124 Sentences With "stage setting" | Random Sentence Generator

More specifically, all the world is stage setting — for Taylor Swift.

There is, blessedly, no theatrical fuss — no dramatic lighting or stage setting.

"Part 6" This is a stage-setting installment if I've ever seen one.

The Woolfs were not easily impressed by celebrity, and certainly not by stage setting.

Check it out ... looks like his stage setting is a giant jail cell. Nice.

Built into any front-stage setting is the expectation that we'll project happiness, confidence, success.

After years of teasing Thanos' upcoming arrival, Avengers: Infinity War wastes no time with stage-setting.

Three huge vertical rings dominate the stage setting: an open one framing the orchestra, the others housing video screens.

Every couple minutes, a flood of ice skaters or animals pours across the stage, setting up the next death-defying number.

And in his opening remarks, he talked about how George Washington had gracefully exited the stage, setting a path for future presidents.

She told me, "A stage setting is not a background, it is an environment"—something that directors and actors can respond to.

Likewise, the technology of this modern Archie is just stage setting for a sweet and funny tale about friends, school, summer jobs and life.

During its years of activity, the theater offered a stage setting for indigenous performers who adopted the non-governmentally-funded site as their own.

The puppeteers ran around on stage, setting up each scene in a meticulously choreographed dance so as not to block the cameras and create extra shadows.

And, if it doesn't really scale, is this just viewed as the price of stage-setting for (maybe) someday being allowed to access the defined-contribution market?

Others are built into the movie, like the suspiciously theatrical lighting that makes Jessie's prison / room look like a stage setting, or the conscious artificiality of the whole story.

The development also comes after CNBC learned that Booker was developing relationships with top-tier campaign strategists in Iowa, which holds its stage-setting caucuses earlier than New Hampshire's primary.

All of this may be stage-setting for the real showdown much of Washington has been expecting for months now — Trump's desire to end or at the very least rein in Mueller's investigation.

But on close reading the sum total of his remarks was frightening—a stage-setting, at the very least, for an administration Obama expects will be hobbled by incompetence and likely to fail.

The stage setting was surprisingly dark and space-themed while she blends into her dancers with no glamour spotlight, just the lights reflecting off the highlighter that runs in a sharp line down her cheekbones.

Biden, Sanders, Harris and Buttigieg -- four of the top five candidates in the race, according to polling -- are on the same stage, setting up a scenario where the Thursday night debate could receive outsized attention.

They come to life via some sharp character work and a lot of stage-setting, and they often include a satisfying amount of ambiguity in their resolution to keep the story more complicated and convincing than didactic.

It's hard to hear "gay" more than a hundred times and not feel cheered, and it's a winning kick-off for queer history in an Oakland museum, as local and stage-setting as anyone could hope for.

There's a lot of information and often genuine enthusiasm for the device, but there's very little in the way of stage-setting (telling potential buyers why they'd want this in the first place) and almost never any drama.

She was kind of set back a little bit from us, almost like a stage setting, with orchids all around her and flowers that were all selected by her florist, to make it look like she was in a garden.

Some of those features look, now, like obvious stage-setting for expanding the role of branded playlists — such as removing restrictions that meant free users could listen to promoted playlists only in shuffle mode and adding full-page art for promoted playlists.

Even those who sympathize with their legitimate desire for self-determination in a state of their own get frustrated by their actions at home and on the world stage: setting preconditions for negotiations, glorifying and inciting violence, and campaigning against Israel at the United Nations.

The attention to detail is impressive; from the binder of burned CDs on the floor to the fried hard drives in the microwave, the environment feels pulled directly from the fabric of the show, but it's ultimately all just stage setting for the VR experience itself.

"You can also see it in the stage-setting of the presidency — the night of his election," when Mr. Macron spoke from the great courtyard of the Louvre, "and in the reception of Putin" at Versailles in a grand hall celebrating French military triumphs, Mr. Bouvet continued.

But just as with the first summit, the stagecraft framing the summit in historic terms will also serve to elevate Kim to a position of prominence on the world stage, setting him on level footing with the American President and reducing his isolation among other world leaders.

The North's delegation will be led by Ri Son-kwon, one of the senior North Korean officials who visited the South during the Winter Olympics last month, part of the stage-setting for the current détente between the Koreas after a year of high tension over Pyongyang's nuclear program.

" After some (understandably and plausible) populist stage setting, he hinted at his goals by saying, "...this year I plan to lift up the many businesses who've figured out that doing right by their workers ends up being good for their shareholders, their customers, and their communities, so that we can spread those best practices across America.

Similarly, the director Jacques Tourneur, who was behind "Cat People" and "I Walked With a Zombie" (19290) gets an enormous amount of scare-mileage out of the sound of dripping water, a train going over a bridge and, finally, a bolted door and some terrifying sound effects in a stage-setting scene from "The Leopard Man" (240).

It's also a showcase for a series of impeccable action set pieces: a stage-setting opening in which Mr. Incredible has to stop a bomb-wielding villain and save the civilians on an elevated train; a high-velocity escape from an island hideout; an extended finale in which the entire family has to work together to stop a robot bent on massive urban destruction.

Lee Simonson in 1931 Lee Simonson (June 26, 1888, New York City – January 23, 1967, Yonkers) was an American architect painter, stage setting designer. He acted as a stage set designer for the Washington Square Players (1915–1917). When it became the Theatre Guild in 1919, he became a stage setting staff of the theater.

Gloriosa's father becomes a prison inmate. Tom Zoellner of Chapman University argued that the beginning of the novel is "too preoccupied with stage-setting".

Torelli returned to Fano, designing a theatre, the Teatro della Fortuna, and a final stage setting for Il trionfo della continenza in 1677. He died in Fano in 1678.

On the stage setting of a Nan Opera performance, there are generally seven role distribution elements, Life (), Denier (), Ugliness (), Clarity (), Finale (, Exterior (), Attachment (), with the main drama plot developed around Life () and Denial () complemented usually by Ugliness (), Clarity (), and Finale (). This stage setting system of Nan Opera invented in Wenzhou with seven-element role distribution principle is the earliest complete on-stage role distribution principle system in the history of Chinese Opera.

