221 Sentences With "salad days" | Random Sentence Generator

Next I came up with the revealer SALAD DAYS, and the idea that my puzzle would contain movie stars with salad names who reminded people of their salad days.

The term "salad days" exists for a reason, after all.

They reminisce about their salad days and all seems well.

For lovers of leafy greens, these are not salad days.

A coded insult to Jared Kushner's salad days in Washington, perhaps?

Those were salad days for the left shark, every meme another viral success.

Even in her Strikeforce salad days, Rousey never opened at anything below -230.

It was great back in the glory days, the salad days, the halcyon days.

But here in Miami, these were the salad days before Paris and before Kanye's issues.

In my film Salad Days, I'm actually in it for two seconds as a kid.

Tensions are now running even higher than during the long-gone, salad days with Chad.

Fedor's Affliction years were his salad days, a time when he was more myth than man.

The company, which in its salad days was merely for cars, made the announcement at TechCrunch Shanghai.

His recollections of his experiences there resembled an aging roadie's remembering his salad days with Motley Crue.

Of course, nuclear power is still a going concern, albeit less eagerly embraced than during its salad days.

Gym time and salad days aren't a luxury, Jupiter reminds us, but a necessary means to staying productive.

How keenly you respond to it will depend on how tempted you are by the salad days of Solo.

Back during the salad days of their relationship, Ms. Cooper and Mr. Weah traveled together to Monte Carlo and Mexico.

It's great to see that progressive take on underground dance music from Coachella's salad days represented so strongly again now.

"No ideas but in things," wrote the noted futurist William Carlos Williams, back in the salad days of the 21th century.

Sure, he's lost before—once—but that loss was nearly a decade ago, back in the salad days of his long career.

Even in those salad days, though, we were pretty thrifty, saving what we could, when we could, never carrying credit-card debt.

" One of Parton's favorite stories about her salad days is based on how she lifted her now-iconic look from "the town trollop.

In what would be paradoxically referred to as my "salad days," I survived on pizza, bagels, and McDonald's dollar menu items almost exclusively.

The nasty headlines from across the Atlantic — Brexit, terrorism, debt crises — almost make us forget that these were supposed to be Europe's salad days.

Has it always been like this, or was there some blissful period, in our species' salad days, in which no one perished from bone cancer?

If you last kept up with the Tampa Bay Rays during the salad days of Joe Maddon and Andrew Friedman—and who could blame you?

Those were the salad days of standalone processors, when home PCs were in an endless megahertz race and Intel traded blows with arch-rival AMD.

As the spring fades and summer dries the pools where the Eubranchipuses spent their salad days, the mature females produce special eggs with thicker shells.

Money earned by selling music has declined steadily from a peak in the late 20143s, the salad days of the compact disc, to the early 2000s.

The cultural production of utopia, from the salad days of the 1950s to Cuba's Special Period, to the present day serves as the exhibition's through line.

This splendidly crafted first installment covers 1957-67, the salad days of a whip-smart, arrogant, ambitious young man determined to forge himself as a writer.

But it's perhaps not so odd that he's become a tag team powerhouse, given that his salad days were spent with Ohno in that great tag team.

The bids were nowhere near the salad days of Gulf lease sales, which have seen several billion dollars in total bids on some occasions over the years.

The book opens cheerfully enough, with a curious artifact from Fitzgerald's salad days, "The I.O.U.," written in 1920 and recently published, at last, in The New Yorker.

A lot has changed for the Richardson, TX startup since those salad days and they quietly launched a very interesting product last fall called their Digital Payments Hub.

"Crossing," a fictional account of Whitman's time as a volunteer nurse during the war, takes place after his salad days (or, rather, salad nights) at New York theaters.

While the going was great for ICOs over the past few years with multiple companies raising millions if not billions in a few minutes, these salad days are probably over.

You're there to train and fight and spend your salad days in a tin roofed, flood prone, cockroach-infested boxing gym at the back end of a Bangkok car park.

When news broke Tuesday morning that Rex Tillerson's salad days at the White House were over, that was only the tip of the iceberg — or, in this case, the romaine.

He allegedly turned to funding his lavish lifestyle with loans from American banks, using the properties he'd purchased in his salad days as collateral — and by filing misleading loan applications.

Having also recently shredded the fuck out of Nirvana's "Lithium," his newest offering is a faithful rendition of "Salad Days" featuring a vocal clearly inspired by the toothless Viceroy himself.

Relations are enjoying salad days in the Trump administration after years of friction between the administration of Barack Obama and the Saudi leadership, which thought Obama officials were too friendly with Iran.

The water at the city's fabled Fountain of Youth might not transport you back to your salad days, but there's enough magic on St. Augustine's brick streets to make you a believer.

The quietly devoted regulars of LET's salad days are now names known around the world: Flying Lotus, Nosaj Thing, Ras G, Daedelus, figureheads of a scene shaping the sound of the mid-2010s.

In the salad days of his art collecting, back in the 1960s, the magazine publisher S.I. Newhouse Jr. started out modestly, at one point paying the dealer Betty Parsons on an installment plan.

Boogie and the Bee—and Furillo in particular—haven't always gotten along, but if the town wants a winner, it needs the best player the Kings have had since the Chris Webber salad days.

"Coming up it was a fight," the emcee better known as Sir Mikey Rocks, one half of the tastemaking Chicago hip-hop duo The Cool Kids, says looking back at the group's salad days.

You should be proud that yours are open to your husband's experiments: They are honing a sense of adventure that will serve them long after their hot-dog-and-mackerel-salad days are behind them.

Sitting in the living room/office at Rivendell, Benet told me that he thinks of the early 803s, with the ascent of Skype and BitTorrent, as "the 'summer' of peer-to-peer" — its salad days.

His second studio album, "Salad Days," remains a default playlist for college radio stations; "Another One," his mini-album released in 2015, was recorded unassumingly in his home in Far Rockaway, Queens, and is scruffily guileless to match.

Way back in the salad days of 225, with budget surpluses projected as far as the eye could see, George W. Bush proposed a tax cut on the theory that the surplus essentially meant Americans were being overtaxed.

Although unicorns have represented a ticket to rapid growth—a Harvard Business Review study in January showed start-ups were growing twice as fast as they were a decade ago — evidence suggests that the salad days are nearing an end.

Season 6 will also give us flashbacks—reportedly in the form of visions from Bran—to the salad days of Lyanna and Ned during Robert's Rebellion, meaning that the Stark's signature man-bun will back in all its manly bunliness.

The Classic comes pre-loaded with 21 of the most beloved SNES games — from obvious inclusions like Super Mario World, Super Metroid, and F-ZERO, to titles you may have missed during your salad days, like Secret of Mana or Earthbound.

I resolved to do more curls in the gym, but while I was waiting to see those results, I started thinking about how the average ejaculations of my salad days had more volume, velocity, and range than my current emissions.

Those were the salad days for the titans of tech: Digital billionaires were superheroes feted on magazine covers and in the White House, not super villains hauled before Congress for fixing elections, sowing genocide, undermining truth and monopolizing all the globe's commerce.

When journalist and filmmaker Scott Crawford released his first film in 21, Salad Days: A Decade of Punk in Washington DC, he told the story of how a tight-knit music community was able to make an impact on the entire world.

The new rules have left many California cannabis operators who this reporter has spoken with in the wake of Prop 64 longing for the salad days of medical marijuana, 1996 to 13, when private cannabis collectives could operate largely on their own terms.

The delivery mechanism is a gaggle of tweens who belt the jubilant essence of their youth into each song — until their salad days shrivel about a year later, when the Kidz Bop stable is replenished with fresh talent plucked from nationwide casting calls.

Whether it's Mac Demarco's Salad Days surrounded by greenery and an ashtray full of stubbed-out cigarettes, or trinkets and diary notes dotted around Sufjan Stevens' Carrie & Lowell, each carefully constructed image translates the often intangible feeling of a particular album into something visual.

"Do I have the courage to be a soulful musician?" she asks herself on the Rave Curious Podcast, in a conversation that touches on her multicultural upbringing, the salad days of Berlin's minimal techno scene, and her current quest for a (semi-)permanent home.

In a way hers is the broadest of careers, stretching from her salad days of the 1980s working with the acclaimed independent director Derek Jarman to her appearance in this year's "Avengers: Endgame," which is already one of the highest-grossing movies of all time.

Set in the wilting salad days of Studio 54, the New York dance emporium that became the Emerald City of hedonism in the late 1970s, this labored marriage of fact and fiction may begin when its cast of revelers is still pretending to have a good time.

Listen to the choices; it's an hour of beautiful music: In other news, Seth Colter Walls spoke with the pianist who recently gave the public premiere of a rare work from Pierre Boulez's salad days, the "Prélude, Toccata et Scherzo" from 1944, when Boulez was 19.

It recreates the very division that liberals, in their salad days, set out to destroy—though this time the people at the top are a global elite of educated citizens, wearing their MBAs like modern coats of arms, and the people at the bottom are the uneducated masses, condemned to spend their lives on the receiving end of orders.

For several years of my youth—say, from five to 12, those salad days when finances weren't yet a concern and $9 didn't seem an unreasonable price to pay for a hot dog, and, "Oh, by the way, I'd really like a $133 bucket of French fries, please, Mom"—attending Massaschusetts' Topsfield Fair in early autumn was my favorite thing to do.

By bringing together the formal issues of the figure-ground relationship while exploiting the spatial tensions between the painting's interior shapes and their aggregate, exterior pattern, Stephan is able to rethink composition in abstraction, which — let's face it — has pretty much been stuck between all-overness on one hand and centrally located forms on the other ever since Clement Greenberg's salad days.

The real meaning of the quote is irrelevant to healthy eating and spinach varieties; it's from Shakespeare's "Antony and Cleopatra," and it's a line from the beautiful Egyptian ruler, defending her change of opinion of Julius Caesar (no relation to the salad), whom she was once with, during what she calls My salad days When I was green in judgment, cold in blood, To say as I said then.

