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39 Sentences With "unconscious process"

How to use unconscious process in a sentence? Find typical usage patterns (collocations)/phrases/context for "unconscious process" and check conjugation/comparative form for "unconscious process". Mastering all the usages of "unconscious process" from sentence examples published by news publications.

This seems to be a fairly unconscious process: People don't even realize they're making these attributions.
Ossic X virtualizes that instantaneous, unconscious process of tracking a sound source in a way that even high-end stereo headphones aren't capable of.
If companies are essentially competing to implant or install a habit in your mind, they are competing to just create this unconscious process to come back every day and do this thing.
This kind of learning is a more unconscious process, Dr. Squire said, in that you cannot necessarily describe what you know, but it creates a kind of memory that does indeed last for a long time.
Our behavior is governed by two parallel processes: The conscious process that revolves around our immediate tasks (in this case, winning Pokémon Go) and the unconscious process that is responsible for ensuring that there are no threats or sudden changes in our environment.
Natural development is distinct from development by government initiatives and planning. Natural development is the spontaneous and unconscious process of development that normally occurs. Planned development is the result of deliberate conscious initiatives by the government to speed development through special programs and policies. Natural development is an unconscious process, since it results from the behavior of countless individuals acting on their own—rather than conscious intention of the community.
This view suggests that the two processes of familiarity and recollection occur simultaneously, but that familiarity, being the faster process, completes the search before recollection. This view holds true the idea that familiarity is an unconscious process whereas recollection is more conscious, thoughtful.
We don't go to bed at night with an idea of what we're going to dream about. It's a very strange and mysterious and unconscious process. Thirty years ago, twenty years ago, ten years ago, I could have talked your ear off about my mother but I could not have written about her. And then, suddenly, the material came.
Human development normally proceeds from experience to comprehension. As society develops over centuries, it accumulates the experience of countless pioneers. The essence of that experience becomes the formula for accomplishment and success. The fact that experience precedes knowledge can be taken to mean that development is an unconscious process that gets carried out first, while knowledge becomes conscious later on only.
Contemporary Psychoanalysis is a quarterly academic journal for the dissemination of psychoanalytic ideas. For decades, the journal, which was founded in 1964, was the only one to publish articles from all schools of psychoanalysis, including interpersonal, relational, Freudian, Jungian, and Object Relations. It also publishes empirical research about human development and unconscious process. The current editors-in-chief are Ruth Livingston and Don Greif.
Ultimately, Eating Animals discusses the ethics of food. It suggests that our food choices directly reflect the ethical values we stand for. When people eat meat, Foer claims, they are implying that satisfying their desire for meat is more important than letting animals live well, or even live at all. This can be a conscious or unconscious process, but its implications, for Foer, are always real.
This statement reversal sounds preposterous to logical, asymmetrical, conscious thought, but the depth of the unconscious has its own rules. There, such a statement is true and incontestable. In this way, the principle of symmetry changes the asymmetrical to symmetrical or, put another way, the logical into the illogical.Cooper, Paul. “Unconscious Process: Zen and Psychoanalytic Versions.” Journal of Religion and Health 39.1 (2000): 60-61.
The Political Philosophy of Zhang Taiyan (Leiden, NL: Brill, 2011), 91. and combined elements of Yogacara thought with concepts he had developed himself in his pre-revolutionary years. Zhang understood the conditions of possibility (Kant) in Buddhist terms, “namely as the karmic fluctuations of the seeds in alaya consciousness (the storehouse consciousness)”. Zhang saw history as an “unconscious process of drives” and drew on Yogacara Buddhism.
Jung, Collected Works vol. 8 (1960), "On the Nature of the Psyche" (1947/1954), ¶440 (pp. 230–232). "Archetypes, so far as we can observe and experience them at all, manifest themselves only through their ability to organize images and ideas, and this is always an unconscious process which cannot be detected until afterwards."Progoff, Jung's Psychology and its Social Meaning (1953), pp. 76–77.
