115 Sentences With "silkscreened" | Random Sentence Generator

Every imaginable Trump slogan and picture is silkscreened onto Haines T-shirts.

They often led boycotts and their silkscreened political posters became the imagery behind those causes.

Artist collective Tercerunquinto contribute a series of silkscreened urban photographs that are adorned with pointed anarchist phrases.

"Shadows" (1978–79) is Warhol's huge painting mural made up of 21966 silkscreened canvases in 210 different tones.

The booklet contains pages silkscreened with conductive silver ink that can be assembled to create six electronic paper toys.

A nun-turned-artist, Kent is known for her bold and graphic serigraphs (silkscreened artworks often made with stencils).

Hastily silkscreened in black and red, they were largely inspired by the May '68 posters done in Paris earlier that year.

The new collection features four different Toy Story covers, with silkscreened artwork and a message or quote from the film on each one.

For example, one year we designed a Mekanism hoodie that had the company name silkscreened in the same typeface as the Metallica logo.

The mantra silkscreened on T-shirts, painted on signs and embroidered on hats drives home what matters here: Mni Wiconi, or Water is Life.

Silkscreened onto silver-chromed resin and sprinkled with diamond dust, the vibrant, glittering works recall Warhol's elegiac series of shadows, electric chairs, and skulls.

In the summer of 1964, Andy Warhol began working on his silkscreened Flower series, which he would show in his first solo exhibition at Leo Castelli.

The Albers exhibition even included silkscreened pages from the original limited edition version of Albers's book Interaction of Color, with inks that Reed himself had mixed.

The company also used the gift cards to purchase merchandise, such as 100 office chairs and 50 custom sweatshirts silkscreened with the 5Dimes logo, the application says.

I watched Raymond amend the silkscreened title of your show with a pink pen, adding Ys so it appeared as he might write it out on Twitter.

Artist Edgar Bryan was back selling his object-like books, complementing his pizza book from 2015 with a silkscreened beer book that features actual pop-up six-pack holders.

Her graphic design shop, Clandestina, offers silkscreened T-shirts that caught President Obama's attention on his historic visit to Cuba in March 2016, and are now sold on Amazon.

They're still figuring out how to display the emojis; Antonelli is tossing around ideas for analog displays, like silkscreened prints or emoji wallpaper, as well as displays on screens.

Giorno simply inserted line breaks, in the spirit of Warhol making a silkscreened print of a newspaper photo of a suicide victim and calling it art ("Suicide: Fallen Body" [1962]).

Fender is an unusual brand name to find silkscreened on an earphone, because as hallowed as it is in musical circles, it's most associated with the creation rather than reproduction of sound.

Also on view at SPRING/BREAK were Fingerprints (1993), enlarged fingerprints silkscreened in glue on paper or plexiglass and covered with human hair, and Disney Targets (2015), which interrogate gun culture using childlike imagery.

In each of his new paintings, beautifully silkscreened woodgrains representing the floor of his studio sprawl out beneath stylized paintings, t-shirts, and skateboards hanging on flat walls or propped up on flat buckets.

They stand in front of an new addition to Cruz-Diez's Chromointerférence painting series, a silkscreened visual treat that already confuses and delights the eyes before you stick two nearly-invisible artists inside it.

Consisting of 24 silkscreened felt panels spread out across two converging walls, Helms' piece is a blown-up rendering of the iconic Paramount Pictures logo, an elegant, but anonymous and non-descript mountain vista.

Andy Warhol, "Liz #21924" (21853), synthetic polymer paint silkscreened on canvas, 21 x 22015 inches (22011 x 19663 cm) (image courtesy private collection, © 21966 the Andy Warhol Foundation for the Visual Arts, Inc.

So I created my own fashion brand, Rocco Rosso, and I designed the monogram, and I silkscreened reams of fabric; I got costume-makers to actually make the costumes, and I used fan-makers, and milliners, and I made props.

But you are mostly surrounded by sculptures on high and low pedestals — Warhol's silkscreened sculpture, "Campbell's Tomato Juice Box," and Rirkrit Tiravanija's "We Said (frackfort no frackfort)" (2012), to name two — so you need to be very careful when you move.

Then there's Cildo Miereles's 1970 Insertions into Ideological Circuits: Coca-Cola Project in which he silkscreened recipes for Molotov cocktails and slogans like "Yankee go home" camaflouged almost imperceptibly onto glass Coke bottles and recirculated them through the routes of insidious neocolonial consumption.

Titled "The Dreams I've Left Behind" and dating from 2015, when the work was first conceived and exhibited, the stain — in a hue that Cesarco has described as "the wall blushing" — is a silkscreened photograph of the wall behind the artist's bed.

Tickets go on sale this Friday at 206 AM local time BUT you can get early access to the pre-sale ticket bundle, which includes an exclusive pin and an 207" x 208" silkscreened poster, by signing up for the Noisey newsletter.

"When I was a teenager buying punk 7"s and CDs from touring bands, I always gravitated towards the personal nature of a silkscreened or even poorly Xeroxed sleeve, CDs packaged in cases made from beer/cereal boxes, that kind of thing.

Along with structures made from various configurations of chainlink fencing, they call forth histories of punishment and containment — and, in this respect, are thematically connected to her blown-up tabloid stories (a different type of public shaming) silkscreened onto aluminum and other surfaces.

On the other hand, a silkscreened panel that quotes from the 1993 suicide note left by White House staff member Vince Foster ought to be obscure to contemporary audiences, but isn't, due to Donald Trump's revival of unfounded conspiracy theories about Foster's death.

