111 Sentences With "stoup" | Random Sentence Generator

Here's the second verse, for example: And surely ye'll be your pint-stoup!

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The stoup with depiction of Jesus being baptized by John the Baptist The church has a stoup decorated with a demon and a serpent and a depiction of John the Baptist baptizing Jesus. This stoup is located inside the church.

The church has a 1715 stoup in kersanton stone with godrons carved on the sides.

The fittings to the doors are in Arts and Crafts style. Adjacent to each entrance door is a holy water stoup.

This ossuary is an arcaded building, was built in the Renaissance style in 1665 and restored in 1922 and 1981. The building's decoration includes a stoup.

Near the entrance is a Crucifix of the 14th century and a Holy Water stoup of the 13th century. "Coronation of the Virgin" altarpiece panel by Bernardino Fungai.

Its oak cover dates possibly from the 17th century. Near the south door is a 12th-century stoup. Also in the church are memorials from the 17th century, the oldest being dated 1640.

Inside the porch is another Norman doorway, which again has been moved. Also in the porch is a medieval grave slab and a stoup for holy water. In the south wall is a blocked priest's door.

There are some older fittings moved from the previous church. These date from the 15th century, and are an octagonal font, and another smaller font or a stoup. The memorials date from the 18th and 19th centuries.

Monument to Edmund Cornwall In the chancel is a canopied sedilia. By the south door is a medieval stoup. Most of the fittings in the church were designed by Webb. The font is octagonal in Perpendicular style.

The porch is somewhat plain by Brittany standards but there is a fine stoup at the side of the door dating to 1681. It is the work of Christophe Kerandel who also worked on the church's baptistery.

In the north and south walls are two three-light windows, and the east window, which dates from the 19th century, also has three lights. In the south wall is a piscina, and projecting from the north wall is a stoup.

The porch was built in the late fourteenth century and the original roof, the door with its handmade nails and a niche with a pedestal for a figure can all still be seen. Also, probably a stoup for holy water.

The sundial erected above the entrance is dated 1768 and the holy water stoup in the porch was discovered in the churchyard in 1923. The tower contains six bells, which were recast in 1808 but are of an earlier date.

Also in the church are a stoup, and a pair of piscinas carved from slate. The stained glass in the east window and in the transept date from about 1926, and that in the nave south windows from about 1936.

The porch dates from the 16th century, pre-reformation, and is built in brick. The roof timber was old timber reused. There is a pre-Reformation niche over the door and a holy water stoup on the east side of the doorway.

A lavishly decorated stoup is in the porch, and Hugh Starkie's tomb lies in the sanctuary. The octagonal font is dated 1641. In the chancel is a decorated Saxon stone. This consists of a sarcophagus in a recess with a brass effigy.

The porch was added in about 1500. The Holy Water stoup on the east wall is of the same date. The semi-circular Norman archway decorated with triple moulding leads into the church. There are traces of scarlet paint on the archway and capitals.

The phylactery held by the three angels on the left side reads "MEMENTO.MEI/O.MATER.DEI/PAX VOBIS" and that held by three angels on the right reads "DOMVS MEA/SALVATOR MVNDI/ LETVS MARIA". There is an elaborate stoup on the wall between the two entrance doors.

The rebuilt north aisle included reused 15th century light windows on the north wall and at each gable end. A stoup is located in the porch wall to the right of the doorway. The original octagonal, Gothic-panelled font is now buried under the church floor.

This consisted of a chamber over the doorway accessed from the church by a turnpike stair.Gordon 1959, p. 5. The lancet arch of the stairway door now frames the Second Battalion Royal Scots Fusiliers' Second Boer War memorial. East of the former doorway is a recessed stoup.

Some parishes use a stoup, basin, or font to make holy water available for the faithful to use in blessing themselves, making the sign of the cross upon entering the church.An Episcopal Dictionary of the Church. Armentrout, Don S.; Slocum, Robert Boak (eds.) (2000). "Holy Water".

Liautaud and Stoup deployed a lightweight weather station, the ColdFacts-3000BX, developed at the Delft University of Technology and previously untested in Antarctica. The weather station was deployed near Union Glacier camp and tested over a period of five weeks, relaying meteorological data every 30 minutes.

On the south of the church is a porch dating from the 15th century. The nave, chancel and porch have battlemented parapets. The windows in the nave and chancel are Perpendicular in style. Inside the porch is a crocketed and canopied stoup, which Nikolaus Pevsner states is unique.

The room has window seats, wall closets, and a shafted fireplace. A step up from this room leads to a circular oratory, equipped with aumbry, piscine, holy- water stoup and stone candle-holders. This room is also vaulted. There is a bedroom in each of the upper floors.

It was again partly rebuilt in 1926 by H. G. Gamble. The earlier parts of the church are ironstone, the doorway Norman style, and the stoup 13th century.Pevsner, Nikolaus; Harris, John; The Buildings of England: Lincolnshire p. 275; Penguin, (1964); revised by Nicholas Antram (1989), Yale University Press.

