Shopsin and Moss's books are not only recollective, but generative.
|
|
Even if the memory is not your own, you taste its recollective pull.
|
|
The park's robotic hosts, haunted by shadowy memories that hint at their past lives and deaths, learn to follow these recollective landmarks out of the conceptual maze of their programming.
|
|
He brought in over 100 musicians, ranging from the all black ReCollective Orchestra in New York, to original musicians who were on the first "Lion King" with him, to Zimmer's band.
|
|
The two forms of experiences can be illustrated by everyday expressions such as "I remember that!" (recollection) and "That seems familiar..." (familiarity). In FTT, retrieval of verbatim traces often produces recollective phenomenology and thus is frequently referred to as recollective retrieval. However, one feature of FTT is that recollective phenomenology is not particular to one type of memory process as posited by other dual-process theories of memory.
|
|
Sharot, T., Davidson, M.L., Carson, M.M., Phelps, E.A. (2008). Eye movements predict recollective experience. PLoS ONE, 3(8), e2884.
|
|
In one study, all participants were asked to study a list of 24 common pairs of opposites, 12 had to be generated and 12 were read.Gardiner, J.M. (1988). Functional aspects of recollective experience.
|
|
Remember responses depend on the amount of attention available during learning. Divided attention at learning has a negative impact on remember responses.Gardiner, J.M., & Parkin, A.J. (1990). Attention and recollective experience in recognition memory.
|
|
When more detailed, elaborate encoding and associations are made, more remember responses are reported than know responses.Mantyla, T. (1993). Knowing but not remembering: Adult age differences in recollective experience. Memory & Cognition, 21(3), 379.
|
|
In a study, 96 words consisting of 48 low-frequency words and 48 high-frequency words were chosen by a psycholinguistic database.Gardiner, J.M. & Java, R.I. (1990). Recollective experience in word and nonword recognition. Memory & Cognition, 18(1), 23-30.
|
|
Recollective confabulation is a rare disorder of recognition memory whereby the person feels that most events in daily life are repetitions of things which have happened before, something often described by carers and healthcare professionals as like chronic or persistent déjà vu.
|
|
"Deep self-exploration" starts for many people with unspecific sensory experiences. They are a sensory barrier that one has to pass through. The next level is the recollective-biographical level and the individual unconsciousness. These involve the personal biography, and unresolved emotional issues.
|
|
Gradual presentation of stimuli causes an increase in familiarity and thus an increase in associated know responses; however, gradual presentation causes a decrease in remember responses.LeCompte, D.C. (1995). Recollective experience in the revelation effect: Separating the contributions of recollection and familiarity. Memory & Cognition, 23(3), 324-334.
|
|
Instead, FTT posits that retrieval of gist traces can also produce recollective phenomenology under some circumstances. When gist resemblance between a false item and memory is high and compelling, this gives rise to a phenomenon called phantom recollection, which is a vivid, but false, memory deemed to be true.
|
|
Moulin's current research interests focus on neuropsychological impairments of memory. In particular, he is interested in the interaction of executive function and long-term memory. Research themes include metacognition, inhibition, and the sensations of memory (déjà vu). Dr. Moulin has been involved in researching recollective confabulation, which was originally described as 'déjà vécu' (a term originally used by Arthur Funkhouser).
|
|
Mad Men Season 5 core cast from left to right: Christina Hendricks, John Slattery, Jared Harris, Vincent Kartheiser, Jon Hamm, Robert Morse, Elisabeth Moss Mad Men focuses mostly on Don Draper, although it features an ensemble cast representing several segments of society in 1960s New York. Mad Men places emphasis on recollective progression as a means of revealing the characters' past.
|
|
The mammillary bodies are two clusters of cell bodies found at the ends of the posterior fibres of the fornix within the diencephalon. The mammillary bodies relay information from the hippocampal formation (via the fornix) to the thalamus (via the mammillothalamic tract). The mammillary bodies are integral parts of the limbic system and have been shown to be important in recollective memory.
