The European missionary, Moseby, himself is a symbol of memory and technology, clutching a Bible that itself has been scribed and re-scribed throughout the centuries and represents the bedrock of European civilization.
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Exquisitely inked manuscript records of these marks still exist: lines and crosses scribed across diagrammatic beaks.
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The close-up photo shows the word "lover" scribed on the model's neck, right below a cross tattoo.
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The close-up photo shows the word "lover" scribed on her neck in cursive font right below a cross tattoo.
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Not long ago, I spent a day following Lynden Lee as he scribed at a Massachusetts General Hospital primary-care practice.
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The offering was massively over-scribed, to the point that Razer restructured the listing to offer more shares to local retail investors in Hong Kong.
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After all, what in the hell else could explain the preternatural prescience Buffet exhibited when he put pen to paper and scribed his 1977 hit "Margaritaville" and his 1999 masterpiece "Math Suks"?
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Gutenberg's moveable type meant that text could be assembled, printed, and disseminated faster than one-off, hand-scribed documents; it also meant that text could and would be introduced to readers on a scale that was unprecedented in the history of putting ink to paper.
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By 14, I had moved from my pop-punk phase of listening to Good Charlotte, Gob and Sum 41 on my walkman—my clothes held together by obnoxiously large safety pins, my Converse scribed on with black marker, and rainbow socks—to black band T-shirts and rubber bracelets, bows in my hair, and skull jewelry.
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Move-in day is stressful for any college student, but for Savannah Hulme, a freshman at the University of Mississippi, the to-do list is considerably more exhaustive: There are custom-built shutters — hand-scribed by her dad to create a rustic effect — to be installed on the doors of her closet; there are ruffled curtains and string lights to be hung around her bed; and there's a brand-new sofa and two wooden trunks that need to be hauled in.
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Graduations can be placed on an instrument by etching, scribing or engraving, painting, printing or other means. For durability and accuracy, etched or scribed marks are usually preferable to surface coatings such as paints and inks. Markings can be a combination of both physical marks such as a scribed line and a paint or other marking material. For example, it is common for black ink or paint to fill the grooves cut in a scribed rule.
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From internal evidence the book was being written in 1387 and was completed in 1394 or very soon after. The first page states that its owner is "Jonn Hakonar son" and that the book was scribed by two priests. One of them, "Jon prestr Þórðar son", scribed the contents from the tale of Eirík the Traveller down to the end of the two Olaf sagas and the other, "Magnús prestr Thorhallz sun", scribed the earlier and later material and also drew the illustrations. Further material was inserted towards the end of the 15th century.
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During the restoration, a new hall was installed and the pews replaced by seats. The church has two books of remembrance scribed by the calligrapher, Mildred Ratcliffe.
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In both instances, the timings on the clock or lines scribed on the film have corresponding timings which are also at specific points (beats) in the composer/conductor score.
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One surface of the centre crossbar of the H was designed to coincide with the neutral plane, and the calibration marks defining the meter were scribed into this surface.
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As seen in the illustration on the right, once the grid was scribed, diagonals (transverse lines) were scribed from the uppermost corner of a column in the grid to the opposite lowest corner. This line intersects the cross lines in the grid in equal intervals. By using a cursor, alidade or similar indicator of measure, the closest point where the transversal crosses the grid is determined. That indicates the fraction of the graduation for the measure.
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Since the 14th century the name had been scribed as Skrzetzkowitz, Skrzeczkowicz, Skreczkowitz. The German name Eichendorf, after a German poet (Joseph Freiherr von Eichendorff), appeared in 1907, which was a result of the arrival of German settlers in 1904.
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The difference in the construction of the signs ka and ša are as follows: "ka" when scribed in the Amarna letters often shows the distinctiveness of the right section of the sign, versus the left section. For ša, the right section is constructed with two wedge strokes 100x24px (one scribed above the other), between the two verticals, at right. For ka, the right side mostly, in the Amarna letters has two verticals, 100x24px100x24px with two horizontals 100x24px that cross both of them; (the right side is like a two-step ladder shape--(for Hittite ka:--100x24px)).
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AMA-(15 times), DAGAL-(4). For the dictionary entry of umma in the Epic (Parpola, Glossary, 1971), there are 7 other spellings of umma which are syllabic/alphabetic; these are besides the common use of AMA, (mostly scribed with other alphabetics/syllables attached).
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The south and east sides have single four-paneled doors. The interior of the cabin is in good condition. The roof is made of oak shakes, square-butted, and is supported at the eaves by a box cornice. The ends are covered with scribed end boards.
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One scribe sheet is produced for each map colour. Corrections can be made by "duffing" (re-coating) the scribe sheet with special duffing liquid. The detail can then be re-scribed. Printing plates are produced from the finished scribe sheets, one for each colour of the map.
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Historically, horizontal angles were measured by using a compass to provide a magnetic bearing or azimuth. Later, more precise scribed discs improved angular resolution. Mounting telescopes with reticles atop the disc allowed more precise sighting (see theodolite). Levels and calibrated circles allowed measurement of vertical angles.
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The village lies in the historical region of Cieszyn Silesia. It was first mentioned in 1426 as Brzesowicz. Later it was mentioned as Brzezowicz (1447, 1450) and since 1523 it appears under its current name (scribed as Brzezuwka, Brzesowka etc.). The name is derived from birches, (Polish: brzoza).
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Geometric quadrant with plumb bob. The geometric quadrant is a quarter-circle panel usually of wood or brass. Markings on the surface might be printed on paper and pasted to the wood or painted directly on the surface. Brass instruments had their markings scribed directly into the brass.
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2nd ed. Lucknow: Naval Kishore Press; 1928: 621Shirazi IM. Treatise on Opium. A 16th Century Persian manuscript Aligarh: Zillur Rahman Library, Ibn Sina Academy of Medieval Medicine & Sciences; Scribed between 1737 and 1744. p. 28. which has been verified and validated in morphine-induced physical dependent de-addiction studies.
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The Women's Torah Project (WTP) was an initiative to have the first Torah scroll scribed entirely by women. The project began in 2003 and was completed in Seattle in 2010. Wendy Graff was the leader of WTP. The WTP was commissioned by the Seattle-based Kadima Reconstructionist community.
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A road linking the Polish village of Istebna with Jablunkov runs through the village. The name of the village is of topographic origins derived from sand (piasek in Polish, piosek in a local dialect). Historically it has been scribed as Piesek (1523), Pisek (1577, 1621), Pyßek/Pioßek (1643), Piasek (1652) and so on.
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In 2010, the first sefer Torah scribed by a group of six women (from Brazil, Canada, Israel, and the United States) was completed; this was known as the Women's Torah Project. Since then, other women have written Torah scrolls. As of 2014, there were an estimated 50 female sofers around the world.
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The difference in the construction of the signs ka and ša are as follows: "ka" when scribed in the Amarna letters often shows the distinctiveness of the right section of the sign, versus the left section. For ša, the right section is constructed with two wedge strokes 100x24px (one scribed above the other), between the two verticals, at right. For ka, the right side mostly, in the Amarna letters has two verticals, 100x24px100x24px with two horizontals 100x24px that cross both of them; (the right side is like a two-step ladder shape--(for Hittite ka:--100x24px)). A good example of ša, is shown for EA 365, Reverse (top half), where the 2-wedge strokes of ša between the 2-right verticals is clear.
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The difference in the construction of the signs ka and ša are as follows: "ka" when scribed in the Amarna letters often shows the distinctiveness of the right section of the sign, versus the left section. For ša, the right section is constructed with two wedge strokes 100x24px (one scribed above the other), between the two verticals, at right. For ka, the right side mostly, in the Amarna letters has two verticals, 100x24px100x24px with two horizontals 100x24px that cross both of them; (the right side is like a two-step ladder shape—(for Hittite ka:—100x24px)). A good example of ša, is shown for EA 365, Reverse (top half), where the 2-wedge strokes of ša between the 2-right verticals is clear.
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The park lies on a glacial moraine, scribed with deep ravines running down to the St. Croix River. Sandstone outcrops have been exposed in some of the ravines. The vertical drop from the blufftop to the water is . A few patches of remnant prairie survived the decades of farming that took place on the blufftop.
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Himalayan Institute Press. , . Source: (accessed: Friday March 19, 2010) Though the consensus of scholars hold the Bhagavata Purana to be a composite work of the oral tradition of many mouths, the Vaishnava tradition as well as the Bhagavata Purana itself uphold that it was scribed by Vyasadeva.Brown, Manisha Wilmette (editor, author) & Saraswati, Ambikananda (translator) (2000).