Silkscreened on a 72 by 49-inch white Dibond panel, it relays a science-fiction story (with the internal title "The Unsuccessful Ambush of Phil in Johnson's Park") that begins with a writer discussing his progress on his own sci-fi short story.

"We help artists realize projects they may have not had the resources to complete themselves," explains Smith, who worked closely with painter Eddie Martinez to produce Exhibition A's newest art object, a collection of skateboard decks silkscreened with the artist's signature vibrant, abstract paintings.

Advertise on Hyperallergic with Nectar Ads "WARNING: DO NOT OPEN IN THE WIND," read the packaging of Bus, an actual size photograph of an actual Greyhound bus, which was silkscreened, folded down, and distributed in a limited edition of 200 copies by artist Mason Williams in 1967.

Think of how much discussion has been devoted to Robert Rauschenberg's and Andy Warhol's use of silkscreened images; to the Pictures Generation's concerns with appropriations; and (most notably by Michael Fried and Thierry de Duve, along with a whole host of other critics) to the shaped canvas and the readymade.

It's there not as part of a history show, but rather an exhibit of work by the woman who silkscreened each of the shirts worn by the group of activists who disrupted the Second Congress to Unite Women in New York in 1970: Brave, Beautiful Outlaws: The Photographs of Donna Gottschalk.

At this point, it's a catchall for nearly anything: from skinny urbanites in Jack Threads joggers who make $100k a year reviewing anti-establishment pizzas, to the artist who making tiny silkscreened baby beanies out of her tiny home, to the bearded dad, busy making his documentary about a very special homeless man . . .

One of the most satisfying examples of an exhibition credit that I have ever encountered came as part of Activist New York at the Museum of the City of New York, where — in place of the expected solo or dual curator mention — everyone who worked on the exhibition had their names silkscreened onto the intro wall.

While Gellert's submission is not on view (a wall text describes it as "depict[ing] philanthropists and politicians consorting with gangsters"), the works included here — lithographs for a book called 'Capital' in Pictures (533), a visual companion to Das Kapital by Karl Marx, and silkscreened broadsheets illustrating Century of the Common Man (1943), a wartime speech by FDR's vice-president, Henry A. Wallace — retain their polemical power.

But such tactics shouldn't imply that this ragtag band of self-professed outcasts was incapable of perfectionism or stunning exercises in beauty, as witnessed in Kathleen Cooney's silkscreened pink kite against a powder-blue sky on the cover of Arthur Russell's LP Tower of Meaning (2208), or Jean-Michel Basquiat's stark black-and-white design for a rare 220-inch hip-hop single, Beat Bop (also 234), by Rammellzee and K-Rob, a record Basquiat produced.

Images from the film appear in later artworks by Warhol. His 1965 sculpture Large Sleep uses two successive frames from the film, arranged vertically on a sheet of plexiglass. Another plexiglass sculpture uses three successive frames of Sleep, silkscreened in black ink, with a red image silkscreened on the other side. This work is now lost.

The lowest-cost solder mask is epoxy liquid that is silkscreened through the pattern onto the PCB. Other types are the liquid photoimageable solder mask (LPSM or LPI) inks and dry-film photoimageable solder mask (DFSM). LPSM can be silkscreened or sprayed on the PCB, exposed to the pattern and developed to provide openings in the pattern for parts to be soldered to the copper pads. DFSM is vacuum-laminated on the PCB then exposed and developed.

Designed by Pat Garrett, the record artwork was silkscreened by hand on the ungrooved side of each single disc, with one of three different color combinations, namely, green/black,Yes L.A., image of the green/black Frontier version.

Latter in the 1980s as the Cold War ended, she turned to political content using silkscreened newspaper images of current events. These were shown at Rempire Gallery in Soho in 1991 along with some of the first Buddhas.

Limited-edition models were first released in Japan on , 2007; North America and Europe on ; in Australia on , and in the UK on . The PSP-2000 was made available in piano black, ceramic white, ice silver, mint green, felicia blue, lavender purple, deep red, matte bronze, metallic blue, and rose pink as standard colors. Several special-edition consoles were colored and finished to sell with certain games, including Final Fantasy VII: Crisis Core (ice silver engraved), Star Ocean: First Departure (felicia blue engraved), Gundam (red gloss/matte black), and Monster Hunter Freedom (gold silkscreened) in Japan, Star Wars (Darth Vader silkscreened), and God of War: Chains of Olympus (Kratos silkscreened) in North America, The Simpsons (bright yellow with white buttons, analog and disc tray) in Australia and New Zealand, and Spider-Man (red gloss/matte black) in Europe. The PSP-3000 was made available in piano black, pearl white, mystic silver, radiant red, vibrant blue, spirited green, blossom pink, turquoise green and lilac purple.

Break My Face. Retrieved August 8, 2015. with the background image in front of the text, or the image and text on the side with the grooves, rendering such a record unplayable. Some non-silkscreened black vinyl test pressings are known to exist.

Paint used is often just conventional paint with a finish matching the cabinet's original paint. Many games had artwork which was silkscreened directly on the cabinets. Others used large decals for the side art. Some manufacturers produce replication artwork for popular classic games—each varying in quality.

Knives with Journalism is an album by punk rock band Alien Father. Originally released in May 2008 on Brother and Brother Records, Knives with Journalism was re-released in October 2008 on 75 or Less Records. Its re-release was limited to 50 silkscreened copies on white jackets.

