Roiphe tracks his rackety last days, reeling around New York in the fall of 1953.
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Police watching the union's rackety offices burst in if they see too many scooters parked outside.
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Fortunately, this rackety final season has left plenty of gaps for the rest of us to flesh out.
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She lived with her grandmother in the new London suburb of Brompton (later she reinvented her rackety upbringing).
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Yet the sum of the jovial, rackety din of these 1960s sculptures makes for a noise symphony of great textural diversity.
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" The Hollywood Reporter wrote: "The chronicle that Stefanov and Kotevska have distilled abounds in moments of unguarded discovery — moments that can be tender, humorous, rackety or serene.
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It is gleaming and sleek and airy, especially compared to its predecessor, the rickety, rackety Tappan Zee Bridge, which will remain open in the other direction until the fall.
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The idea of creating fake colleges with football teams for crooked gambling purposes was the basis of the 1932 film "Rackety Rax," nine years before the three tricksters played their trick.
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DONALD TRUMP has abruptly fired his campaign manager, Corey Lewandowski (pictured), a short-tempered, grudge-bearing schemer reportedly blamed by the Trump family for the rackety state of their patriarch's presidential campaign.
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Back in New Jersey, he and his relatives had a fractious relationship with neighbors and the police in Elizabeth, N.J., because of the always-open hours of their restaurant and the rackety customers it attracted.
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Another hitch, for Feig, is that, whereas the cheesiness of the effects in the earlier "Ghostbusters" was part of its rackety charm, no current audience will settle for anything less than a welter of wizardry.
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Describing Powell's rackety life back then, Spurling also deflects another frequent criticism of "Music of Time": that the world it depicts, where almost nobody has a real job, is rarefied and inbred to an implausible degree.
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Each of Hackett's panels play with their components of paint, gesso, marker, and clay in decidedly different ways, some taking on the appearance of straight abstract painting while others veer off into a rackety, outsider-ish groove.
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Cooking a pig on the sidewalk as if it were your backyard plays into the idea that Il Buco is actually an Umbrian farmhouse somehow set down among the rackety cobblestones and shiny mega-million-dollar condos of NoHo.
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Juggling work and home, she's ended up doing P.R. for a rackety start-up run by the ludicrous Donny, a hoodie-wearing, Steve Jobs-imitating, Mark Zuckerberg-worshiping 19-year-old who happens to be the son of one of Amy's oldest friends.
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Jalabala Self's lovely, shrieky, rackety mixings of paint and collaged fabrics are the only works in this show that do not feel weighed down by the burden of the various kinds of anxiety that seem to buzz about here so frenziedly, ranging from the fact of being a painter at all, to the horrible uncertainties surrounding the very idea of the human condition in a nasty, predatory world such as this one.
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The little friarbird has a very distinct voice consisting of a repeated liquid mellow "gee-wit" or "chewip". When breeding, the song is extended and includes chattering scoldings. A common sequence may be paraphrased as "rackety-crookshank".
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Characters from backstory material written for the American versions of Splash Mountain to explain how Chickapin Hill came to be flooded are visualized within Tokyo's Critter Country, with the Beaver Brothers having built a dam that was destroyed by an exploding moonshine still owned by saloon owner Rackety Raccoon.
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Robert Stapleton-Cotton, 3rd Viscount Combermere led a "rackety life" and further eroded the family's wealth; he tried without success to sell the estate in 1893. Katherine, Duchess of Westminster leased the abbey in 1898–1917. In 1919, Francis Stapleton-Cotton, 4th Viscount Combermere sold Combermere Abbey and part of the estate to Sir Kenneth Crossley of Crossley Motors.
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Her first starring role was in 1932 when she starred in Rackety Rax opposite Victor McLaglen and Greta Nissan. From 1933 through 1940 she starred in nineteen films, with only a small number of those being western films. Starting in 1941 she began starring in roles placing her as the heroine in westerns, often opposite Johnny Mack Brown, Ray "Crash" Corrigan, Max Terhune, and John 'Dusty' King.
