295 Sentences With "temporality" | Random Sentence Generator

It also seemed to adjust the temporality of the world.

The Coniferous Tree Exception is not entirely an exception: the temporality of trees is, in the end, one with the temporality of everything else on earth, no matter how massive or stony or impressive.

In Tang Da Wu's "Gully Curtains" (1979), the natural environment creates temporality.

The work details the politics of temporality, geography, and the social condition.

Something similar happens in Tuomas Markunpoika's "Cabinet," from his Engineering Temporality Series.

Some artists added the concept of temporality to their work made of everyday objects.

So how do you bring this sense of temporality and familiarity into the book?

"If you're a business person, you're working on a quarterly annual temporality," he said.

In its uncertain sense of temporality—are we living in the future, or not?

My work deals with the temporality of life, the connection to nature, and passing of time.

The characters represent a certain temporality or boundlessness that Lauren experiences herself, as an incessant traveler.

Advanced tentative theories of the universe even discard temporality altogether from the basic ingredients of the world.

These debates are fundamentally about temporality: should we celebrate the patina of time or what's beneath it?

But I don't see how that different geometrical character gets rid of time or gets rid of temporality.

It is by extension a call to all who encounter the project to reflect on time and temporality.

Finding meaning in the temporality of life If given the chance to live forever, I wouldn't take it.

Expressing gratitude for what his portrait shows him "temporality and the forms of realism," James Clifford then notes, .

They deal directly or indirectly with the contrasting temporality of experience and the relative permanence of the written word.

Using aluminum cups and dry ice, the Planet Licker team has found ways around the temporality of ice pops.

Inside the museum, a series of videos ruminates further on temporality and sequencing, language and different forms of perception.

Scholars and readers concerned with fraught urban culture, temporality, memory, and violence will find her work highly educational and compelling.

A different strand in Bakhchanyan's practice focused on the passage of time and the physical and psychological experience of temporality.

Themes in Travieso's work include temporality and decomposition, calling attention to the fast-paced, disposable attitude of digital image production.

Instead of the spray painted scarves, which suggest temporality, the symbols of the Mothers will be set in black granite pavement.

Global warming's back-loaded temporality makes all the warnings—from scientists, government agencies, and, especially, journalists—seem hysterical, Cassandra-like— Ototototoi!

Distance unified the fragments into a single visual field; proximity revealed its actual lack of fixity and the temporality of its cohesion.

The mind cannot fasten onto this sort of temporality; we are unable to give it concrete meaning in relation to our own lives.

She was interested in innovations in material science – specifically, the idea of temporality and creating products that match up to their lifestyle, she says.

Kline is reversing the traditional temporality of the "original" art work: what comes first are copies; the real work will arrive in the future.

The dense ceramic sculptures are presented in a crumpled, used, and discarded state that the artist interprets as a representation of the temporality of togetherness.

The foreshortened temporality of the site together with the exceptional preservation made it seem more 'ethnographical' than 'archaeological' but it was still dynamic and protracted.

The book is a wealth of stories and surprising facts, each page raising our curiosity and unveiling a novel aspect of our relation with temporality.

Loss and forgetting are intimately bound to the affective life of married love, with its intricate temporality, its persistent (though sometimes hard-won) lack of closure.

The flowers themselves represent a host of different ideas, drawing not only from the short story, but from traditional artistic significations like beauty, temporality, protest, and memorialization.

Alaïa has produced the latter recently — he calls them "timeless" collections, perhaps slyly nose-thumbing the temporality of other designers' offerings — but, he says, he might stop.

The High Line, that strip of reclaimed elevated tracks, captures this kind of temporality: the structure is long and narrow like a poem, planted with simulated natural environments.

On Tuesday, the legendary boxer's daughter Laila Ali took to Instagram, revealing that NYC temporality renamed West 33rd Street after her dad in the wake of his death on Friday.

"In terms of its temporality, we can imagine that the settlement took a matter of weeks to build, months to occupy, days to burn, and years to decay," he said.

The Birmingham Project uses the diptych to explicate temporality, loss, and racial terror in its commemoration of the 1963 Klan bombing of the 16th Street Baptist Church in Birmingham, Alabama.

The sun-saturated yellow of the boardwalk and sandy beach behind set the stage upon which the figures prance, preen, stretch, and bend into momentary poses, creating a feeling of temporality.

Yet both Memories and archive show Snapchat and Instagram are trying to walk a fine line between the comfort and playfulness of temporality, and the value and long-lasting engagement of permanence.

But they didn't fear the sea in the same way, perhaps because to live on an isolated island in the Pacific is to never forget one's own insignificance, the utter temporality of life.

As visitors enter the exhibition, a long table first provides a timeline showing the temporality of environmental destruction, a form of counter-forensics that details specific events and when and where they occurred.

Through obsessive accumulation and a unique way of seeing, de la Mora uses yesterday's utilitarian objects to create artworks with philosophical implications about the nature of art, material temporality, and context-based value structures.

I like many poets, but these three simple lines by Arakida Moritake (1473-1549) always stay with me as a reminder of the temporality of our existence: An orphaned blossomreturning to its bough, somehow?

But while the history of Land Art is characterized by frontier machismo, many practitioners of Water Art are women working in cities to engage questions about ecology and temporality in the service of community-building.

It's simultaneously an alternate version of American history and a modern political AU in which none of the Founding Fathers are white and everything happens in a blurred temporality that could be modern-day America.

Curatorial team Laura Haynes, Alejo Benedetti, and Allison Glenn chose 61 artists to participate in the exhibition, and created four contextual frameworks to consider the contemporary artworks: world-building, sense of place, mapping, and temporality.

More and more directors are using long takes — scenes unspooling in real time, free of edits — as a sobering reminder of temporality, a virtuosic calling card, a self-issued challenge or all of the above.

And for me, again, the notion of temporality or of time seems like a very good place to think I've hit a fundamental feature of the universe that is not explicable in terms of anything else.

A riposte to Kazimir Malevich's "Black Square" (2725) — a forerunning totem of utopia — "Nine Laws" discerns no transcendence in the nothingness of its black fields; the work looks backward not forward, its temporality recuperative and reflective.

And, just as it is undoubtedly true that in few other places besides Italy do successive eras remain in such active dialogue, in few other pursuits outside fashion is temporality so intrinsic to the creative process.

The film's interviews offer insight into Pitt's singular devotion to texture and temporality, both of which led her to explore a vast array of animation techniques — including stop-motion, film scratching, sand animation, and transparencies — throughout her career.

The outstanding strength of both Arquetopia's mission and their new gallery is the multi-temporality that links generations of artists across a wide swath of time and space, seeking to challenge the status quo of established center-margin mindsets.

"The artists defy a Western notion that time must remove relentlessly forward just as they resist any stereotype that time stands still in Africa, and offer alternative and generative senses of temporality as experienced by and through the body," notes Roberts.

Honcker got its start, Hecht said, when he was working on a different startup (interestingly, another one based on temporality but of a very different kind: Dstrux was designed to create messages for different social media platforms that would self-destruct).

Because his videos are usually shown on an endless loop in galleries, "that led to the cyclical structures which play with temporality and causality, so people can come in at any point and get submerged in the storytelling," he said.

When forgiving and forgetting is such an important part of dealing with conflict in a healthy way, the temporality of audio messaging helps curb our impulses to "keep score" (if you will) during fights by over analyzing every ugly exchange.

Great pitchers sometimes buck at the constraints of physics, their offerings cutting and breaking in ways that suggest invisible tracks instead of mere air resistance and spin, but Darvish also takes on temporality and the basic laws of matter for good measure.

Second is the game's nod to television structure by dividing its temporality into "seasons": Periodically, Fortnite developer Epic Games releases a major patch that introduces a host of new challenges and collectible items, along with aesthetic motifs, all of which contribute to the larger backdrop.

This newfound engagement with temporality signals a recent shift in Turkish contemporary art, from the loud and concrete demands of a rather documentary, earlier political art, to a more accentuated abstraction, paradoxically coinciding with both increasing censorship and a critical update in the form.

But also to combat the temporality of the rushing stream, Twitter is getting more algorithmic, though it's still mostly a chronological queue where few read everything from everyone they follow Retweet yourself 12 hours later and you might find a whole new crowd consuming your content.

The truly great stuff, the stuff that hovers near a kind of pure and total transcendence, the stuff like Harold Budd's The Pearl, or Tim Hecker's Harmony in Ultraviolet or The Caretaker's An Empty Bliss Beyond this World, reconfigures the listener's understanding of both spatiality and temporality.

We may need to re-think machine intelligence that will be inherently adaptable and evolving, that can understand constructs like causality (not just correlation), temporality, open-ended inferences, axiomatic knowledge, logical reasoning, and common sense; intelligence that can be somewhat predictable, transparent and explainable — and more resilient to adversarial attacks.

But it has its own ambiguous temporality; the city's clearly rendered medieval landmarks (the customs house, the Rhine Gate and, in the background, the church of Great St. Martin) seem oddly out of sync with the vessel (a tourist ferry, and its female passengers in the empire-waist dresses of Turner's day).

While the Republicans made a show of giving Dr. Blasey "all the time she needs" during the hearing itself, the entire process has involved a pitched a battle over time, in which the Republicans' determination to rush the Kavanaugh decision and their outrage over delays echoes and repeats the hurry-up temporality of sexual assault.

What emerges from The Lost Rolls, a forgotten and neglected chronicle, salvaged and brought back into the light, is a different way of looking at photographs, one that relies less on scanning for information and context, but rather delves into competing layers of temporality and paradox: the immediacy of the past and the distance of the present.

"There were gaps in evidence in showing anemia actually has an outcome on maternal mortality and morbidity, although there were a lot of studies hinting at causality and temporality," said Dr. Rajmohan Panda, a senior specialist in health systems research and process evaluation at the George Institute for Global Health, who was not involved in the new research.

When: Monday, April 4, 6:30pm (RSVP full, stand-by tickets available first-come, first-served) Where: Solomon R. Guggenheim Museum (1071 Fifth Avenue, Upper East Side, Manhattan) It's time to reconsider musician and pioneering Afrofuturist Sun Ra's radical ideas about alternatives to Western temporality, which will be the subject of Northwestern University art history professor Huey Copeland's lecture at the Guggenheim.

Projects ponder the temporality of indigenous culture, the morphing of bio and animal, the "long durée" of gradual historical alterations, transitions of global cyber culture, slowness of painting and reading, contemplations of the built environment, the "deep time" of ecology and the volatile encroachment of global warming, and the historical resonance of "passage" with contemporary imperatives of persistence and survival under threatening cultural and political conditions.

Zheng Guogu painted an assortment of large, discarded motorized parts in a cheesy gold tone ("Golden Mining Field," 20163), a gesture that seems to throw shade equally at "installation spectacles" and the pursuit of prosperity, while Oscar Chan Yik Long inscribed a cliff face with totem-meets-graffiti doodles of skulls ("The Lord of the Mountain," 2016) that smudge the temporality of the site: a testimony of past calamities or a premonition of imminent disaster?

Retention and protention () are key aspects of Edmund Husserl's phenomenology of temporality.

8 November 2014. Kubelka's photographic works sometimes focus on accentuating temporality, seriality and the body.

In philosophy, temporality is traditionally the linear progression of past, present, and future. However, some modern-century philosophers have interpreted temporality in ways other than this linear manner. Examples would be McTaggart's The Unreality of Time, Husserl's analysis of internal time consciousness, Martin Heidegger's Being and Time (1927), George Herbert Mead's Philosophy of the Present (1932), and Jacques Derrida's criticisms of Husserl's analysis, as well as Nietzsche's eternal return of the same, though this latter pertains more to historicity, to which temporality gives rise. In social sciences, temporality is also studied with respect to human's perception of time and the social organization of time.

All the images represent the temporality of life, of culture, and of the worlds surrounding our life.

Stendera, Marilyn (2015). Being-in- the-world, Temporality and Autopoiesis. _Parrhesia: A Journal of Critical Philosophy_ 24:261–284.

He considers it as a methodological structure and analyses the temporality of the landscape in Pieter Bruegel's famous painting, The Harvesters.

The endocenter is composed of the verb root plus the endocentric suffixes. Exocentric suffixes encode inter-clausal temporality, tense, mood, subject, and switch reference. They are termed exocentric because they may contain suffixes that relate to the clause that follows. That is, the inter-clausal temporality and switch reference relate the current clause to the one that follows it.

Bitemporal modeling uses bitemporal structures as the basic components. This results in the databases which have a consistent type of temporality for all data.

The temporality which characterizes a major part of his writing seem to be the main reason why there is currently little interest from readers and academics.

Mou confuses Heidegger's Time (Zeit, shijian) with temporality (Zeitlichkeit, shijian xing) and thereby fails to see the transcendental nature in neither Time nor Being. The different understanding of the concept Time further causes Mou's disagreement with Heidegger's discussions of finitude of human beings. In fact, Heidegger's discussions of finitude are based on his interpretation of the temporality of Dasein. It is not the rejection of the transcendental ontology.

But when the danger is over and the calamity has had its day, then there is all too quickly a relapse into the old ways of life, and the reconciliation coerced by the need sometimes carries within itself the seed of a deeper separation than the one that was eliminated. And even if that reconciliation casts an enhancing radiance over the period of the individual's lives, it nevertheless belongs essentially not to them but to the observation and the observer who inherits it, until the story about it is also forgotten. Even though it is beautiful to envision this, such a life is a life of temporality, is the fruit of temporality, but also the prey of temporality, and the most that can be said of it is that it was a beautiful moment. But compared with eternity, this beautiful moment of temporality is nothing but the silver flash of imitation metal.

The differential diagnosis can be furthered refined by the temporality of hematuria and associated symptoms. Microscopic hematuria has a prevalence of 2% to 31%, depending upon age, sex, and other factors.

Temporary license plates have a red background with white symbols. The format of such signs TA123BV, where TA series is the index of temporality, 123 - number, and BV - the region code.

Richard Abel. Silent film (1996) , Tom Gunning '"Now You See It, Now You Don't": The Temporality of the Cinema of Attractions' p.78. Retrieved 5 January 2011. Rosemary Hanes with Brian Taves.

"Friar Bacon and Friar Bungay and the rhetoric of temporality." In: Gordon McMullan and David Matthews, eds. Reading the Medieval in Early Modern England. Cambridge, Cambridge University Press, 2007; pp. 53–4.

Dahlstrom concluded his consideration of the relation between Heidegger and Husserl as follows: > Heidegger's silence about the stark similarities between his account of > temporality and Husserl's investigation of internal time-consciousness > contributes to a misrepresentation of Husserl's account of intentionality. > Contrary to the criticisms Heidegger advances in his lectures, > intentionality (and, by implication, the meaning of 'to be') in the final > analysis is not construed by Husserl as sheer presence (be it the presence > of a fact or object, act or event). Yet for all its "dangerous closeness" to > what Heidegger understands by temporality, Husserl's account of internal > time-consciousness does differ fundamentally. In Husserl's account the > structure of protentions is accorded neither the finitude nor the primacy > that Heidegger claims are central to the original future of ecstatic- > horizonal temporality.