Also removed to Galmpton were the broken remains of two 15th- century alabaster reredoses depicting scenes from the life of Christ. Before this time, the stoup has been removed to Salcombe parish church. The other fittings were sold. The late medieval screen was removed to Bowringsleigh House in West Alvington.

The bell openings in the top stage are paired lancets under arches. On the summit of the tower is a shingled broach spire with a "distinctive twist". The east window has three lights, and the west window has two. Inside the porch are seats along the walls and a stoup.

On the western wall there is a plaque devoted to Tadeusz Kościuszko, Polish partiot, and his bravery. Inside the church one can find a Gotish stoup. At the back of the temple there are defensive walls. At the beginning it was one of the seats of some bishops from Poznań diecese.

Basilica of Saint-Paul, Narbonne. The basilica became the center of the Bourg Saint Paul sited somewhat apart from the Roman citadel of Narbonne, protected by its own walls and retaining its own separate consuls. "Saint Paul's frog", recognizable in the veinings of a marble stoup, has given rise to fanciful anecdotes.

The stoup at the door is all that remains of the Chapel of the Fathoms, and the altar uses a white stone from the altar of St Patrick's Chapel. The window over the altar is in the school of William Morris. Cecil Morgan-Griffiths died the year after the new chapel was completed.

Beside the south doorway are the remains of a stoup. Also on the south wall is a simple alms box bearing the inscription "Remember the Poor 1684". The middle light of the east window, partly blocked by masonry, contains a canopied niche. The windows on each side contain 14th- century stained glass.

Choir stalls are of the 15th century, as are many of the pew bench ends. The pulpit and lectern are also of the 19th century. There is a canopied stoup, and a 12th-century lead-lined tulip bowl font on a stem with rope moulding. The church has five bells cast in ca.

As one enters the chapel and on the left, there is a stoup supported by two angels and bearing the arms of the Traonelorns. The altar is also known as the "Autel à la sirène". Finally in the north ambulatory is an 1897 "Annunciation" group and a fresco depicting the "Final Judgement".

The church holds Saint Edern's tomb (gisant) and a statue of Saint Edern riding his deer. The church holds a bronze stoup dating to 1578. Over the porch there is a statue of Jesus Christ holding a globe with the Virgin Mary on one side and John the Evangelist on the other.

The porch contains interesting features: (1) Remains of a holy water stoup can be seen in the north east corner. (2) There is a fireplace in the south west corner with granite lintel and jamb. A few comparable porch fireplaces exist in Devon, but they are rare. The purpose of such fireplace is uncertain.

It is one of only a few churches in Gloucestershire to retain a traditional Stoup, a stone basin used to hold Holy Water. The OS Bench Mark on the tower puts the base at 12.7 metres above mean sea level (see external links in Whitminster). The parish is part of the Stroudwater Team benefice within the Diocese of Gloucester.

The sculptures depicting Saint Pol and Saint Michael are attributed to Bastien Prigent and those of the Virgin Mary, John the Evangelist and the angel are by Henry Prigent. The porch leads to a double doored entrance to the church. A statue of the Virgin Mary with child is placed over the doors. The porch also contains a stoup.

Andrew and John the Baptist (16th century), the Resurrection of Christ between Sts. Anthony of Padua, Mary Magdalene, Catherine of Alexandria and Jesm by Francesco Curradi, and two panels with a Nativity between Sts. Lucy and Jerome and Massacre of the Innocents. The marble baptismal font dates to 1613, while the stoup, also in marble, is from 1540.

Also in the church is a bronze sundial plate dated 1718. This was removed from the churchyard in 1998 and re-set on a stoup. In the chapel and tower is stained glass of 1863–64 by Lobin et fils of Tours. Elsewhere are windows by Heaton, Butler and Bayne dating from between 1895 and 1910.

The Killoch Burn and glen, on the other side of the Levern northwest of Neilston are associated with witches, because at low water the numerous pot-holes or rock-cut basins have worn into one another, giving the area an unusual shape. Locals named some of these the witch's floor, hearth, cradle, water-stoup and grave.

The south wall dates from the 15th century and has two square headed 15th century windows. The north wall has two-light late 14th century windows enclosed within acutely pointed heads. To the west of the second window is the blocked north doorway, adjoining the east jamb of which is a 15th-century holy water stoup.

Parker Liautaud (born August 12, 1994) is a polar adventurer and environmental campaigner. In 2013 he and explorer Doug Stoup completed the fastest human- powered trek from the coast of Antarctica to the South Pole. Liautaud is the youngest man to walk to the South Pole without resupplies. He graduated from Yale University in New Haven, Connecticut.

All the furnishings have been removed. The interior of the church is Perpendicular in style, other than the tower arch and the chancel arch which are both in the Decorated style. On the east wall are traces of a wall painting and a pre- Reformation stoup. The medieval roof is camber beam in type, divided into panels and richly carved with many bosses.