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The wall surfaces have been rendered and scribed to imitate stone blocks and a new ceiling with downlights has been installed. A door opens to the shops on either side. The landing level has carved timber balusters which pre-date the existing stair and balustrade. The auditorium is entered under the gallery, or dress circle.
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Holman Illustrated Bible Handbook. Holman Bible Publishers, Nashville, Tennessee. 2012. This chapter contains the closing statements of the letter, with Paul's travel plans, final instructions, and greetings. Verse 8 confirms that Paul was in Ephesus when the letter was composed, and verse 21 confirms that the majority of the letter was scribed by an amanuensis.
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Carcory Homestead comprises the shell of a cottage constructed of limestone, also evident in the surrounding landscape. It is located to the east of the Birdsville-Bedourie Road north of Birdsville. The walls are constructed of squared rubble, approximately thick, rendered and scribed externally to imitate ashlar. A stone chimney remains at the northern end.
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Only living persons may receive the prize, and recipients of the Charles Stark Draper Prize are not also eligible for the Russ Prize. Members of the NAE and non- members worldwide are able to receive the award. The winners are announced during National Engineers Week in February. They receive US$500,000, a gold medallion and a hand-scribed certificate.
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Open Domesday: Bengeworth, accessed April 2020. Due to prompt intercession by the abbot, Evesham Abbey was not reduced by William the Conqueror. By 1086, Evesham Abbey owned the entirety of Bengeworth (scribed in Domesday once as Beningeorde (cf. Old English: ben (petition, prayer) + ing (pasture)A Dictionary of the Anglo-Saxon Language Volume 1, by Joseph Bosworth, pub.
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McClymont, 2008, scribed by and pers.comm., Stuart Read). A 1919 Royal Agricultural Society plaque honouring twelve agricultural pioneers includes Blaxland along with Sir Joseph Banks, John Macarthur, Samuel Marsden, James Busby, Alexander Berry and others. He introduced buffalo grass (Cynodon dactylon) into the colony, a valuable grass for cattle fodder (and as an ornamental turf, retaining its green in both hot summers and winters, when many tropical grasses die off.McClymont, 2008, scribed by and pers.comm., Stuart Read. Probably before 1819 (beginning of constructing today's Brush Farm House), he planted another vineyard on the steep slopes of the escarpment (south of Brush Farm house and east of today's Marsden Road, part today of Brush Farm Park). This required terracing and he used knowledge gleaned from his earlier Madeira stop over.
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The letter has multiple short paragraphs, with scribed, single-lines showing the paragraphing. Paragraphs I-VII are on the letter's obverse; paragraph VIII starts at the bottom edge and continues, ending at Paragraph XIII on the clay tablet's reverse. The letter is located in the British Museum, no. 29788. The clay surface shows a gloss, implying a quality of the clay preparation.
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While brief biographical mentions for Cormac are contained in various British and Irish biographical dictionaries (some along with complete bibliographies of his translations), what little is actually know of Cormac, himself, is extracted from credits in his works of medical translation, including from scribed colophons thereof. As detailed here in reference, the manuscripts are housed in various libraries in Ireland and Britain.
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Peddlers sell incense, candles and souvenirs to pilgrims. Between the front hall and the nave is a large patio with a stone boat, around which moss grows. The nave hosts a horizontal board stating “Temple of Madam Xian”, scribed by Zhao Puchu. Hanging above in the middle of the nave is a large screen entitled "Birds paying homage to the phoenix".
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Just one-fifth the thickness of a sheet of paper, it is capable of holding more than twice as much charge as a comparable thin-film lithium battery. The design employed laser-scribed graphene, or LSG with manganese dioxide. They can be fabricated without extreme temperatures or expensive “dry rooms”. Their capacity is six times that of commercially available supercapacitors.
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In the United States, written records must be marked with the date and time and scribed with indelible pens without use of corrective paper. Errors in the record should be struck out with a single line (so that the initial entry remains legible) and initialed by the author. Orders and notes must be signed by the author. Electronic versions require an electronic signature.
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Tebis was founded in 1984. Following initial consulting jobs and business software projects, Tebis shifted its focus after six months to CAD/CAM. The first technical product was a PC-based station, which used a drawing board equipped with a position- measuring system to digitize transparent plans and convert them to scribed programs for milling machines. Versions 1.0 to 1.0.
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He wrote a number of works, mostly historical, which he scribed and illuminated himself, typically in drawings partly coloured with watercolour washes, sometimes called "tinted drawings". Some were written in Latin, some in Anglo- Norman or French verse. His Chronica Majora is an oft-cited source, though modern historians recognise that Paris was not always reliable. He tended to glorify Emperor Frederick II and denigrate the Pope.
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The back and ribs are typically made of maple, most often with a matching striped figure, called "flame." Backs may be one-piece slab-cut or quarter-sawn or bookmatched two- piece quarter-sawn. Backs are also purfled, but in their case the purfling is less structurally important than for the top. Some fine old violins have scribed or painted rather than inlaid purfling on the back.
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Conventional release prints, which are made from timed internegatives, usually contain black motor and changeover cue marks as the printing internegatives are "punched" and "inked" for this specific purpose. Showprints, being made from the composited camera negatives, which are never "punched" or "inked", have white motor and changeover cue marks as these marks are punched (or scribed) directly on the prints by hand, in the lab.
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The windows on the two-bay side facades are separated vertically by panels like those on the front. Stucco scribed to resemble large-block ashlar covers the brick masonry walls. The house has a brownstone foundation supported by load-bearing masonry walls and a gable roof. An antemion decorative motif is used on the portico column capitals, front corner pilasters, and in the attic window screen covers.
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Although greater names such as Michelangelo had submitted designs, Pasquale chose the more humble architect Antonio da Ponte and his nephew Antonio Contin to design and rebuild the Rialto Bridge. After Pasquale Cicogna died of a fever in 1595 a memorial was in scribed on the bridge to the Doge. His dogaressa was Laura Morozini. Staley, Edgcumbe: The dogaressas of Venice : The wives of the doges.
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A garden area is located to the north of the building, with access to stairs which lead down to the riverbank below. A disused single-storeyed rendered masonry boat shed, with a corrugated fibrous cement gable roof, is located on the riverbank to the west of Pine Lodge. The boat shed has scribed render to imitate ashlar, casement windows and a rear timber door. The site contains established trees and plantings.
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Yogaswami conveyed his teachings in over 3,000 poems and songs, called Natchintanai, "good thoughts," urging seekers to follow dharma and realise God within. These gems flowed spontaneously from him. Any devotee present would write them down, and he occasionally scribed them himself. Natchintanai have been published in several books and through the primary outlet and archive of his teachings, the Sivathondan, a monthly journal he established in 1934 (see above).
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In 2014, Hamish started selling Timomatic's autograph on the show's website hamishandandy.com and promoting the business on the Hamish & Andy show. Hamish maintained that the autograph on sale had not been personally scribed by Timomatic, but was indeed Timomatic's autograph (the shape and style being the same). A single autograph started at a sale price of $10, but the price went through various 'sale' and 'special promotion' stages.
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The ground floor has a single large sash window to each bay, with basement windows covered by cast iron screens below. The central bay has a curved pediment and the pilasters are scribed to imitate stonework. The first floor has twin sashes, with shallow arched window heads and rendered mouldings, and a concrete balustrade below to each bay. The second floor is similar, but with rounded window heads.
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In the following years it was then scribed as Aldendorff (1536), Aldendorf (1572). In the War of the Austrian Succession most of Silesia was conquered by the Kingdom of Prussia, including the village, which was hence known as Aldorf. After World War I in the Upper Silesia plebiscite 740 (65.3%) out of 1153 voters in Stara Wieś voted in favour of joining Poland, against 411 (34,7%) opting for staying in Germany.
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Painted decoration is sparse; stamped sealing form decorative patterns on some pieces, or rolled scribed cylinders have been used to make banded patterns. Remarkably, banded patterns made with the self-same seal have been found at Lerna, Tiryns and Zygouries.Caskey 1960:293. The burning of the House of Tiles brought the Third Period at Lerna to a decisive close; a low round tumulus marked its undisturbed, apparently sacrosanct site.
