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25 Sentences With "transitoriness"

How to use transitoriness in a sentence? Find typical usage patterns (collocations)/phrases/context for "transitoriness" and check conjugation/comparative form for "transitoriness". Mastering all the usages of "transitoriness" from sentence examples published by news publications.

But if there is one thing I can say about Ohio, it is that nowhere I've lived possesses such a sense of transitoriness.
The record ends with a Buddhist formula about the transitoriness of the things.
He published it in Coburg in 1652, with his melody and a four- part setting. The title referred to "Vanity, Falsehood and Transitoriness of the World" (""). The hymn was the topic of sermons (). The hymn originally consisted of 13 stanzas of five lines each.
He is enchanted by her, especially when she accepts his request for a song, "". The words tell of the joy of love, but there is a sadness in it also because its theme is the transitoriness of life. Their voices combine in the verse which extols the power of love to remain constant in a fleeting world.
The third figure is of a boy with a bowl in his left hand and a pipe in his right through which he is blowing bubbles towards the youngest kneeling child who seems to bend slightly away from his brother. The blowing of bubbles is taken to represent the transitoriness of human life. Under the table is carved a dog.
Her deep affection and interest in her only grandchild, Shreya Ahana, resulted in a small book of memories, humorous yet timeless and poignant. The underlying pathos in Ei je Ahana (Here is Ahana) arose from the essential transitoriness of their interaction: the grandmother was eternally torn away from her granddaughter who was with her parents in Mumbai, by her many commitments in Kolkata.
John Cruz of Sputnik Music called the song "just plain fun," noting its infectious beat. However, the theme of the song is "the transitoriness of all existence" and the inevitability of death. Marsh called the song "one of the smartest songs ever about the inevitability of death". Marsh further noted that although the protagonist of "Cadillac Ranch" seems similar to the protagonists of earlier Springsteen records, in this song he appears naive and vulnerable rather than bold and innocent.
Their themes include the pleasures of drunkenness and sex. Against this backdrop, Bellman deals with themes of love, death, and the transitoriness of life. The settings of his songs reflect life in 18th-century Stockholm, but often refer to Greek and Roman mythological characters such as the goddess of love, Venus (or her Swedish equivalent, Fröja), Neptune and his retinue of water-nymphs, the love-god Cupid, the ferryman Charon and Bacchus, the god of wine and pleasure.
During this time, Cage pursued a macrobiotic diet.Revill 1993, 295. Nevertheless, ever since arthritis started plaguing him, the composer was aware of his age, and, as biographer David Revill observed, "the fire which he began to incorporate in his visual work in 1985 is not only the fire he has set aside for so long—the fire of passion—but also fire as transitoriness and fragility." On August 11, 1992, while preparing evening tea for himself and Cunningham, Cage suffered another stroke.
The novel depicts many aspects of Chinese culture of the time, such as medicine, cuisine, tea culture, festivities, proverbs, mythology, Confucianism, Buddhism, Taoism, filial piety, opera, music, architecture, funeral rites, painting, classic literature and the Four Books, are vividly portrayed. Among these, the novel is particularly notable for its grand use of poetry. Early Chinese critics identified its two major themes as those of romantic love, and of the transitoriness of earthly material values, as outlined in Buddhist and Taoist philosophies.Chen (2005), pp.
The inequality in the distribution of worldly goods, the transitoriness of the world, the relativeness of the happiness procured by worldly goods, are for Joseph so many proofs that reward and punishment can take place only in the next world. He argues against the doctrine of bodily resurrection in the Messianic time. Though not himself a Motazilite, Joseph accepted a number of Motazilite theories and views (Schreiner, Der Kalam, p. 27). The Olam Katan was little studied in the Middle Ages, and is very rarely quoted.
These twelve reflections are: #anitya bhāvanā – the transitoriness of the world; #aśaraņa bhāvanā – the helplessness of the soul.According to the Jain text, Sarvārthasiddhi: There is no escape for the young one of a deer pounced upon by a hungry tiger fond of the flesh of animals. Similarly, there is no way of escape for the self caught in the meshes of birth, old age, death, disease and sorrow. Even the stout body is helpful in the presence of food, but not in the presence of distress.