In addition to a meticulous biography written by Lippincott, the monograph includes a 2141-page interview between Lippincott and Murray that covers Murray's salad days in New York City in the early 313s; his time as an assistant to Barnett Newman; his relationship with the influential critic Clement Greenberg; and the finer points of his work, including his naming conventions, the idea of sculpture as experience, and his intentions for his public and sited works.

Turns out that the most of the world does actually hate people like me, and not only that they did hate me, but they hated me a little bit more than they hated me a few years ago – in fact, studies have come out showing that Europe is even more xenophobic than it was in the salad days when we had European Union diktats commanding us to only eat regulation-shaped vegetables and give our last pennies to Jean-Claude Juncker so he could make a giant pile of money and dive into it like Scrooge McDuck.

Tracks "Good Guys" (a remake of The Standells' song "Sometimes Good Guys Don't Wear White") and "Salad Days" both feature an acoustic guitar, and "Salad Days" also has chimes. Like many of Minor Threat's recordings, Salad Days has never been released on CD, but all the songs are available on their 1989 compilation album Complete Discography.

He also starred in Love Buffet and Gloomy Salad Days.

Besides his music career, Qiu has also been active in acting. He starred in Laugh Travels (嘻遊記) film,Xi You Ji. Taiwan, 2010. Television. and Gloomy Salad Days in 2010,Gloomy Salad Days. PTS. Taiwan, 2010. Television.

This is a list of the episodes for the drama Gloomy Salad Days.

The track "Salad Days (Are Here Again)" is credited as being from the film Separation.

Xi You Ji. Taiwan, 2010. Television. Moreover, he was also cast in Gloomy Salad Days in 2010, and 33 Gu Shi Guan - Fake Chocolate in 2011 as the male lead, Qiu Ke Li.Gloomy Salad Days. PTS. Taiwan, 2010. Television.33 Gu Shi Guan - Fake Chocolate. STV.

"Hope-Wallace, Philip. "Another Present From Bristol "Salad Days" The Guardian, reprint in web.me.com, The Christine Finn Webshrine, 31 July 1954 It played to over 1.25 million people and grossed over $1.8 million. The Canadian premiere of Salad Days in 1956 was at the Hart House Theatre, University of Toronto for several monthsMorse, Barry.

In 1994, McTernan moved to Boston to be near his future wife who studied at Harvard University. He started his recording studio "Salad Days", when he was 18 years old, naming it after a song by Minor Threat from their 1985 Salad Days EP, in the basement of the house he shared with six roommates. The first recording produced by McTernan was the eponymous 1995 EP by the New York City based post-hardcore band Texas Is the Reason for Revelation Records. McTernan went on to build Salad Days to be a legendary studio.

Salad Days premiered in the UK at the Theatre Royal, Bristol in June 1954, and transferred to the Vaudeville Theatre in London on 5 August 1954, running for 2,283 performances"Salad Days History, Story, Roles and Musical Numbers" guidetomusicaltheatre.com, accessed March 16, 2012 to become the longest-running show in musical theatre history until overtaken by My Fair Lady in the U.S. (1956) and Oliver! in the U.K. (1960). In the Evening Standard Awards for 1955, Salad Days was given the Award for Most Enjoyable Show (although The Pajama Game won as Best Musical).

Romalotti's debut novel, Salad Days, was released on June 1, 2000.Amazon.com listing for "Salad Days" It is the story of Frank Smith, a determined idealist who is the vocalist for a hardcore punk rock band in the mid-1980s. The novel is known for its accurate portrayal of the punk subculture, and it incorporates actual bands (Black Flag, Bad Brains, Descendents) and venues (Outhouse, CBGB's, and City Gardens) from the mid-1980s punk era into its fictional plot. Salad Days has maintained a strong international cult following since its release.

On October 29, 2005, Fox played the first few seconds of Minor Threat's "Salad Days" during an NFL broadcast. Use of the song was not cleared by Dischord Records or any of the members of Minor Threat. Fox claimed that the clip was too short to have violated any copyrights.Moyer, Justin "Fox Uses "Salad Days" on NFL Broadcast " EconoCulture.

Julian Slade and Dorothy Reynolds also wrote Salad Days and Hooray for Daisy. Profits from Salad Days were donated towards the purchase of premises for the Bristol Old Vic Theatre School in 1956 and this contribution was honoured forty years later when the school's new purpose-built dance and movement studio was named after them in 1996.

"Sam Peckinpah's 'Salad Days" is a sketch from the 7th episode of the third series of the British television programme Monty Python's Flying Circus.

On January 12, 2014 Mac DeMarco told CKUA Radio Network that his second studio album would be titled Salad Days and would be released in April. He also performed three new songs: "Treat Her Better", "Salad Days" and "Let Her Go". The next day, he announced 36 tour dates in North America, South America and Europe. On January 21, the release date of April 1, the track listing and album cover were revealed.

The Progressive Miners of America governed itself through biannual conventions and maintained national headquarters in Springfield, Illinois. The group issued an official organ during its salad days, a weekly newspaper called Progressive Miner.

As seen in the "Salad Days Studio Diaries" series (posted on YouTube), the band continuously calls him "Dildo", as well as hazing him frequently. Drummer Sam Osbourne also commented that Stark is very quiet.

Free as Air is a musical with lyrics by Dorothy Reynolds and Julian Slade and music by Julian Slade. They are the same team responsible for the much better known musical Salad Days, although Free as Air is said to be "more slick and professional by some critics".Vallance, Tom."Co-author of 'Salad Days', for 10 years the longest-running show in British musical history"The Independent, 23 June 2006 The musical is still performed, particularly by amateur companies with large casts and choruses.

Salad Days is the second full-length studio album by Canadian musician Mac DeMarco released on April 1, 2014 through Captured Tracks. Following the debut releases of Rock and Roll Night Club and 2 in 2012 and the extensive touring for both releases in 2013, DeMarco worked on material for his next album at his Bedford-Stuyvesant apartment in Brooklyn. Salad Days garnered acclaim from critics, and debuted at number 30 on the Billboard 200. The album spawned two singles: "Passing Out Pieces" and "Brother".

Romalotti is working on a new novel with an expected release of Fall 2010. It is titled Bride of the Reaper, similar in tone to Pariah (dark thriller), and is set in the same location (Lawrence, Kansas) and time period (mid-1980s) as Salad Days. Characters from Salad Days are to be featured in cameo roles in Bride of the Reaper. The story revolved around a quirky girl named Kitty Waugh who lands a role as a horror host in a mid-sized Midwest town.

He went on to direct and choreograph many theatre productions such as: Illya Darling, The Boy Friend, Grease, Underneath the Arches, Something's Afoot, Salad Days, Ain't Misbehavin', Robert and Elizabeth, The Music Biz, and many more.

Darkest Hour has since gone on to record and release 6 full-length records, 2 EPs, and tour in over 32 countries and 5 continents. Schleibaum has had the opportunity to work with legendary metal producers: Fredrik Nordström (Studio Fredman, Gothenburg Sweden), Devin Townsend (Greenhouse Studios, Vancouver, BC), and Brian McTernan (Salad Days Studios, Baltimore, Maryland). With the help of his good friend and producer, Brian McTernan, Schleibaum began producing and recording records in 2006. Many of the studio albums he has worked on were recorded at McTernan's Salad Days studios.

The musical was parodied, in a particularly bloody manner, by Monty Python in their sketch "Sam Peckinpah's Salad Days". £7,000 from the Salad Days profits – a large sum in those days— was given to the Bristol Old Vic Theatre School towards the purchase and conversion of two large adjoining Victorian villas at 1 and 2 Downside Road in Clifton. In 1995 the enduring benefit to students of that donation was formally recognised when a new custom-built dance and movement studio in the School's back garden was named the Slade/Reynolds Studio.

Charles Romalotti is an American author of punk fiction. Born on February 10, 1970 in Topeka, Kansas, he is the author of two novels, Salad Days and Pariah, both released by Layman Books. He currently resides in Austin, Texas.

Dorothy Reynolds (26 January 1913 – 7 April 1977) was a British writer and actress. She is mainly known for writing a number of musicals in collaboration with Julian Slade. The best known were Salad Days and Free as Air.

Colleen Delaney of Stylus writes "it's too hard to compare I Break Chairs to anything because it's got that sort of timeless quality to it" and "it's bringing me back to the salad days [of indie pop] of 1992, 1993".

Cast recordings from various films and musicals made the top 5 this year. These included Rodgers and Hammerstein's Carousel, The Eddy Duchin Story, High Society, The King and I, Rodgers and Hammerstein's Oklahoma!, Salad Days and Songs from The Student Prince.

In 1957, after Slade and Reynolds had enjoyed considerable acclaim with Salad Days, Lewis and Patricia Bredin (who in the same year was the United Kingdom's first ever entrant to the Eurovision Song Contest) took the main female roles in their follow-up show, Free as Air, which opened at the Savoy Theatre in London on 6 June 1957 following an initial season in Manchester. Although this and other Slade musicals never quite matched the success of Salad Days,See, for example, Oxford Companion to Popular Music (1991) Free as Air, which was set on the fictional Channel Island of Terhou,Based on Jethou ran for 417 performances, some critics regarding it as more slick and professional than its predecessor.Independent obituary of Julian Slade, loc.cit.. Rexton S. Bunnett, an avid collector of memorabilia of musical theatre, described Free as Air as "a true book musical" rather than (like Salad Days) "a flimsy, revue like show": sleeve notes to 2007 CD release of Free as Air (Sepia 1102).

Salad Days is a musical with music by Julian Slade and lyrics by Dorothy Reynolds and Julian Slade. The musical was initially performed in 1954 in the UK in Bristol and then in the West End, where it ran for 2,283 performances.

Another One was recorded by DeMarco in his home in Far Rockaway, Queens, New York between tour dates promoting his previous studio album Salad Days (2014). The songs were written within a week and recorded within the following week and a half.

"Those Were My Salad Days", Remember With Advantages (2006), McFarland & Company, Inc. , pp. 126–31 with Barry Morse as director and Alan Lund as choreographer. The Canadian cast included Jack Creley, Betty Leighton, Barbara Franklin, John Clark, Roland Bull, Norma Renault and Eric Christmas.