The fingerboard and headstock are covered in pearloid and have geometric designs silkscreened as position markers. he Marshall Special is considered one of the rarest Gibson-made models with only two known examples in existence. The musician Steve Earle reported that he owns one of these two guitars.

Sandler, Irving H. The New York School: The Painters and Sculptors of the Fifties, New York: Harper & Row, 1978. pp. 174–195, Rauschenberg and Johns; pp. 103–111, Rivers and the gestural realists. The silkscreen paintings of 1962–64 combined expressive brushwork with silkscreened magazine clippings from Life, Newsweek, and National Geographic.

Wells works in ongoing series, programmatic explorations of objects each one of which is unique, much as Warhol individualized his silkscreened productions with variations of color, accents, material selections and substrates. Her Pop-inspired icons include ice cream, candy, food and drink, beauty, toys, graphic design and themes related to body image.

The appearance of fly masks often raises concerns among non-horse owners, as it appears that the horse has been blindfolded. However even a durable mesh is fine enough for the horse to see through. Some masks have sunglasses or cartoon eyeballs silkscreened on them to help passers-by understand their purpose.

Bass originally intended the poster to be black on a red background, but Kubrick, to Bass's dismay, chose to make the background yellow. In response, Bass commissioned a small, silkscreened print run of his original version, which also lacks the "masterpiece of modern horror" slogan, and has the credits in a compact white block at the bottom.

Buff Monster (born April 14, 1979) is an American painter. His work is characterized by happy characters living in brightly colored bubbly landscapes. Buff Monster was born in Hawaii and graduated from the University of Southern California with a fine arts major. He made a name for himself by putting up thousands of hand-silkscreened posters across Los Angeles.

Paul Kott, [ Heroin] at Allmusic These releases were typically packaged in enigmatic ways, such as a sleeve silkscreened onto a Ralphs paper grocery bag.Aaron Burgess, "Heroin" in "Blood Runs Deep: 23 Bands Who Shaped Punk". Alternative Press No. 240 (July 2008), p. 126. A complete discography was later compiled on the Heroin CD in 1997, also issued on Gravity.

Ice hockey requires a hard disk of vulcanized rubber. A standard ice hockey puck is black, thick, in diameter, and weighs between ; some pucks are heavier or lighter than standard (see below). Pucks are often marked with silkscreened team or league logos on one or both faces. Pucks are frozen before the game to reduce bouncing during play.

Originally this performance was available only through their fan club. Few were sold due to terrible sound quality and crude packaging. The discs were simple CD-Rs with titles silkscreened/painted on top in black, while the covers on front and back were crudely designed. They were packaged by the band members and manager Gary Graber.

Silkscreened T-shirts with band logos or other punk-related logos or slogans were also popular. Studded, painted and otherwise customised leather jackets or denim vests became more popular during this era, as the popularity of the earlier customized blazers waned. Punk band Los Violadores c. 1985. Hair was either shaved, spiked or in a crew cut or Mohawk hairstyle.

" logo with Morse code silk-screened on CD. Packaged in black four- fold custom paperboard case with silver silk-screened full-panel artwork on the exterior and full lyrics/credits on the interior. Finally, he was released on 12" vinyl by Land o' Smiles : limited to 500 copies on heavy vinyl. Comes in a gatefold, hand silkscreened jacket without any info on it.

Industrial finishing is any kind of secondary process done to any metal, plastic, or wood product used in a common market such as automotive, OEM, telecommunications or point-of-purchase. The most common commodity in the industrial finishing market is plastic parts. These can be injection molded, thermoformed, extruded or vacuum formed. Most parts are painted but can be pad printed or silkscreened.

Eric Chan (born 1963 ) and Heather Schatz (born 1968) are artists based in New York City who worked collaboratively under the name ChanSchatz. Chan was born in Tokyo and Schatz in Dallas. The couple make works based on information gathered from invited guests to their studio using a mixture of traditional and digital techniques.MassimoAudiello The collected data is transformed into large-scale paintings and silkscreened images.

All editions include ten LPs, a booklet of artwork, and hand-numbered certificate. All packaged in a black varnished, silkscreened wooden box. The members edition is for those who subscribed to the label, it includes a bonus 7" record with tracks from the first Merzbow tape and a T-shirt. The friends edition includes the 7", a long sleeve T-shirt, and a bonus cassette.

A typical Vexter series Fuzz Factory. In December 2004, Z.Vex released a new model of the Fuzz Factory, called the Vexter Series Fuzz Factory. The Vexter series differs from the Handpainted version in that it has a silkscreened enclosure and a shorter warranty period. This effectively lowers the price point, and makes both production easier for Z.Vex and allows the effect to become more accessible to musicians.

Bourdon, p. 100. Irving Blum was the first dealer to show Warhol's soup can paintings. Blum happened to be visiting Warhol in December 1961 and then May 1962, at a time when Warhol was being featured in a May 11, 1962 Time magazine article "The Slice-of-Cake School" (that included a portion of Warhol's silkscreened 200 One Dollar Bills), along with Lichtenstein, Rosenquist, and Wayne Thiebaud.Watson p. 79–80.

Stephanie Murg (March 9, 2015), Kelley Walker tears down convention brick by brick Wallpaper. Created between 2013–14, his identically sized, 2.5-meter tall canvases of powdery silkscreened bricks are lined and separated with fragments of pages from the Italian architecture and design magazine Domus.Kelley Walker, March 3 - April 18, 2015 Paula Cooper Gallery, New York.Stephanie Murg (March 9, 2015), Kelley Walker tears down convention brick by brick Wallpaper.