The intersection of temporality is a primary research avenue for R. Andrew Lee, having published work with the CeReNeM Journal. Lee also writes reviews and opinion pieces for NewMusicBox and I CARE IF YOU LISTEN.

Chicago: U of Chicago, 2011. Similarly, George Washington University Professor Abby Wilkerson discusses the ways in which the healthcare and medicinal industries reinforce the views of heterosexual marriage in order to promote heteronormative temporality. The concept of heteronormative temporality extends beyond heterosexual marriage to include a pervasive system where heterosexuality is seen as a standard, and anything outside of that realm is not tolerated. Wilkerson explains that it dictates aspects of everyday life such as nutritional health, socio-economic status, personal beliefs, and traditional gender roles.

Tibetan Buddhists consider Jambhala's sentiment regarding wealth to be providing freedom by way of bestowing prosperity, so that one may focus on the path or spirituality rather than on the materiality and temporality of that wealth.

Thus Heidegger concludes that Dasein's fundamental characteristic is temporality, Kelley writes.Alweiss, L., "Heidegger and `the concept of time'", History of the Human Sciences, Vol. 15, Nr. 3, 2002.Kelley, M., "Phenomenology and Time-Consciousness", Internet Encyclopedia of Philosophy.

The Origins of the Mithraic Mysteries, p. 107\. Oxford University Press.Salzman, Michele Renee. (2004). Pagan and Christian Notions of the Week in the 4th Century CE Western Roman Empire In Time and Temporality in the Ancient World, p. 192\.

Oxford University Press.Salzman, Michele Renee. (2004). Pagan and Christian Notions of the Week in the 4th Century CE Western Roman Empire In Time and Temporality in the Ancient World, p. 192\. University of Pennsylvania Museum of Archaeology and Anthropology.

Early content was focused on identifying emerging trends and forecasting potential new ones, from accessorizing with nipple clamps through Z-CoiL shoes and Under Armour sports clothing. Explaining their original interest in fashion they have said ‘If there is a temporality that DIS explores, it is mostly imagined. What is more pertinent to this project is the fact that our generation has a blurred point of view on values and on temporality itself. The past, present, and future—or at least a visually skewed representation of them—are immediately accessible by typing a few keywords into an engine.

Whereas a mediator is a factor in the causal chain (1), a confounder is a spurious factor incorrectly suggesting causation (2) Austin Bradford Hill built upon the work of Hume and Popper and suggested in his paper "The Environment and Disease: Association or Causation?" that aspects of an association such as strength, consistency, specificity, and temporality be considered in attempting to distinguish causal from noncausal associations in the epidemiological situation. (See Bradford- Hill criteria.) He did not note however, that temporality is the only necessary criterion among those aspects. Directed acyclic graphs (DAGs) are increasingly used in epidemiology to help enlighten causal thinking.

Kara Keeling has also written influential articles such as "Looking for M-: Queer Temporality, Black Political Possibility, and Poetry from the Future," published in GLQ: Journal of Lesbian and Gay Studies in 2009 and "Queer OS" published in Cinema Journal in 2014.

Early interpretations traditionally employed Buddhist terms and concepts, such as impermanence (Pali anicca, Japanese mujō 無常). Modern interpretations of uji are more diverse, for example, authors like Steven Heine and Joan Stambaugh compare Dōgen's concepts of temporality with the existentialist Martin Heidegger's 1927 Being and Time.

Luke categorizes digitalization into categories: Nature/Culture, Humanity/Technology, History/Society, and Being/Time. He points out that Negroponte recognizes that humans are a form of atoms and realms of "mentality, dimensionality, and temporality" unfold into bits This concept is what cybernetic subjectivity is all about.

The portrait continued its journey throughout the twentieth century with the modern novel. In Nathalie Sarraute (in the Portrait d'un inconnu) the features are not fixed, the temporality plays its role in the genre of the moving portrait, progressive, fragmented, as in the life of a human.

Wang Xin-xin performs in Musée Guimet, Paris. Wang Xin-xin is a Nanyin (or Nan Guan) musician from China and the founder of Xin-xin Nanguan Ensemble ().XinXin Nanguan Ensemble Temporality and Nirvana, npac-ntch.org. 04-11-2016Farewell My Emperor--Wang Xinxin’s Nanguan Art, windmusic.com.tw.

Shaw, Michael. "John Divola and Amir Zaki," Modern Painters, November 2011, p. 81. The cliff series (e.g., Coastline Cliffside_08, 2012) uses long exposures that harken to early photography, compositing dozens of sequenced image-captures into seemingly instantaneous photographs that nonetheless yield clues to their extended temporality.

As an ethnomusicologist, Hall is principally interested in issues of ethnicity, identity, and temporality; popular musics of the world; music as protest and resistance; and musics of both the African continent and the African Diaspora. His dissertation is a historical ethnography of Philly Soul during the Black Power Movement.

It is a way of absorbing them, phagocyte them to present them to us, deprived of the function and temporality. Their symbolic value is thus protected for eternity as it seems”, considers Hsu. Hsu, Megasun Inter, octobre 2008 Rolls-Royce, clothes, art objects, etc. are privileged supports for crystallization.

The temporality to which the ghost is subject is > therefore paradoxical, at once they 'return' and make their apparitional > debut [...] any attempt to isolate the origin of language will find its > inaugural moment already dependent upon a system of linguistic differences > that have been installed prior to the 'originary' moment (11).

A taskscape is typically analyzed via five factors: mobility, habitat, economy, nature, and public space. Tim Ingold coined the term in his 1993 articleIngold, Tim. (1993) "The Temporality of the Landscape", World Archaeology, 25(2): pp. 152-174 defining the spatial and temporal dimensions of the landscape in human life.

The content of ideologies, Hu believed, was shaped by the background, political environment, and even the personality of the theorist. Thus these theories were confined within their temporality. Hu felt that only the attitude and spirit of an ideology could be universally applied. Therefore, Hu criticized any dogmatic application of ideologies.

Upbuilding Discourses in Various Spirits, 1847, Hong 1993 p. 318–319 Feathers and gold and temporality and eternity and numbers all have value in this world. He has seven different discourses in this third section. He seems to be using religious numbers generally while writing but always referring to Christianity specifically.

Her primary research interests are second-language temporality and tense-mood- aspect systems and interlanguage pragmatics. Bardovi-Harlig is credited for the creation of the Coordination Index (CI) which was published in the TESOL Quarterly in 1992 and since then has been considered as the only reliable measure of coordination.

The edition exists beyond the duration of the film. The filmic projection is translated into printed material and confronted with its conditions, its materiality and temporality. Through the comparison of both media the emphasis on image, language and text and their relationships and overlapping themes are shifted into a new light.

When a common danger stands at everyone's door, when a common calamity teaches people to hold together and drums reconciliation into them, then it certainly is seen how they are reconciled in the understanding of the same things and how this reconciliation would benefit them jointly and would benefit the individual. But when the danger is over and the calamity has had its day, then there is all too quickly a relapse into the old ways of life, and the reconciliation coerced by the need sometimes carries within itself the seed of a deeper separation than the one that was eliminated. And even if that reconciliation casts an enhancing radiance over the period of the individual's lives, it nevertheless belongs essentially not to them but to the observation and the observer who inherits it, until the story about it is also forgotten. Even though it is beautiful to envision this, such a life is a life of temporality, is the fruit of temporality, but also the prey of temporality, and the most that can be said of it is that it was a beautiful moment.

Many authors have researched and discussed Dōgen's theories of temporality. In English, there are two books (Heine 1985 and Stambaugh 1990) and numerous articles on uji (有時, "being-time; time-being; etc."). According to the traditional interpretation, uji "means time itself is being, and all being is time" (tr. Welch and Tanahashi 1985).

Dying for Time offers new readings of the problem of temporality in the writings of Marcel Proust, Virginia Woolf, and Vladimir Nabokov. Through an engagement with Sigmund Freud and Jacques Lacan, Hägglund also develops an original theory of the relation between time and desire ("chronolibido"), addressing mourning and melancholia, pleasure and pain, attachment and loss.

In an article for Slate, she writes on this subject: "Afrofeminist meetings that are not mixed are in no way intended to propose a definitive project for a segregationist society, since they are part of the temporality of a specific event. They offer their participants an escape route, a breathing zone in an oppressive society ".

The elegiac scene references Leonardo da Vinci's Last Supper and Jan Vermeer von Delft's Milkmaid in order to convey the particular affect, temporality and political stalemate of 1930. During the Nazi period in Germany, Laserstein emigrated to Sweden, where she stayed in Stockholm and the city of Kalmar. She died in Kalmar on January 21, 1993.

Teachings of the Prophet Joseph Smith (Salt Lake City, Utah: Deseret Book), p. 361.; italics in original. The word gnolaum is used elsewhere by Smith to mean "eternal" (in the sense of 'everlasting' or 'forever' with perpetuity in time, and likely not "eternal" as 'outside of time' or having no relationship with the temporality).Abraham 3:18.

The differential diagnosis can be furthered refined by the temporality of hematuria and associated symptoms. During urination, blood can appear in the urine at the onset, midstream, or later. It can also have associated symptoms. These include nausea, fever, chills, abdominal pain, flank pain, groin pain, urinary frequency, urinary urgency, and pain or discomfort with urination.

Around 1836, Murray married Fanny Judkins in Scotland. Together, they had a son and two daughters: Anthony Hepburn (born 30 October 1840) Mary Ellen (born 2 October 1838) Helen (born 19 March 1843) Judkins died in the winter of 1862-1863 in Woodstock while Murray was temporality residing at the Geological Survey of Canada's headquarters in Montreal.

Ogea sentences are often composed of chains of verbs, with suffixes indicating sentence medial versus final positions. Ogea verbs encode inter-clausal temporality (temporal succession—one action occurs following another—and temporal overlap—actions occur simultaneously). They also encode switch reference. Switch reference indicates whether the referents of the clause in question are referents in the following clause.

Cross-sectional studies involve data collected at a defined time. They are often used to assess the prevalence of acute or chronic conditions, but cannot be used to answer questions about the causes of disease or the results of intervention. Cross-sectional data cannot be used to infer causality because temporality is not known. They may also be described as censuses.

In a 2019 article, discussing the award-winning film 1917 (2019), Eric Grode of The New York Times wrote that very long takes were becoming popular in more mainstream films "as a sobering reminder of temporality, a virtuosic calling card, a self-issued challenge or all of the above", also citing the Academy Award-winner from several years prior, Birdman (2014).

However, this is only one of several important books in the field of thanatology. Other key texts include The Experience of Death by Paul-Louis Landsberg, the sections on temporality and death from Martin Heidegger's Being and Time, as well as works of a fictional nature, such as Leo Tolstoy's The Death of Ivan Ilyich and As I Lay Dying by William Faulkner.

Elizabeth A. Grosz (born 1952 in Sydney, Australia) is an Australian philosopher, feminist theorist, and professor working in the U.S. She is Jean Fox O'Barr Women's Studies Professor at Duke University. She has written on 20th-century French philosophers Jacques Lacan, Jacques Derrida, Michel Foucault, Luce Irigaray and Gilles Deleuze, as well as on gender, sexuality, temporality, and Darwinian evolutionary theory.

The Feminist Fourth Wave: Affective Temporality, pg. 115,. Palgrave Macmillan. Fourth-wave feminism is "defined by technology", according to Kira Cochrane, and is characterized particularly by the use of Facebook, Twitter, Instagram, YouTube, Tumblr, and blogs to challenge misogyny and further gender equality. Issues that fourth-wave feminists focus on include street and workplace harassment, campus sexual assault and rape culture.

Situation of the Bishopric (abbrev. P.) within the Prussian Deutschordensland of 1410 It was founded as one of four Roman Catholic dioceses in Prussia in 1243 by the papal legate William of Modena. The bishops, whose seat was Riesenburg (Prabuty), ruled one third of diocesan territory as his temporality. The diocesan cathedral chapter met in the fortified cathedral of Marienwerder (Kwidzyn).

Benjamin Genocchio (April 6, 2008), In the Spirit of Modernist Ideals The New York Times. The piece is in fact a 14 hours film made out of 70 shorter films shot at 10 minutes intervals throughout the day. The narrative slowly collapses, giving way to the movement of the sun over the landscape, architecture and people, thus creating a different temporality.

In ancient times, Kollam was a famous harbour and trade center. According to local tradition, St. Thomas established a church near the port, which is believed to have been destroyed by the Arabian Sea.Those temporality living near the church immigrated towards Thevalakkara and constructed this holy church. Martha Mariam Orthodox Syrian Church of Thevalakkara is one of the leading churches under Malankara sabha.

Patricia Phillips describes the "social desire for an art that is contemporary and timely, that responds to and reflects its temporal and circumstantial context."Patricie C. Philips, 1989, "Temporality and Public Art", Art Journal, Vol. 48, No. 4, Critical Issues in Public Art (Winter, 1989), pp. 331-335 Public art is an arena for investigation, exploration and articulation of the dense and diverse public landscape.

Brian Swann has examined mythic and religious undertones in the novel. Jeff Nunokawa analyses ideas about physical touch, with respect to Silas Marner's handling of his gold compared to his raising of Eppie, and connects them to sexual and sensual themes. Kate E Brown has discussed overarching themes of time and temporality, with respect to the interlocked stories of Godfrey Cass and Silas Marner.

In both of these time periods, according to Jon May and Nigel Thrift, "there occurred a radical restructuring in the nature and experience of both time and space ... both periods saw a significant acceleration in the pace of life concomitant with a dissolution or collapse of traditional spatial co- ordinates".May, Jon and Nigel Thrift. "Introduction." TimeSpace: Geographies of Temporality. NY: Routledge, 2001. pp. 1–46.

Retrieved August 28, 2018. viewed the dehumanization of the Vietnam War through the lens of the Holocaust. His "Polifiction" works (1968–9) addressed the temporality of power and humanity's inability to communicate in vivid images like Hanging Man (1968), depicting figures suspended from wheel spokes in chandelier or carousel fashion, set in convention-like settings, which referenced the infamous 1968 Democratic Convention in Chicago.

Our experience of the world is not of a series of unconnected moments. Indeed, it would be impossible to have an experience of the world if we did not have a sense of temporality. That our perception brings an impression to our minds depends upon retention and protention. Retention is the process whereby a phase of a perceptual act is retained in our consciousness.

