Armistice, while recovering from surgery on his lungs. In its final stage, his Symbolism had transitioned into one of the "intimist" poems, unpretentiously versifying the rhythms of bland life, but on a progressively experimental pattern. Published by mainstream reviews such as Flacăra, they were for a while the center of a literary controversy, attacked by the classicist Duiliu Zamfirescu, and ridiculed by the more radical modernists.
Retrieved February 22, 2013. In their review of Crapalachia, The Paris Review said, "his voice is wholly unaffected, and his account manages to be both comic and unpretentiously sentimental,"Rudick, Nicole, The Paris Review, February 22, 2013, "What We’re Loving: Crapalachia, Welty, Animalia". Retrieved February 22, 2013. while Paste magazine called his writing "stark, beautiful" and that it "cannot be confined by genre."Sypolt, Natalie, Paste, February 5, 2013, "Crapalachia: A Biography Of Place by Scott McClanahan – Truth and Memory". Retrieved February 22, 2013.
Lloyd Newson (born 1957) is a director, dancer and choreographer. He formed DV8 Physical Theatre and has led the company since its inception in 1986. He studied psychology and social work at Melbourne University and after graduating began his dancing career in New Zealand, initially as a dancer but later also as a choreographer. DV8 Physical Theatre was formed as a response to Newson's increasing frustration with the superficiality of contemporary dance. DV8's work is characterised by the desire to communicate ideas and feelings clearly and unpretentiously, with a focus on socio-political issues.
Bloco do Eu Sozinho is the second album by Brazilian band Los Hermanos, released in 2001. To escape the tension caused by the requirement of new hits from the record label, the band took refuge at a site in the mountainous region of the state of Rio de Janeiro and began composing unpretentiously. During this period, bassist Patrick Laplan decided to depart from the group, apparently dissatisfied with the new sound of the band. The producer and collaborator Alexandre Kassin replaced him during the recording of the album.
The songs are, in the words of the academic Brian McFarlane, "unpretentiously skilful in their balance between broad comedy and action, laced with ... [Formby's] shy ordinariness". No Limit was followed by Keep Your Seats, Please in 1936, which was again directed by Banks with Desmond returning as the co-star. Tensions arose in pre-production with Banks and some of the cast requesting to Dean that Beryl be banned from the set. Tempers had also become strained between Formby and Desmond, who were not on speaking terms except to film scenes.
DV8’s work is characterised by a desire to take dangerous risks, to question people’s attitudes and beliefs, to dissolve barriers that separate art forms, and ultimately to communicate ideas and feelings clearly and unpretentiously. The company frequently addresses pertinent social topics, such as freedom of speech, human rights, multiculturalism, tolerance/intolerance, gender roles, sexual identity and social class, as well as personal issues. DV8’s work seeks to use the most appropriate means available to serve its mission. Thus, its productions have incorporated elements of dance, naturalistic movement, video, circus skills and more recently, verbatim text.
The sizes of these units roughly correspond to the size of the rooms they enclose, with the largest forming the outside of the living room. The interior of the house is unpretentiously finished, with flat white and gray finishes and hardwood flooring. The house was built in 1952 to a design by Serge Chermayeff, and enlarged in 1972 to a design by Chermayeff's son Peter that was part of the original design vision. The house is the only known Chermayeff commission in Maine, and it is one of a small number of Modern movement buildings in the state.
Cooper awarded the novel a score of four out of five. Kirkus Reviews found that the "fast-paced plot gradually moves the reader from recognizable reality into a neverland of impossible characters and larger-than-life evildoers", concluding that "for the lovers of nonstop action and understated British humor, this will be a satisfying page-turner. Unpretentiously unpredictable". Children's book reviewer, Inis Magazine, found that "in this mixture between 'problem novel' ... and Dahlesque novel of the grotesque, with a humanised version of 101 Dalmatians thrown in for good measure, Bateman creates a strange juxtaposition of pathos, comedy and shocking grotesquerie".