Julian Slade, 1954 Julian Penkivil Slade (28 May 1930 - 17 June 2006) was an English writer of musical theatre, best known for the show Salad Days, which he wrote in six weeks in 1954, and which became the UK's longest-running show of the 1950s, with over 2,288 performances.

In March and April 2003, the group were recording at Salad Days Studios in Beltsville, Maryland. McTernan returned to produce and engineered the sessions. Kensrue had a few disagreements with McTernan over lyrics. Kensrue was feeling "really maxed out" while in the studio as he wrote most of the lyrics there.

Russell was general manager of Fortnum & Mason from 1947 until resigning in 1951, then chairman of the New Providence Hotel until 1965. He made a career in theatrical management as owner/managing director of Linnet & Dunfee (which produced the original production of the musical hit Salad Days) from 1953 until 1981.

Poster promoting what would be Minor Threat's final show. Minor Threat broke up in 1983. A contributing factor was disagreement over musical direction. MacKaye was allegedly skipping rehearsal sessions towards the end of the band's career, and he wrote the lyrics to the songs on the Salad Days EP in the studio.

Blabbermouth Not long after Kris Norris' departure, they found replacement Mike "Lonestar" Carrigan. With Lonestar officially on board the band is heading back into the studio to write & record with Producer Brian McTernan of Baltimore's Salad Days Studio. The band's song "Demon(s)" is featured on the music game Guitar Hero 5.

The Penguin Guide to Jazz wrote: "Evans is still in his tough, boppish salad days, and when paired with Costa's equally brisk and searching solos the six Guys and Dolls themes come in for productive scrutiny." The AllMusic reviewer commented that "Costa and Evans mesh beautifully throughout, and Costa's solos are well crafted".

At the very least, Salad Days "didn't rely on any Broadway model of musical, seeming rather to represent a vigorous counter-attack on the form": The Musicals Collection – 18: Salad Days (Orbis, 1994) A cast recording, which includes Lewis singing a solo number, "Nothing But Sea and Sky", duets with John Trevor ("Free as Air" and "I'd Like to Be Like You") and in a trio with Josephine Tewson and Gerald Harper ("Holiday Island"), was released on compact disc in 2007.Sepia CD 1102 (2007) One admirer has written that her "sometimes uncertain soprano voice" was "tenuous but perched on the edge of beauty". Like Lewis, both Harper and Tewson moved successfully into television in the 1960s.Gerald Harper achieved fame as Adam Adamant and James Hadleigh.

The day of the release they also played a short set for free at Lou's Records in Encinitas, California. The album was recorded with Brian McTernan at Salad Days Studio. I, Lucifer shows the band drifting away from their metalcore sound established in their debut, Saints, as it features less screaming and more singing.

All It Happened. Archived from the original on October 16, 2015. sharing the bill with go-go band Trouble Funk, and Austin, Texas punk funk act the Big Boys. In a meaningful way, Minor Threat ended their final set with "Last Song", a tune whose name was also the original title of the band's song "Salad Days".

The band's single "Leaving Here" was released via iTunes on March 5, 2013. This song was produced by Brian McTernan of Salad Days Studio in Baltimore, Maryland. The band provided support to Chunk! No, Captain Chunk! on the “Pardon My French” tour (March–April 2013) with other support from For All Those Sleeping and Upon This Dawning.

Salad Days debuted at number 30 on the Billboard 200 and number 11 on Top Rock Albums, selling 10,000 copies in its first week. Its debut represented DeMarco's highest chart peak and best sales week until the release of Another One the following year. The album has sold 51,000 copies in the US as of July 2015.

Salad Days is the final EP by the American hardcore punk band Minor Threat. It was released in July 1985, two years after the band's breakup, through Dischord Records with the catalog number DIS 015. The EP differs somewhat from the band's previous material. All songs are slower, making a slight departure from the group's hardcore punk style.

The band began touring Canada and the United States heavily in support of the album as well as 2001's release Definition Recorded and produced by Brian McTernan at Salad Days in Baltimore. In November, 2001 they performed in Toronto with Ensign and Suicide Machines."LIVE: Suicide Machines with Jersey and Ensign". Chart Attack, November 19, 2001.

Shankar died in 1987. His death received nominal media coverage and his funeral was attended only by his family and some friends. The film industry was hardly represented at his funeral, thus reinforcing the stereotype of its fickle-natured loyalties. Raj Kapoor later paid glowing tributes to the colleague of his salad days in a televised interview.

Warner's first Shakespearean role was that of the Chief Fairy in a production of The Merry Wives of Windsor directed by Tyrone Guthrie in 1942. He appeared in Peter Brook's productions of Romeo and Juliet and Love's Labour's Lost at the Royal Shakespeare Theatre in 1947. In the 1950s Warner spent some years at the Bristol Old Vic when it regularly transferred productions to the Old Vic. In 1951 he played Osric and Reynaldo to Alec Guinness's Hamlet at the New Theatre in London. Warner created the role of Timothy Dawes in Salad Days which premiered in the UK at the Theatre Royal in Bristol in June 1954, and transferred to the Vaudeville Theatre in London on 5 August 1954,"Salad Days History, Story, Roles and Musical Numbers" guidetomusicaltheatre.com.

The Cruel Sea (1953) John Hickson Warner (1 January 1924 – 19 May 2001) was a British film, television and stage actor whose career spanned more than five decades. His most famous role was that of Timothy Dawes in Salad Days, which premiered in the UK at the Theatre Royal in 1954, and transferred to the Vaudeville Theatre in London in the same year.

In December 2010, Caine returned to the musical theatre stage as Lady Raeburn in Salad Days produced by Tête à Tête. In May 2011, Caine played Ottavia in a jazz adaptation of The Coronation of Poppea directed by Mark Ravenhill. In the summer of 2012, Caine played Baroness Elsa Schraeder in the Sound of Music at the Kilworth House Theatre in Leicestershire.

11 and The Hawk by Edward Knoblock at the Royalty Theatre."The Hawk", The Times, 19 September 1916, p. 11 In 1917, he was featured in The Double Event by Sydney Blow and Douglas Hoare at The Queen's TheatreThe Times, 21 February 1917, p. 9 and H. V. Esmond's Salad Days at the London Pavilion.The Times, 20 September 1917, p.

In December 2012 it was announced that Misser would tour supporting The Wonder Years, along with Fireworks and Hostage Calm in the Spring of 2013. On March 6, 2013 the song “Goddamn, Salad Days” premiered on Revolvermag.com. On May 23, 2013 the bands streamed new EP, Distancing, via PropertyOfZack. The EP was officially released on May 28 through Rise Records.

Salad Days: A Decade of Punk in Washington, DC (1980-90) is a documentary written and directed by Scott Crawford. Released on December 19, 2014, the Kickstarter-funded film features early pioneers of the Washington, DC hardcore punk music scene over a decade (1980-1990) including Minor Threat, Fugazi, Bad Brains, Government Issue, Youth Brigade, Teen Idles, Rites of Spring, and others.

In 2004, Zhong started out in the industry as a model and appeared in several music videos for artists such as Sandee Chan and S.H.E. In 2007, she received her first acting role in the movie Secret. She then went on to have supporting roles in several dramas such as Gloomy Salad Days, Wake Up 2 and Mr. Right Wanted.

The show was a benefit for the D.C. hardcore documentary Salad Days and also featured Scream and Government Issue. That same foursome continued as Youth Brigade and did a second show at the 9:30 Club shortly thereafter as part of the "Punk-Funk Throwdown" series. Hansgen later played in Dot Dash. He has a wife that works in performing arts.

The CD version also includes a fold-out of visual art created by Yokota in 1987 and 1988. In the United Kingdom, the album was released both on CD and on vinyl. Tracks one through seven are included on side A, while the latter six tracks are on side B. "Nisemono no Uta" samples "Salad Days" by Young Marble Giants.

In 2002, the band focused their creative energy on crafting their new album, End Transmission, with Brian McTernan at Salad Days Studios. The result became their fourth full-length album, which was released in September 2002. Redmond officially left the band soon after the release of the album and was permanently replaced by Lythberg. Snapcase toured that fall with Boysetsfire and Atreyu.

In early March 2005, the band started recording at Salad Days in Baltimore, Maryland with producer Brian McTernan. First week was pre-production which resulted in various changes to the songs. Following this, the band recorded the album in three weeks. Two songs from The June EP, "OK Corral" and "You Had It Coming", were re-recorded during these sessions.

Vishü Rita Krocha: Azi Tetseo : The singer and her song (originally: Eastern Mirror, retrieved 1 September 2012) Kuku Tetseo studied at University of Delhi's Lady Shri Ram College for Women and is an active fashion blogger and social media influencer at My Salad Days now rebranded as "Naganess". Lulu Tetseo is the youngest of the four sisters and is attending Indira Gandhi Government Medical College in Nagpur.

In late 2014, Armisen was featured on the popular comedy web series Comedians in Cars Getting Coffee with host Jerry Seinfeld. Armisen is a longtime fan of punk rock music and can be seen in the documentaries Salad Days and The Damned: Don't You Wish That We Were Dead. In 2015, Armisen was the recipient of Smithsonian magazine's American Ingenuity Award for Performing Arts.

"Julian Slade" musical-theatre.net, accessed March 17, 2012 The title is taken from William Shakespeare's Antony and Cleopatra: "My salad days, When I was green in judgment, cold in blood, To say as I said then!",Information about the origin of the title phrases.org.uk, accessed March 15, 2012 and the phrase has come to be used generally to refer to one's days of youthful inexperience.

Music became his passion around this time. King would save his pocket money for train trips to London to watch My Fair Lady, The King and I, Irma la Douce, Salad Days, Damn Yankees and Kismet from the cheap seats in the balcony. He also discovered pop music and bought his first single, Guy Mitchell's "Singing the Blues" (1956).King, 65 My Life So Far, ch. 4.

Turnstile formed in 2010, based out of Baltimore's emerging hardcore scene. They released their debut EP, titled Pressure to Succeed, in 2011, and their second EP, titled Step 2 Rhythm, in 2013, both via Reaper Records. On January 13, 2015, Turnstile released their debut full-length album Nonstop Feeling, also via Reaper Records. The album was recorded at Salad Days Studios with producer Brian McTernan.