The Killoch Burn and glen near Neilston in East Renfrewshire, Scotland has become associated with a witch because at low water the numerous 'pot-holes' have worn into one another, giving fantastic shapes. Locals named some of these the witch's floor, hearth, cradle, water-stoup and grave.Pride, David (1910), A History of the Parish of Neilston. Pub. Alexanger Gardner, Paisley.

The bell-tower was built in the 12th and 13th centuries with pietra serena at the base, and brick superiorly. The windows have mullions and the top has ghibelline merlons. The church was built in the 18th century, but refurbished in the 19th century. The interior has a baptismal font (1481) and a holy water stoup by followers of Matteo Civitali.

The outer doorway is under a square head with quatrefoil designs in the spandrels. The south doorway under the porch, leading into the church, dates from the 15th century. In the east wall of the porch is a holy water stoup, dating from the 16th century. A doorway on the north side of the church is blocked, likely in restorations around 1897-8.

31 with Dec windows which have been isolated to date 1330–40, the church's original foundation was probably older. There are south facing windows with Y-tracery. Medieval wall paintings of 1300 of the south wall showing the Feast of the Annunciation, the Visitation of the Angel Gabriel, and the Crucifixion of Christ are from early fourteenth century. The stoup is 15th century.

In July 1273 Nicola Pisano was commissioned by the Operai di San Jacopo of Pistoia to make the altar of San Jacopo in the cathedral of San Zeno. He worked on it together with his son Giovanni. The chapel of San Jacopo was demolished in 1786. The Holy Water stoup with its three female figures was probably sculpted at the same time.

The church of St Mary and St BenedictThe parish church of St Mary and St Benedict (Church of England) is part of the benefice of the Hartland Coast Team Ministry. This falls within Hartland Deanery, in the Archdeaconry of Barnstaple. This is in the Diocese of Exeter. The church tower is over 500 years old, with a Norman stoup and doorway.

The porch has stone benches along each side, and to the right of the doorway are what are thought to be the remains of a stoup. The interior of its roof is ornate, and has spandrels carved with foliage. Inside the church are two three-bay arcades. The south arcade dates from the 13th century and is carried on quatrefoil piers.

The arched porch has a leaf-shaped keystone and has three niches topped with the carving of a crescent moon, a design attributed to Philibert Delorme and common to the area. The porch interior has 12 niches to accommodate statues of the apostles but these niches are empty. There is however a stoup carved from Kersanton stone, this having a fluted bowl.

The church has a statue of Saint Divy dated 1533 and a stoup (bénitier) in the Renaissance style dating to 1623. There is a confessional in the church and the baptismal font has a baldaquin. There is no ossuary in the enclos as it was demolished, albeit in the 20th Century, and the traditional south porch is in fact positioned to the north of the church.

The north porch is richly vaulted within, and is surmounted externally by a panelled and battlemented parapet. On the cornice beneath are a number of grotesques to carry off the roof water: two at each side. A much- worn stoup for holy water is against the inner doorway. The door itself is the original one and still retains a large handle and escutcheon of the original ironwork.

The south porch The nave walls were heightened on both sides and the above the arcades six clerestory windows were constructed. The south windows are much taller than those on the north. Porches were added to the north and south aisles. The south porch, the grander of the two, has external flushwork decoration, three niches around the entrance, internal blank arcading and a holy water stoup.

In the south wall of the nave near the door is a stoup, and to its east is the entry to the rood loft stairs. In the east wall is a squint. The north arcade has three bays with octagonal piers. In the north chapel is a piscina with a crocketted gable, a recess in the north wall, and a 19th-century grate in the northeast corner.

On the north wall of the nave are monuments to the Powell family, forerunners of Robert Baden-Powell. Beside the south door is a damaged stoup. The north transept contains a narrow brick staircase leading to the upper storey. The upper room of the transept is joined to the corresponding room in the south transept by a beam, the only remaining part of a rood screen.

The altar and the altar rail both have marble shafts. At the entry to the sacristy is a stoup incorporating a stone inscribed with the date 1639. The stained glass dates from the later part of the 19th century, and was probably made by Hardman. The two-manual organ in the west gallery was made in 1949 by Henry Ainscough and Company of Preston.

The paintings made in 1958 by the artist and the Kraków art conservator Paul Mitka. In the temple there are three Neo-Baroque altars constructed in 1955 by Wojciech Adamek and neo-rococo organ. The main altar is the crowned image of Our Lady of Perpetual Help. Interesting is also a small stone stoup adorned with cherubs heads and Gothic tracery located in the vestibule of the church.

The octagonal pulpit is wooden and panelled, and the stone font is also octagonal. On each side of the doorway is an octagonal marble holy water stoup, made by Sylvester Mooney and dated 1837. In the porch are four squares of 17th-century Flemish glass. The stained glass in the east wall is by Hardman & Co. The central window contains the kneeling figure of Wilkinson offering the church to Christ.