With the auditorium reversed, the former audience arcades now served as a natural stage setting. The first production was Carlo Goldoni's The Servant of Two Masters, directed by Max Reinhardt. In 1933, Clemens Holzmeister designed for Max Reinhardt the "Faust Town", a multiple-stage setting for Reinhardt's legendary production of Goethe's Faust. In 1948 Herbert von Karajan first used the Felsenreitschule as an opera stage, for performances of Christoph Willibald Gluck's Orfeo ed Euridice.

In 2015, the show was re-branded as the Stadlshow with new stage setting and presenter team, Francine Jordi and Alexander Mazza. Musikantenstadl and Stadlshow are both used conjunctively when referring to the program.

"The Stage Setting and Some Recent Books". The Bookman (May 1906): 281. though A Social Lion and The Golden Ladder are set in Chicago.James A. Kaser, The Chicago of Fiction: A Resource Guide (Scarecrow Press 2011): 290.

Adams was interested in the theatre, and he was able to design at least one stage setting that was designed for a 1923 Walter Hampden production. He died in New York on June 24, 1925 of appendicitis.

Andrea Appiani, Portrait of A stage setting for Act I of Aureliano in Palmira by Paolo Landriani. Aquatint and watercolour. Paolo Landriani (1757–1839) was an Italian painter and architect. He was born at Milan, and studied under Gonzaga.

This means all the raw ingredients are prepared and ready to go before cooking. Translated, "put in place." ; mise en scène: the process of setting a stage with regard to placement of actors, scenery, properties, etc.; the stage setting or scenery of a play; surroundings, environment.

Bronislava would later choreograph her own ballets for the Ballets Russes.Ostwald pp. 55–56 Léon Bakst designed the stage setting which was more impressionist than representational. The splashes of muted greys, browns, and greens on the backcloth mirrored the fluid music, suggesting the scene rather than defining it precisely.

She also premiered an unreleased song called "Good Fights". An alternate set list with minor changes was performed after the first North American leg of the tour. The show was met with critical acclaim, with critics complimenting the singer's vocal clarity and stage presence, as well as the minimalist stage setting.

L'Express, May 19, 1989 Devant-soi.com (Retrieved March 30, 2008) La Montagne stated : "The surprise came from the real visual show, magnificently settled. (...) The work on the lightings and the stage setting is the sign of the very great class".La Montagne, October 13, 1989, "Mylène Farmer : Pourvu qu'elle soit rousse" Devant-soi.

In 2008, the Bergen International Festival in Bergen, Norway, opened with a production by the artists Michael Elmgreen and Ingar Dragset, produced by Bergen National Opera (previously Den Nye Opera). They created an animated film in place of a stage setting. The English National Opera presented a new production in July 2009 at the London Coliseum, sung in English.

Pinetti Professor Pinetti performed frequently in his theatre des Menus Plaisirs du Roi, in the suburbs of Paris. His stage setting was glorious while at the same time being straightforward. He had silk curtains around the stage, tables painted gold, and two crystal chandeliers hanging from above. In France, critics said that Pinetti's opening night audience was large.

Bernier was with the Rubeville Follies, produced by Jack Partington, in August 1926. She appeared at the Metropolitan Theater in Los Angeles, California. She was billed as Al Jolson's world's worst voice girl. In November she was in the cast of Actors' Night In Coffee Dan's, which included a unique stage setting and new numbers sung by Bernier.

Bizarre magic uses mystical, horror, fantasy, and other similar themes in performance. Bizarre magic is typically performed in a close-up venue, although some performers have effectively presented it in a stage setting. Charles Cameron has generally been credited as the "godfather of bizarre magic". Others such as Tony Andruzzi have contributed significantly to its development.

His works feature sharp and playful wit and irony and succinct and finely tuned sentences. His works were influenced by his interest in painting (abundance of colors, character sketches), theatre (characters as actors, stage setting), and film (dynamic montage of fragments). His narrator is an observer from a certain emotional distance that leaves it up to the reader to finish what is not said.

The stage setting included 5 LED screens, a large door at the back of the stage, a rising platform, platforms for her band, a large catwalk; which encircles the stage—separating the very important heartbeats for the main audience. It was announced on 14 October that Lawson would be supporting Jessie at all dates except Birmingham, Sheffield and Aberdeen which would be supported by Neon Jungle.

René is overcome with remorse and vows to seek Blanche's forgiveness. He curses Mélusine as do a large chorus of demons whom Stello has summoned. As daylight breaks, Mélusine's face takes on a horrible expression and she is bathed in a lurid green light. Act 5 Stage setting for the climax of Act 5—Mélusine dying in the arms of Blanche after accepting Christianity.

It was filmed in early 2013 at the Helix Theater in Dublin, Ireland. Featuring a Celtic Cross, the stage setting is one of the most ambitious. The tour began in August 2013, with stops in Canada and the United States and to finish in Australia June 2014. The tenth DVD, entitled "Live and Unplugged" features a live more personal show at Sullivan Hall in New York.

In 1981, Balanchine planned a two-week NYCB festival honoring the Russian composer Peter Ilyitch Tschaikovsky. Balanchine, Joseph Duell, d'Amboise, Peter Martins, Robbins, and Taras created twelve new dances. In addition to presenting these and repertory ballets, Balanchine re-choreographed his Mozartiana from 1933. Philip Johnson and John Burgee's stage setting of translucent tubing was designed to be hung and lit in different architectural configurations throughout the entire festival.

From 1951 he worked as a stage setting painter at Hungary's National Theatre, and in parallel he worked as a trainee on animated films, from 1954 he worked as a cartoon planner. He became an animated-film director in 1957, his first independent director-piece being the Don't give in little man! (Ne hagyd magad emberke!) in 1959. He started working at the then formed Pannonia Film Studio in 1957.