|
|
Amygdala highlighted in red Laboratory studies have related specific neural systems to the influence of emotion on memory. Cross-species investigations have shown that emotional arousal causes neurohormonal changes, which engage the amygdala. The amygdala modulates the encoding, storage, and retrieval of episodic memory. These memories are later retrieved with an enhanced recollective experience, similar to the recollection of flashbulb memories.
|
|
In the above experiment, participants were presented with a list of 100 familiar words and were asked to read them aloud while simultaneously trying to remember each one. Subsequent to this, participants were asked to make a recognition decision based on the number of "yes" responses that were accompanied by some recollective experience.Donaldson, W. (1996). The Role of Decision Processes in Remembering and Knowing.
|
|
In phenomenological research, lived experiences are the main object of study, but the goal of such research is not to understand individuals' lived experiences as facts, but to determine the understandable meaning of such experiences. In addition lived experience is not about reflecting on an experience while living through it but is recollective, where experience is reflected on after it has passed or lived through.
|
|
When a cue evenly activates the autobiographical knowledge base hierarchy, all levels of knowledge become available and an autobiographical memory is formed. When the pattern of activation encompasses episodic memory, then autonoetic consciousness may result. Autonoetic consciousness or recollective experience is the sense of "mental time travel" that is experienced when recalling autobiographical memories. These recollections consist of a sense of self in the past and some imagery and sensory-perceptual details.
|
|
False memories often do not have as much visual imagery as true memories. In one study comparing the characteristics of true and false autobiographical memories, true memories were reported to be wealthier in "recollective experience" or providing many details of the originally encoded event, by participants and observers. The participants engaging in recall reported true memories as being more important, emotionally intense, less typical, and having clearer imagery. True memories were generally reported to have a field perspective versus an observer perspective.
|
|
The following year, she was cast as the female lead, Vanda, in the Auckland Theatre Company's production of Venus in Fur. In 2017, O'Reilly directed a touring production of family drama deVINE with the RECollective Theatre Company. In August that year, she starred as Stella Kowalski in A Streetcar Named Desire at the Silo Theatre. O'Reilly and Anna Jullienne appeared in the 2018 comedy pilot Mean Mums, which competed against four other sitcoms as part of Three's Comedy Pilot Week.
|
|
Recognition memory is widely viewed as consisting of two components, a familiarity component (i.e. Do I know this person waving at me?) and a recollective component (i.e. That is my friend Julia, from evolutionary psychology class). Damage to the temporal lobe can affect an individual in a litany of ways ranging from: disturbance of auditory sensation and perception, disturbance of selective attention of auditory and visual input, disorders of visual perception, impaired organization and categorization of verbal material, disturbance of language comprehension, and altered personality.
|
|
The formation and organization of memories is the central mechanism through which narrative identity is constructed. The life story allows individuals to organize recollective memories and more abstract knowledge of their past into a coherent biographical view. Different types of memories have been identified and classified, and have unique influences on how individuals develop their narrative self. Just as autobiographical memories influence personal narratives, these narratives also influence memories - For instance, narrative expression is critical for the development of a sense of agency in autobiographical memories.
|
|
Cohen has been involved in several sustainable startups since the early 2000s. After obtaining his LEED Accredited Professional status in Canada he worked as an independent sustainable building and neighborhood consultant followed by early involvement in the startup of Recollective, a green building consultancy based in Vancouver. He then co-founded Visible Strategies, a smart city software as a service solution focused on assisting cities transparently track and communicate their sustainability progress against long-term measurable objectives. Some of Visible Strategies clients including Live Earth; Beaverton, Oregon; Marin County, California and Albuquerque, New Mexico.
|
|
Similar to the principle of parallel storage, retrieval of verbatim and gist traces also occur via dissociated pathways. According to the principle of dissociated retrieval, recollective and nonrecollective retrieval processes are independent of each other. Consequently, this principle allows verbatim and gist processes to be differentially influenced by factors such as the type of retrieval cues and the availability of each form of representation. In connection with Tulving's encoding specificity principle, items that were actually presented in the past are better cues for verbatim traces than items that were not.