Tears Baby (a Trash Icon) in 1987."Thirty Years of Salad Days: Pop art concepts come pretty easy to Davy Henderson", The Herald (Glasgow), 12 November 2010. Retrieved 2012-06-24 After a second album in 1989, Win split up. Henderson worked with Burn again on A Dali Surprise, an album by Burn's Pie Finger project, before forming The Nectarine No. 9, the band releasing eight albums between 1992 and 2004.

The School Salad Days program was designed to encourage healthy eating habits and promote daily fruit and vegetable consumption in California public schools. The pilot program was launched in 2006 with the donation of fifty full-service portable salad bars to public schools in California. DNI gave these schools nutrition information, worked with schools to develop fruit baskets to be sold as fund-raising alternatives, and helped schools plant on- site "edible gardens".

Only 5 schools remained and the league would soon fold. In the twilight of the SCAL's salad days, St. Helena surprised many, finishing the 1999 football season with a 9-1 record, falling short of going undefeated. With the SCAL defunct by mid 2000, St. Helena was assigned into the North Coast League along with Justin- Siena by the CIF. Justin-Siena later moved to the Marin County League, to face other competition.

After the war, Aldridge returned to acting, and toured with the Arts Council Midland Theatre Company from 1946 to 1948, but it was not until 1954 that his career started to gain him recognition, when he took a role in Salad Days at the Vaudeville Theatre, where he remained until 1957. He played many roles in musicals throughout his career, usually in supporting roles in which he was highly reliable and professional.

Formed in Boston in early 1997, Diecast was originally established as a four-piece group featuring vocalist Colin Schleifer, guitarist Nassim Rizvi, bassist Jeremy Wooden, and drummer Jason Costa. The band's first release Perpetual War was recorded by Brian McTiernan (of Salad Days fame) and released independently in 1997. The demo was recorded to cassette and is now a collectors item. In 1998, the band released their debut LP Undo the Wicked via Samson Records.

In 1954 ,he was asked to write a musical for the Old Vic Summer Season. It was then that he came up with Salad Days with Dorothy Reynolds. The show was such a success that it moved to London, where it ran for over 2,288 performances \- a record at the time. It was in London that a young Cameron Mackintosh saw the show with his aunt and decided to become a theatrical producer.

During World War II, Hopper's only child, actor William "Bill" Hopper, served in the Navy in Underwater Demolitions. She chastised Douglas Fairbanks, Jr., the son of her old friend Douglas Fairbanks, because she thought the younger Fairbanks was shirking his duty to his country. Fairbanks Jr. recalled in his memoirs Salad Days that he was already in uniform serving in the United States Navy, and despised Hopper for her insinuations.Douglas Fairbanks, Jr. (1988).

Before the band went to the studio, they had tracked rough demos in May 2010 and sent them to producer Brian McTernan. The group had "immediate chemistry" with McTernan, they "knew we were in for quite the experience." Gospel was recorded at Salad Days Studio, located in Baltimore, Maryland, over the course of five weeks, in November and December. The first week was pre-production; McTernan brought up the songs the band had sent him.

Also, a 1997 recording session, which yielded a 52-minute song called "Trading Balloons", was released as an EP. Salad Days was finally released on Skin Graft Records in October 2000. The group serves as an occasional live backup band for Harvey Sid Fisher. In 2001, Fischer and the band collaborated on a cover of "52 Girls" for the B-52s tribute album, Wigs on Fire!, which was released on Nihilist Records.

In January 2010, it was reported that Zack Roach was the group's new guitarist. The band were then enthralled in a legal battle with former guitarist Dave Miller over royalties, which would last for a few years. Recording for their next album took place at Salad Days Studio near Baltimore, Maryland with producer Brian McTernan in June 2010. The band spent eight months up to this point working on their next album, coming up with 17 songs.

He was frantically busy during that period. He received up to 50 letters a week asking him to show certain film clips and was satirised by Monty Python in their sketch "Sam Peckinpah's "Salad Days"". During the sketch, a series of superimposed captions read "Philip Jenkinson again," "Get on with it," "And stop sniffing," and "Will you stop sniffing." At the end, a caption reading "Tee hee" is displayed as he is machine-gunned to death.

McBriare Samuel Lanyon "Mac" DeMarco (born Vernor Winfield McBriare Smith IV, April 30, 1990) is a Canadian singer-songwriter, multi-instrumentalist and producer. DeMarco has released six full-length studio albums, his debut Rock and Roll Night Club (2012), 2 (2012), Salad Days (2014), Another One (2015), This Old Dog (2017), and Here Comes the Cowboy (2019). His style of music has been described as "blue wave" and "slacker rock", or, by DeMarco himself, "jizz jazz".

Rock and Roll Night Club impressed his new label enough that they agreed to release a full-length follow-up album. This release, entitled 2, was received well by critics, garnering a "Best New Music" designation from Pitchfork. One of his songs, "Moving Like Mike", was licensed by U.S. retail outlet Target for a commercial. On January 21, 2014, DeMarco announced the release of his upcoming second album, Salad Days, along with debuting the lead single "Passing Out Pieces".

After World War II, the theatre presented William Douglas Home's play, The Chiltern Hundreds, which ran for 651 performances. The record-setting musical Salad Days, composed by Julian Slade with lyrics by Dorothy Reynolds and Slade, premiered at the Bristol Old Vic in 1954 but soon transferred to the Vaudeville, enjoying the longest run of any theatrical work up to that point in history. Another notable production at the theatre was Arnold Wesker's 1959 play, Chips with Everything.

In March 2009, the band announced they had signed to independent label Epitaph Records, which had helped to free them from their contract with their previous label Eulogy Recordings. The group's second album, This Will Be the Death of Us, was released through Epitaph in July. It had some minor success, peaking at number 65 on the Billboard 200. On October 1, 2010, the group began recording with producer Brian McTernan at Salad Days Studio in Baltimore, Maryland.

Juturna peaked at No. 183 on the Billboard 200. The album was produced by Brian McTernan at Salad Days Studios in Baltimore. The band drew inspiration for the album from House of Leaves and Eternal Sunshine of the Spotless Mind. During an online Q&A; session on April 20, 2010, Brendan dismissed the claim that Juturna was a concept album based on Eternal Sunshine of the Spotless Mind, but did say that there is an underlying concept.

The EP included four tracks – "Tax Stamp", "Bruce's Song", "Salad Days" and "One More Thing". The EP reached number four on the Australian Independent Charts These two first records showcased the band's assured and eclectic sound. After this early success, the band were courted by several major labels eventually signing a record deal with Mushroom Records' White Label. The band's debut album, Every Fool in Town was recorded over ten days again with Lovelock producing and Tony Espie engineering.

Shortly after these sessions, Forden left the band and was then replaced with Dylan Posa (formerly of The Flying Luttenbachers). By this time, Cheer-Accident members were collaborating regularly with other Chicago indie artists such as U.S. Maple, Bobby Conn, Gastr del Sol, and Smog. In January 1999, Phil Bonnet died of a brain aneurysm while the group recorded material for its eighth album, Salad Days. The group decided to continue with Jamie Fillmore filling Bonnet's role as guitarist.

In October 2007, the band began recording their second LP with Brian McTernan at Salad Days Studios in Baltimore, MD. On April 15, 2008, Destroy the Runner released I, Lucifer. The album has a more progressive sound, with less screaming than their previous album. It charted in the U.S. on the Billboard Top Christian Albums chart at No. 27 and on the Top Heatseekers chart at No. 25\. On May 16, 2010, Destroy the Runner announced that they would taking an "indefinite hiatus".

On October 30 they were announced as the replacement act for Alesana on the 2011 Australian festival Soundwave. Whilst in Australia, the group also performed some select sideshows along acts such as Terror, Fucked Up, and H2O. The band's third album, Clash Battle Guilt Pride, was recorded with Brian McTernan at Salad Days Studio in Baltimore and released in September 2011. They embarked on a headline tour that fall with support from Fireworks, Balance and Composure, and Make Do and Mend.

Salad Days is the twelfth solo album by Adrian Belew, originally released on February 9, 1999. It is a recording of acoustic/unplugged compositions both old and new. The album consists primarily of acoustic reworkings of Belew solo songs along with three King Crimson songs and two sonic collages, the latter being the only tracks original to the album. All other tracks were compiled from his albums The Acoustic Adrian Belew, or from Belew Prints: The Acoustic Adrian Belew, Vol. 2.

The Salad Days Actor Kirk Douglas recounted an interaction between Hopper and Elizabeth Taylor. At the premiere of Taylor and husband Richard Burton's film The Sandpiper (1965), Hopper began to complain when she saw screenwriter Dalton Trumbo's screen credit (she had led the charge in blacklisting Trumbo for his Communist party membership). This led Taylor to turn around and say "Hedda, why don't you just shut the fuck up?" In 1958, Hopper made racist remarks to African American actor Sidney Poitier.

The facilities of the theatre naturally lent themselves to the new genre of musical theatre. Chu Chin Chow opened in 1916 and ran for an astonishing world record 2,235 performances"First Musicals" (The Theatre Museum). Victoria and Albert museum, PeoplePlayUK, accessed 8 February 2008 (almost twice as long as the previous record for musical theatre – a record that it held until surpassed by Salad Days in 1955). Major productions of plays with large casts were also performed at His Majesty's.

On December 28, 2012 the original Dag Nasty line up played the Black Cat in support of the upcoming documentary "Salad Days: The DC Punk Revolution". The bill also featured Government Issue, another Washington DC punk reunion. The group was reformed again in 2015. It was announced that year on May 30, 2016, Dag Nasty will tour Europe in the spring of 2016 and play the Punk Rock Bowling Music Festival in Las Vegas, and on June 11 in Asbury Park, New Jersey.

He joined RADA after the Navy, and worked in repertory. Tall and blond, he delivered the line "Who's for tennis?" in Julian Slade's musical Salad Days at the Vaudeville Theatre. He left acting to write comedy scripts for television and radio. With composer Ted Dicks, he wrote songs and sketches for West End revue shows, including And Another Thing, which had a long run at the Fortune Theatre in 1960, featuring Bernard Cribbins, Anna Quayle, and Lionel Blair and Joyce Blair.