In addition to exhibitions, he has done work related to the music industry, especially jazz artists. His visual works and stage settings have appeared with well-known jazz musicians. In 1981 he created the stage setting for the Jazz Festival at the Auditorio Nacional in Mexico City. In 1983 he created a performance piece with Alain Derbéz and Rockdrigo González at the Museo de Arte Moderno in Mexico City.

Gekokujyo Xstasy was the first nationwide tour for Shiina performed from April 17, 2000 to June 7. The live video takes up two performances at NHK Hall and at Fukuoka Sunpalace mainly from this tour. The stage design of the tour makes a hospital a motif like her single "Honnou." The stage setting imitated an operating room, and an ECG Monitor or an anatomical model of the human body, etc.

For example, although the original 800-year-old refectory at Gloucester Cathedral (the stage setting for dining scenes in the Harry Potter movies) is now mostly used as a choir practice area, the relatively modern 300-year-old extension, now used as a cafeteria by staff and public alike, is today referred to as the refectory. A cafeteria located within a movie or TV studio complex is often called a commissary.

Levine describes the stage setting as "very simple. The action takes place on a raked surface surrounded by the chorus and a company of American Indian dancers. They are on stage throughout the entire performance, like spirits." Set designer Peter Harrison says, “The scenic design for Wakonda’s Dream approaches the piece on several levels to reflect the psychological and spiritual realities which co-exist musically and in the libretto.

"Cubed" is their seventh studio album (released on 19 March 2010). The figurative picture of a cube is the guiding theme of the album - a confined area serving as a living space be it as a stage, as a prison or as a shelter. This concept consequently features throughout the band's artwork and stage setting. This album climbed in German Alternative Charts (DAC of week 16/2010) to the top position.

Retrieved 17 March 2017 (in Italian). Some of the most notable singers of the time participated in a lavish stage setting by Jean-Baptiste Lavastre to honour the prestigious composer. It received a mixed reception, and despite the efforts of supporters it mostly disappeared from the repertory. The opera was revived in Metz in 2011 at the Opéra-Théâtre de Metz Métropole to mark the bicentenary of the composer's birth.

Though puppetry has a 4000 years history, few people are interested in puppetry nowadays since the story of puppetry is repetitive and the stage setting is too simple compared with modern films. Puppet film innovates in preserving the form of puppetry and combines it with films. Puppet film focuses on the storytelling as the core idea and enriches the character figure. Puppet film creates more fantastic stories and brings people deeper thoughts.

Stage setting from Act 2 in the original production at La Scala by Alessandro Sanquirico Palmyra has now been conquered by the Romans. Aureliano enters Zenobia's palace and offers his love to her, which she refuses. Meanwhile, Oraspe frees Arsace who then flees to the hills by the Euphrates river where he is sheltered by a group of shepherds. Arsace's soldiers join him and tell him that Zenobia has been taken prisoner.

Boasson Hagen won stage nineteen with an attack from a reduced breakaway with to go. Maciej Bodnar of won the individual time trial of the penultimate stage, setting a time of 28 min 15 s. Froome was third, six seconds down, increasing his lead in the general classification to 54 seconds. Bardet dropped to third overall after he lost over two minutes in the stage, and Urán was 31 seconds in arrears.

Apart from this magnificent building, the Academy owns the building for sculpture in Pfotenhauerstrasse, the studios and workshops of which were built in a big open-air exhibition ground in 1910. The workshops and studios for the courses of study of restoration, stage setting and costume design and the technical college degree course for theatre setting and costume design are located at Güntzstrasse in the buildings of the former Academy of Applied Arts.

Barrett in the music video. The promotional video for the song was filmed in December 1967, for the Central Office of Information in London. The video was supposed to be about Britain, and was meant to be distributed in the US and Canada. The video features Barrett (shown with an acoustic guitar for the first time) and the group miming to the song in a more conventional stage setting, with psychedelic projections in the background.

The music video for "So Do I Say Sorry First?" was directed by Anthony Rose and was released on 15 January 2007. It features McIntosh sitting a driving test with a "geeky" instructor but driving extremely fast and driving in a stunt style and knocking over cones. It also has McIntosh singing in a stage setting at various points in the video. The video ends with McIntosh crashing the car and walking away from the scene.

Changes were made to the band's stage setting, and many investments were made on fireworks and on the presence of the mascot Hector on stage. The scenery on the cover of the single Hearts on Fire was also reproduced and added to the performances. The tour progressed to Japan and then to South America. HammerFall was present on festivals in Germany, Spain and the Czech Republic, playing with bands such as Iron Maiden, Slayer, Twisted Sister, U.D.O. and Stratovarius.

Buckle, Nijinsky p. 238 A design by Léon Bakst for the stage setting The dancers' costumes were designed to stand out against the muted background. Nijinsky wore a cream body suit with brown piebald patches to represent the coat of an animal. His faun costume was completed with the addition of a short tail, a belt of vine leaves, and a cap of woven golden hair surrounding two golden horns which gave the impression of a circlet.

Here Agitpop went back to the roots of the Russian Revolution: Agitprop. Basically, this was a show that consisted of an American medley of "noises in the ether" penned and sung by Agitpop’s drummer Mark LaFalce. The stage setting designed by bassist, and B Movie freak Rick Crescini. It depicted the twin towers with American Indians falling out of the windows in a general statement against the trend of violence in politics of yesterday and today.

Peter Vantyghem from Belgium's De Standaard reviewed the show at Antwerp. He criticized the music assimilation during the Latin section, but was complimentary about the ending of the show and the messages of love and positivism. Hester Carvalho from the NRC Handelsblad rated the Amsterdam show four stars out of five, noting that the concert gradually became more streamlined but had less synchronized dance moves unlike the MDNA Tour. Carvalho was also impressed by the stage setting and the long catwalk.

Due to aftershocks and planned power outage, performances could not resume as planned, and the rest of the performances that year were also cancelled. Cancellation announcement was made before the performance on the 13th by Domoto Koichi himself. He then shook hand with and saw all the audiences off. During the noon performance on March 19, 2015, a 650 kg LED panel used in stage setting collapsed, injured 6 people: Johnny's Jr. Kishi Takayoshi, 2 dancers, 2 acrobat actors, and 1 staff member.