Kagenna Issue One, silkscreened cover by Nat Tardrew Kagenna is an alternative magazine from South Africa. It started life as an underground zine published shortly after the fall of the Berlin Wall, and grew into an irregular, irreverent and entertaining read at the newsstand. Published in Cape Town, the magazine carried articles by activists, anarchists, ecologists and hackers and was considered subversive and revolutionary for its time. The last issue was published electronically in 1993.

Jacques Herzog Herzog & de Meuron was founded in Basel in 1978. In 2001, Herzog & de Meuron were awarded the Pritzker Prize, the highest of honours in architecture. Jury chairman J. Carter Brown commented, "One is hard put to think of any architects in history that have addressed the integument of architecture with greater imagination and virtuosity." This was in reference to HdM's innovative use of exterior materials and treatments, such as silkscreened glass.

American Landscape is one example of Nelson's focus on the violence of the wreck with cars and trucks piled into a heap, left to the forces of nature and time. This recurring theme of violence is echoed in the work of Li Yan. His painting Accident Nº 6 looks at the energy released during a crash. Andy Warhol used newspaper pictures of car wrecks with dead occupants in a number of his Disaster series of silkscreened canvases.

In 1960, he was awarded the prestigious Coty Award for fashion design. His collection included haute couture and ready-to-wear apparel that set the pace for 1960s fashion in New York. His designs commonly featured intricate embroideries, vivid colors, and racy hemlines as well as hand-silkscreened silks and the first-ever tie-dyed silk chiffons used in haute couture, designed and produced by Tzaims Luksus. During the late 1960s, the house fell upon financial difficulties.

In the series Barcodes (2010), technology is not only the tool but the focus of the work. These works consist of metal panels silkscreened with images of islands overlaid with digital barcode patterns which distort the images. The islands become an abstracted image and draw attention to the role of technology in our changing environments. The barcode represents readable data and how this form of communication is the technological form of DNA found in natural life forms.

Contemporary illustrators include Jay Ryan, whose hand-silkscreened posters have advertised many a rock band,Anders Smith Lindall, "Off the Wall: Jack Ryan's Whimsical Illustrations Put a Face on the Chicago Rock Scene", Chicago Sun-Times, Tuesday, December 20, 2005, p. 49 and fantasist Scott Gustafson.Cathy Fenner and Arnie Fenner, Spectrum 11: The Best in Contemporary Fantastic Art, Underwood Books, Nevada City, Tony Fitzpatrick etches wild, detailed, tattoo-like pop images.Kim Carpenter, "Tony Fitzpatrick: Max and Gaby's Alphabet", Dialogue, January/February 2004, Vol.

Rod Brown's adventures had a sponsor, Jell-O Instant Pudding. However, there are very few premiums or toys associated with the series, as compared to its rival live space adventure series such as Captain Video, Space Patrol, and Tom Corbett, Space Cadet. A Rocket Ranger membership card and a Rocket Ranger Squadron Charter have been observed. In addition, plaid flannel shirts for young boys, featuring a solid-color flannel placket silkscreened with the Rocket Ranger title, space ship, and spaceman, were also available.

The title Top Ground Gear Force appears during the opening credits and is spoken by the hosts throughout the show. However, the insulated jackets worn by the three hosts are silkscreened with "TGGGF" on the front chest and "Top Garden Ground Gear Force" on the rear. Other equipment, such as a flatbed truck, is labeled with the factual title, "Top Ground Gear Force". This minor detail is not explained throughout the show and may be a simple mistake or an intentional joke.

The RTC was introduced to PC compatibles by the IBM PC/AT in 1984, which used a Motorola MC146818 RTC. Later, Dallas Semiconductor made compatible RTCs, which were often used in older personal computers, and are easily found on motherboards because of their distinctive black battery cap and silkscreened logo. In newer systems, the RTC is integrated into the southbridge chip. Some microcontrollers have a real-time clock built in, generally only the ones with many other features and peripherals.

Masks are often removed at night Most masks are made of black or white mesh, though some are colored, plaid or have silkscreened designs on them that do not interfere with vision. Fly masks are adjusted to cover the upper head and stop about halfway down the face, but the placement of stitched darts prevents the mask from rubbing on the eyes. Most have fleece padding around the muzzle and other sensitive areas. Masks come both with and without covers for the ears.

As a pioneer of the Pop Art movement endorsing pop culture and materialism, Warhol rejects Abstract Expressionism celebrating independent art that holds true to consumeristic aesthetic. This was done through borrowing by Warhol from a promotional still of the film Niagara (1953), raising questions on the extent of artistic appropriation. In Untitled from Marilyn Monroe, Warhol deconstructs a film star and her artificial media typecast. Warhol transformed Monroe's ubiquitous typecast as an enduring sex icon and femme fatale into a creative silkscreened print.

Hugh MacDonald (correctly Macdonald) is a New Zealand film director who made films for the Government National Film Unit for over two decades, before going solo. His work includes many travel films and two episodes of ambitious historical drama The Governor. Macdonald directed the short film This is New Zealand which was shown across three screens in the New Zealand pavilion at Expo '70 in Osaka. Other memorable elements in the pavilion included John Drawbridge’s mural and Sue Skerman’s silkscreened perspex bushwalk.