A valuable painting of Saint Leonard from 1460 can be found in the former. In the latter there is also a Gothic crucifix and a stone stoup. Today this is one of the most beautiful churches in Greater Poland and as such it is certainly worth visiting. Inside the church there is also a gravestone of a priest Jakub Basinski who used to be a parson of the parish.

The 6-metre-high calvary has a granite base, with a table, which could be used for offerings, and a stoup. The crosspiece and statuary are all carved from kersantite. At the base there is also a marble plaque with the inscription "MISSION 1923 40 JOURS D’INDULGENCE PATER AVE". The crucifixion cross includes a large titulus and on the reverse of the statue of the crucified Christ is a pietà.

Samples of the Victorian glass from this window hang in the North aisle. The Holy Water Stoup was removed about this time and built into the boundary wall to the East of the chancel. In 1884 the building was in a deplorable state and another restoration was effected. Unfortunately the restorers did not understand this type of church which having been under a monastic body was all on one level.

In the 1960s Yellow Front Stores added more variety to their stock and increased their locations. By the 1970s they had stores all over the Southwestern United States. They were, by then, selling outdoor gear such as hunting, camping, and fishing supplies, as well as work clothing, such as Levi Strauss jeans. Presidents of Yellow Front Stores after Henegar's retirement were Sean Lee, Robert Bove, and David Stoup.

This altarpiece is distinguished by its streets, concave and convex, among which highlight the canvases shown archangels and figures of the cusp, the representation of San Miguel "captain of the heavenly host" and other carvings from the seventeenth century. The parish also keeps a stoup, one-piece, which was carved from basalt in the early seventeenth century heraldic motifs whose sides were recorded with the wounds of Christ, symbol of the Franciscans.

In the south chapel at the east wall, in an opening leading from the chapel to the chancel, is a blind doorway. At the south side is a piscina, an aumbry and a stoup. There is an elaborate canopied relief tomb niche, without tomb, with internal arch, with decorative bosses above, holding a cinquefoil with foliate bosses attached, and spandrels containing shields. The south chapel west stained glass window is c.1892.

The roofs of the nave, its aisles and the two chapels are late mediaeval. The chancel roof is modern but is supported on eight 15th-century corbels carved as half angels holding blank shields. The stoup outside and immediately to the South of the West door with a projecting broken bowl is late mediaeval. The sundial in the South wall of the chancel and incised on a block of clunch is also mediaeval.

The west wall of the vestry contains a re-set 15th- century niche with a crocketed canopy, and another bracket supported by angels. The chancel east window has three lights, and in the south wall is a two-light window. In the east wall of the south aisle is a three-light window. The south wall contains two two-light windows, and a doorway with a 16th- century stoup to its east.

It was recorded in 1920 as having the stones re-used in farm buildings, and the water stoup used as a pig trough at nearby Lligwy. The presumed site is a small enclosure with a crescent-shaped bank thought to be the churchyard boundary. One of the prominent buildings near the Llaneuddog crossroads is Sardis Baptist Chapel. First built in 1834 it was rebuilt in 1905 at the height of the 1904–1905 Welsh revival.

The north porch is a 19th-century addition. Whilst some of the lancet windows are original, the east window, the west tower window and the two south windows to the nave are Victorian insertions. The origins of the chancel arch are unclear and it seems to have been reconstructed from earlier stonework, incorporating medieval corbel heads of a monk, a nun, a man and a woman. The stoup is located near the north door.

The church originated in the 11th century. In the Domesday Survey the manor of Wickham Bishops was recorded as belonging to the Bishops of London and it is considered that the church was built as a private chapel for the bishops. The church was restored in about 1850, but a new church dedicated to St Bartholomew was then built on a different site. The font, holy water stoup and parish chest were moved to the new church.

The north arcade of three bays is a good specimen of early 13th-century work. It has two-centred arches springing from octagonal piers with stiff-leaved capitals and moulded bases. The present windows were inserted in the south wall in the 15th century. The mid-13th-century arch of the south doorway was reset from the old wall. Beside it is a stoup which was found in rebuilding the bridge over the brook in the village in 1925.

The building is Grade I listed, having first been listed on 14 July 1953. The building was extensively restored in 1861 and consists of a stone rubble exterior and tiled roof, with a low square tower. Inside the church is the Leper's Squint Stoup Monument commemorating those that were executed in the Southampton Plot of 1415, although the monument itself is thought to date from the 19th century. Sign on the church giving details (in French) of services.

On the left one is a mid-18th century image of St. Margaret and next to it - the 18th century pulpit. The oldest pieces in the church are the font and stoup of the 16th century. It is worth mentioning that between 1882 and 1883 the blessed Jan Balicki was working in Polna parish. On 18 August 2002 he was beatified by Pope John Paul II. An image commemorating him is located in the northern part of the church.