In addition, Sumiko Kurishima , the first star actress in the history of Japanese movies, who had already retired from the line at that time , made a special appearance and delighted the fans of the past with a profound performance showing a strong presence. Together with the stage setting of the Hanayanagi world, it is a gorgeous face that should be called a "female all-star movie". The actor Seiji Miyaguchi , Daisuke Kato , Noboru Nakatani , Yutaka Sada et al. Have appeared.

The surface of the screen is veneered with cement Zhanjia stone.It is also called Duofu Stone(), a kind of artificial stone The spirit screen not only serves as stage setting, but also reflexes sound waves. The upper part and two sides of the screen are engraved with moire patterns, below which three dragon heads are engraved, protruding from the screen. At the edge of the stage, there are several wave-shaped stairs, which are filled with soils to grow flowers and grass.

"Glory" was performed by Legend and Common on the American morning television show Good Morning America on January 5, 2015. On February 8, 2015, the duo performed the song as culmination to the 57th Annual Grammy Awards ceremonies held at the Staples Center in Los Angeles, California. Legend and Common performed "Glory" during the 87th Academy Awards show on February 22, 2015 using a stage-setting of Selma's Edmund Pettus Bridge. The song won the Oscar for Best Original Song.

The commemorative speech is followed by the Salvatorspiel in which numerous politicians are parodied. Until 1985 the singspiel was stage-managed by Olf Fischer, then, until 1988, by the leading BR entertainment head Helmut Kirchhammer, who also guided the team of authors. Until 2009, under the direction of Eva Demmelhuber, the singing cabaret was gradually expanded into a real stage performance with a new theme and stage setting every year. In the year 2010 Alfons Biedermann took over the direction.

The Gruesome Twosome tour was Zombie's first to feature Joey Jordison, who replaced Tommy Clufetos. The tour began to incorporate a new stage setting and use of theatrics, much similar to Zombie's earlier tours. The band also filmed the video for Mars Needs Women during this leg of the tour. Rob Zombie & Alice Cooper performing live in Toronto on the Gruesome Twosome tour After the culmination of the Gruesome Twosome tour, the band took a short break as Jordison returned to his primary project, the Murderdolls.

He pointed at her artistic eye for the stage setting, and for the harmony between stage decorations, costumes, light and choreography.Rønneberg 1945: pp. 175–181 Mowinckel produced a total of 28 plays for Det Norske Teatret.Sletbak 1963: p. 459 Johan Borgen acknowledged Mowinckel particularly for her introduction of recent European drama to Det Norske Teatret.Borgen 1963: p. 406 Her first production was Myrkemakti () by Tolstoi in February 1923, after which she was appointed as stage instructor for Det Norske Teatret for a period of two years.

Stage setting from Act 1 in the original production at La Scala by Alessandro Sanquirico Queen Zenobia, her lover Arsace, and the priests offer sacrifices in the Temple of Isis and pray for their deliverance from the approaching Roman army. General Oraspe enters to the strains of martial music and announces that Aureliano's Roman army is at the gates of Palmyra. Arsace pledges his Persian troops to defend the city. After a dramatic battle scene on the plains outside the city, the Persians are defeated.

He took great care in the stage setting, properties, costumes, lighting, visual look, colour patterns and stage movements – so much so that the designs that he created through his theatrical tools often told a story by themselves. Though he weaned towards a somber minimalist approach, he insisted that the settings and costumes be prepared afresh and so, his productions cost a lot. He valued theater discipline and was often said to cancel rehearsals when anyone came late. In the 1990s, his productions became rarities.

The same year she also participated in an album with the band Twang from Gävle. She also made new appearances on Visfestivalen in Västervik 1991 and 1994. In 1997, she worked as an actor in the role of the woman weaver in Hans Klinga's stage-setting of Astrid Lindgren's Mio, My Son at the Royal Dramatic Theatre in Stockholm. [15] The following year she appeared in the television programme Livslust and told me about his illness and the diagnosis established only after ten years, chronic fatigue syndrome.

Michaels won the match by disqualification, and Orton retained his title. After the match, Orton attempted a running punt to the fallen Michaels, but before he could, Michaels got up, and performed Sweet Chin Music on Orton. The sixth match was between Triple H and Umaga, voted by the fans to be a Street Fight, where the match could take place anywhere in the arena, and any weapon could be used. The match began in the entrance area and involved Umaga getting speared through the stage setting.

Live shows on Tool's headline tour incorporate an unorthodox stage setting and video display. Keenan and Carey line up in the back on elevated platforms, while Jones and Chancellor stand in the front, toward the sides of the stage. Keenan often faces the backdrop or the sides of the stage rather than the audience. No followspots or live cameras are used; instead, the band employs extensive backlighting to direct the focus away from the band members and toward large screens in the back and the crowd.

Act 2 Stage setting for the Act 2 ballet of human chess pieces Mélusine is alone in an underground chamber in her château where she practices her magic and consults various books of the occult. Besotted with René, she longs to be free of her bondage to Stello. She casts a spell which she believes will kill him and rejoices at being freed from his power. At that moment one of the walls in her chamber collapses and Stello appears very much alive to remind her that she cannot escape from their pact.

In the same way, while Le Dauphiné libéré admitted that the show was "perfect", it criticized the "contact with the audience [which] was disappointing".Le Dauphiné libéré, October 16, 1989, "Mylène, ingénue libertine", Nicolas Campestre Devant-soi.com (Retrieved March 30, 2008) ; The too loud sound system Many critics blamed the show for its too loud music. For example, an article underlined "the profusion of special effects, a grandiloquent stage setting", but also "a high-powered and often rough sound system", concluding : "Everything for the eye, nothing for the ears".

With Jouvet as Sir Andrew Aguecheek, Suzanne Bing as Viola, Blanche Albane as Olivia, and Romain Bouquet as Sir Toby Belch, in a startling simple stage setting, the play called upon the audience's imagination in a way that had not been seen on a Paris stage since Paul Fort, an earlier reformer who had worked in the theatre in the 1890s. Enthusiastic crowds finally queued up to see this rendition of "real Shakespeare" (Kurtz, pg. 31), but the run closed as scheduled for the troupe was off to Alsace on tour.

