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"moulded" Synonyms
shaped formed cast prepared precast ready-made fashioned made designed cut fabricated turned hewn moulded(UK) modelled(UK) modeled(US) worked forged crafted stamped contoured wrought processed produced manufactured constructed created twisted elaborated finished hammered ornamented bent treated assembled tough strong sturdy durable hard resilient rugged stout firm resistant solid hardy inflexible rigid stiff hardened toughened vigorous hard-wearing leathery inseparable close intimate bosom devoted best buddy-buddy chummy confidential especial familiar fast friendly good indivisible inward near thick tight influenced affected governed modified shope transformed altered changed manipulated predisposed adjusted amended converted reshaped shifted bore upon borne upon born upon had an impact on built composed concocted originated synthesized(US) developed cultivated educated fostered trained guided nurtured equipped instructed taught tutored coached drilled enlightened honed indoctrinated primed promoted fitted fit hugged clung clinged wrapped wrapt encased pressed prest decomposed decayed putrefied rotted festered mouldered(UK) moldered(US) spoiled(US) spoilt(UK) corrupted broke down broken down perished disintegrated fouled crumbled deteriorated withered degraded tailored adapted accommodated shapen conditioned acclimatised(UK) acclimatized(US) suited conformed acclimated doctored edited reconciled brainwashed programmed inculcated proselytised(UK) proselytized(US) instilled persuaded convinced propagandised(UK) propagandized(US) pressurised(UK) pressurized(US) catechized bended distorted perverted warped misrepresented falsified garbled misstated coloured(UK) colored(US) slanted misinterpreted fudged cooked biased(US) biassed(UK) misrelated rounded wadded balled rolled compacted compressed scrunched packed stuffed agglomerated More

1000 Sentences With "moulded"

How to use moulded in a sentence? Find typical usage patterns (collocations)/phrases/context for "moulded" and check conjugation/comparative form for "moulded". Mastering all the usages of "moulded" from sentence examples published by news publications.

Folk religion shaped her childhood; elite education moulded her career.
Outsiders have moulded Afghan culture in more ostensibly practical ways, too.
"Best men are moulded out of faults," a character tells us.
The gloomy economic forecasts were already moulded on the uncertainty surrounding Brexit.
The firm prefers to recruit unknowns who can be moulded into stars, she says.
Chocolate was moulded into whimsical designs from evening gowns to cocktail dresses to hats.
In merging technology with philanthropy, Chen and his co-founders had moulded tradition with modernity.
Their growth, behaviour and personalities have all been individually moulded by their interactions with visitors.
Slowly, like a lump of clay being moulded into a passable ash-tray, Thorbjork emerged.
They also claim the final materials are more robust and flexible than traditional injection moulded plastics.
Belfast is an incredible city to grow up in and it moulded me in many ways.
The ingredients are mixed with water and moulded into balls, then dried to make the briquettes.
The resulting granules can be melted and moulded in the same way as plastic is in factory processes.
There are three heat settings — cold, warm, and hot — and the handle is moulded to fit your hand.
They're then moulded to my finger, left to dry, and finished off with something glossy under a UV lamp.
Many chose to remember him nostalgically for his voice and rebellious songs that moulded the cultural identity of a generation.
These streamlined ridges measure up to 6 miles long (10 km) and were moulded on the beds of fast-flowing glaciers.
As they had hoped, this softened the scaffolds, which then moulded themselves to the surrounding tissue and subsequently remained in place.
On Tuesday ASN said EDF must inspect moulded components made at the foundry, adding to inspections of forged parts already underway.
Stretching about 1,200 kilometers (750 miles) in diameter, the impact basin contains subtle clues about the cataclysmic event that moulded it.
Moulded by an avuncular Italian manager, Claudio Ranieri, Leicester's has-beens and nearlies have emerged as extraordinary—and vastly undervalued—players.
Chile's best generation, moulded by a succession of Argentine coaches, undid Messi's World Cup finalists 2016 (United States): Argentina v Chile.
Ground into chocolate, dropped in grappa, moulded into sausage, and squeezed into oil, the peperoncino is the soul of Calabrian cooking.
It was moulded together into a seamless whole from 12-metre segments at a shipyard across the San Francisco Bay in Oakland.
Mao Zedong was always thus: a despot whose global image was moulded and adapted without regard to the man he really was.
According to a Treacy rep, the hat is from their spring/summer '16 collection and is a moulded slice in sinamay with rosettes.
Still, if his bold plan succeeds, Mr Flannery will in time have moulded a humbler but fitter GE that may yet endure another century.
Millions of children have played with Silly Putty, a toy made from viscous silicate polymers that can be moulded, stretched, and bounced off walls.
And perhaps this factor accounts for the large number of people in politics who were moulded by religious worlds, even if they later move away.
JBF RAK manufactures a synthetic fibre and resin which is spun into fabrics but also moulded into disposable bottles for beverages, shampoo and liquid soap.
The internet immediately noted that six and a million are different numbers, while laughing at the weird attempt at sexiness rendered in cheap moulded plastic.
This report will explore how Muslim identity has been moulded by external and internal pressures since the mass migration to the West began in the 1950s.
The neck, as the NASA press release pointed out, appears warped—a sign of potential shearing forces as the two lobes slowly moulded into one another.
Skates are half the weight they used to be and are custom moulded to players' feet, allowing for greater acceleration from a dead stop, Dalzell said.
Even with the utmost industry his team could make only 200 bricks per person in a day if they each mixed, moulded and moved the materials.
The boys have a mini-competition to have a dildo moulded like their member, and all they have to do is get an erection the fastest.
Like so many others throughout history who carried those same attributes, he discovered that the boxing gym was where that combination could be moulded into something positive.
It wasn't until 272 that he produced her first ready-to-wear collection, with couture leather-moulded pieces that would launch his name as a global brand.
In Phoebe Cummings's new installation, "An Ugly Aside" (pictured above), tea and opium-poppy plants moulded from raw clay entwine into a sort of sinister poison garden.
Faivre creates these unique, cartoonish casings with an air-drying clay he calls "Diego-Dough," which can be moulded around existing objects to give them new life.
McLaren revealed this week that the impact in the flying crash had been sufficient to crack Alonso's moulded seat, although they played down the significance of that.
In Shikoku, pilgrims follow a route once taken by Kukai, the eighth-century monk who brought esoteric Buddhist teachings from China and moulded them to a Japanese form.
It is hard not to scoff at his unflattering spandex getup (the moulded Batsuits were only introduced with Michael Keaton's 1989 version) and his unrealistic scrapes with death.
There is a darker tone to the songs featured here, the subject heavier and moulded by the lessons life teaches you in the latter part of your twenties.
The plastic seat is moulded in the shape of a man, and features a chest with nipples and a belly button, legs and – here's the kicker – a flaccid penis.
Herencia de Timbiqui, a popular marimba band who have moulded the style into pop ballads, played the final concert, with La Filarmónica de Cali providing orchestral arrangements of their songs.
Cuper was appointed Egypt manager in 2015 and has moulded the team into a strong defensive unit but some fans are keen for their team to display more attacking adventure.
But they can also lose out, forced to chuck thousands of worthless, poorly-moulded cases into the trash when a phone's design isn't what was predicted by analysts and leakers.
Each of Fukushima's clients receives a consultation session, followed by a meeting where their fingers are moulded and skin tones decided before the mould is made and colors pasted in.
Just the perception that we grow up and that our mind is moulded in a particular way and that we're living in this society which in many ways is quite monotonous.
Payau's doll is not a toy but a luk thep, or "child angel" —a factory-moulded moppet which some believe can be imbued, through a blessing, with the spirit of a child.
He has been moulded and modified to a point that he's not really a musician—just a bucket of bars to be picked up and scattered over anything online with a beat.
She made a shit ton of money stripping, got the best nose job since Lana Del Rey's third, and quite literally moulded herself into the greatest villain Love Island has ever seen.
There's even more reinvention with the footwear, with the AW Hike Lo presenting a clash of textures: adidas Boost tooling, moulded rubber outsoles inspired by the classic Marathon TR, and luxurious suede uppers.
Nor could you — presumably — 3D-print an entire head and hope to fool the "near-infrared" sensor with a lump of moulded plastic (though you can bet the Chaos Computer Club will try).
The discovery of Homo luzonensis—who may have been shorter than the Hobbits—may signify the presence of yet another human species moulded by insular dwarfism—a rather astounding discovery, to say the least.
Reared on decades of fighting for individual liberty and capitalism against dictatorships and collectivism since the 1930s, their politics moulded by the spectre of Auschwitz and the gulags, such ideological defensiveness is perhaps understandable.
It was 1967, and chemical engineers had spent the previous decade devising cheap ways to splice different hydrocarbon molecules from petroleum into strands that could be moulded into anything from drinks bottles to Barbie dolls.
As the driving force behind London-based collective FAUX, he's co-written, produced and moulded a handful of funk-laced pop songs, the first of which—"Take Back Time"—Noisey is premiering the video for below.
The heat in the air that night was heavy with change, as though under the tropical conditions our previous selves were melting, and we were free to be re-moulded into whatever image we saw fit.
The early b22017b salespitch targeted BRIC markets, with Jolla hitting the road to seek buy in for a platform it said could be moulded to corporate or government needs while still retaining the option of Android app compatibility.
John Rainey, chairman of Denroy, a maker of injected moulded components used on Airbus planes, has contingency plans in place, but won't sign off on any changes for the company of 13 employees until he knows what Brexit means.
So-called "digital natives", Gen Zs were wholly forged in the internet age; their worldview is moulded by the profound shifts in geopolitical culture after the September 11 terrorist attacks, and the financial insecurity brought on by the Great Recession.
Bracey's new works, which take around six weeks to make with neon moulded over 800 degree burners, now sit alongside those of his 17-year-old daughter Amber, a graffiti artist and next in line to take over the family business.
MEXICO CITY (Reuters) - Videos showing Mexico City subway riders reacting to close-ups of men's' buttocks and subway seats with moulded penises were part of a bold advertising campaign launched recently by UN Women, an arm of the United Nations.
Shortly afterwards came QT, an even more meticulously moulded type of star—all peroxide hair and lip gloss—a virtual avatar for all the sickly sweet pop she creates to be guzzled down like the fizzy pop drink she peddles.
Boeing is studying plans for what industry sources describe as a hybrid jet combining a wide cabin and a restricted cargo space, moulded to fly efficiently in a space between the industry's single-aisle jets and wide-body long-haul aircraft.
Moulded in clay, hand-painted, glazed to a stunning high gloss finish, before spending two days at 1,000 degrees in the kiln, they are destined for a more sedentary existence on the coffee tables, cabinets and shelves of the rich and famous.
That unassuming 18-ounce chalice of moulded crimson polystyrene appears perched on every nightclub bar top, littered across the lawns of every outdoor music festival, stacked in every suburban kitchen cupboard, clenched in the firm fists of every polo-shirted undergraduate and sweating, yawping fraternity brother.
Optimists on Labour's centrist wing see in Mr Smith further similarities to Mr Kinnock, who took over from the unelectably left-wing Michael Foot, fought both Trots and Margaret Thatcher and bequeathed to Tony Blair, his successor-but-one, something that could be moulded into a party of government.
Moulded by the geopolitical tensions of the Cold War, the awe-inspiring feats of the Space Race, and the emergence of civil rights movements, the late 1960s were a time of momentous change and instability on Earth, twinned with the first direct human exploration of the universe beyond it.
But an enthusiastic passenger, navigator and, of course, dashboard DJ. I often fantasise about starting a club night called simply, 'Volvo', where a DJ stands behind a set of decks embedded into the moulded plastic of an L-reg Volvo, blasting out the family favourites that typify summer holiday drives.
We aren't so much seeing through a lens darkly when we log onto Facebook or peer at personalized search results on Google, we're being individually strapped into a custom-moulded headset that's continuously screening a bespoke movie — in the dark, in a single-seater theatre, without any windows or doors.
A century of matinee idol worship has taught us that such a face as Hammer's belongs on billboards, and that a body like his—pampered and moulded like wagyu cattle by a multimillion-dollar upbringing—ought to be displayed on the most screens in the best blockbusters money can buy.
Last month, Beijing's No. 3 official, Zhang Dejiang, who also oversees Hong Kong issues, stressed the need to "strengthen national education and legal education to Hong Kong's youth, and develop correct concepts about the country from a young age" so that they could be moulded into those who "love the country".
Applied to VR, the effect is naturally more immersive; using Handpose with an Oculus Rift headset, I could see my hands as I prodded and poked a bunny that moulded to the touch like Blu-Tack and interacted with a series of virtual controllers that mimicked analogue dials, buttons, and sliders.
Benfica also moulded 22-year-old centre back and Portugal international Ruben Dias, who has developed into a key player for the Lisbon club, making 22 appearances this season Players including Manchester City's Bernardo Silva and Ederson, Juventus' Cancelo and Bayern Munich's box-to-box midfielder Renato Sanches are just some to have come through Benfica's youth academy in Seixal, which was founded in 20.
Tuna shot to social media stardom after Dasher set up his Instagram page in 2000, and the all-access guide to one of the most famous dogs on the planet—Tuna Melts My Heart: The Underdog with the Overbite—is just the latest Tuna memento available to fans, alongside mugs bearing his face, a calendar, and white bronze rings moulded into the shape of his head.
' It is of three stages finished with a modillioned cornice between the buttresses, an embattled parapet and angle pedestals, supporting obelisks with ball-terminals. The two-centred tower-arch is of two classically moulded orders springing from square responds with moulded imposts. The west window is of two coupled lights divided and flanked by plain pilasters and with round heads, moulded archi¬volts and imposts; the west doorway is flanked by plain pilasters with moulded capitals and has a half- round moulded arch with a plain key-stone; above the doorway is a plain tablet. The second stage has in the west wall a square-headed window with a moulded stone architrave.
The building has a central moulded hammer beam roof with moulded arched braces and is covered by red plain tiles. The tower has clock faces to the north and south walls.
The external walls are of solid brick construction with rendered finish on rock-faced bluestone plinth with tooled margins; various tooled and moulded course lines which extend continuously at impost level into simply moulded archivolts. The internal walls are hard plastered and painted brickwork to external and partition walls; some areas have moulded dado lines. The floors are timber boards on timber-framed structure; Victorian profile moulded timber skirting boards, and the ceilings are lathe and plaster with square set cornice [and possibly various moulded cornices and ceiling roses. The roof is hipped with slate finish to principal building and kitchen wing, minimal eaves overhang, rendered brick chimneys with moulded caps; mansard roof form to clock tower with bracketed cornice, cast iron widows' walk and flagpole.
It can be moulded to resemble real wood or wicker.
The roofs of the chancel, nave and transepts are all of 1626. In the chancel are five trusses with moulded tie beams, moulded and panelled braces and moulded wall-posts with shaped and moulded pendants. On the nave, six bays similar to the chancel with some repairs; transept roofs are similar each of three bays. North Porch The 17th-century north porch has a mid-13th-century north doorway, perhaps the old door of the former aisle in situ; it has a two-centred head of three orders, the two outer orders springing from detached jamb-shafts with moulded capitals and bases and the inner order continuous.
The waiting room features decorative plaster ceiling, moulded timber architraves to window and door surrounds, a timber moulded dado above rendered dado line, timber skirting board and bricked in fireplace. Staff rooms were not accessible.
The 17th century stable has some rare ovolo-moulded mullion windows.
The square- based turned newels are topped by a moulded capital. The shafts have decorative circular moulded motifs at the top, the remainder is chamfered with recessed moulded detail. Internally on the first floor, offices flank the central foyer opening off corridors running north and south. From the foyer, the offices are accessed via paired timber doors in arched entrances.
The ground floor room in the north-eastern corner of the house has 18th century moulded panelling, a moulded plaster ceiling, overdoors with segmental open pediments, a fireplace with eared architraves, and an overmantel carved with wooden festoons.
The oval ashets and vegetable dishes would have been press moulded as well.
The interior is a tall granite arcade with three bays. It has piers with moulded cup capitals and 4-centred moulded arches. The nave and north aisle have excellent barrel vault ceilings. These are original, and have high relief moulding.
The original internal finishes include decorative plaster ceiling and moulded plaster cornices to the waiting room and ladies waiting room, moulded timber architraves to original building joinery, plasterboard ceilings to amenities, and tile and carpet floorings. All fireplaces have been enclosed.
Jane lives under threat of being sent to be "moulded" by her maternal grandparents.
However the two-story porch survived, along with its richly moulded thirteenth-century doorways.
The facades are asymmetrical, and are divided by pilasters and by a horizontal moulded string course between the levels. In each bay are sets of windows, mostly double hung but some louvres and fixed lights to the curved bay at the corner, all with external moulded architraves. The simple squared parapet has a moulded and bracketed cornice above the windows, and a higher decorative parapet with "Bank of NSW" in relief above the main Flinders Street entrance. This entrance is emphasised by moulded pilasters to either side, decorative plasterwork and a segmented arch over the doorway.
For example, in Melaka and Riau the staircase is always decoratively moulded and colourfully tiled.
Designs are unlimited, from simple glass spark screens to ornate, moulded fold-out brass fireguards.
The doorway is vertically boarded, set within a bead-moulded timber frame that is surmounted by a flat door hood supported on a pair of moulded console brackets. A rain-water hopper is situated to the south of the central first floor window. The hopper has moulded upper and lower edges and a central spout. The date 1691 surmounts the spout separated from the initials T.B by a pair of fleur-de-lis motifs.
The first floor pilasters have more elaborately moulded capitals. There are moulded string courses above the base, at first floor level and at the first floor balustrade level, with a bracketed, moulded cornice below the parapet. The parapet steps up to a decorative pediment feature, centred over the windows, one on either side of the building. The current colour scheme for the exterior of the building is an ochre base, beige body and taupe detailing.
Bill Ashton and Ted George (George & Ashton Limited) moulded fibreglass Tiki sports car bodies in Dunedin.
The columns to the colonnade are octagonal with moulded caps. The building also features articulated quoins.
He has a patent for a "Method of construction of moulded products" with Wong Cheng-Hing.
The building is topped with a medium pitch corrugated iron roof with two moulded top chimneys.
Towards the top of the tower is a moulded corbel table. There are semicircular single-light windows above and below the corbel table. At the summit of the tower is a shallow gable and a moulded parapet. Along the sides of the nave are two-light windows.
Glass slurry decorations were applied to moulded 19th century beads possibly of Czech origin. Smaller, cigar shaped or cylindrical beads are often also found to have been constructed from two or even three of the moulded beads. These are fragile and tend to break apart easily.
Brackets in chancel east wall, in form of moulded capital, late-13th-century, now cut back to wall-face. In south transept east wall, rectangular shelf with 'ball-flower' ornament and a carved head below, early-14th-century Communion Table: with turned legs, moulded top rails with shaped brackets, plain lower rails, c. 1630–40, top modern. There are two chairs in the chancel with moulded and twisted legs, front rail, and back- uprights, of c. 1700.
It is not clear due to the rendered finish here if the window was part of the late 17th century work or the refurbishment carried out in 1743 by the second Ralph Beard. The doorway has plain pilasters with simple moulded capitals surmounted by a moulded triangular pediment. The door has four rows of glazed panes, three to each row set above a pair of moulded panels, a style again consistent with an early to mid 18th century origin.
Otherwise it consists of alternating moulded rectangles separated by circles. The tower continues above the entry with plain pilasters supporting a moulded classical pediment with a dentilled cornice, and flanking another arched opening with a moulded keystone. The windows to each side of the tower on the first floor are square headed, as are those on the sides. Above them the eaves of the terracotta tiled hipped roof are decorated with a supporting row of brackets.
This is a list of Muffler Men, large moulded fiberglass sculptures that are placed as advertising icons.
There was also an ornate 17th-century wooden staircase with square newels, turned balusters and moulded handrail.
The canopy was constructed around a 'Duralumin' frame with 'Plexiglas' transparent section and moulded opaque nose section.
The loads from this inner chainplate are fed through an internal strut to a moulded hull grid.
This is why I have moulded and drilled you, polished and ripened you, for my own behoof.
Where a88 moulded frame for a panel is required, a strickle, or profile, is cut in zinc.
Internal doors are timber with moulded panelling and operable timber panelled fanlights that retain original brass opening mechanisms. Timber French doors with fanlights have fine, moulded glazing bars and clear glass lights and open onto the verandah from most rooms. One set of French doors has been modified into one large sliding door and another set has been relocated to enclose the verandah nearby. Other windows are double-hung timber sashes or timber casements with fine, moulded glazing bars and clear glass.
The Charlesworth house style of the early 1930s was low rooflines with compound curves and deep moulded waistlines.
Flanked by 2 small 2-light ovolo-moulded mullion windows. Roof with collars, butt purlins and wind braces.
Their exquisitely moulded faces were the colour of wheatmeal porridge slightly browned, with numerous freckles as the bran.
A moulded internal grid strengthens the skin and provides the pickup points for the chainplate and keel loads.
The structure is an attached midblock yellow brick double-height Lombardo-Gothic church with Gothic Revival and Romanesque Revival details designed by Harry G. Wiseman. It was completed in 1910. The only exposed elevation, the Broome Street gable facade is symmetrical divided into an upper and lower section by a moulded limestone platband. The lower facade has a limestone water table/plint moulded with three centrally placed square-headed entrances with raised-and-fielded painted timber five-panel double-leaf doors (top panels glazed), all with pointed-arched limestone typanums above consisting of a moulded lintel and blank typanum with inset moulded terracotta panel (that to center is round, those to sides are almond shaped).
The main range is of lobby-entry plan, the chimney of stellar pattern. Some good 16th century detail inside, including a roll-moulded beam in the outer room. Evidence of the dais seat in the hall. The wing contains the inner parlour; ovolo-moulded beams; and a 17th-century stair behind.
Behind the stage are two windows of adjustable timber louvres, trimmed with moulded architraves and with triangular pediments over.
The company manufactures several different products based on polyolefin foams, e.g. air ducts, vacuum form parts, compression moulded parts.
The nave has a barrel-vaulted ceiling with moulded ornamentation. There are galleries along its east and west sides.
The roof is made of aluminum with moulded corners and joints. Plaque inside the Banana House. Seen October 2020.
The guitar had a moulded plastic fretboard and friction pegs, and was of course completely untunable, let alone playable.
Brødrene Hartmann A/S is the world’s leading manufacturer of moulded-fibre egg packaging, a market-leading manufacturer of fruit packaging in South America and one of the world’s largest manufacturers of technology for the production of moulded-fibre packaging. Hartmann has 12 factories in Europe, Israel and North and South America.
Most modern saddles have a hard shell made from a moulded piece of plastic, such as nylon. Carbon fiber may also be used. Leather saddles do not have a hard shell. Instead a moulded piece of thick leather is stretched, like a taut hammock, between the front and rear ends of the rails.
PD meters normally have bronze, brass or plastic bodies with internal measuring chambers made of moulded plastics and stainless steel.
The Long Room has a decorative moulded plaster cornice and pilasters. All the joinery throughout the building is silky oak.
Over 50 types of moulded brick were used in its construction.Anthony Emery, Discovering Medieval Houses (2008), p. 78; Google Books.
Small basilican triple nave is vaulted by four serveries of cross vault. Ogee moulded vaulting ribs are led into simple geometric console with polygonal cover. Eastern triple nave is ended by triumphal arch situated on ogee moulded semi-pillars. The nave is separated from its aisles by monumental cylindrical non profiled posts carrying Gothic arcade.
It has a low pitch, and contains moulded and carved beams, moulded rafters, bosses, and quatrefoil panels. The bosses are carved with the heraldry of the Stanley family. The west arch of the chapel has a pierced timber tympanum. Between the north chancel chapel and the chancel is an arcade carried on octagonal piers.
Nilkamal Limited is a plastic products manufacturer based in Mumbai, India. It is the world's largest manufacturer of moulded furniture and Asia's largest processor of plastic moulded products. Their product range consists mainly of custom plastic mouldings, plastic furniture, crates and containers. The company also has a chain of retail stores under the @home brand.
In the middle floor each bay contains two round-headed two-light windows with moulded heads and keystones and are flanked by pilasters. The top floor has two segmental-headed two-light windows with moulded architraves in each bay. Internally the former banking hall has retained its plastered coffered ceiling and a Gothic fireplace.
The openings on the ground floor are all of arched brickwork with moulded keystones. The main entrance has a pair of timber doors with a fanlight above and a prominent keystone. The division between levels is emphasised by a moulded stringcourse and cornice. This carries the wording "KURILPA LIBRARY" above the entry in bronze lettering.
A timber door leading from the church to the former vestry has been removed and the opening brick-filled and rendered. Internally, moulded timber trusses span a nave of four bays. Moulded plaster surrounds frame the chancel arch. Walls are of white-washed plaster, with recent varnished vertical boarding around the walls of the nave.
Two types of QFN packages are common: air- cavity QFNs, with an air cavity designed into the package, and plastic-moulded QFNs with air in the package minimized. Less-expensive plastic-moulded QFNs are usually limited to applications up to ~2–3 GHz. It is usually composed of just 2 parts, a plastic compound and copper lead frame, and does not come with a lid. In contrast, the air-cavity QFN is usually made up of three parts; a copper leadframe, plastic-moulded body (open, and not sealed), and either a ceramic or plastic lid.
The Government responded with a massive roundup, but by then, the march and the media coverage had radically moulded international opinion.
South side has moulded uprights. Above, two square wooden oriels on moulded brackets and a 4-light window with wooden mullions and gothic tracery The interior has stud walls with jowled bay posts, two of them with arch braces, and arch braces to the spine beams. Principal rafter roof with collars and spine beam. Two stud walls without nogging.
The roof is tiled with locally quarried Horsham stone. The chancel has hood-moulded trefoiled windows in its liturgical North and South walls. Also in the south wall is an ornate priest's door with a pointed-arched head. A hood-moulded piscina and aumbry, both dating from when the church was built, are also visible on the chancel walls.