Some scholars detect hints of incest in Elektra's dysfunctional family relationships. Norwegian musicologist Ståle Wikshåland has analysed the use of time and temporality in the dramaturgy of Elektra. Elektra is the second of Strauss's two highly modernist operas (the other being Salome),Richard Strauss by Tim Ashley 1999, 20th-century composers Series characterized by cacophonous sections and atonal leitmotifs.Richard Strauss's 'Elektra, B. Gilliam. 1996.

The Feminist Fourth Wave: Affective Temporality, pg. 115,. Palgrave Macmillan. Fourth-wave feminism is "defined by technology", according to Kira Cochrane, and is characterized particularly by the use of Facebook, Twitter, Instagram, YouTube, Tumblr, and blogs such as Feministing to challenge misogyny and further gender equality. Issues that fourth-wave feminists focus on include street and workplace harassment, campus sexual assault and rape culture.

Heteronormative temporality promotes abstinence only until marriage. Many American parents adhere to this heteronormative narrative, and teach their children accordingly. According to Amy T. Schalet, it seems that the bulk of parent-child sex education revolves around abstinence only practices in the United States, but this differs in other parts of the world.Schalet, Amy T. Not under My Roof: Parents, Teens, and the Culture of Sex.

British School 17th century – Portrait of a Lady, Called Elizabeth, Lady Tanfield. Sometimes the meaning of an allegory can be lost, even if art historians suspect that the artwork is an allegory of some kind. Allegory has an ability to freeze the temporality of a story, while infusing it with a spiritual context. Mediaeval thinking accepted allegory as having a reality underlying any rhetorical or fictional uses.

The Wheel was widely used as an allegory in medieval literature and art to aid religious instruction. Though classically Fortune's Wheel could be favourable and disadvantageous, medieval writers preferred to concentrate on the tragic aspect, dwelling on downfall of the mighty – serving to remind people of the temporality of earthly things. In the morality play Everyman (c. 1495), for instance, Death comes unexpectedly to claim the protagonist.

Titled A Temporality, the exhibition consisted of Jantsa's life-sized installations formed out of plastic and raw construction materials accompanied by a sound piece made by Carsen Nicolai (also known as Alva Noto) in collaboration with Mongolian throat singers. The exhibition garnered much deserved media attention and has been cited as one of the must visit pavilions of the 58th La Biennale di Venezia.

Yet as full of intimation, the rivers proceed into what is coming. Thus Heidegger sees Hölderlin as concerned with the temporality of the river in relation to the human, yet also with its spatiality—thus "the river is the journeying." The river is, he says, the journeying of becoming homely or, rather, the very locality attained in and through the journeying.Heidegger (1996), pp. 27–31.

Cyanotype 28"X84"on paper, 2014, Harvard University Known for large format landscapes, Cordsen produces ethereal and ambiguous images that evoke ideas of fragmented memories and temporality. Her landscapes are, at first glance, simply meditative, but reveal impassioned and dramatic depths upon second and third looks. She often combines 19th century chemical methods with traditional film and digital technologies. Kate Cordsen's landscapes are a hybrid study of both photography and painting.

Internarrative identity is building upon the notion of narrative Identity, the idea that our identities are shaped by the accounts we give of our lives. The central tenet of internarrative identity is that the ability of individuals to shape their lives is extended by multiple autobiographical narratives with associative principles beyond temporality. This concept was developed in 1997 by Ajit K. Maan in the central text Internarrative Identity.

Since Kālacakra is time and everything is the flow of time, Kālacakra knows all. Kālacakri, his spiritual consort and complement, is aware of everything that is timeless, not time-bound or out of the realm of time. The two deities are thus temporality and atemporality conjoined. Similarly, the wheel or circle (chakra) is without beginning or end (representing timelessness), thus the term Kāla-cakra includes what is timeless and time itself.

Keutzer, Carolin S. "Transpersonal Psychotherapy: Reflections on the Genre". Professional Psychology: Research and Practice, 1984, Vol. 15, No. 6,868-883, The American Psychological Association Several authors in the field have presented an integration of western psychotherapy with spiritual psychology, among these Stuart Sovatsky and Brant Cortright. In his reformulation of western psychotherapy Sovatsky addresses the questions of time, temporality and soteriology from the perspectives of east/west psychology and spirituality.

In 1929 Cassirer took part in a historically significant encounter with Martin Heidegger in Davos during the Second Davos Hochschulkurs (the Cassirer–Heidegger debate). Cassirer argues that while Kant's Critique of Pure Reason emphasizes human temporality and finitude, he also sought to situate human cognition within a broader conception of humanity. Cassirer challenges Heidegger's relativism by invoking the universal validity of truths discovered by the exact and moral sciences.

Jameson (1988 / 2003, 154) notes that the concept of the spatial turn "has often seemed to offer one of the more productive ways of distinguishing postmodernism from modernism proper, whose experience of temporality -- existential time, along with deep memory -- it is henceforth conventional to see as dominant of the high modern." For Oswin & Yeoh (2010) mobility seems to be inextricably intertwined with late-modernity and the end of the nation-state.

The key characters are; King Humanity, Divine Correction, Sensuality, Spirituality, Temporality, Gude Counsel and Chastity. The play opens with Diligence delivering a sermon on good kingship. The main character, young King Humanity, then appears and is at first led astray by Sensuality and the Vices. His false counsellors introduce him to a mistress, Sensuality, which is the starting point of his disconnection from the moral way of life.

Undiluted essences of natural behavior, these characters are stripped of temporality and individual preference. Today, even as we feel detached from their obvious artificiality, we recognize ourselves in them, in some epic form. People will still be able to understand them in a hundred years. Jooss left Essen, where since 1927 he had directed the Folkwangschule's dance department and experimental dance group and, since 1930, the ballet company of the Opera as well.

The book addresses the topic of the authority of texts and their transmission, as well as different strategies of narration in ancient texts. The book also provides extensive treatment of issues such as linearity, temporality and simultaneity of historical texts, whilst working to examine four core themes. First, the narrator and his strategies in the historiography of the Hellenistic period. Secondly, Jewish historical thought as expressed in the 1 Book of Maccabees.

In an essay for Open Letters Monthly, Ingrid Norton praised the novel's subtlety: > The happiness depicted in A Month in the Country is wise and wary, aware of > its temporality. When he arrives in Oxgodby, Birkin knows very well life is > not all ease and intimacy, long summer days with "winter always loitering > around the corner." He has experienced emotional cruelty in his failed > marriage. As a soldier, he witnessed death: destruction and unending mud.

This "anachronistic" nature of Mumbo Jumbo troubles widely accepted conceptualizations of technology, especially in thinking about "when" cultural innovations were created and by "whom." James A. Snead sees the novel's structure as engaged of the African-American musical and rhetorical trope of "the cut", an interruption that disrupts the linear temporality of the work, looping back to an earlier textual moment.Snead, James A. "On Repetition in Black Culture." Black American Literature Forum, No. 15, Vol.

Thomsen, Bodil Marie. "The Performative Uses of the Surveillance Archive in Manu Luksch's Works." Performing Archives / Archives of Performance, edited by Borggreen, Gunhild and Rune Gade, Museum Tusculanum Press, 2013, pp. 257-273. Eric Cazdyn, Professor of Aesthetics and Politics at the University of Toronto, remarks on the two films' complementarity: 'In La Jetée we have a single temporality occurring at different times, while in Faceless we have different temporalities occurring at the same time.

The term 'ontologia' itself first appeared in 1606 in the work Ogdoas Scholastica by Jacob Lorhard, a German philosopher.Ogdoas Scholastica English translation by Sara L. Uckelman of Chapter 8.Jacob Lorhard’s Ontology: a 17th Century Hypertext on the Reality and Temporality of the World of Intelligibles Peter Øhrstrøm.The Development of Ontology from Suarez to Kant Ontology can be broadly defined as the study of reality as constructed in both human and non-human worlds.

Ostler argues that God cannot know what acts a person will freely do in the future. The first volume also expounds a Mormon Christology or theory of Christ as both fully human and fully divine at once. Ostler also assesses the attributes of divine power, divine mutability, divine pathos, divine temporality and human and divine nature. The second volume, The Love of God and the Problems of Theism, addresses Mormon soteriology or theory of salvation.

327ff (333–334) they went away joyful because they had been deemed worthy to be scorned for the sake of Christ's name. He concluded this way: Kierkegaard compared a pound of gold and a pound of feathers. He views the pound of feathers as a lesser weight because of the value of gold compared to feathers. He then asks the reader to decide if a pound of temporality is equal to a pound of eternity.

Noun roots in Nambikwara typically end in a vowel or the consonant n, t, or h. Classifiers indicating things such as the shape of the referent are suffixed to the root. Some examples include the property of being stick-like (kat3) or powder-like (nũn3). Definiteness (indefinite, definite, or conditional) and causality are also reflected by the use of suffixes. Definite nouns also use additional suffixes to indicate “demonstrativeness, spatio-temporality, evidentiality, and causality”.

She emphasised the importance of temporality in social analysis, dividing it into four stages: structural conditioning, social interaction, its immediate outcome and structural elaboration. Thus her analysis considered embedded "structural conditions, emergent causal powers and properties, social interactions between agents, and subsequent structural changes or reproductions arising from the latter." Archer criticised structuration theory for denying time and place because of the inseparability between structure and agency. Nicos Mouzelis reconstructed Giddens' original theories.

In May 2016 the Coach House Institute was renamed the McLuhan Centre for Culture and Technology; its Interim Director was Seamus Ross (2015–16). Sarah Sharma, an Associate Professor of Media Theory from the Institute of Communication, Culture, Information and Technology (ICCIT) and the Faculty of Information (St. George), began a five- year term as director of the Coach House (2017- ). Professor Sharma's research and teaching focuses on feminist approaches to technology, including issues related to temporality and media.

By 1980, Behnke's work had evolved in three ways: she added oil paint to her repertoire, increasingly turned to New York City as a subject, and introduced a greater sense of temporality and unfolding, layered meaning through her use of the predella, a horizontal, multi-frame pictorial device of subsidiary, adjoined images often used on early-Renaissance religious altarpieces.Chwast, Seymour and Steven Heller. The Art of New York'', New York: Harry N. Abrams, 1983. Retrieved November 8, 2019.

The first major influence on Cramer was the Neo- Kantianism of Richard Hönigswald. Thus his systematic starting point was always the critical engagement with Transcendental idealism and Kant, together with some inspiration from the Monadology of Leibniz. From there he tried to develop a "transcendental ontology". His key thought was here, that transcendental philosophy as an analysis of subjectivity cannot fulfill its task, if it does not investigate the subject in its Being, especially its temporality.

Deligiorgis edition, p.92–95 Beyond the jokes on scientific pretense, Vasilache reads "A Little Metaphysics..." as a clue to Urmuz's own disillusioned worldview, which she traces back to the suicidal warnings in Urmuz's notebooks. She argues that such a melancholy and lonely diarist is in contrast with Urmuz's literary persona, as known from the Bizarre Pages. Likewise, Carmen Blaga describes the text as a sober meditation on "the tragic sense of history" and "the fall into temporality".

Alex M. Lee (artist) is an American and South Korean artist who works between Potsdam, NY and New York City, NY. He is currently Associate Professor of Communication and Media at the Digital Arts & Sciences Program at Clarkson University. His work uses 3D animation, game engines and virtual reality to explore temporality, language, perception and human interpretation in our technological society. His work has been presented at the Goethe Institut, SIGGRAPH, Toronto Digifest, anti-utopias amongst other international venues.

Barth creates two of her most famous bodies of work during the same time period, nowhere near (1999) and …and of time (2000). Here, Barth interrogates the temporality of photography and the duration of vision. In nowhere near the camera records a repeated view out of Barth's living room window over multiple months. She made hundreds of images that contain moments of framing, records the ebb and flow of light and captures the change of the seasons.

His views of a hierarchical structure in the Trinity, the temporality of matter, "the fabulous preexistence of souls", and "the monstrous restoration which follows from it" were declared anathema in the 6th century.The Anathemas Against Origen, by the Fifth Ecumenical Council (Schaff, Philip, "The Seven Ecumenical Councils", Nicene and Post-Nicene Fathers, Series 2, Vol. 14. Edinburgh: T&T; Clark)The Anathematisms of the Emperor Justinian Against Origen (Schaff, op. cit.) Prior to this, he was not considered heretical.

He produced the skatepark images using a hyper- detailed, multi-image, compositing technical process that exaggerates spatial depth and temporality, rendering the already-otherworldly sites more contradictory and alien; reviewers compared their worn, sculptural monumentality to landscape sites such as Yosemite's Half Dome, and suggested that the juxtaposition alongside the broken ceramics transformed both image sets into spaces of contemplation and potentiality.Halls, Luke. "Navigating California’s concrete skateparks through the lens of Amir Zaki," Wallpaper, August 21, 2019.

In her article "Looking for M-: Queer Temporality, Black Political Possibility, and Poetry from the Future," Keeling discussed the experiences of Black queers through looking at films such as Looking for Langston, Brother to Brother, and The Aggressives. Keeling focuses her writing on the temporality and spatiality of the Black queer experience. Keeling also discussed figures such as Frantz Fanon and his lack of acknowledgement or discussion on this topic. She notes that in The Aggressives, time is marked by trends and products within hip-hop culture. Further expanding on the spatiotemporal nature, Keeling goes on to talk about the disappearance of one individual , M-. "Hir disappearance must prompt us to ask not the policing question attuned to the temporal and spatial logics of surveillance and control (where is M—today), but, rather, in this case, the political question of when M —’s visibility will enable hir survival by providing the protection the realm of the visible affords those whose existence is valued, those we want to look for so we can look out for and look after them" (577).

Hartog would later challenge what he perceived as Koselleck's Eurocentric reflection of the present and the past. Hartog's works can be classified into two: his early works that focused on the intellectual history of ancient Greece; and, his recent publications, which emphasized the subject of temporality. Hartog is currently the director of the École des hautes études en sciences sociales (EHESS) for ancient and modern historiography. He is also one of the 60 historians who founded the Association des Historiens in 1997.

That is to make public spaces more valuable to the citizens in contrast to favoring the interests of corporate and financial capital. Unlike other forms of protest like demonstrations, marches and rallies, occupation is defined by an extended temporality and is usually located in specific places. In many cases local governments declare occupations illegal because protesters seek to control space over a prolonged time. Thus occupations are often in conflict with political authorities and forces of established order, especially the police.

When he settled in San Francisco in 1975, he began to work with acrylic paint. Initially, his work focused on abstract landscapes, but he gradually moved away from this movement when he turned to Buddhist spirituality. This fresh source of inspiration resulted in a more abstract approach, related to temporality, which he studied in the sacred texts. The effects of time on materials and an exploration of the technique of collages and imprints have become fundamental aspects of his artistic approach.