In Mumbai too she was active in theatre for a few years before getting fully involved with visual arts. She directed a popular street play for the women's movement – Nari Itihas ki Talash mein (In search of Women's History) in 1988 and an adaptation of Aristophanes’ Lysistrata – Aaj Pyar Bandh (Love is on Strike) in 1991. She has even dabbled with television serial in her salad days and directed a 13-episode Gujarati serial for her friend producer-actor Meenal Patel (1989–1990).

Early members of the company included Peter O'Toole (making his first appearance in Major Barbara in 1956), John Neville, Timothy West, Barbara Leigh-Hunt and Dorothy Tutin. The first artistic director was Hugh Hunt. An early triumph for the Bristol Old Vic occurred when the 1954 première production of Salad Days transferred to the West End and became the longest-running musical on the London stage at that time. The Arts Council remained involved until 1963 when their role was taken over by the City Council.

The Boy Friend (sometimes misspelled The Boyfriend) is a musical by Sandy Wilson. The musical's original 1954 London production ran for 2,078 performances, making it briefly the third-longest running musical in West End or Broadway history (after Chu Chin Chow and Oklahoma!) until these were all surpassed by Salad Days. The Boy Friend marked Julie Andrews' American stage debut. Set in the carefree world of the French Riviera in the Roaring Twenties, The Boy Friend is a comic pastiche of 1920s shows (in particular early Rodgers and Hart musicals such as The Girl Friend).

The theatre school accepts just 14 people out of approximately 2,500 applications per year for the three-year BA acting course, making it one of the most selective drama schools in the world. Applicants are purely judged on talent alone in two rounds of intensive auditions. It has its own premises in Clifton, bought with proceeds from the London success of Salad Days. It previously had working links with the Drama Department of the University of Bristol, which still holds many papers of the Theatre School in its Theatre Collection.

Michael Palin (left) and John Cleese (right) of Monty Python performing the Cheese Shop sketchThe Cheese Shop is a well-known sketch from Monty Python's Flying Circus. It originally appeared in episode 33, "Salad Days". The script for the sketch is included in the book The Complete Monty Python's Flying Circus: All the Words, Volume 2. It was later reworked for the album The Monty Python Matching Tie and Handkerchief and appeared for one last time during Monty Python Live (Mostly), as a surprising coda to the Dead Parrot sketch.

House Vs. Hurricane announced via their MySpace page that they were currently writing new material for their upcoming full-length studio album, which was planned to be recorded by the end of 2009 and flew to United States in November 2009 to record their debut album with producer Brian McTernan. They spent six weeks recording at McTernan's Salad Days studio in Baltimore. Two months after joining House Vs. Hurricane bass player Drew Allen decided to leave the band. He was replaced by Dylan Stark of the band A Fallen Theory.

Bopape formed a set group of about ten female singers, among them Hilda Tloubatla, Juliet Mazamisa, Ethel Mngomezulu, Nobesuthu Mbadu and Mildred Mangxola, who were to provide all the "girl group" recordings at Mavuthela, recording over and over again under many different names. Nkabinde was placed as Mavuthela's regular groaner. The most well-known name ended being "Mahotella Queens", and it was under this name that the Mavuthela vocal team, fronted by Nkabinde's searing groaning vocals, became highly popular and productive. The 1960s and 1970s were the salad days for Nkabinde and his associated acts.

They had a number of West End and Broadway theatre runs and international tours, notably with the late Joan Rivers. They had their own series on BBC Radios 3 and 4, and two TV specials on Channel 4. He starred in the 1996 production of Salad Days at the Vaudeville Theatre, and in Tom Foolery (Jermyn Street and national tour). He co-devised and starred in the original production of the Sondheim revue Putting It Together. In 2011, he starred in Cowardy Custard (national tour) with Dillie Keane.

Bronson was reclusive with the press, but received attention after being seen with Douglas Fairbanks, Jr. He had his first boyhood crush on her, as he remembered in his autobiography The Salad Days: > Another important picture had just started. It was Peter Pan, directed by a > clever caricature of a wildly temperamental movie director, Herbert Brenon. > After exhaustive tests, Betty Bronson, a pretty and gifted girl in her > middle teens, was given this famous role... I fell for Betty! It was my > first intensely juvenile, deep-sighs-and-bad-sonnets love.

Brian McTernan is an American musician and record producer from Baltimore. As a musician, McTernan was the lead vocalist for the hardcore punk band Battery, guitar player for Ashes, and is currently the singer for Be Well. McTernan operates a studio called Salad Days in Baltimore, named after the Minor Threat song of the same name, and has produced albums for a number of notable artists, including Thrice, Circa Survive, Turnstile, and Hot Water Music. He was voted one of the 50 most influential people in Maryland by The Daily Record.

We Are the Ocean have an extensive tour history, having toured all over the UK, Europe, the US and Australia. They have played countless festivals, including the main stage at Reading and Leeds Festival, Download Festival, and are one of few UK bands invited to play Bamboozle festival in New Jersey, USA, one of the largest alternative/punk festivals in the world. We Are the Ocean started writing material for their debut album around December 2008. The album was produced by Brian McTernan (Thrice, The Bled, Converge) at Salad Days Studio in Baltimore, USA.

Director and Screenwriter of this film; Nishikawa, with the help of distribution companies: Bandai Visual, Eisei Gekijo, Engine Film and TV Man Union, presents her second feature film. Sway is representative of Nishikawa's likeness of the pre-straight-to-video salad days of Japanese Cinema. The Japanese film, which stars Odagiri Jo and opened on only six screens in South Korea in August 2006, set the record for an "independent" movie by pulling 300,000 admissions in only fifteen days. Playboy Photographer Yakeru Hayakawa reluctantly returns to his family's rural home for his mother's funeral.

In February 2006, the band began recording The Same Old Blood Rush with a New Touch with producer Matt Squire at Salad Days Studios in Beltsville, Maryland. During the album sessions, several of the demos the band had previously posted had been re-recorded. Prior to the album's release, "The Curse of Curves" was made available for streaming in March. Following the song's availability, the band went on a couple of tours in the U.S. The Same Old Blood Rush with a New Touch was released on June 20 through Fueled by Ramen.

The album was completed in 1999, and was recorded in a few months at Salad Days Studio. The band disbanded around that time and decided to make the record their last, however, due to struggles finding a proper label to release the record, its release date was held back. During 2000, tracks from the album would leak onto file- sharing networks, such as Napster. The disc was intended to be released through MIA Records, but the label shut down due to lawsuits the owner were dealing with at the time.

9 By 1975 his television fame was such that he was a starring attraction in the long-running Let's Get Laid at the London Windmill.'Let's Get Laid' London Guardian 30 May 1975 p. 6 The same year he appeared in Salad Days at the Windmill Theatre, and as Lord Fancourt Babberley in Charley's Aunt at the Adelphi Theatre in 1979. He also played in many summer shows, and established himself as a dame in pantomime, appearing regularly as one of the two ugly sisters alongside comedian Barry Howard.

The band recorded their debut album with Peng Chia at Tin Pan Alley Studios. It's Go Time was released through Fadeaway Records in September 1999 and was supported by heavy touring. With the band's growing popularity, they almost signed with Equal Vision Records, however they instead signed with Revelation Records. The band recorded their second album with producer Brian McTernan at Salad Days Studio in Washington, DC. This Time Next Year was released through Revelation Records in October 2000, with touring alongside New Found Glory and Glassjaw to promote it.

Separation, a film produced in 1967 and released in 1968, was written by and starred Jane Arden and directed by Jack Bond.Review from the New York Times, 26 March 1968 The film explores the life of a middle-aged woman following the breakdown of her marriage. It features on its soundtrack music by Stanley Myers, one song ("Salad Days") by the British rock group Procol Harum and instrumental music by Procol's original Hammond organist Matthew Fisher. In addition to Jane Arden the film stars the British actors David de Keyser and Iain Quarrier.

Noël Coward's Blithe Spirit was revived at the theatre in 1986, and Willy Russell's play Shirley Valentine played in 1988, starring Pauline Collins. In 1990, Simon Gray's play Hidden Laughter was produced at the theatre, followed by Kander and Ebb's 1991 musical, 70, Girls, 70, starring Dora Bryan. A 1996 revival of Salad Days, starring the duo Kit and The Widow, was not successful, but Jean Fergusson's show She Knows You Know!, in which she portrayed the Lancashire comedian Hylda Baker, played at the theatre in 1997 and was nominated for a 1998 Laurence Olivier Award for Best Entertainment.

There he oversaw theater productions by students and staff, their many performances including The Glass Menagerie, John Brown's Body, The Importance of Being Earnest, The Old Lady Shows Her Medals, Everyman, Salad Days, and The Zoo Story. In 1968, John Brown's Body was entered in the Regionals of the American College Theater Festival.Dateline, April 1968, Volume 2 No. 4, MC Public Information Office: Midland MI When Mackinac College closed in 1970, he taught Speech, Shakespeare, and Drama at Lake Superior State College (now Lake Superior State University) (Sault Ste. Marie)) for 16 years while maintaining his home on Mackinac Island.

It contains the earliest-known written use of the word "vegetarian": "The sight and smell of raw meat are especially odious to me, and I have often thought that if I had had to be my own cook, I should inevitably become a vegetarian, probably, indeed, return entirely to my green and salad days."Fanny Kemble, Journal of a Residence on a Georgian Plantation in 1838–1839, Harper and Brothers, New York, 1863, 197–198.After separating from Butler in the 1840s, Kemble travelled in Italy and wrote a two-volume book on this time, A Year of Consolation (1847).

Strejcek left Dischord and the hardcore music scene soon after the band's breakup. On December 29, 2012, Strejcek, Ingram, and Quieroz reunited for a Youth Brigade show at the Washington, D.C. club The Black Cat, with Steve Hansgen (ex-Minor Threat, ex-Government Issue, and then a member of Ingram's group Dot Dash) playing guitar. The show was a benefit for the D.C. hardcore documentary Salad Days and also featured Scream and Government Issue. That same foursome played a second show in February 2013 at the 9:30 Club as part of the "Punk-Funk Throwdown" series.