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Page pointers, or yad, for reading of the Torah Manuscript Torah scrolls are still scribed and used for ritual purposes (i.e., religious services); this is called a Sefer Torah ("Book [of] Torah"). They are written using a painstakingly careful method by highly qualified scribes. It is believed that every word, or marking, has divine meaning, and that not one part may be inadvertently changed lest it lead to error.
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Musecape, 2006, 11 The house was officially opened on 7 April 2007. Council intend to use the building as a centre for cultural and community events, including art exhibitions, meetings and wedding functions (McClymont, 2008, scribed by Stuart Read). The stands of timber and grasslands in the surrounding parks are remnants of Brush Farm Park. In 2007 the Brush Farm & District Historical Society was awarded a NSW Heritage Volunteer Award.
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Some are wooden. Plastics have also been used since they were invented; they can be molded with length markings instead of being scribed. Metal is used for more durable rulers for use in the workshop; sometimes a metal edge is embedded into a wooden desk ruler to preserve the edge when used for straight-line cutting. in length is useful for a ruler to be kept on a desk to help in drawing.
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Cleaning of the timbers has led to the discovery, on the planking of the outer hull, of a series of marks deliberately scribed into the timbers. These appear to be either individual shipwrights' marks or instructions for the positioning of planks or fastenings. The conservation team is hoping that a pattern will emerge as the recording process continues. During the summer of 2007, the cleaning of barrel-top fragments revealed merchant marks.
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However, the remote areas still roost in the dilapidated road conditions that aggravate each year owing to flashing monsoons. Being a resident of the area, it is scribed with great confidence and first hand knowledge that the area needs lot of governmental attention for afforestation, as due to the swelling deforestation trends coupled with the growing trends of urbanization the forests have shrunk to the far off suburbs of Union Council Musyari.
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The name of the village, Kildale has derived from Norman times where it was scribed as Childale. The transition from 'Chil' to 'Kil' is uncertain. Many believe the name changed to 'Kil' in the Saxon times as a result of the Norse Kyll stream or after the name of a Saxon proprietor patronymic. In 900 years the boundaries of Kildale have never changed, along with only ever being in the hands of three families.
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The tomb was later usurped by a man named Espaneferhor, who was a Head of the Temple scribed of Amun from the reign of Siamun during the Twenty-first Dynasty. Espaneferhor was the son of a man named Iufenamun. His wife is called Tabekenmut, who is a singer in the cult of the goddess Mut. The scenes show the deceased adoring divine barques and a variety of deities including Re-Horakhty, Osiris, Isis, and Nephtys.
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British bronze yard of 1855. The yard is defined by the distance between two lines scribed on the bottom surface of holes at each ends of the bar, on the neutral plane. The property of remaining a constant length under load has been made use of in length metrology. When metal bars were developed as physical standards for length measures, they were calibrated as marks made on a length measured along the neutral plane.
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The ground floor verandah frieze is of plain timber slats with feature fretwork slats, below which are diagonally cut timber panels. One bay of the ground floor verandah space has been infilled with rendered and scribed brickwork. The verandah to the upper floor has an ogee curved profile awning, balustrading of similar detail to the frieze below, and slatted timber brackets and frieze. A rudimentary rear verandah is accessed by a straight timber stair.
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Horizontal scribed lines divide the text into ten sections. The writing is most similar to that used in Campania in the mid 5th century BC, though surely the text being transcribed is much older. It is an archaic ten-month year beginning in March (Etruscan Velxitna). Attempts at deciphering the text (Mauro Cristofani, 1995) are most generally based on the supposition that it prescribes certain rites on certain days of the year at certain places for certain deities.
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Malone first teased the song on January 4, 2017, with a video of him playing the song in a studio. Over a year later on February 21, 2018, he previewed the song on Twitter with a 30-second snippet, which highlights his verse. The accompanying artwork features a wolf and a bulldozer, the latter of which has the words "Posty Co." scribed on it. The song comes with its own merch line, featuring three different long sleeve T-shirts.
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It has also rarely been called a double circle quadrilateral and double scribed quadrilateral. If two circles, one within the other, are the incircle and the circumcircle of a bicentric quadrilateral, then every point on the circumcircle is the vertex of a bicentric quadrilateral having the same incircle and circumcircle.Weisstein, Eric W. "Poncelet Transverse." From MathWorld – A Wolfram Web Resource, This is a corollary of Poncelet's porism, which was proved by the French mathematician Jean-Victor Poncelet (1788–1867).
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The village was first mentioned in 1360. Liber beneficiorum dioecesis Cracoviensis scribed by Jan Długosz in years 1470-1480 mentions the village as Brzanczkowice.Joannis Długosz Senioris Canonici Cracoviensis, "Liber Beneficiorum", Aleksander Przedziecki, Tom II, Kraków 1864, p. 204. During the political upheaval caused by Matthias Corvinus the land around Pszczyna was overtaken by Casimir II, Duke of Cieszyn, who sold it in 1517 to the Hungarian magnates of the Thurzó family, forming the Pless state country.
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People of Ghudda have been serving in Indian Army since World War-I. Bhag Singh from Ghudda martyred on 6 May 1915 during the Gallipoli Campaign in Second Battle of Krithia , serving in 14th King George’s Own Ferozepore Sikhs and his name has been scribed on Helles Memorial, Turkey . Around 5-6 person of this village fought in 1971 war. Two young person martyred in Bangladesh during war of 1971 in Mukti Wahini Campaign led by Gen.
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The cutter is then pressed firmly against the surface of glass and a line is briskly scribed to form a "score" or "cut". The glass is now weakened along this line and the panel is ready to be split. Running pliers may then be used to "run" or "open" to the split. General purpose glass is mostly made by the float glass process and is obtainable in thicknesses from 1.5 to 25 mm ( to 1 in).
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As a boy, the composer Matthew Locke was trained in the choir of Exeter Cathedral, under Edward Gibbons, the brother of Orlando Gibbons. His name can be found scribed into the stone organ screen. During the Second World War, Exeter was one of the targets of a German air offensive against British cities of cultural and historical importance, which became known as the "Baedeker Blitz". On 4 May 1942 an early-morning air raid took place over Exeter.
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Known to be observant in matters of religion, he personally scribed pious inscriptions on two madrasas he founded in Shiraz and at least five copies of the Qur'an. There remains a handwritten Qur'an in two volumes by him written in Naskh script. Every page of this Qur'an, finished in June 1427, has profusely decorated margins of floral scrolls in gold and color. This two-part Qur'an is a splendid example of lavish manuscript production in the early Timurid period.
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These decorations appear as bands of delicately chiseled fretwork, moulded colonettes and scrolls scribed with tiny figures. The bands are separated by deep narrow channels and grooves and run over the top of the door. The temple plan often included a heavy slanting cornice of double curvature, which projected outward from the roof of the open mantapa. This was intended to reduce heat from the sun, blocking the harsh sunlight and preventing rainwater from pouring in between the pillars.
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As an example of its usage in the Amarna letters, the photo shows a fragment from the front (obverse) of Amarna letter EA 26. The photo shows the lower-left corner of the clay tablet letter, but what is of interest is the isolated cuneiform characters next to the "double-scribed paragraph lines". The characters before the paragraph lines show the last line of Para III (an VIII paragraph letter). The (3) characters shown are "la ta-pa-[ ]".
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Principal dimensions: Length of side wall (i.e. from front doorway to rear wall of roundhouse): 90 feet. Approx. outside diameter of semi-circle scribed by roundhouse: 400 feet This building covered roads that were formerly open air roads and the electrically driven 105 ft turntable replaced the original manually operated 75 ft turntable. The roundhouse has a symmetrically peaked roof, centrally placed, with smoke chutes above each shed road on the outer roof section and a skylight at the ridge.
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Inexpensive plastic devices can be molded and painted or molded with two or more colors of plastic used. Some rather high-quality devices can be manufactured with plastic and reveal high-precision graduations. Graduations traditionally have been scribed into an instrument by hand with a sharp, hard tool.Daumas, Maurice, Scientific Instruments of the Seventeenth and Eighteenth Centuries and Their Makers, Portman Books, London 1989 Later developments in devices such as dividing engines allowed the process to be automated with greater precision.
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While that alone doesn't compensate for some of the just-OK stuff he has to work with, it delights nonetheless." With a 3 out of 4 stars rating Derek Ali of the Dayton Daily News scribed "There's "something" for just about every musical taste among the 12-tracks, while a unity in sound is maintained throughout the album." Ali added "If you listen closely, there are hints of every step of Bailey's musicial life on the album. The music is pure.