Like Plotinus, he wrote that the soul passes through successive stages before incarnation as a human and after death, eventually reaching God. He imagined even demons being reunited with God. For Origen, God was not Yahweh but the First Principle, and Christ, the Logos, was subordinate to him. His views of a hierarchical structure in the Trinity, the temporality of matter, "the fabulous preexistence of souls," and "the monstrous restoration which follows from it" were declared anathema in the 6th century.

The more specific an association between a factor and an effect is, the bigger the probability of a causal relationship. # Temporality: The effect has to occur after the cause (and if there is an expected delay between the cause and expected effect, then the effect must occur after that delay). # Biological gradient (dose-response relationship): Greater exposure should generally lead to greater incidence of the effect. However, in some cases, the mere presence of the factor can trigger the effect.

Since the late 1980s, Hodges created a broad range of work exploring themes of fragility, temporality, love, and death. His works frequently employed different materials and techniques, from ready-made objects to more traditional media, such as metal chains, artificial flowers, gold leaf, and mirrored elements. Hodges' conceptual practice, which addressed overlooked and obvious touchstones of life, reflected human experience and mortality. Hodges challenged the acceptance of traditionally feminine materials and craft by expanding the possibilities of these materials in his own works.

41,Accessed 27-04-2015 which creates the idea of simultaneous occurrences in the video. Temporality is made a part of Vertical Roll through the disjunctive nature of the video, and this sense of time is "understood as propulsion towards an end." Time is visualized through a constant wiping away of the image. Through de-synchronization, the artist posed a challenge to the supposed objectivity of experience from the senses, potentially uncovering pretenses or dispositions that inform the processing of sensory data.

Marc Augé (1995) considered the philosophical potential of an anthropology of "non-places" like airports and motorways that are characterized by constant transition and temporality. Sociologist Manuel Castells outlined a "network society" and suggested that the "space of places" is being surpassed by a "space of flows." Feminist scholar Caren Kaplan (1996) explored questions about the gendering of metaphors of travel in social and cultural theory. The contemporary paradigm under the moniker "mobilities" appears to originate with the work of sociologist John Urry.

January 15, 2007. In the 1960s, Swedish literary critic Bengt Holmqvist described the novel as "at once the last great classic of French epic prose tradition and the towering precursor of the 'nouveau roman'", indicating the sixties vogue of new, experimental French prose but also, by extension, other post-war attempts to fuse different planes of location, temporality and fragmented consciousness within the same novel.Holmqvist, B. 1966, Den moderna litteraturen, Bonniers förlag, Stockholm Pulitzer Prize-winning author Michael Chabon has called it his favorite book.

In other instances, windows are visible but do little to establish temporality: for instance, when Eleanor is rescued by Dr. Markway on the unstable spiral staircase, some of the windows nearby show strong sunlight streaming in, while others show darkness outside. The Haunting is notable for its lesbian character, Theodora. Although the character's lesbianism is subtly mentioned in the novel, the film makes it explicit. The film is also one of the few Hollywood motion pictures to depict a lesbian as feminine and not predatory.

Company illustrates clearly the dilemma of the modern 20th century human, an existential crisis in which God is dead and life's "purpose" seems entirely arbitrary. Beckett's solution in Company is to suggest that a plain acceptance of one's temporality is needed in order properly to function. However, far from being hopeless, such a life is hopeful in that its design is one's own responsibility and not that of some god or fate. Company is a call to action for those who accept the hard facts.

419-421 Kierkegaard is > essentially asking if the teaching of a child begins with the prohibition or > with love. In other words, does Christianity say to first teach about "the > works of the flesh" (the negative) or about the "Fruit of the Holy Spirit" > (the positive)?Galatians 5:19–24 The Bible Does the answer lie in the world > of the spirit or in the world of temporality? Should we always go backwards > to review the negative or forward because we are concentrating on the > positive.

64; Richard Toop, Six Lectures from the Stockhausen Courses Kürten 2002 (Kürten: Stockhausen-Verlag, for the Stockhausen Foundation for Music, 2005): 30, . interval of entrance,Pascal Decroupet, "Rhythms—Durations—Rhythmic Cells—Groups, Concepts of Microlevel Time-Organisation in Serial Music and Their Consequences on Shaping Time on Higher Structural Levels", in Unfolding Time: Studies in Temporality in Twentieth-century Music, Geschriften van het Orpheus Instituut 8, edited by Marc Delaere and Darla Crispin, 69–94 (Louvain: Leuven University Press, 2009): p. 85\. . or starting interval.

Margaret Somerville – In Conversation Recent criticisms of this argument have been made by Timothy Laurie, who argues that both intersex conditions and infertility rates have always complicated links between biology, marriage and child-rearing. A subset of heteronormativity is the concept of heteronormative temporality. This ideology states that the ultimate life goal for society is heterosexual marriage. Societal factors influence adults to search for a partner of the opposite sex to engage in heterosexual marriage with the goal of having children through the traditional nuclear family structure.

In Guarani, however, verbs are often left unmarked for tense. Instead, the present is left without any type of tense marker or morpheme connected to it indicating it is present. As such, verbs falling under present tense can have relative flexibility in connection to temporality. In other words, verbs in the present tense have the flexibility of also meaning remote past or near future These are known as bare verbs, and refer to events that occur at the time of or shortly before the time of speaking.

Einstein partially advocates Mach's principle in that distant stars explain inertia because they provide the gravitational field against which acceleration and inertia occur. But contrary to Leibniz's account, this warped space-time is as integral a part of an object as are its other defining characteristics, such as volume and mass. If one holds, contrary to idealist beliefs, that objects exist independently of the mind, it seems that relativistics commits them to also hold that space and temporality have exactly the same type of independent existence.

The main influence on Mauro Carbone’s thought has been that of Maurice Merleau-Ponty. Carbone has developed in a theoretically personal way certain notions that the French philosopher only managed to sketch before his sudden death. Among these, the notion of “sensible idea” stands out, meant as the becoming essence inaugurated in our encounter with the sensible, and from the sensible remaining inseparable, lying at work in a peculiar retroflected temporality that Carbone, along with Merleau-Ponty, calls “mythical time”. Carbone's two volumes Ai confini dell'esprimibile.

Direct messaging features were also included in the update, allowing users to send ephemeral text messages to friends and family while saving any needed information by clicking on it. According to CIO, Snapchat uses real-time marketing concepts and temporality to make the app appealing to users. According to Marketing Pro, Snapchat attracts interest and potential customers by combining the AIDA (marketing) model with modern digital technology. Private message photo snaps can be viewed for a user-specified length of time (1 to 10 seconds as determined by the sender) before they become inaccessible.

Stefan Rinke explores the history of Latin America primarily from a transregional and global historical perspective. His research focuses on cultural globalization and North Americanization, popular culture, revolutions, memory and historical consciousness, history of knowledge, trans-American relations, temporality and future. They cover the period from colonial times (Columbus, Conquista of Mexico, identities), the independence period (Atlantic revolutions, thinking about the future), the 19th century (state-building and dictatorships, USA and Latin America), the 20th century (World War I, football, aviation, experts) to contemporary history (memory and conflict in Columbia and Chile, Colonia Dignidad).

In opposition to Henri Bergson's and Martin Heidegger's views, which delineate with different shades a pure form of temporality, more original than its representations and spatializations, Marramao declares that the link time-space is inseparable and, also connecting to contemporary Physics, he asserts that the structure of Time possesses an aporetic and impure profile, compared to which the dimension of space is the formal reference necessary to think its paradoxes (Minima temporalia, 1990, new edition in 2005; Kairos: Towards an Ontology of Due Time, 1992, new edition in 2005).

Probst experiments with the temporality and point of view of the shot/counter- shot technique of film by presenting multiple photographs of one scene shot simultaneously with several cameras via a radio-controlled release system. As a result, the subject of the work becomes the photographic moment of exposure itself. Using a radio-controlled release system, or multiple photographers, she simultaneously triggers the shutters of several cameras pointed at the same scene from various viewpoints. The resulting sequences of images suspend time and stretch out the split second.

Closely tied to this definition of work is the concept of instantiation, which could be understood as “version,” “edition,” or “manifestation”; Smiraglia selects instantiation over those other terms, however, since the word denotes temporality: “an instantiation is essentially a manifestation at a specific point in time.”Smiraglia, Richard P.. (2002). Further reflections on the nature of "a work": an introduction, Cataloging & Classification Quarterly, 33 (3/4), 1-11, p. 7. And for Smiraliga, there is no intermediate expression level, as in the FRBR model, between work and instantiation (manifestation).

In his paintings of the sea, anchors often appear on the shore, also indicating a spiritual hope. German literature scholar Alice Kuzniar finds in Friedrich's painting a temporality—an evocation of the passage of time—that is rarely highlighted in the visual arts. For example, in The Abbey in the Oakwood, the movement of the monks away from the open grave and toward the cross and the horizon imparts Friedrich's message that the final destination of man's life lies beyond the grave. Man and Woman Contemplating the Moon (c. 1824). 34 × 44 cm.

He married Rocío Laffón Bayo in 1953, with whom he had three children. In 1955, he wrote a thesis entitled Dilthey, Jaspers y la comprensión del enfermo mental (Dilthey, Jaspers, and Understanding the Mentally Ill), followed in 1964 by Libertad, temporalidad y transferencia en el psicoanálisis existencial (Freedom, Temporality, and Transference in Existential Psychoanalysis). He became a member of the Partido Socialista Obrero Español (PSOE), a clandestine organization, and was thrown into prison on three occasions. Later, he joined the Executive Committee and became friends with the socialist leader Enrique Múgica Herzog.

The research provided a theoretical basis for understanding the centrality of temporality in collaborative work and highlighted the importance of incorporating temporal features into the design of information systems. Most of his current research focuses on three major themes: (1) Collaborative information behavior; (2) Temporal features of collaborative work and (3) Collaborative support for teams. He explores these themes utilizing qualitative methods within the health care domain primarily in hospital environments. His research collaborators include Paul Dourish, Wanda Pratt, John King, Mark Ackerman, Jonathan Grudin, Gloria Mark, John Yen, etc.

In teaching found footage, Lord screens numerous examples of the medium from his own personal work to that of Bruce Conner. The students make various projects, including an appropriation and recontextualization of footage from Hollywood and television. Another project requires students to use found footage to create a central theme such as time (and temporality), art that helps the economy, intervention on the status quo, desire, and darkness. Lord has also participated in lectures at the Museum of Modern Art (MoMA) in New York City, Yale University, the USC Art Dept.

After a period concentrating on drawing and her time in Roswell, Sterritt returned to Los Angeles in 1995. Influenced in part by her new studio situation, she began using tentative materials—recycled studio detritus (cardboard, carpet, plastics, plywood)—and significantly, pieces of recently dismantled sculptures. Many of the new materials were relatively flat and planar; working intuitively, she engaged in basic assemblage processes: stacking, gathering, folding, arranging, slicing. Critics suggest the change in methods both expanded her use of space and imparted a new sense of temporality and fragility in the work (e.g.

'Deshoras': signed lower left and titled upper right; also dated Miami, FL Nov.03 and inscribed: "Pintado al humedo en 1 (una) session de 33 horas continuas" on the reverse. In 2013, Ofill returns to Mexico with 'Momentum', an exhibition in which "the pace of city life could only be trapped by the fragments that constitute its temporality through a diligent observation". A more abstract series of paintings on urban life "defined by brushwork" was unveiled at the Gabarron Foundation New York in September of the same year.

The Bhagavata Purana is also stated to parallel the non-duality of Adi Shankara by Sheridan. As an example: Scholars describe this philosophy as built on the foundation of non-dualism in the Upanishads, and term it as "Advaitic Theism". This term combines the seemingly contradictory beliefs of a personal God that can be worshiped with a God that is immanent in creation and in one's own self. God in this philosophy is within and is not different from the individual self, states Sheridan, and transcends the limitations of specificity and temporality.

For fairy tale and folk lore researcher Maria Tatar, the tale summarizes Andersen's views on the "essence of art" with the clock representing both temporality and transcendence. It keeps time but it is also a work of art that cannot be destroyed. She notes that the clock houses both "the biblical and the mythical, the seasons and the senses, the visual and the acoustical, the carnal and the spiritual" and thus brings together everything Andersen wanted in art. The wondrous clock "mingles the secular with the sacred and the pagan with the Christian".

Dawdy is 'Professor of Anthropology and of Social Sciences in the College' at the University of Chicago. Her research focuses on the Americas, with a special focus on New Orleans, from the colonial period to the post- Katrina present. Her research has focused on the history of capitalism and informal economies (including piracy) urban landscapes, human-object relations, and temporality (how people shape and experience the past, present, and future). She is currently working on a study of 21st-century American death practices and an archaeology of disaster in the context of climate change.

Historicity in philosophy is the idea or fact that something has a historical origin and developed through history: concepts, practices, values. This is opposed to the belief that the same thing, in particular normative institutions or correlated ideologies, are natural or essential and thus exist universally. Historicity relates to the underlying concept of history, or the intersection of teleology (the concept and study of progress and purpose), temporality (the concept of time), and historiography (semiotics and history of history). Varying conceptualizations of historicity emphasize linear progress or the repetition or modulation of past events.

Mathematical modeling is useful in developmental psychology for implementing theory in a precise and easy-to-study manner, allowing generation, explanation, integration, and prediction of diverse phenomena. Several modeling techniques are applied to development: symbolic, connectionist (neural network), or dynamical systems models. Dynamic systems models illustrate how many different features of a complex system may interact to yield emergent behaviors and abilities. Nonlinear dynamics has been applied to human systems specifically to address issues that require attention to temporality such as life transitions, human development, and behavioral or emotional change over time.

Seth's story invokes the mythology of fallen angels, though he is not evil. City of Angels invokes the idea of the fallen angel in Seth's transformation into a human. However, author Scott Culpepper argues this is not related to evil or exile from heaven, and is instead based on free will. The fact that Maggie is killed very shortly after Seth's transformation poses the question of whether Seth left "heaven for ashes", but the conclusion is that "the very temporality of relationships, experiences and feelings are what make them meaningful".

Endre Ady (Hungarian: diósadi Ady András Endre, archaic English: Andrew Ady,Basil Blackwell: The Oxford Hungarian Review: Edited for the Oxford League for Hungarian Self-Determination, Volumes 1-2 -PAGE 135 Published: Basil Blackwell, 1922 22 November 1877 – 27 January 1919) was a turn-of-the-century Hungarian poet and journalist. Regarded by many as the greatest Hungarian poet of the 20th century, he was noted for his steadfast belief in social progress and development and for his poetry's exploration of fundamental questions of the modern European experience: love, temporality, faith, individuality, and patriotism.

Featuring visual art, performance art, and pedagogical projects, Ephemera as Evidence explores how the HIV/AIDS crisis forged new relationships of temporality. The exhibit, which ran from June 5 to June 24 at La Mama Galleria, featured works from Nao Bustamante, Carmelita Tropicana, Benjamin Fredrickson, and more. Muñoz's disidentification theory has also influenced other thinkers in the field. In Crip Theory: Cultural Signs of Queerness and Disability, Robert McRuer, draws on Muñoz's theory of disidentification to articulate and imagine "collective disidentifications" made possible when putting queer and crip theory in conversation.