The 1930s were the salad days of Limerick hurling, an era in which the county won five National Leagues in a row, a record still unequalled. They also won four Munster Championships in a row, and remain the only county other than Cork to have done so. After winning All-Irelands in 1934 and 1936, another outright success was achieved in 1940. This team did much to raise the profile of hurling: whereas in 1930 about 30,000 attended the All-Ireland Final, by 1940 it had gone up to 50,000 and the swashbuckling play of the Mackeys, Ryans, Clohesseys, McConkey and Scanlan etc.

Ambling around the plots near the tiny St. Columba's chapel, Kennedy paused over Koehler's white granite cross grave marker and pondered his own mortality, hoping out loud that when his time came, he would not have to die without religion. "But these things can't be faked," he added. "There's no bluffing." Two decades later, Kennedy and Koehler's stepson, U.S. Senator Claiborne Pell had become good friends and political allies, although they had been acquaintances since the mid-1930s during their "salad days" on the same Newport debutante party "circuit" and when Pell had dated Kathleen ("Kick") Kennedy.

Clark served for three years in the Merchant Navy (as an alternative to national service) as an indentured apprentice on the Silver Line ships Silverwalnut and Silvertarn. After leaving the Navy he emigrated to Toronto, Ontario, Canada, to resume his career. Unknown in Canada, Clark became established as the original host of a weekly TV interview show Junior Magazine on the CBC's national network.Junior Magazine (1956-1962) Canadian TV Archive He married Canadian actress Kay Hawtrey in 1956 and appeared on stage in the musical Salad Days, seasons of repertory in Toronto and Ottawa, and acted in television dramas.

Later, he went to night school and studied industrial design at technical college to become a draughtsman. His interest in acting led him to the David Lewis Theatre, a local theatre group where he began his acting career. Here he played Shakespeare and in The Critic under the direction of Thomas G Reed. Rossington went on to train at the Bristol Old Vic Theatre School , by the mid-1950s appearing on the stage in plays such as a London Old Vic tour of the USA in A Midsummer Night's Dream and Salad Days, being one of the original cast.

"Roy Plomley, Creator of 'Desert Island Discs'" (obituary), The Times, London, 30 May 1985. He wrote the screenplay for the 1953 film The Blakes Slept Here and a number of plays including 'The First Time I Saw Paris', 'Moonlight Behind You', 'The Lively Oracles' (with John Allegro) and the comedies 'Round the Mulberry Bush', 'Everybody's Making Money - Except Shakespeare', 'Salad Days', 'The Galleon in the Garden', and 'Half Seas Over'. Plomley was awarded the OBE in 1975. He was Chairman of the Radio and Television Writers' Association from 1957 to 1959, and was voted BBC Radio Personality of the Year in 1979.

Buddy Nielsen performing at the Social in April 2013 The band began recording their new album, titled The Fire, at Salad Days Studio with Brian McTernan in June 2010 hoping to release later that year. The Fire was released in the UK on October 25, 2010 through Hassle Records and elsewhere on October 26 through Vagrant Records to generally positive reviews. The album does not feature Zack Roach on guitar, replacing Heath Saraceno after leaving in 2009, but instead has Garrett Zablocki playing both guitar roles. In February 2011, Garrett Zablocki left the band to attend college; however, he will be composing music for various films and videos.

The sketch begins with a preamble by Eric Idle (impersonating the British film critic Philip Jenkinson), who praises American film director Sam Peckinpah's predilection for the "utterly truthful and very sexually arousing portrayal of violence [sniff] in its starkest form" in Major Dundee (1965), The Wild Bunch (1969) and Straw Dogs (1971). Throughout this speech, he constantly sniffs, despite onscreen captions telling him to stop. He then segues to a clip from Peckinpah's latest project, which is an adaptation of the musical Salad Days. Well-dressed, well-spoken, upper-class youngsters frolic in an idyllic garden around an upright piano, responding enthusiastically to Michael Palin's suggestion of a game of tennis.

Morse performed on Broadway in Hide and Seek, Salad Days, and the lead of Frederick Rolfe in Hadrian the Seventh, which he also played in Australia, co-starring with Frank Thring. He directed the Broadway debut of Staircase starring Eli Wallach and Milo O'Shea, seen at the time as a groundbreaking depiction of homosexual life. He also starred in the U.S. national tour of Harold Pinter's The Caretaker as Davies. He first presented a version of his one-man show Merely Players in 1959, which explored the experiences of actors through history, with the definitive version of the show debuting in 1984 for a Canadian national tour.

He spent two further seasons at Fitzroy, both under coach Gordon Rattray, before leaving. Morgan returned to the sporting scene in 1960, at the age of 45, when he competed for the Australian equestrian team at the Rome Olympics. Riding his horse 'Salad Days', Morgan won the Gold Medal ahead of countryman Neale Lavis in the Individual Three-Day Event to become the first Australian to win an equestrian gold medal. The former VFL player then teamed up with Lavis and Bill Roycroft to win Gold in the Team Event, best remembered for Roycroft's heroics in riding despite suffering concussion and severe injuries from a previous fall.

Dead FM is the third studio album by Strike Anywhere. It was recorded April 2006 at Salad Days Studios by Brian McTernan. It contains songs that focus on the band's leftist political views, as well as branching out to discuss issues such as singer Thomas Barnett's grandfather's work on the Manhattan Project: Getting Personal, by Matt Schild, accessed 23 October 2006 on the opening track 'Sedition'. It was recorded on a series of weekends over a span of nine months as the band took time off touring to return to home life and move away from a hectic timetable to write and record an album.

Included among the tracks are Griffin's tribute to The Ramones, The Day The Last Ramone Died, Herd's Save Me From The Storm and Peacock's Play A Tune. The other tracks are Shelter From The Storm, The Blind Bartender, Chopping The Garlic, Salad Days, Unhappy Anywhere, Train No. 10-0-5 and The Old Style Prison Break. The album title reflects the number of releases the Coal Porters have issued since shifting from their country-rock beginnings to alternative bluegrass. Their preceding album, Find The One, from 2012, also offers 10 tracks written by various band members, as well as covers of David Bowie's Heroes and the Rolling Stones' Paint It, Black.

Stage School Australia also operates as a performing arts company and have been putting on multiple stage productions annually for two decades. Stage School Australia have done seasons of original plays and musicals as well as many theatre classics including; The Conference of the Birds, Godspell, Man of La Mancha, Joseph and the Amazing Technicolor Dreamcoat, Oliver!, Rags, Salad Days, Wizard of Oz, Spring Awakening, Seussical TYA, Conference of the Birds, Disney Alice in Wonderland Jr, Disney Aladdin Jr, BABE the Sheep-Pig, Disney The Little Mermaid Jr, The Secret Garden ~ Spring Version, Disney Beauty and the Beast Jr, Honk! Jr, Shrek Jr, Wicked, Madagascar - A Musical Adventure Jr.

The potash processing plant was planned near Pointe-Noire with a planned capacity of 600,000 tpy. The eventual plan was for the potash and magnesium output of the mine to be recovered in the form of brine solution and then processed at both the potash plant and the next door magnesium smelter. The total development costs of the potash mine and potash processing plant were estimated at US$1.4 billion with a cost of US$723 million in the first phase. During the salad days of the project, construction was set to begin in 2009 with production commencing in 2011 and a second phase modular expansion in 2013.

He was sent instrumental versions of tracks "Giants In The Ocean" and "Long Walks On Short Bridges" to record his vocals over for his audition.Mainstream Killed The Indie Star Interview Retrieved on May 27, 2008 Since the new formation of Sky Eats Airplane, they were signed to a distribution agreement with Thriving Records where they re-released Everything Perfect on The Wrong Day on November 20, 2007 and since signed with Equal Vision Records. During early 2008 the band entered Salad Days Studios in Baltimore with producer Brian McTernan (Circa Survive, Thrice, The Bled, Senses Fail), to record their self-titled follow up album. The album was released on July 22, 2008, through Equal Vision Records.

Examples of the latter include Sam Peckinpah's "Salad Days" and the Travel Agent sketch, a collection of stereotypes about annoying tourists and the perils of inter-country air travel. In 1974 a paperback edition was issued as The Brand New Monty Python Papperbok, containing the same contents minus the Tits 'n Bums book cover. In 1981 both this book and Monty Python's Big Red Book were reissued as a hardback book entitled The Complete Works Of Shakespeare And Monty Python: Volume One - Monty Python. Paperback editions of both these books were reissued again in 1986 as The Monty Python Gift Boks, sold together inside an outer cover which folded out into a mini poster.

He was associated with the Warrandyte Arts Association Drama Group and performed in many productions including Twelfth Night';(1964) as Malvolio, and as director of Salad Days (1968). As an actor, Baigent was known for many parts on Australian film and television, including roles in the film Gallipoli and the television series The Flying Doctors, and a memorable introductory monologue at the beginning of the film Mad Max 2.Harold Baigent Mad Max 2 monologue at Monologuedb.com. Retrieved 19 January 2012 He was director of the Council of Adult Education in Adelaide, South Australia for many years, and founded the Arts Train, an innovative travelling arts project that toured small towns throughout South Australia and Victoria.

Mike's appearances in ski movies include “Seven Sunny Days”, “Push/Pull”, “The Hit List”, “Yearbook”, “Focused”, “Corduroy”, “Teddy Bear Crisis”, “Happy Happy”, “Lifted”, “Superpark, the Movie 2”, “Ready, Fire, Aim”, “Stereotype”, and “Salad Days,” among others. Ski publications in which he has appeared include Ski, Skiing, Freeskier, Powder, SBC Skier, Freeze, Axis, 2 Freeski, Skiing (the next level), BravoSki, and Freestyle Ski. Mike has also written articles covering events and equipment for many of these magazines. Mike also appeared on Good Morning America, which showed clips of him training at the Utah Olympic Park, as well as in a Jeep commercial in which he does a superman front flip across a road gap.