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Looking East towards the chancel The 15th-century baptismal font Votive crosses carved into the stonework of the porch St Vincent's church was consecrated by Herbert de Losinga, Bishop of Norwich, and is built of clunch rubble masonry with dressed stones visible on the stair turret. The outer walls were rendered in Roman cement during the Victorian period with scribed lines intended to imitate ashlar. The chancel is 31 ft. 3 in. by 12 ft. 7 in., the nave 48 ft. 3 in.
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Page with Chi-Rho Matthew 1:18 The colophon of the book (f. 247r) contains an erased and overwritten note which, according to one interpretation, is by "Colum" who scribed the book, which he said he did in twelve days. This probably relates to the belief that Colum Cille (Saint Columba) had created the book, and its date and authenticity is unclear. Twelve days is a plausible time to scribe one gospel, but not four, still less with all the decoration.
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The Port Office Hotel, located on the corner of Edward and Margaret Streets, is a two storeyed rendered brick building with a corrugated iron roof. The rendered brickwork is scribed to imitate stonework and has bays separated by rendered quoins while a number of the window openings have stone sills. A cantilevered awning dominates the street facades. A separate store with a hipped roof, filling in the "L" shape plan to create a rectangle, has been incorporated into the structure.
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Lutheran cemetery and chapel Krasna highlighted on map of Cieszyn Krasna (, later Krasna) is a district of Cieszyn, Silesian Voivodeship, Poland. It was a separate municipality, but became administratively a part of Cieszyn in 1973. It lies in the Silesian Foothills and in the historical region of Cieszyn Silesia. The name was at first scribed in Latin (Pulcra villa, 1284), then in German (Schondorf, 1439) and later in Czech (Krasney Wsy, 1457; Krasna Wes, 1523), eventually the noun Wes (a village) was dropped.
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For marine navigation, the earliest examples were found around 1460. They were not graduated in degrees but rather had the latitudes of the most common destinations directly scribed on the limb. When in use, the navigator would sail north or south until the quadrant indicated he was at the destination's latitude, turn in the direction of the destination and sail to the destination maintaining a course of constant latitude. After 1480, more of the instruments were made with limbs graduated in degrees.
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In early instruments, graduations were typically etched or scribed lines in wood, ivory or brass. Instrument makers devised various devices to perform such tasks. Early Islamic instrument makers must have had techniques for the fine division of their instruments, as this accuracy is reflected in the accuracy of the readings they made. This skill and knowledge seems to have been lost, given that small quadrants and astrolabes in the 15th and 16th centuries did not show fine graduations and were relatively roughly made.
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The building has a heavy cornice, feature panels of rough render and a base which is scribed to suggest large size stone blocks. The building has large sash windows with mottled glass panes with a panel of galvanised iron louvres to either side of each window. There are also ventilation panels in the base and below the cornice. A set of large timber doors is located on the north, which has been painted bright colours, and a section of the base has also been painted.
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The entrance is flanked by two casement windows with arched headers to either side, all of which have expressed imposts, extrados and keystones. The arcade has arches at either end, with two cross arches framing the entrance. The floor of the arcade has diagonally-laid black-and- white marble tiles, the ceiling is boarded, and the rendered wall is scribed to imitate coursing. A garage structure has been constructed on the southern side, setback from the street, infilling the space between this and the adjacent building.
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In his book Notes on the State of Virginia (1785), Jefferson had scribed his ideas for public education at the elementary level. In 1817 he proposed a plan for a system of limited state public education for males only, in keeping with the times. It depended on public grammar schools, and further education of a limited number of the best students, and those whose parents wanted to pay for them. The university was to be the capstone, available to only the best selected students.
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Burntside Lake is a lake, located northwest of Ely, Minnesota, in Saint Louis County, Minnesota. Its western boundary adjoins the Boundary Waters Canoe Area Wilderness on Tamarack Creek. Native fish include Bluegill, Golden Shiner, Green Sunfish, Lake Trout, Lake Whitefish, Northern Pike, Rainbow Smelt, Rock Bass, Shorthead Redhorse, Smallmouth Bass, Walleye, White Sucker and Yellow Perch. On its shores are two resorts with original hand-scribed log cabins built in the early 1900s and operating continuously since then: historic Burntside Lodge (1913) and Camp Van Vac (1918).
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Before the manuscript was published at least five copies were hand scribed by students after Francesco's original copy, some of which reside today in The Elmer Belt Library of Vinciana at the University of California, Los Angeles Library. These efforts, starting with Francesco's, were steps leading up to the final production and printing of the manuscript. In addition, he made Leonardo's works accessible to scholars at the time such as Vasari, Lomazzo, Antonio Gaddiano, Cardano, among others, whose names are listed in numerous manuscript copies.
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Ewbank is a two- storey Victorian building located on George Street, the main artery through Singleton. It is constructed of brick which is stuccoed and scribed to look like stone. An important architectural element is its sandstone porch which is unusual for the Singleton district. The building features a slate roof with domed ventilation vents, large pane sash windows, the original cast iron picket fence and gates to both front and side doors, as well as the original cast iron work to the first floor verandah.
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Long round-headed arched openings are found on the octagonal projection and flanking this, on the face of the transept end. The western facade has two parapeted gable walls, one slightly smaller in front of a larger version, defining the chancel space. The smaller gabled wall is abutted by a single storeyed semi-octagonal projection housing the vestry. The porch on the eastern facade houses a recessed porch and the walls of the porch have been smooth rendered and scribed with ashlar stonework joints.
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Researchers emphasize that the manuscript is a collection of diverse prayers of different origins: some of them are scribed to the pre-Cyrillo-Methodian Salzburg mission, and for others it's being claimed that they represent Eastern-rite missal fragments. We don't know much of its language: nasal vowels are well-preserved, there is no notation of palatalism in syllabic sonorants r and l, strong yers are sometimes preserved, and sometimes vocalized (ъ > o, ь > e), weak yers are sometimes omitted, Jagić's rule is confirmed etc.
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In the walls of the sanctuary are two corbels which have been re-set, and they may indicate the use of a Lenten veil. On the sanctuary floor are early 20th century memorial mosaics, with a crypt below. The chancel contains a 14th century piscina with an ogee opening, but the piscina and the top of the sedilia are low on the wall to the right of the altar, indicating a raising of the stone floor which has 17th and 19th century ledgers. It has scribed render walls.
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In the Annals, there also exists an entry recording the 1586 A.D. death of Owen Utach, who is therein noted to be a particularly distinguished and skilled physician. The Annals compilers further elaborate of Owen Utach at this entry that "His real name was Donlevy or, Mac Donlevy. He was physician to O'Donnell." In or about 1470, Cormac MacDonlevy, M.B.The degree is noted in British Library MS 333, fol. 113v25, which manuscript copy of the Irish De dosibus was later scribed than the Royal Irish Academy copy of the same appearing in reference below.
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Double height verandahs almost encircle the building, being broken by a projecting two- storeyed bay on the southern corner. The verandahs have cast iron columns and balustrade, with cast iron brackets and valance to the first floor and a timber lattice valance to the ground floor. The rear first floor verandah has been partially enclosed with fibrous cement and glass louvre panels. Walls are scribed to represent ashlar, the projecting bay has sash windows framed by rendered pilasters supporting a deep cornice and the gable above has a scalloped bargeboard.
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Notable individual manuscripts are two books of hymns scribed by William Williams (NLW MSS 77-78) and one written by his son Rev. John Williams (NLW MS 269), both of Pantycelyn; holograph copies by nineteenth century celebrities including Talhaiarn (NLW MS 192) and Ceiriog (NLW MS 307); and, a book of Manx Carols owned by George Borrow (NLW MS 409). Seven continental liturgical manuscripts (NLW MSS 493-499), including examples of fifteenth century illumination from Italian, French and Netherlandish schools, were purchased from Sir Edmund Buckley of Plas Dinas Mawddwy in 1912.
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The captions demonstrate clearly the multiple functions of these large medieval maps, conveying a mass of information on Biblical subjects and general history, in addition to geography. Jerusalem is drawn at the centre of the circle, east is on top, showing the Garden of Eden in a circle at the edge of the world (1). Great Britain is drawn at the northwestern border (bottom left, 22 & 23). Curiously, the labels for Africa and Europe are reversed, with Europe scribed in red and gold as 'Africa', and vice versa.