Matte Blanco states that the symmetrical, unconscious realm is the natural state of man and is a massive and infinite presence while the asymmetrical, conscious realm is a small product of it. This is why the principle of symmetry is all- encompassing and can dissolve all logic, leading to the asymmetrical relations perfectly symmetrical.Cooper, Paul. “Unconscious Process: Zen and Psychoanalytic Versions.” Journal of Religion and Health 39.1 (2000): 57-69.
One of the most powerful and universal ways human beings deal with being unacknowledged, unconscious thoughts and feelings is through projection. Because the inferior function is appropriately understood as an unconscious process that is subject to the mechanism of projection. Projection involves attributing to others an unacknowledged, unconscious part of ourselves- something that lies outside our conscious awareness. What we project onto others can be negative or it can be positive.
Resistance is an automatic and unconscious process. According to Van Denburg and Kiesler, it can be either for a certain period of time (state resistance) but it can also be a manifestation of more longstanding traits or character (trait resistance). In psychotherapy, state resistance can occur at a certain moment, when an anxiety-provoking experience is triggered. Trait resistance, on the other hand, repeatedly occurs during sessions and interferes with the task of therapy.
The human senses do not function like a video camcorder, impartially recording all observations. Human perception occurs by a complex, unconscious process of abstraction, in which certain details of the incoming sense data are noticed and remembered, and the rest forgotten. What is kept and what is thrown away depends on an internal model or representation of the world, called by psychologists a schema, that is built up over our entire lives. The data is fitted into this schema.
The development of a sense of smell is also thought to have arisen to function as an arousal system. Once an odor enters into conscious memory, it can signal the presence of a threat, like the smell of gas or smoke. However, odor memory can also be an implicit or unconscious process. This ability to respond automatically to a warning stimulus is much like pre-attentive processes in other sensory systems which involve the use of automatic forms of memory.
But when examining one's own cognitions, people judge themselves based on their good intentions. It is likely that in this case, one may attribute another's bias to "intentional malice" rather than an unconscious process. Pronin also hypothesizes ways to use awareness of the bias blind spot to reduce conflict, and to think in a more "scientifically informed" way. Although we are unable to control bias on our own cognitions, one may keep in mind that biases are acting on everyone.
Memory integration dictates one's preferences for a given alternative. The PAM model suggests that preferences are formed when individuals retrieve from memory a set of queries regarding the attributes of the alternative choices. These queries are believed to be an automatic, unconscious process. Many individuals think largely in terms of emotions when asked to make a decision, and so the way in which a question is posed as well as the manner in which it is asked impacts the decision-making process.
Because this encourages the eye to skim over the text, it can reduce comprehension and memory, and lead to missing important details of the text. An emphasis on viewing each word, albeit briefly without regression (Regression is an unconscious process where the eyes go forward two or three “stops” and then go back.) is required for this method to be effective. E.g. S movement and Z movement Speed reading is a skill honed through practice. Reading a text involves comprehension of the material.
Rothstein's idea is that ornamentations such as retardations or syncopations result from displacements with respect to a "normal" rhythm; other diminutions (e.g. neighbor notes) also displace the tones that they ornate and usually shorten them. Removing these displacements and restoring the shortened note values operates a "rhythmic normalization" that "reflects an unconscious process used by every experienced listener" (p. 109). This type of reduction has a long tradition, not only in counterpoint treatises or theory books,Kofi Agawu, "Schenkerian Notation in Theory and Practice", op. cit.
The reduction in error is also helped by an unconscious process referred to as spatial realignment, which gradually realigns the visual and proprioceptive maps (Newport and Schenk, 2012). This means that over a series of repeated attempts, the observer is able to reduce the margin of error and become more accurate in pointing to the visual target despite the visual displacement. Usually it takes an individual as few as 10 trials to adapt to the visual displacement and successfully point to the target (Rosetti et al., 1993).