Other materials used by Sultan in his sculptural work include iron, wood, and painted aluminum. Sultan has also produced limited edition artist's books. In 1989, he collaborated with David Mamet on his book Warm and Cold and in 1999, on Bar Mitzvah, a limited edition book for which he created a series of drawings. In 1997, Sultan collaborated with author and artist Michael McKenzie and poet Robert Creeley on the landmark book "Dark Poetics", a hand silkscreened oversized volume featuring dozens of his paintings.

The band mixed the album just like the Ramones record, with the guitar panned hard to one side and the bass to the other. Very little was changed in terms of the songs themselves, though all were slightly faster than the originals. The album was recorded in approximately fifteen hours and released on vinyl on Selfless Records in a limited run of 1700 copies, 300 of which were on white vinyl. Selfless re-pressed 300 copies of the album in 1993 with silkscreened covers.

Some Quadra 605s have a Cuda reset switch which is used to manually reset the PRAM, located towards the rear of the motherboard just to the front of the audio out port and labeled "S1". Others do not include this switch, instead having two solder pads within a silkscreened square. The keyboard power-on key will not start up a Quadra 605 as there is no soft power-on. Only the rocker switch at the back will turn a Quadra 605 on or off.

Models are now available commemorating every phase in the design of the White Falcon. Features are reproduced accordingly. Modern Falcons are also available in black and silver, and include a Stephen Stills signature model (based on the 1958 incarnation), as well as a green Bono Irish Falcon that incorporates the original vertical headstock logo and engraved block inlays with the post-1958 electronics configuration and features "The Goal Is Soul" silkscreened onto the pickguard. Gretsch added a Brian Setzer Black Phoenix model to its lineup.

Eight Elvises is composed of eight identical, overlapping images of Elvis Presley in cowboy attire, silkscreened over a silver background.McCarthy (2006), 354 The painting was originally a portion of a piece, containing sixteen copies of Elvis, that was showcased in a 1963 exhibition at the Ferus Gallery in Los Angeles. The exhibition, Warhol's second at the Ferus, contained several other pieces using the same image of Elvis, as well as a series of head shots of Elizabeth Taylor. The images of Elvis were taken from a publicity still from the movie Flaming Star.

He created concert posters using his unique graphic design for many performers including Joe Ely, B-52s, Willie Nelson, Frank Zappa, Talking Heads, Pavarotti, Asleep at the Wheel, and Roy Buchanan. Juke's posters from the AWHQ era have become sought after collector's items, as are the silkscreened posters he created for The Austin Chronicle Music Awards and Austin's Carnaval. Juke's cubist bepop styled work is featured as the album cover for Joe Ely's 1980 Live Shots album. He is also credited with the cover art of The Ramones 1981 album Pleasant Dreams.

Banks worked as a design assistant to Ralph Lauren (1971–73) and Calvin Klein (1973–76). He has claimed credit for Klein's logo garments, stating that he had the logo from a press folder silkscreened onto the sleeve of a brown T-shirt as a present for Klein. The gift was assumed by Barry K. Schwartz to be part of the upcoming line, and similar shirts formed the uniform for the front-of-house staff at Klein's next catwalk show, leading to the buyers asking to purchase them.

200px Broasted Babies Brew Ha Ha - was first shown at SPACES in Cleveland, Ohio in March 1989. It was exhibited again at CAGE in Cincinnati Ohio in the Fall of 1992. It is a full gallery installation that involved repainting the walls of the gallery a bright pink and which were then layered with stencils, enlarged photocopied recipes with alterations by Lawless, and tri-fold silkscreened plastic panels that had animated swinging babies. On the floor Lawless laid out enlarged images from original photographs of the My Lai Massacre in Vietnam.

These photographs were purchased from the National Archives which included full usage of the copyright. Between and on top of these photographs were laid icons that incorporated images repeatedly used by Lawless in his work set in decorated rat traps. 100px Between the photographs and leading toward the center of the installation (a broken crucifix on a funeral pyre) were spermlike images composed of yellow paint pigment. Following these images toward the center were multicolored, silkscreened, folded rats that started amassed from one wall in a corner of the gallery.

To the west of Science Centre station, there is a facing-point crossover just beyond the ramp descending to the station's west portal. To the east of the station, there is a double crossover on the ramp descending to the station's east portal. As part of a program to install artworks at major interchange stations along Line 5 Eglinton, Science Centre Station will feature an artwork titled Total Lunar Eclipse by British-American artist Sarah Morris. The artwork is a mural consisting of porcelain tiles that were silkscreened by hand.

The silkscreened images are visible from inside the glass façade and outside of it. In certain works that incorporate architectural elements, she simplifies and omits details like door handles and adjusts an item's scale in order to transform a recognizable object into a sculpture. Windows are another common motif in Hornig's art, appearing in major installations like her 2003 work at MoMA Queens, Projects 78, with photographs of urban or outdoor spaces frequently appearing embedded within solid window or doorframes. She has created an ongoing Windows series since 2001, utilizing photographs of and through windows.

Some very early issues were Daphne Blue with pearl pickguards.Example of early production Later, this was expanded to include many of the finishes present on other Fender guitars. Earlier models are distinguishable by their small headstock logo, lack of a serial number on the headstock, and small, triangular tuning keys; later models feature a much larger headstock logo, with a serial number silkscreened next to the "Fender" logo, and Mustang-style tuning keys. The Musicmaster Bass was discontinued along with all of Fender's budget-priced models in 1981, with the introduction of the Fender Bullet Bass.