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This bar could pivot about its end points and held a perforated slider that was positioned to the month and day according to a scale scribed on the bar. The time was determined by rotating the bar towards the Sun so that the light shining through the hole fell on the equatorial ring. This forced the user to rotate the instrument, which had the effect of aligning the instrument's vertical ring with the meridian. When not in use, the equatorial and meridian rings can be folded together into a small disk.
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The whole page The Getty Tondal, also known as Les visions du chevalier Tondal is an illuminated manuscript from 1475, now in the Getty Museum. It is a French version and is the only surviving fully illuminated manuscript of the Visio Tnugdali. It has 20 miniatures by Simon Marmion and elaborate borders with "CM" for the initials of Margaret of York, Duchess of Burgundy and her husband Charles the Bold. The text was scribed by David Aubert in Ghent, while the miniatures were done in Valenciennes, where Marmion was based.
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The village was first mentioned in Liber beneficiorum of Jan Długosz, scribed in years 1470–1480, as belonging to Lędziny parish. During the political upheaval caused by Matthias Corvinus the land around Pszczyna was overtaken by Casimir II, Duke of Cieszyn, who sold it in 1517 to the Hungarian magnates of the Thurzó family, forming the Pless state country. In the accompanying sales document issued on 21 February 1517 the village was mentioned as Paproczany. In the War of the Austrian Succession most of Silesia was conquered by the Kingdom of Prussia, including the village.
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RAJUK Bhaban Rajdhani Unnayan Kartripakkha, or RAJUK – literally the Capital Development Authority of the Government of Bangladesh – is a Bangladeshi public agency responsible for coordinating urban development in Dhaka, Bangladesh. RAJUK is composed of various public officials, city planners, urban administrators, engineers, and architects. It is the National Authoritative Board on building planning, estates and resources, plot allotment, and construction approvals from both public and private entities. It utilizes the Dhaka Improvement Trust (Allotment of Land) Rule of 1969 and The Town Improvement Act of 1953, both scribed since before the Independence of Bangladesh.
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Miscellany () is a collection of sermons and other religious texts (a Damaskin), by Puncho Kuzdin (Пунчо Куздин), a priest and pupil of Paisius of Hilendar who compiled, scribed and illustrated it by 1796, in a village near Mokreš Lomu. Today it is in the SS. Cyril and Methodius National Library in Sofia (under the shelfmark NBKM 693). The 809 pages are 20.5 х 15 centimeters. The collection is an important witness to the nascent modern literary Bulgarian language, as written by an educated man using the commonly spoken language of Bulgarian (mokrešský dialect).
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Assisted by his three sons, he immediately began work on a second edition which was issued in parts from 1793 to 1801. The Second Edition, of 150 copies, was produced using copper plates onto which Lewin directly scribed the images which were not copies of the First Edition work, but entirely new and very much more detailed. Lewin died suddenly in 1795 having completed only the first 103 copper-plates himself. His sons (Thomas, Thomas William and John William) completed the remaining plates (104-336) after Lewin's death.
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The church was built of poor-quality Westwood stone, with the interior having iron and plaster columns (the plaster painted to mimic marble such as the Purbeck marble of Salisbury cathedral's columns), and plaster scribed with false ashlar blocks to mimic high-quality stonework in the vaulting and walls. There were four porches, one of which (the south porch, the main entrance to the church nowadays) is situated under an embattled tower. The windows were originally plain, clear glass. Unusually, the church is not oriented east/west, but rather north-east/south-west.
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This does not provide for a large body of secular pieces, although they do exist (but are usually related in some way to Tibetan Buddhism). Almost all high religious writing involved calligraphy, including letters sent by the Dalai Lama and other religious and secular authority. Calligraphy is particularly evident on their prayer wheels, although this calligraphy was forged rather than scribed, much like Arab and Roman calligraphy is often found on buildings. Although originally done with a reed, Tibetan calligraphers now use chisel tipped pens and markers as well.
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A Course In Miracles (ACIM) Combined Volume Schucman was a clinical and research psychologist, who held the tenured position of Associate Professor of Medical Psychology at the Columbia University College of Physicians and Surgeons at the Columbia-Presbyterian Medical Center in New York City. During her tenure at Columbia University, Schucman worked with William Thetford,William Newton Thetford (April 25, 1923 - July 4, 1988) whom she first met in early 1958. A Course in Miracles (ACIM) was "scribed" by Schucman between 1965 and 1972 through a process of inner dictation.Wapnick, Kenneth (1991).
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London: John Murray, Albemarle Street, 1866, p. 439. On 20 March 1820, Byron wrote to Murray: "I shall not allow you to play the tricks you did last year with the prose you post-scribed to 'Mazeppa,' which I sent to you not to be published, if not in a periodical paper, – and there you tacked it, without a word of explanation, and be damned to you.".The Works of Lord Byron: Embracing His Suppressed Poems, and a Sketch of His Life. Boston: Phillips, Sampson and Co., 1854, p. 897.
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Small vineyards were located in two separate gullies, one to the west (Dundas) of the house.McClymont, 2008, scribed by Stuart Read Landscape consultant Geoffrey Britton has identified two areas of terracing by doing aerial photographic analysis, one south of the house within today's Brush Farm Park, the other to its south-west, west of Marsden Road. In 1825 James Busby wrote the first of a number of books on viticulture and wine making. In 1833, he brought 437 grape cuttings back to NSW and made these widely available (through the Botanic Gardens, Sydney).
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Early photographs of Brush Farm show a clear view to the Parramatta River from the house (McClymont, 2008, scribed by Stuart Read). Between 1831-5 the property was listed as One Tree Hill in the NSW Calendar and GPO Directory. In 1831 Blaxland moved out at age 53 in acute financial difficulties, selling to his son-in-law, Thomas Forster (a surgeon in the British Army) for 1500 pounds and moving to a leased vineyard in North Parramatta. Forster carried on the tradition of viticulture and wine making on the Brush Farm estate.
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The woodworker will usually have scribed a line on the end to indicate how far to trim the board. The hand plane is rested on its side on the fence and held firmly against the end of the board whilst being pushed along its length. Jointing is performed the same way except that the board is oriented so that one end is against the stop and the edge to be jointed faces the fence. One problem faced when using shooting boards repetitively is that the blade in the hand plane becomes worn very quickly in one spot.
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Birdsville Hotel The Birdsville Hotel is a single-storeyed building constructed of local stone rendered and scribed. It has elevations to Burt and Adelaide Streets and the corner of the building at the street intersections has been truncated marking the original main entrance. The hipped roof is clad with corrugated iron and is concealed by a low masonry parapet raised at the corner to carry the words "Birdsville Hotel" and "Established 1884". An awning of corrugated iron supported by timber posts and decorated by a scalloped timber valance runs along the street elevations and is also truncated at the corner.
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Design or artwork is generally prepared in advance, although some professional and highly experienced hand engravers are able to draw out minimal outlines either on paper or directly on the metal surface just prior to engraving. The work to be engraved may be lightly scribed on the surface with a sharp point, laser marked, drawn with a fine permanent marker (removable with acetone) or pencil, transferred using various chemicals in conjunction with inkjet or laser printouts, or stippled. Engraving artists may rely on hand drawing skills, copyright-free designs and images, computer- generated artwork, or common design elements when creating artwork.
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For the same reason the Y and Z Holes cannot be logically introduced into any scheme that suggests they performed a structural function within the design of the stone monument. Some interpretations introduce the idea that the holes were deliberately laid out in a ‘spiral’ pattern. However their irregular pattern still retains an integrity that can be explained as reciprocal errors created by prehistoric surveyors using a cord (equal to the radius of each circuit) passed around the stone monument. (the presence of the stones would have prevented an accurate circle from being scribed from the geometric centre of the site).
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This was put into print at the end of the 1692 in a book by Increase Mather, after Phips' had disrupted the trials and disbanded the Court of Oyer and Terminer. The manuscript was unknown to historians until 1943, when it was presented to archivists in a trove of documents including the infamous Letter from Cotton Mather to William Stoughton, September 2, 1692. Cotton Mather's manuscript is carefully scribed with few cross-outs or mistakes, suggesting it was not so much "minutes" of a meeting as a careful construction after the fact. It is not endorsed by any minister or government official.
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Platinum- iridium standard metre bars of Tresca section. The neutral plane of the bar is designed to coincide with one surface of the central web connecting the two sides (in this photo the bottom surface) and the meter is defined by two fine lines scribed near the ends of the bar on this surface. A more convenient approach was used for the international prototype metre of 1870, a bar of platinum-iridium alloy which served as the definition of the meter from 1889 to 1960. This was made with a splayed H-shaped cross section, called the Tresca section.