Alongside the doorway there is a water stoup which shows signs of weathering, and a carved stone depicting the crucifixion. It shows a "crudely carved" figure on a wheel cross, and is probably from the 13th century. It was previously set in a recess above the south door. The plain baptismal font, thought to be from the 12th century, is at the west end of the nave. The chancel measures 12 feet 9 inches by 10 feet 6 inches (3.9 by 3.2 m).

The Seuso Treasure exhibited in 1990. Detail of the Achilles plate The stoup set The Seuso Treasure or Sevso Treasure (; ), is a hoard of silver objects (14 items) from the late Roman Empire. The first pieces appeared on the market in London in 1980, and the treasure was acquired by a consortium headed by Spencer Compton, 7th Marquess of Northampton. Documentation was provided in which it was stated that it had been found in the Tyre and Sidon regions of Lebanon.

The porch has a pointed arch opening, with rosettes to reveals, and a decorative ogee arch surround with blind niches. On the east wall there is a carved stone Holy water stoup. On the west wall there is a Norman capital of a colonnette above which is a carved stone panel depicting the Agnus Dei thought to be the centre of a tympanum. Two Norman colonnettes, with Romanesque capitals are incorporated into the wall on each side of the doorway.

These four symbols first appear in the book of Ezekiel as the four animals pulling the chariot of Ezekiel's vision (Ezekiel 1. 1-14) and later in St John's Apocalypse (Apoc 4; 7-8), later being adopted by the Church as the emblems of the four Evangelists. The lion for Mark, the bull for Luke, the eagle for John and a man for Matthew. The high altar furnishings include desks, an armchair and two stools, an elaborately carved stoup and a candlestick.

Although there are undoubtedly smaller chapels including the tiny church at Les Vauxbelets on Guernsey, this arguably remains the smallest to be built as a parish church — although this role has long since been supplanted by a larger church in the village. St Lawrence Old Church. The old church has a 15th-century baptismal font - a stoup that is about 500 years old and a series of 18th-century hat pegs. The piscina niche is almost the same age as the church.

On both east and west sides is a small twin-light window with ogee trefoiled head arches within a rectilinear frame. The porch roof is steeply pitched and surmounted by a cross of Celtic appearance. Within the porch, to the right of the nave door opening is a 15th-century stoup with worn basin within a pointed recess. Immediately to the east of the porch is three-light flat-arched window with cinquefoil heads, dated to the 15th century with reused 13th-century material.

It has been described as a breathtaking sight, rising almost to the roof John Newman, The Buildings of Wales: Gwent/Monmouthshire, 2000, and one of the most spectacular rood screens in south Wales. It has been suggested that the village's remoteness saved the screen from destruction by the Puritans. An ancient structure ornamented with trellis-work, possibly a stoup, a lamp or a piscina, was found built into the wall during restoration. Three "Green Men" with foliage issuing from their mouths are carved in the chancel arch.

The depiction of the Madonna in the centre of the church dates from the early 16th century. There is a large, Baroque crucifix on the southern wall, which was originally part of an altar. The altar was placed on the northern external wall in 1732, but was removed in the 19th century. Further noteworthy elements of the church are a Gothic Baptismal font made of red marble (which dates to around 1500), an alms box decorated with rosettes, and a stoup (both date from the 17th century).

The unusual urn-shaped font is carved from local stone with gadrooning and dates to 1771. The south aisle has five bays to the nave and is fitted with Decorated-style windows with the string course continuing above the 16th-century stone chamfered and carved pointed-arched priest's door. The gabled porch dates to the 15th-century while an 18th-century sundial is fitted above the 15th-century doorway. Inside the porch a 14th-century stoup can be found to the right while an image niche above the Norman doorway dates to about 1200.

Some of these frescoes are ascribed to Pietro di Puccio (who also painted frescoes in the Camposanto in Pisa). At the beginning of the nave stands a holy water stoup, sculpted by the Sienese architect Antonio Federighi between 1451 and 1456. During that time he also contributed to the decoration of the façade. Above the entrance of the Chapel of the Corporal stands the cathedral's large organ, containing 5,585 pipes and originally designed by Ippolito Scalza and Bernardino Benvenuti in the fifteenth century before being redesigned in 1913 and 1975.

Statue of the Devil supporting the Holy Water Stoup Bas-relief of Jesus giving the Sermon on the Mount The presbytery was one of several building projects Saunière launched around the village. He renovated the interior and exterior of the local church, as recommended by the architect Guiraud Cals in his Report dated 1853. A receipt dated 5 June 1887 shows the first renovations involved the re-flooring of the church. A new altar to the value of 700 francs was donated by a wealthy benefactress of monarchist persuasion, Mme Marie Cavailhé in July 1887.

The full nave was completed in the middle of the 13th century. The north wall of the existing cloister was used as the basis of the south wall and the church was completed by the addition of a west front (still standing) which was joined to the north transept by a north aisle. The exterior of the south wall of the church has corbels that supported the cloister roof, a line of stone seats demarcated by pillars and arcades, and a holy water stoup by the south- east door.