The windows were glazed with British polished plate glass. The window over the doorway had a heron and border painted on cathedral glass.The heron symbolises Herene Bay The lobby had moulded corner posts and panelling, and a moulded cornice. Beyond the lobby was a central hall by by high, with a dado of tinted, glazed bricks.
It has had a verandah in length with an unfinished cell at the left. The doorway has a lintel. The side posts are fluted to the ground and moulded about half way down. In the fluting below the moulded part, are, on the left side of the doorway, two figures about 0.431 metres (15 inches) high.
C15 or C16 bays with large encased spiral bridging joist below. Original roof of closely spaced trusses with collars and former collar purlin and crown posts. C17 bay with ovolo moulded bridging joists, fireplace bressummer and tie beams. Fine oriel window projecting into landing on shaped brackets; of 5 lights with ovolo moulded mullions and transom.
The reason for there being so many heads without bodies is unknown but it is speculated that the figurines were possibly decapitated in a ritual offering. File:MT12-1 Majapahit terracotta moulded figurine.JPG File:MT12-1 (2) Majapahit terracotta moulded figurine showing the hollow core.JPG File:TC 57 Majapahit Figurine with the head separated from the body front view.
The facade is decorated with moulded plaster details including small pilasters with acanthus leaf capitals, rosettes, keystones, brackets, cornice and balustraded parapet.
It was the circumstances which moulded the nature of Muthu, but people never bother for those factors and Muthu is always victimized.
Plastic parts are cleaned, ground, extruded and moulded into new plastic parts. The acid is reclaimed, cleaned and used in new batteries.
Above the window is a carved tie-beam, and a gable containing herringbone studding. The bargeboards are moulded with a drop finial.
The bronze statue is on a Portland ashlar pedestal with a moulded plinth and cornice. It depicts the king in Roman dress.
The roof is modern, but the moulded principals of 1626 remain. The weathering of the earlier roof remains above the chancel arch.
A 17th-century wall still encloses the garden which has a roll-moulded arched gateway, the pediment of which is dated 1626.
Suitable material must be pliable and easily moulded to the skin surface, but retain a constant thickness. One example includes paraffin gauze.
2010 saw the introduction of the "World's Strongest Leash" - a fully moulded surf leash as opposed to three piece heat welded surf leash.
It is thought that the cup was moulded twice in modern times due to remains of plaster and silicone rubber found in crevices.
Early panelled timber doors and moulded timber architraves also exist throughout this level. The ceiling is lined with early, narrow, jointed timber boards.
IV, Parti 59, f. 35. The experience, together with the reading he was doing, moulded him into a daring, powerful and intrepid personality.
Most of the students of LMA have become professional playback singers and channel stars. Students of LMA are moulded into wonderful human beings.
There are moulded beams and friezes with swag motifs, integral seating and other furniture, Art Deco lighting, decorative plasterwork and an original staircase.
A 16th-century chest is in the north transept and is plain with coped lid, two locks, iron straps and three strap¬hinges, all terminating in fleurs-de-lis. The font is made up of two 13th-century circular moulded capitals and a piece of circular shaft. The cover is largely modern, but has a 17th-century ball on the top and a Victorian mounting. In the nave the north and south doorways, the doors are twinned, each of two leaves with moulded panels and nail-studded framing; both doors set in moulded framing, with panelling above, mid-17th-century, partly repaired.
The central entrance is flanked by pilasters, which have fluting to the lower section of the shaft, supporting a triangular pediment surmounted by a moulded ornament at the apex. The pediment and cornice have egg and dart mouldings, the architrave has dentils, and the pilasters surmount tall pedestals, which flank entrance steps with low wrought iron gates. The arches have expressed imposts, extrados and keystones, and are surmounted by a frieze with moulded swags. The paired arches either side of the entrance have a central granite column with an Ionic capital, surmounting a tall pedestal flanked by a moulded balustrade.
The church is therefore gothic in design and the builder was John Harris of Monasterevan, who used Wicklow granite and local stone from Boston, Rathangan. The church is cruciform in plan with the nave being set off with alternating window and arched roof-truss. The transepts are defined by polished granite pillars with moulded bases and carved caps which support arches in line with the walls of the nave. The side chapels are seen from the transepts and chancel through arches springing from moulded piers which also support the large chancel arch with its polished granite corbel shafts, moulded bases and carved caps.
It has a complex hipped, skillion slate and corrugated steel roof, and the clock tower has a domed zinc roof with small dormers and a finial at the apex over an open sided bell room. Four rendered and moulded chimneys can be seen to punctuate the roof line behind the moulded parapet that extends along both street facades. North Sydney Post Office is a rendered brick building painted cream and tan, with classically styled detailing and reddish brown trim. Detailing comprises moulded string courses, imitation blockwork, central pediment, arched windows, columns to the bell room and arched bays to the adjacent building.
Inside the church are five-bay arcades carried on clustered piers with moulded capitals and moulded arches. The transept and chancel arches are higher but similar. The roof of the nave is scissor-braced. In the north transept are stained glass windows by Morris & Co. dated 1895 and 1897, and in the south aisle are two windows of 1953 by A. F. Erridge.
The middle opening of each portion is slightly wider than the other openings and above them are triangular pediments at parapet level supported on moulded brackets. The facade treatment to the plinth is rendered and coursed to resemble ashlar. A string course runs across between the openings at the springing level of the arches. The semi-circular arches have moulded surrounds and keystones.
B.P. :L.W.L :Breadth moulded :Depth moulded :Tonnage The bulwarks were of steel, neatly paneled with teak and so arranged that they could be taken down when the yacht was laid up. Adele was fitted with steam and hand steering gear, teak and brass-mounted. The masts and bowsprit were of Oregon pine and the yacht was rigged as a schooner.
Cardin was born near Treviso. His parents were wealthy landowners, but to escape fascism they left Italy and settled in France in 1924. His father, a wealthy French wine merchant, wished him to study architecture, but from childhood he was interested in dressmaking. Pierre Cardin dress, heat-moulded alt=Pierre Cardin dress, heat-moulded Dynel, 1968 Cardin was educated in central France.
The nave is rendered and the tower and north transept are of flint and coursed rubble. The nave roof dates to the 15th century, and rests on original grotesque corbels. The font also dates to the 15th century and is octagonal. The sides of the bowl, which is moulded, have quatrefoiled panels, and the stem is also moulded and panelled.
Release agents are coated onto some plastic films to prevent adhesives from bonding to the plastic surface. Some release agents, also known as de- molding agent, form oil, parting agent or form releaser, are substances used in molding and casting that aid in the separation of a mould from the material being moulded and reduce imperfections in the moulded surface.
The fabric of the theatre includes brick interior and exterior, terracotta floor and roof tiles, painted timber, wrought iron and moulded plaster decoration inside.
In an angular capital of the Greek Corinthian order, the abacus is moulded, its sides are concave, and its angles canted (except in one or two exceptional Greek capitals, where it is brought to a sharp angle); the volutes of adjacent faces meet and project diagonally under each corner of the abacus. The same shape is adopted in the Roman and Renaissance Corinthian and Composite capitals, in some cases with the carved ovolo moulding, fillet, and cavetto In Romanesque architecture, the abacus survives as a heavier slab, generally moulded and decorated. It is often square with the lower edge splayed off and moulded or carved, and the same was retained in France during the medieval period. In Early English work, a circular deeply moulded abacus was introduced, which in the 14th and 15th centuries was transformed into an octagonal one.
The cold moulded model from 1963, four 3 mm laminations laid up with resorcinol glue on mahogany stem and main frame with laminated mahogany floors.
Smaller corbelled stairs led to the upper storeys, which included a square caphouse above the stair tower. Square and round gun loops were located around the tower. The most striking feature is the carved decoration, including cable-moulded string courses, moulded corbels, and the carving over the door. In the 19th century, the upper parts of the walls were rebuilt with larger dormer windows.
The central bay has an elaborate timber entrance door with side and fanlights of leaded and coloured glass and moulded timber panelling. The door itself has moulded panels and a large, textured glass pane, which is not original. A small sliding glass hatch from the entrance hallway into the library and record clerk's room survives. There are original and early fixtures including ceramic sinks within the building.
The roof is pierced by segmented-arch dormers on the projections, and a gabled dormer at the center, each with bracketed moulded surrounds. Windows in the bays have similar surrounds, with projecting segmented-arch moulded projections above. The porch is supported by square posts, and projects forward beyond the flanking bays and outward to encompass their inner faces. The entrance is flanked by sidelight windows.
The interior trim was improved with redesigned seats and by covering most of the exposed surfaces with rubber cloth. The original moulded rubber floor coverings were replaced with moulded carpets. It was introduced at a base price of £550, compared to the Sprite's £505 and the Midget's £515. Top speed was claimed to be and its 0–60 mph time of 14.8 seconds was considered "lively".
Moulded triangular pediments top the second floor windows. The top of each pilaster consists of a shamrock crest, positioned directly below a dentilled cornice. Above the projecting cornice, the pilasters are extended with recessed panels between them to form a decorative parapet. The recessed panels are infilled with masonry circles that shape the initials TCB and all the panels are topped with a flat moulded capping.
Wide moulded architraves surround the openings. The concrete balcony to the first floor spans the space within the portico and is detailed with a moulded concrete balustrade containing urn-shaped balusters. The south elevation is more simply detailed and is rendered and finished with an ashlar pattern. There are seven square metal-framed windows to the upper level and four rectangular metal-framed windows lower level.
There are five lancets around the apse of the chancel, and another in the east wall of the south transept. In the south wall of the transept is a doorway with a pointed moulded arch flanked by buttresses. In the gable above the doorway is a lancet window, also with a moulded head. In the south wall of the south aisle are two further lancet windows.
Much of the interior has been ruined by the 1995 fire. A cantilevered stairway survives in the hall, with a moulded ceiling above. An ornately moulded ceiling rose is still present in the former drawing room, as is an elaborate fire surround with brass reliefs of a king and prince of Wales, assumed to be George III and his son, the future George IV.
The principal entrance doorway faces east with pillared jambs, carved tympanum and moulded arches set in a projecting porch. The tower, with its lantern belfry, extends above the level of the nave roof. It has deeply recessed windows on each face and is finished with a moulded cornice. From this point, the tapering spire rises to a height of 40 metres and is surmounted by a cross.
The composite parts are also claimed to reduce production requirements due to being injection moulded with consequently reduced finishing work. Although the temperature, time and other process variables differ between parts, the general manufacturing process follows. The component is first injection moulded and allowed to cool past its plastic deformation temperature. It is then post cured by solid state polymerisation at a series of temperature steps.
These lamps are extensively ornamented. The materials used to make the lamp are box-moulded, wax-moulded, or loam-moulded. These are made in an open space where fire hazards are of the least concern. To facilitate proper moulding, the key component materials used are: the brown vandal sand exclusively drawn from the Cauvery river bed about 1 km from the Nachiarkoil town used in all types of moulding; "Karuman sand" (used for wax moulding) of pale red colour, available in the town itself; "Savuttu sand", available in light grey colour, used in wax moulding and available in the tank beds in the vicinity of the town.
Other features of the bridge include moulded concrete guardrails with arch-pierced concrete walls, cantilevered roadway with tapered cantilevered brackets, and tapered girder haunches at piers.
Country tiles used as a corbel are a feature peculiar to Goa. The effect achieved is aesthetically pleasing, giving the roof projection a solid, moulded appearance.
The grains then lie side by side, with the faces of the latter moulded on or adapted to the more perfect crystalline outlines of the earlier.
Country tiles used as a corbel are a feature peculiar to Goa. The effect achieved is aesthetically pleasing, giving the roof projection a solid, moulded appearance.
The porch is gabled and has single-light windows in its east and west sides. It has moulded eaves, an ornate parapet with a finial, and pinnacles.
This church designed by Pierre Leprince Ringuet was decorated in the arts déco style and Gaumont executed sculpture in moulded cement ("béton moulé") for the church façade.
The upper stage contains a two-light louvred bell opening on each face. At the top of the tower is a moulded cornice and a crenellated parapet.
Fragment of moulded 18th-century creamware found on Thames foreshore, central London, August 2017. Showing typical patterns of border decoration. Staffordshire, c. 1760–1780. Courtesy C Hobey.
Raised on three paw feet, the flower bud knop rises from a moulded gadroon border, its shape inspired by models produced at both St Cloud and Rouen.
The church is built in brick, with a front of sandstone ashlar and a slate roof. It has a rectangular plan, is in two storeys, and is sited at right angles to the street. The symmetrical entrance front faces east and contains a giant round-headed arch carried on two pairs of Corinthian columns. The surround of the arch is moulded, and above it is a moulded dentilled gable.
1350, and of the three cinquefoiled ogee lights with leaf tracery in a two-centred head; the internal and external labels are chamfered. In the north wall is a Victorian doorway, and further west a two-centred arch of c. 1450 and two hollow chamfered orders; the responds are moulded and shafted, with moulded bases and capitals. In the south wall are two windows; the eastern is of c.
The pointed doorway arch is hood moulded, and has a continuous chamfered surround meeting a flat reveal, which in turn holds a further roll mould arch ending at the spring with capitals unsupported by piers. Within the porch are stone benches either side. The nave door, with its wrought iron face hinges, sits inside an arched opening with continuous moulded reveal surround, with simple chamfered hood mould above.
Trevalga: [the Author] The original manor house of Trevalga is Redevallen in the adjoining parish of Minster. The current building dates from 1642 but is possibly on the site of an earlier building. Writing in 1879, Sir John Maclean describes the principal room being decorated with a moulded cornice, and that it formerly had a fine moulded ceiling. MacLean also records that the walls were pierced for musketry.
The roof-line is defined by a moulded cornice and parapet supported by triglyphs and modillions, and with friezes in panels above the pilasters. The right-side garden elevation is of similar style, and has a full-height canted bay window. The left-side elevation is more plain yellow-brick construction. The interior features a geometrical stone staircase with slender cast-iron balusters and decorated with moulded cornices and wall-niches.
Upper deck of the Enviro400 The Enviro400 features an innovative seating layout that maximises use of seating space on the lower deck by placing two forward-facing moulded seats onto the front nearside wheelarch box with a small luggage shelf on the rear half, and also (on full-height models) a single forward-facing moulded seat on the front off-side wheelarch hub between the driver's partition and the staircase.
ALPLA group worldwide Factory Fußach ALPLA, otherwise ALPLA-Werke Alwin Lehner GmbH & Co KG is an Austrian, international acting plastics manufacturer headquartered in Hard, specialising in blow-moulded bottles and caps, injection-moulded parts, preforms and tubes. It is the largest producer of packaging in Europe, with a total of 178 production plants in over 46 countries worldwide, approx. 20,800 employees and annual sales of € 3.66 billion in 2018.
There is no structural division between the nave and the chancel; the chancel, which occupies one and a half bays, is enclosed by oak screens. The north arcade has five two-centred, chamfered arches on octagonal piers with moulded caps and bases. The north and south arcades are in the Perpendicular style. The south aisle, wide, is in the Classical style with pilasters, entablature and a moulded cornice.
There is also a further entry at the splayed corner which leads to the Public Bar. Although substantially remodelled, the Public Bar retains its pressed metal ceiling with beam surrounds, cornices and roses. From both private entrances, generous corridors lead to a central arched vestibule which features moulded pilasters and archways with keystones. Adjoining is the main stair in polished cedar, with square moulded balusters and carved newels.
The 14th century nave is flanked on each side by aisles added in the early 15th century. The external walls of both aisles are buttressed and have a moulded stone plinth and a string course topped by a battlemented parapet. The aisles are divided from the nave with arcades of four pointed arches with octagonal columns and moulded capitals and bases. The capitals differ on the two arcades.
Consequently, BSC proceeded to launch the first European Pro Beach Soccer League season (EPBSL) in 1998, moulded and structured in the aforementioned vision of fans and media alike.
The interior features two ground floor rooms with fielded panelling with a Tudor arched stone doorway and a stone fireplace with moulded lintel. Gives architectural details of hall.
110; and Stoullig (1911), p. 396 for La Dame de chez Maxim he discovered Armande Cassive, whom he moulded into his ideal leading lady for his later works.
A timber arch, featuring moulded and reeded sections, forms the proscenium over the elevated stage, which is lined with diagonal timber boarding as are some of the doors.
Moulded cornices are consistent throughout. Ceilings are tongue and groove boarding. Circular fretwork vents are central to five existing ceilings. An unpainted brick fireplace remains in seasonal use.
Internally, each side of the church has five pointed and moulded arches which separate the aisle from the nave. The arches are supported by columns with foliated capitals.
From his Old Moss Works, Bebb built a tramway eastwards to the canal, where there is a raised area of towpath and a simple wharf. No records of levels of production have survived, but on 12 September 1859, the lease was taken over by Richard Henry Holland, and on 3 August 1860 passed to The Moulded Peat Charcoal Company Limited, a company of which Holland was a director. They bought the patent for a machine to turn peat into moulded briquettes, which could be burnt or converted into charcoal or coke. The process was not new to the moss, as records show that moulded peat blocks were being produced as early as 1810.
It has Egyptian-styled columns with classically moulded round arches, balustrade infills of each bay, vinyl tile covered floor, beaded board soffit and attached lights. The front facade is made of rendered brick and painted while the rear is face brick in a predominantly cream colour scheme with tan detailing, red lettering and red corner details around the clock faces. It has moulded string courses at regular intervals up the facade, with a wider band at the first-floor level and a finely dentilled cornice at parapet level and within the large pediment at the southern end of the eastern facade parapet. Openings are evenly spaced and have moulded arches with prominent keystones.
The parapet is embattled with moulded coping, which runs as a gable end at the east end and includes a central cross above. At the roof line at the base of the parapet and the buttress tops runs a moulded cill band—angled projection that allows water to flow from a building face—which continues around the east side and follows the line of the gable end. Either side of the south wall buttress is a three light window with cinquefoil heads, with six panels above with trefoil heads, enclosed in a moulded surround, and set with stained glass. The window opening has a flattened arch above the spring with a following hood mould.
Jupiter ACE 4000 1982 - Original Jupiter ACE in a vacuum-drawn case - Reported 5000 units built. 1983 - Jupiter ACE 4000 on stronger injection moulded case - Reported 800 units built.
Jebsen & Jessen Packaging manufactures and supplies foam, plastic, paper, wood and integrated packaging products as well as moulded foam components, engineered foam for construction and related design & engineering services.
Amazingly, she also moulded the material that she studied in artistic ways and learned clay modelling.When not indulging her creative pursuits, Dr Sinha was translating science books into Bengali.
There are two red-brick chimneys, a larger one in the centre and a smaller one at the left rear, each with blue- brick diapering and spiral moulded flues.
S. Joseph as a Spiritual Formator moulded the lives of generations of students creating interest in theological academic disciplines and the yearning to learn more in a systematic manner.
There are pilasters at the corners, and at the top is a gable acting as a pediment. In the ground floor are three doorways, the central doorway being wider than the outer doorways, all with fanlights under moulded surrounds containing keystones. The central doorway has a segmental head and contains double doors, the outer doorways being round-headed. In the upper storey are three round-headed windows with moulded surrounds and keystones.
The 2 bedrooms (plus study) are simple spaces, painted white with modern built-in furniture. Between these rooms is the bathroom, which is a continuous and organic form whereby the bath and basin are moulded as one with the wall. The form/finish is a luminous red moulded fibreglass. There is a stunning contrast between the bathroom and the openable glazed wall to the north, the water and the canopy of trees.
Little of the original interior fittings remains. The doorway into the chamber has 17th-century moulded jambs in which are three carved stone shields. The chamber is now used as a scullery and its south wall was a stone fireplace which is now mostly destroyed. The chamber is about high with a plain plastered ceiling but parts of the original ceiling still remain in the entrance lobby with some moulded main-beams.
The window on the north side has some glass contemporary with the rebuilding of about 1400 which consists of quarries and a border of crowns. Between the windows on the south side is a 15th-century doorway with a four-centred head. The chancel arch belongs to the early 12th-century church. It is semi-circular, of two bold moulded orders springing from half-round shafts with richly carved capitals and moulded bases.
The parapets are of the stepped Irish type (now much restored) but probably datable to c. 1395, the year in which a Papal relaxation was given to those who visited Kildare and gave alms for the conservation of the church. The interior treatment is plain, the window splays are not moulded, but the rear-arches, which are, spring from shafts with moulded capitals. These shafts are short and terminate in small curved tails.
A brick chimney with cornice banding rises through the roof on the western side of the building. The temple front comprises moulded square columns in an implied Doric order forming a timber floored entrance colonnade running across the front elevation. The columns support a plain entablature with a heavy moulded cornice. The projecting central entrance is flanked by twinned round and square columns supporting a plain entablature and crowned with a plain pediment.
There are six entrances into the cathedral with the one fronting Victoria Street closed to public access. The entrances are porticoed and have heavily moulded pediments. All pediments are ornamented with a moulded circle at the centre and, except for the ones at the ends of the transept and the one fronting Victoria Street, all are surmounted with a cross. The main entrance at the west end of the cathedral serves as the porte-cochère.
The moulded part is cut (by the mould) from the runner system on ejection from the mould. Ejector pins, also known as knockout pins, are circular pins placed in either half of the mould (usually the ejector half), which push the finished moulded product, or runner system out of a mould.The ejection of the article using pins, sleeves, strippers, etc., may cause undesirable impressions or distortion, so care must be taken when designing the mould.
The pantry and rear entry porch have a boarded ceiling, the mail room and north western store room have plaster ceilings with a wide moulded cornice and the kitchen has a plasterboard ceiling. The residence stair hall retains a plaster ceiling with an ornate moulded cornice. The ground floor has suspended and attached fluorescent lighting and some ceiling fans. The architraves of the ground floor appear to be original or early with some modifications.
Prince Robert alongside Vancouver, British Columbia Three passenger/cargo ships were ordered by Canadian National from Cammell Laird for construction in the United Kingdom. Designed by A.T. Wall & Co. of Liverpool as luxury liners with the ability to be converted into armed merchant cruisers, Prince Robert was the last of the three. The ship was long overall with a moulded breath of and a moulded depth of . The vessel's draught was aft.
A short hall leads to a later concrete block stairwell that rises to the top level. Above this is a later horizontal awning and above this three round headed windows with moulded hoods that run into a string mould that runs into piers at the corners of the facade. Similarly there are three rounded headed windows at the top level also with moulded hoods over. All the windows have been replaced in aluminium.
Each boat began as a wooden "tub" constructed of moulded plywood and built by fishermen in Nova Scotia. Some were Ashcroft hulls, with the inner and outer layer running on the same bias, overlapping the seams, while others were cold molded hulls. The boats were soon known for their speed, compared to other boats of their size. The secret was 5 Ply Moulded Marine Aircraft Birch, which was very light, and strong.
Medallion of Charles I dated 1735. Large panelled room over entrance hall. Fine mid C18 open staircase with open string, closely spaced, turned balusters, column newels and swept, moulded handrail.
In her sculpture, Matrice/Sol, she employs letters moulded from resin, not merely as literal tools, but as spatial delimiters whose interstices form an expanse within which one can circulate.
The porch has open sides with turned rails, and the original inner door. The remodelling included the typical Severn Valley lobby- entry central chimney, with its triple-moulded brick stacks.
The Chatterer Beast appears as Pinhead's pet in Hellraiser: Bloodline. The Chatterer Beast was moulded from human flesh by the Leviathan and designed to be Pinhead's pet in Chatterer's image.
The characters were updated with moulded faces, and the bases were updated to a style similar to LEGO where the track pieces and buildings can be placed in different positions.
Children are moulded both by their peers (other children) and by their genes. He argues that behaviour is in the short term unpredictable, but "broadly" predictable in the long term.
The chancel arch is richly moulded. The octagonal font dates from the 16th century, and is decorated with blind tracery. The organ was built at an unknown date by Young.
Large plain chamfered spinal bridging joist with straight stops. Evidence for 2 opposing long windows. Moulded brick corbelling probably for a first floor fireplace. Arched doorway with exposed medieval bricks.
Small portions of the building still survive, which include a Gothic moulded door, ornamental spandrels and original ambry. The archway beyond the door leads to a passage of the original structure.
However, plaster can be more easily moulded to make a snug and therefore more comfortable fit. In addition, plaster is much smoother and does not snag clothing or abrade the skin.
Country of origin, Melbourne Australia. Hull material, moulded solid fibreglass. Manufacturer, Stevenson Yachts Melbourne. Some boats were owner-completed and thus the standard of finish and fitment can be extremely variable.
A belt dryer (belt drier) is an apparatus which is used for continuous drying and cooling of woodchip, pellets, pastes, moulded compounds and panels using air, inert gas, or flue gas.
The nave contains moulded north and south doorways. The rear arch in the south doorway is round-headed. The nave roof is in three bays. The transept roofs contain carved bosses.
Interior The arcades have double-chamfered arches on octagonal columns. The nave ceiling is of late-medieval origin with moulded beams and carved bosses and a font that dates from 1662.
The loading area is accessed from the narrow rear service lane. The interior of the ground floor of the store retains fluted timber columns with corbels supporting the beams running the length of the space. The ceiling is lined with decorative pressed metal and the walls are finished in painted plaster. The main staircase to the upper floor is accommodated in the south- east corner and is fitted with square-moulded balusters with a moulded oak handrail.
It consists of moulded pointed arches with springer blocks, voussoirs and apex stones, supported on triple shafts with foliate capitals and moulded bases. Above the capitals, at the bases of the arches, are sculptures that include depictions of human and animal heads. The human heads consist of two canons with hoods and protruding tonsures, other males, and females with shoulder-length hair. In one spandrel is a seated figure with an outstretched arm holding a book.
The stalls or pews inside the East side of the rood screen – three on either side of the opening – have shaped and moulded divisions and curved and moulded cappings. It is believed that these seats were brought to the church from another site. It is known that they were re- positioned during the 1880 restoration from the south wall of the chancel. They may well have been for the six priests known to be in the village in 1490.