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In Spanish: English translation: The adjective quilombera used in the third line is a mildly obscene term. In the lunfardo argot, quilombo means brothel; the word is used by Argentines (when profanity is tolerated) to mean "bedlam" or "mess". In this case, quilombera is used to describe the fact that football fans make a lot of noise and usually a mess of throwing confetti when goals are scored. On recordings, or when profanity is not tolerated, quilombera is replaced by bullanguera ("rackety").
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Usually, those who had survived a shootout were to be taken back to the jail, but instead Whitehill and his posse hanged them on the spot. Only one prisoner, Charles Spencer, who though armed, proved by showing them his pistol and confirming he had not fired, was spared. Joy was later shot and wounded, a wound that caused the amputation of his left leg, by rancher Erichos "Rackety" Smith, near the Gila River. Tried and convicted in Hillsboro, New Mexico for the murder of Webster, he was sentenced to life in prison.
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J. L. Toole in Burnand's Paw Claudian, 1884 The third editor of Punch, Tom Taylor, died in July 1880; the proprietors of the magazine appointed Burnand to succeed him. In Milne's view the magazine's reputation increased considerably under Burnand: A later biographer, Jane Stedman, writes, "His predecessor, Tom Taylor, had allowed the paper to become heavy, but Burnand's rackety leadership brightened it." Burnand, who declared himself "hostile to no man's religion", banned Punch's previous anti-Catholicism, although he was unable to prevent some antisemitic jokes. One of Burnand's biggest successes, both in Punch and on stage, was satire of the aesthetic movement.
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And, of course, who but Coppola would want to?" In her review for The New York Times, Janet Maslin wrote that "the film is so furiously overloaded, so crammed with extravagant touches, that any hint of a central thread is obscured". Gary Arnold in The Washington Post wrote, "It's virtually impossible to be drawn into the characters' identities and conflicts at even an introductory, rudimentary level, and the rackety distraction of an obtrusive experimental score ... frequently makes it impossible to comprehend mere dialogue". Time magazine's Richard Corliss wrote, "In one sense, then, Rumble Fish is Coppola's professional suicide note to the movie industry, a warning against employing him to find the golden gross.
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Chorus Then on to Nanango, that hard-bitten township Where the out-of-work station-hands sit in the dust, Where the shearers get shorn by old Tim, the contractor Oh, I wouldn't go near there, but I flaming well must! Chorus The girls of Toomancie they look so entrancing Like bawling young heifers they're out for their fun With the waltz and the polka and all kinds of dancing To the rackety old banjo of Bob Anderson. Chorus Then fill up your glasses, and drink to the lasses, We'll drink this town dry, then farewell to them all And when we've got back to the Augathella Station, We hope you'll come by there and pay us a call.
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According to Cartwright, he and Shrake usually could be found hanging out at a bar across the street from the police station; a copy boy monitoring police calls would alert them to stories.Joe Holley, “Novelist Was a Texas Fixture,” Washington Post (05/10/2009) Looking back at his job interview at the Press, Shrake would write “it was a rackety, dirty city paper, with the teletypes clacking and a sense of urgency everywhere. A copy editor was eating tuna fish out of a can, and the bowling writer was drinking bourbon, and I thought, 'This is the world I want to be in.' " At the Press, he also worked under legendary sports editor Blackie Sherrod who said about Shrake, “he immediately showed talent and went on to remarkable success and acclaim far beyond the pressbox."Jane Sumner, “Edwin ‘Bud’ Shrake: Famed writer remembered as a giant in Texas literature,” Dallas Morning News (05/09/2009) In 1958, Shrake moved to the Dallas Times Herald as a sportswriter, followed by a move in 1961 to the Dallas Morning News in order to write a daily sports column. Shrake wrote about the Comanche’s final battle against the United States Army in his first novel, Blood Reckoning (1962).
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