Salerno di Coppo executed the fresco of the Madonna and Child on the pilaster in the nave (1475). On the right is a bronze candelabrum by Maso di Bartolomeo (1442), while in the left aisle is the cenotaph of bishop Gherardo Gherardi (1703) and, in the right one, the tomb of bishop Alessandro Del Caccia (1650), and the funerary monument of bishop Leone Strozzi (1695), both by unknown sculptors. The pulpit was designed by Giorgio Vasari (1560). Next to the right entrance is a sculpted stoup attributed to Nicola Pisano's workshop.

Above the central niche is a sundial. The north porch is built up against the dripstones of an earlier 14th-century doorway and externally has a niche over the entrance and a holy water stoup to the right. Wills of some of the parishioners show that, in the medieval period, there were statues or altars to Our Lady of Pity, St Margaret and the Holy Cross. At the east ends both of the aisle chapels had parclose screens around the altars: the north for St Mary and the south for St John the Baptist.

Inside the doorway is an ancient stoup for holy water, which is now in poor condition. The other doorway, in the west face, is similar to its south-face counterpart, but is more likely to be 15th-century than 12th-century. Buttresses seem to have been added around the tower at some point during the 17th century, and a large buttress remains on the south side of the chancel. This was thought to be hollow until it was analysed properly in 1948 when pebbledashing was removed from the exterior.

This work was realized in 1545 by Antonino Gagini and Giacomo Gagini. In 1906 it was placed in Saint Olivia's Church, while the statue of Madonna of Carmelo, realized in paper pulp and carried in procession by the friars, is hosted inside Saints Paul and Bartholomew's Church. According to Father Facciponte, a Jesuit, very probably the white alabaster holy water stoup, with bas-reliefs representing the Announcer Angel and the Virgin, which today are inside the Church of the College of Jesuits or church of Jesus, probably come from this church too.

There is evidence in some records that the friary once contained an infirmary, however the precise room has not been identified. The scriptorium measures 39 x 17 ft and probably also functioned as a study-room. As with all such rooms in medieval Irish friaries, it was the most well lite room on the site; the room in Kilcrea contains 11 tall two-light windows. A recess for a holy water stoup is located outside the doorway, and in the gable over the doorway are the remains of a large, three-light window.

The wooden benches in the nave date from the 18th century, although at least one bench in the church dates from 1629. One bench (at the front of the north chapel) still bears the initials R.O.B., this being the Reverend Owen Bulkeley, a former rector, who died in 1737. A church inventory of 1742 records a particular bench which was used by women only. Just inside the church, on the wall, is a holy water stoup, used until the 19th century for making the sign of the Cross.

He placed in foreign newspapers, especially in the United States, an advertisement announcing that the poor priest of Rennes-le- Château lived among heretics and had only the most meagre of resources. He moved the Christians of the whole world to such pity by announcing that the old church, an architectural gem, was heading for unavoidable ruin if urgent restoration work was not undertaken as soon as possible." Crouquet added: "The stoup which decorates the entrance to the chapel is carried by a horned devil with cloven hooves. An old woman remarked to us: 'It's the old priest, changed into a devil'.

A holy water container (stoup) at the church of Santa Maria degli Angeli, Rome A Thai student pouring the holy water on his two hands at Erawan shrine, Bangkok Holy water is water that has been blessed by a member of the clergy or a religious figure. The use for cleansing prior to a baptism and spiritual cleansing is common in several religions, from Christianity to Sikhism. The use of holy water as a sacramental for protection against evil is common among Lutherans, Anglicans, Roman Catholics,Theiler, Henry (1909). Holy Water and Its Significance for Catholics.

In the centre of the west end of the nave is a large mediaeval octagonal stone font, with fine carvings and a dark wood cover that dates from the 1600s. Nearby are a stone holy water stoup and on the wall a medallion of Sir Thomas Lovell (died 1524), who was Chancellor of the Exchequer to Henry VII and Henry VIII and who built East Harling Manor. The medallion is a plaster replica of a bronze bust (in Westminster Abbey) by Pietro Torrigiano. Also in this area, at the back of the seating, are two sections of mediaeval screenwork.

Church of Saint-Pierre Entrance to the church The Church of Saint-Pierre is of Romanesque origin and contains a renaissance stoup and a Statue on the Virgin in coloured wood. Behind the Altar is the tomb of Jeanne du Peyrer "Lady of Athos and Aspis" and mother of the musketeer. The renaissance door has a stone carving from the 14th century upside down (it was probably a stone that was reused). The cemetery has the tomb of the design engineer of the Sauveterre bridge and also that of Edmond Gourlat, consul of France and local personality.