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" Frequently identified as fitting the "girl next door" archetype, Anne Bilson of The Telegraph described Rachel as "funny but not too funny, pretty but not too pretty, sexy but not too sexy, scatterbrained but not too scatterbrained." TalkTalk's Dominic Wills described the character as "smart but ditzy, determined but undisciplined." Meanwhile, Liat Kornowski, writing for The Huffington Post, scribed that Rachel is a "beautiful, coveted, slightly neurotic, borderline egocentric" character. Observing that the show's main characters are each based on a stereotype, Jonathan Bernstein of The Daily Telegraph identified Rachel as "the self-absorbed one who goes from riches to rags.
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Fleming, p 310, 315 Scribed on vellum, separated by leaves of parchment, the book was not reproduced in print until the nineteenth century in Lucy Toulmin Smith's edition, which omitted some of the content.Fleming, p 290 It is regarded as one of the earliest examples of a town chronicle outside London. Little is known of Ricart, apart from his office as town clerk and the possibility that he was a merchant, also known as Robert Ricardes. He also appears to have authored parts of the Great Red Book of Bristol, as well as the Little White Book.
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The Police Station (former Court House) is a classical revival building of rendered brick scribed to resemble stonework and is set well back from the street. The majority of the building rises to 2 storeys and the roof is clad with corrugated fibrous cement sheeting. The street entrance features an arcaded Tuscan order portico with 3 bays separated by square pilasters rising through 2 stories to the triangular pediment, which has a circular louvred vent in its centre. Three square windows are located in the spandrel over the arches, each with a moulded frame all around.
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In 1991, Ní Uallacháin and O'Connor released their first album as a duo. 'Lá Lugh' (, inspired by Irish deity Lugh Lámhfhada) was released on Claddagh Records ().Lá Lugh at AllMusic Eithne focused on songs from the Oriel region, scribed by collectors such as Lorcán Ó Muirí and Enrí Ó Muirgheasa and repertoire gathered from Antrim singer Len Graham, Armagh singer Sarah Makem and Donegal Gaeltacht singer Róise Bean Uí Ghrianna.Lá Lugh at Claddagh Records The album was recorded in Randalstown, County Antrim by Shaun 'Mudd' Wallace, who would go on to engineer all of Eithne's subsequent recordings.
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These side wings have steeply pitched parapeted gables and at the level of the ground floor projecting bays whose gabled awnings reflect the gabled roof form. Grouped lancet windows under pointed and flat headed arched hood moulds on the second floor, small rose windows, statue niches and Latin Cross finials at the apex of the gables contribute to the ornamentation of the wings. The render on the Ann Street facade is scribed with ashlar coursing. A central bi-furcating stairway, with substantial masonry balustrade featuring cut-out quatrefoils accesses the ground floor verandah of the building on the Ann Street facade.
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Individual drawers are usually separated by mid- rails and mid-stiles occur between doors and wherever vertical partitions exist within the cabinet (see image Parts of a face frame). The frame members are generally made from plain rectangular stock but are often visually enhanced through the application of cock beading or applied mouldings. Typically a frame member will be between 25mm to 50mm in width, depending upon the application and the desired appearance of the cabinet. For built in cabinets, it is common for stiles that are to abut a wall to be cut wider than the final size so that these may be scribed to the shape of the wall.
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Great Britain is drawn at the northwestern border (bottom left, 22 & 23). Curiously, the labels for Africa and Europe are reversed, with Europe scribed in red and gold as "Africa", and vice versa. The map is based on traditional accounts and earlier maps such as the one of the Beatus of Liébana codex, and is very similar to the Ebstorf map, the Psalter world map, and the Sawley (erroneously for considerable time called "Henry of Mainz") map; it does not correspond to the geographical knowledge of the 14th century. Note, for example, that the Caspian Sea (5) connects to the encircling ocean (upper left).
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Walls are rendered, and an arched opening leads into the hall at the rear with a timber ramp accommodating a change in floor level. The hall space has ashlar scribed rendered walls, and has undergone several modifications, including a concrete mezzanine floor with central opening, twin staircases from the mezzanine level to the rear stage area, a central hydraulic lift shaft, and several openings in exterior walls. The rear stage area has a proscenium arch with classical details including side pilasters, entablature and keystone. The stage area is accessed via a central stair, and has a narrow stair in the southwest corner accessing the basement level.
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The west and north elevations are rendered and scribed to imitate stonework, with the west elevation having a metal access stair to the first level. A single-storeyed brick store with a corrugated iron gable roof and side awning is attached to the northeast of the building. Internally, the ground floor has been refitted as an office with a concrete floor and partition walls but retains the original cast iron Ionic columns, some of the joinery and a section of the timber floor to the rear of the building. The first floor is accessed via a stair at the southwest corner and is used as a dance studio.
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The Amarna Letters. EA 365, Justified War, p. 362. line 3 (2nd sign for ka): "Servant-yours, at...", "ARAD-ka, a-na...."Rainey, 1970. El Amarna Tablets, 359-379, Anson F. Rainey, (AOAT 8, Alter Orient Altes Testament 8 (Note: the 2 horizontals at the right side of "ka", are barely visible, compared to the 2 well-scribed verticals) (high resolution exandable photo) The cuneiform ka sign is a common, multi-use sign, a syllabic for ka, and an alphabetic sign used for k, or a; it is common in both the Epic of Gilgamesh over hundreds of years, and the 1350 BC Amarna letters.
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June 18, 1844 (exhibit D). None of the three appear to match, consistent with Smith's use of scribes for official letters. If Emma Smith's recollections on the writing of the letter were accurate, Joseph, Hyrum, Willard Richards and John P. Greene were present and any of them could have written the letter and signed it. The above analysis would cast doubt on Richards as a handwriting match, however, Exhibit C (indicated as scribed by Richards) was written in long hand, while Exhibit D was written in print. Further authentication would require examples of printed hand writing samples from Hyrum Smith, John P. Green and Willard Richards.
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The surface of the letter is rough (partially eroded?), or photos of the reverse especially, do not easily highlight the cuneiform characters. The topic of the letter is the whereabouts of Ayyab, supposedly in Pella, Jordan (Pihilu of the letters). Each text line was written with a horizontal line scribed below the text line, as well as a vertical left margin-line, (beginning of text at left) scribe line on the obverse of the tablet. The letter contains 14 (15) lines on the obverse, continuing on the bottom tablet edge to conclude at line 31 on the reverse, leaving a small space before the final tablet edge.
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The manuscript, now British Library Royal MS 19 C viii, was once seen, together with the Charles d'Orléans MS Royal 16 F ii below, as entirely the product of a workshop of immigrant specialists headed by Poulet at Sheen, and so "key early evidence of the Tudors' revival of English court culture".Kren & McKendrick, pp. 403 However it is now thought that Poulet scribed the pages at Sheen – the colophon is dated 30 June 1496 – but then sent them to one of the best Bruges workshops to be decorated, using his contacts there. A similar conclusion is less firm in the cases of some of the miniatures in the Orléans manuscript, one of which appears to depict London accurately.
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These are in books he wrote - in both senses of the word, as he usually scribed Philip's copy himself.Two further images of Miélot are shown here Philip the Good was the leading bibliophile of Northern Europe, and employed a number of scribes, copyists and artists, with Miélot holding a leading position among the former groups (see also David Aubert). His translations were first produced in draft form, called a "minute", with sketches of the images and illuminated letters. If this was approved by the Duke, after being examined and read aloud at court, then the final de luxe manuscript for the Duke's library would be produced on fine vellum, and with the sketches worked up by specialist artists.
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There are other sub-uses of ni (see Epic of Gilgamesh usage below). It is also found in some Amarna letters, EA 9, and EA 252, for example where ni or lí is scribed in a "flourish" format (an over-lengthened version of the 2-horizontals that construct the sign), similar to tab, 100x24px. In EA 9 especially, there is a 'scribe margin line', both left and right on the clay tablet obverse. For the right margin, some words in the lower paragraphs of the obverse (Para 4-7), some words ending with ni/lí, have the sign lengthened, and sitting upon the right margin line-(the cuneiform text, in EA 9, reads: left-to-right).