|
|
FTT posits two types of memory processes (verbatim and gist) and, therefore, it is often referred to as a dual process theory of memory. According to FTT, retrieval of verbatim traces (recollective retrieval) is characterized by mental reinstatement of the contextual features of a past event, whereas retrieval of gist traces (nonrecollective retrieval) is not. In fact, gist processes form representations of an event's semantic features rather than its surface details, the latter being a property of verbatim processes. In the memory domain, FTT's notion of verbatim and gist representations has been influential in explaining true memories (i.e.
|
|
The amygdala, therefore, may be important in the encoding and retrieval of memories for emotional public events. Since the role of the amygdala in memory is associated with increased arousal induced by the emotional event, factors that influence arousal should also influence the nature of these memories. The constancy of flashbulb memories over time varies based on the individual factors related to the arousal response, such as emotional engagement and personal involvement with the shocking event. The strength of amygdala activation at retrieval has been shown to correlate with an enhanced recollective experience for emotional scenes, even when accuracy is not enhanced.
|
|
Draiman explained this choice when he said, "If we agreed to edit the video...then it's assuming that we're agreeing with the decision that there's something about the video that is offensive enough or provocative enough that it's dangerous for them to play it. We don't agree with that." Draiman further criticizes the decision to take the video off of the air instead of other videos, "We don't have a character in our video who portrays Osama bin Laden and jumps and dances around, which is a direct recollective factor to 9/11." The intent of the music video was not to depict similarity to the September 11 attacks, according to Draiman.
|
|
At the time of the attacks, some participants were in the downtown Manhattan region, closer to the World Trade Center, while others were in Midtown, a few miles away. The participants who were closer to downtown recalled more emotionally significant detailed memories than the Midtown participants. When looking solely at the Manhattan participants, the retrieval of memories for 9/11 were accompanied by an enhancement in recollective experience relative to the retrieval of other memorable life events in only a subset of participants who were, on average, two miles from the World Trade Center (around Washington Square) and not in participants who were, on average, 4.5 miles from the World Trade Center (around the Empire State Building). Although focusing only on participants that were in Manhattan on 9/11, the recollections of those closer to the World Trade Center were more vivid than those who were farther away.
|
|
Stephen Emms for The Guardian argues that the "ordinariness [and] universality [of the] first-person account" of a depressing day is what draws the audience in, and "morphs [the song] into an unusually poignant parable of what modern life means". He points out that beyond the supposed simplicity, the lyrics are "oddly imprecise...in a vague recollective tone", and adds that the fact sentences include phrases such as "I must have...", "I'm pretty sure...", or "...or something in that style" implies that Agnetha is an "unreliable narrator" and give the entire song a veil of ambiguity. He says that sentences such as "at the time I never noticed I was blue" gives "her account a tinge of unreality, even fiction". Sometimes she may state something about her day (such as "I'm sure my life was well within its usual frame"), and we as the audience fear that in reality the opposite may be true.
|
|
All of Cornell's diverse work is dedicated to thinking the possibility of a more just future through political and legal philosophy, feminism, and critical theory.Elizabeth Grosz, “Drucilla Cornell, Identity, and the ‘Evolution’ of Politics,” in Time Travels (Durham NC: Duke University Press, 2005), 71. Cornell is perhaps best known for her numerous interventions into feminist legal philosophy: Beyond Accommodation: Ethical Feminism, Deconstruction and the Law (1991); Transformations: Recollective Imagination and Sexual Difference (1993); The Imaginary Domain: Abortion, Pornography and Sexual Harassment (1995); and At The Heart of Freedom: Feminism, Sex, and Equality (1998). In these texts, Cornell moves beyond feminist debates over formal equality, sexuate rights, and essentialism to develop the original concepts of “ethical feminism” and “the imaginary domain” which position feminism as a fundamentally ethical project oriented toward the re-imagination of sexual difference through law, politics and aesthetics. Cornell is also widely known for her highly influential work in deconstruction, most notably The Philosophy of the Limit (1992), in which she famously renames deconstruction “the philosophy of the limit,” and argues for the political and ethical significance of Jacques Derrida's work.
|
|