The whole purpose of the consultation is to truly trace one's roots — and that's exactly what Roycroft did.
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But it all starts with having a sense of one's roots, and appreciating the values that are part of one's soul.
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But for some black-owned travel companies and individuals, traveling to any of the 54 African countries is an intentional desire to connect more with one's roots.
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A newcomer in rural government, where how deep one's roots go might count as much as how much money a person has, White is flagrant in treating his campaign as an experiment based on his writing.
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Through these characters, Smith takes a granular look at the first- and second-generation immigrant experience; the duality of wanting to both preserve one's roots and cut them off to fit in, 'the feeling of belonging nowhere that comes to people who belong everywhere,' and the crushing burden of stereotypes thrust upon us.
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The movie is a tale of love and finding one's roots.
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Not to forget one's roots, the choir performs a number of concerts on campus, including Christmas with Wartburg, the college's annual Christmas celebration.
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The song has the following chord progression, E♭5—D5—E♭5. Like the film, the lyrics discuss importance of one's roots. Warren Truitt of About.com believed it conveyed "the sentiment that even pop stars find safe haven in their home town".
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In the film, Sankofa is depicted by a bird and the chants and drumming of a Divine Drummer. Gerima's film showed the importance of not having people of African descent drift far away from their African roots. Gerima used the journey of the character Mona to show how the African perception of identity included recognizing one's roots and "returning to one’s source" (Gerima).
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The song is musically country pop and pop rock. Lyrically, the track is about staying grounded and going back to one's roots. The song received critical success for its use in the film. "You'll Always Find Your Way Back Home" was met with average-to-low commercial outcomes for Cyrus in several countries, compared to those of her previous efforts as Montana.
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In 1987, Goldman had finished composing the song but had not yet found a female voice to record the duet with him. Philippe Delettrez, Goldman's saxophonist, met Sirima who sang in a Parisian metro, and suggested that Goldman meet her. After several takes in studio, Goldman finally decided to record the duet with her.Génération Laser, RTL, 18 November 1991 Composed by Jean-Jacques Goldman, the song deals with "the need of escape and the dilemma between a vital renewal and the loss of one's roots".
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The name Highlanders was chosen after the early Scottish settlers in the lower South Island. These Scottish settlers were the founders of Dunedin--known as the "Edinburgh of the South", and the city where the Highlanders are based. According to the Highlanders official website: " The name and image of the Highlander conjures up visions of fierce independence, pride in one's roots, loyalty, strength, kinship, honesty, and hard work." The colours of the Highlanders encompasses the provincial colours of North Otago, Otago, and Southland; yellow, blue and maroon.
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According to Vogue UK, the designers wanted to "focus on globetrotting and searching for one's roots" with "rediscovered local allure transformed into global synthesis" taking in "an imaginative journey, exploring different knowledge, inconographies and traditions with a keen eye and rapid movements" while " indulging in tactile artisan craftsmanship", which sounds more than a little convoluted in words but played out beautifully in clothes. The collection blended signature girlieness with utilitarian masculinity. The presentation featured 58 looks. Vanessa Axente opened the runway show and Kati Nescher closed it.
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Albertini argues that "the 'crypto-Catholic' route is partly an 'invented tradition' -- good for justifying the need of an 'identity baptism' more than a 'cultural baptism'", while also noting the role of the efficiency of the "social-humanitarian Catholic machine". Naim Ternava, the head of the Kosovo Islamic community, has opposed the new churches as well as the new cathedral in Prishtina. The historian Jahja Drancolli attributes the phenomenon to the combination of the desire to return to one's roots, as well as the desire to demonstrate a "Euro- Atlantic" orientation.
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In April 2005, remastered and repackaged editions of her 16 albums were released under the banner of Minos EMI. The albums were reprinted, digitally remastered, and the new editions were meticulously designed (including the lyrics, many informative texts and original photos from the time of the first release). In 2006, Haris Alexiou was back with Sour cherry and bitter orange, an album depicting the traditional aspects of contemporary music. Thodoris Papadopoulos, Smaro Papadopoulou and Makis Seviloglou wrote the music and the lyrics, suggesting a return to one's roots.