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The rear wing, finished in scribed render to imitate ashlar, has sash windows with hoods consisting of cast iron brackets and corrugated iron awnings, and a central recessed two-storeyed verandah on the southwest. The verandah has cast iron columns and brackets, with a timber lattice valance, to the ground floor, and cast iron columns and balustrade, with louvred timber screens above the handrail, to the first floor. French doors open onto the first floor verandah, and the ground floor has panelled timber doors with fanlights, and sash windows. The northwest end of the rear wing has an enclosed ground floor verandah with fibrous cement cladding, casement windows and a curved corrugated iron awning.
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The Family Services' building, a single-storeyed rendered masonry structure, scribed to imitate ashlar, is located towards the southern corner of the site fronting Bolsover Street, and is surrounded by the Supreme Court to the northeast and the Government Office building to the northwest. The building has a tiled hipped roof with a parapeted elevation fronting Bolsover Street. The roof has a central cupola, consisting of a dome supported by a ring of columns on a polygonal base with a central ridge ventilator. The building, designed with Art Deco detailing, has a symmetrical Bolsover Street elevation with a recessed central portico surmounted by a high parapet and flanked by lower recessed wings to either side.
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Another interesting reference is that of a 19th-century manuscript held at the Royal Irish Academy and was scribed by Conchubhair Mac In Oirchinnigh of Baile Ban (Ballybawn) in Clare. The scribal note sets out his direct paternal line stretching back to the 17th century and claims descent from Donnchadha Mac Con Mara, the 12th century progenitor of the McInerney line and erenagh of Cill Da Luadh (Killaloe). The note also refers to the McInerneys as loyal chiefs of the lands of Caherteige, Clonloghan, Drumgeely and Tullyvarragh which locate nearby to the present-day Shannon Airport. It is possible that these lands consisted of the original McInerney patrimony and were awarded to the sept for services rendered as erenaghs.
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Zebec, in turn responded to Keegan's critique and explained to Keegan it was the same for all the players. Keegan then implied to Zebec that players have different roles and not all players run the same distances on match days; he pointed out to Zebec that because of his role and his effort, on match days not many players in the squad ran as much as himself. At Hamburg Keegan even doodled with a pen and paper what he thought of the training regime. Keegan, as the metaphorical prisoner, drew a cartoon picture of Zebec in sunglasses, with he and his teammates doing press-ups, and then scribed Roman numerals conveying Keegan was counting down to his freedom.
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It was probably lost from Prague in the time of the Hussite Wars; after some time (1451Auguste Vallet De Viriville: Bibliothèque de l'école des chartes, Volume 15, 1854, pp.192–194 ) it appeared in Istanbul, where the books by St. Jerome were said to be kept. In 1574, it was bought by Charles, Cardinal of Lorraine (from the Patriarch of Constantinople, whom he knew from the Council of Trent), and donated to Reims Cathedral. Because the book was nicely decorated and it was believed it had been scribed by St. Jerome, the manuscript began to be used in the coronation ceremony of French kings, who took the oath of the Order of the Holy Spirit by touching the book.
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A simple example of sliding door roller and track similar to what was commonly used in New England barns The English barn (also known as a three-bay barn, Connecticut barn, Yankee barn, thirty-by-forty and sometimes confusingly called a New England barn) was built from a very early date in the northeast United States. The defining characteristics are the big, swinging doors on the sidewall with strap hinges mounted on pintles and three or sometimes four bays. The doors being on the side walls creates the spatial arrangement of the bays being the main divisions of these barns. The English barns were built during the period of using scribe rule framing (the irregular timbers were laid out and scribed to fit together).
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The central entry, which has a panelled timber door with glass sidelights and fanlight assembly with the name GRANGEHILL in the fanlight, is surrounded by vermiculated sandstone quoining and is flanked by bay windows to either side which projects from the face of the wall. These bays have tall sash windows, with the southern bay incorporating a multi-paned glass door. The first floor verandah walls are finished in scribed render, and had similar early bays which have been removed, but evidence of their form can be seen in the verandah floor boards and ceiling sheeting. The southern bay has been replaced with a sliding aluminium framed glass door, and the northern bay has been replaced with a pair of timber framed French doors.
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Using these feet, the cabinets need not be shimmed or scribed to the floor for leveling. The toe kick board is attached to the cabinet by means of a clip, which is either screwed onto the back side of the kick board, or a barbed plastic clip is inserted into a saw kerf, also made on the back side of the kick board. This toe kick board can be made to fit each base cabinet, or made to fit a run of cabinets. Kitchen cabinets, or any cabinet generally at which a person may stand, usually have a fully enclosed base in which the front edge has been set back 75 mm or so to provide room for toes, known as the kick space.
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The former Hotel Francis is a two-storeyed masonry building located on the corner of Kent and Richmond Streets, Maryborough. The site contains several smaller buildings to the rear of the hotel. The hotel comprises two major elements; the early hotel lined with two-storeyed verandahs extending down the Kent Street facade and around the corner into Richmond Street where it is met by the second stage of the building, a two-storeyed stuccoed wing. The early section is constructed of rendered brick which has been scribed to resemble stonework to the height of the parapet, which consists of a face brickwork band surmounted by a stringcourse with dentils above which is an Italianate balustrade punctuated with moulded masonry panels.
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78 pages Originally, German (and other) master carpenters would peg the joints with allowance of about an inch (25 mm), enough room for the wood to move as it 'seasoned', then cut the pegs, and drive the beam home fully into its socket. To cope with variable sizes and shapes of hewn (by adze or axe) and sawn timbers, two main carpentry methods were employed: scribe carpentry and square rule carpentry. Scribing or coping was used throughout Europe, especially from the 12th century to the 19th century, and subsequently imported to North America, where it was common into the early 19th century. In a scribe frame, timber sockets are fashioned or "tailor-made" to fit their corresponding timbers; thus, each timber piece must be numbered (or "scribed").
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Unlike ordinary records, Vitaphone discs were recorded inside out, so that the groove started near the synchronization arrow scribed in the blank area around the label and proceeded outward. During playback, the needle would therefore be fresh where the groove's undulations were most closely packed and needed the most accurate tracing, and suffering from wear only as the much more widely spaced and easily traced undulations toward the edge of the disc were encountered. Initially, Vitaphone discs had a recording on one side only, each reel of film having its own disc. As the sound-on-disc method was slowly relegated to second-class status, cost-cutting changes were instituted, first by making use of both sides of each disc for non-consecutive reels of film, then by reducing the discs to in diameter.
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The Magistrate's Court, a single-storeyed rendered masonry structure, scribed to imitate ashlar, is located towards the northeast area of the site fronting East Street, and is surrounded by the Supreme Court to the southwest and the District Court to the southeast. The building has a tiled hipped roof to the central section, with parapeted elevations at the front and rear. The hipped roof has a cupola, consisting of a dome supported by a ring of columns on a polygonal base with a central ridge ventilator, and skillion roofed dormer windows projecting to the southeast, northeast and northwest. The building, designed with Art Deco detailing, has a symmetrical East Street elevation with a recessed central portico surmounted by a high parapet and flanked by lower wings to either side.
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Dülon was born in Oranienburg. Although he went blind due to an eye infection caused by medical malpractice when he was only six weeks old, this did not prevent him from taking music lessons, first from his father, a music-loving tax official, and later from organist Johann Karl Anderson (1774–1815) who taught him piano and figured bass, and the equally blind flutist Joseph Winter who had arrived in town on 16 March 1778. When he was 9 his musical talent struck by the fact that he had already composed a minuet. It was natural for him to play Quantz's flute concerto, which he had learned by heart while listening to his father play it on the ridge, as well as improvise and dictate his own compositions so that they might be scribed.
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The British Library copy is dated 1459, so Cormac must have completed this work of translation and his formal medical education sometime earlier than that date. It is unknown where Cormac obtained his medical degree, but it was, likely, from a Continental European university, as, again, institutionalized medical training in Ireland at the time was by apprenticeship, really, pupilage, with medical knowledge, generally, being passed from physician father to student son. commenced the daunting 12-year task of first translating the French physician Bernard of Gordon's most celebrated and extensive medical work, the Lilium medicineDublin Royal Irish Academy, MS 443 (24 p 14), pp 1–327, undated (Cormac's translation of this work, though, was completed by 1482, which is the date appearing on a later scribed copy of the Irish Lilium, which copy is housed as Egerton MS 89, fols.