Undoubtedly, the source for these characteristics of her poetry, and > for her very concept of what poetry is, "the magnification of being," > derives from her strong Zen Buddhist training. Her emphasis on compassion, > on the preexistent unity of subject and object, on nature, on the self- > sufficient suchness of being, and on the daunting challenge of accepting > transitoriness, as Peter Harris notes, are central themes in her poetry > derived from Buddhism. Hirshfield does not, however, burden her poetry with > heavy, overt Zen attitudes. Only occasionally is there any direct reference.
Vonnegut is concerned about the transitoriness of the modern lifestyle, wherein people are forced to leave their familial and cultural roots and trade those for professional and financial security. He explains in an interview: > Well, I am used to the rootlessness that goes with my profession. But I > would like people to be able to stay in one community for a lifetime, to > travel away from it to see the world, but always to come home again,...Until > recent times, you know, human beings usually had a permanent community of > relatives. They had dozens of homes to go to.
Ibn al-Nafis wrote the Theologus Autodidactus as a defense of "the system of Islam and the Muslims' doctrines on the missions of Prophets, the religious laws, the resurrection of the body, and the transitoriness of the world." The book presents rational arguments for bodily resurrection and the immortality of the human soul, using both demonstrative reasoning and material from the hadith corpus as forms of evidence. Later Islamic scholars viewed this work as a response to Avicenna's metaphysical argument on spiritual resurrection (as opposed to bodily resurrection), which was earlier criticized by al-Ghazali.Fancy, pp.
Still life of fruit, with a butterfly Many of his still lifes reference the theme of vanitas and the transience of earthly glory and pleasure. An illustration is the Still Life in the collection of the Rockox House in Antwerp. It shows precious objects to refer to ideas of vanities and hollowness: the fallen rummer, the silver candle holder, tazza and Westerwald jug are all empty, the lighted cigar is about to go out, the pipe is finished and there is no further life in the shell. These objects all point to the transitoriness of luxuries, the pleasures of drink and tobacco.
Ibn al-Nafis wrote the Theologus Autodidactus as a defense of "the system of Islam and the Muslims' doctrines on the missions of Prophets, the religious laws, the resurrection of the body, and the transitoriness of the world." The book presents rational arguments for bodily resurrection and the immortality of the human soul, using both demonstrative reasoning and material from the hadith corpus as forms of evidence. Later Islamic scholars viewed this work as a response to Avicenna's metaphysical argument on spiritual resurrection (as opposed to bodily resurrection), which was earlier criticized by al-Ghazali.Fancy, p.
Lynn de Silva believed that the construction of a theology that is focused towards the Buddhist cultural environment "must begin with living existential realities and not with metaphysical speculations," and that such a theology should attempt at understanding man's existence from concrete experiences common to mankind. In Tilakkhana, or the three characteristics – anicca, dukkha and anattā – of all existence discovered by the Buddha in his diagnosis of the human predicament, de Silva finds the appropriate starting point for such a theology. Although Tilakkhana is a Buddhist concept, de Silva finds that Tilakkhana is not a concept alien to the Bible. In his search for Tilakkhana in the Bible, de Silva finds anicca and dukkha in a number of Biblical passages, such as Psalms 90, that speak of the transitoriness, suffering, and anxiety of human life.
Her work in different media is, for a large part, characterized by the fascination of the transitory, both in materials used and in the nature of her performances and installations. She has made banquet installations of edible materials and she also shaped sculptures out of butter, chocolate and kindred food.Cfr. UChicagoNews interview on Alhäuser's “Flying Buffet”, March 30, 2012. The ephemeral character of the installations does not only point at the transitoriness of life but also sets her work in the context of venerable traditions: for instance Joseph Beuys who likewise employed transitory materials (like fat and honey) whilst the banquet as an artistic subject reaches from Petronius Arbiter's “Cena Trimalchionis” to paintings of kings' banquets (where one felt honoured to be invited to watch the nobility feasting) and finally the Last Supper.Cfr.
While staying with Schönborner, Gryphius completed his first collection of poems, Sonnete ("Sonnets"), which was published in 1637 by Wigand Funck in Lissa (today Leszno, Poland), and is also known as the Lissaer Sonettbuch, after the town. The collection of 31 sonnets includes some of his best known poems, such as "Vanitas vanitatum, et omnia vanitas", later titled "Es ist alles eitel" (All is vanity), about the effects of war and the transitoriness of human life; "Menschliches Elende" (Human misery); and "Trawrklage des verwüsteten Deutschlandes" (Lament of devastated Germany). In 1632, he had witnessed the pillaging and burning of the Silesian town of Freystadt by Swedish troops, and immortalized the event in his poem Fewrige Freystadt. Also in 1637 he went to continue his studies at Leiden, where he remained for six years, both hearing and delivering lectures.