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Laforcade referred to this collaboration as "magical", saying the song was an anthem to human strength, and about not forgetting one's roots. García played a huapango riff, and Lafourcade started singing along while producer Cachorro López recorded everything, and the final result is from that session. There are two songs about falling in love, "Mi Lugar Favorito" and "Vámonos Negrito". The former, arranged to emulate emotional outbursts, was the most difficult to finish, and the singer had a hard time trying to find the right place for it on the album.
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Some are aligned in certain directions, all of different heights, one group has three rows of three all standing together near the western wall, one is even carved into a face playing a flute. Besides the architectural features, there is not much to learn just from the presence of the posts, but the cultural features associated with the huarango plant in the Río Grande de Nazca region is significant. The huarango plant is native to and grown in this region and has symbolic ancestral meaning, associated with the tree of life and one's roots, still held to this day. By looking at cultural beliefs in this area today, some interpreters have inferred that the room had ancestral and genealogical significance.
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Ever since the arrival of current Executive Artistic Director David Lozano, the Cara Mía Theatre Company has expanded in many ways. A Mexican-American himself, Lozano speaks passionately about the importance of embracing one's roots and understanding the "emotional history of the generations of Latinos in the US who came before." He sees Latinx theatre as not just a mode of representation or political performance, but also as a necessary opportunity for Latinx artists and audiences to reflect on their roots and identity. While his arrival did not mark a significant shift in the company's focus on underscoring the works of Latinx writers and giving a voice to the voiceless, their approaches to this goal have grown through the adoption of different approaches and collaborations.
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Though an outspoken Israeli nationalist on other issues, Misezhnikov did not feel impelled to change his clearly Slavic surname (nor his equally Slavic first name), and there was no public pressure on him to do so—as there would have been on an Israeli minister during the country's first decades. However, even today, people continue to Hebraize their surname, especially those serving in the IDF and Israel's diplomatic missions, representing the State of Israel. The number of those who do is small but significant; about 15% of American and British immigrants to Israel who come on Nefesh B'Nefesh flights Hebraize their names on arrival. There is also a trend of reverting to ancestral, non-Hebrew names to return to one's roots and preserve traditions unique to each ethnic group.
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Engonga came from a football family. His father Vicente was also a footballer who left Equatorial Guinea in 1958 and settled in Torrelavega, playing for Gimnástica de Torrelavega and other teams in the region.La sangre guineana de la Gimnástica (Gimnástica's Guinean blood); at Unofficial Gimnástica website Óscar was the youngest of four brothers (all former players), the most prominent being older Vicente, who represented Spain at UEFA Euro 2000;El reencuentro con las raíces (Reuniting with one's roots); El País, 24 November 2003 Óscar and Vicente coincided at Gimnástica – with siblings Julio and Rafael – and Valladolid in the 1991–92 season.La saga de los Engonga (The Engonga saga); Marca, 20 October 2018 Engonga's son, Igor, who was born in Santa Cruz de La Palma while he played in that city for CD Mensajero, represented Equatorial Guinea at both under-16Con una masiva entrega de premios clausuró la campaña del fútbol base (Youth football campaign ended with massive award ceremony); Racing Santander, 9 July 2011 and senior level.
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Main building of Ma Chung University. The name of Ma Chung comes from former Peranakan Chinese-owned high school at Malang in 1950s. The initial idea of establishing Ma Chung University was sparked during the Grand Reunion in commemoration of the 55th anniversary of Ma Chung high school in September 2001 at Xiamen, China. Based on "when you drink water, think of its source, to not forget one's roots or heritage" () traditional chinese proverb, on 1 May 2004, the Ma Chung College was established as the initial step in the establishment of Ma Chung University, which was founded by Mochtar Riady, a Chinese-Indonesian billionaire, and other fourteen notable Ma Chung High School alumni (Soegeng Hendarto, Teguh Kinarto, Hendro Sunjoto, Koentjoro Loekito, Effendy Sudargo, Agus Chandra, Hadi Widjojo, Nuryati Tanuwidjaya, Nehemja, Alex Lesmana Samudra, Evelyn Adam, Usman Harsono, Nagawidjaja Winoto, and Soebroto Wirotomo): At the Grand Reunion in commemoration of the 60th Anniversary of Ma Chung High School in Malang, 17 July 2005, laid the first stone in the construction of Ma Chung University and the Harapan Bangsa Sejahtera Foundation was formed which houses Ma Chung University.
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