Holy water font in Rome, Italy Church of St Mary and St David, Kilpeck, England A holy water font or stoup is a vessel containing holy water which is generally placed near the entrance of a church. It is often placed at the base of a cruxifix or religious representation. It is used in the Catholic Church, Anglican Churches, and some Lutheran churches to make the Sign of the Cross using the holy water upon entrance of the church. Holy water is blessed by a priest or a deacon, and many Christians believe it to be a reminder of the baptismal promises.

Either they were altogether forbidden to partake of the sacrament, or the Eucharist was given to them on the end of a wooden spoon, while a holy water stoup was reserved for their exclusive use. They were compelled to wear a distinctive dress to which, in some places, was attached the foot of a goose or duck (whence they were sometimes called "Canards"). So pestilential was their touch considered that it was a crime for them to walk the common road barefooted or to drink from the same cup as non-Cagots. The Cagots were often restricted to the trades of carpenter, butcher, and rope-maker.

By the age of 17, Liautaud had undertaken three expeditions to the North Pole. At 19 years old, he led the Willis Resilience Expedition to the South Pole, a two-part Antarctic journey with Willis Group that included a 1900 km crossing of Antarctica to conduct climate change research, followed by a 560 km trek from the edge of Antarctica to the South Pole. On December 24, 2013, Liautaud and fellow explorer Doug Stoup completed the expedition, setting a new record for the fastest human-powered trek from the coast of Antarctica to the South Pole. Liautaud became the youngest man to trek to the South Pole at the time.

The main entrance View of the cathedral nave and vault Altar The stoup of the cathedral, with a memorial stone to Marius Hulswit Spires of Jakarta Cathedral The plan of the cathedral took the form of a cross with a length of 60 meters and 10 meters wide, plus 5 metres on each aisle. It is a cathedral because it contains the "cathedra", the throne of bishop. The main entrance of the building is facing west. At the centre of the main portal stands a statue of Our Lady Mary while on top of the portal there is a sentence written in Latin: "Beatam Me Dicentes Omnes Generationes" which means "All generations shall call me blessed".

The Hohenstaufen Castle ruin The name Hohenstaufen was first used in the 14th century to distinguish the "high" (hohen) conical hill named Staufen in the Swabian Jura, in the district of Göppingen, from the village of the same name in the valley below. The new name was only applied to the hill castle of Staufen by historians in the 19th century, to distinguish it from other castles of the same name. The name of the dynasty followed, but in recent decades the trend in German historiography has been to prefer the name Staufer, which is closer to contemporary usage. The name "Staufen" itself derives from Stauf (OHG stouf, akin to Early Modern English stoup), meaning "chalice".

Beguildy Church Medieval screen in Beguildy Church The church, which is mainly 14th century, was restored considerably in the 19th century, with the chancel being rebuilt in 1885 and the nave restored in 1896 (to the design by William Radford Bryden).Scourfield R and Haslam R, (2013) Buildings of Wales: Powys; Montgomeryshire, Radnorshire and Breconshire, 2nd edition, Yale University Press, p. 287-8. The original tower collapsed in the 19th century and bells, which date from 1661 and 1664, were re-hung in their present position in 1936. The church features a 14th-century octagonal font (which reputed to carry marks made by Cromwell's troops sharpening their swords), a holy water stoup at the south door and a priests door in the south wall.

The church of Sainte Catherine de Penne The city council provides information about the church of St Catherine of Penne,'Historique et Caracteristiques Des Six Eglises de Penne', Internet Site of the Commune of Penne, accessed 6 Jul 2018, which includes the following points of interest: The church has undergone numerous changes over the centuries. It was originally built around the end of the 13th century, in the Occitan Gothic style; several 13th century features remain, such as the holy water stoup. It formed part of the defensive system of town walls and was at the entrance to the village. During the Wars of Religion in the 16th century, the building was badly damaged, and the church bells were thrown into a well (but they were later retrieved and one was able to be restored).

The narrow south aisle was rebuilt in the Decorated Gothic style to make it wider than the adjacent Lady chapel (this lasted longer than the rest of the contemporary work); an arch was inserted to link the chapel and aisle; diagonal buttresses were added to support the east wall of the chancel; two "rather coarsely executed" windows were inserted in the rebuilt south wall; and a new south entrance, a holy water stoup and a piscina were inserted. At the start of the 15th century, a Perpendicular Gothic tower with "the usual shingled broach spire" was built at the west end. It obscured the nave's original west window, so a new window was inserted in the north wall instead. The church, originally a small and simple building, had "doubled its size in 250 years" as a result of these alterations: "the perfect example of a church steadily expanding ... to fulfil its local requirements".

The south porch with a statue of Christ giving a blessing in the trumeau Not as deep as the usual porch, the south porch is decorated with statues of John the Evangelist and saint Simon carved by the Yves Hernot workshop in the 19th century on one side and saint Andrew and saint Peter carved by Guy Pavec in 1980 on the other. It leads to double doors which give access to the cathedral. In the trumeau between the two doors is a statue of Christ giving a blessing ("Christ Sauveur du Monde") and in the tympanum over the doors is a statue of the Virgin Mary, Between the two doors leading into the cathedral there is also a stoup with the coat of arms of the Lomérals of Plounéventer. Beneath the statue of the Virgin Mary and on the left are the coat of arms of Monseigneur Ferron and on the right the Validire arms and their motto "Quem timebo, time deum".