The arch to the tower is tall and moulded and is typical of fifteenth-century work. In the arcades between the nave and its aisles, the piers alternate between round and octagonal as was sometimes the case in medieval churches. The arcade to the outer north aisle has round piers, capitals and double chamfered arches and is said to reuse piers from the old church. The chancel arch is moulded and carried on demi-octagonal responds.
The ground floor plan is organised around a central stair hall running front to back with two main rooms on either side. The ground floor has vinyl-covered, timber floors; plaster walls; moulded timber skirtings, architraves and cornices; and v-jointed timber board ceilings with decorative timber fretwork vents. Floor-to-ceiling height on the ground floor is . The main rooms have a fireplace each with a simple moulded plaster surround and mantle, and a decorative cast-iron firebox.
The west elevation of the southwest extension, set back from the west wing, is of brick laid in English bond. A low plinth at the base of the wall is capped by moulded stone. A doorway, at the south end of the elevation leads to a lower landing of the main staircase inside the house. The door has four glazed panes arranged in two rows set above the lock rail; below the rail are two moulded panels.
Within the church presents a light and welcoming appearance as the walls are rendered and painted pale cream. The arcade is of three bays of moulded flatly pointed arches and alternating light and darker stone. Their capitals are well moulded with octagonal shafts. The tower is supported on the south side by massive timbers to the floor assisted by an iron column but on the north the timbers come down only to the top of the arcade.
Externally, the window- arches—there is one, of course, in each bay of the aisles—are moulded with a single bold roll imposed upon a shaft, with a good base and capital. The bases are some moulded, and some run into a string, enriched with the ball ornament. The buttresses have been cased and modernized; the old gurgoyles remain. The buttresses are joined to the clerestory walls by flying buttresses, of which the outline of the segmental arches remain.
The Félin weapon and subsidiary systems are transported and stored in a Storm iM3220 plastic moulded carry case with foam cut-outs designed for each part. The case is manufactured by Pelican Products.
Kavacham is the story of 2 friends Raghuvaran and Captain Raju, working as private detectives. Their characters was moulded in the form of Mandrake and Lothar, Mandrake's best friend and crimefighting companion, respectively.
The name Acidiplasma derives from: New Latin neuter gender n acidum, an acid; Greek neuter gender noun plasma (πλάσμα), something shaped or moulded; New Latin neuter gender noun Acidiplasma, an acid-living form.
The interior has Tudor arched doorways and moulded cornices. The octagonal entrance hall has a Tudor arched fireplace and enriched plaster wall panels. British Listed Buildings. Gives details of architecture and some history.
A single winged acroteria remains on the corner of the easternmost pediment. Deep reveals are created with moulded architraves and Scotch thistle motifs are etched below each window sill and framed by short low relief pilasters. The parapet features a deep ornamental cornice supported with scroll-shaped brackets and short balusters set between moulded rails. Surmounting the parapet are raised plinths supporting symbolic statues of a kangaroo (north-western end) and an emu (north-eastern end) with shields housing Australia's coat of arms.
The arcades are of ashlar sandstone and comprise simple round columns with moulded caps surmounted by moulded arches. The ceiling is vaulted to the shape of a shallow pointed arch and clad with horizontal timber boarding and lined with several heavy timber pointed arched rafters. The clerestory is formed with groups of three pointed arched openings. A gallery at the western front end of the church is supported above the narthex on the arcade separating the narthex from the nave.
Substation No. 15 is an impressively detailed face brick and sandstone double height building designed in the Federation Freestyle. Decorative and stylistic features include a rusticated and moulded sandstone arch surrounding the central doorway, an unusual moulded sandstone gable parapet, contrasting banded brickwork, a patterned brick infil panel, and sandstone intels above doorways, windows and vents. The substation is constructed in contrasting banded brickwork with sandstone banding, gable-parapet and lintels. A rusticated sandstone arch surrounds the main roller-shutter steel doorway.
The Pall ring attempts to increase the useful aspects of packing, by giving an increased number of edges to disrupt flow, whilst also reducing the volume taken up by the ring packing medium itself. Rather than using a solid-walled tube, the Pall ring resembles an open basket structure of thin bars. These form both a tube and also a radial structure of cross bars. Pall rings may be injection moulded of plastics, moulded of ceramics or press-formed from metal sheet.
Above this level are paired arched lancet openings in each elevation of the third level and clock faces at the fourth level. Each face of the mansard roof is punctuated by a small louvered gablet. Simple struck and moulded string courses define the walls throughout the building and the lines of the 1890s and 1920s additions to the south are reflected in the later loggia parapet. Fenestration throughout is regular and repetitive with single window openings with arched heads and moulded archivolts.
A highly decorated drawing room bay on the ground floor level dominates the Sydney side elevation of the building and features a series of segmental arched tall windows with moulded sill course and label panels below the sill, pitched slate roof with lead capping and flashing, decorative moulded brackets supporting the awning, and moulded trims and keystones to the arches. Access to the residence is via a porch from the face brick two-storey wing on the Railway Parade elevation. A later skillion roof utility room addition is located on the western side of the residence. The orientation of the building's openings including the architectural detailing and embellishment provide evidence of the close relationship between the Station Master's residence and the Station as well as the importance given to the railway staff at the time.
The three GAL.56 variants employed the same fuselage design, married to three different wing designs. The fuselage of the GAL.56 was constructed of steel tubes and wooden ribs, covered in moulded plywood sheeting.
Players normally wear soft rubber cleated shoes, similar to those used in other grass sports such as cricket and field hockey. Screw-in cleats are strictly prohibited, though moulded-sole football boots may be worn.
To starboard, provision has been made for installation of a marine head (optional). Two forward utility shelves are moulded above the berths. There is a small hatch in the cabin sole top access the bilge.
Salvador V. Vassallo (24 March 1942 – 21 January 2007) was the president and CEO of Vassallo Industries, headquartered in Ponce, Puerto Rico. The company produces PVC injection moulded and extruded goods, and markets them worldwide.
Wide moulded reredos arch and gallery. Rear raked gallery with curved and panelled front; pews on both floors retained. Vestibule has glazed panels to partition and swing doors with quarry glazing incorporating Art Nouveau motifs.
Above an entablature decorated with the completed Roman detailing, the parapet contains matching balustrading. The veranda ceiling is decorative, pressed metal. The banking chamber has moulded beams running between substantial piers, and pressed metal ceilings.
The foundation stone was laid on 8 August 1839 by Revd. W. A. Shirley. and the church opened in 1840. It was built of red brick in Flemish bond with sone and moulded brick dressings.
The ship's moulded depth was with freeboard of . She was originally constructed with 3 cemented bulkheads, but after her overhaul in 1898, only one bulkhead remained in service. Overall, the ship's hull required of stiffening.
Dust caught in the velvet can scratch an entire roll of film. For 35mm film, these cans were once made from pressed aluminium with a screw top, now moulded plastic with a push fit lid.
The moulded, stepped base is 'I'-shaped in plan and has bevelled corners. The square columns are stop-chamfered and flank the marble panel, which is visible from two sides. The front of the panel reads "COLINTON HONOUR ROLL" and lists the names of 43 men from the district who served in WWI, in two columns (25 on the left and 18 on the right) roughly in the order they enlisted. The decorative aedicule has a moulded cornice and is mirrored on the north and south faces.
The viewer had a moveable lens system which re-enlarged the MicroMap cards, allowing a user to have a clear view of the miniaturised information. To save on assembly costs and handling difficulties, Woolf created an injection moulded lens that was moulded within its own hinged surround. This made assembly of the MicroMap viewer a far simpler process. He also developed systems to print miniaturised information onto credit cards at high resolutions of more than six million randomly placed and sized dots per square inch.
Tonnage is also the basis for calculating registration fees and port dues. One of the convention's goals was to ensure that the new calculated tonnages "did not differ too greatly" from the traditional gross and net register tonnages. Both GT and NT are obtained by measuring ship's volume and then applying a mathematical formula. Gross tonnage is based on "the moulded volume of all enclosed spaces of the ship" whereas net tonnage is based on "the moulded volume of all cargo spaces of the ship".
It has moulded string courses and arched windows on the upper two storeys, a moulded coping with decorative corbels and stucco quoins. While this three-storey building is typical of 1880s development in detail and planning, it was intended as a shop and boarding house, which may account for its relatively elaborate detailing. While the original planning of the building remains intact, much of the original architectural detailing, apart from the windows, has been removed. Style: Late Victorian Italianate; Storeys: three; Roof cladding: iron.
There is a moulded and pointed arched north doorway with carved head labels to hoodmould, the door itself is plank wood from the 19th century. The porch has moulded 4-centred archway in parapet gable with diagonal corner butresses with small chamfered square-headed side windows, these were restored in the 19th century. There are 2 plain chamfered English Gothic architecture nave lancets to left of the porch. There are 3 lancets on the north and south nave walls, with 18th century wall memorials positioned between them.
The waiting area is at the western end of the building, and has previously been the location of the signal box. The interior of the waiting area is original, with a ripple iron ceiling with metal ceiling rose, moulded plaster chair rail, and a chimney breast (fireplace removed). The Station Master's office also has original internal fitout, with a ripple iron ceiling with metal ceiling rose and a moulded plaster chair rail, and chimney breast (no fireplace). Internal doors are original timber 4-panel doors.
Pre-moulded or machined components can be inserted into the cavity while the mould is open, allowing the material injected in the next cycle to form and solidify around them. This process is known as Insert moulding and allows single parts to contain multiple materials. This process is often used to create plastic parts with protruding metal screws so they can be fastened and unfastened repeatedly. This technique can also be used for In-mould labelling and film lids may also be attached to moulded plastic containers.
Original features include plaster mouldings, bolection moulded fireplaces, and rococo wood carvings. The cantilevered Imperial staircase, added by Soane, has stone treads and a cast iron baluster, leads to the piano nobile on the first floor, decorated with carved wooden fittings and moulded plaster cornices. It has 13 bedrooms, with six main bedrooms, seven bathrooms and two dressing rooms on the first floor, and seven more bedrooms and five bathrooms on the second floor. The 18th-century Italian wall-paintings were removed from the salon c. 1949.
Entrance to the former public bar is through the double glazed doors, with arctic glass transom window above, on the truncated corner. The Kent Street facade has several half glazed and moulded french doors with operable transom windows above and a centrally located double doorway, of four panelled doors, as well as large window openings with moulded sills and consoles. The joinery to this elevation is very fine and intact. Internally the building features pressed metal ceilings, cornices and roses throughout and timber floors.
The verandah balustrades which are replacements of a cast iron balustrade are of vertical timber battening with decorative cutouts in regularly spaced battens. Many early lattice screens and timber louvres survive in the verandah openings. The principal entrance of Oonooraba is from the south east, where the steps provide access to the verandah, from which a large central doorway provides access to the house. The doorway comprises a substantial five panelled and moulded timber door, flanked by sidelights with leadlight glazing above moulded base panels.
The large square tower contains three bells. The nave has five bays. Some of the arches are Early English Period, with foliage decorated capitals, while other capitals are moulded. The register dates from the year 1539.
Citing: McGraw-Hill Concise Dictionary of Modern Medicine. 2002 by The McGraw- Hill Companies, Inc. Small vials used in medicine may have a snap-top (also called a hinge cap) moulded as part of the vial.
The word cranioplasty can be broken down into two parts: cranio- and -plasty. Cranio- originates from the Ancient Greek word κρανίον, meaning "cranium", while -plasty comes from the Ancient Greek word πλαστός, meaning "moulded" or "fashioned".
The stone used to make the pilasters was reportedly intended by Christopher Wren to be used in the construction of St Paul's Cathedral. Sash windows with glazing bars and "moulded stone heads and surrounds" were added.
Maidstone: Vivish & Baker. and increasingly, moulded pulp and corrugated fiberboard are being used as they are perceived to be more sustainable materials. Decorative punnets are often made of felt and seen in flower and craft arrangements.
For example, ensuring proper wall thickness and creating multifunctional geometric shapes that can be moulded as a single piece enhances the material and structural integrity of the product by reducing the requirements for joints, connections, and hardware.
The Grand staircase, with oak steps, is situated in the Stuart wing. On the upper floor are bedrooms with chamfered ceiling beams. The largest room, the Court Room, features a compartmented ceiling with a moulded surround fireplace.
Well planned houses constructed out of kiln burnt and moulded bricks. Pottery consisting of vase and jar, is divided into two groups, based on general design. Pottery assemblage is very similar to those of Kalibangan I period.
These sets are all of a minifigure scale, with custom moulds for the character heads, tools and certain body parts (for example the Creeper, which consists of primarily a single moulded piece for its torso and legs).
The complement cap on the other side of the nut directs balls back into the raceway. The returning balls are not under significant mechanical load and the return path may incorporate injection moulded low-friction plastic parts.
Bachmann Branchline OO scale blue Pullman power car. Note lighting in cab and passenger compartments. There have been several commercial models, of varying dimensional accuracy. Kitmaster produced an unpowered polystyrene injection-moulded model kit at 00 scale.
A jambonette is a form of charcuterie composed of approximately equal parts of chopped pork and bacon enclosed in rind, moulded into a pear shape and cooked. It may also refer to stuffed ham or poultry leg.
The building has since undergone a series of modifications but retains its Victorian form and character. The building houses the central booking office, with extended wings along the platform for parcels, refreshments, waiting rooms and toilets. The building is constructed of brick in Flemish bond with label moulded rendered heads for openings, and corbelled and moulded render sills to double hung sash arched windows. The verandah is long and low to the platform and is supported on cast iron composite Corinthian style columns with cast iron angle brackets supporting roof in four directions.
3–4 The same fuselage, with minor detail changes, was used as on the Nieuport 17bis, which featured an improved aerodynamic form compared to the earlier Nieuports, with longitudinal stringers running from just aft of the moulded plywood cockpit sides to the tail. Internally the structure was updated, and while the 17bis had its Vickers gun offset to port, the 24 had it mounted to the starboard of the centerline. The 24 also received an entirely new rounded moulded plywood empennage incorporating a small fixed fin and a half-heart shaped rudder.Varriale, 2015, p.
The main walling is of squared and coursed [Devonian] limestone rubble, and the details at plinth, first-floor plattband and moulded cornice are in ashlar. [The pilasters are a bluish-grey limestone with a red limestone frieze, punctuated centrally above each window with a grey block. The wall panels between the pilasters are infilled with a deliberate mix of grey and red limestone. Further red bands are added at first floor level to the outer parts.] All windows are eighteen-pane sashes, now [mostly] with 19th-century glazing, in moulded ashlar surrounds.
Most of the rooms in the priory are dated to the 16th century and late 19th century during the Coleman renovation. The entrance hall has a great hooded stone fireplace which bears the date 1900. The right wing features intricate moulded plaster ceilings, seen in the dining room and first floor rooms. The interior of the left parlour contains panelling and a fireplace dated to the 16th century on the ground floor A Gothic style staircase with crockets and lion finials leads up the first floor, which contains bedrooms with moulded ceiling beams.
One of the Convention's goals was to ensure that the new units "did not differ too greatly" from the traditional GRT and NRT units. Both NT and GT are obtained by measuring ship's volume and then applying a mathematical formula. Net tonnage is based on "the moulded volume of all cargo spaces of the ship" while gross tonnage is based on "the moulded volume of all enclosed spaces of the ship". In addition, a ship's net tonnage is constrained to be no less than 30% of her gross tonnage.
Pipe fittings are moulded and come in many sizes: tee 90° equal (straight and reducing), tee 45°, cross equal, elbow 90° (straight and reducing), elbow 45°, short radius bend 90° socket/coupler (straight and reducing), union, end caps, reducing bush, and stub, full face, and blanking flanges. Valves are moulded and also come in many types: ball valves (also multiport valve), butterfly valves, spring-, ball-, and swing-check non-return valves, diaphragm valves, knife gate valve, globe valves and pressure relief/reduction valves. Accessories are solvents, cleaners, glues, clips, backing rings, and gaskets.
Four of the switches are arranged in a cross pattern around the hole in the middle of the PCB; the fifth is offset near one of the corners. The PCB connects the switches to pins in the 9-pin D-connector that lead to the console via a cutout in the upper right corner of the base. The cutout is shaped to grip a moulded strain relief on the cable. The stick itself is a moulded polypropylene form consisting of a hollow vertical cylinder with a hemispherical dome at one end.
The door jambs are moulded, as are the tops of the columns. The arch is divided into segments, with a rose in the left spandrel and a thistle in the right spandrel. The use of the rose and thistle (national emblems of England and Scotland respectively) in this way dates the porch to the reign of King James I, who used these flowers, halved, as his badge after his accession to the English throne in 1603. Moulded brackets support the entablature, within which the pediment contains palms and cherub-heads in the tympanum.
Yass Post Office is a prominent civic building located within the heart of the central business district of Yass. It is a two-storey, rendered brick, asymmetrical, Victorian Italianate building with a dominant three and a half-storey corner clocktower. It has a slate gable and hipped roof on the two-storey section and corrugated iron half-hipped and hipped roof over the single-storey section. Five chimneys with moulded tops punctuate the two-storey section and there is a single moulded chimney with a later extended chimney over the residence lounge room.
West front of St Mary Guildhall The exterior of the west range faces Lincoln High Street, The facade consists of five bays, has shallow buttresses, chamfered plinth and band of Romanesque decoration with bird and beast masks to the northern part. Nearly central to the limestone frontage is moulded carriageway arch with segmental pointed inner arch, flanked by single buttresses. Above it are two reset masks. In the courtyard behind is a two-storey building, two bays, known as the Norman House, with a shallow central buttress and a moulded first-floor band.
The deck and inner mouldings have a moulded-in non-slip pattern on the decks and side benches. The inner edge of the side deck is contoured, making the boat comfortable to sit inside, and also comfortable to the backs of the legs when sitting on or hiking out over the side decks. A marine plywood case houses the centreboard, and it also supports the cross-thwart - which is made from solid mahogany. Moulded into the back is a useful locker with a marine ply hatch though not watertight.
Behind the parapet is a hipped roof with moulded chimneys and ventilators. The facades not facing the street have little decoration, apart from the two-storeyed verandah to the north-eastern end of the building. The upper level of the verandah, now enclosed with louvres and fibro, has segmental arched openings and cast iron balustrade, and the lower level has moulded semi-circular archways infilled with timber and masonry. Through the Flinders Street entry doors is a decorative timber vestibule, with timber and glass panelled walls and doors, which leads to the former banking chamber.
The roof is slate ending in coped verges. The front of the building has a number of bays ending in the chapel wing to the north, which includes tall lancet arch windows as well as an ogee-headed moulded stone door frame. The main entrance to the house is in one of the bays, with a studded door, in a similar ogee-headed moulded stone door frame. On the south side of the house there is a garderobe, also two storeys high, with a turret to the rear.
This system can allow for production of one-piece tires and wheels. Two-shot injection moulded keycaps from a computer keyboard Two-shot or multi-shot moulds are designed to "overmould" within a single moulding cycle and must be processed on specialised injection moulding machines with two or more injection units. This process is actually an injection moulding process performed twice and therefore has a much smaller margin of error. In the first step, the base colour material is moulded into a basic shape, which contains spaces for the second shot.
The dining room on the ground floor, which is in the north eastern corner of the building, is the only room on the ground floor which survives with a nineteenth century interior. The room has plaster walls, a plaster moulded cornice, a white marble fireplace with cast iron grate and surrounds and a tiled hearth. The rooms on the upper floor have been more recently renovated, with s wall veneer panelling on all walls and plaster walls and ceilings. The windows are framed in original moulded timber framing.
The openings of the arcades and the windows are divided by pilastered wall sections. The principal entrance of the earliest section of the south eastern, emphasised by the projecting bay is through a recent double timber door surmounted by semi-circular fanlight fitted within an early arched opening. Beyond this door is an entrance vestibule and through another panelled and moulded double timber door with semi circular fanlight and sidelights, access is given to the stair hall. The entrance vestibule has tessellated ceramic tiles on the floor and a moulded plaster ceiling.
Four rendered and moulded chimneys punctuate the first floor roofline. The facade is generally symmetrical about a central, recessed section of the building, which comprises the first floor balcony with a masonry balustrade, pillars and coat of arms at the centre, over the now enclosed front entry vestibule. A recent, unsympathetic steel and glass awning has been installed over the front entry. The facade has simply moulded and fluted, square pilasters separating the ground and first floor, and triple, timber sash windows located either side of the central recessed section.
Smooth curve hulls are hulls that are rounded and do not usually have any chines or corners. They can be moulded, round-bilged or soft-chined. Examples are the round bilge, semi-round bilge and s-bottom hull.
The gables contain restored bargeboards and finials. The windows have moulded wooden mullions and transoms, and contain casements, and the windows in the middle storey have pediments. The decoration of the timber framing includes lozenges and wavy motifs.
The door is surrounded by an archway in relief plasterwork featuring moulded panels of two alternating types of crosses. Within the base of the tower is a curved cantilevered concrete stairway which gives access to the upper levels.
Varroc polymer provides solutions to the automotive segments. The division produces a wide range of injection and compression moulded automotive and allied rubber components. Varroc is the largest polymer solution provider to the two-wheeler industry in India.
He was the chaplain at > Healdtown when I was there as a student. He really moulded me. He influenced > us. Of course we tried in our small ways to imitate him but we did not have > the courage.
William Greatbatch was a skilled modeller, designer and maker of block moulds for the more elaborate types of ware which needed to be press-moulded or slip-cast.Barker, David (1991). William Greatbatch: A Staffordshire Potter. London: Jonathan Horne.
The corbels supporting the turret typically are roll- moulded. Their roofs were conical. Gables are often crow-stepped. Round towers supporting square garret chambers corbelled out over the cylinder of their main bodies are particular the Scottish Baronial style.
No praise can be high enough for their musical director, Gretta Taylor. The entire evening was sung by heart, from the heart. With a refreshing restraint in gestures that was almost self-effacing, she yet lovingly moulded every note.
The nave measures by . and has four bays. The south arcade has pointed arches of two chamfered orders and octagonal piers with moulded caps and bases. The north arcade has two bays; its arches also have two chamfered orders.
Slate roof, imported Italian marble entrance stair. Large stained glass window in a tower with a moulded monogram. Victorian iron lace. Internally exuberant style of exterior is maintained, grand staircase with open first floor gallery, stained glass, fine woodwork.
All interior timber work and joinery is varnished. Walls and ceilings are lined with hardset plaster with deep moulded cornices. A single decorative plaster ceiling rose is located in the banking chamber. Floors are generally covered with recent carpet.
He firmly believed that history was made by people rather > than by dispassionate forces. But he also believed that one could not > understand why people act as they do unless one also understands the > influences that moulded their minds.
On 29 May 2016, the UK product size was reduced from 175g to 157g by changing the moulded shape of each segment to leave an air gap between each piece. Despite this, the price doubled in some retail outlets.
Carriages and wagons can use moulded plastic wheelsets, which are compatible with both three- and two-rail systems. Hornby Dublo introduced these in 1959, during their transition to two rail, when most users were still using three-rail layouts.
In Saint Helena, fishcakes are made from locally caught tuna or wahoo scraped into mashed potato with herbs and spices, then moulded into cakes and fried in oil. They are often spicy or, as locals would describe, "with bite".
The eastern end is enclosed as a kitchen. The western end has the timber stair. It features turned balusters and newels and moulded string. Added to the rear is a small single-storey toilet block clad in fibro sheet.
Avance docked, showing her icebreaker bow. Avance was long overall and at the waterline. Her moulded breadth was and breadth at the waterline slightly smaller, . The draught of the icebreaker at maximum displacement, 900 tons, was on even keel.
Construction is of brick with hipped iron roof and moulded string courses. Constructed in Bathurst bricks; verandahs are decorated with timber posts, arched brackets and cast iron balustrades. The roofs are clad in iron sheeting. The architectural style is Federation Filigree.
The Willoughby pew, bearing its original brass name plate on the south wall of the chapel has been preserved and is noted for its large ornate canopy with panelled reredos and a moulded and carved cornice in the classical style.
Under the wings of Chinnammu Amma, Kalamandalam Sathyabhama and Kalamandalam Padmanabhan Nair she was moulded into a skilled performer. Her tutelage under the late Kalamandalam Kalyani Kutty Amma and her training under Kalamandalam Padmanabha Ashan in Kathakali honed her skills.
In the churchyard, standing on an outcrop of rock, is an 18th-century stone sundial. This consists of a square pier with a moulded base and cap. The plate and gnomon are missing. The sundial is listed at Grade II.
Brødrene Hartmann A/S was founded in 1917 by Louis, Carl and Gunnar Hartmann. The three brothers inherited their father's paper bag plant in Kongens Lyngby. By 1936, Brødrene Hartmann was producing moulded fibre packaging products in Denmark. Company website: History.
Three late Victorian two storey shops, built of stuccoed brick. Unusual plainly moulded Romanesque style windows of three bays to the first floor. Two of the shops retain their original shopfronts, while the third has been altered.National Trust 1977 Nos.
Barry Burke, the father of St Kilda midfielder Nathan Burke, moulded the team into a premiership unit. Pines football club also produced several VFL/AFL players, most notably Russell Greene (Hawthorn & St Kilda), Brendon Moore, Steve Newman and Kevin Taylor.
Gertrude Bell interprets the line as meaning that the angels moulded Adam's clay into a cup. Similarly Bly and Lewisohn translate: "They had kneaded the clay of Adam, And they threw the clay in the shape of a wine cup".
The eight doorknobs were of moulded gold. Friezes of delicate sculpture divided the coach: the four parts of the earth, Mercury, Liberal Arts and Amaltheia over a panther. The King, ironically, died fifteen days following his arrival: on 1 September 1715.
In the 2012 Thames Diamond Jubilee Pageant, the ornate prow sculptures on the Royal barges Gloriana and MV Spirit of Chartwell were carved and moulded in Jesmonite and decorated with gold leaf. These included dolphins, relief plaques and Old Father Thames.