Diana Taylor, Ann Cvetkovich, Roderick Ferguson, and Jack Halberstam have cited and applied Muñoz to their own work. Muñoz was also influential to the field of Queer of Color Critique. In the book Aberrations in Black, Roderick Ferguson employs Muñoz's disidentification theory to reveal how the discourses of sexuality are used to articulate theories of racial difference in the field of sociology. Moreover, disidentification theory has been used by an array of scholars to apply a queer of color critique to various themes such as identity politics, temporality, homonationalism, and diaspora and native studies.

Stone-Age-Man is a monumental sculpture in Wittgensteiner-Sauerland, Germany. Udo creates the effect of an ancient temple by installing in the middle of the structure an enormous cube of rock framed by a monumental architectural trunk form made out of wood. The quartzite monolith weighs almost 150 tons and, integrated into the peaceful grandeur of the forest, it forms a monument and memorial in its own right: its size, its timeless association with the earth, and its uniqueness. When exposed to this powerful entity, the viewer experiences his/her own temporality and vulnerability.

While it has been hypothesized that the condition is related to COVID-19, it has also been emphasized that the potential link "is neither established nor well understood." A temporal association between SARS-CoV-2 infection and clinical presentation of the syndrome is plausible. A causality assessment found that 'temporality' was among the five (out of nine) Bradford Hill criteria that supported a causal relationship between SARS-CoV-2 infection and the development of the syndrome. Further characterization of the syndrome is essential to identify risk factors and help understand causality.

Raja Amari has been said to have a "transvergent" style in her work. Stacey Weber-Fève, argued Amari's style means her work transcends national cinema and has the ability to connect with a "national identity" depending on the given context and temporality of her films. Will Higbee furthers the idea of "transvergent" filmmaking as a cinema that, "views the exchange between the global and the local not as taking place within some abstract or undefined 'global framework'." Rather, "difference and imbalances of power" between and within film industries tend to shape cinema.

According to Lledó, the history of philosophy should be understood as a form of "collective memory", embracing mankind's total development, that can be structured through three main elements: # Classical Greek philosophy, with special attention to the Platonic dialogues and Aristotelian ethics as well as Epicureanism. # Attention to language as the principal object of philosophical analysis; which clearly converges in the development of the main currents of post-war European thought. # Elaborating fully a consideration of temporality and writing that will lead to a "philosophy of memory" and a textual anthropology, from hermeneutic roots.

In those 9 months, he radically changed his approach to painting. He moved from an expressionist-realist style to an approach that combined elements of surrealism and formalist abstraction, using objects and scenes from the local environment as symbols to remove temporality from his work. He transitioned from this into more Surrealist works like the Sea Chest, which displays mysterious incongruities on an otherwise normal landscape. It is then that he conveys to the viewer the expansiveness he must have felt looking at Arizona desert sky, although he distills this expansiveness into a more basic abstract form.

The first asks how society treats its past and what it says about it while the second approaches the notion as the "modes of consciousness of human community". In his analysis of the different "regimes of historicity", he described the modern period as "presentist" - that the present turns to the past and the future only to valorize the immediate. This "presentism" concept has been interpreted as that regime wherein the present is dominant. It implies an approach to temporality, which rejects the linear, causal, and homogeneous conception of time characteristic of the modern regime of historicity.

The gameplay of Super Paper Mario differs substantially from its predecessors. The game has been described as an action role-playing game, "platform RPG" and a "hybrid" RPG/platformer; Nintendo has identified it as an action-adventure game. Although Super Paper Mario maintains the "framework" of a more traditional RPG (the player is tasked with collecting eight Pure Hearts and can talk with non-playable characters, go on side- quests, and purchase items), the gameplay style is that of a platformer. The game primarily adopts a 2D perceptive, with Mario able to temporality move the game into a 3D perspective.

Kriemann's artistic practice is notable for the expansiveness of its conception of photography. Her work examines the act of documentation as a photographic principle with regard to temporality and material processuality in specific sociohistorical contexts. Her methods range from archival research to field studies to the use of various photographic imaging and printing processes. Pechblende, an ongoing project begun in 2014, deals with the extraction of pitchblende (uraninite) for uranium production by the Wismut mining company in the Ore Mountains in the former East Germany between 1946 and 1991. These activities contributed significantly to the Soviet Union’s nuclear arsenal.

Badessi—who had mainly taken photographs of people during his career—decided to work on a new series called "The unavoidable temporality of existence", that would not feature people. For this series he set a goal to use inexpensive material to produce images that addressed some laws of physics. Specifically, he focused on laws relative to light, such as the phenomenon of the reflection of color onto a surface. Relying on the ability to freeze time—an important characteristic of the photography medium—Badessi produced weightless sculptures made of aluminum sheets, which appeared sturdy once photographed.

Much of Augé's writing considers globalization, and his work on global modernism has contributed to investigations of the concept of mobility. He explores the philosophical potential of an anthropology of "non-places" like airports and motorways that are characterized by constant transition and temporality. Both Peter Merriman and Bruno Latour criticized Augé's book Un Ethnologue dans le Métro for failing to examine the hidden complexities of the métro, such as its drivers and engineers, the role of the State, and management of passenger movements and transactions. Latour said Augé had "limited himself to studying the most superficial aspects of the métro".

Plausibility is often, but not necessarily, established with epidemiologic data or information. # Temporality: This second step examines the clinical and other evidence of the timing between the onset of the symptoms of injury and the injury event, and must be satisfied to assess specific causation. First, it must be established that the sequence of the injury and the event is appropriate; the symptoms cannot be identically present prior to the event. Further, the onset of the symptoms of injury cannot be either too latent or insufficiently latent, depending on the nature of the exposure and outcome.

Rivers of Nihil was formed in 2009. They recorded their first EP Hierarchy later that year with Century vocalist Carson Slovak, who produced numerous works by other bands such as August Burns Red, Texas in July, and Black Crown Initiate (Slovak would later work with the bands on their second and third studio albums, adding writing credits to "Terrestria III: Wither" on Where Owls Know My Name). During this period the band opened shows for bands such as Decapitated, Decrepit Birth, Suffocation, Dying Fetus, and Misery Index. In 2011 the band worked with producer Len Carmichael to record their second EP Temporality Unbound.

In a society is governed by the New Machine, individuals have lost their faces, and the RealTime calendar has destroyed their understanding of history or the future. A woman (the protagonist, played by Luksch) wakes up one day to discover she has a face; subsequently, she receives an anonymous letter that reveals the existence of her past life, and her child. Panicking, she enlists the help of Spectral Children to evade Overseers and confront the authority of the New Machine. In the film's ambivalent conclusion, she appears to defeat the New Machine by unveiling the power of the human face and recovering temporality.

Mou believes moral learning can pave a way to moral metaphysics, while Heidegger also believes that we can open ourselves to the Being in our daily lives. Mou's “misplacement” of Heidegger's transcendental metaphysics may arise from his misconception of Heidegger's Time (Zeit, shijian). Heidegger's concept of Time is different from the time as a priori knowledge for Kant, which is actually the temporality (Zeitlichkeit, shijian xing) of Dasein (the experience of being that is peculiar to human beings). Heidegger's Time serves not only as the fundamental character for Being, but also as the fundamental unveiledness of Being.

In the discipline of history, there have also been critical debates of how to represent past in its complexity without undermining the differences. That is what are the ways in which history writing could be written as an open system. Walter Benjamin's Theses on the Philosophy of History perhaps could be referred as one of the earliest radical explorations in the idea of the past and representation. Benjamin differentiates between historicism as a discipline that views past and present as separate from each other and temporality as a homogenous empty time moving in a linear fashion in search for an objective truth.

In phenomenology, historicity is the history of constitution of any intentional object, both in the sense of history as tradition and in the sense where every individual has its own history. Of course, these two senses are often very similar: One individual's history is heavily influenced by the tradition the individual is formed in, but personal history can also produce an object that wouldn't be a part of any tradition. In addition, personal historicity doesn't develop in the same way as tradition. Martin Heidegger argued in Being and Time that it is temporality that gives rise to history.

Eliot, a classicist, felt that the true incorporation of tradition into literature was unrecognised, that tradition, a word that "seldom... appear[s] except in a phrase of censure," was actually a thus-far unrealised element of literary criticism. For Eliot, the term "tradition" is imbued with a special and complex character. It represents a "simultaneous order," by which Eliot means a historical timelessness – a fusion of past and present – and, at the same time, a sense of present temporality. A poet must embody "the whole of the literature of Europe from Homer," while, simultaneously, expressing their contemporary environment.

However, according to Cabrera, this analytic objectivism excludes fundamental dimensions of the problem of meaning, such as time and lived experience. Phenomenology expands the analytic semantic horizon with the dimension of intentionality (of which analytic intensionality is only an inauthentic correlate, essentially objective) without the problem of meaninglessness being tamed. It remains for phenomenology, however, the temporality and historicity that hermeneutics adds to the approach of the problem, which is called "misunderstanding". Hermeneutic falls into the basic "distortions of meanings", something stronger than "meaninglessness" and "misunderstanding", a subject of meta-critical philosophies, represented by Karl Marx's and Sigmund Freud's philosophies of language.

Regarding the temporality of fixations, average fixation durations last for 300ms on average, although there is a large variability around this approximation. Some of this variability can be explained through global properties of an image, impacting upon both bottom-up processing and top-down processing. During natural scene viewing, the masking of an image by replacing it with a grey field during fixations has an increase in fixation durations (Henderson & Pierce, 2008). More subtle degradations of an image on fixation durations, such as the decrease in luminance of an image during fixations, also increases the length of fixation durations (Henderson, Nuthmann & Luke, 2013).

Brubaker was born in Des Moines, Iowa in the United States and educated at the Juilliard SchoolCrispin, Darla, editor, Unfolding Time: Studies in Temporality in Twentieth-Century Music, 2009, p. 195 where his primary teacher was pianist Jacob Lateiner.Fox, Margalit, "Jacob Lateiner, Pianist and Scholar, Dies at 82", The New York Times, December 14, 2010Brubaker, Bruce, "Strengen Sachlichkeit: The Teaching of Jacob Lateiner," in Pianist, Scholar, Connoisseur: Essays in Honor of Jacob Lateiner, Pendragon Press, 2000, pp. 187-221 At Juilliard, he also studied with Milton Babbitt and Felix Galimir, and with Louis Krasner at Tanglewood.

Pious Puritan mothers laboured for their children's righteousness and salvation, connecting women directly to matters of religion and morality. In her poem titled "In Reference to her Children", poet Anne Bradstreet reflects on her role as a mother: Bradstreet alludes to the temporality of motherhood by comparing her children to a flock of birds on the precipice of leaving home. While Puritans praised the obedience of young children, they also believed that, by separating children from their mothers at adolescence, children could better sustain a superior relationship with God. A child could only be redeemed through religious education and obedience.

345–364 and temporality, including Husserl's theory of retention and protention. Merleau-Ponty's description of 'motor intentionality' and sexuality, for example, retain the important structure of the noetic/noematic correlation of Ideen I, yet further concretize what it means for Husserl when consciousness particularizes itself into modes of intuition. Merleau-Ponty's most clearly Husserlian work is, perhaps, "the Philosopher and His Shadow." Depending on the interpretation of Husserl's accounts of eidetic intuition, given in Husserl's Phenomenological PsychologyLectures, Summer Semester, 1925 and Experience and Judgment, it may be that Merleau-Ponty did not accept the "eidetic reduction" nor the "pure essence" said to result.

Jacob Silverman of The New York Times reviewed the book in 2012, and wrote that it "shares many of [Krasznahorkai]'s later novels' thematic concerns — the abeyance of time, an apocalyptic sense of crisis and decay — but it's an altogether more digestible work. Its story skips around in perspective and temporality, but the narrative is rarely unclear. For a writer whose characters often exhibit a claustrophobic interiority, Krasznahorkai also shows himself to be unexpectedly expansive and funny here." Theo Tait in The Guardian praised the novel and, in particular, said that it "possessed of a distinctive, compelling vision".

The historical function of beauty has again been the creation of conflicts and consequent change. Fraser's ideas have consequences not only for our understanding of the physical universe, but also of the emergence of the human mind (a parallel model of which was developed by the psychologist Clare W. Graves in his model of psychosocial emergence) and for culture and the arts. For example, Fraser posits that in literature tragedy is the purest expression of the universe's emergent temporality. Human values are instructions whose purpose is that of keeping alive the unresolvable, creative conflicts of the strange walker.

Frühauf's teaching and research draw upon diverse methods and perspectives in scholarship to forge a broad and interdisciplinary musicology centered around history, performance, and ethnography. She is particularly interested in the interstices between music and religion. The study of Jewish music in modernity has provided a primary focus for research for two decades, and has provided the context for her more recent ventures into new fields of inquiry, that is music and postmodernity and music and temporality. She has been conducting research in Israel, Germany, and the United States, and her work in these countries is ongoing.

Martinon's philosophical work centres on ethics, time and temporality. It includes explorations of futurity in the work of Jean-Luc Nancy, Jacques Derrida and Catherine Malabou, (On Futurity) and the relationship between masculinity and time mainly referencing the work of Emmanuel Levinas (The End of Man). His essays cover a wide range of contemporary topics from issues of race and universality, to the birth of language, the prohibition of murder, and the role of intuition in the work of Karl Marx. In addition, he has been closely engaged with African philosophy, especially the work of Valentin Mudimbe and contemporary Rwandan thinkers.

To signify what they regard as the Eternal Spirit, beyond the pale of time, temporality, or cosmic processes, the Gurus have chosen the terms Sat and Akal. Vahiguru is a positive saguna substitute for the negative nirguna term Akal. Another avenue of thought on this term Akal brings into play the word 'Kal' which can be translated to 'death' or 'time'. the a- prefix makes it the opposite so a-kal can mean not subject to death or time. Guru Gobind Singh’s bani is a repository of concepts and terms, especially of the epithets relating to ‘time’.

An illustration describing the temporality of experience for extended interaction with products. While desired early experiences commonly seem to relate to pleasant sensational aspects of software and product use, prolonged experiences are significantly more tied to aspects that reflect how the product may become meaningful in the user's life. Social products are not solely responsible for mediating goal achievement; they fulfill an inner need for personal growth and communicating messages about the user's self-identity in a social setting. As a user's familiarity with a product strengthens over time, it is expected that they would experience less frustration, as well as less excitement.