Around the beginning of the 19th century, the Golden Age of Danish Painting emerged to form a distinct national style for the first time since the Middle Ages; the period lasted until the middle of the century. It has a style drawing on Dutch Golden Age painting, especially its landscape painting,Dutch paintings, and landscapes, dominated in the 18th century Danish collections that we have records of. North, 308-9 and depicting northern light that is soft but allows strong contrasts of colour. The treatment of scenes is typically an idealized version of reality, but unpretentiously so, appearing more realist than is actually the case.
Eloquent and intellectual, she was well read and keenly interested in and informed about issues and current events. Voracious in her reading habits and a devotee of crosswords, she confessed to an inordinate love of mangoes, a dislike of new shoes, and a keen interest in televised cricket (she backed England). She was also a devout Catholic, who unpretentiously played the organ for her parish church. Atwell often returned to her native Trinidad, and on one occasion she bought a house in Saint Augustine, a home she adored and later renamed Winvilla and which was later turned into the Pan Pipers Music School by one of her students, Louise McIntosh.
He believed that the film was not "worth the time to watch". Leonard Maltin gave the film one and a half stars, calling it "dreary", but he believed that it became "reasonably eerie toward the end, with a twist that's actually a surprise". Authors Phil Hardy and Tom Milne wrote of the film, "Nicol, an actor here directing for the first time, lets the action spin out much too slackly, dissipating the grasp of moody tension he displayed in his unpretentiously excellent war movie, Three Came Back. Film historian Steven H. Scheuer graded the film one and a half stars, writing "Wife is terrorized by unexplainable happenings.
Càrn a' Gheòidh reaches a height of 975 metres (3199 feet) and is classified as both a Munro and a Marilyn. It is a very accessible hill and when climbed from the Glenshee Ski Centre along with the adjacent mountains of The Cairnwell and Càrn Aosda makes for a very easy round of three Munros for the peak bagger. The mountain is not easily seen to good effect from any main road being completely hidden from the summit of the A93 road by The Cairnwell and Càrn Aosda. It is quite modest in appearance with the smooth slopes of the summit rising unpretentiously above the surrounding high moorland and the hills long ridges.
Greg Kot of The Chicago Tribune described one of their Chicago performances as "off-kilter" and wrote that "Deal's pungent vocals were swallowed up by the guitars, and the foursome's slight melodies were lost amid all the bashing." A review in The Chicago Reader of the same concert noted that "The Amps play with a low-key, hangout sound." The Phoenixs Matt Ashare felt that at their December 1995 show in Boston "the Amps didn't click in a way that would suggest that this was Deal's new, full-time band"; he added that it was "an unpretentiously gritty way for Deal to let off some steam while the Breeders [took] a little break". In Boston Rock, this concert was characterized as "sloppy" but "charm[ing] ... hanging loosely off Kim's gruff vocals and ebullient personality".
Eiríkur's career as a vocalist began in earnest when the song "Sekur" he wrote and performed with the Icelandic rock group Start was voted the Icelandic song of the year in 1981. In 1984 Eiríkur's metal group Drýsill, released the album "Welcome to the show" which was released in 1000 copies, which was a considerable feat for a group that published on their own and played music outside the mainstream. In 1985 Eiríkur recorded two songs, "Gaggó-Vest" and "Gull", written by Gunnar Þórðarson that both became wildly popular in Iceland. Almost overnight he had become one of the most popular singers in Iceland. Although his interest went with the heavy metal genre, he unpretentiously participated in the pop music scene in Iceland, participating in many group efforts in the 1980s.
Right now obtaining that high maintenance preened and pruned and big haired 'The Only Way is Essex look' is big business in the UK. But then why is there little or no information about where and who the hair comes from and if it is ethical? I plan to trace the hair on my head back to the person who grew it and to start a cross-cultural conversation.''Hair Peace' Warwick Arts Centre website Hair Peace opened at the Pleasance as part of the 2015 Edinburgh Fringe Festival. Donald Hutera, reviewing the show in The Times, wrote that Melody 'must rank as one of the most charming independent performance-makers in Britain — smart, warm, unpretentiously funny and informative, just like the piece itself....She interviews a forensic scientist, travels to India to go on a pilgrimage with a young woman keen to sell her own hair, and exposes the exploitative practices of rampant human hair traffic in Russia.

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