Glazed tubular tiles used at the eave edge have an outer end made into a round shape top, often moulded with the pattern of dragon. Eave-edge plate tiles have their outer edges decorated with triangles, to facilitate rain-shedding.
Bell turret has single lancet on each side, modillioned eaves, pyramidal slab roof with cross. Interior rendered except window reveals. Brick chancel arch with moulded ashlar soffit, responds and quoins. At North end, two wood cased columns supporting bell turret.
The fat content is 48%. The colour of Stinking Bishop ranges from white/yellow to beige, with an orange to grey rind. It is moulded into wheels in weight, in diameter, and deep. Only about 20 tonnes are produced each year.
Elsie and five of her brothers completed the bronze statues for the memorial. The siblings moulded the figures in clay, cast them in plaster, and then created the bronzes at their studio foundry at Goddendene, completing the work by July 1932.
At the corners of pediments they were called acroteria and along the sides of the building, antefixes. Early decorative elements were generally semi-circular, but later of roughly triangular shape with moulded ornament, often palmate.Boardman, pp. 22–25Banister Fletcher, p.
There are few remains of the original castle, apart from a vault. Cushnie Lodge is a two-storey, L-plan tower house. It is harled, and has corbie-stepped gables. There is a roll-moulded doorway in the re-entrant angle.
The new shoe had a revised construction and materials. The mid sole was revised from an EVA wedge to an injection moulded pylon. The outsole featured a 3D concave shape and refined lug pattern which improved impact absorption and grip.
These fenders are compression moulded in high- pressure thermic-fluid-heated moulds and have excellent seawater resistance. Tugboat fenders are also called beards or bow pudding. In the past they were made of rope for padding to protect the bow.
Agar is used in foods such as confectionery, meat and poultry products, desserts and beverages and moulded foods. Carrageenan is used in salad dressings and sauces, dietetic foods, and as a preservative in meat and fish, dairy items and baked goods.
Castleford-type milk jug, c. 1810 The original Castleford Pottery operated from c. 1793 to 1820 in Castleford in Yorkshire, England. It was owned by David Dunderdale, and is especially known for making "a smear-glazed, finely moulded, white stoneware".
Second-floor windows are set in openings with half-round tops set in recessed panels; the outer windows have the arched section filled with moulded decorative panels. The clubhouse was listed on the National Register of Historic Places in 1984.
The floor above the doorway has a blind pointed first floor window. The roof is of slate behind embattled parapets. The wall connecting the folly to the house faces south- west and has an embattled parapet above a moulded cornice.
Inside the church are five-bay arcades carried on cylindrical columns. The capitals are alternately ring moulded and foliated. There is an oak reredos in the chancel, and another in the south transept. The pulpit is octagonal and in stone.
Wickham House (as seen from Upper Edward Street), 2015 Wickham House is a five storey building, with an attic, of rendered brick with reinforced concrete floors located towards the eastern end of Wickham Terrace, overlooking the city centre. The ground floor features two shops either side of the entrance to the building on Wickham Terrace. The Wickham Terrace facade, with three bays has restrained Georgian details including oriel windows with decorative mouldings, a centrally located balcony with rendered balustrading and brackets and moulded string course. Rectangular double hung sash windows, with multi- paned upper windows and moulded architraves, define each storey horizontally.
The memorial was paid for by donations from LNWR staff. It consists of a single obelisk, high in Portland stone, which stands on a tall pedestal and a circular base of grey granite. At the foot of the obelisk is a moulded reed band, just below which the obelisk is moulded to the pedestal. Buttresses protruding from the pedestal on four sides act as steps; on top of each is a bronze over life-size statue, sculpted by Ambrose Neale, the chief artist of the main contractor for the war memorial, RL Boulton & Sons of Cheltenham.
Rickerby page 5 The owner built the earliest part of this extended wing in the early part of the 16th century; it comprised a banqueting hall, looking towards the south, together with a new entrance hall with bedrooms over. The banqueting hall, occupied the space of the present dining room, study, and passage, and measured 12.2 metres by 7.3 metres. Four very wide and richly moulded beams span the ceiling, while laid across these are smaller moulded ribs to support the above floors. The beautiful Tudor panelling surrounding this block of rooms is one of the most interesting features of the hall.
Under chancel-arch there is a low screen in two parts with opening in middle, plain lower panels and open upper panels, six on each side, with round arches springing from short turned balusters, moulded top rail and turned knobs over alternate balusters and flanking central opening; c. 1630–40. In south transept modern screen to vestry incorporating eleven bays of arcading probably from one of the stalls or seats, c. 1630–40. In the west tower across north west angle, curved screen or partition of moulded panelling, 16th-century, cornice and door modern now used as a store room.
Walling has reddish-yellow-brick over rusticated stone splayed plinth/basement walling and a corbelled-stone-over-round-headed-arcade-band of brick. Openings all are round-headed with moulded stone architraves and reveals, some with stop-block-labeled hoodmoulds, except basement openings are openings, which are pointed-arched. Gabled center of main façade has blind stone arcade to mid-height; entrance openings flanked with moulded responds and continuous imposts continued through entrance opening as transoms, with double-leaf timber paneled doors. Stained-glass tympanum overlights to entrances; gable apex features stained-glass rose window; copper cross finial above.
After launch, fliers search for lift in the form of thermals or other rising air currents to increase the duration of their flights. Besides launch height or duration, competitions may also include tests of glider flying skill, precision landing, and timing. Although some DLG designs utilise a traditional built-up construction using balsa wood and covering film, most DLG models are generally now constructed from composite materials, in the form of Kevlar, carbon fibre and glass fibre. Fuselages are moulded in Kevlar/carbon and epoxy, with wings either moulded as a hollow composite shell, or vacuum bagged over a wire-cut foam core.
The upper level is moulded top and bottom, with each side paneled with inset tracery and quatrefoils, and is supported by scrolled brackets set on an inset base. The 13th-century south aisle contains the church square-paneled and plank south door, that is recessed to the same style as the chancel south door. A further small plank door at the south aisle north-east wall is within a pointed doorway with a continuous moulded surround, an entrance to a previous rood loft, defined externally by the south aisle turret. To the east of the door are twin aumbries.
ABC Radio Studios is at 236 Quay Street, Rockhampton, being Lot 257on R1675, Parish of Rockhampton, County of Livingstone. The former Mount Morgan Gold Mining Company building, a single-storeyed rendered masonry structure whose roof is concealed behind a parapet, is located fronting Quay Street overlooking the Fitzroy River to the northeast. The building has access from Quay Lane at the rear. Signage on the pediment, 2017 The symmetrical Quay Street elevation comprises five arches, which form an arcade with a central entrance, surmounted by a deep entablature with a moulded balustrade parapet with pedestals crowned by moulded ornaments.
The inside of the Rachigudi temple is a square layout, set on square base pillars with rounded moulded shaft supporting the roof and a moulded inverted kalasha pot-like shape at its top. The portico of the temple is square (17'x17'), is of kakasanas style with eight squat pillars, again with square base, followed by an exploration of octagonal form. The Rachigudi has some intricately carved artwork inside, such as of Gajalakshmi on the lintel. The door jambs explore floral and geometric designs, as do the small perforated windows in the sabha mandapa integrated to bring light into the temple.
The internal walls are lined with horizontal timber boarding. A timber screen of vertical boarding is fixed adjacent to the entrance door creating an entrance vestibule. Internally the building contains many early significant elements which contribute to the documentation of the place's history. Such elements include a red cedar pulpit fixed to the rear wall of the church and comprising a moulded and panelled reredos surmounted by decorative carved timber panels and into which is incorporated a stool, in front of this is a three sided enclosure of timber moulded panels which is reached via three timber steps.
The western storeroom currently has a mail chute installed in the floor which accesses the ground floor. The first-floor ceilings comprise a variety of types and all have been painted green. These include board and batten ceilings with a flat strip cornice to the locker room and ladies bathroom; plasterboard with a coved cornice in the southeastern corner section of hall; and pressed metal with a moulded cornice in the hall, northeastern, northwestern and southwestern rooms. There is square set plaster in the western storeroom and plaster with a moulded cornice in the western end of the stair landing.
There are three entrances to the hotel from the principal facades, a corner entrance, being a double, four-panelled and moulded timber door, to what was previously the public bar; and two doorways on March Street, one through an arched opening featuring multi-pane glazed sidelights and transom, and a four-panelled and moulded timber door. The exterior joinery is substantially intact and of high quality. All openings are untreated but for plaster sills. The arched doorway leads to the stair hall, off which the principal ground floor rooms are accessed as well as the timber dog-legged stair.
The winks and pot used in competitive play are standard, and are supplied by the English Tiddlywinks Association. The pots are made of moulded plastic (historically always red, though there is no known reason for this), with specified diameters at the top and the base, and specified height. The winks are made in Italy to specified measurements, and are made by slicing an extruded cylinder rather than by moulding, and then smoothing them in a tumbler. Although this leads to some minor variation in thickness, it produces a much smoother edge to the wink than that seen on cheap moulded winks.
Polypropylene side chairs, 1964 Robin Day is best known for his injection-moulded Polypropylene Chair, originally designed in 1963 for the firm of S. Hille & Co. and still in production today by its successor Hille Educational Products. Polypropylene seating at Mexico Olympics 1968 The first mass-produced injection-moulded polypropylene shell chair in the world, it represented a major breakthrough in furniture design and technology. Originally created as a stacking chair, it was adapted for a variety of applications, ranging from airports to sports stadiums. Tens of millions of Polypropylene Chairs have been produced over the last 50 years.
The stone building has stone slate roofs. The original two-storey block has attic rooms beneath the cornice. The interior includes rooms with oak panels, moulded plaster ceilings and stone fireplaces. The house includes nine bedrooms a gym and indoor swimming pool.
The double-chamfered nave arcade is supported on octagonal columns with moulded capitals. The west gallery has an arcaded parapet and below it a partition, constructed of wood and glass in the mid-20th century, separates the west end from the nave.
The West door is made of 18th century plank in a 14th-century roll-moulded surround between two large offset buttresses. The North door is a 17th-century plank with door-width plain metal hinges. The South door has been plastered over.
The doorway on the eastern side has moulded stone surround. the tower and wall are of rubble masonry and 0.7m thick. The position of this tower, situated upon an exterior angle, may indicate that the building was of a Z-plan construction.
There is a dovecote with a lantern roof. Windows of note are a two-storey bay and an elliptically shaped one. Additional exterior elements are stone mullioning, Doric pilasters, and a moulded architrave. Inside, there are purlins, an overdoor, and a cantilevered stair.
The tower continues in stages divided by horizontal moulded bands. In the first stage, an oculus pierces the west elevation. In the second stage, the tower rises above the line of the roof with a round-arched, latticed window in each face.
The chancel looking east The south aisle is 13th century with a plain parapet above a moulded string. A 14th-century window is to the left of the porch with a 19th-century to the right. The wall is buttressed in three places.
Large alterations were carried out in 1875 by Philip John Budworth, the east front was largely rebuilt, including the central pedimented feature in moulded brickwork. The east and south fronts were faced with red brick, and one of the south wings was extended.
A recent green powdered coated moulded aluminium fence with pale face brick piers runs to the north and west boundaries. These garages, shed, plantings and fence are not considered to be of cultural heritage significance and are not included in the heritage listing.
Centreboaard Aerofoil vertical lifting with pulley system. Original ballast was 1200 lb moulded in the floors with 100 lb in the centreboard, later models have 300 lb in centreboard. Outboard engine on stern centreline in early models, on bracket in later models.
The main station building dates from 1929. A typical neo-Georgian 'late Imperial'-style building, it is notable chiefly for the decorative use of moulded 'fasces' on either side of the main entrance - a rare instance of Fascist symbolism in British civic architecture.
The seats themselves are either of mesh stretched tightly over a frame or foam cushions over hard shells like the Stinger pictured, which might be moulded or assembled from sheet materials. Hard-shell seats predominate in Europe, mesh seats in the USA.
A wide moulded architrave surrounds the door and fanlight. The main hall has polished timber floors and high timber lined ceilings. The walls are lined with sheeting and are detailed with a dado. Cupboards line the walls either side of the entrance doors.
Fiendish Feet yoghurt pot Fiendish Feet was a brand of low fat dairy yogurts aimed at children, produced by St Ivel in the early 1990s. The yoghurt pots had printed faces on the front and were moulded with feet on the bottom.
The kitchen and bathrooms have recent vinyl sheet coverings. Walls are generally plastered and painted. Ceilings to the bedrooms appear to be original plaster board with rounded cover strips and moulded cornices. The living/dining area appears to have a recent plasterboard ceiling.
It has a side-gable roof, and is five bays wide with a center entry. The entry is topped by a fanlight and moulded architrave, and framed by Ionic pilasters. The house was listed on the National Register of Historic Places in 1971.
The judge found Berezovsky to be "an unimpressive, and inherently unreliable witness, who regarded truth as a transitory, flexible concept, which could be moulded to suit his current purposes", whereas Abramovich was seen as "a truthful, and on the whole, reliable witness".
The roofs of the nave is early 15th-century with moulded crown post trusses. The scissor braced roofs to the aisles are 13th-century. The chancel roof is thought to be 19th-century. The east ends of each aisle contain a piscina.
Its arch is of a single ring of > large limestone voussoirs rising from imposts which appear to have been > moulded. The outer or front arch has long since disappeared. On the east > side is a postern for pedestrians, . wide and contracting to about .
Rooms of various dimension run off central corridors at ground and first floor levels. The rooms in the northern end of the building provide large museum display space. Walls are plaster over brick and ceilings lath and plaster with moulded decorative cornices.
Apart from the toilets and the waiting room the rest of the rooms are kept locked. The interiors have been refurbished with only plasterboard ceiling panelling, simple moulded cornices and high wall vents appear to remain from the original phase. The floors are tiled.
Two of the three propellers installed on Jääkarhu used in an advertisement for the shipyard. Jääkarhu was long overall and at the waterline. Her hull had a moulded breadth of and was wide at the waterline. Her displacement was 4,836 tons at a draft of .
At the top, on the marble plaque, there are two alabaster coats of arms with the city's and Marquis of Villafiel's coats of arms, Fernando Carrillo and Manuel. The set is completed with a moulded basin whose centre is decorated with a hanging festoon.
The head, and possibly the moulded base of the shaft, date from the 14th century; the rest of the structure is modern. The head is badly weathered; niches which formerly contained statues are on each side, but two of these have been weathered away.
The maximum overall length of Nordica is and her length between perpendiculars is . The hull has a moulded breadth of and depth of . Her draught varies between as a Baltic icebreaker and in Arctic conditions and offshore work.Vapalahti, H: Finnish illustrated List of Ships 1999.
The nave has 4 bays with octagonal piers on moulded bases. The arches are double- chamfered. The crossing piers are a continuation of the nave arcade, although on a slightly larger scale, with crossing arches. All of the piers are made from chalk blocks.
In 1880, the town had 2,698 inhabitants and was the seat of the district court. Its cotton spinning mill was using 50,000 spindles. The town's main industry is represented by jewellers, as well as producers of blow-moulded glass, thermometers, and small glass commodities.
Kigoriak is long overall and between perpendiculars. Her hull has a beam of amidships and over the reamers. She has a maximum draught of and moulded depth of . The simplified hull geometry pioneered by the Canadians consists mainly of flat plates and hard chines.
EkoPak, a division of Ro-Marong Nigeria Limited, specializes in moulded-fibre products made from 100% recycled wastepaper and cardboard Brossette, a sister company, is a finishing division for both indoor and outdoor displays, aluminium, frames, Light-Gauge Steel Trusses and pre- fabricated Structures.
The history of many of the single and double story shop fronts can be seen in the names and years moulded into the upper portions of the building facades. The Mechanics Institute now provides a popular performance space and offices for local arts administrators.
The earliest popular brands of mass-produced model horses in the UK and the USA strongly influenced the collecting and showing trends in these two countries - the latex-bodied and haired Julips in the UK, and the injection moulded, hard plastic Breyers in the USA.
The roof is clad in corrugated iron and has a decoratively moulded chimney rises on the left side. The stucco on both levels is ruled to resemble ashlar masonry. The lower veranda is ceiled with boards. The upper floor is also lined with boards.
The church is faced in red sandstone and has a tiled roof. The church tower is located to the northwest and is tall. It has angle buttresses and a parapet in the centre. The bell openings and west doorway to the tower are moulded.
On its exterior, the Chapel's base is emphasised by multiple horizontal moulded courses, from which rise gableted buttresses; the buttresses terminate at the cornice of the castellated parapet. The parapet conceals the flat, asphalt- covered concrete roof.Boreham in Blair et al. 2009, p. 22.
The interior of the waiting hall has been modified with only two corner columns with moulded plaster capitals and a cast iron turned post remaining from the original features. Large rectangular openings have been created on both side walls of the hall for easy circulation.
Murtaja showing her spoon-shaped bow during docking. Murtaja was long overall and at the waterline. Her moulded breadth was and breadth at the waterline slightly smaller, . The draught of the icebreaker at even keel was , but in operating condition she was trimmed by stern.
This panel also performs the key leveling function. The keys are injection-moulded plastic. The word 'Cembalet N' appears in gold facing forward on the left hand face of the music support ledge. It has a transistorised pre-amplifier and a floor pedal volume control.
In the southeast corner, there is a chapel. The chancel measures by internally. It is accessed from the nave through a moulded arch with circular piers. There are Perpendicular-style triple sedilia (seats) in the south wall of the chancel, under semi-circular arches.
These were three small creatures from outer space who slept on "Professor Bentine's" ceiling and who had come to Earth to learn the ways of Earthling children. Angelo de Calferta modelled the puppets from Bentine's designs and Richard Dendy moulded them in latex rubber.
Paired entry doors have four pane glazed top panels set over singular rectangular panels with deep moulded borders. Internal doors are similar, but constructed of timber only. The school is symmetrical in design. The ground level comprised six classrooms, a teachers room and a passageway.
In 1999, Frankel was the fashion journalist selected by the Fashion Museum, Bath, to pick out the most representative look for that year for their Dress of the Year collection. Her choice was an Alexander McQueen lace dress with a moulded leather neck-brace.
The Old Supreme Court is constructed in face sandstock brick with rendered moulded details and slate roofing. The exterior materials include brick and render, with slate roofing. The building is in a good condition. Major additions designed by Barnet include the loggia, later timber additions.
The maximum overall length of Fennica is and her length between perpendiculars is . The hull has a moulded breadth of and depth of . Her draught varies between as a Baltic icebreaker and in Arctic conditions and offshore work.Vapalahti, H: Finnish illustrated List of Ships 1999.
Originally hand made from available materials. Commercially marketed line markers are commonly injection-moulded plastic and are available in a few colours. Small variations in size and shape allow personal markers to be identified more easily, and unique markings may be added by the user.
The large east window has stained glass, possibly by William Wailes. The nave arcades are supported by clustered marble piers with foliated tops and moulded lancet arches. There is a two-bay gallery to the west. The chancel is flanked by two lady chapels.
The original floor layout remains including parcels office and Station Master's office with ticket window looking over the general waiting room, and toilets including an accessible toilet at eastern end. The interiors generally feature custom orb ceilings with ceiling roses, enclosed or adapted fireplaces, moulded picture rails and cornices to the general waiting room, decorative cast iron wall vents, later floor tiling or carpet finish, and timber bead style moulded cornices. All toilet and light fittings are relatively new. The Platform 1 door of the general waiting room and the ladies toilet door have also been fitted with a solid panel at the back.
From May 1981, DIM Power Cars and DIT trailers started to be delivered. These cars had increased seating compared with the DC series, up from 88 to 96 for the power cars, and from 92 to 112 for the trailers. The cars built were: :Power Cars - DIM 8037–8092 :Trailer Cars - DIT 9101–9184 DIM 8037-8068 and were the last cars to be delivered with the Blue Goose moulded fibreglass ends, cream & wood veneer interiors and green seats. DIM 8069-8092 were built with a white moulded fibreglass end incorporating the State Rail Authority's corporate colours of red, orange and yellow, yellow interiors, newer air conditioning technology and ditchlights.
Segmented or multi-piece patterns create a casting in several pieces to be joined in post-processing. Match plate patterns are patterns with the top and bottom parts of the pattern, also known as the cope and drag portions, mounted on opposite sides of a board. This adaptation allows patterns to be quickly moulded out of the molding material. A similar technique called a cope and drag pattern is often used for large castings or large production runs: in this variation, the two sides of the pattern are mounted on separate pattern plates that can be hooked up to horizontal or vertical machines and moulded with the molding material.
The porch has no buttresses, but the plinth of the nave is continued along its east and west walls. South Porch The 17th-century south porch has a mid-13th-century south doorway, almost certainly rebuilt, as it does not seem to be quite on the line of the former aisle wall; it has a two-centred arch of three moulded orders enriched with the dog-tooth ornament, and resting on four detached jamb-shafts on each side, having moulded capitals and bases. The east wall has a plain square-headed 17th-century window. The porch has buttresses square at the angles, probably largely of 13th-century material re-used.
The men's lavatories had a urinal and the "usual offices" supplied by Adam & Co. of London, and a granite-paved floor. Both lavatories had white glazed brick walls to a height of with a "border of one course of tinted moulded bricks, and a skirting of four courses of tinted bricks, the top course of which is moulded." Water came from the Herne Bay Water Company's main in Beacon Hill to a large cistern, and this supplied the handbasins, the nine water closets and the inside and outside urinals. The most "up-to-date" drainage system was provided, but this was the only item not detailed in the newspapers.
The vestry window at the south is of a single light with panes of glear glazing set in square muntins, within a double chamfered arched surround with hood mould. At the west side of the vestry is a plank door within an ogee-headed moulded doorway. North chapel from north-west The 1448 south chapel sits on a moulded plinth which runs over two twin- stepped buttresses, one angled and central to the south wall, the other diagonal on the south-east corner. The buttresses are topped by square-based pinnacles with blind cusped panels, crocketed above gables at each side, the pinnacle at the south-east finished with a finial.
The floors to all three porches have modern red tiles, concrete steps, and terrazzo doorway thresholds, with some new aluminium handrails attached to the corner entry. The building has a rendered finish, painted in a tan and maroon colour scheme and the window frames have been painted dark green. The ground floor is dominated by moulded arched detailing with prominent keystones and pilasters, and ashlar cut render to the base of the tower and the eastern end of the northern facade. There is a continuous moulded string course cutting across the arched windows of the first floor, with another at the level of the main roof eaves on the corner tower.
The Abuabu Cross moulded in 1928 with an Kwa-Kwa-AnaMuah shell and ‘smithed’ in unburnished gold by a craftsman of Abuabusu village in the Offin River Valley of Denchera The Abuabu Cross was moulded in 1928 with a Kwa-Kwa-AnaMuah shell (3.9 Cuttlefish bone casting, pg. 163)ir.knust.edu.gh/bitstream/123456789/743/1/WORLANYOH%20KOTOKU.pdf and ‘smithed’ in unburnished gold by a craftsman of Abuabusu village in the Ofin River Valley of Denchera. Western Province of the Gold Coast colony from an original cross belonging to the Rt. Rev. John Aglionby, 3rd Bishop of Accra (16 March 1884 – 15 May 1963) from 1924 to 1951.
The centre of the east range features a two-storey porch with galleted stonework on the upper level. The roof is of plain clay tiles, stone gabled at the north end of the east range but otherwise hipped, with four stone gabled dormers on the east façade and five smaller ones on the south façade. A frieze band with cornice and moulded stone base runs above the first floor windows on the east façade but is not repeated on the south, where only a moulded string course appears. Battlements were added to the eaves on both façades in 1819 as part of the third Thomas Rider's works.
The chapel wing comprises two sections: the earlier 1890 chapel toward the front elevation of the building and extending from the rear of this the 1921 extension. Externally, the extension employs stripped classical detailing with rusticated pilasters dividing the external walls and separating the round headed arched openings. Other detailing includes a projecting base, moulded string courses, enlarged keystone detailing above the arched openings and moulded entablature forming a parapet some of which is surmounted by an Italianate baluster detail above. The chapel has a traditional plan, with central nave, side aisles, polygonal sanctuary and a shallow transept extending from the south-western end of the building.
Classically moulded detailing is also used on the uniformly spaced openings and the four bay, round arched colonnade, including slender pilasters to the sides of windows and prominent keystones within moulded arches. The ground-floor interior comprises four major areas. These incorporate the carpeted retail area in the north-eastern quarter, carpeted mail room and post boxes on the eastern side, carpeted lunch room on the western side and other tiled staff amenities in the south eastern corner, and carpeted office areas in the south-western corner. Ceilings of the ground- floor are predominantly plasterboard with coved cornices in the western side offices, mail room and retail areas.
Below the clock face is a dentilled, moulded string course and there is a bracketed moulded string course on the first floor level. A pyramidal corrugated iron roof supported by cast iron corner posts, with an ornate weathervane at the apex, caps off the open belfry behind the clock face. The roof of the two-storey section is punctuated by three tall, rendered and painted corbelled chimneys; two at the eastern edge and one at the south-western side. The northern facade has a two-storey verandah, with rendered masonry arches and columns to both, and infills to three bays of each side of the upper floor.
A minimalist frame was also adopted for the 675 Chair (1953), a dining chair with a slender floating moulded plywood seat back. In the Q Stak Chair (1954), Day's first one-piece moulded plywood shell chair, the number of components was reduced to the bare minimum in order to keep costs down. Robin Day continued to expand Hille's furniture collections throughout the 1950s, pioneering technical innovations such as frames made of flat bar steel or square-section tubular steel. His Single Convertible Bed Settee (1957), with its lightweight foam cushions and simple swing-down wooden seat back, characterised the elegant flexibility of his designs.