Stephen Heywood's profile on PatientsLikeMe PatientsLikeMe is the world’s largest integrated community, health management, and real-world data platform. Through PatientsLikeMe, a growing community of more than 830,000 people with over 2,900 conditions share personal stories and information about their health, symptoms, and treatments, with a goal to improve the lives of all patients through knowledge derived from shared real-world experiences and outcomes. Data generated by patients themselves are systemically collected and quantified while also providing an environment for peer support and learning. These data capture the complex temporality and competing influences of different lifestyle choices, socio-demographics, conditions, and treatments on a person’s health.

See, for example: "The Good Corporation? Google's Medievalism and Why It Matters," Studies in Medievalism 23 (2013): 21-28; "Coming to Terms with Medievalism: Toward a Conceptual History," European Journal of English Studies 15.2 (2011): 101-13, and "Negotiating Heritage: Observations on Semantic Concepts, Temporality, and the Centre of the Study of the Cultural Heritage of Medieval Rituals," Philologie im Netz 58 (2011): 70-87. Collaborating first with Leslie J. Workman and Kathleen Verduin, later with Tom Shippey, Elizabeth Emery, Gwendolyn Morgan, Ed Risden, and Karl Fugelso, Utz shaped the work of the International Society for the Study of Medievalism, as whose President he has served since 2009.

He views cosmopolitanism not just in legal and institutional terms but in a broader cultural and philosophical sense. It presents an alternative to the status quo. He again finds useful insights in Heidegger's conception of temporality, meaning that human being- in-the-world is constantly “temporalized” in the direction of future possibilities. He also refers to John Dewey’s pragmatism, Alfred North Whitehead’s process philosophy, hermeneutics, and some other sources. Based on these, he develops his conception of “a ‘becoming cosmopolis’ beckoning from the future as a possibility and a promise.”Ibid., 82. Dallmayr contributes to the development of a “new cosmopolitanism,” as reflexive, critical, democratic, rooted, dialogical, intercultural, and transformative.

Although the Threepenny Novel is less famous than Brecht's plays, it is nonetheless considered by many to be a masterful work of satire and to hold an important place in his overall body of work. In particular its critique of capitalist temporality, its use of differing registers and its capacity to translate industrial production into a bureaucratic sphere have recently attracted attention from literary critics and also from critical theorists. Historically the novel can be seen to play an important marker of Brecht's friendship with Walter Benjamin, whose review of the novel contains early formulations of his own theories of history and of a Marxist understanding of aesthetics.

In Westphal's theory, geocriticism is based on three theoretical concepts: spatio- temporality, transgressivity, and referentiality. The idea that space and time form a continuum (space-time) is a tenet of modern physics. In the field of literary theory, geocriticism is an interdisciplinary method of literary analysis that focuses not only on such temporal data as relations between the life and times of the author (as in biographical criticism), the history of the text (as in textual criticism), or the story (as studied by narratology), but also on spatial data. Geocriticism therefore has affinities with geography, architecture, urban studies, and so on; it also correlates to philosophical concepts such as deterritorialization.

Jochen Gerz became known to audiences beyond the art world by way of his public pieces, created with the help of participants and, indeed, made possible by their contribution. Since 1986 he has realised numerous public authorship pieces, including several unusual (disappearing and invisible) memorials in urban contexts, also referred to as “counter-monuments” or anti- monuments.James E. Young, The Texture of Memory, Yale University Press, New Haven and London 1993, pp. 23–46. These memorial works reject their surrogate function. They hand the duty of memorialising back to the public, consuming themselves through their own temporality and then disappearing, only to reappear within the apparent paradox of an “invisible monument”.

In 1541 he received from the Grand Master the ancianitas (right of expectancy) to the Preceptory and, following the death of Sir Walter Lindsay, succeeded him as Preceptor, authorized by a bull of 2 April 1547. He was invested with both the spirituality and temporality attendant to the position in June 1550. Despite the religious turmoil of the time, the Knights Hospitaller had managed to retain possession of their benefices in Scotland. In 1553, Sandilands was sent to France by the Parliament of Scotland to present the proposed Treaty of Edinburgh to Mary, Queen of Scots, and obtain her acquiescence in termination of the alliance between France and Scotland.

In a map of Guyana printed in 1730, he included an outline of the lake, then replaced it with the notation: "It is in these regions that most authors place the Lake Parime and the City of Manoa of El Dorado." Original French: "C'est dans ces quartiers que la pluspart des autheurs placent le Lac de Parime et la Ville de Manoa del Dorado."Renzo Duin, Wayana Socio-Political Landscapes: Multi-Scalar Regionality and Temporality in Guiana PhD dissertation, University of Florida, Gainesville, 2009; p. 70. Delisle reluctantly included a lake in southwestern Guyana on several subsequent maps, but did not name it or the city of Manoa.

Benner's model was based on qualitative research rather than quantitative studies, which has opened it to some criticism. Working with Judith Wrubel in 1989, Benner expanded her model to incorporate the concept of caring with the stages of skill acquisition. In addition to the influence of the Dreyfus model, the new model was inspired by the work of philosophers Maurice Merleau-Ponty and Martin Heidegger. It described four aspects of a person's understanding (the role of the situation, the role of the body, the role of temporal concerns, and the role of temporality), as well as five dimensions of the body to which nurses attend.

Using HTML programming, video, photography and digital or analogue drawing techniques, his work explores the boundaries between digital and physical world to show an increasingly diffusing field where technological progress is questioned as a reflection of the economical and social evolution. Enrique Radigales is an artist based in Madrid, Spain. He works with HTML programming, installations and drawing techniques to explore the border between the digital and the analogue worlds. By doing so, he creates an ever- increasing field that allows him to comment on the technological progress as a reflection of the social and financial evolution, and therefore the relationships between temporality and technology.

The two shows investigated the history of book banning in China, revealing its ideological shifts by highlighting what different regimes made invisible. They featured paintings, an installation of glass cases holding nearly three hundred banned books that Xie collected (Objects of Evidence, which compared first and second editions for censorship), life-size, mug-shot-like photographs of yellowing premodern books, and a documentary of Xie's research, Tracing Forbidden Memories. Critic Barbara Pollack described the latter show's effect as "a mournful combination of awe and sadness." In several works, Xie used newspapers as a metaphor for temporality and the transitory nature of life, events and cultural memory.

Aesthetic experience as axiology In his musical or philosophical essays and papers, he stressed the relevance of values in the aesthetic experience considered as a counterpoint of hermeneutic gestures. This insight on symbolic consciousness and truth-content of art is exemplified throughout two ontologically interconnected main fields: Music and Architecture. Considering non- representational and representational semantics of Music and Architecture, the temporalization and spatialization gestures implied in design and composition embrace the entire sphere of dwelling in a given world, what we call an aesthetical oikonomia. This connection between temporality and spatiality is exposed through recent examples, where axiological and "immunological" claims of a harmonic world are creatively expressed.

In the 1280s the Teutonic Order succeeded to impose the simultaneous membership of all capitular canons in the Order thus winning influence in the diocese and in the capitular elections of the bishops. So the temporality of Pomesania's bishop did not develop the status of a prince-bishopric and was ruled as part of Teutonic Prussia. Beginning in 1523 during the Protestant Reformation, the diocese was effectively administered by Lutheran bishops until 1587, when the diocese was secularized by the regent of Ducal Prussia, George Frederick. However the Catholic diocese was only formally suppressed in 1763, having remained vacant since 1524 except for 'temporary' Apostolic administrators since 1601.

In Cruising Utopia, José Muñoz develops a critical methodology of hope to question the present and open up the future. He draws on Ernst Bloch's Marxist inspired analysis of hope, temporality, and utopia, and looks at "inspirational moments from the past in order to (re)imagine the future." In the book, Muñoz revisits a series of queer art works from the past to envision the political potentiality within them. He draws on the queer work of Frank O'Hara, Andy Warhol, Fred Herko, LeRoi Jones, Ray Johnson, Jill Johnston, Jack Smith, James Schulyer, Elizabeth Bishop and Samuel Delany's and Eileen Myles queer memoirs of the 60s and 70s.

To differentiate between correlation and causation, epidemiologists often apply a set of criteria to determine the likelihood that an observed relationship between an environmental exposure and health consequence is truly causal. In 1965, Austin Bradford Hill devised a set of postulates to help him determine if there was sufficient evidence to conclude that cigarette smoking causes lung cancer. The Bradford Hill criteria are: # Strength of association # Consistency of evidence # Specificity # Temporality # Biological gradient # Plausibility # Coherence # Experiment # Analogy These criteria are generally considered to be a guide to scientists, and it is not necessary that all of the criteria be met for a consensus to be reached.

Judith Butler, whose work is important for queer studies more broadly, was influential in the field of transgender studies specifically for the formulation of the theory of gender performativity that is the basis for genderqueer activism and theorization. Jack Halberstam is another key figure in transgender studies. Halberstam's work deals with female masculinity, the concept of “queer failure” and various theorizations of trans or gender variant embodiment and temporality. Paul B. Preciado's Testo Junkie: Sex, Drugs, and Biopolitics in the Pharmacopornographic Era is considered “autotheory” and intertwines personal and cultural histories of clinical hormone therapies with political histories of hormonal birth control, and performance enhancing testosterone use.

In some of these works the empty windows, and the empty storefronts viewed through the window frame, reflect potential for change and provide an opportunity for reflection. Her 2013 exhibition at the Tanya Bonakdar Gallery in New York, called Transparent Things, took its title from a 1972 novel by Vladimir Nabokov and explored themes of temporality and urban spaces. The exhibition combined sculptural pieces, mimicking industrial urban objects and made out of materials like concrete, polyester, and aluminum, with photographs depicting run-down spaces in modern Berlin. Both the structures and the photographs subvert viewers’ visual understanding of the objects and the physical space.

Marcel Proust e le idee sensibili, Macerata, Quodlibet, 2004, p. 94. According to what Leonard Lawlor wrote in a review in Continental Philosophy Review, "An Unprecedented Deformation seems to open onto something like a meta- or super-philosophical level". In other words, with this book, Carbone develops also a critical thought about the status of Philosophy itself, reconsidering the way we actually think. Later on, another notion began to connect to the above-mentioned ones, namely, that of mutual precession between imaginary and real, which Carbone proposed – by developing a Merleau-Pontian formulation – so as to account for the producing of the peculiar retroflected temporality called mythical time.

More recently, Heidegger's thought has influenced the work of the French philosopher Bernard Stiegler. This is evident even from the title of Stiegler's multi-volume magnum opus, La technique et le temps (volume one translated into English as Technics and Time, 1: The Fault of Epimetheus).Bernard Stiegler, Technics and Time, 1: The Fault of Epimetheus (Stanford: Stanford University Press, 1998), part 2. Stiegler offers an original reading of Heidegger, arguing that there can be no access to "originary temporality" other than via material, that is, technical, supports, and that Heidegger recognised this in the form of his account of world historicality, yet in the end suppressed that fact.

A brief clarification of these terms in relation to digital theatre is in order. The significance of the terms “live” or “liveness” as they occur in theatre can not be over-emphasized, as it is set in opposition to digital in order to indicate the presence of both types of communication, human and computer-created. Rather than considering the real-time or temporality of events, digital theatre concerns the interactions of people (audience and actors) sharing the same physical space (in at least one location, if multiple audiences exist). In the case of mass broadcast, it is essential that this sharing of public space occurs at the site of the primary artistic event.

Critique of Dialectical Reason is the product of a later stage in Sartre's thinking, during which he no longer identified Marxism with the Soviet Union or French Communism but came closer to identifying as a Marxist. In it, Sartre puts forward a revision of existentialism, and an interpretation of Marxism as a contemporary philosophy par excellence, one that can be criticized only from a reactionary pre-Marxist standpoint. Sartre argues that while the free fusion of many human projects may possibly constitute a Communist society, there is no guarantee of this. Conscious human acts are not projections of freedom that produce human 'temporality', but movements toward 'totalization', their sense being co-determined by existing social conditions.

The "variable-length psychoanalytic session" was one of Lacan's crucial clinical innovations,John Forrester, 'Dead on Time: Lacan's Theory of Temporality' in: Forrester, The Seductions of Psychoanalysis: Freud, Lacan and Derrida Cambridge: C.U.P., pp. 169-218, 352-370 and a key element in his conflicts with the IPA, to whom his "innovation of reducing the fifty-minute analytic hour to a Delphic seven or eight minutes (or sometimes even to a single oracular parole murmured in the waiting-room)"Janet Malcolm, Psychoanalysis: The Impossible Profession (London 1988) p. 4 was unacceptable. Lacan's variable-length sessions lasted anywhere from a few minutes (or even, if deemed appropriate by the analyst, a few seconds) to several hours.

In Mythos and The Power of Myth, Campbell recounts the story he calls "The Buffalo's Wife" as told by the Blackfoot tribe of North America. The story tells of a time when the buffalos stopped coming to the hunting plains, leaving the tribe to starve. The chief's daughter promises to marry the buffalo chief in return for their reappearance, but is eventually spared and taught the buffalo dance by the animals themselves, through which the spirits of their dead will return to their eternal life source. Indeed, Campbell taught that throughout history mankind has held a belief that all life comes from and returns to another dimension which transcends temporality, but which can be reached through ritual.

These compositions, which recall the work of artists such as John Chamberlain or César Baldaccini, introduced the notions of chaos, balance, and duality between the fragile and the strong. This undertaking was a way for him to spend time in the studio, experimenting with the fundamental properties of the medium, like he did for hours as an adolescent. This was also a time for him to reflect on the memories of his carefree childhood chasing butterflies in the beautiful landscapes of Provence. This time, as an adult, Badessi's aim was to use the butterfly as a positive and symbolic element to approach a serious topic: The temporality of all things in life.

Moreover, the aim is to not abstract time and being as rational concepts. This view has been developed by scholars such as Steven Heine,Existential and Ontological Dimensions of Time in Heidegger and Dogen, SUNY Press, Albany 1985 Joan StambaughImpermanence is Buddha-Nature: Dogen's Understanding of Temporality, University of Hawaii Press, Honolulu 1990 and others and has served as a motivation to compare Dōgen's work to that of Martin Heidegger's "Dasein". Recently, however, Rein Raud has argued that this view is not correct and that Dōgen asserts that all existence is momentary, showing that such a reading would make quite a few of the rather cryptic passages in the Shōbōgenzō quite lucid.Raud, Rein.

The first outcome for Gavin from the new family connection was his appointment to the Abbacy of Aberbrothwick by the Queen Regent, as Margaret Tudor was before her marriage, probably in June 1514. Soon after the marriage of Angus to Margaret she nominated him Archbishop of St Andrews, in succession to William Elphinstone, archbishop-designate. But John Hepburn, prior of St Andrews, having obtained the vote of the chapter, expelled him, and was himself in turn expelled by Andrew Forman, Bishop of Moray, who had been nominated by the Pope. In the interval, Douglas's rights in Aberbrothwick had been transferred to James Beaton, Archbishop of Glasgow, and he was now without title or temporality.