The filter cutoffs could be set to respond to velocity which added some expressiveness. Because each oscillator could have separate tuning and velocity response, it was also possible to have the pitch change according to pressure, if one of two differently tuned oscillators had an inverse velocity curve. Ring modulation used oscillator 4 to modulate oscillator 3, and allowed the creation of metallic and pulse sounds, lower bass harmonics and even distortion. Like the HZ-600 but unlike the others, the HT-6000 had a complete parameter list silkscreened on the outer panel, somewhat alleviating the need for a manual.

Tom Jolly starting designing Wiz-War in 1983. After several rejections and redesigns he self-published and hand-assembled the first edition of Wiz-War, selling the game through his company Jolly Games. The first edition has low production value, consisting of photocopied typewritten rules, simply designed two-by-three-inch cards, hand-silkscreened cardboard boards, and photocopied chits, all contained in a clear plastic Ziploc bag. The second, third, and fourth editions feature higher production values and a brown box featuring cover art by Jolly. Jolly also self-published two expansions starting in 1988 and 1991, respectively.

Early on, Bartlett made a number of three- dimensional works that she subjected to extreme conditions such as freezing and smashing. She also realized that she wanted something to draw on that was erasable but gridded like the graph paper that she and many other Conceptual artists were using at the time. She came up with what is now one of her signature materials: foot-square steel plates with a plain white baked enamel surface on which was silkscreened a quarter-inch grid. She had these fabricated in large quantities, and later worked with other sizes as well.

Gavin Turk, Diamond Pink Elvis, 2005From 2005 Turk began producing a small number of silkscreen works on canvas, depicting himself as Elvis Presley, in a pose taken from the paintings by Andy Warhol of the same subject from the 1960s, such as Warhol's Triple Elvis. Turk applied diamond dust to some of the Elvis works made from diamanté applied to silkscreened canvas in vibrant pop colours, which sparkles in direct light. Warhol was one of the first artists to use diamond dust in his artworks. Examples of Turk's Elvis series are Diamond Yellow Elvis, 2005 and Diamond Pink Elvis, 2005.

She also became an active member of the San Diego art scene, participating in fund-raisers and exhibitions there. In 1994 she designed a stamp for Swiss Post, with the message "Stop AIDS/Stop SIDA", for which she was awarded the Prix Caran d’Ache. She also began a series of silkscreened works, which she called California Diary, featuring local fauna. She started a new series of Totem pillars of stacked human or animal figures and anatomical fragments. In 1994, she finally declared the collaborative sculpture Le Cyclop, started in 1969 by Tinguely and worked on by 15 artists, to be finished.

Okano and Wah started a two-year collaboration on the piece, which included performance, installation, poetry, and environmental art. For the performance, Okano and Wah acted as serving staff, bringing white bread and tea to twenty-six guests who drank from china teacups and who used paper napkins that were covered in kombucha fungus and printed with text, such as “dis-orient” and “disgust.” Words such as “corrupt” and “apartheid” had been silkscreened in mould onto the bread. Throughout the performance, Okano and Wah shared recollections of growing up in Canada as cultural and racial hybrids.

"Kobi Annobil, Shepard Fairey, 'Format Magazine', January 21, 2008 By the early 1990s, tens of thousands of paper and then vinyl stickers were photocopied and hand- silkscreened and put in visible places throughout the world. "Andre the Giant Has a Posse" is also the title of a 1995 documentary short by Helen Stickler, which was the first documentary to feature Shepard Fairey and chronicle his influential street art campaign. The film screened worldwide, most notably in the 1997 Sundance Film Festival. In 2003, Village Voice film critic Ed Halter described the film as: "legendary" and "a canonical study of a Gen-X media manipulation.

In 2014 he was awarded a Guggenheim Fellowship. Since he began his professional career as an artist in the 1980s, visual narrative has been a core component of his work. In 1988, Sandlin published his post-modernist graphic novel Land Of 1000 Beers through the School of Visual Arts Press. In addition to painting and printmaking, since 1995 Sandlin has worked on a book series, A Sinner’s Progress, in various formats ranging from hand-silkscreened editions to an abecedarium published by Fantagraphics. Sandlin is also well known for his illustration work for The New Yorker, The New York Times, Harper’s Magazine, and other periodicals.

The covers were designed, silkscreened and numbered by hand in Madison by an artist duo The Little Friends of Printmaking. The band sold the majority of them before the remaining 10-20 copies were stolen when the band performed at Onopa Brewing Co. In August 2004, the band went on their first tour, lasting a week, with six performances in St. Paul, Ames, Kansas City, St. Louis, Peoria, and Chicago. In September 2004, Junkunc and Ewing joined Woods at UW-Madison, while Peoplis remained in Milwaukee. The band fired Mike Ewing soon thereafter, and began searching for a new bassist - Zach Rapport filled in until Matt Kuehl joined mid-month.

Margaret Lanzetta’s work has been exhibited at the Museum of Modern Art and the Queens Museum, New York; the Bangkok National Museum (pop up exhibition); the Weatherspoon Art Museum, North Carolina; and the Nicolaysen Art Museum, Wyoming. The New York MTA Arts & Design commissioned Lanzetta's first public, permanent work, Culture Swirl, a series of seven faceted glass-paneled windscreens, for the Norwood Avenue subway station in 2007. In 2020 Norte Maar commissioned new work by Lanzetta for CounterPointe 8, in collaboration with choreographer Mari Meade. Lanzetta silkscreened on harlequin print rayon, silver brocade, and magenta Thai silk to create swirling textile panels incorporated into the dance. The collaboration, entitled Strategy Royale, premiered to Alessio Natalizia’s "24" by Not Waving.