The overall finishes include timber board wall and ceiling linings, moulded timber cornices and dado line, ceiling roses, fluorescent lighting, a fireplace in the SM's office with cast iron grate timber surrounds and tile hearth, and tile, linoleum or carpet floor finishes. Toilet fittings are modern.
Norwegian Encore has an overall length of , moulded beam and maximum draft . The ship has gross tonnage of and deadweight of . Norwegian Encore has 20 decks, 2,043 staterooms and capacity for 4,004 passengers at double occupancy. Norwegian Encore has five main engines with total output power of .
The materials are understood to have been sourced from the property. The drop log building is painted dark brown. The windows are double hung with each sash divided into six panes and with moulded timber external architraves. The front door in a four panelled timber door.
External doors on the lower level vary in style. They are timber-framed. The front door is a six panel door with glass side lights and a glass fan light. External doors on the upper level include three glass-paned french doors, and two moulded panel doors.
The arcades are carried on quatrefoil piers, and the ceilings are plastered and coved. The roofs of the aisles are flat. The nave ceiling is an elliptical vault, with a moulded plaster centrepiece. The church is floored with limestone slabs, decorated with inserts of black slate.
There is a square, 3 stage west tower and a projecting south west porch with a pointed arched and moulded doorway, later restored in 1887. The north vestry was added in 1805. There is a 'Y' tracery, cusped four-light east window with later perpendicular tracery.
The keys are injection-moulded plastic. It has a transistorised pre- amplifier and amplifier and a knee lever for volume control. It plays through two small internal speakers or through an external amplifier. Available as model L – mains voltage, and model LB – powered by 5 'D' batteries.
The entrance front is on the east side; it is symmetrical, in two storeys, and has seven bays. It has a moulded stone plinth, and rusticated quoins. The lateral pair of bays on each side are stepped forward. All the windows in this front are sash windows.
It is a two-story Victorian-style building with "elaborately moulded brickwork and functional thick plastered brick walls", and is "An excellent and well-preserved example of public Victorian architecture in rural Texas." It is a Texas State Antiquities Landmark and a Recorded Texas Historic Landmark.
Inside, on the ground floor, are luxurious halls interconnected with enfilade suites. The halls feature moulded stucco ceilings, heavy oak doors high, and cast-iron patterned staircases with chiseled notch boards. The staircases were produced by Gutman; one of them (the northern one) remains fully intact.
The ceiling features decorative fibrous plaster panels with moulded battening. Tie rods extend across the width of the church at regular intervals. The windows within the church are generally of high quality stained glass, set in quoined sandstone surrounds. The chancel is raised on a stepped platform.
It is long, with a moulded beam of . The draft of Amevi is and its gross tonnage is 2,310. The yacht has twin MTU 16V 595 TE70 engines with total power of , allowing the yacht to reach a maximum speed of . Its cruising speed is around .
The bones along with the monument were transferred in Novocherkassk in 1911. Baklanov's coffin was placed into a shrine under Novocherkassk Cathedral. The sculpture composition with some adjustments in the pedestal was moulded on Yermaka square. The monument is located to the south of the Novocherkassk Cathedral.
In the next room, figures of animals, framed with plants were moulded in plaster. In a third room, which was built in the form of a basilica, the walls were decorated with military scenes and covered in gold leaf; the arched wooden ceiling was decorated with carvings.
Previously, the test batteries had been lined wooden cases with liquid electrolyte (Daniell cell). The new battery comprised a moulded gutta-percha case filled with sand, saturated with electrolyte making it virtually unspillable. It was known as the "sand battery". 144 cells were used in series (around ).
The basal neck rings are moulded on this head. The mouth is located directly above the upper neck ring. Two crescent shaped pieces of clay were joined at the edges to form the lips which then taper into the cheeks. The lips are open approximately 10mm.
This head is too fragmented for precise characteristic recording. The basal neck rings are moulded. The mouth is located directly above the upper neck ring. Two crescent shaped pieces of clay were joined at the edges to form the lips which then taper into the cheeks.
The interior doors of the house has moulded gothic, or ogival, archways, decorated with fleur-de-lys detailing. The staircase is believed to either be original to the house or an early 17th- century replacement and features decorative balusters and newel posts with acorn-shaped caps.
The verandah ceiling is flat sheeted and battened. Verandah posts are timber, with moulded capitals, and fretwork brackets. Wooden blinds filter light to the wide front verandahs. On the outer face of the southern extension, a high arched and dowelled valance, with pendant, elaborates the bays.
The walls are plastered brickwork. Within most of the bays are arched recesses above the gallery level and square ones below. The main cornice to the walls has fine moulded plaster medallions, some of the recesses are pierced by original windows (some sheeted externally). Or later windows.
The track was of asymmetric moulded plastic units, representing the fishbelly rails of the period. These could be assembled either way round, to give either curved or straight track. By 1980, the market was extremely tough and Dunbee-Combex-Marx was liquidated, placing Hornby in receivership.
The roof, dating from 1979–80, is in varnished chestnut. It is panelled in five compartments, and heavily moulded. The west organ gallery, standing on Tuscan columns, is a replica of that destroyed in the fire. The furniture has been acquired from a variety of sources.
The tower has three stages with diagonal buttresses, moulded string courses, north-east polygonal higher corner stair turret with blind panelled embattled cap and pierced quatrefoil lozenge parapet with corner pinnacles and gargoyles. It is dated to c. 1360 by Poyntz Wright and after 1420 by Harvey.
1601, an alabaster hanging monument with a kneeling couple facing each other, their children behind, with bracketed base; also there are monuments to John Huggeson d.1634; Josiah Huggeson, d.1639; James Huggeson, d.1646 (a recumbent man and wife on bolection-moulded sarcophagus); Rudolph Weckerlin, d.
Guildhall and Stonebow, Lincoln from south Stonebow, Lincoln from south, c. 1784 The Stonebow is built from the local limestone. The exterior has crenellated parapets on both sides. South front has a roll moulded segmental central arch flanked by single round buttresses with canopied niches containing figures.
In the grounds there is a bowling green, possibly dating from the 17th century, to the west of the house. And there is a sundial, originally at Dryburgh House, high, with a square dial stone, a twisted shaft, and a moulded base. It is a category A listed building.
Skirting boards in the main rooms of the main structure vary from 230 – 260 mm and are most likely Australian Red Cedar. The main staircase has enclosed risers and nosed treads. The handrail is moulded timber, supported on turned balusters. A small cupboard is constructed under the staircase.
The monument comprises a rectangular plaque flanked by Corinthian columns below a moulded entablature above which are shown the Ashford arms flanked by flaming urns. The columns sit on a shelf supported on consoles carved as cherubs heads. The apron is carved with swags, cherubs and the Ashford arms.
The chancel wagon roof was replaced in 1883 and consists of 18 close-set arch-braced trusses springing from wall-plates with trefoil-headed panels. The section over the altar is a restored medieval canopy with moulded arch braces and four purlins. The bosses have been recently re-gilded.
The main roof is clad in Marseilles pattern terracotta tiles. Gabled fascias are narrow in width and are formed from moulded timber. The chimney has a flat cap and two flue openings and is finished with rough cast render which is painted. It has lead flashing to the tiles.
An optional stand can be fixed to threaded mounting points on the ends of the case. The keys are injection-moulded plastic over pressed metal frames. The words 'Pianet T' are screen printed in silver on the rear of the case and on the inside surface of the lid.
The first group, lasting from introduction to 1977, had ground stainless steel reeds, a pick-up using variable capacitance, and leather-faced activation pads. The second group from 1977 until the end of production used rolled spring-steel reeds, electro-magnetic pick-ups, and moulded silicone rubber activation pads.
The keys are injection-moulded plastic. The word 'Pianet' appears in gold facing upward on the left hand end of the music support ledge. The ledge includes a routed recess for the bottom of the music. It has a valve pre-amplifier and a knee lever for volume control.
On the north and south sides are clock faces and on the west side is a bullseye window. Above these are two-light bell openings. At the top is a moulded cornice, and a crenellated parapet with crocketted pinnacles. Other than the tower, the church is in Perpendicular style.
Preferred hairstyles included long, strongly moulded greased-up hair with a quiff at the front and the side combed back to form a duck's arse at the rear. Another style was the "Boston", in which the hair was greased straight back and cut square across at the nape.
This type of development is now obsolete as it was discontinued after the Second World War. There is not much decoration on the facade of the shophouses. Only moulded capitals to the columns and lozenge shaped grille blocks forming balustrades to the verandahs exists in some of the shophouses.
Internally there are slim compound piers and a west gallery. The ceiling is flat and divided into 80 panels by moulded ribs. Each of the panels contains a painting of a coat of arms. At the centre of the crossing are the royal coat of arms of Queen Victoria.
The Panton Chair () is an S-shaped plastic chair created by the Danish designer Verner Panton in the 1960s. The world's first moulded plastic chair, it is considered to be one of the masterpieces of Danish design. The chair was included in the 2006 Danish Culture Canon."Pantonstolen" , Kulturkanon.
Bhakta Vidur (, "Devotion of Vidura") is a 1921 silent Indian film directed by Kanjibhai Rathod and made under Kohinoor Film Company banner. In this film the Hindu mythological character Vidura was moulded on the personality of Mohandas Karamchand Gandhi. This was the first Indian film to face a ban.
105 George Street. The use of decoratively moulded string courses with supporting scrolled brackets adds a touch of lightness and relief to the façade. The distinctive embellished parapet top to the front of the building is a detail that has become relatively rare. The shopfront is not original.
Cassells, The Capital Ships, p. 11 She was long overall, with a beam of at her moulded depth and over the gun sponsons, and an initial maximum draught of , although this had increased to by 1936. The propulsion machinery consisted of four Yarrow boilers supplying Parsons geared turbines.
The ceiling is finely finished with bosses at the intersection of the moulded principals and purlins. It was inserted in 1882–84.W. Gwyn Thomas, "The Chancel of Llanbadarn Fawr Church" (1978) 127 Archaeologia Cambrensis 127–129. This ceiling conceals the mediaeval trusses of the fifteenth century ceiling.
AIDAperla has overall length of , moulded beam of , and maximum draft of . The vessel has deadweight of 9,200 DWT and gross tonnage of 125,572 GT. The cruise ship has 1,643 cabins and capacity for 3,286 passengers in double occupancy. AIDAperla has 16 passenger decks (of 18 total decks).
There is moulded plasterwork to the curved balcony fronts and elliptically bowed balconies to the boxes, which are situated in round arched openings with giant fluted Corinthian columns. The circular auditorium ceiling is decorated and has a small rectangular dome to centre. There is a rectangular proscenium arch.
She was very romantic all through the film. Though there is not much scope to prove her acting talents, her role was moulded in a near sexy way. The director was able to maintain good tempo all through the film. He did never lose grip on the story.
She was built by Watercraft Ltd. at Shoreham-by- Sea in 1986 as one of ten vessels ordered as the P2000 class. The class was based on a design of an Omani coastguard cutter built by Watercraft Marine. They are twin-shaft vessels with moulded glass-reinforced plastic hulls.
The staircase hall has an open timber roof, and contains a cantilevered staircase and a first floor gallery. The dining and drawing rooms have moulded timber ceilings and contain marble fireplaces. The rooms are divided by an 18th-century wooden screen with Corinthian pilasters. columns and an entablature.
African red slip ware: moulded Mithras slaying the bull, 400 ± 50 AD. A slip is a liquid mixture or slurry of clay and/or other materials suspended in water. It has many uses in the production of pottery, and other ceramic wares.Dictionary Of Ceramics. Arthur Dodd & David Murfin.
During a decade in which the technology and design of display infrastructure evolved rapidly, May was engaged on the design of large format injection moulded back panels for shop windows, decorations and accessories for exhibitor stands used a trade exhibitions and trade fair related design work more broadly.
De Rohan Arch is built in the neoclassical style. The archway is flanked by rusticated Doric pilasters set on a plain pedestal. The arch is topped by a triangular pediment having moulded edges. A Gothic designed niche, containing a portrait of the Ecce homo, is located within the arch.
The chapel is constructed in red brick with stone dressings and a slate roof. It consists of a nave with an apsidal chancel. Around the top of the chapel is a moulded stone cornice and a balustrade. The balusters are interspersed with square piers supporting swagged ball finials.
The panelled door and ground-floor sash- windows are surmounted by hoods with moulded cornices supported by carved consoles. First-floor windows are surmounted by pediments, again with cornices and consoles. A string course on brackets divides the stories. The roof is of slate and lead, with brick stacks.
Towers located at the rear of the light recesses protrude above the general parapet level. The composition of the facades is emphasised by the restrained use of classical detail. A moulded projection marks the junction between podium and middle levels. The upper level features classical balustrading and cornice.
Accrington brick was used from 1890, decorated with yellow sandstone with moulded brick and terracotta features. Etched and stained glass was used in the offices. Mills were designed by specialist architects and architectural quality became a major consideration. The power needed and provided to drive these mills was increasing.
Paired round-arched windows light the outer bays. The side walls have five arched windows set below a cornice of moulded terracotta. The hall beneath the church includes a full-height single-bay brick extension with an arched window. An elaborate wooden gallery supported on iron columns survives inside.
Otranto had an overall length of , a beam of , and a moulded depth of . She had tonnages of and . The ship was fitted with two 4-cylinder quadruple-expansion steam engines, each driving one propeller. The engines had a total power of and gave Otranto a top speed of .
The church has arched arcades with octagonal piers with moulded capitals. The north chapel has an organ. The south chapel has wall tablets and a heraldic memorial to John Savill of Coppley (c. 1677). The church is furnished with 19th century pews and choir stalls with carved poppyheads.
The Caraboat was a unique caravan/boat hybrid produced during the 1970s. As of today, the Caraboat is considered a collectors piece amongst caravan enthusiasts. The boat aspects were designed by small boat designer John Askham. The hull and boxy superstructure are moulded from GRP, with large windows.
The upper bedroom quarters may be reached by a small turnpike stair. A massive chimney stack tops the east wall of the north wing. The building is of red rubble, with tooled and polished ashlar dressings. The doorway has filletted roll to moulded door jambs, and stepped hood mould.
The west tower has substantial brick angle buttresses. The tower and nave have flint battlements and the tower has crocketted pinnacles at the four corners. The Crane chapel is of two bays and its two northern corners have diagonal buttresses. The south porch has a moulded brick parapet.
The entirety of pottery made in Africa south of the Sahara was unglazed and made without the use of a wheel.Chittick, 1984, p.108 These vessels were either coiled or moulded into shape; there are, however, a small number of specimens that are pinched into shape.Chittick, 1984, p.
At by , it is of two storeys with a gable-ended and tiled roof. The walls are stone rubble in which are three window openings: one blocked, the others partly blocked. It has a south doorway and an upper floor with a moulded beam from the 16th century.
After some disagreement between Hoare and architect James West, the building plans incorporated design aspects of Christopher Wren's Royal Hospital at Chelsea. Lady Maud Hoare laid the foundation stone in 1929. In September 1933 the building was completed; it was built of rustic and moulded brick. Its frontage was .
Inside, there is an early 17th-century moulded plaster ceiling. The ceiling is decorated with ornamental bands around panels that contain emblems. There is a wood and stone chimneypiece of the same age. Figures on either side of the stone hearth support an entablature bearing two carved scenes.
Crossbow was an early 1970s proa (or asymmetrical catamaran) sailboat. The vessel was 56 feet long and had a 60 foot mast, but was only 22 inches wide. It was built of cold moulded plywood. The smaller, outrigger hull was removed by 30 feet from the main hull.
Interior The church has a treble-chamfered tower arch with stops to cover the nave windows. There is a tall moulded chancel arch. The chancel has a painted panel ceiling with crossing wooden beams running in a north-south direction. There are hanging pendant lamps in the nave.
After the earthen pots are moulded and fired, the artisans complete the wickerwork around them, by erecting two arms to handle the pot, proping the back side with strong wicker sticks, and colour it (optionally) to give an aesthetically delicate shape. The final product then goes to the market.
In the churchyard is a sundial dated 1808. It is in sandstone, and is octagonal on an octagonal base, with a sunken lancet panel on each side. The base and the cap are moulded, and on the top is an inscribed brass plate and a gnomon, also in brass.
The plastic arts or visual arts are a class of art forms, that involve the use of materials, that can be moulded or modulated in some way, often in three dimensions. Examples are painting, sculpture, and drawing. Higher educational institutions in these arts include film schools and art schools.
A much altered post and panel screens passage with three entrances,"Smith" (1988), Map 37, 491 now in the hall area of the main house, is likely to have been removed from the hall in the older house. This screens passage would have been associated with the finely moulded beams in the older house. These moulded beams can be compared with similar beams at Maesycastell in Caernarvonshire and Perthywig in Denbighshire which are illustrated by Smith "Smith" (1988) fig 181 Another example is Gilar in Pentrefoelas, presumably built by Cadwaladr ap Maurice after receiving a substantial grant of land from Henry VIII in 1545–1546 His son was the poet Rhys Wyn ap Cadwaladr (fl. c. 1600).
Above the street level the exterior of Building A is executed in a grandiose, ornate style employing an eclectic mix of Classical and Romanesque design elements. The facade is asymmetrical, with the top two stories tied together by a blind arcade incorporating Romanesque arches with exaggerated keystones and pilasters surmounted by composite capitals. The facade also incorporates horizontally arranged panels of relief-moulded interlocked circles at the juncture of the ground and first floor, similar panels of relief-moulded arches at the juncture of the first and second floor, and the Boland's name in prominent relief lettering beneath the parapet. The facade is painted in cream with some details picked out in dark green.
The top storey is in the form of an attic, and the treatment of the windows is different: they are on a moulded cornice, and some are arched. On the floor below, the windows are surrounded by Vitruvian scroll patterns, and at the storey below that they are flanked by pilasters which hold up an entablature and small pediment. A cast iron balcony surrounds the first-floor bay windows and is supported by the top of the Doric-columned entrance porch, which has a stuccoed balustrade. According to one writer, "the heavy emphasis of [these] porches give[s] the square an air of respectable solidity"—as do the heavy doors with their recessed panels, moulded ornamentation and decorative fanlights.
Clad with chamferboards, the belvedere is defined by projecting pilasters to the corners which carry a moulded timber cornice continuous around all elevations below sets of decorative paired eaves brackets. Narrow round sash windows punctuate the east and west elevations matching a pair of round sash windows to the north. The bullnosed roof is crowned by a small open viewing platform screened with a low decorative cast iron surround & this is all that remains of the decorative cast iron that earlier embellished the building. The interior is characterised by an elegant austerity with commodious rooms, decorative metal fireplace grates within marble or timber mantelpieces and quality moulded panel doors and etched glass fanlights.
Materials used in the ship included thin single-ply polyester, coated with titanium dioxide-doped polyurethane, for the envelope; Kevlar for the cables suspending the gondola from the top of the envelope; a Kevlar nosecone moulded in the same manner as glass-reinforced plastic; and a gondola moulded by Vickers–Slingsby from Kevlar-reinforced plastic. Other innovations featured in the AD500 included simplified controls and thrust vectoring — an old airship idea revived — via inboard-mounted Porsche engines driving vectoring ducted fans. Unfortunately, on 8 March 1979, the month-old AD500 was seriously damaged when the nosecone failed while the ship was moored in high winds. Aerovision subsequently withdrew its financial support, and AD was liquidated on 8 June.
A moulded projecting string course that stops short of the rusticated quoins (and is interrupted over the entrance) separates ground from first floor, repeated above, between first floor windows and the low parapet that conceals the Horsham stone roof behind. Where the string course surmounts the window the detail of the central keystone of the rubbed brick voussoirs is picked up in the string that in these areas also projects slightly. The string courses, quoins, plinth, central keystone of the rubbed brick voussoirs and doorway are painted white to contrast with the red brickwork of the elevation. The doorway is flanked by a pair of plain pilasters with simple moulded caps and bases.
The interior of the chapel extension, like the exterior, has a classical design influence with round headed archways and openings, neo-classical painted decoration and classical mouldings. The nave has shallow side aisles divided from the body by a nave arcade of round headed arched openings with moulded architraves and large plaster keystones, all supported on marbelised columns with decorative plaster capitals. The barrel vaulted ceiling of the nave, is punctuated with operable clerestory windows and these are separated by moulded ribs. The sanctuary, which is divided from the nave by a round headed archway supported on substantial red marble columns, is semi-circular in plan and covered by a half domed ceiling.
Anglewood is a very large and elaborately decorated Queen Anne Revival style house, with an extensive and very fine garden. The design of the house and the interior layout is copied very closely from Queensmead Cottage at Windsor, built when the Queen Anne Style was at its most elaborate flowering was a collection of all Adams' ideas on Queen Anne. Anglewood faithfully follows much of this idiom, elaborating on some, such as the arched brick bracing between chimneys at the east end and giving an Australian flavour to others such as Australian plants appearing in moulded plaster detailing. The exterior of Anglewood is principally a soft red brick, much of it moulded or carved in finely detailed ornament.
However a number of original features still exist such as a moulded oak door frame, original windows with brick mullions, transoms and square moulded labels and superb chimney stacks with octagonal shafts. Creeksea Place was reputed to have been the home of Anne Boleyn (however she actually died in 1536) and that her spirit was said to been seen walking from an old cottage near the Cricksea ferry. Her daughter, Queen Elizabeth, is thought to have met her soldiers here and that they were supposed to have come to meet her through a tunnel connected with Rochford. As Rochford is some ten miles or so away then the tunnel is more likely based on fantasy than fact.
The exterior is distinguished by the use of Tuscan elements that include the slender column pilasters which flank the first floor windows. The eaves and a moulded string course below the first floor eaves which is continuous around the tower have been painted a tan colour. The bracketed eaves below the main roof of the tower have also been painted tan, and the rendered base course "skirting" is painted light brown. Below the bracketed eaves are four clock faces with black lettering on a white background, one to each side, with moulded circles either side of each clock face encircling the numbers 18 and 78 to the left and right sides respectively.
The door is set below a pediment and fanlight which is obscured by a hood-moulded porch projecting forwards over the steps. The southeast-facing side has a tall 19th-century bow window. Another wing was added to the north in the mid-19th century at the request of Rev. Maberley.
The square tower was built of local coursed oolitic limestone with Doulting stone dressings. The walls are thick at the base, and the tower is in plan. The doorway has an ovolo moulded arch which is high. This suggests a construction date in the late 16th or early 17th century.
The nave arcades are carried on clustered piers and have moulded arches. The crossing is in Early English style. The roof of the south chancel chapel is considered to be one of the finest in the county. It is carried on stone corbels, which are carved alternately with heads and foliage.
The current Greyfriars’ Church was built from 1866 on the site of the New Kirk. The New Kirk was built in the 1720s on or adjoining the site of Maxwell of Nithsdale’s Castle. When the walls of the New Kirk were being demolished, several moulded and decorated stones were uncovered.
The Fox Moth, though efficient, was a bit of an anachronism. For example, a modern, moulded plexiglas sliding cockpit hood was attached to what was essentially a 1932 aircraft. Communication between the passenger cabin in the fuselage and the cockpit to the rear was through a hole in the instrument panel.
Worbla can also be moulded, when warmed, as a putty and used to sculpt solid pieces. Unusually, offcuts of sheet can be recycled in this way. The material can be cut with scissors, knives or by laser. When cold it can be cut, carved or sanded with woodworking hand tools.
It has a gold hammertone painted aluminum fascia panel below the keys with a lock fitted centrally. This panel also performs the key-leveling function. The keys are injection-moulded plastic. The word 'Pianet N' appears in gold facing forward on the left-hand face of the music support ledge.
This variant can be seen on the cover of a Hohner demonstration record for the Pianet. It has an upper case profile with a taper towards the front. It has a gold hammertone painted aluminum fascia panel below the keys with a lock fitted centrally. The keys are injection-moulded plastic.
It has a gold hammertone painted aluminum fascia panel below the keys with a lock fitted centrally. This panel also performs the key- leveling function. The keys are injection-moulded plastic. The word 'Pianet N' appears in gold facing forward on the left hand face of the music support ledge.
This panel also performs the key-leveling function. The keys are injection-moulded plastic. The words 'Combo Pianet' are screen printed in black on the left end of the fascia. It has a transistorised pre- amplifier and a volume control knob is fitted at the left end of the keyboard.
Theakston Hall and Theakston Lodge are Grade II listed structures. The former is a large rendered brick and stone building originating in the late 18th century with moulded stone ornaments. The latter is a mid- to late-18th century house build from brick with Doric half columns surrounding the central door.
Inside the church, the ceiling has moulded and carved beams and carved panels. The nave roof has hammer beams alternating with tie beams with arched braces meeting in the centre. There are two baptismal fonts, one 12th-century and another 15th-century. There is a 15th-century lectern and chancel screen.
Perth House is a single-storey Colonial/Victorian Georgian residence with a hipped roof to a central block with encircling verandahs. Constructed of coursed and dressed sandstone blocks with quoins 2 courses deep. The spacing of the Doric moulded square timber verandah pots is unusual. The verandah is paved with stone.
The balcony window on the first floor has a segmental pediment and shouldered architrave. The windows of the second and sixth bays have pediments, while the others have frieze and moulded cornice. A band marks first-floor height. There is a flight of eight steps with balustrade supporting two urns.
Most of the building materials and tools used for construction are recycled. This includes everyday objects and excess construction materials donated by construction companies and a nearby brick factory. For instance, the columns have been moulded with old petrol drums. The building work has been carried out without any crane.
Morib is being moulded into an education hub and that plans were afoot to set up a few educational institutions in Jugra. Currently there is the Kuala Langat Community College and Industrial Training Institute. Other institutions being built are a matriculation college, a polytechnic and a Mara skills training institute.
Transactions of the Bristol and Gloucestershire Archaeological Society, Vol 59, 1928, p. 54. Online reference Captain Thomas Freke Lewis (1831-1908) in about 1861 added a Victorian Wing as well as Italian mosaic floors, moulded ceilings, a ballroom, a Jacobean staircase and a 1621 fireplace, all of which survive today.
