Just when you got that damn tune out of your head.
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They may tune out of politics, considering both sides equally belligerent.
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You could have chosen to tune out of Ukraine/impeachment cycle.
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But you cannot choose to tune out of the coronavirus cycle.
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Viewers keep watching a good game; they tune out of a bad one.
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Elon Musk is among those who seemingly couldn't get the tune out of his head.
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"This seems like the first major news cycle that you CAN'T tune out of," he wrote.
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We must tune out of Reality TV 2.0 so that we're able to tune in to reality once again.
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People don't want to wait for content to load, and half of audiences will tune out of a video after two "buffering" interruptions.
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"The whole country wants to tune out of politics and laugh during the Super Bowl," Johnson said in an interview with the Journal.
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"It's a bit like the O.J. Simpson trial: It keeps going on and on and people tune out of it," Mr. Awan-Scully added.
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So as Harold and Sheronda Nelson began their five-day vacation, they were mostly happy to tune out of what they knew was a historic moment.
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But it is uncertain how or whether Putin will get his voters to tune back in after working so hard to convince them to tune out of politics.
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Skrillex and Diplo seemingly pulled the hit tune out of thin air, managing to astonishingly distort Bieber's vocals and create one of the most instantly recognizable hooks of all time.
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There are many positive effects that headphones bring to our lives — the ability to listen to podcasts and music, and to tune out of reality when you need to, wherever you are.
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It's possible -- perhaps even likely -- that with the holidays approaching, the pressure on companies to leave his show will cool as people tune out of the news cycle to spend time with family.
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As Nilofer Merchant writes for the Harvard Business Review, these unseen costs can result in entrenched long-term disparities: As people drop out, opt out, and tune out of their chosen fields, it affects the whole economy.
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That's super fun for when you can't get the latest Selena Gomez tune out of your head, but not so fun when you want to pay tribute to Gomez's new TV show's chilling message about a teenage girl's suicide.
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People wishing to tune out of this critical week in Brexit negotiations can pretend they are living in a Brexit-free world by switching to Sky Channel 523 to hear about everything else happening in the world right now.
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Over the next few months, tens of thousands of young people across America left their own cities, parents and schools and hitchhiked to the area around the corner of Haight and Ashbury Streets to tune into drugs and music, and tune out of "square" society.
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Mike Jackson (born Fishtoft, Lincolnshire, England) emigrated to Australia in 1970. He taught himself harmonica in high school and acquired a taste for comic songs from his grandfather and the radio. He branched out onto other instruments and acquired a reputation for being able to get a tune out of almost anything.
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During the October 1 National Day show in 2016 in Guangzhou, GNZ48 members performed "Me and My Motherland" (我和我的祖国), and were criticized for singing out of tune, out of sync and even forgetting the lyrics. This could be possibly attributed to lack of preparation or lack of sleep. Since then, it was featured in all the subsequent National Day stage shows.
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They also organized a tune-out of the show on November 5, 1999. To appease them at least in part, Burke offered Nader his job back on a recurring basis, which he refused. In 2000, All My Children rehired him on a contract basis. His co-star, Hughes was happy about the news, saying his return would "give a huge injection of 'fuel'" to the Alex and Edmund romance.
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Penguin Guide to Jazz Recordings, p. 857. In the 1970s, he gained renewed exposure as a member of Supersax, a large ensemble which played orchestral arrangements of Charlie Parker solos. Marsh also recorded one of his most celebrated albums, All Music, with the Supersax rhythm section during this period. Marsh died of a heart attack onstage at the Los Angeles club Donte's in 1987, in the middle of playing the tune "Out of Nowhere".
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Columbia Records C4L 19, 1961, liner notes. Redman selected this tune out of a book of manuscripts shown to Redman by Armstrong; in the arrangement, Armstrong paraphrases Oliver's solo without the plunger effects. After his departure, the Henderson Orchestra recorded the tune again as "Sugarfoot Stomp" on March 19, 1931; both versions can be found on the compilation A Study In Frustration (1961). Dr. John covered the song on his 2014 album Ske-Dat-De-Dat: The Spirit of Satch.