Popular Hollywood films were made of all of these musicals. This surpassed the run of two hits by British creators: The Boy Friend (1954), which ran for 2,078 performances in London and marked Andrews' American debut, was very briefly the third longest-running musical in West End or Broadway history (after Chu Chin Chow and Oklahoma!), until Salad Days (1954) surpassed its run and became the new long-run record holder, with 2,283 performances. Another record was set by The Threepenny Opera, which ran for 2,707 performances, becoming the longest-running off-Broadway musical until The Fantasticks. The production also broke ground by showing that musicals could be profitable off-Broadway in a small-scale, small orchestra format.

She was one of five children of engineer John David Heywood. She was educated at the Bristol Old Vic Theatre School, transferring to the theatre company afterwards and appearing in their production of Salad Days as Rowena in 1954. The same year the entire production transferred to the Vaudeville Theatre in London, where it played for five years, a record for a musical at the time. In 1968 her film debut at the age of 36 was as Juliet's nurse in Franco Zeffirelli's Romeo and Juliet, followed by small roles in Staircase (1969) and Battle of Britain (1969). Her next role was as a maid in the psychodrama Mumsy, Nanny, Sonny and Girly (1970) by Freddie Francis.

The Bristol Old Vic Theatre School, which originated in King Street as an offshoot of the Bristol Old Vic is now a separate company. Based in Clifton in a property bought with royalties from Julian Slade's musical Salad Days, the school trains actors, stage managers, directors, lighting and sound technicians, designers and costumiers for work in stage, television, radio and film productions. BOVTS is an Associate School of the Faculty of Creative Arts of the University of the West of England and an affiliate of the Conservatoire for Dance and Drama. Alumni include Annette Crosbie, Brian Blessed, Daniel Day-Lewis, Gene Wilder, Jane Lapotaire, Jeremy Irons, Miranda Richardson, Patrick Stewart, Pete Postlethwaite, Stephanie Cole and Tim Pigott-Smith.

Resolutions is the first solo album from Dave Hause of The Loved Ones. It was released on January 24, 2011 through Paper + Plastick and was re-released by Rise Records on March 26, 2013. The album was recorded at Salad Days Studio in Beltsville, Maryland, and Little Eden in Asbury Park, New Jersey, during the winter of 2009-2010. The album was produced by Pete Steinkopf and features a set of musicians who were Hause's family and friends, including The Loved Ones' bass player Chris Gonzalez playing electric guitar, former bass player Michael "Spider" Cotterman playing bass, Brendan Hill of Step Ahead and The Curse playing drums and Dave's sister Melissa Hause playing piano and B3 organ.

Soon after returning, production of the Rock And Roll Killing Machine record began in Washington, D.C. at the Salad Days Studio. A great deal of technical difficulty was encountered; Simon Brody had claimed in interviews the stressed work environment caused the tempo of many of the songs to rush and that record lost some of the previous efforts melodic counterpoint. Still, it was well received, earning a 10/10 in respected extreme music magazine Terrorizer and finding its way into many publications' top ten lists for 2001. Aside from making regular appearances at Hellfest, Krazy Fest, Monster Fest and The New England Metal and Hardcore Festival, Drowningman began touring extensively in support of this latest record.

In 2014 he appeared in the featured role of The Tramp, an homage to Chaplin in the Sony TV pilot "Salad Days" and then filmed a TV and cinema ad campaign for Gordon's Gin as the new character Gordon the Boar. In 2015 he was cast in the long-running British sci-fi series Doctor Who, and won Doctor Who TV's award for Best Male Guest Actor for his portrayal of the villainous Colony Sarff. He was also the actor behind the Veiled Creature in the series' episode "Heaven Sent". A year later, he went on to make a guest appearance in the show's 2016 spin-off series Class as a school inspector.

He has appeared in theatres all around the United Kingdom in plays, including A Midsummer Night's Dream, A Christmas Carol, Treasure Island, Alice in Wonderland, The Winter's Tale, Salad Days, Bell, Book and Candle, The Gingerbread Man, Aladdin, SUS, The Country Wife, The Wizard of Oz and Dreams of Anne Frank. He also toured the United Kingdom and France in the mime show Prufrock. In the West End of London he appeared in No Sex Please, We're British at the Strand Theatre, in The Arabian Nights at the Arts Theatre and in The Blue Angel with the Royal Shakespeare Company at the Gielgud Theatre. He has been in ten plays at the Polka Theatre in Wimbledon, London, where he lives.

Hollywood Stars memorabilia In 1938 Herbert Fleishaker, owner of the Mission Reds moved his team to Los Angeles, and took the name of the Hollywood Stars after the city's previous PCL franchise. After but one season, the team was sold to new owners, among them Bob Cobb of Brown Derby Restaurant fame and the inventor of the California Cobb Salad. In their salad days, as it were, the Stars attracted glamorous actors and other celebrities or anyone else who wanted to be "seen", much as Dodger Stadium would later. One of the L.A. Angels players, Chuck Connors, made a successful move from one side of the box seat railing to the other, becoming the star in The Rifleman, a popular 1950's TV show.

Squirting blood is used as a visual effect in anime, cartoons, comic books, film (mostly horror – particularly slasher – and action), literature, television series (mostly horror and drama), theaterUSING STAGE BLOOD, Russell Blackwood, Theatre Bay Area, retrieved 6 April 2010 and video games. Perhaps the earliest epic film to have explicit scenes of blood squirting, often filmed in slow motion, was Sam Peckinpah's The Wild Bunch (1969). It was rated R, then a new category, by the MPAA. The Monty Python sketch Sam Peckinpah's "Salad Days" (1972) involved an orgy of blood gushing, in a parody of Peckinpah's gore- filled directorial style. In Monty Python and the Holy Grail (1975), King Arthur must cut off all four limbs of the Black Knight to pass by in a forest, as the Knight bleeds on him.

Green leaf salad with salmon and bread The word "salad" comes to English from the French salade of the same meaning, itself an abbreviated form of the earlier Vulgar Latin herba salata (salted greens), from the Latin salata (salted), from sal (salt). In English, the word first appears as "salad" or "sallet" in the 14th century. Salt is associated with salad because vegetables were seasoned with brine (a solution of salt in water) or salty oil-and-vinegar dressings during Roman times. The phrase "salad days", meaning a "time of youthful inexperience" (based on the notion of "green"), is first recorded by Shakespeare in 1606, while the use of salad bar, referring to a buffet-style serving of salad ingredients, first appeared in American English in the 1960s.

Following in the footsteps of Gilbert and Sullivan, their "Princess Theatre shows" paved the way for Kern's later work by showing that a musical could combine light, popular entertainment with continuity between its story and songs: George Gershwin The theatre-going public needed escapist entertainment during the dark times of World War I, and they flocked to the theatre. Harry Tierney and Joseph McCarthy's 1919 hit musical Irene ran for 670 performances, a Broadway record that held until 1938's Hellzapoppin. The British public supported far longer runs like that of Maid of the Mountains (1,352 performances) and especially Chu Chin Chow. Its run of 2,238 performances was more than twice as many as any previous musical, setting a record that stood for nearly forty years until Salad Days.

" Richard L. Coe of The Washington Post also liked the film, calling it "a dandy of its popular kind" if "a wee bit too leisurely." John McCarten of The New Yorker wrote in a negative review that while the remake was "unquestionably bigger and shinier than the original, it doesn't move along with anything like the agility of its predecessor. There can be no doubt, of course, that Mr. Hitchcock at one time was a master of celluloid suspense, but increasingly of late he has been turning out movies that are too overweight to indulge in the tricks of his salad days." The Monthly Film Bulletin wrote: "Although a quite entertaining thriller, with some characteristically shrewd and caustic Hitchcock touches, it is likely to disappoint devotees of the first film.

" Joe Williams of the St. Louis Post- Dispatch gave the film three out of four stars, saying "Some audiences might feel that Frankenweenie is creaky, but those on the same wavelength as Burton will gratefully declare it's alive." Alonso Duralde of The Wrap gave the film a positive review, saying "Fans of Tim Burton 1.0, rejoice: Frankenweenie hearkens back to the director's salad days and, in turn, to the old-school horror classics that inspired him in the first place." Claudia Puig of USA Today gave the film three and a half stars out of five, saying "Frankenweenie is enlivened with beguiling visuals and captivating action sequences. The science is murky at best, but the underlying themes are profound, and the story is equal parts funny and poignant.

Bissinger developed an interest in the arts scene, photographing Truman Capote on the set of a film in Paris and Marlon Brando in front of a window in his New York City apartment. A 1949 photograph taken at a table in the garden of Manhattan's Café Nicholson of the up-and-coming in the arts world included artist Buffie Johnson, ballerina Tanaquil LeClercq, author Gore Vidal, playwright Tennessee Williams and novelist Donald Windham, in what The New York Times described as "a class picture of the young and the talented in the American arts, more than ready for their close-ups".Vidal, Gore. "Salad Days: Karl Bissinger's 1949 photograph of the author and a few friends at lunch in a Manhattan restaurant garden invokes the optimism of youth", Smithsonian, October 2007.

This service is available in several countries in which they operate, such as Dominican Republic, El Salvador, Guatemala, Honduras, Nicaragua. IPTV is just beginning to grow in Central and Eastern Europe and Latin America, and now it is growing in South Asian countries such as Sri Lanka, Nepal Pakistan and India."Salad days," Chris Dziadul, Broadband TV News, 2 May 2008 but significant plans exist in countries such as Russia. Kazakhstan introducedDelivering IPTV System to Kazakhtelecom Article from the IPTV industrial portal its own IPTV services by the national provider Kazakhtelecom JSCiD TV services for broadband subscribers in Kazakhstan Kazakhtelecom JSC – iD TV service for Home users and content integrator Alacast under the "iD TV" brand in two major cities Astana and Almaty in 2009 and is about to go nationwide starting 2010.