There are no first-hand accounts available of Boudet and Saunière being close acquaintances, nor did Boudet ever undertake any historical researches in the village of Rennes-le-Château. The only connection that is certain is Boudet and Saunière were assigned to the same Diocese and their respective towns who lies at a short distance from each other, shared the same name. Some Rennes- le-Château researchers are inclined to identify the BS monogram inscribed on the statue of the Devil supporting the Holy Water Stoup, located at the entrance to the church of Rennes-le-Château, with the surname initials of Boudet and Saunière or the names of two local rivers, the Blanque and the Sals (as first envisaged by Gérard de Sède in 1967L'Or de Rennes, pages 166-167.Pierre Jarnac, Histoire du Trésor de Rennes-le-Château (1985).), but there is no concrete evidence as to what the inscription actually means and remains undeciphered.

The window over the west entrance; you can see one of the two arcades that connect the western façade to the opposite bell tower. The 1466 Gothic-Catalan style wooden choir and the marble remains of the Gagini's retable (removed during the 18th-century alterations) are also precious, as well as a marble statue of the Madonna with Child by Francesco Laurana and pupils (1469The sculpture is commonly known as Madonna Libera Inferni ("free from Hell"). It received this name in 1576, when Pope Gregory XIII gave indulgence for the Purgatory's souls to the altar in which it is placed. The sculpture was intended for the church of Monte San Giuliano in Trapani, but remained here as the Palermitani refused to deprive themselves of such a beautiful art work.), a 13th-century polychrome Crucifix by Manfredi Chiaramonte, the holy water stoup on the fourth pilaster (by Domenico Gagini) and the Madonna della Scala by Antonello Gagini, on the high altar of the new sacristy.

Many devout Christians have a home altar at which they (and their family members) pray and read Christian devotional literature, sometimes while kneeling at prie-dieu. In Christianity, spiritual disciplines may include: prayer, fasting, reading through the Christian Bible along with a daily devotional, frequent church attendance, constant partaking of the sacraments, such as the Eucharist, careful observance of the Lord's Day (cf. Sunday Sabbatarianism), making a Christian pilgrimage to the Holy Land, visiting and praying at a church, offering daily prayer at one's home altar while kneeling at a prie-dieu, making a Spiritual Communion, Christian monasticism, Bible study, chanting, the use of prayer beads, mortification of the flesh, Christian meditation or contemplative prayer, almsgiving, blessing oneself at their home stoup daily, observing modest fashion, reconciliation, and Lectio Divina. Spiritual disciplines can also include any combination of the following: chastity, confession, fasting, fellowship, frugality, giving, guidance, hospitality, humility, intimacy, meditation, prayer, Quiet Time, reflection, self-control, servanthood, service, simplicity, singing, slowing, solitude, study, submission, surrender, teaching, and worship.

New stained-glass windows were fitted that cost 1,350 francs, that Saunière settled in three installments – April 1897, April 1899 and January 1900. In November 1896 Saunière commissioned prestigious sculptor and painter Giscard of Toulouse (established in 1855) to decorate his church with new statues of the saints, Stations of the Cross, Baptismal font with statues of John baptising Jesus (bearing Ecce Agnus Dei), a bas-relief of Jesus giving the Sermon on the Mount above the confessional, and a figure of a Devil supporting a Holy Water Stoup surmounted by Angels making the Sign of the Cross, bearing the inscriptions BS and Par Ce Signe Tu Le Vaincras ("By this sign you will conquer him"). All these items were chosen by Saunière from Giscard's catalogue. Although the 1896 edition of Giscard's catalogue has not survived, and later catalogues omit the statue of the Devil, its head bears a resemblance to the one found on the statue of the dragon being vanquished by Saint Michael that was also made by Giscard.

The Norman font dates to 1080 and is still in use The present church was built of stone rubble with limestone details by Edward Ashworth in 1862-5 to replace a Norman church of 1260 which in turn was built on the site of a Saxon church of cob and wattle which was standing at the time of the Norman Conquest. Various fittings and monuments were retained from the old church. The solidly built tower is from 1260 and is all that survives of the original building; it is finished with a battlemented parapet and holds a peal of eight bells, five of which were cast in 1722 and three in 1876. To the right of the tower is the town's War Memorial showing the names of those who died in the two World Wars.'A Guide to St Mary's: the Parish Church of Bideford' pg 5 The pulpit dates to 1894 and is of Devon marble By the main entrance to the church can be found a holy water stoup of ancient but indeterminate date while nearby are records relating to Raleigh, one of the first Native Americans to be brought to England.