Performed at the Art Gallery of Ontario, the Pageant was General Idea's major project for the year, created via the mail art network. Sixteen finalists were pre-selected, and sent an Entry Kit by mail. The kit was a box, silkscreened with the Pageant logo, containing various items: a brown dress (the Miss General Idea Gown), a typed letter of invitation by Granada Gazelle (Miss General Idea 1969), a General Idea business card, the Pageant program, an application form, an acceptance card, and photographs of Miss Honey (Miss General Idea 1970) and the Artist's Conception of Miss General Idea 1971. Finalists were asked to respond with a series of photographs of themselves modelling the Miss General Idea Gown.

The term "minicomic" is used in a more general sense, emphasizing the publication's handmade, informal aspect rather than the format. By this loose definition, a single photocopied page folded in quarters would still be a minicomic, but so would a thicker digest-sized comic, or even a large, elaborate, and relatively expensive photocopied booklet with a silkscreened cover. Even some professionally printed and bound booklets are referred to as minicomics, as long as they are published by the artist and marketed in minicomic venues, but this usage is controversial. Many minicomics are non-standard comic book sizes for aesthetic reasons, or are often connected to graphic design and book print "tricks" to look good.

The year 2000 was marked by the publication of Coeur de Maman ("Mother’s Heart"), a self-published 11.5" by 17.5" silkscreened comic book. Coeur de Maman, a bizarre story about an oversized, monstrous mother's heart, picks up where Primitive Crétin left, with the pages being so heavily illustrated that they become almost unreadable. In the same year, Valium also completed The Survivor, a monumental painting centered on a Joseph Goebbels family picture that was shown at Gallery Clark (Montreal) along with Les Curés Malades, and several other works. Finally, he also participated, in the spring of 2000, in an exhibition of his work at the La Luz de Jesus gallery in Los Angeles.

In the mid-1970s, he had created a designer-jeans craze by putting his name on the back pocket. Klein's design assistant at the time, Jeffrey Banks, has claimed credit for the logo garments, stating that he had the logo from a press folder silkscreened onto the sleeve of a brown T-shirt as a present for Klein. The gift was assumed by Schwartz to be part of the upcoming line, and similar logo shirts formed the uniform for the front-of-house staff at Klein's next catwalk show, leading to buyer demand. In the late 1970s, the company also made attempts to set up its own fragrance and cosmetics lines, but soon withdrew from the market with big financial losses.

On their return home the band hired bass player Kristian Dunn, who later formed El Ten Eleven. DOT Class "C" was re- released by Cargo/Headhunter Records on CD and on Goldenrod Records and Trademark Records on LP in 1997, limited to a run of 750, with hand- silkscreened art by Drive Like Jehu singer and artist Rick Froberg. The song "For Duty and Humanity" from the album was featured on the soundtrack of the 1996 comedy film Flirting With Disaster and was included in the Foundation Skateboards video Duty Now for the Future. In 1997, Inch took home "Best Alternative Rock" honors at the San Diego Music Awards and spent the summer playing the second stage of the traveling Lollapalooza tour.

The Bible Belt was followed with Contract with America underwear in 1995, an edition of cotton underwear briefs with the name of the Republican congressional campaign silkscreened on the waistband, an image of the House Speaker Newt Gingrich on the crotch and the platform of the Contract on the seat. After the artists mailed pairs of the underwear to political leaders in Washington as gifts, they were sued by the Republican National Committee to cease and desist citing trademark infringement. In 2001 LigoranoReese published the W Collection on the anniversary of the Supreme Court decision halting the counting of ballots in Florida. The Collection consisted of a Bush vs Gore dish towel, Money/Honey, and the John Ashcroft snow globe.

In addition, the collection features a full set of the poetry journal The Black Mountain Review, which formed the group of writers known as the Black Mountain Poets. In Summer 2013, the museum acquired a 1971 work by BMC alumnus Robert Rauschenberg, Opal Gospel, 10 American Indian Poems, consisting of 10 moveable silkscreened acrylic panels of American Indian stories and imagery. Other noted pieces in the collection are furniture from the original Black Mountain College campuses: two benches from the Quiet House, a place for contemplation, meditation, and observance of special occasions at the Lake Eden campus and a desk designed by Josef Albers. BMCM+AC has an original Black Mountain College directional sign from the Lake Eden Campus, which is displayed in the museum library.

The CD album was hand packaged in circular aluminum tins reminiscent of old cinema reel canisters, symbolic for the bands' cinematic sound and also for the conceptual approach to infinite cycles as they are influenced by the heavenly orbs of the sun and moon. The lid of the tin displays an ambigram of the title "Circadian," further emphasizing the predominant themes of unity and balance. Reinforcing these themes, the liner notes are also bound in a circular booklet depicting a clear glossed graphic interpretation of an eclipse on the front and back covers. The CD album face is silkscreened in an homage to the vinyl 45s that were instrumental in leading each member to fall in love with music as young children, and complete the cycle by becoming the music maker later in their lives.