Around the walls are memorials. The font is Norman in style and consists of a circular bowl on a moulded base. The bowl is carved with intersecting arcading, and its rim has dog-tooth motifs. The transept windows contain Flemish painted glass from the 18th century, set in glass dated 1855.
MSC Preziosa Chantiers de Saint Nazaire on March 10, 2013. MSC Preziosa is long, the moulded breadth of the hull being and the draught at . She accommodates up to 3,502 passengers with a crew complement of 1,325. She has 13 passenger decks, which contain 1,310 outside cabins and 327 inside cabins.
The design is a four-cell plan with a three- bay chancel, and five-bay nave. There are north and south aisles, a south porch, and a west tower. Building materials include local lias stone and hamstone. The main roofs are composed of Welsh slate with moulded coped gables, battlemented parapets.
Each block is moulded with tongue and groove at all sides, to enable quick and easy assembly. Still wet, the gypsum blocks are taken out of the molds and put into drying chambers. The dried gypsum blocks are packaged at the production plant and then transported to warehouses or construction sites.
Cannington Court is a Grade I listed building, having been so designated on 29 March 1963. It is built of red sandstone with some brick sections. There is a moulded cornice and ashlar parapet with a coping. Some of the roofs are hipped; some are slated and others have Roman tiles.
Reusable mineral water bottles in crates Milk crates and bottle crates are a form of reusable packaging used to ship to retail stores and to return empty bottles to the bottler or packager. These are usually moulded plastic designs expected to make several round trip shipments. Wood structures are also used.
The engine range changed, because now partially machines from the Renault Clio were used. Added to this was, among other things, a 1870cc diesel engine with 47 kW (64 hp). Also added was a modernised radiator grille, which was moulded in grey plastic. New headlamps were also added to this phase.
The Laser Vago is a recreational sailboat, built predominantly of rotational moulded polyethylene tri-skin foam sandwich. The hull has a sharply single chined design. It has a fractional sloop rig, a raked stem, a plumb transom, a transom-hung rudder controlled by a tiller and a retractable daggerboard. It displaces .
The roofs are in green slate with lead flashings. The south front has nine bays, the central three bays projecting forward. On each side of the central projection is a semi-circular stairway leading to the middle floor. The stairway is built in rusticated stone and it has a moulded balustrade.
Labels may be paper or a similar material to the moulded product. Polypropylene or polystyrene is commonly used as label material, with a thickness of 15 to 40 micrometres. Cavitated label material is also used. This is a sandwich material, having a spongy layer bonded between two very thin solid layers.
There are moulded brick dripstones rising from plaster and terra cotta corbels. The window sills, plinths, mouldings and steps of buttresses are rendered in cement stucco. The buildings exterior is rough stone and brickwork with the brick pointed, in black and white mortar. The tower is tall with an octagonal spire.
The gutters have acroteria, decorative rainwater heads and moulded soffit brackets. The core of the ground floor is a single room meeting hall. It has a high (about ) boarded ceiling, and awning windows with sills at eye height. The pair of entry doors are six-panelled with an arched fanlight.
This type of material was also used to make some components such as the control columns and to reinforce the stub spars which supported the tail surfaces. The nose and tail cones and the wing tips were fibreglass mouldings. The forward engine cowling and the air intakes were moulded from Durestos.
The RS200 utilises a single line asymmetric spinnaker system and low sheet loads on the sail controls. It can be sailed by weights of between 16 and 26 stone. The open transom allows the RS200 to virtually self drain after a capsize and a moulded self bailer removes any remaining water.
Because sculpture involves the use of materials that can be moulded or modulated, it is considered one of the plastic arts. The majority of public art is sculpture. Many sculptures together in a garden setting may be referred to as a sculpture garden. Sculptors do not always make sculptures by hand.
The verandah roof is curved and separate from the house. The verandah surrounds the basically square core of the house and in the southeastern portions it is enclosed with chamferboards and fibrous cement sheeting. The open portions have timber handrails and dowelled balustrading. The posts are moulded and have decorative brackets.
World Wars I and II brought brief revivals of shipbuilding with construction of schooners, tugboats and barges. After the war, the shipyard became known for innovative production of moulded plywood boats. Later on, Paceship Yachts and McVay Fiberglass Yachts built fibreglass sailboats, such as the Paceship 20, designed in 1970.
The Bialecki ring was patented in 1974 by Polish chemical engineer from Kraków Zbigniew Białecki rings are an improved version of Raschig rings. The rings may be injection moulded of plastics or press-formed from metal sheet without welding. Specific surface area of filling ranges between 60–440 m²/m³.
The Jabulani is a football manufactured by Adidas. It was the official match ball for the 2010 FIFA World Cup. The ball is made from eight spherically moulded panels and has a textured surface intended to improve aerodynamics. It was consequently developed into the Adidas Tango 12 series of footballs.
The limestone building has a slate roof. The old medieval hall now has a floor dividing it. The gable end of the hall is supported by buttresses. The four-storey "High Building", which was added around 1620, has a moulded parapet gable at each end and a small stair turret.
Robertstown Castle is a fortified house, three storeys high with square bartizans (projecting turrets) on two opposite corners. These are supported on moulded corbelling similar to that found in Scottish castles. The castle shows keyhole-shaped loopholes. The ground floor contains a series of vaulted rooms and the first floor has three rooms.
The church is built of pale yellowish brick with dressings of stone and Roman cement. The west portico is tetrastyle in antis and has fluted Doric columns. There are three tall doors which are battered and which have enriched panels, in eared moulded architraves. By the doors are cast iron boot-scrapers.
Inside, the walls are lined by red brick with stone dressings to the arcade with moulded arches and circular columns. The chancel is ashlar-faced and features carving to the chancel arch corbels. The stained glass of the east windows is dated 1892. A wooden altar front has a painted lamb and angels.
In the chancel is a moulded cornice, and its east bay is decorated with Ionic pilasters. Also in the chancel is panelling that was made for Cannons, the home of the Dukes of Chandos. Also from Cannons are the communion rails, the pulpit and the reading desk. The marble font dates from 1884.
The hotel features original Tiffany stained-glass windows and hand-moulded plaster decorations dating back to 1912. The walls were faced with Indiana limestone and feature conical turrets, dormer windows topped by a copper roof. The gables are carved with flowers, scrolls and crests. The lobby floors were constructed of Belgian marble.
Modern encaustic tiles use a two-shot moulding process. The 'inlay' colour is moulded first. For multiple colours, a mould with cavities for each colour is used and the individual colours are filled carefully. This coloured clay is then placed face-down in a mould that is backfilled with the body colour.
Moulded plastic, wheeled waste bin in Berkshire, England Waste collection methods vary widely among different countries and regions. Domestic waste collection services are often provided by local government authorities, or by private companies for industrial and commercial waste. Some areas, especially those in less developed countries, do not have formal waste-collection systems.
Above the verandah roof are paired brackets to the eaves of the main roof. The house is set less than a metre above the ground and is supported by brick piers. The verandahs are gracefully simple, with no balustrades. The timber support posts have moulded capitals and triangular shaped, cast-iron brackets.
The chancel roof retains a single 14th-century tie-beam but has otherwise been renewed. The east window of the chancel is an early-14th-century lancet with three trefoils. The exterior is hood-moulded. The north wall of the chancel also has a lancet window: this has quatrefoils and ogee headings.
To the rear of the range is a 15th- century doorway with a moulded surround. In the grounds is a folly built to resemble a chapel. The manor house has now been converted into self-catering holiday apartments and a wedding venue. Several of the surrounding farm buildings are also available for rent.
In the last stage of the manufacturing process, the lead frame is moulded in a plastic case, and is cut-off outside of the mold body, separating all leads by removing the holding structures at least enough to achieve an electrical insulation. A bending of the external leads can form the usual shapes.
The gable is decorated with chequerwork and on its apex is a stone cross. The baptistry protrudes outwards below the west window. It has two-light square-headed windows, angle buttresses and a moulded parapet. Flanking the baptistry are gabled porches over which are two-light windows at the ends of the aisles.
The tower has pyramidal roof contains bells which until 1792 hung in a bell-cote at the west end of the chancel. The tower acts as a porch and the round headed entrance has roll-moulded orders and tympanum with a tablet to Eliza Wingfield, at whose expense the 1792 restoration was undertaken.
Sagittaire (fore) with and in the Persian Gulf In France the class is known as the Éridan class. Each hull was created from fibreglass, moulded in a steel shell. The hulls were long overall with a beam of and a draught of . The ships had a standard displacement of and at full load.
The other windows are later and of two cinquefoiled lights. Both doorways have continuous moulded head and jambs, and there is a pseudo- Gothic plaster ribbed ceiling to the porch. At the west end of the south aisle is a stone wallbench. The clearstory windows are square-headed and of two trefoiled lights.
The central doorway has a moulded architrave and a cornice, and the windows are rectangular with altered glazing. At the top of the main range is a parapet with a central pediment containing the date of construction in Roman numerals. In the pediments of the wings are tablets inscribed respectively "GIRLS" and "BOYS".
Inside the church are galleries at the west end and over the aisles. In the 19th-century restoration the 16th-century roof was retained. Richards considers this to be "the glory of the church". It is camber beam in type and is richly moulded and decorated with bosses, angels and crows' feet.
The center bay of each set of five being the widest. On each side are carvings on the wall with four horizontal rows of friezes. These narrate Hindu legends and Puranic mythologies from the Shaiva, Vaishnava and Shakta traditions. Each storey has moulded horizontal projections (cornices) with floral arch-shaped motifs (gavaksha).
The chancel roof is panelled and has moulded rib vaults and intricately decorated ceiling bosses. The nave roof of four bays also has trefoil-headed panelling. A gallery at the west end houses an organ built in 1839. A plastered stone reredos, also with trefoil-headed panels, dates from the mid-19th century.
177–80 The tiles were moulded in the shape of the hull, and are secured by a commercial adhesive normally used to fix cat's eyes to road surfaces: although British and American submarines are often seen with missing tiles, as of March 2007, none have been lost from a Collins-class boat.
In 1963 Robin Day designed the Polyprop chair for the British furniture design house Hille. Made of moulded polypropylene, the Polyprop sold in millions and became the world's best-selling chair. Today it is regarded as a modern design classic, and has been celebrated by Royal Mail with a commemorative postage stamp.
The chancel east window is of three lights with cinquefoil heads set in a moulded frame. Pevsner states that the window "makes an odd east view with the chancel east window, smaller, recent, and straight-headed, between." Two spouts, dressed with gargoyle heads, drain the roof between the chancel and the chapels.
Adams Building rear door. TC Hine adopted a distinctly 'Anglo- Italian' style for the principal elevations. In places, this appears redolent of the 15th century Palazzo Ricardi in Florence, Italy. His chosen materials were plain brick, moulded brick and local Derbyshire and Ancaster stone (often exchanged for rendering at high levels for economy).
Being a passionate, lovable teacher to thousands of students in many institutions in Sri Lanka, she was also a visiting Fellow at the Faculty of Arts, Exeter University. Jean was married to a Jaffna Tamil and often dealt with multiple cultures and traditions, which may have moulded her ethnic consciousness and identity.
The south aisle is separated from the nave by a three bay arcade. The arches are plainly moulded resting upon octagonal piers. The east window is modern, those in the side wall restored in the 15th century. A small piscina in the south wall gives evidence of the site of the Lady chapel.
The roof is of stone slate except for the nave, which is leaded. A 12th-century moulded plinth surrounds the church. A miniature tower, dating from the 15th century, stands flush with the west wall. Gargoyles can be seen on the north and south sides of the church but most have been defaced.
Therefore, this method is suitable for very thick moldings. Since veneer is a natural product, it is necessary to observe certain limitations in the pressing process. The smallest radius is dependent on the veneer thicknesses used and is 12 mm at a 90 degree angle. A taper of the moulded parts is possible.
The fireplace in the southwest bedroom is painted. The adjoining small bedroom is an exception, having window joinery painted internally. A sitting area above the ground level vestibule has a corrugated iron ceiling and moulded cornice. The door, and sashes to floor level, leading on to the southern verandah, are not early.
Among the PM, PZT ceramics are popular as they have a high sensitivity, a high g33 value. They are however brittle. Furthermore, they show low Curie temperature, leading to constraints in terms of applications in harsh environmental conditions. However, promising is the integration of ceramic disks into industrial appliances moulded from plastic.
The sliding windows are toughened glass, coming from the Mini traveler. The bonnet is again moulded in high quality glass reinforced plastic. It is hinged at the front to give access to under bonnet space. A completely separate boot compartment situated behind the engine offers of luggage space with separate locking boot cover.
The part is then ejected and the mould closes. The closing action of the mould causes the slides to move forward along the angle pins. Some moulds allow previously moulded parts to be reinserted to allow a new plastic layer to form around the first part. This is often referred to as overmoulding.
The FX4S was superseded in 1987 by the FX4S-Plus, which had a rear compartment redesigned to allow five passengers, the trim changed to grey. A new grey plastic moulded dashboard was also fitted. This was received very well by the trade, as a sign that their needs were actually being listened to.
From 1921 on, Klagges was busy writing völkisch, antidemocratic, and anti-Semitic writings which appeared in right-wing newspapers and the like. He wrote for example for Die völkische Schule or Deutschlands Erneuerung and was himself the publisher of the magazine Nordlicht. His partly theological publications were moulded by radical religious racism.
All rooms have timber skirtings and simply moulded cornices. The staircase is a reconstruction of the original and leads to an upstairs area which is divided into three rooms and a hallway. The hallway is lined with (approx) wide pine boards. The original shingle roof of the building survives under the corrugated iron.
Square-headed window openings, painted sandstone sills and two-over-two sash windows. One-over-one sash windows to canted bays. Three-over-three sash window to rear lean-to. Four panelled timber door to north of porch, with single-pane overlight in moulded surround on block plinths and approached by steps.
The principal elevation faces north with a broad verandah running around the northern, eastern and western perimeter of the building. The original building is only one room in depth. The hipped roof and separate verandah roof are sheeted with corrugated iron. At each end of the roof is a moulded brick chimney.
Pike, Bream and "white fish" were also caught. The two- storey building has a porch over the moulded doorway. The main hall was east of the entrance doorway and porch. The wing to the rear contains a large room on the upper floor, which contains a large stone fireplace with a stone hood.
The qingbai glaze is a porcelain glaze, so-called because it was made using pottery stone. The qingbai glaze is clear, but contains iron in small amounts. When applied over a white porcelain body the glaze produces a greenish-blue colour that gives the glaze its name. Some have incised or moulded decorations.
This feature is unique in England. On the east and north walls of the chancel are large moulded corbels. Also in the chancel are an aumbry with a semicircular head, a simple sedilia, and a 13th-century trefoil-headed piscina. The font consists of an octagonal bowl carried on an octagonal stem.
The keys are injection-moulded plastic. The word 'Cembalet C' or 'CH' appears in gold facing upward on the left hand end of the music support ledge. The ledge includes a formed recess for the bottom of the music. It has a transistorised pre-amplifier and a knee lever for volume control.
They have moulded labels and next to them is a piscina (basin) with two bowls under a similar arch. Stained glass in the church includes work by Clayton and Bell and Harry Stammers. There are monuments from the 18th and 19th centuries and the Faringdon Chapel in the nave has 19th-century brasses.
Gloucester: a history and guide. Gloucester: Alan Sutton Publishing Limited, 1985, p. 135. He also lived there from 1757 to 1772. From 1740 to 1743, the house was let to Henry Guise of Elmore during which time it was remodelled to include fine moulded panels incorporating the swan crest of the Guise family.
He continued to have frequent professional associations with Yash Chopra, Aditya Chopra, and Karan Johar, who moulded his image and made him into a superstar. Khan became a romantic leading man without ever actually kissing any of his co-stars, although he broke this rule in 2012, after strong urging by Yash Chopra.
The design was built by Watkins Yachts in Clearwater, Florida, United States, but it is now out of production. A total of 60 W29s were completed between 1984 and 1988, while 28 W30s were completed between 1987 and 1989. The last W30 completed was moulded in April 1989 as a 1990 model.
Bath bombs on display in a shopBath bombs are a mixture of wet and dry ingredients that are hard-packed and moulded into various shapes before being left to dry out. These dried out "bombs" effervesce when wet. They are used to add essential oils, moisturiser, scent, bubbles or color to bathwater.
The house is set in a peaceful shadowy garden with large trees. Curtilage to be the lot boundary. The house was designed by J. J. Copeman and built by J. H. Gain in 1902. It is of tuckpointed Flemish bond brick with a hipped slate roof, moulded chimneys and projecting roughcast gable.
Little is known of the history of Marbury cum Quoisley before the Norman Conquest. A middle Bronze Age palstave, a type of axe, was found at Bank Farm, near Marbury village; it dates from around 1000–1200 BC. The axe is moulded in two parts, and both faces have a trident design.
Moulded on this 5-inch tall glass bottle are the inscriptions MRS. WINSLOWS / SOOTHING SYRUP / CURTIS & PERKINS / PROPRIETORS Mrs. Winslow's Soothing Syrup is a patent medicine supposedly compounded by Mrs. Charlotte N. Winslow, and first marketed by her son-in-law Jeremiah Curtis and Benjamin A. Perkins of Bangor, Maine, USA in 1845.
In 1971, Britains began phasing out its plastic Herald Miniatures produced in Hong Kong since 1966, with Herald eventually ceasing production in 1976. New Deetail figures were produced moulded in PVC plastic rather than polythene and using plug-in type arms, which were glued to bodies resulting in poses previously unavailable.p.121 Cole, Peter Suspended Animation: An Unauthorised History of Herald & Britains Plastic Figures 1997 Plastic Warrior, Figures were moulded with a tee shaped "footlug" on the feet of each figure that allowed secure attachment to sturdy metal bases. These rectangular metal bases ensured figures stood better than rival manufacturers products and paid homage to Britains hollowcast metal figures as well as being thought by consumers to be of "better value" due to their heavier weight.p.
The 1858-rebuilt ashlar south porch, which Pevsner describes as "imitation Early English", is entered though a pointed arch moulded opening supported by three columns, with a hood mould with label stops above. The porch roof parapet is coped and runs into the south aisle parapet, and above the doorway opening rises to a shallow pointed gable surmounted by a cross of Celtic appearance. On the west and east side are flat headed windows with twin lights, clear glazing, and tracery, and hood moulds with personified label stops. Inside the porch the nave door, with its elaborate hinges and handle surrounds, is set within a pointed arch opening surrounded by a multi-facetted moulded arch supported by columns with floriate capitals.
However, though the qibla facades of most such buildings remain unadorned, that of the Sat Gambuj Mosque is decorated with recessions within moulded panels, the middle portion delineated by two slender pilasters slightly protruding. These are much bigger than those usually seen at the front. The three central panels have an arch- shape on the lower part. The mosque has three cusped entrance arches, the middle one being taller and edged with multi-foil arch, a late-Mughal refinement, flanked by shallow niches and rectangular panels and echoed by mihrabs on the qibla wall, slender engaged pilasters with bulbous base demarcating the central bay, mihrab surface embellished with moulded plaster relief, corner turret stretched above merlon parapet with pinnacles, single, openings on side walls, etc.
A square-plan neo-Gothic church with a 3-stage entrance tower, hall and offices, and a basement, the architectural historian John Gifford describes the plan as "unexpectedly orthodox". The principal elevation is aligned with Gilmore Place, which provides access to the main church building as well as the office and function areas. The outside external elevations are of buff-coloured sandstone solid masonry construction, adorned with typical ecclesiastical architectural features including moulded capitels, long narrow lancets, chamfered reveals, an ornate rose window, arched windows and columns with moulded capitals. Internally, the layout is a T-plan interior typical of Presbyterian churches of this era, exhibiting a renewed emphasis on the pulpit as the focal centre around which the congregation assembled to hear the preaching.
Aerospace Developments began the design of a new non-rigid airship in the 1970s, intended to carry out civil and paramilitary roles, such as aerial advertising, promotional and pleasure flying, surveillance and maritime patrol duties. The AD500 introduced new materials and technology to airship manufacture and operations. Materials used in the ship included thin single-ply polyester, coated with titanium dioxide-doped polyurethane, for the envelope;Kevlar for the cables suspending the gondola from the top of the envelope; a Kevlar nose-cone moulded in the same manner as glass-reinforced plastic; and a gondola moulded by Vickers–Slingsby from Kevlar-reinforced plastic. Other innovations featured in the AD500 included simplified controls and thrust vectoring ducted fans driven by inboard-mounted Porsche engines.
In the late 1850s most of the unfinished detailing was made good in a simple manner with mitered, moulded architraves instead of the elaborate aedicular forms of the original work. At this time two storied verandahs of cast iron columns on sandstone plinths were built instead of the single storey colonnade originally planned, for which sandstone columns had been quarried and moulded. The workmanship of the first build and the materials used - in particular the Ravensfield stone and the cedar - are of the highest quality. The house retains in its wallpapers and paint finished, together with its services (bells, water closet and ballroom) remarkable evidence of both building, the effect of the financial depression and the taste of its builders.
The upper storey is jettied with a moulded bressumer. In each bay of the upper storey on both faces is a ten- light mullioned and transomed window, each of which contains leaded lights. Below and to the sides of these windows are panels, most of which are decorated. In the gables are wavy herringbone struts.
He never had an opportunity to study English, but was well versed in his mother-tongue of Tamil. During his formative years he studied and acquired a deep knowledge of ancient Tamil literature, which moulded his character and inspired his thoughts and outlook throughout his life. Mudaliar married Govindammal in 1850 when he was 23.
The chapterhouse is vaulted by star vault with eight serveries. In the corners there are ogee moulded vaulting ribs ended with simple geometric consoles. Other vaulting ribs are led simply into the wall. This vault was built in 1460 the original one was probably similar and was done in the half of 14th century.
Inside the church the arcades are carried on octagonal piers and have pointed arches. The chancel arch is moulded, and there is a tall west arch leading into the tower. Both the nave and chancel have open timber roofs. The stained glass in the east window is by Kempe and dates from before 1899.
The entrance to the building is through the tower. There are also entrances to the vestries from the exterior. The external walls are modelled by flat pilasters and finely moulded stone entablatures carried on carved stone modillion brackets, rectangular openings and blind windows. The hipped roof, originally shingled, is now clad with corrugated steel.
Animal Bar was launched in 1963, in the UK, by Nestlé. Unlike Milkybar it was never made by Rowntree Mackintosh Confectionery. They are primarily marketed and made for children. Each Animal Bar contains a game inside of the wrapper, and has two different animals, along with their names; moulded onto the surface of the chocolate.
DJM 8101 had its Candy livery moulded fibreglass end repainted into CityRail blue and yellow in 1990 to form a special set, with the commemorative wording "celebrating 20 years of double-deck intercity services to Gosford" applied near the driver's cab window. In 2009, DJM 8101's front was repainted into standard Intercity livery.
Smaller versions of the dolls were also known as penny dolls, because they were often sold for a cent.Melbourne Museum; Frozen Charlotte Doll (Victoria, 2002) Most were made in Germany. They are also made in bisque, and can come in white, pink-tinted, or, more rarely, painted black. Some rare examples have moulded chemises.
It has chamfered angles and a stepped plinth set on an oval platform on the breakwater. A square design was chosen because it made the living quarters more comfortable. Much of the original living accommodation inside remains intact. The tower's external features include a roll-moulded string-course projecting above the first floor level.
The keys are injection- moulded plastic. The word 'Pianet' or 'Pianet C' appears in gold facing upward on the left hand end of the music support ledge. The ledge includes a routed recess for the bottom of the music. It has a transistorised pre-amplifier, a knee lever for volume control and optional vibrato effect.
The central building features a rear porch entry to the central room which is marked by a transverse gable. Gable ends feature decorative timber barge boards and timber finials. The platform verandah has a decorative timber valance and is supported on timber posts with curved iron brackets. Timber sash windows have moulded surrounds and sills.
Above the doorcase is a frieze of Tudor roses under a moulded architrave and a segmental pediment. Two bays at the right end of the south front are canted. This front has a mixture of sash and casement windows. Attached to the west front is a 19th-century cast iron conservatory with a semicircular end.
This was becoming very uneconomic. The mouldings for the new Dynamique Physique manikin were moulded on non-family hot-runner tools (no sprues to be recycled). That is a separate tool for each component. So it was easy to maintain equal numbers of components to make up the figures; and the quality was assured.
The 15 storey building was "designed in the Rennaissance Revival style according to Beaux Arts principles". It has a fire- proof steel skeleton, designed with a plinth, a shaft and an attic. On the plinth are Doric piers and cornice, four entrance doors with moulded surrounds and oversized transoms. Finally we notice clerestory windows.
The pillar is flanked by columns at each corner. Each has simply moulded bases, and Greek egg-and-dart ornamentation at the top. The columns support a roof like structure which sits on square blocks at each corner. A curved fascia spans between each block and the roof structure has a pediment to each face.
The churchyard contains fifteen Grade II listed chest tombs, and five Grade II listed headstones. The chest tombs date from the early to mid-19th-century and are of limestone ashlar. They contain, variously, moulded plinths, slate tablets or panels either square-shaped or oval, and hipped tops. One is topped by a slate slab.
Stained glass window made by James Powell and Sons There are windows of various dates, and others were removed during the frequent extensions and alterations. The east window of the chancel was altered during the 17th and 20th centuries, but has 13th-century origins in the form of chamfered vertical sections with moulded splays.
The Lady chapel is lit by a pairt of two-light windows with trefoil heads and a quatrefoil above, both with plate tracery. There is also one smaller lancet window. One original 11th-century opening survives in the nave wall, but it is now blocked. The other windows are 15th-century, arched and hood-moulded.
The most noticeable external difference is the covered foredeck, which will protect the mooring equipment from icing. Aleksey Chirikov is long overall and at the waterline. The hull has a moulded breadth of and depth of to upper deck. When loaded to a draught of , the deadweight tonnage of the ship is 4,191 tons.