They are the struggles of self- definition, of individual freedom, of disappointed expectations, of the impossibility of communication, of separation and loss brought about by the inevitable passages of marriage and death." Bock suggests that Ozu’s wish to portray the life cycle affected his decisions on technical matters, such as the construction and use of the sets of his films. "In employing the set like a curtainless stage Ozu allows for implication of transitoriness in the human condition. Allied with the other aspects of ritual in Ozu's techniques, it reinforces the feeling that we are watching a representative life cycle." According to Geist, Ozu wished to convey the concept of sabi, which she defines as “an awareness of the ephemeral”: "Much of what is ephemeral is also cyclical; thus, sabi includes an awareness of the cyclical, which is evinced both formally and thematically in Ozu’s films.
The final two chapters of the story resemble a science fiction plot, where the end of the world, doomsday, resurrection and afterlife are predicted and scientifically explained using his own empirical knowledge of biology, astronomy, cosmology and geology. One of the main purposes behind Theologus Autodidactus was to explain Islamic religious teachings in terms of science and philosophy through the use of a fictional narrative, hence this was an attempt at reconciling reason with revelation and blurring the line between the two. Ibn al-Nafis described the book as a defense of "the system of Islam and the Muslims' doctrines on the missions of Prophets, the religious laws, the resurrection of the body, and the transitoriness of the world". He presents rational arguments for bodily resurrection and the immortality of the human soul, using both demonstrative reasoning and material from the hadith corpus to prove his case.
Ibn al-Nafis described his book Theologus Autodidactus as a defense of "the system of Islam and the Muslims' doctrines on the missions of Prophets, the religious laws, the resurrection of the body, and the transitoriness of the world." He presents rational arguments for bodily resurrection and the immortality of the human soul, using both demonstrative reasoning and material from the hadith corpus to prove his case. Later Islamic scholars viewed this work as a response to the metaphysical claim of Avicenna and Ibn Tufail that bodily resurrection cannot be proven through reason, a view that was earlier criticized by al-Ghazali.Nahyan A. G. Fancy (2006), "Pulmonary Transit and Bodily Resurrection: The Interaction of Medicine, Philosophy and Religion in the Works of Ibn al-Nafīs (d. 1288)", pp. 42, 60, Electronic Theses and Dissertations, University of Notre Dame. A Latin translation of Philosophus Autodidactus was published in 1671, prepared by Edward Pococke the Younger.
Both of these narratives had protagonists (Hayy in Philosophus Autodidactus and Kamil in Theologus Autodidactus) who were autodidactic individuals spontaneously generated in a cave and living in seclusion on a desert island, both being the earliest examples of a desert island story. However, while Hayy lives alone on the desert island for most of the story in Philosophus Autodidactus (until he meets a castaway named Absal), the story of Kamil extends beyond the desert island setting in Theologus Autodidactus (when castaways take him back to civilization with them), developing into the earliest known coming of age plot and eventually becoming the first example of a science fiction novel. Ibn al-Nafis described his book Theologus Autodidactus as a defense of "the system of Islam and the Muslims' doctrines on the missions of Prophets, the religious laws, the resurrection of the body, and the transitoriness of the world." He presents rational arguments for bodily resurrection and the immortality of the human soul, using both demonstrative reasoning and material from the hadith corpus to prove his case.
The critics Larry Silver and Pamela H. Smith argue that the image provides "an explicit link between heaven and earth ... to suggest a cosmic resonance between sacred and profane, celestial and terrestrial, macrocosm and microcosm." Illustration "May-Flies in Sunset Dance" by Philip Henry Gosse in a Victorian edition of Gilbert White's Natural History of Selborne In his 1789 book The Natural History and Antiquities of Selborne, Gilbert White described in the entry for "June 10th, 1771" how The mayfly has come to symbolise the transitoriness and brevity of life. The English poet George Crabbe, known to have been interested in insects, compared the brief life of a newspaper with that of mayflies, both being known as "Ephemera", things that live for a day: The theme of brief life is echoed in the artist Douglas Florian's 1998 poem, "The Mayfly". The American Poet Laureate Richard Wilbur's 2005 poem "Mayflies" includes the lines "I saw from unseen pools a mist of flies, In their quadrillions rise, And animate a ragged patch of glow, With sudden glittering".

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