Trittipo established the opening format for the show by designing an opening "look" setting, which, after the Host introduction and musical segment opened the program, the original set would transform—on camera—into a new stage setting for the next performer and act! By not going into a commercial break, sometimes the second act and setting would transform into a third act altered stage set transformation. This became the novelty for the variety hour. And made the audience stick with the tube by not switching channels during the normal network scheduled commercial break.

The stage setting for Rossini's Le Comte Ory as performed at the Teatro alla Canobbiana in 1830 The Teatro Lirico (known until 1894 as the Teatro della Canobbiana) is a theatre in Milan, Italy. In the 19th and early 20th centuries it was particularly notable for opera performances, including the world premieres of Donizetti's L'elisir d'amore and Giordano's Fedora. The theatre, located on Via Rastrelli, closed in 1998. However, a restoration project was begun in April 2007, and it was due to re-open in 2009 as the Teatro Lirico Giorgio Gaber.

Alphonse Royer called him the "Alexander of the mise-en-scène." He was an innovative stage designer, who promoted the introduction of "local colour" not previously a characteristic of productions at the Opera, and is perhaps most noted for his co-design with Cicéri of the stage setting for Filippo Taglioni's ghostly "Ballet of the Dead Nuns" in Act 3 of Meyerbeer's opera Robert le diable (1831). (Marie Taglioni danced Hélèna, the Mother Superior.)According to Brozoska 2003, p. 190, Marie Taglioni danced in 6 performances, after which she was replaced by Louise Fitzjames, who danced the role 232 times.

This was needed to entertain the audience while the Stage Setting was being done behind the curtain. These songs and dances did not have any relevance to the theme of the play. The first original tiatr script was written and directed by João Agostinho Fernandes, entitled Belle de Cavel or Sundori Cavelchi in 1895 in Bombay and for all his consistent devotion and encouragement over fifty years, he was conferred the title Pai Tiatrist (Father Tiatrist). Mrs. Regina Fernandes, wife of the playwright João Agostinho Fernandes, became the first female tiatr actor in "Bhattkara" on 22 November 1904.

Refinery29's Courtney E. Smith said "Bad Ideas" "started the first half of a show that didn't have the hallmarks of the average pop concert. The stage setting was surprisingly dark and space-themed while [Grande] blends into her dancers with no glamour spotlight, just the lights reflecting off the highlighter that runs in a sharp line down her cheekbones." A live rendition of the song on the tour was included on Grande's first live album, K Bye for Now (SWT Live) (2019). Grande performed "Bad Idea" as her second song at the Lollapalooza 2019 concert in Chicago.

Smith has no idea who Ollie is, but they have a conversation about work and children that persuades Ollie to skip the interview and leave. Ollie rushes to make it to Gertie's Sweeney Todd performance at the last moment. Their performance, enhanced by the work of Bart and his friends on an elaborate stage setting, shocks the emcee and the audience, while being an unexpected alternatively to a long and repetitive sequence of items all consisting of mother-and-child performance of "Memory" from "Cats". But after a tense pause, the audience applauds Gertie and Ollie's performance.

The communication through symbols is in the form of expressive gestures and pantomime set to music. The gestures and facial expressions convey the ras (sentiment, emotional taste) and bhava (mood) of the underlying story. In the Hindu texts on dance, the dancer successfully expresses the spiritual ideas by paying attention to four aspects of a performance: Angika (gestures and body language), Vachika (song, recitation, music and rhythm), Aharya (stage setting, costume, make up, jewelry), and Sattvika (artist's mental disposition and emotional connection with the story and audience, wherein the artist's inner and outer state resonates). Abhinaya draws out the bhava (mood, psychological states).

He also provided some cinematography and stills for the 1989 film, Play Me Something, written by Berger, directed by Timothy Neat, and starring Berger, Hamish Henderson, and Tilda Swinton. He has been the subject of several BBC films, mostly with Berger, including A Photographer Among Men(1975), Pig Earth (1979) and Another Way of Telling (1988), both concerning books by Berger, and Traveling with Jean Mohr. His photos were also used in the stage setting of the 1987 opera production Gastarbeiter (Guest Workers) by Vinko Globokar. His work with theatre companies included a production called Check Up by Edward Bond and directed by Carlo Brandt.

The station also presents framed copies of Lindgren memorabilia, including a glowing letter of praise for Lindgren from then president of the Soviet Union Mikhail Gorbachev. From the station visitors then take a theme-train ride through the world of Astrid Lindgren’s books, with one “stage setting” for each of her well-known works, such as Madicken, Karlsson-on-the-Roof, Ronia the Robber's Daughter, Emil i Lönneberga, and The Brothers Lionheart. The train ride ends at a half-side reconstruction of Villa Villekulla, the home of Lindgren's most well-known character, Pippi Longstocking. It also includes a theatre, restaurant and temporary exhibition space.

During a certain point of the performance, a male member from the audience jumped on the stage, seemingly trying to dance with a startled Madonna. The man then ripped off his tearaway pants, thus revealing himself as one of the dancers from the show. According to Guilbert, Madonna's attire during the performance was inspired by actress Marlene Dietrich in the 1932 film Blonde Venus. On his review of the concert in New York City, Jon Pareles from The New York Times wrote; "The core of the show takes place in a disco stage setting [...] Madonna and the dancers romp through "Express Yourself" and "Deeper and Deeper"—songs about freeing desire".

In the earliest productions of the Grove Play, several restrictions were imposed upon the Sire (host, chief planner, and master of ceremoniesGarnett, 1908, p. 17.) including that the stage setting be the natural forest backdrop and that the "malign character Care" be introduced in the plot, to wreak havoc with the characters and then be faced down and vanquished by the hero. In these early productions, the Cremation of Care immediately followed, and lasted until midnight.Garnett, 1908, p. 27. The end of the ceremony was signaled by a lively Jinks Band rendition of There'll Be a Hot Time in the Old Town Tonight,Ogden, 1990, p. 25.