It sank deep into my breast, and moulded my > advancing years. Before I reached manhood I resolved that I would become the > champion of the oppressed colored races of my country.Stanton, Henry B. > Random Recollections (New York, 1887) as quoted in Pierson, William D. Black > Yankees (Amherst: University of Massachusetts Press, 1988), p.106.
Internally, the chancel has a ceiled wagon-roof, with moulded ribs and plaster panels. The tower exhibits the tracery typical of Somerset towers. The under-tower space has a lierne vault, and a 15th-century octagonal font with quatrefoil panels. The building has been designated by English Heritage as a Grade I listed building.
The vestry at the ritual east (geographical north) end rises to two storeys. The cross-gabling effect on the aisles has been described as a "highly effective" architectural feature. Inside, the ends of the nave near the entrances have decorative panels with arched and moulded headers. Similar treatment is given to the glazed doors.
At the top of the central portion is a casement window and a pediment. The other windows on this elevation are sashes. On this side of the house is a stone porch with Doric pilasters, between which are round arches, and has a moulded entablature. The southwest front contains two two-storey bow windows.
The tower, which dates from around 1462, has a ring of six bells, the tenor weighing . On the corner plates of the tower are hunky punks in the shape of daemonic animals. Internally, the chancel has a ceiled wagon-roof, with moulded ribs and plaster panels. The tower exhibits the tracery typical of Somerset churches.
The plastic pressure plate could be moulded to far tighter tolerances than their metal counterparts could be machined. To easily differentiate Super 8 film from Standard 8, projector spools for the former had larger spindle holes. Therefore, it was not possible to mount a Super 8 spool on a Standard 8 projector, and vice versa.
Traditional houses of the Jordan Valley are typically modular, flat-roofed and single story. They are built with moulded mud sun dried bricks called adobe. This material is suitable as it maintains a comfortable temperature within the house when temperatures have the potential to reach 50 °C. The walls are generally 50 cm thick.
The company made acquisitions of alkaline battery and lead- acid battery manufacturing companies and became a supplier of automotive and traction batteries. The company acquired two of its moulded battery casings suppliers, Lorival in 1927 and United Ebonite Manufacturers in 1934, merging them in 1939, to form a new subsidiary United Ebonite & Lorival Ltd.
The east side of the tower had a moulded Tudor-arched doorway which led to the former nave. The structure was de-listed on 14 September 2001. In 1971 the church was demolished except for the tower and spire. In 1998 the tower and spire were also demolished to make way for a shopping complex.
Two tablespoons is around the equivalent of the juice of one lemon. The product has a shelf life of six months. Jif is packaged in lemon-shaped squeezable containers and in bottles. Development of the plastic container began in the 1950s; it was one of the original blow moulded containers used for food applications.
The upper level vestibule has walls lined with hard plaster and timber-paneling. Plaster ceilings have moulded plaster cornices. Timber skirting boards, architraves architrave blocks are intact throughout the room and all interior timber work and joinery has a varnished finish. Internal openings are generous in height and doors feature tall glazed pivoting fanlights.
The Plansee Group (named after Lake Plansee; company name: Plansee Holding AG) is an Austrian company based in Reutte that specialises in the powder metallurgical production of materials (molybdenum and tungsten) and in processing them into tools and moulded parts.(Hermann Simon: Hidden Champions des 21. Jahrhunderts : Die Erfolgsstrategien unbekannter Weltmarktführer. Campus, Frankfurt a.
Among the company's most well-known products today are the HT Rustik lamp series from the 1960s. It was produced with hand-moulded glass sconces in 12 different models. Some of the original Copenhagen Benches from 1880 were manufactured by Hassel & Teudt. The rest were manufactured by Ludvigsen & Hermann at Nørrebrogade 39 in Børrebro.
Ground floor dining rooms and sitting room have plaster ceilings with elaborate circular surrounds to central lights. Doors are cedar panelled with rectangular fan lights over. Deep cornices and pelmets are of moulded cedar. The front dining room has walls of full height cedar, with beaded vertical boarding above the panelling to dado height.
The launch was accompanied by a luncheon where several distinguished persons were present. The ship was long, with a beam of , and moulded depth. She displaced around , was propelled by two triple-expansion engines capable of producing , which were supplied by eight boilers, and had a coal capacity of . She attained a maximum speed of .
In the South Porch moulded corbels support a quadripartite rib vault. A newel staircase gives access to the Parvise Room above. This was used as either an oratory for a chantry priest, or as a sacristan. During the 19th century it was used as a cloakroom for the girls' school held in the church.
General Casimir Pulaski, Fairmount Park, Philadelphia Sidney Waugh (January 17, 1904 – June 30, 1963) was an American sculptor known for his monuments, medals, etched and moulded glass, and architectural sculpture. Waugh was born in Amherst, Massachusetts. His father, Frank Waugh, was a landscape architect and professor of horticulture and landscape gardening at Massachusetts State College.
The maximum overall length of Botnica is and her length between perpendiculars is . The hull has a moulded breadth of and depth of . The draught is when the ship is acting as an icebreaker and in offshore supply operations. The gross tonnage of Botnica is 6,370, net tonnage 1,911 and deadweight tonnage 2,890 tons.
The Italian marble monument stands from the ground. It sits on a terrazzo base step, the top of which is laid with light and dark tiles in a chequerboard pattern. Above this is the sandstone base of the monument. This is square in plan with corner buttresses and a simply moulded skirting and cornice.
The western extension is of three floors entered by a separate ground floor door. The stair is housed in a turret and gives access to three floors with a single room on each floor. There is no communication between the extension and the original structure. The brickwork is in English bond with moulded string courses.
Yet a general harmony prevails throughout these eight anthologies. The tone and temper of the age is reflected in all their poems with a singular likeness. They were moulded according to certain literary conventions or traditions that prevailed in the Sangam age. Yet they reveal the individual genius of the poets who sang them.
The building's main windows are sash, set in segmented-arch surrounds with keystones and ears. The interior retains original moulded woodwork and marble fireplaces. The house was built in 1873 for Dr. Milton Wedgewood, a prominent local doctor. It was designed by Charles F. Douglas, known for his large-scale work on Lewiston's mills.
The aqueduct consists of a single stilted segmental arch, mainly constructed of limestone ashlar masonry, although some repairs have been made with engineering bricks. On both sides of the structure there is a rectangular moulded panel, but no evidence that it ever carried an inscription. It has been a grade II listed structure since 1988.
Improved technology at this time, particularly for moulded plastic components, made two-rail electrification practical. Many of the new generation of scenic railway modellers scratch-built their new locomotives for two-rail, although this was far from universally accepted. Most of the commercial train set makers continued with three-rail systems for some time.
The Composition C family is a family of related US-specified plastic explosives consisting primarily of RDX. All can be moulded by hand for use in demolition work and packed by hand into shaped charge devices. Variants have different proportions and plasticisers and include composition C-2, composition C-3, and composition C-4.
St Peter's is constructed in sandstone rubble and has a slate roof. Its plan consists of a three-bay nave, a north aisle, a north porch, a chancel, and a west tower. The architectural style is that of the 13th century. The tower is in three stages which are separated by moulded string courses.
The chancel has an 1832 Gothic reredos by Charles Barry. The rood screen is from the 16th century. It has a tall four-stage tower with set-back buttresses which develop into crocketed pinnacles at the top stage. The top displays moulded string courses and a trefoil-pierced triangular parapet with gargoyles and corner pinnacles.
Its west doorway is deeply moulded with a five-light window above it. Above this is an arched light flanked by statues in niches. The tower has clasping buttresses and a stair turret in the southeast angle. The aisles have five-light windows and in the clerestory are ten closely set two-light windows.
At the time of its National Register listing in 1980, most of the distinctive front bay's brickwork and mortar were original, as were the decorative woodwork elements, which were carved to fit its curve. The bricks for the house were locally made, and those for the rounded section were custom-moulded for the purpose.
Set back at this level is another modern shop front. Overlooking the street is a Jacobean style railing. Above the row level is a fascia board inscribed "GOD'S PROVIDENCE IS MINE INHERITANCE". In the centre of the third storey is a central nine-pane casement window, surrounded by timber framing with recessed moulded plaster panels.
St Andrew's in constructed of stone; its roofs are stone slate and copper. The plan consists of a nave with a square tower to the west and a chancel to the east. North of the chancel is a vestry. The tower is crenellated with four-stage buttresses at its corners and has a moulded plinth.
The former chapel and school are built in red brick with ashlar dressings. Both have datestones recording the years of their building. The chapel has a symmetrical gabled entrance front, having a central doorway with a moulded surround and a fanlight. This is flanked by a sash window on each side, with similar windows above.
The Merton Street elevation has pilasters, with cornice and parapet above, and sash windows with moulded surrounds. At the rear of the building the first floor verandahs are enclosed. A caretakers flat on the first floor at the Merton Street end could indicate the original layout. The building is currently divided into two tenancies.
Large double, timber, panelled doors with coloured glass and leadlighting with breezeway assembly, open to the central corridor. The hallway is rendered with decorative moulded detail along the wall. The Sister's rooms are simple in plan and decorative detail. The rooms have timber doors and architraves with breezeway assembly, painted walls and austere ceilings.
Potters often chose patterns suited to the shape of the vessel they were making. Thus an unglazed earthenware water flask from Aleppo in the shape of a vertical circle (with handles and neck above) is decorated with a ring of moulded braiding around an Arabic inscription with a small 8-petalled flower at the centre.
In 1963, Jalk designed a moulded teak chair that used two pieces of plywood bent into almost impossible forms. The chair was manufactured for Poul Jeppesen, a company that would help Scandinavia become renowned for fine modern furniture. Jalk also designed wallpaper and upholstery, for example for Unika Væv, and silverware for Georg Jensen.
The chimney stacks are rendered. The hall and several other rooms are panelled and the plasterwork and ceilings are ornate with decorated beams. There are classical scenes painted on some walls. The staircase is Jacobean in style and dates from about 1660; it has heavily carved newels, a thick moulded rail and turned balusters.
Lamb lifted the Bulldogs to the brink of the semi-finals before once again making himself unavailable as the 1992 World Cup loomed. Lamb came 2nd in the Dally M Awards for 1992. A new wave of signings joined the Bulldogs in 1993 and the team that Lamb and Anderson moulded was coming to fruition.
On a bold square base, , is imposed an octagon. On the octagon, there is a circle of deeply cut classicizing mouldings from which rise columns circular in plan. These columns are finely moulded; four bold circular rolls at the cardinal sides; between each are three fluted members. The whole effect combines the Corinthian and Pointed.
In the centre are four of the ancient pillars in the usual octagonal cylindrical and rectangular courses excellently carved and moulded. The whole is on a plinth four feet high. Outside this is a modern court about fifty feet square enclosed on three sides by rude verandahs of stone and mud with wooden pillars.
Finn Juhl demonstrated an individualistic approach in designing chairs with an appealing but functional look. In the early 1950s, American design also influenced Danish furniture. The American Charles Eames designed and manufactured chairs of moulded wood and steel pipes. These encouraged Arne Jacobsen to design his worldfamous Ant Chair, Denmark's first industrially manufactured chair.
The bays to either side of the first floor balcony have oriel windows with decorative mouldings. The oriel windows are framed by rendered squared Corinthian pilasters. Windows flanking the central arches are surrounded by rendered architraves with a centred decorative moulded motif. Tuck-pointed brickwork continues along the eastern end of the northern elevation.
The principal staircase which ascends to the second floor is another of Robert Adam's original features consisting of wrought iron baluster and a moulded mahogany handrail. The upper floors boast large opens rooms with original Robert Adams ceilings as well many smaller rooms which have acted as bedrooms and classrooms throughout the building's history.
Submarine Products moves into new purpose-built premises complete with test tanks and a pressure chamber at Bridge End in Hexham. Business diversifies into manufacturing moulded plastic products ranging from boat hulls to breathing equipment for divers and firefighters. The firm exports widely, supplying underwater gear to the Australian, Indian, Korean and Jordanian navies.
In 1967, London Underground experimented with injection moulded plastic seats in the centre of CP Stock trailer 014082, in an attempt to address the then- emerging problem with vandalism. Although London Underground did not pursue the idea further, vandal-resistant plastic seats became popular on many metro systems, such as Algiers, Barcelona (TMB lines), New York City and Shanghai.
This rear courtyard has been built in and is now part of the hotel. On the main facades, there is a decorative string course above the first floor verandah roof. The windows on the second floor have moulded bracketed sills and decorative pediments. Above this are regularly spaced paired brackets supporting a cornice, surmounted by a parapet.
Of these, 15 designs occurred only once while the most common design occurred 54 times. Filling the gaps between the hexagonal tiles are plain turquoise glazed triangles. The borders of the frieze are formed by a row of rectangular tiles. Along the top of the frieze are a series of large blue-and-white moulded palmette tiles.
The Art Deco detailing extends to the fittings and fixtures in the room. The ceiling is moulded with large Art Deco coffers and the walls are punctuated with plaster pilasters. A set of gold painted great doors opens back to reveal the sculpture "Sacrifice". This room has marble door architraves and "star lights" designed by Dellit.
The building is dominated by a large rounded two storey bow window consisting of three sash windows on each floor. The hipped slate roof is concealed by balustrades. The eastern entrance has a two storey square porch. The interior has a grand entrance hall with an open well staircase with moulded segmental arches, modillion cornice and a roof light.
The interior of the church contains some re-used 12th-century masonry. In the transept is a fireplace with a bolection-moulded surround. There is a gallery at the west end. On the north side of the church are stalls, on the south side is a priest's desk and pews, and at the west end are box pews.
The interior joinery was finely moulded cedar and the interior walls plastered and painted. Each vestry had a fireplace but the chimneys and mantelpieces have now been removed. The floors are timber. The chancel floor, originally one step above the main floor, has been raised further and a rectangular projecting dais into the main hall added.
The Ammonite Order is a Classical order found almost exclusively in Brighton and Hove, consisting of fluted columns topped by capitals whose volutes are shaped like ammonite fossils. Architect Amon Henry Wilds used them extensively. Pilasters and columns of the Corinthian order are also common. Victorian and Edwardian buildings made use of intricately moulded courses and bracketed eaves.
They are not all intact but were timber boarded doors and the windows were timber with multi-paned sashes. There are internal moulded architraves. There are central ceiling roses in each room with perforated metal and a circular timber surround. The mantlepieces are timber and the hearths are brick and the floor is tongue and groove timber boarded.
The two-storey building was laid out as a cross passage house with a solar wing. The house is constructed of rubble stone with stone tile roofs. The chimney stacks are of ashlar masonry with moulded caps. The building has a U-plan with a cross passage hall, and consists of two storeys with attics above.
The external doors are moulded panel doors (one hung upside down). Windows are twelve panel double hung sash colonial style with timber louvre shutters and stone sills. A single corbel chimney exists on the southern end with two chimney pots. The original structure was divided with four rooms on the lower level and two rooms on the upper level.
The interior walls are of polychrome brick, red with black and white bands and diapering. The chancel arch is of moulded stone dogtooth decoration with colonnettes on corbels supporting the capitals. The reredos is arched on Purbeck marble colonnettes with alabaster carving depicting the Last Supper. The east window and rose window at the west end contain stained glass.
1787) at Borthwick Church and one for Mrs Allardyce (d. 1787) at West Church, Aberdeen. Bacon was also a partner in Mrs Eleanor Coade's Artificial Stone Manufactory at Lambeth in London. This produced a buff coloured ceramic that could be moulded to provide fine detail, and be fired in sections, but was impervious to frost and fire.
The gatepiers at the lower lodge have chamfered rustication and moulded cornices with elliptical ball finials. There are similar gatepiers at the upper lodge north of the house, and another at the entrance to the stable yard. Within the grounds are two lakes fed by a small stream. The stream is crossed by a small ornamental balustraded bridge.
Daylight redirecting film is made of acrylic on a flexible polyester backing, one side coated with a pressure-sensitive adhesive (to make it peel-and-stick). There are two types of film. Some film is moulded with tiny triangular prisms, making a flexible peel-and-stick miniature prismatic panel. The prisms are joined at the edges into a sheet.
It must have been a nightmare for Scodellaro, who was arguably the best goaltender to ever perform in amateur hockey. Los Angeles Ramblers Coach Kenny Stewart, a native of Lethbridge, Alberta (and a former Lethbridge Maple Leaf), was the playing-coach of the Ramblers, and he moulded together a big, rough team with plenty of experience.
All windows retain their original metal frames, featuring a combination of fixed and casement windows with multiple lights. The second floor windows sit on a sill of Italianate balusters, running between the pilasters. Below the third floor windows are moulded tripartite panels featuring centred oval medallions. Inside the medallions are the entwined letters CB (standing for Capitol Building).
Unlike their ornate 19th-century predecessors, 20th century pub bars are relatively spartan in design and decoration. In most pubs the ceilings and upper walls were fairly plain, although some featured moulded Art Deco cornice and ceiling designs. The lower walls were typically tiled for ease of cleaning, and floors were usually paved with terrazzo and/or tiles.
Finally, this was coated with stucco and moulded into the finished form; human body forms were first modelled in stucco, with their costumes added afterwards. The final stucco sculpture was then brightly painted.Miller 1999, p. 84. Giant stucco masks were used to adorn temple façades by the Late Preclassic, and such decoration continued into the Classic period.
A trap door on the platform surface led to the station cellars.Jenkins, S.C., p. 83. The station and junctions were controlled by two signal boxes at each end of the station and known as "Melton East" and "Melton West" boxes. They controlled typical M&GN; somersault signals mounted on square posts, which were in some cases moulded from concrete.
The heavily moulded ceiling displaying James II’s cypher is by John Grove, the wainscoting is by William Cleere and the fine lime-wood carving over the fireplace is by William Emmett. The room was completed between 1685 and 1688. It was fully roofed in 1685 days before Charles II died. Within the State Apartments is also an Ante-Chamber.
House at 56 Cornelia Street is a historic home located at Plattsburgh in Clinton County, New York. It was built in about 1850 and is a two-story, rectangular building on a stone foundation. It features a porch with a moulded cornice and decorative brackets. It was listed on the National Register of Historic Places in 1982.
Sets and destinations were produced for the vehicles. The original playsets composed of playmats with illustrations of scenery and rails and moulded destinations. Later sets consisted of a grey connectable track system, with additional add-on destinations and pieces of track included with engines. The track system was updated in 2002 with detailed rail stickers and a green border.
The Matchbox name originated in 1953 as a brand name of the British die- casting company Lesney Products, whose reputation was moulded byDana Johnson, Matchbox Toys 1947-2003, pp. 6-8, (4th ed. 2004. John W. "Jack" Odell (1920–2007),New York Times obituary, July 17, 2007 Leslie Charles Smith (1918–2005),www.fcarahan.com and Rodney Smith.
The base and its cover are moulded with some roughness in the plastic. The portion directly around the stick and the fire button are smooth. Just around the opening for the stick are a series of rectangular embossings with the four cardinal directions indicated by small wedge shapes. The 12 o'clock position replaces the wedges with the word "TOP".
A basic disposable razor. Disposable safety razors are highly similar in design to cartridge razors, constructed from inexpensive materials (commonly injection moulded polycarbonate), yet are meant to be wholly disposable after use with no blade sharpening or replacement possible. One device was invented in 1963 by American entertainer and inventor Paul Winchell.Paul Winchell invented the first disposable razor. .
In 2008, UTEX acquired CAM Speciality Products, which makes urethane products primary in the oil and gas sector. The same year, UTEX acquired DuraQuest, which produces "moulded rubber and drilling shock absorber products" primary in the oil and gas sector. In 2011, UTEX purchased Northumberland seal manufacturer Arefco, which was founded in 1978 and had 58 employees in 2014.
Bjørn Nørgaard was inspired by music when he made the first model of the complex which he moulded in clay. It consists of two buildings that wind like a serpent down the sloping site. The buildings are generally three to four storeys high, in places rising to eight storeys. The complex contains a total of 135 apartments.
The company was a producer of energy meters, permanent magnetic AC contactor, moulded case circuit breaker (MCCB), miniature circuit breaker (MCB) and high voltage vacuum breaker. However, the company was under reconstruction since 2015, seeking new area of investment. In September 2015 the company also announced that they would acquire a company that operates icardpay.com, an online payment system.
Alexander Doyle, a young sculptor, was commissioned. The statue was fashioned from old photographs, first moulded in clay. This was sent to Italy where it was reproduced in Carrera marble. The statue was returned to New York from Italy after a time, but the commissioners of the monument declined to accept it, owing to imperfections in the marble.
The two-stage tower has mouldings defining its upper and lower stages, and stands on a moulded plinth. Diagonal corner buttresses provide support. A stair-turret topped with a parapet is attached on the north side. The tower itself terminates in a squared-off parapet with "heavy" pinnacles which Nikolaus Pevsner considered to be 17th-century.
Bolts and parts that were required to take heavy stress were made of steel. The Ju 87 was fitted with detachable hatches and removable coverings to aid and ease maintenance and overhaul. The designers avoided welding parts wherever possible, preferring moulded and cast parts instead. Large airframe segments were interchangeable as a complete unit, which increased speed of repair.
The south range contained the refectory, and at a distance from the south range stood the kitchen. Evidence of a bell foundry dating from this period was found to the north of the church. It is likely that this was used for casting a tenor bell. A few moulded stones from this early period were found.
It has a decorative cornice, and low- waisted four-panel doors with fretted toplights. The central bays has two offices with moulded arched openings. The south-eastern end four offices opening from a central corridor. The interior features rendered brick walls, high ceilings with decorative cornices, double-hung and leadlight windows and panelled doors with fretted toplights.
Some traditional dwellings are decorated with ornaments showing layers of different colors, buildings can also be decorated by molding mud into certain symbols to be plastered to the wall. The importance of religion in Hausa culture also fueled the building of unique structures in the traditional style such as the old Zaria mosque with moulded mud vaults and domes.
Apu in 2005. Prior to the refit, her superstructure resembled that of the other icebreaker. With an overall length of and a moulded beam of , Voima was once the longest and widest icebreaker ever built in Finland. At a draft of , her waterline measures in length and she can break a channel with a width of .
Lamy is a German pen manufacturing company. Josef Lamy, who was a sales representative for Parker Pen in Germany, founded the business in 1930 by purchasing the Orthos pen manufacturer. Lamy was a pioneer in the use of moulded synthetic plastics to make their products. Lamy was run by Josef Lamy's son, Manfred Lamy, until his retirement in 2006.
Sealed hatches can provide storage space for other equipment, or it can be carried in another moulded cargo well in a bag or net. Some hatches are large enough to store an extra cylinder. A paddle is required, and is usually tethered to the boat so it can't be lost. Optional backrests can make paddling more comfortable.
The pediment and gable ends are supported on moulded corbels. The structure is no longer roofed as the original timber roof was sold off in the 1920s. Three large arches in the rear wall gave access to the two cell blocks and the kitchen. Cell block A runs to the north west of the rear of the mess hall.
Since 1996 the area around Listowel has attracted new industries, including Listowel Technology, Inc. a manufacturer of injection- moulded automotive parts with a 240,000-square-foot facility employing 500. In 2012, EFS plastics constructed a 40,000 square foot plant in the North Perth Industrial Park. Other businesses in the park include Vision Manufacturing Solutions, Hutchison Precision Inc.
It is most noted for its historical coal-mining industry, which peaked between 1840 and 1925. The valleys produced a strong early Nonconformist Christian movement manifest in the Baptist chapels that moulded Rhondda values in the 19th and early 20th centuries. It is also famous for strong masculine cultural ties exemplified in its male voice choirs, sport and politics.
This "plywood" was moulded into shape during the curing process. Doors were precision cut from the body side and mounted back into place with metal hinges. Assemblies such as engine, gearbox and suspension were mounted on steel frames bolted to the body. The engine, a locally produced flat-four of 2340cc, eventually developed at 3200 rpm.
Three rock-faced sandstone chimneys punctuate the roofline, one at each roof level stepping down towards the rear. The Union Street facade faces the splayed corner of the block and has a massive ground floor entry arch. Over the arch is a dressed and moulded stone archivolt ending in rosettes. On either side is a small sash window.
The proscenium arch is almost square with a central cartouche containing a female mask. In the ceiling is a round saucer dome with four relief plaster leaf scrolls and four smaller swags dividing the dome. The whole is surrounded by a moulded cornice. In the main part, above the stalls, there is an octagonal raised cornice.
Most rooms have access to either the western or southern verandah. Much of the timber door and window joinery survives intact, including a coloured leaded glass main entry and coloured patterned glass stairwell window. The original timber internal staircase has been painted. Some original internal decorative finishes survive including moulded plaster cornices and ornate plaster ceiling roses.
Aleksandr Borisov, Stepan Pisakhov, and Tyko Vylka, all of them landscape painters interested in Northern and Arctic landscapes, are considered as the founders of Arkhangelsk painting. Various handicrafts were developed in the area. The most notable ones are the Kholmogory bone carving, existing since the 17th century, and Kargopol toys, moulded painted clay figures of people and animals.
The façade consists of a central doorway, with smaller doors on each side. The central doorway is embellished with a moulded cornice. The apertures have typical Melitan mouldings. The auberge continued to house the langues of Auvergne and Provence until the building of a separate Auberge d'Auvergne and Auberge de Provence in Valletta in the 1570s and 1580s.
It is used in the nuclear industry to make protective gloves. NBR's stability at high temperatures from makes it an ideal material for aeronautical applications. Nitrile butadiene is also used to produce moulded goods, footwear, adhesives, sealants, sponges, expanded foams, and floor mats. Its resilience makes NBR a useful material for disposable lab, cleaning, and examination gloves.
A single pendant light hangs centrally from the ceiling. Other rooms on this level have similar though simpler detailing. In the former public office to the west, walls are hard plaster with elaborately moulded cornices. Timber joinery including architraves, window sashes and skirtings are painted though some timber joinery in the former public office has a varnished finish.