Experience in local rep at the Oxford Playhouse encouraged him to move to London, where he made his West End debut in Julian Slade and Dorothy Reynolds' 1957 musical Free as Air. He was later in the original cast of Give a Dog a Bone in 1964, and took over various roles in various other London productions such as Salad Days and Anne of Green Gables: The Musical. Waller was also associated the Open Air Theatre, Regent's Park, but always looked forward to the times when his work took him on location further afield, including Rome, India and Scandinavia. An excellent pianist and an ardent lover of classical and choral music, Waller was extremely knowledgeable on the subject of oratorio and sang with Anthony Bowles' Actors' choir and the BBC Chorus.

Eric Idle is known for his roles as a cheeky, suggestive playboy ("Nudge Nudge"), a variety of pretentious television presenters (such as his over-the-top portrayal of Philip Jenkinson in the segments connecting the "Cheese Shop" and "Salad Days" sketches), a crafty, slick salesman ("Door- to-Door Joke Salesman", "Encyclopedia Salesman") and the merchant who loves to haggle in Monty Python’s Life of Brian. He is acknowledged as 'the master of the one-liner' by the other Pythons. He is also considered the best singer/songwriter in the group; for example, he wrote and performed "Always Look on the Bright Side of Life" from The Life of Brian. Unlike Jones, he often played female characters in a more straightforward way, only altering his voice slightly, as opposed to the falsetto shrieking used by the others.

Stewart Nicholls is a British stage director and choreographer. His credits include productions of: A Spoonful of Sherman (2018 UK/Ireland tour, St James' Theatre and Live At Zédel),Bumblescratch (Adelphi Theatre), Bar Mitzvah Boy (Above The Gatehouse), Love Birds (The Pleasance, Edinburgh), Free As Air (Finborough Theatre), Business As Usual (a new play commissioned by Cheltenham Everyman Theatre and devised by Nicholls), Jewish Legends,Salad Days and The Biograph Girl (London College of Music), Lunch With Marlene (National Tour), Beatlemania (Gothenburg Opera House), Gay's The Word (Jermyn Street Theatre and Finborough Theatre), Over My Shoulder (National Tour and Wyndhams Theatre), South Pacific (Birmingham Symphony Hall/BBC Radio Two), and Carousel (St. David’s Hall, Cardiff/BBC Radio Three) and Tim Rice's revival of Blondel (Pleasance Theatre). Choreography credits include: Iolanthe and The Mikado (National Tour) and Cowardy Custard (National Tour).

Morse revived the production at the Crest Theatre, Toronto, and then brought it to New York with a slightly different cast. The New York production, featuring Richard Easton, opened at the Barbizon Plaza Theatre (then located at Avenue of the Americas and 58th Street) on November 10, 1958 and ran for 80 performances.Kenrick, John. "Broadway Musical Chronology: The 1950s", musicals101.com, accessed March 15, 2012Atkinson, Brooks. "Salad Days Review", The New York Times, November 11, 1958, p. 24 Morse described the theatre as "not a Broadway theatre ... a perfectly comfortable and centrally situated theatre which was housed in a hotel." He further wrote "as rotten luck would have it there was a newspaper strike which started just a few days before we opened."The 19-day news delivery strike in December 1958 in New York City closed nine major New York City newspapers.

Limerick won the first All-Ireland Senior Football Championship in 1887 and repeated this success in 1896, when it became the first non-Leinster team to beat the then all-conquering Dublin in a championship match. In 1897, its first outright success was achieved in hurling when a Kilfinane side defeated Tullaroan of Kilkenny in the final (at that time, counties were represented by champion clubs). The county team won the All-Ireland in 1918, a feat repeated in 1921 when they won the inaugural Liam MacCarthy Cup. The sides that achieved those wins contained many players who were on Limerick teams that contested seven Munster finals in a row, a record that stood for more than 70 years. The 1930s were the salad days of Limerick hurling, an era in which the county won five National Leagues in a row, a record still unequalled.

Film critic Owen Gleiberman wrote that the character of Noodles, as an underworld Hamlet, develops through the story to become one of its two heroes. The jumping backward and forward in time in Once Upon A Time In America is done through the memories of Noodles, showing how Noodles is haunted by his involvement in the deaths of his childhood companions. In Cinema and Multiculturalism, it is offered that while the story Once Upon a Time in America is ostensibly about the "children of immigrants scraping the bottom of the American melting pot" and about "Jewish criminal kingpin David "Noodles" Aaronson, who dreams of greatness 'once upon a time', and spends the rest of his days wondering why his salad days wilted", they offer that the film is more "about time itself, and how Noodles learns that it's more important to make sense of your life, your own history".

The Palomino was a hangout and refuge for struggling actors and stuntmen during their salad days, including Clint Eastwood, a contract bit player at Universal, and stuntman/secondary TV cowboy Hal Needham. Both remembered the club when they gained prominence in the industry as directors and sought it as a location. The club was featured in several movies including: Every Which Way But Loose (1978) and Any Which Way You Can (1980) starring Clint Eastwood, Geoffery Lewis, Sondra Locke and Ruth Gordon; Minnie and Moskowitz (1971), directed by John Cassavetes; The Other Side of the Mountain Part 2 (1978) starring Marilyn Hassett, Timothy Bottoms, Nan Martin, Belinda J. Montgomery; Hooper (1978) starring Burt Reynolds, Jan- Michael Vincent and Sally Field; and The Junkman (1982), directed by and starring H.B. Halicki. Appearances on television include CHiPs and T.J. Hooker ("Finders Keepers" and "Country Action" episodes).

Billy was played by Michael Crawford and the other girlfriend by Elaine Paige. Her other theatre work includes Good (Royal Shakespeare Company); Mother Courage (National Theatre); and Sunday in the Park with George, Jorrocks, The Canterbury Tales, Side by Side by Sondheim, The Mitford Girls, Les Misérables, Which Witch, and Salad Days (West End). She was in the original cast of the 1970s musical Betjemania based on the poems of John Betjeman. In 2010, she appeared with Opera della Luna as Little Buttercup in Gilbert and Sullivan's H.M.S. Pinafore. In 2011 at the Brighton Festival she played Rattigan’s mother Vera in The Art of Concealment, a new play; and toured the UK as Norah in Star Quality by Noël Coward, as Matron in Doctor In The House, as Verity Carr in Morse, in House of Ghosts, and as Helena in Maurice’s Jubilee by Nichola MacAuliffe.

The BBC Annual Report in July 1994 praised Radio 2 for keeping its audience share the year before in spite of greater competition and for retaining the loyalty of its older listeners. Radio Joint Audience Research (RAJAR) figures released on 24 October 1994 showed it had become Britain's most popular radio station in terms of audience share - 12.9 per cent compared to its nearest rival, Radio 1, which had 11.8 per cent (though the latter still had more listeners)."Media / Talk of the Trade: Radio 2 is tops", The Independent (25 October 1994). During 1994, Radio 2 featured appearances by a constellation of stars - for example, José Carreras, Cybill Shepherd and Dame Kiri Te Kanawa, some of whom performed exclusively for the network. It also offered a series of classic musicals such as Finian's Rainbow, Guys and Dolls, Salad Days and Sweeney Todd: The Demon Barber of Fleet Street,"1994: A year in the life of BBC Radio 2" (London: BBC Radio 2.

Salad Days, Douglas Fairbanks Jr. writing in his autobiography, c.1980 The New Castle News of Pennsylvania called it a "remarkable picture" which "represents the finest in motion picture art", considering it to be the biggest picture of the year. The Post-Crescent of Appleton, Wisconsin heavily praised the cast and cinematography, referring to it as "a picture of rich, colorful beauty of heart-searing pathos, of poetry that sings in action of courageous deeds of emotions as violent and eternal as the terrific storms that sweep through the picture". Mordaunt Hall of The New York Times noted the "energy, earnestness and virility" John Barrymore displayed in the role of Ahab Ceeley, and stated that his "real triumph in this photoplay comes in the second half of the picture, for he has a great opportunity as the grim master of a whaler with a mixed crew of half-mad yellow, white and black scum".

He has also appeared with the Nash Ensemble, the Raphael Ensemble, The Hebrides Ensemble, Ensemble 360 and the Lindsay, Dante and Endellion Quartets at the Wigmore Hall, London. Recordings include Prokofief's Eugene Onegin with Sinfonia 21 and Edward Downes, Salad Days and Walton's Henry V with the BBC Symphony Orchestra and Leonard Slatkin. As a choral singer, West has participated in three Choir of London tours to Palestine: in May 2006, when he also gave poetry readings as part of the concert programme; in April 2007 when he directed The Magic Flute. and in September 2013 (see below). In 2013, the centenary year of Benjamin Britten, West narrated the Britten/Auden film score Night Mail with the Nash Ensemble at the Wigmore Hall and later added Coal Face, God’s Chillun, The Peace of Britain, The Way to the Sea and The King's Stamp with the Aurora Orchestra at the Queen Elizabeth and Fairfield Halls. In June he played God in Britten's Noye’s Fludde in Harrogate.

Petersburg), Sydney Opera House, Egyptian Opera (Cairo), and Houston Grand Opera. Other productions include H.M.S. Pinafore (Broadway), Taboo (musical) starring Boy George and Matt Lucas (London and Broadway), Moon Over Buffalo starring Joan Collins and Frank Langella, We Will Rock You (13-year West End run, Australia, Spain, Las Vegas, Germany, Russia, Toronto, Italy, US and UK tour), Wonderful Town starring Maureen Lipman, Hello, Dolly! starring Danny La Rue (Prince of Wales), Gone with the Wind (Theatre Royal, Drury Lane), Pump Boys and Dinettes starring Kiki Dee, The Two Ronnies and Hans Anderson starring Tommy Steele (London Palladium), Collette starring Cleo Laine, Phil the Fluter, Salad Days, Thomas and the King, Troubadour, Sing a Rude Song starring Barbara Windsor (Garrick), Noël Coward’s Cowardy Custard, Catherine Johnson’s play Suspension, and Noël Coward’s Star Quality starring Penelope Keith. Awards: Goodchild received a Laurence Olivier Award for his work on the Royal Shakespeare Company's production of The Relapse and in 1998 another two Olivier Awards for Best Set and Costume Design for the RSC's production of Three Hours After Marriage.