Bion's concept of maternal "reverie" as the capacity to sense (and make sense of) what is going on inside the infantJacobus, p. 160n has been an important element in post-Kleinian thought: "Reverie is an act of faith in unconscious process ... essential to alpha-function'"Michael Parsons, pp. 200–1 It is considered the equivalent of Stern's attunement, or Winnicott's maternal preoccupation. In therapy, the analyst's use of "reverie" is an important tool in his/her response to the patient's material: "It is this capacity for playing with a patient's images that Bion encouraged".
Of his more recent work, Green wrote, "I have been trying to make layered paintings that take a long time to "see". I want to encourage the viewer to be conscious of the (usually unconscious) process of the interpretation and construction of images in the mind." He has continued making use of shaped canvas and a visual complexity of his handling of paint that closely resembles a kaleidoscope. To this day, he continues to use the same motifs of a flickering flame, wood paneling, ice cream cone, woman's fingernail, etc.
In psychology, a dual process theory provides an account of how thought can arise in two different ways, or as a result of two different processes. Often, the two processes consist of an implicit (automatic), unconscious process and an explicit (controlled), conscious process. Verbalized explicit processes or attitudes and actions may change with persuasion or education; though implicit process or attitudes usually take a long amount of time to change with the forming of new habits. Dual process theories can be found in social, personality, cognitive, and clinical psychology.
With this trance like phenomenon occurring on behalf of each partner at times of relationship stress, the results can be quite chaotic and painful. Psychogenetics suggests that for many individuals, later adult mate choosing can be highly influenced by their primal compulsion to find a relationship partner at any expense, even if unconsciously falling into having to roleplay one of the two spousal roles assimilated in their early childhood. These roles are termed your "Inner Mate Model" for the mate you pick; and your "Inner Adult Model" representing the role you play. Attraction is largely an unconscious process.
This is made possible through Althusser's notion of interpellation or hailing which is a non- specific and unconscious process. For example, when a police officer shouts (or hails) "Hey, you there!" and an individual turns around and so-to-speak 'answers' the call, he becomes a subject. Althusser argues that this is because the individual has realized that the hailing was addressed at him which makes him subjective to the ideology of democracy and law. Consequently, individual subjects are presented principally as produced by social forces, rather than acting as powerful independent agents with self-produced identities.
" Event occurs from 11:20-12:23. See: Prosody episode includes a reading of "The Magic Show", "My Mother's Refrigerator", "The Routine After Forty", "Cigarettes", "At the Holiday Crafts Fair", "Gin", and "Good". For Berger, the writer doesn't consciously choose a topic to write about in as much as the material simply comes when the time is right: > "We don't go to bed at night with an idea of what we're going to dream > about. It's a very strange and mysterious and unconscious process...you have > weird dreams that appear out of left field and we don't control it.
In 2016, Parry he was commissioned to create a sound/visual installation, called "The Beholder's Share". The installation was a play on perception where the ambiguity in the piece elicits both a conscious and unconscious process of recognition in the observer, who responds emotionally and emphatically to the work in terms of their own life experience, therefore the artist creates the work based on their own personal sensory information and the beholder re-creates it by responding to its inherent ambiguity and makes it personal to them. His installation was exhibited at the Art Market in York.
Instead, the conscious self is somehow alerted to a given behavior that the rest of the brain and body are already planning and performing. These findings do not forbid conscious experience from playing some moderating role, although it is also possible that some form of unconscious process is what is causing modification in our behavioral response. Unconscious processes may play a larger role in behavior than previously thought. It may be possible, then, that our intuitions about the role of our conscious "intentions" have led us astray; it may be the case that we have confused correlation with causation by believing that conscious awareness necessarily causes the body's movement.
The phrase is primarily used when exploring the characters' sensations and feelings: "As if she felt his look, she turned to him"; "He had shaken off his emotion as if he was ashamed of ever giving way to it", and "She lifted up her head as if she took pride in any delicacy of feeling which Mr. Thornton had shown". Gaskell uses it when exploring the unconscious process that allows Thornton, whose suffering in love disturbs his composure and control of his feelings, to communicate with Higgins: " ... and then the conviction went in, as if by some spell, and touched the latent tenderness of his heart".