A large 4-sided video monitor encases the drummer's sphere prior to the concert; it is raised as the band makes their entrance. Stage design for the world tour was directly influenced by Garth Brooks, stating his main interest in the show was to both "wow" the crowd while also keeping the central focus of the concert on the music itself. The lighting design by Bandit Lites was commissioned by David Butzler, Brooks' long-time lighting director. Concerts are performed in an "end stage" setting, rather than a "theatre in the round" configuration; however, tickets are sold for all seats in the areas, including those located behind the stage.

In the early planning stages, the studio initially settled on the tentative title Rare: Ultimate Collection, a nod to their predecessor, Ultimate Play the Game. As reflective of the company's character and celebratory theme, Rare chose a papercraft art style and theatrical stage setting for the compilation. The chosen art style and use of 2D artwork also allowed the development team to more quickly create and implement new assets within the limited development time frame. Rare Replay became part of Rare's plan to simultaneously celebrate its past and introduce its future with a logo redesign, new website, and announcement of their upcoming game, Sea of Thieves.

The scenes of the cadet school and the lessons of the play Romeo and Juliet are filmed in desaturated colors, gray, khaki, and pale, whereas the scenes depicting the actual Shakespearean scenes are shown in saturated colors. The film project was previously known as "McKinley" and as "The Shakespeare Project". Brown was inspired to write the script after seeing Joe Calarco's play Shakespeare's R&J; in 2008 wherein four senior students in blazers, discover Shakespeare's Romeo and Juliet and become intrigued by it while reciting excerpts, and act out key scenes from the play intermingled with their own personal realities. All four play various roles in a minimalist stage setting.

Heidi Duckler Dance Theatre has been creating site-specific productions since 1985. Originally incorporated as Collage Dance Theatre (CDT) in 1988, the company has created and presented over 100 dance performances in Los Angeles, New York City, Miami, Las Vegas, Seattle, Portland, Atlanta, Montreal, Hong Kong, and Russia. In 2010, Heidi Duckler Dance Theatre celebrated its 25th anniversary; Duckler was recognized with two significant honors: an American Masterpieces Award from the National Endowment for the Arts to tour Heidi Duckler Dance Theatre’s signature work Laundromatinee; and a commission to be a part of the Night International Festival of Music & Dance on the Volga in Russia. Heidi Duckler Dance Theatre works exclusively outside of the traditional proscenium stage setting.

In the 20th century, Alice Moque, as did many other women travelers, in her 1914 travelogue Delightful Dalmatia emphasized the "barbaric gorgeousness" of the sight of Morlach women and men in their folk costumes, which "made Zara's Piazza look like a stage setting", and regretted the coming of new civilization. In the Balkans, the term became derogatory, indicating people from the mountains – backward people, and became disliked by the Morlachs (Croats and Serbs) themselves. There have been no individuals declaring themselves to be Morlachs in the Croatian censuses.; Italian cheese Morlacco, also named as Morlak, Morlach, Burlach, or Burlacco, was named after Morlach herders and woodsmen who lived and made it in the region of Monte Grappa.

The stage complex is one of the largest and most complex of its kind in the world, extending deep from the curtain line to the rear wall. The overall dimensions of the stage with wing space are deep and wide. The stage contains 7 hydraulic elevators that are wide, with double decks; three slipstages (large spaces on either side of and behind the main stage, each capable of holding a complete stage setting), the upstage one containing a diameter turntable; 103 motorized battens (linesets) for overhead lifting; and two -tall fully enveloping cycloramas. The large and highly mechanized stage and support space smoothly facilitates the rotating presentation of up to four different opera productions each week.

In collaboration with designer/director Tomio Mohri, choreographer Cathy Marston and the City Ballet of London, taiko drummer Miyuki Ikeda, model/actress Sayako Yamaguchi, and composer Kazuhiko Kato (of Sadistic Mika Band), the play depicts the origins of music and dance. Written in blank verse with a British cast of Shakespearean actors, it employed techniques from the traditional stage of kabuki to innovative choreography, and melded into the stage setting other aspects of contemporary media. By 2006, to coincide with the publication of City of Song, his epic depiction of characters from the twenty-three ku, or wards, of Tokyo, Mosdell had updated his spoken word performances to include a full mixed-culture ensemble, The Incendiary Orchestra.

Film critic Roger Ebert gave the film two-and-a-half stars out of four citing an issue with the film's shift in tone in the final act, stating "the air goes out of the movie" in regards to "stage-setting and character development". He further wrote that the film is torn between being structured like a comedy and having "undertones of darker themes", remarking that he wished the film had "allowed the plot to lead them into those shadows". A lifelong fan of film critic Pauline Kael, Anderson arranged a private screening of Rushmore for the retired writer. Afterwards, she told him, "I genuinely don't know what to make of this movie".

The formational changes are complex, and the movement is all very precisely timed, requiring an immense amount of rehearsal in just one week. Other dances they performed on the show involve complex tap dance sequences, kicklines, and even twirling and throwing hula hoops. They often involve June Taylor’s signature overhead kaleidoscopic shots, in which the dancers lie on the floor in a circle and move their legs to create different shapes together, an effect that could not be produced in a traditional stage setting. Due to the specific demands of television, the expectations of dancers changed, and it seems that those expectations became much harder to fulfill, as many dancers were not able to keep up.

Lorde performing at Lollapalooza; critics called her set one of the highlights from the festival. The Pure Heroine Tour was met with critical acclaim, with critics complimenting the singer's vocal clarity and stage presence as well as the minimalist stage setting. Brittany Spanos, writing for The Village Voice, placed the New York show on her list of the 10 Best Concerts in New York for the week of 30 September 2013. Davis Inman of American Songwriter called her Lollapalooza set in Chicago one of the highlights of the festival; her set received positive reviews from other publications, including Billboard and Rolling Stone, the latter deemed it the best segment of the Chicago event.