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Teaching and administration block C (central school), located to the southeast of teaching block A and fronting Kent Street to the southwest, is a two-storeyed rendered masonry structure, scribed to imitate stonework, with a hipped corrugated iron roof with projecting gables. The symmetrical Kent Street elevation (southwest) has a central gable section which consists of an entrance porch to the ground floor with double timber doors and a sash window either side, and a triple sash window to the first floor and rendered quoining to the corners. The porch has paired chamfered timber posts, arched brackets and batten balustrade, a concrete floor and hipped corrugated iron roof, while the first floor triple sash window has a long hood supported by curled metal brackets. Either side of the projecting gable section are two- storeyed verandahs which return at either end of the building.
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The crude material was recrystallized twice from ethanol at 5 °C. to give the product (20.6 gram, 40% theory), m.p. 96.5°-97.3 °C., which was found to be 99.6 pure by glc. Step 3b 1: l-(2-Fluoro-4-biphenylyl)-2-(trans-4-n-propylcyclohexyl)-ethane The ketone produced in Step 3a was reduced as de scribed in Step lbl to give the product in 71% yield, 99.8% pure by glc. The product was found to have mp=46.5°-48° (N-I [37°—39.8°]). Step 3cl: l-(2-Fluoro-4’-propionyl-4-biphenylyl)-2-(trans-4-n propylcyclohexyl)-ethane The 4’propionyl- group was introduced into the product of Step 3b1 by the technique for carrying out Friedel-Craft reactions described in Step lal. The de sired product was obtained in 90% yield, 99.7% pure by glc.
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He became an opium-eater (afyuni), convinced of the therapeutic value of opium. Reflecting his own experience, ‘Imad al-Din Mahmud Shirazi wrote a treatise in Persian on the medical and addictive properties of opium and its use in compound remedies. The National Library of Medicine has a copy of this treatise that was made in Kerman in 1591, possibly during the author's lifetime or shortly thereafter. Another copy of this 16th-century Persian manuscript scribed between 1737 and 1744 is extant in the Library of Ibn Sina Academy of Medieval Medicine and Sciences. ‘Imad al-Din Mahmud Shirazi also composed the first Persian-language monograph on syphilis and an important treatise on China root (chub-i chini), the rhizome of an Old World species of smilax found in eastern Asia and advocated for the treatment of syphilis.
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Misuse of regimental funds saw Cox deported to England and his estate transferred to a number of prominent local citizens who acted as Cox's trustees and administered the sale of his property. of Cox's estate was acquired by D'Arcy Wentworth in 1805 and then by Gregory Blaxland in 1807. Blaxland was a free settler who arrived in 1806 from Kent, where his family had lived since St. Augustine's time, on an estate called "Newington". Gregory was less sociable than his brother John, who arrived in the colony in 1807.McClymont, 2008, scribed by Stuart Read. When Gregory Blaxland and his older brother, John decided in 1804 to emigrate to New South Wales they both negotiated with the British government for grants of land of their own choosing, an assignment of convicts and passage for their families and stock.
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It was used for boys formerly held on the 'Sobraon' an old clipper ship used to house wayward and homeless boys, moored at Cockatoo Island. The boys brought their hammocks off the ship to Brush Farm. They were trained in mariners' skills, agriculture, farming, and tin smithing and blacksmithing. The Carpentarian Reformatory's name was after Margaret Carpenter an English woman well known for her care for children (McClymont, 2008, scribed by Stuart Read). In 1904 the property was resumed by the State Government and continued to be used as a reformatory for boys until 1913 when the facility (Farm Home for Boys) was transferred to Mount Penang near Gosford). In the meantime the rest of the Bennett family land holdings in the area were subdivided and sold leaving about 1000 square metres of land around Brush Farm House (cf an original ).
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The returnees in this aliyah were of the Tribe of Judah, Tribe of Levi and the Tribe of Benjamin, and settled in their cities and places from before the destruction of the first temple, Solomon's Temple, as many of them kept scribed documents indicating their land tenure status of land ownership in various places. Due to the return of many single men, and the lack of Jewish single women, a phenomenon of mixed marriages with alien women developed. This wave of aliyah had been on good terms with the Persian government, which allowed them religious autonomy. However, the economic situation was not well – there was a lack of infrastructures due to the consecutive ruins in the aftermath of the destruction of the First Temple, taxes and many housing needs, as well as consecutive years of harsh drought and other natural disasters that hit the land of Israel.
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Besides, the librarians in public or private libraries also were somehow involved in scribing. In more recent periods, apart from the bureaucrat scribes, the calligraphers as well as groups known as modhahheb (gilder), mojalled (binder), talākūb (gold inlay maker), medādsāz (pencil- maker) were each also involved, in a way, in producing the manuscripts, and, during centuries, this led to the turning points of scribing in the Iranian and Islamic tradition. Along with administrative and bureaucratic scribing and copying of manuscripts, the Islamic schools, as another center of scribing, have always played a major role in the survival of the scribing tradition. One of the important features of the manuscripts scribed at the centers of teaching and learning is the corrections mentioned by the tutor when the tutee read out the text, sometimes written on the margins of the manuscript and sometimes on separate sheets later added to the book.
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After the boys left the property was used for wayward girls from c.1911, with the transfer of the boys taking a few years and the transfer of the girls similarly over time. Buttrey (2006, 38) adds that this was a home for single mothers and delinquent girls, and later still a home for handicapped children. In 1918 the Eastwood Home for Mothers and Babies opened at Brush Farm and operated until 1921 when the complex became the Brush Farm Home for Mentally Deficient Children, and subsequently Brush Farm Home in 1946. Community bush regeneration of the gullies to the south of Brush Farm House (on the former estate) has been ongoing since the 1970s. In the later 20th century the Department of Youth and Community Services' era, the garden was less intensively managed and cared for, and the carriage loop south of the house was grassed over and obscured (McClymont, 2008, scribed by Stuart Read).
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Aside from the original, these manuscripts are of importance, due to their proximity to the writing form of the author of the work, and their consistency and accuracy of recording. The amount of effort dedicated to the field of scribing and manuscript illumination, on the one hand, and the erudite diligence of scholars and seekers of knowledge, on the other, joined the Islamic “miracle of the book” with the “book-believing civilization”, leaving a legacy called “the manuscript,” which is most treasured and cultivating, and worthy to be appreciated and safeguarded. Within the manuscript collection of Malek National Library and Museum Institution, there are numerous manuscripts scribed by the seekers of knowledge and scholars at the centers of learning and teaching. Among these works, one can find instances from all across the Islamic domain of thought and civilization: from Cairo, Damascus, and Diyarbakir to Herat, Samarkand, and Tashkent; from Dār al-Salṭaneh (House of Monarchy) of Rey, Dār al-Molk (House of the State) of Esfahan, and Dār al- Khalāfeh (House of Caliphate) of Tehran, to Qūchān, Abarkūh, and Shūreh village.
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Tuan has had over a dozen works produced, including Last of the Suns, Ajax (por nobody), Coastline, The Roaring Girle, and BATCH, one-act plays Some Asians and Manilova, 9 short plays and a self-scribed hypertext performance as part of En Garde Arts’ final production, the site specific Secret History of the Lower East Side. The best known of these plays, Ajax (por nobody), had a year run at New York's Flea Theater and traveled to the Melbourne Fringe Festival in September 2001. It is also archived in the Billy Rose Collection of the New York Public Library at Lincoln Center. Thomas E. Jenkins notes ‘Tuan’s Ajax is less a direct adaptation of a Greek tragedy than an exploration of what “tragedy” means in the context of American theatre, and even American social context. Tuan's clever use of classical allusions and stage techniques, however, roots the play in the most ancient of performance traditions even as it pushes the boundaries of contemporary sensibilities concerning sex and sexuality.’.
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This latter group, probably all later than the Great Mongol Shahnameh, are influenced by it, though much less complex in style.Discussed at length by Sims; Grove; Canby, 34–38; Titley, 38–39 The books had a political purpose, which is reflected in the choice of incidents to illustrate: "in such works, the hitherto stubbornly alien rulers of Iran were expressing a new and public commitment to the religion and cultural heritage of the very lands that they themselves had devastated some two generations previously—and doing so with an urgency that suggested they were making up for lost time."Hillenbrand, 137 In the first decade of the 13th century the Persian Jewish vizier, Rašīd-al-Dīn was commissioned by Ghazan to continue a history of the Mongols, which he completed in 1307, and the next khan Öljaitü ordered a world history, the Jami' al-tawarikh, the earliest manuscript of which also dates to 1307.Canby, 31; Blair & Bloom, 26–28 Rašīd-al-Dīn set up a scriptorium in the Tabriz suburb of Rab'-e Rashidi, where the book was researched, scribed, illustrated and bound.
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