This result is startling because participants should have had no trouble identifying which actions were the results of a conscious "I will not veto", and which actions were un-deliberated, impulsive reactions to the initial go-signal. As the authors explain: In decide trials the participants, it seems, were not able to reliably identify whether they had really had time to decide – at least, not based on internal signals. The authors explain that this result is difficult to reconcile with the idea of a conscious veto, but is simple to understand if the veto is considered an unconscious process. Thus it seems that the intention to move might not only arise from the subconscious, but it may only be inhibited if the subconscious says so.
Ho's works focused on the bodily experience, using his own body to heighten his senses and spatial awareness, employing different media including sculpture, installation, photography and video. His visual presentation materializes and projects the innate personal experience as means of artistic expression which is expected to make up the communication between the 'Self' and the 'Other'. Walking on Two Balls (1995) was a way to feel the precarious balance of the first steps, or better, and to make the viewers aware of the complexity of what looks like the very simple act of walking. The Third Eye (1996), is an ingenious device to dismount the mechanism of vision, turning obvious the hidden, unconscious process that results in the act of seeing.
The cerebellum is highlighted red The cerebellum is known to play a part in correcting movement and in fine-tuning the motor agility found in procedural skills such as painting, instrument playing and in sports such as golf. Damage to this area may prevent the proper relearning of motor skills and through associated research it has more recently been linked to having a role in automating the unconscious process used when learning a procedural skill. New thoughts in the scientific community suggest that the cerebellar cortex holds the holy grail of memory, what is known to researchers as "the engram" or the biological place where memory lives. The initial memory trace is thought to form here between parallel fibers and Purkinje cell and then travel outwards to other cerebellar nuclei for consolidation.
These experiences in turn activate the inherent internal 'archetypal' dynamics of the baby's perceptions and expectations and so begin the foundations of the person's internal and social development, through a more or less unconscious process of adaptation and learning. The baby's posited initial 'sense' of wholeness with mother is thus subjected to different levels of turbulence and there is a necessary experience of loss of that wholeness as the baby grows in awareness of being separate from mother (and the outer world) during this process. With the entry into infancy the child has to struggle with the extent and limitations of his will (agency) and power over his environment and learn to contend with internal images and sense impressions that now populate the mind and senses. It is also the time when pathways are established for the future formation of complexes, when reactions to certain stimuli remain trapped in the unconscious.
Instead of basing his personality on his own unforced feelings, thoughts, and initiatives, the person with a "False Self" disorder would essentially be imitating and internalising other people's behaviour a mode in which he could outwardly come to seem "just like" his mother, father, brother, nurse, or whoever had dominated his world, but inwardly he would feel bored, empty, dead, or "phoney". Winnicott saw this as an unconscious process: not only others but also the person himself would mistake his False Self for his real personality. But even with the appearance of success, and of social gains, he would feel unreal and lack the sense of really being alive or happy. The division of the True and False self roughly develops from Freud's (1923) notion of the Superego which compels the Ego to modify and inhibit libidinal Id impulses, possibly leading to excessive repression but certainly altering the way the environment is perceived and responded to.
Henri Adamczewski has always rejected the theory according to which children acquire their native language thanks to an unconscious process based on repetition and imitation. He has also consistently opposed the theory of Universal Grammar (UG) put forward by Noam Chomsky; according to that theory, UG is an innate property of the mind, therefore inherited by all children, and in that perspective grammar is an organ that grows in the mind. Adamczewski claims that the utterances produced by the people around a child (in the family circle, etc.) contain enough evidence for him/her to decipher the grammatical code of their native language. It is the grammatical items found in the utterances which, as traces/markers of linguistic operations, serve as landmarks guiding the child and helping him/her acquire the grammar of their language. « Children find in the linguistic data around them the keys necessary for building up their grammatical system » (Adamczewski, 1995: 76–transl. ours).

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