This detached view of the history makes historian a master signifier who imposes concepts onto the materiality of the process. Historicism is thus a history of silences. Historical materialism, on the other hand, is the history of the present that is past and present are not detached from each other but constitutes a single interrupting and non-linear temporality. “History is the object of a construction whose place is formed not in homogenous and empty time, but in that which is fulfilled by the here-and-now [Jetztzeit].”Walter Benjamin, Thesis on the Philosophy of History Writing history of present that is now- here releases differences and multiplicities from the clutches of historical categories that impose silence.

In 1895 the short-lived 'Republic of Formosa' resistance leaders created fake 'Japanese issued propaganda' stating that opium would be banned in the hope it would drive supporters to their cause. In response, the Japanese government made it temporality legal to continue smoking opium for the local Taiwanese residents, while stating it was punishable by death to supply opium to any Japanese individual. After the Republic of Formosa was defeated, the Japanese government took great issue with the prevalence of opium through Taiwan, fearing it would spread to Japan if not monitored correctly. On 21 January 1897 the Japanese government issued the Taiwan Opium Edict which established a new opium policy for Taiwan.

Tolkien was also influenced by more modern literature: Claire Buck, writing in the J.R.R. Tolkien Encyclopedia, explores his literary context, while Dale Nelson in the same work surveys 24 authors whose works are paralleled by elements in Tolkien's writings. Postwar literary figures such as Anthony Burgess, Edwin Muir and Philip Toynbee sneered at The Lord of the Rings, but others like Naomi Mitchison and Iris Murdoch respected the work, and W. H. Auden championed it. Those early critics dismissed Tolkien as non-modernist. Later critics have placed Tolkien closer to the modernist tradition with his emphasis on language and temporality, while his pastoral emphasis is shared with First World War poets and the Georgian movement.

Hiley also pursued further work on the thought experiments set out by Einstein–Podolsky–Rosen (the EPR paradox) and by Lucien Hardy (Hardy's paradox), in particular considering the relation to special relativity. In the late 1990s, Hiley expanded further on the notion he had developed with Bohm on the description of quantum phenomena in terms of processes.Basil Hiley: Mind and matter: aspects of the implicate order described through algebra, published in: Karl H. Pribram, J. King (eds.): Learning as Self-Organization, pp. 569–586, Lawrence Erlbaum Associates, New Jersey, 1996, Basil J. Hiley, Marco Fernandes: Process and time, in: H. Atmanspacher, E. Ruhnau: Time, temporality, now: experiencing time and concepts of time in an interdisciplinary perspective, pp.

After his death, a special issue of the journal Boundary 2, themed "The Beauty of José Esteban Muñoz", was published. The journal featured pieces from various scholars influenced by Muñoz including Juana María Rodríguez, Fred Moten, Daphne Brooks, Elizabeth Freeman, Jack Halberstam, and Ann Cvetkovich. The issue covered themes related to Muñoz's contribution to various academic fields such as queer of color critique, affect studies, and the new ways to conceptualized concepts such as Latina/o identity, queer ephemera, and temporality. After Muñoz's death, various art, literary, and academic institutions, artists, and periodicals, commemorated his legacy and contributions through a series of online and journal based obituaries and memorial lectures and annual events.

In fact, Utz demonstrates how Germany's actual territorial incursions into Africa, China, and Alsace-Lorraine could be seen as quite similar to German philologists' colonization of academic space via rather bellicose research agendas and methodologies. Finally, Utz provides hitherto unknown information about the scholarship and relationships among some of the most productive medievalists in the German-speaking and Anglo- American world: A.C. Baugh, Henry Bradshaw, Alois Brandl, Ernst Robert Curtius, Ewald Flügel, Frederick James Furnivall, Eugen Kölbing, Wilhelm Hertzberg, Johann August Hermann (John) Koch, Hugo Lange, Victor Langhans, Arnold Schröer, Walter W. Skeat, Bernhard Ten Brink, and Julius Zupitza. More recently, Utz's work has focused on questions of the semantic history of "medievalism" as well as issues of temporality and technology.

The geographer Edward Soja has worked with this concept in dialogue with the works of Henri Lefebvre concerning urban space in the book Thirdspace. Mary Franklin-Brown uses the concept of heterotopia in an epistemological context to examine the thirteenth century encyclopedias of Vincent of Beauvais and Ramon Llull as conceptual spaces where many possible ways of knowing are brought together without attempting to reconcile them. New Media scholar Hye Jean Chung applies the concept of heterotopia to describe the multiple superimposed layers of spaciality and temporality observed in highly digitized audiovisual media. A heterotopic perception of digital media is, according to Chung, to grasp the globally dispersed labor structure of multinational capitalism that produces the audiovisual representations of various spacio-temporalities.

In 2008, Bakker published Neuropath, a near future SF psychothriller which thematically continued Bakker's elucidation of human cognitive biases and their implications regarding human meaning, purpose, and morality, whatever form they may take. While the narrative events of the book make for a compelling thought experiment, Bakker included as an Author Afterward a short essay regarding the blending of factual and fictive premises therein and the eventual advent of the narrative's villain in our own world. The essay marks Bakker first formal mention of his Blind Brain Hypothesis, beyond its use in the narrative proper. Narrative aside, in the Author Afterword Bakker sources two real world examples concerning illusory consciousness, the inner human experience of temporality and the imperceptible limits of field of vision.

Helland states that the Ground Crew resorted to “many of the classic strategies to avoid prophetic disconfirmation and [consequent] cognitive dissonance.” For instance, he employs face-saving strategies such as “disclaimers”, and “exploits the full gamut of the ‘vocabulary of temporality.’” In general, Nidle has managed the failed prophecy by engaging in what J Gordon Melton states is a reconceptualization through the process of spiritualisation: a UFO landing with advanced technology is changed into a need to raise humanity spiritually by humans themselves. In the case of the Ground Crew, Nidle “refashions his following from a passive audience of ‘netheads’ waiting to be ‘zapped’ by a superior alien technology into involved participants” who form committees of activists helping Mother Earth and humanity.

Fredric Jameson borrowed Mandel's vision as a basis for his widely cited Postmodernism, or, the Cultural Logic of Late Capitalism. Jameson's postmodernity involves a new mode of cultural production (developments in literature, film, fine art, video, social theory, etc.) which differs markedly from the preceding era of Modernism, particularly in its treatment of subject position, temporality and narrative. In the modernist era, the dominant ideology was that society could be re-engineered on the basis of scientific and technical knowledge, and on the basis of a popular consensus about the meaning of progress. From the second half of the 20th century, however, modernism was gradually eclipsed by postmodernism, which is skeptical about social engineering and features a lack of consensus about the meaning of progress.

Writer Mayuko Ueda said that Sayaka's self-esteem is one of her weaknesses. Sara Cleto and Erin Kathleen Bahl note the elements that Oktavia (Sayaka's witch form) uses "to construct her labyrinth are drawn from her memories as well as from fairy-tale tropes, and she remixes these pieces to create multiple versions of her own memory-narrative". They compared her unrequited love story to that of The Little Mermaid by Hans Christian Andersen. Writing for The Girl at the End of Time: Temporality, (P)remediation, and Narrative Freedom in Puella Magi Madoka Magica, Forrest Greenwood notes all of the series' character designs have themes that convey their character; he says that Sayaka's design conveys her as a "forthright" character.

J. T. Fraser (May 7, 1923 – November 20, 2010) was an author who made important scholarly contributions to the interdisciplinary Study of Time and was a founding member of the International Society for the Study of Time (ISST). He was the editor of the seminal volume Voices of Time - A Cooperative Survey of Man's Views of Time as Expressed by the Sciences and by the Humanities (1966) and founding editor of KronoScope Journal in the Study of Time. His work has strongly influenced thinking about the nature of time across the disciplines from physics to sociology, biology to comparative religion, and he was a seminal figure in the general interdisciplinary study of temporality. His work has influenced the work of poet Frederick Turner and author David Mitchell.

Another way to characterise the distinction revolves around what is known as the principle of temporal parity, the thesis that contrary to what appears to be the case, all times really exist in parity. The A-theory (and especially presentism) denies that all times exist in parity, while the B-theory insists all times exist in parity. B-theorists such as D. H. Mellor and J. J. C. Smart wish to eliminate all talk of past, present and future in favour of a tenseless ordering of events, believing the past, present, and future to be equally real, opposing the idea that they are irreducible foundations of temporality. B-theorists also argue that the past, present, and future feature very differently in deliberation and reflection.

David Ian Rabey is a Professor of Theatre and Theatre Practice at Aberystwyth University. He is also the Artistic Director of Lurking Truth (Gwir sy'n Llechu) Theatre Company for which he has written several plays including: Land of My Fathers (first performed 2018), Lovefuries (first performed 2004), The Battle of the Crows (first performed 1998), Bite or Suck (first performed 1997) and The Back of Beyond (first performed 1996). Professor Rabey has staged several of the plays of Howard Barker and has also written several publications on his work. He has also published textbooks on post-war English drama and analysis of the work of David Rudkin, Jez Butterworth and Alistair McDowall, as well as the wider studies Theatre, Time and Temporality and English Drama Since 1940.

De Fina says that this confusion of classifying certain aspects of the story discredited the strict structural implications of certain statements as well as the clear flow of the story. Also, the ambiguity of clauses fitting into certain classifications, based on certain statements with evaluative characteristics (ones that shed light or reflected on the protagonist) create larger problems when decoding stories that are not well told or structured, and appear more chaotic and less continuous. Later on, Labov revised his structural definition of the personal narrative after realizing his focus on temporality did not clearly separate the personal experience narrative from impersonal chronicles of past events or life stories. In his altered definition, he included the aspects of reportability and credibility.

Here the visitor is able to understand on a seasonal basis the process of the site and mark their experience of the park by how high the water was. Finally, Piazza Metallica also works with ideas of temporality and memory: the landscape architects took 49 steel plates that formerly lined the foundry pits at the site (Diedrich, 70) and installed them to mark a gathering place, intended for events and performances. However, the steel plates are not meant to last; rather, they will gradually erode and decay, portraying the natural processes occurring in the site (Steinglass, 129). In a way, this piazza represents the site as a whole: as this steel decays (like the other steel on the site), more grass will grow between them.

Suzanne Roberts was born in New York City to a British mother and Jewish father. She grew up in Southern California and currently lives in South Lake Tahoe, California. She is the author of the memoir Almost Somewhere: Twenty-Eight Days on the John Muir Trail, and four collections of poetry, Shameless (2007), Nothing to You (2008), Three Hours to Burn a Body: Poems on Travel (2011) and Plotting Temporality (2012).Poems and Politics: An Interview with RK Bijuraj Tehelka Roberts was named "The Next Great Travel Writer" by National Geographic's Traveler,Roberts is Winner of the Next Great Travel Writer Contest Media News Line and her work has appeared in numerous magazines and journals, including Atlanta Review, The Fourth River, Matador, National Geographic's Intelligent Traveler, and National Geographic's Traveler.

In percussion pieces such as Estudios de Fronteras (2004), Viñao used complex polyrhythms to realise with percussion instruments played by human performers ideas derived from Nancarrow's etudes for pianola. He also explored complex ideas on multi temporality using acoustic instruments combined with electroacoustic means, most noticeably in his string quartet Phrase & Fiction (1994/1995). Viñao presented his views on Nancarrow and his influence on a generation of composer such as himself in a BBC radio programme entitled 'Children of Nancarrow'. Later work by Viñao's focused on social and political issues, writing music-theatre or concert pieces concerned with themes such as the invasion of Iraq (The Baghdad Monologue, 2005), the fate of deprived children around the world (Chicos del 21, 2010) and the financial crisis of 2008 (Greed, 2012).

In July 2018, Keg de Souza first institutional solo exhibition 'Common Knowledge and Learning Curves' opened at Artspace Sydney from 29 Jul 2018 until 12 Aug 2018. The exhibition included a meeting place and workshops on 'mindful eating'. The exhibition displayed all the hallmarks of her work including temporal structures using ready-made materials and site- specific events that invited participation from local residents; migrant as well as indigenous, including those who had recently moved into the community. Other exhibitions include; The National: New Australian Art, Art Gallery of New South Wales (2017); 20th Biennale of Sydney (2016); Setouchi Triennale (2016); Appetite for Construction, Contemporary Art Gallery, Vancouver (2016); Preservation, Contemporary Art Gallery, Vancouver (2015); Temporality in Architecture, Food and Communities, Delfina Foundation, London (2014); 5th Auckland Triennial (2013) and 15th Jakarta Biennale (2013).

Some analysts have however been critical of some work in cultural studies that they feel overstates the significance of or even romanticizes some forms of popular cultural agency. Cultural studies often concerns itself with the agency at the level of the practices of everyday life, and approaches such research from a standpoint of radical contextualism. In other words, cultural studies rejects universal accounts of cultural practices, meanings, and identities. Judith Butler, an American feminist theorist whose work is often associated with cultural studies, wrote that: > the move from a structuralist account in which capital is understood to > structure social relations in relatively homologous ways to a view of > hegemony in which power relations are subject to repetition, convergence, > and rearticulation brought the question of temporality into the thinking of > structure.

's song "Freedom" and also covered artists like Robyn, Kanye West, Lady Gaga and Justin Timberlake. When asked why he started this project, he explained that he did it for the sake of "doing a cover every like couple of weeks”. When his hormone replacement therapy began in 2010, viewers both began asking for recordings of the covers as well as asking questions about his changing voice. Silveira has not only been described as a role model for other transgender singers, but his covers on Youtube “enabled listening practices that reimagine engagement with contemporary musical archives and the temporality of trans experience.” However, upon reflecting on this early success with a major label, he was shocked that "the band quickly hit a glass ceiling" where the "main focus wasn’t on my music.

While these plans were defended by Felipe González in that they were vital for economic recovery and an eventual economic equalization of Spain with the rest of Europe, they received widespread criticism from trade unions (including the historically Socialist-associated UGT) as well as from Socialist militants that "could not believe that Felipe was able to do this to us", leading to strikes and demonstrations opposing the government's economic policy. It was also during González' first term that a new labor reform was approved, which included fiscal incentives to investment, added protection for unemployed and the easing of temporality through the implementation of fixed-term contracts. In 1985, Boyer was succeeded as Economy Minister by Carlos Solchaga who, in general terms, maintained the economic policy of his predecessor.

1976 saw the Métal hurlant, issues 7–8, publication of "The Long Tomorrow", written by Dan O'Bannon in 1974 during lulls in the pre-production of Jodorowsky's Dune.Sadoul, 1991, p. 100 His series The Airtight Garage, starting its magazine run in issue 6, 1976, is particularly notable for its non-linear plot, where movement and temporality can be traced in multiple directions depending on the readers' own interpretation even within a single planche (page or picture). The series tells of Major Grubert, who is constructing his own multi-level universe on an asteroid named Fleur (from the "Bandard fou" universe incidentally, and the first known instance of the artist's attempts of tying all his "Mœbius" creations into one coherent Airtight Garage universe), where he encounters a wealth of fantastic characters including Michael Moorcock's creation Jerry Cornelius.