The show ultimately resumed production in June with a streamlined version of its "Judge Cuts" round, in an outdoor stage setting in Simi Valley, California with enhanced safety protocols and remote performances. The live quarter-finals (which, due to the revised Judge Cuts format, also had a larger field with four heats rather than three as in past seasons) shifted to Universal Studios Hollywood, with a mix of pre-recorded remote performances, and in-person performances emanating from various locations around the park and the Universal Studios Lot. The 18th season of American Idol (ABC) shifted to an at-home format beginning with its Top 20 round on April 26, with its contestants and judging panel conducting the program from their residences.

Willis' fans showed support for her by throwing stuff at the Man of Steel, when suddenly, lightning struck the stage, setting it on fire. Superman pushed Willis to safety as a second bolt of lightning electrified the metal tower on the stage; the electricity ran through Superman's body and into a wire on stage which Willis then stepped on, shocking Willis and changing her appearance. When Willis woke up, she saw that her skin had turned ghostly white and her hair turned blue and stood on end. She watched Superman talking to reporters on live TV about the accident: one reporter insinuated that Superman, fed up with Willis's hateful comments, may have pushed her into harm's way to punish her, which he denies of course.

The stage setting was a Tibetan courtyard with shimmering Himalayan peaks painted on the backdrop. To provide what Noel called "large doses of local colour", before the film started a group of monks was to come on stage equipped with ethnic accoutrements to perform pseudo-religious music, chanting and dance. The headline in the Daily Sketch "High Dignitaries of Tibetan Church Reach London; Bishop to dance on Stage; Music from Skulls" was not couched in terms that the Tibetan authorities would wish for. The performers were genuinely monks (despite the publicity proclaiming "seven lamas", there was in reality only one) but they were from nowhere near Mount Everest and they had been inveigled out of Tibet without permission from their superior.

Live from the Mountain Music Lounge is a limited edition annual compilation of live musical performances released by radio station KMTT 103.7 FM in Seattle, Washington. All performances are recorded in a small, intimate stage setting called the Carter Subaru Mountain Music Lounge, located within the building of the station's offices in the Denny Triangle area of Seattle. Featured artists represent the long-time Adult Album Alternative music format for which the station was prominently known from 1991 to 2011 prior to a switch to its current Classic rock-heavy Triple-A format in November 2011. Under the title On the Mountain: Collector's Edition of Live Performances, KMTT self-published the first compilation of recorded songs and released them through local Seattle retailers in November 1995.

A reviewer in Kirkus Reviews called Hammerfall "[v]ery disappointing", complaining that it has "no recognizable plot" and is a "threadbare scenario that's little more than elaborate stage-setting for the series to come". In the Science Fiction Weekly, science fiction writer and literary critic John Clute said the novel is "a most extraordinary text [that] is told with all the intensity of an epic", but found it "exhausti[ng]". He described the storyline, the endless treks back and forth across the desert, as "Idiot-Plot circumbendibus", adding that it "walks in its own bitter water". A New England Science Fiction Association reviewer, Elisabeth Carey said that Hammerfall reads like a fantasy because it is written from Marak's perspective, a non-technological nomad, who probably interprets the technology he witnesses as magic.

One of Lanci's most extravagant productions was for a performance of Giovan Battista Cini's La Vedova (The Widow), staged in Florence in 1569, with amazingly extravagant costumes by Bernardo Buontalenti, the event was recorded by the mathematician Ignazio Danti who was so impressed by Lanci's theatrical engineering he included a drawing of his periactoi stage. The periactoi stage setting was basically a series of three sided revolving triangular boards each side with a different scene. Each triangular board was connected, hence there would be one or two flanking the stage, in the wings, and a further section suspended between them on which would be painted skies, cloudy, sunny, dawn or dusk. The entire series of revolving boards were linked to each other by a series of pulleys and machinery, thus allowing scene changes to be almost instantaneous.

The degree course of Bildende Kunst (Fine Art) consists of 10 semesters and leads to the Diplom degree. The degree course Kunsttechnologie, Konservierung und Restaurierung von Kunst- und Kulturgut (Art Technology, Preservation and Restoration of Artistic and Cultural Assets) is one of the oldest and most renowned education courses on university level in Germany. The degree course Bühnen- und Kostümbild (Stage Setting and Costume Design) and the technical college degree course Theaterausstattung (Theatre Setting and Costume Design) offer with their practical oriented integration of designing and realising disciplines conditions for work and study that are hard to find anywhere else. The Laboratory Theatre in the Güntzstrasse completed in April 2000 which houses a well-equipped rehearsal and experimental stage room allows the Academy to provide the theatre courses as well with ideal teaching conditions in addition to the studios.

The stage setting for the show, , the high-quality (and sometimes very expensive) ingredients used in the cooking battles, and Kaga's extravagant costumes required the show to have a budget far higher than those of most other cooking shows. Some statistics: 893 portions of foie gras, 54 sea bream, 827 Ise shrimp, 964 matsutake mushrooms, 4,593 eggs, 1,489 truffles, 4,651 g of caviar, and 84 pieces of shark fin were used during the show, bringing the total grocery bill to ¥843,354,407Foreword by Takeshi Kaga, "Iron Chef:The Official Book" (Kaoru Hoketsu, translator) (Berkley Books, 2001) (or about $7,115,520). One of the most expensive battles was Battle Swallow's Nest, which ran over $40,000 solely for that ingredient, not counting large quantities of shark's fin; for the battle, the producers were permitted to return any unused portions to Hattori Nutrition College.

From these movements, we infer the passage of time. These notions imply that absolute space and time do not depend upon physical events, but are a backdrop or stage setting within which physical phenomena occur. Thus, every object has an absolute state of motion relative to absolute space, so that an object must be either in a state of absolute rest, or moving at some absolute speed.Space and Time: Inertial Frames (Stanford Encyclopedia of Philosophy) To support his views, Newton provided some empirical examples: according to Newton, a solitary rotating sphere can be inferred to rotate about its axis relative to absolute space by observing the bulging of its equator, and a solitary pair of spheres tied by a rope can be inferred to be in absolute rotation about their center of gravity (barycenter) by observing the tension in the rope.