Untitled from Marilyn Monroe (1967) is one of a portfolio of ten 36×36 silkscreened prints by the pop artist Andy Warhol, showcasing 1950s controversial film star Marilyn Monroe after her death in 1962, creating an intersection of art, glamour and death. The original image was borrowed by Warhol from a promotional still captured by Gene Kornman and released for the film Niagara (1953) featuring Monroe, raising questions on the extent of artistic appropriation. The cropped and ultimately untouched images have since been recognised as iconic and influential on contemporary art, forming the foundations of what is now known as pop art. Whilst the portfolio is viewed as one entity, each print has been recognised as a stand-alone and is named after the colours in the work, some of which include Orange Marilyn, Lemon Marilyn, and White Marilyn.

They prepared a ten-paragraph manifesto entitled "The Woman-Identified Woman" and made T-shirts, dyed lavender and silkscreened with the words "Lavender Menace" for the entire group (Jay 140-142). They also created rose colored signs with slogans like "Women's Liberation IS A Lesbian Plot" and "You're Going To Love The Lavender Menace" written on them, which were then placed throughout the auditorium. Karla Jay, one of the organizers and participants in the zap, describes what happened: After the initial stunt, the "Menaces" passed out mimeographed copies of "The Woman-Identified Woman" and took the stage, where they explained how angry they were about the exclusion of lesbians from the conference and the women's movement as a whole. A few members of the planning committee tried to take back the stage and return to the original program, but gave up in the face of the resolute Menaces and the audience, who used applause and boos to show their support.

The exhibition, located within four Toronto Balisi stores, featured works silkscreened onto T-shirts by artists Millie Chen (Canada), Emelie Chhangur (Canada), Hannah Claus (Canada), Stefan Hoffmann (The Netherlands), and Dan Perjovschi (Romania) and was presented in conjunction with Printopolis: International Symposium on Printmaking. From February 17 to April 17, 2011, the Koffler Gallery presented Graphic Details: Confessional Comics by Jewish Women off-site at the Gladstone Hotel (Toronto) and curated by Michael Kaminer and Sarah Lightman. The touring group exhibition featured original drawings, autobiographical comics and graphic novels from eighteen Canadian and international Jewish women artists, including Vanessa Davis, Bernice Eisenstein, Sarah Glidden, Miriam Katin, Aline Kominsky-Crumb, Miss Lasko-Gross, Sarah Lazarovic, Miriam Libicki, Sarah Lightman, Diane Noomin, Corinne Pearlman, Trina Robbins, Racheli Rotner, Sharon Rudahl, Laurie Sandell, Ariel Schrag, Lauren Weinstein (comics), and Ilana Zeffren. Stephen Cruise: Share the Moment, from May 5 to August 28, 2011, was a sculptural installation in the Sheppard Plaza, at Bathurst and Sheppard Streets, Toronto.

Introductory advertisement for the Apple I computer On March 5, 1975, Steve Wozniak attended the first meeting of the Homebrew Computer Club in Gordon French's garage. He was so inspired that he immediately set to work on what would become the Apple I computer. After building it for himself and showing it at the Club, he and Steve Jobs gave out schematics (technical designs) for the computer to interested club members and even helped some of them build and test out copies. Then, Steve Jobs suggested that they design and sell a single etched and silkscreened circuit board--just the bare board, with no electronic parts --that people could use to build the computers. Wozniak calculated that having the board design laid out would cost $1,000 and manufacturing would cost another $20 per board; he hoped to recoup his costs if 50 people bought the boards for $40 each. To fund this small venture--their first company--Jobs sold his van and Wozniak sold his HP-65 calculator.

Classical Antiquity collided with post-war consumerism in his Venus of the Rags, which sees the Classical goddess leaning against a large pile of waste material from textile factories. This work, an iconic piece from the Arte Povera period of 1960s-70s Italy, exemplifies Pistoletto’s anti-establishment use of cheap and unconventional materials to make high art; a provocative move which started an artistic revolution and cemented him as one of the most influential artists of the twentieth century. Reflection and self-reflection were also central ideas to the exhibition, which showcased a spectacular collection of thirty of Pistoletto’s celebrated Mirror Paintings, photo- silkscreened images on polished steel which project the viewer’s reflection into the picture plane, encouraging playful interaction. Blenheim Palace itself was also a muse for a new work called Mirage, which sees a gold-painted car – inspired by the golden balls perched atop of the building – submerged by the water of the palace fountains. As well as celebrating the breadth of Pistoletto’s materials and techniques, the show also introduced Pistoletto the political philosopher, with many of his lyrical, colourful works underpinned with strong pacifist messages and calls for unity, collaboration, and freedom.

Early collective member Lisa Brawn describes the UC of the 1980s and early 1990s as producing "rapid-fire shows using video surveillance, nets, creamed marshmallow and red packing tape" and she jokes that the Congress took over the Alberta College of Art and Design "(l)ike a parasitic infestation." This period was very active for the United Congress, who assembled numerous shows on a variety of themes, including March 1989's One Hundred Pounds of Pretty Girls, God Save the Queen in April, 1989 at the Marion Nicholl Gallery, Montreal at the Illingworth-Kerr Gallery in 1992 , as well as CNIB, Recent Video Art by the United Congress (which contained no video art), The Sacred Shroud of Turin, and Our Ladies of Soul Sister. Each show was promoted by a run of hand-silkscreened posters distributed throughout the city . The United Congress also collaborated with community groups to produce hand-screened posters for events such as Women Looking Forward's 1989 International Women's Day celebrations, and with the Calgary Jewish Centre for their multimedia presentation The Farthest Horizon: 100 years of Jewish Life in Alberta.