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On February 6, 1991, "The Jacket" was first broadcast in the United States on NBC. It gained a Nielsen rating of 10.4 and an audience share of 16, this means that 10.4% of American households watched the episode, and that 16% of all televisions in use at the time were tuned into it. It faced strong competition from the CBS crime drama Jake and the Fatman; viewers would frequently tune out of Seinfeld to watch the second half of Jake and the Fatmans. Seinfeld once jokingly stated that this was because the "Fatman" would run in the second half of the show.
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The Guardian featured an opinion piece by Captain SKA songwriters Christy Kulz and Jake Painter, on 7 June 2017. Writing about the original song, "Liar Liar", they said that "It was a way to make politics more relevant and accessible to a wider audience, including young people, by challenging the 'I’m not into politics' refrain." Written by members of Captain SKA. The authors observed that young people are encouraged to "tune out of politics and focus on songs about sex, love and breakups," saying that while these latter issues are important, "there needs to be room for a richer and wider discussion" of political issues, such as power and privilege.
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The Danish record company Mega Records sent Denniz PoP a demo tape by a then-unknown band called Ace of Base. The song on the tape was written by American singer songwriter Angelo Negron called "Mr. Ace" and although at first Denniz was not particularly impressed, the tape got stuck in his car stereo so he ended up listening to it over and over until he said "I gotta do something with this" and the solution was to make a reggae tune out of it. It was recorded at the SweMix Studio by Denniz and was given a new title "All That She Wants".
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During his career break from 1975 until shortly before his death, according to Fred Seaman, Lennon and Ono's assistant at the time, Lennon was content to sit back as long as McCartney was producing what Lennon saw as mediocre material. Lennon took notice when McCartney released "Coming Up" in 1980, which was the year Lennon returned to the studio. "It's driving me crackers!" he jokingly complained, because he could not get the tune out of his head. That same year, Lennon was asked whether the group were dreaded enemies or the best of friends, and he replied that they were neither, and that he had not seen any of them in a long time.
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While studying there, he became friends with the flautist James Galway. From 1958 to 1990 he composed several classical works, including three piano sonatas, two symphonies, Three Images of Ireland in Druid Times (in 1993) for harp, strings and timpani, Nocturne on an Icelandic Melody (1997) for oboe d'amore and piano and Three Transcendental Concert Studies (2000) for oboe and piano. He had mastered and held a notable collection of instruments, including various harps, harpsichord, piano, cymbalom, and all the members of the oboe family of instruments (musette, oboe, cor anglais, bass oboe) and the heckelphone As manager of the Belfast Symphony Orchestra, Bell was responsible for maintaining the instruments and keeping them in tune. Out of curiosity, he asked Sheila Larchet-Cuthbert to teach him how to play the harp.
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The comment to Truffaut mentioned above has not prevented film scholars from finding value in this unusual Hitchcock film, as they point to Waltzes from Vienna as the foundation for many revolutionary ideas that appeared in his more highly regarded films. For example, Jack Sullivan and David Schroeder both agree that Hitchcock used this film to explore the potential of the waltz, which he used as a musical device that carried sinister meaning or accompanied dangerous situations in films like The Lodger (1927), Shadow of a Doubt (1943), Strangers on a Train (1951), and Torn Curtain (1966). Schroeder also suggests that Waltzes from Vienna taught Hitchcock that "gradually building towards a familiar tune, from a murky beginning to the melody known to everyone, will have little dramatic effect" – an experiment that likely remained on his mind as he built the unfamiliar "Lisa" tune out of nothing in Rear Window (1954). In "Family Plots: Hitchcock and Melodrama," Richard Ness positions Waltzes from Vienna as the beginning of a series of films dealing with public performances, including the Royal Albert Hall scenes in the two versions of The Man Who Knew Too Much (1934 and 1956) and the ballet performance in Torn Curtain (1966).
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