The roots of abhinaya are also found in the Natyashastra text which describes basic units of dance, the gestures and movements that connect with the audience and aesthetically arouses joy in the spectator, and transports the individual into a super sensual inner state of being. The communication in Bhagavata Mela is in the form of expressive gestures (mudras or hastas) synchronized to music. The gestures and facial expressions convey the ras (sentiment, emotional taste) and bhava (mood) of the underlying story. Like other Hindu classical dances, the artist successfully expresses the spiritual ideas by paying attention to four aspects of a performance: Angika (gestures and body language), Vachika (song, recitation, music and rhythm), Aharya (stage setting, costume, make up, jewelry), and Sattvika (artist's mental disposition and emotional connection with the story and audience, wherein the artist's inner and outer state resonates).

The latest production is played by Harsha Bulathsinhala, Sumith Rathnayake, Niroshan Wijesinghe, Indika Jayasinghe, Piyumi Shanika Botheju, Randima Thilini Perera, Anura Bandara Rajaguru, Ferni Roshini, Mahesh Uyanwatte, Gamini Samarakoon and Rodney Warnakula who was there from the first show of Tharawo Igilethi. Incidentally the return of ‘Tharawo Igilethi’ with its popular music direction also coincides with the sixth death anniversary of its music director Gunadasa Kapuge. Behind the screen in the new production are Newton Gunasekara handling stage management, Upali Herath the stage setting, Swineetha Subasinghe as the costume designer, Jerome de Silva as the dance choreographer, Nimal Rajapaksa as the make up and Susantha Nanayakkara and Rohana Hewawitharana in charge of the art direction. The new music arrangements based on Kapuge’s original composition were by Harsha Bulathsinhala. Bandula Ekanayake, Channa Fernando, H. D. Premasiri and Bandara Eheliyagoda on behalf of ‘Serenity Creations’ have produced the play.

Jeff Jenson of Entertainment Weekly reviewed the episode positively, commenting that although it often seemed to function as a "set-up" episode, it "really worked for [him]" due to the return of Sawyer and "clever, trickster storytelling where every line seemed to have double meaning and so many scenes seemed pregnant with possibilities for what's really going on." Raju Mudhar of the Toronto Star agreed that the episode felt like "mid-game strategic stage setting", but gave a more negative review than Jensen, deeming Sawyer's off island life "pretty cliché and boring" and writing: "The really terrible thing about it is that it started off so promising." Sam McPherson of TV Overmind wrote that the episode defied his expectations, but was still less than stellar, preferring the main island storyline to the "disjointed" off-island plot. McPherson praised the return of Charlotte, opining that Mader gave a "fantastic" performance, and rated the episode "B+" overall.

The article stated : "Mylène Farmer on stage, it is a real videoclip in three dimensions, the fury and emotion at the power ten (...), a festival of strong images"."Concours Mylène Farmer - Androgyne et libertine", Podium Newspaper article (Retrieved March 5, 2008 According to a Swiss newspaper, "the audience was not disappointed. (...) No place is conceded to improvisation, the songs are refined in the extreme".24 Heures, September 13, 1989, "Mylène Farmer en concert à Lausanne - Sans contrefaçon, elle est un glaçon", L.A. Devant-soi.com (Retrieved March 18, 2008) France Soir declared that the concert in Saint-Étienne was "fascinating" and "magical".France Soir, May 18, 1989, "Mylène Farmer : autopsie d'un succès", Richard Gianorio Devant-soi.com (Retrieved March 20, 2008) Sud Ouest stated that the show is "well conceived", "every song is highlighted by an original stage setting and choreography", with "beautiful costumes and perfect lighting effects".Sud Ouest, October 30, 1989, "Ainsi soit Mylène" Devant- soi.com (Retrieved March 30, 2008) It also qualified the show as a "big spectacle", in which "the choreography looks like ballets".

Auguste Petre (26 November 2018). "The brightest man in the orchestra". Arterritory. Kaarel Kurismaa and his objects also play a role in the history of Estonian new music as in the 1970s he collaborated with the cult progressive rock group Mess. Kurismaa has admitted that Finnish television allowed the locals to get an inkling of what was happening in the rest of the world and what else was being done on stage besides playing music. He has recalled a show by Electric Light Orchestra and performances by the jazz rock band Mahavishnu Orchestra – both these groups were established in the early 1970s. Kurismaa was responsible for the stage setting, which consisted of various objects, a light show and photo slides, which enhanced the impact of Mess’s music at concerts and turned their performances nearly ritualistic. Art critics have always looked at Kurismaa’s objects in exhibition context and described them with certain clichés, Mess’s music, however, created a completely different cognitive atmosphere around Kurismaa’s objects."Avatakse Kaarel Kurismaa mahukas retrospektiivnäitus".

Godani developed his career as a choreographer creating original works for international companies such as: Royal Ballet Covent Garden, Bayerisches Staatsballett, Compañía Nacional de Danza, Nederlands Dans Theater, Royal Danish Ballet, Ballet British Columbia, Le Ballet du Capitole de Toulouse, Corpo di ballo del Teatro alla Scala, Royal Ballet of Flanders, Ballet de l’Opera national du Rhin, Finnish National Ballet, Semperoper Ballett, Sydney Dance Company, Israeli Opera Ballet & Suzanne Dellal Centre, Het Nationale Ballet, Aterballetto, Les Ballets de Monte Carlo and Cedar Lake Contemporary Ballet. Godani was appointed as Artistic Director and Choreographer of the Dresden Frankfurt Dance Company beginning with the 2015/2016 season. Godani conceives all stages of work from the initial choreography through to designing the spaces, objects, environments and stage setting where his actions take place, writes text and concepts for his dramaturgical work, styles the image of interpreters conceiving costumes, engineers and develops innovative ways of using lighting, video and projections, and creates/edits music for some of his pieces. Godani formed a team of professionals to collaborate on the development of original ideas applied to all fields that require a creative and innovative concept to reflect the progressive perspective of our contemporary world.