D5 Princeton's Institute for Advanced Study,program listings, 2004-2005 , Institute for Advanced Study, Princeton the Irving S. Gilmore International Keyboard Festival,"Commissions", Irving S. Gilmore Keyboard Festival Columbia University,Griffiths, Paul, "Music Review: One Minimalist Color After Another", The New York Times, October 24, 1998 and at the Juilliard School. Brubaker has published articles about music and semiotics,Brubaker, Bruce, "Time is Time: Temporal Signification in Music", in Unfolding Time: Studies in Temporality in Twentieth-Century Music, Leuven: Leuven University Press, 2009, and performance as research.abstract of Brubaker Bruce, "Questions Not Answers: The Performer as Researcher" , Dutch Journal of Music Theory (Tijdschrift voor Muziektheorie), XII:1, 2007 Brubaker advocates the treatment of written music as "text"—he has sometimes performed and recorded new music without the direct input of the composer.Brubaker, Bruce, "Don't Ask", ArtsJournal.

Throughout his many works, two themes stand out centrally: :# The Hierarchical Theory of Time :# The Theory of Time as Conflict Much of his work is an interplay between these themes, whether played out in disciplinary theatres of the sciences, the arts, the humanities, and history, or as a bridging principle between fields of enquiry themselves. Arguably, the distinction between disciplines as diverse as those that epistemically belong in the natural and human spheres of knowledge find their methodological and definitional norms informed by his hierarchical theory of time. Indeed, his work fits into the emerging cosmic evolution paradigm, describing as it does how each level of reality emerges, and how that newly emergent level experiences time. Fraser posits that the universe has emerged into levels of temporality, beginning with the pure energy of the Big Bang, which he terms atemporality (without-time).

Chaïm Perelman, Lucie Olbrechts-Tyteca, The new rhetoric: a treatise on argumentation, University of Notre Dame Press, 1969, p. 52 Some of the defining terms for epideictic discourse include declamation, demonstration, praise or blame of the personal, and pleasing or inspiring to an audience. Lawrence W. Rosenfield contends that epideictic practice surpasses mere praise and blame, and it is more than a showy display of rhetorical skill: “Epideictic’s understanding calls upon us to join with our community in giving thought to what we witness, and such thoughtful beholding in commemoration constitutes memorializing” (133). Epideictic rhetoric also calls for witnessing events, acknowledging temporality and contingency (140). However, as Rosenfield suspects, it is an uncommon form of discourse because of the rarity of “its necessary constituents — openness of mind, felt reverence for reality, enthusiasm for life, the ability to congeal significant experiences in memorable language . . .” (150).

J. M. E. McTaggart's classic argument that time is unreal differentiated two basic aspects of temporality, the "A-series and B-series": the A-series orders all events as continual transformations in time's passage, things are said to exist in the "future", then become "present", and finally enter the "past"; while the B-Series orders time as a set of relative temporal relationships between "earlier than" and "later than". Dirck Vorenkamp demonstrated that Dōgen's writings contained elements of the "B-theory of time". The Shōbōgenzō describes time's passage without reference to a sentient subject, "You should learn that passage [kyōraku (経歴)] occurs without anything external. For example, spring's passage is necessarily that which passes through spring." (1995: 392). Trent Collier contrasts how Dōgen and Shinran (1173-1263), the founder of the Jōdo Shinshū sect of Pure Land Buddhism, diversely understood the role of time in Buddhist enlightenment.

The central essay of "Time and Commodity Culture" (1997) theorized the distinction and the inter-dependence of gift and commodity economies as a way of analysing the encroachment of the commodity form on the commons in information; other essays in the book explored the temporality of capital as the basis for historical understanding and the technologies of memory. Randy Martin, Review of "Time and Commodity Culture", "Science and Society" 63: 2 (1999), pp. 256-8. "Accounting for Tastes: Australian Everyday Cultures" (1999), written with Tony Bennett and Michael Emmison, is a study, based on a broad survey and the resulting quantitative analysis, of the cultural practices and preferences of Australians across a range of cultural areas. It sought to develop an account of social class in which cultural capital plays a central and formative role, and developed the concept of the regime of value to theorize the structural regularities it found.

Consequentially, the whole spaces of former factory have been open to the public for "with the intent to carry out non-profit, non-established activities on its premises": > It is not a classic occupation of space, but a temporary alteration of its > purposes. The 7000 square meter large factory – owned by the City of > Ljubljana (MOL) – has already been left to decay for 15 years. As long as > MOL doesn't develop and begin implementing a clear strategy to solve the > problem of these empty premises, we self-initiatively wish to open it to all > individuals and groups engaged in the non-profit sector, for the realization > of independent production of cultural and social content . > (...) > ... in the premises of the abandoned Rog factory we wish to develop a > different way of action, based on temporality and day activities, and hope > to include and satisfy the needs of the local community surrounding it.

This line of thought is generally traced to the works of Søren Kierkegaard in the 19th century, who, from a Christian viewpoint, saw alienation as separation from God, and also examined the emotions and feelings of individuals when faced with life choices. Many 20th-century philosophers (both theistic and atheistic) and theologians were influenced by Kierkegaard's notions of angst, despair and the importance of the individual. Martin Heidegger's concepts of anxiety (angst) and mortality drew from Kierkegaard; he is indebted to the way Kierkegaard lays out the importance of our subjective relation to truth, our existence in the face of death, the temporality of existence and the importance of passionately affirming one's being-in-the-world. Jean-Paul Sartre described the "thing-in-itself" which is infinite and overflowing, and claimed that any attempt to describe or understand the thing-in-itself is "reflective consciousness".

At this point in time, G-XML was still written using a DTD, while GML had already transitioned to an XML Schema. On the one hand G-XML required the use of many fundamental constructs not at the time in the GML lexicon, including temporality, spatial references by identifiers, objects having histories, and the concept of topology-based styling. GML, on the other hand, offered a limited set of primitives (geometry, feature) and a recipe to construct user defined object (feature) types. A set of meetings held in Tokyo in January 2001, and involving Ron Lake (Galdos), Richard Martell (Galdos), OGC Staff (Kurt Buehler, David Schell), Mr. Shige Kawano (DPC), Mr. Akifumi Nakai (NTT Data) and Dr. Shimada (Hitachi CRL) led to the signing of an MOU between DPC and OGC by which OGC would endeavour to inject the fundamental elements required to support G-XML into GML, thus enabling G-XML to be written as a GML application schema.

Fulci was a lapsed Catholic, and previous films of his, such as Don't Torture a Duckling (1972), had dealt with corruption among clergy. A prominent theme, according to film scholar Phillip L. Simpson, is that of blindness as a result of exposure to evil, specifically tied to the Book of Eibon: "The book, like many other (in)famous 'evil' books found in literature and cinema, is a physical, written record of valuable occult knowledge that attempts to codify—accompanied by dire warnings that careless or ignorant deployment of that power will result in horrific consequences—what is otherwise usually represented as literally 'unseeable'." Simpson interprets the film's "pervasive images of blindness and eye mutilation" as being directly consequential to characters' exposure to the book. Simpson points out that only Schweick, the warlock lynched in the film's 1927 prologue, and Emily, a "seeress who transcends temporality", possess the "necessary sight" to interpret the contents of the book.

Solo- Exhibition Social Dissolve, Goethe-Institute Porto Alegre, Brasil, 2014 Becker's work appears in the collections of The Majdanek State Museum, Poland, The Euro Theater Central Bonn, The international collection of the Neuer Berliner Kunstverein, Berlin and BauNetz Media, Berlin. Notable solo exhibitions include "Social Dissolve" at the Goethe-Institute in Porto Alegre, Brazil (2014); "Breaking Point" at netfilmmakers, Copenhagen (2007); and "Interstices" at Kunstverein Würzburg (1996). Becker has participated in many group exhibitions, including: "HeartEarth" at The Bethanien Art Center, Berlin (2016) "You Are Leaving the American Sector" at the ArtCenter South Florida Studios (2016); "Pattern Patterns" at Haus Schwarzenberg, Berlin (2013); "White Cubes Update 12" at the Verein Berliner Künstler (2012); "Phenomena of temporality" at the Fototriennale, Hamburg (2011); "15 years older Schwarzenberg" at gallery Neurotitan (2010); "Process N ° 7" at the process Galerie Berlin (2010); "Proto typing", an Exhibition of Art and Theory in Bremen, (2008); and “Stille Post!”, at the gallery of the Karl Hofer Society (2006).

Mary K. Trigg is Associate Professor in the Department of Women's and Gender Studies at Rutgers University. Trained in women’s history and American Studies, her scholarship focuses on the history of feminism in the United States; motherhood studies and women, work, and family; and women’s/feminist leadership. Trigg is also Director of Leadership Programs and Research at the Institute for Women's Leadership, and the founding director of the Leadership Scholars Certificate Program which she has led since 1998. In her time at Rutgers she has also served as Associate Director of the Center for Women and Work.Rutgers Bio Trigg’s current book project, Of Mothers and Time: Maternalism, Temporality, and Representations of Mothers in the United States, 1920-1960, investigates the experiences and representations of rural mothers, immigrant mothers, and African-American mothers in the U.S. In this book Trigg turns to visual and material culture (photographs, novels, popular literature) to examine motherhood in relation to varying practices concerning keeping, marking, transcending, and memorializing time.

Griffin's approach, though still highly contested in some quarters, has nonetheless influenced the comparative literature on fascism of the last 25 years, drawing on the work of George Mosse, Stanley Payne, and Emilio Gentile to highlight the revolutionary and totalising politico-cultural nature of the fascist revolution in marked contrast to Marxist approaches. His book, Modernism and Fascism, locates the mainspring of the fascist drive for national rebirth in the modernist bid to achieve an alternative modernity, which is driven by a rejection of the decadence of 'actually existing modernity' under liberal democracy or tradition. The fascist attempt to institute a different civilisation and a new temporality in the West found its most comprehensive expression in the 'modernist states' of Benito Mussolini and Adolf Hitler. Since 1945 fascism has diversified and can no longer form a mass movement that is populist and charismatic, having been reduced instead to terroristic attacks on liberal democratic society and those it deems 'enemies' of the 'true' nation/race and its rebirth.

This level of enquiry is based upon an exploration of the ontological categories (categories of being such as time and space). If the previous form of analysis emphasizes the different modes through which people live their commonalities with or differences from others, those same themes are examined through more abstract analytical lenses of different grounding forms of life: respectively, embodiment, spatiality, temporality, performativity and epistemology. At this level, generalizations can be made about the dominant modes of categorization in a social formation or in its fields of practice and discourse. It is only at this level that it makes sense to generalize across modes of being and to talk of ontological formations, societies as formed in the uneven dominance of formations of tribalism, traditionalism, modernism or postmodernism.One of the earliest formulations of the notion of a postmodern level of the economy was John Hinkson, ‘Postmodern Economy: Value, Self-Formation and Intellectual Practice’, Arena Journal, New Series, no.

Proceedings of the 1st International Roberto Gerhard Conference, pg. 69. As for what temporality respects, the same tone- row allows deriving from itself the duration of the notes: it is achieved by making a simple subtraction in modulo 12, that is, subtracting and considering the results in the interval [1, 12] so that if a number is left out, you can add or subtract as many 12 as necessary. This procedure greatly influences the structure of the work, as it determines blocks of 78 (78= 1 + 2 + \ldots + 12) eight notes where a single row acts. In addition, he divides the sequence into two hexachords so that their respective durations are 33 and 45. The 33:45 ratio has an essential implication throughout the movement, as he will divide it into 4 structured sections as follows: There are 3 sections of 11 bars (33 x 3 x 11) and the last one is 12 bars (12 x 45 – 33). (12=45-33).

Søren Kierkegaard, considered to be the first existential philosopher Heideggerians regarded Søren Kierkegaard as, by far, the greatest philosophical contributor to Heidegger's own existentialist concepts.Dreyfus, Hubert. Being-in-the-world: A Commentary on Heidegger's Being and Time, Division I. (Cambridge, MA: MIT Press, 1991), Sec. Appendix. Heidegger's concepts of anxiety (Angst) and mortality draw on Kierkegaard and are indebted to the way in which the latter lays out the importance of our subjective relation to truth, our existence in the face of death, the temporality of existence, and the importance of passionate affirmation of one's individual being-in-the-world.A recent study touches specifically on the ontological aspects of angst from a Heideggerian standpoint and the nuances that distinguish it in a radical way from the take on anguish in Kierkegaard's thought, see: Nader El-Bizri, ‘Variations ontologiques autour du concept d’angoisse chez Kierkegaard’, in Kierkegaard notre contemporain paradoxal (Beirut, 2013), pp.

Issues of masculinity in South Korean culture arise in the film. Yong-Ho's masculinity is broken during the Gwangju Massacre scene in which the militarized masculinity enforced by the Korean government -- a required 26-month duty in the military, an order to kill innocent civilians, and a need to conform to the standards of the other soldiers around him -- ultimately force Yong-Ho to compensate later in life by interrogating the student protesters who inevitably were the reason he was put in that situation.Steve Choe, "Catastrophe and finitude in Lee Chang Dong's Peppermint Candy: temporality, narrative, and Korean history" This theme continues with the way he treats women later on in his life, objectifying and mistreating his wife Hong-ja and ultimately losing his one link back to his innocence, Sun-im. What results in the beginning of the film, which will be the end of Yong-Ho's life, is an ultimate humiliation and a lamentation for a lost innocence where personal history is connected with the history of South Korea.

Writing about LeBaron's 1989 Telluris Theoria Sacra (for flute/piccolo, clarinet/bass clarinet, violin, viola, cello, percussion, and piano), musicologist Susan McClary notes that the work "...points to LeBaron's more pervasive interest in music's ability to mold temporality, immersing the listener in a sound world in which time bends, stands still, dances, or conforms to the mechanical measure of the clock" . Theater has played an important role in LeBaron's music, with such scores as Concerto for Active Frogs (1974) for voices, three instruments, and tape, and the harp solos I Am an American ... My Government Will Reward You (1988) and Hsing (2002). She has also composed a series of monodramas for female voice and chamber musicians: Pope Joan (2000), Transfiguration (2003), Sucktion (2008), and Some Things Should Not Move (2013). LeBaron's operas The E & O Line, Croak (The Last Frog) (1996), and Wet (2005) were all collaborative works that led her to develop the genre she terms "hyperopera": "an opera resulting from intensive collaboration across all the disciplines essential for producing opera in the 21st century – in a word, a 'meta-collaborative' undertaking" .