Supercharger drive belt in a dragster A toothed belt; timing belt; cogged belt; cog belt; or synchronous belt is a flexible belt with teeth moulded onto its inner surface. It is sometimes designed to run over matching toothed pulleys or sprockets. Toothed belts are used in a wide array of in mechanical devices, where high-power transmission is desired.
Inside the church the arcades are carried on round columns with moulded capitals. There is a west gallery, beneath which is a narthex. The marble and alabaster fittings were designed by Pugin and Pugin. During the reordering the reredos was cut down, the altar, which contain mosaic inlays, was brought forward, and the pulpit was converted into a lectern.
The Sächsische Staatskapelle Dresden is the orchestra of the Saxon State Opera and was founded in 1548. It is one of the oldest orchestras and is known as Strauss-Orchestra. Nevertheless the musical ensemble was also moulded by Carl Maria von Weber and Richard Wagner as its conductors. The Dresdner Kreuzchor (Choir of The Cross) is a boy's choir.
This shape is similar to 2nd or 1st century BCE Buddhist chaitya halls found in Ajanta Caves. The Durga temple stands on a high moulded adisthana and a damaged tower that had a curvilinear shikhara. The damaged tower's amalaka crown lies on the ground. A colonnaded and covered ambulatory passage with major carvings runs around the sanctum.
It is a clumsy flier with shallow and rapid wingbeats like other batises. Nests are usually located in thorny acacias and are constructed by both sexes. Nests are deep, neat well-moulded cups incorporating spider-web and placed about 3 metres above ground. The usual clutch is 2-3 eggs pale-green to white with sparse reddish-brown spots.
The church is constructed in flint with stone dressings. The roofs are in red tiles. Its plan consists of a narrow three-bay nave with a broad south aisle and a south porch, a two-bay chancel with a vestry and organ chamber to the north, and a large west tower. The tower is set on a moulded plinth.
All canons have been removed and replaced with bolted iron joists for ringing. The 16th-century oak frame with pits for three bells still exists: the posts have moulded corbelling at the tops and are strengthened by curved struts. It has been altered to take four bells, the treble and second being hung to the north of it.
It can be moulded smoothly and has appealing cosmetic results. However, the material is brittle and has low tensile strength, and is only suitable to be used for small cranial defects. Its use is also associated with a high infection rate. Hydroxyapatite is often used with a titanium mesh to prevent fractures and for better osteointegration.
Sash windows are visible in the wall to the rear of the loggia created. The top floor is similar in form, but the arches are separated by consoles. The area above these was originally profusely decorated with swags of moulded render, but is now plain. The roof is concealed by a simple parapet of rendered brick.
Two of the effigies in the church The nave's ceiling is of wood and has carved hammerbeam trusses. The five-bay aisle arcades have moulded piers and two-centred arches. Between the steeple and the south aisle there is a chamfered arch. The vestry has in its western wall, an unglazed window that opens into the north aisle.
Kightly, pp.14-5. The renovation effectively blocked most of the access into the north chapel, making the new tomb the focus of attention for any visitor or religious activity.Roffey, pp.135-6. A number of lead, anthropomorphic coffins, some with moulded faces or death masks, were laid down in the crypt in the mid- to late-17th century.
Sundial In the churchyard is a tall sandstone sundial over high. It was originally a medieval cross which was made into a sundial in the late 17th century. The remaining parts of the cross consist of an octagonal shaft on three ashlar steps. On top of this has been added a square moulded cap surmounted by a ball finial.
Viktor Chernomyrdin is long overall and has a maximum moulded beam of . She was initially designed with an operating draught range of with a full load displacement of about 22,000 tonnes, but later design changes have increased the maximum draught to about . The reduced draught can be used in shallow waters such as river estuaries.LK25 main particulars.
The putto by her side was supposedly moulded by Bertel Thorvaldsen according to a drawing by Nicolaus Wolff (1762-1813). A gatein the left hand side of the building opens to a central courtyard. The facade on Esplanaden is also seven bays long but without decorative elements. The two facades are joined by a canted corner bay.
It consists of a plain circular bowl on four short cylindrical columns with moulded bases. Richards considers it to be one of the finest examples of 14th-century work in Cheshire. The church has two old Bibles, a Vinegar Bible and a Breeches Bible. Medieval cross in the churchyard The chancel contains memorials to the Lords Stanley of Alderley.
20 May 1926. Pentowna was the first diesel-powered ship on the lake, with the finest and most up-to-date engines possible made by Gardner and Company in Manchester, England. The keel was laid on 13 May 1926. The ship was long with a beam of , moulded depth of , and rated for gross and net tonnage at and .
Topping the frieze is an egg-and-dart pattern beneath a moulded cornice. The flat roof features a parapet wall surmounted with scrolled cheneaux (ornamental gutters). Bronze details are used throughout the Courthouse, most notably on doors, decorative grilles, flagpole bases, and handrails. Principal entrance is gained through the central doorways on the Main Street facade.
Although he was repaid, his > generosity deserves remembrance. He was a man by no means sentimentally > moulded. When I learnt to know him I thought him of the type least likely to > make a sacrifice. We put his son (then a law student in London) up for the > City of Kilkenny, and himself for Sligo, and both were elected.
He is tall and thin, but although he now stoops with age and feebleness one can see that one time his figure was more than ordinarily graceful. He was loosely but neatly dressed in a large ample robe de chambre. His features are finely moulded — indeed everything about the man betokens good blood. He talks incessantly and well.
The Inn Most of the buildings and boundary walls are built from the local oolitic limestone. The 19th-century brewery and attached cottages are now a private residence. The tall ashlar chimney has a tapered octagonal shaft with moulded cap and provides an obvious landmark around the village. Freshford Manor is an 18th-century manor house.
Aviation, 1944 p. 8. Transverse bulkheads were also compositely built-up with several species of timber, plywood, and balsa. Seven vertically halved bulkheads were installed within each moulded fuselage shell before the main "boxing up" operation. Bulkhead number seven was especially strongly built, since it carried the fitments and transmitted the aerodynamic loadings for the tailplane and rudder.
Growing Up in the Gorbals, the first volume of his highly praised autobiographical trilogy, was published in 1986. It was followed by Gorbals Boy at Oxford in 1988 and Gorbals Voices, Siren Songs in 1990. In his last book, Gorbals Legacy (2000), he looked back again at how his "Faustian Familiar" had moulded and influenced his path through life.
The Secretariat is a three storeyed Victorian Georgian stuccoed brick building moulded to simulate sandstone, hipped slate roof built in 1887. Three storey verandah to three sides supported on cast iron pillars imported from Britain and also support upper floors of interior. Designed as barracks by Barnet. Essentially colonial Georgian design; twelve pane windows and four panel doors.
Constructed in red brick, the church has stone dressings. Its entrance front faces the street, is expressed as two storeys under a pediment, and is symmetrical with three bays. The central bay of the lower storey projects slightly as a portico surrounded by Doric pilasters and a moulded architrave. This is flanked by a window on each side.
Built in ashlar stone, the building has an octagonal plan with two towers, one at the east end, the other at the west. Its main windows have three lights and contain Y-tracery. Around the summit of the church is a battlemented parapet with crocketted pinnacles and a moulded cornice. Below this is a string course.
The early part of the house is distinguished by wide elaborately moulded skirting boards. French doors (some painted, some varnished) open out onto the verandahs and sash windows have narrow glazing mullions. The extension is of post and rail construction lined with vertical timber boards. Mortice and tenon joints are visible in the window and door framing.
It is supported by a moulded post and is believed to be of unique design. The nave has a number of 15th-century windows with traces of mediaeval glass. The remainder of the church was largely rebuilt in 1891. For a long period up to the rebuilding the church had no chancel, the chancel arch having been bricked up.
The plan consists of nave, chancel, north aisle, south vestry, south porch and west tower. The tower has three stages, the parapet being battlemented and there being a gargoyle on the west wall. Internally, the nave has an arch-braced collar beam roof while the chancel has a wagon roof with plaster panels and moulded ribs.
The corner pillars have simply moulded bases and capitals and are slightly tapered. They support an entablature comprising a large fascia of grey granite and a small cornice. The inscription: > REX - GLORIA - PATRIAE also highlighted with white paint, is on the northern side of the entablature. Surmounting the entablature is a tall, fluted Doric column of white marble.
The south side has an ogee opening (moulded arch) with a window of 3 cinquefoil-headed lights. The east side has a traceried window with a triple cinquefoil symbol. The northside has a similar window. The chapel was originally linked to the hall wing of the manor house by a doorway, which is now blocked, along its north wall.
A light source (filament or arc) is placed at or near the focus of a reflector, which may be parabolic or of non-parabolic complex shape. Fresnel and prism optics moulded into the headlamp lens refract (shift) parts of the light laterally and vertically to provide the required light distribution pattern. Most sealed- beam headlamps have lens optics.
The same is found in the synagogues in Palestine of the 2nd century; and later, in Byzantine architecture, these moulded archivolts above an architrave constitute one of the characteristics of the style. In the early Christian churches in Rome, where a colonnade divided off the nave and aisles, discharging arches are turned in the frieze just above the architraves.
The building was originally a single storey with a second storey added on much later. The buildings also have massed informal windows, recessed doors, rendered chimneys with moulded caps and a cantilevered box verandah. In 1936 the buildings were auctioned. They were a grocery, hardware store, drapery, tea-rooms, confectioners and a four bedroom private residence.
It is in four stages, divided by string courses, on a moulded plinth. In the bottom stage on the west side is a blocked doorway, an arched three-light window, and a square-headed two-light window. On the north and south sides are lighting slits. In the staircase turret are three slits, and a sundial.
Part construction begins by applying materials to the lower mould. Lower mould and upper mould are more generalized descriptors than more common and specific terms such as male side, female side, a-side, b-side, tool side, bowl, hat, mandrel, etc. Continuous manufacturing uses a different nomenclature. The moulded product is often referred to as a panel.
The west elevation is a rendered masonry wall with little decoration. It consists of a central service door flanked on each side by two windows. Decorative treatments similar to the front elevation are used including the moulded capping to the wall and around the window frames. Small hooded vents are set into the wall above each of the windows.
Hawke was ultimately successful and, during this period of their history, Yorkshire won the County Championship nine times, the first eight under Hawke's captaincy. These achievements were primarily due to the production of outstanding players who were moulded by Hawke into an efficient, professional unit: they included such great individuals as George Hirst, Wilfred Rhodes and Stanley Jackson.
Inside the church the arcade between the nave and north aisle is carried on circular sandstone columns with moulded capitals. The stone reredos contains four niches with statues. The alabaster pulpit is large and elaborate; it was formerly in Manchester Cathedral. The stained glass in the east window dates from 1949 and is by Abbott and Company of Lancaster.
Above its moulded entrance arch is a statue of Saint Silas in a niche surmounted by a pinnacle. The transepts contain pairs of square-headed two-light windows, and have embattled parapets. The chancel has a south square-headed two-light window, a seven-light east window, a parapet of blind quatrefoils, and a southeast turret with a spirelet.
Woodcock in memory of Abraham and Isaac Ford. The new bell and recasting of the old ones was carried out by Messrs Taylor of Loughborough. The open roof is built of Memel timber, with principals supported on carved corbels and circular-moulded ribs. Some of the stained glass added in the 1889–90 restoration was gifted anonymously.
The nave and aisles are all under separate gabled roofs. The tower has a window with a round head, a square clock face on the south wall, a moulded cornice and a simple Gibbs surround. It is topped by an octagonal cupola with rounded arches. At the top of the cupola is a small stone dome and a weathervane.
This device prevents the classical detailing on the building looking distorted. The rear elevation, backing onto Christie Lane, is painted cement render. A deep continuous base course is broken by two original escape doors and a new escape door introduced in 1980. Sandstone quoins return on both ends, three moulded string courses and a cornice being the only features.
The towers were influenced by those seen at the base of the Netherbow Port in Edinburgh.Pride Kingdom of Fife pp.124–126. The central archway which displays semi-octagonal "rownds" and "battling" is supported by corbelling and neatly moulded passageways. Side arches and relief panels were added to the port, during the reconstruction between 1843–1845.
Oxhey Chapel is constructed in knapped flint and red brick, arranged in alternating squares forming a chequerwork pattern. The dressings are in stone, and the roof is tiled. Its plan is that of a rectangle with a narthex projecting to the west. The entrance has a moulded Tudor arched surround, with the date 1897 in the spandrels.
At the beginning of the 19th century, the factory der Eisenhammer (“The Iron Hammer”), now belonging to The Linde Group, was founded. Several scale-modelling businesses that make moulded models consequently settled here. A pallet factory works wood from the Odenwald. At the new Gewerbegebiet-Süd (“Commercial Area South”), a logistics business and craft businesses have set up shop.
Vari was very anxious for progeny. At various times she created six children, three bits of flesh were plucked from each side of her body, and moulded into human form. These six are the primary gods of the universe. Yet no marae or image was ever sacred to them, nor was any offering made to them.
In Gothic architecture, the moulded forms of the abacus vary in shape, such as square, circular, or even octagonal, it may even be a flat disk or drum. The form of the Gothic abacus is often affected by the shape of a vault that springs from the column, in which case it is called an impost block.
1998, Princes Risborough, Buckinghamshire: Shire Publications An additional technique, used in the production of Roman pillar- moulded bowls, utilised a slotted tool to impress ribs on the glass sheet prior to slumping. This created a bowl with a ribbed exterior, and these were then polished around the rim and sometimes given horizontal cut lines inside for further decoration.
A similar moulded cornice crowned with a gablet with obelisks on apex and kneelers above the windows of the two other remaining bays.British Listed Buildings , Inside a billiards room with 17th. century oak fielded panelling with chamfered beam and small panelled cupboard doors flanking fireplace. The original hall has been split with the insertion of an early 18th.
The Gutta Percha Company was an English company formed in 1845 to make a variety of products from the recently introduced natural rubber gutta-percha. Unlike other natural rubbers, this material was thermoplastic allowing it to be easily moulded. Nothing else like it was available to manufacturing until well into the twentieth century when synthetic plastics were developed.Ash, p.
The top is terminated by a richly decorated parapet fence, featuring a central tablet with the building's name in moulded lettering. The facade features recessed blind windows, of grand proportions defined by the pilasters. The blind windows reveal the nature of the building, a theatre, designed to exclude daylight. The central bay on the upper floor features a window.
A symmetrical, single-storey stuccoed brick composition in the Victorian Free Classical style. The arched colonnade has both doric and ionic derived columns and is flanked by projecting single bays in the Palladian manner. The end bays have moulded rectangular windows enhanced with quoining in rendered brick. Arched windows and doorways are located within the colonnade.
Duchess(e) potatoes () consist of a purée of mashed potato and egg yolk, butter, salt, pepper, and nutmeg, which is forced from a piping bag or hand- moulded into various shapes which are then baked at 245 °C (475 °F) until golden. They are a classic item of French cuisine.Auguste Escoffier, (1907), Le guide culinaire.Larousse gastronomique (1961).
In a survey recorded in 1751, two bells were noted in the west end and the nave and chancel were thatched. The present single bell, marked "chapel of Ely house, London", is dated 1769. The 19th-century roof is of collar rafter type. The two centred chancel arch, 19th century, have two moulded orders, the inner on engaged colonnettes.
The facade is bisected horizontally by a deeply moulded stringcourse and a bracketed cornice carries the projecting eave. The treatment of the return elevation is less imposing. A two-storey, twentieth-century addition on the south side is not included in the heritage-listing. The physical condition of the building was reported as good as at 23 November 1999.
According to Tim Healy: > Thomas Curran, an hotel-keeper in Sydney (New South Wales), came to our > rescue by lending £10,000 without security. Although he was repaid, his > generosity deserves remembrance. He was a man by no means sentimentally > moulded. When I learnt to know him I thought him of the type least likely to > make a sacrifice.
The Mayor's office is located at the southern end of the floor. A bay window faces the east and a timber fireplace is located along the southern end of the wall. The plaster ceiling has moulded designs around the light fittings. The adjoining office has a timber ceiling with a plaster ceiling rose, surrounded by a ventilation grate.
The building is constructed in ashlar stone, with rusticated quoins and a moulded plinth. Its main part has a rectangular plan in two storeys, with a flat lead roof and an extension to the rear. The east face forms the entrance front. It is symmetrical in five bays with a protruding three-bay single-storey portico.
The stairwells have simple iron balustrades with moulded clear-finished timber handrails and concrete stairs. At the stair landing between first and second floors of the centre stairwell, a set of timber-framed, glazed French doors lead out onto a narrow balcony that overlooks a parade ground immediately to the rear of the building. Capable of only accommodating one or two people, the balcony is the centre and focus of the southern facade composition, emphasised by a small projecting bay with a triangular pediment at the roofline bearing "1936" in raised, rendered numerals, and including a moulded rendered architrave that stretches up to the second-floor window above, topped by a stylised "keystone". The balcony is supported by scrolled rendered brackets and has a simple metal balustrade with an attached metal flagpole.
Plas Fynnon, Nercwys, 1877 Wigfair 1882-4 Fronfraith Hall, 1863 The work of John Douglas the Chester architect, extended into Wales. Plas Fynnon, Nercwys, built as the vicarage to St. Mary's Parish Church in Tudorbethan style has been attributed to him. Built of brown brick with red brick and sandstone detailing under a steeply-pitched tiled roof with over sailing eaves and plain ridge. Asymmetrical facade with advanced, 2-storey gabled porch with moulded purlin-ends, brackets and plain finial. Tudor-arched entrance of tooled ashlar, stopped and moulded and with date 1877 carved in the spandrels. Another example of Douglas working in the Tudorbethan style was Wigfair Hall, a large country house of 1882–1884 standing in an elevated position above the River Elwy near the village of Cefn Meiriadog, Denbighshire, Wales.
Medley, 116 Distinguishing between the two techniques can be difficult, but one way is the small veins in leaves, which in carved examples are very often parallel lines made by a comb, which sometimes reach outside the edge of the leaf, but in moulded pieces vary their angles and width, and are neatly contained within the leaf's outline (contrasting examples illustrated).Koh Generally, the carved technique is preferred, as moulded designs tend to be "crowded and static".Vainker, 113 For vertical shapes such as vases and ewers a style of carving floral patterns in deeper relief was developed; these pieces may be known as Dong ware, though the term "has no archaeological foundation".Krahl The deeper relief allows similar levels of contrast in the design to the pooling effects on flat surfaces.
The walls were stripped of plaster and colour wash. An arcade of three arches, with carved and moulded capitals was erected between the nave and aisle, and new high pitched roofs with tiles were placed over the whole building. The entrance to the church was removed from the tower to the south side of the church. The walls of the chancel were rebuilt.
Central block with Dutch gables to west, north and south, the west one facing the entrance and with an attic window. Windows generally are ovolo-moulded cross casements, cornices are saw-toothed. 2 square one-storey pavilions flank main entrance right and left. Recessed linking blocks had retaining walls with taller central doorways enclosing forecourt, but this remains now only to south side.
Its façade features Corinthian pilasters carrying a moulded Cornice and a Gable with a circular ventilator and four Urns. By the 1970s the building was in a dilapidated state and required major restoration work to both its exterior and interior. During the winter of 1977 storms caused more damage and part of its northern wall collapsed. Restoration work began in 1978.
Ammonite capitals were often used by Amon Henry Wilds. Mouldings of various types were common external decorative features in the 18th and 19th centuries, especially on Regency-style buildings. Many structural elements would typically feature moulded stucco work—pilasters, entablatures, pediments, brackets and courses—while other mouldings would be merely decorative. Typical designs included shells, foliage (especially on capitals) and vermiculation.
Many buildings throughout Europe were built of brick, but they were often coated in lime render, sometimes patterned to look like stone. Brick production itself changed little. Bricks were moulded by hand and fired in kilns no different to those used for centuries before. Terracotta in the form of Coade stone was used as an artificial stone in the UK.
With very minor exceptions, no stone was used in the building and decoration of Sutton Place, only brick and terracotta.Harrison, p.153. Exceptions include stone tops of semi-octagonal turrets flanking the main entrance door (p.162, note 1) Thus, the bases, doorways, windows, string- courses, labels and other dripstones, parapet, angles, cornices, and finials are all of moulded clay.
The front has two, four and one bay respectively, with the projecting wings gabled. The large windows have stone mullions and relieving arches. The doorway is to the left of the central section and has double doors with a moulded stone surround. There is a single storey extension with a flat roof to the left, added in the nineteenth century.
The Berge Fjord was built in 1986 by shipbuilder Industrias Verolme Ishibras in the yard of Brazil Estaleiros S.A. The ship had an overall length of , while the length between perpendiculars was . Berge Fjord had moulded breadth and extreme breadth of . The depth of the ship was , while the draft, when fully loaded, is . The ship was built according to double hull technology.
This forms a shallow courtyard, the remnant of a much deeper one which once existed. Timber ceilings are found in most rooms, the dining room featuring a coffered example with moulded beams. The drawing room has a carrara marble fireplace and two fluted columns which mark the beginning of the projecting bay. Substantial cedar joinery, including mantelpieces, is found throughout.
Comet Miniatures produced a injection-moulded model kit of Liberator in 1989, which contained many parts. They also produced a two-inch, white metallic Liberator model, and a three-inch Federation trooper figure. A Scorpio clip gun, and Liberator and Scorpio teleport bracelets, were also produced. The children's programme Blue Peter offered a cheaper home-made alternative to fans who wanted merchandise.
Polali Rajarajeshwari Temple is a temple located in Polali, Dakshina Kannada district in Karnataka. The primary deity of the temple is Shri Rajarajeshwari. The temple was constructed in the 8th century AD by King Suratha and has been developed by many dynasties which ruled over the region. The idol of Shri Rajarajeshwari is completely moulded from clay with special medicinal properties.
On the door lintel is an inscribed panel relating to the gift and its date. On each side of the door are three five-light windows with moulded stone surrounds and mullions. In the upper storey are three round pitch holes with plain stone surrounds. The rear extension consists of three gabled two-storey wings with single-storey loose boxes between them.
Although a relatively small domestic structure, the house had Palladian aspirations, and was once one of the most impressive buildings in north Scotland. Stone steps rose to a moulded entrance (once possibly pedimented) on the main front, with pavilions to either side. The square main block has three bays on each side and the gable ends. It was constructed from ashlar and harl.
For quality control, both the stamper and the moulded discs are tested before a production run. Samples of the disc (test pressings) are taken during long production runs and tested for quality consistency. Pressed discs are analyzed on a signal analysis machine. The metal stamper can also be tested on a signal analysis machine which has been specially adapted (larger diameter, more fragile, ...).
The timber framed building clad with weatherboards has a gabled roof, sheeted with corrugated steel and supported on concrete piers topped with termite caps. Entrance to the building is achieved up three moulded concrete steps through a single wooden door located on the southern side of the building. Two pairs of casement windows are located on each side of the building.
Remains of mass dials (sundials) are at the right of the entrance. The interior contains two stone benches, one each side. The nave door within the porch incorporates large elaborate wrought iron hinges, and is set within a moulded cusped (lobed) door surround. Above the surround is a gabled and crocketed relief moulding, within which sits a figure of the Virgin Mary.
There is also a moulded cornice which supports a walkway around a circular glass-housed light. The tower is surmounted by a weathervane and finial. The enclosed fresnel lens creates a light with a range of . This lighthouse is considered architecturally important because it forms part of the ambitious Victorian engineering works to create "harbours of refuge" throughout Great Britain.
Such incidents moulded Sir John and taught him patience and resolve, the like of which is rare in many boardrooms. This incident and other problems with the construction of the vessel meant it was not delivered until 1993, two years after originally planned. She was accepted into service on 24 June 1994. In 1998, the ship was fitted with the Phalanx CIWS.
The manor is a rectangular building with two side annexes with roof terraces. The facades are richly decorated for the period: the front door is flanked by fluted pilasters and the windows are outlined with fillets and rest on moulded sills on consoles. The window frames are topped with cornices or pediments. Under the hipped slate roof, the eaves are adorned with modillions.
Gotham House is a 3-storey Flemish bond red brick building, with a basement. It has a symmetrical 5-bay front with four brick columns reaching to the top of the first floor, two surrounding the entranceway and one at each end. These are topped with moulded caps and a projecting white cornice. Four columns extend from this cornice to the roof.
Over the west and the north doors, there are angular 4-centred arches. The arcade to the chancel has 3 round piers, various moulded and undercut capitals and 'water-holding' bases. The arches are similar double-chamfered ones as seen in the nave. The same style of arches are also used in the nave, and in the transept crossing arches.
The building is Grade II listed. It was originally built by James Burton in 1797 as stabling for cab drivers' sick horses, the Horse Hospital is notable for its unique stone tiled floor. Access to both floors is by concrete moulded ramps, the upper floor ramp retains hardwood slats preventing the horses from slipping. It can be found at Colonnade, Bloomsbury, London.
The biggest challenge to the designers was the design of the hip area. The final solution, and thus maintaining the full manoeuvrability of the figure, was solved by Designer Peter Mansell. Figures from the prototype tooling were produced with green underpants, whereas in production they were moulded blue.Bob Brechin Palitoy Chief Designer 1967–1984 The U.S. patent was applied for in November 1977.
Second generation watches were sold under names Strata (model code SW12-1) and Frame (model code SW12-2). Strata has Water Resistant Mark 5 and Frame has Water Resistant Mark 3. The Strata, which was focused more on value, was bulkier but more durable with its double injection-moulded polyurethane body. It was also cheaper as the Kare model retailed for $140.
The wooden door is topped by a semicircular fanlight set in moulded trim. The rear wood-frame addition is more utilitarian, and is clad in vinyl siding. The main entrance leads into a vestibule, and then a reading room which occupies the entire brick 1922 structure. It has a barrel-vaulted ceiling, and its walls are finished in dark-stained beaded boarding.
The military aspect of the building is characterised by the six towers that rise around the house. The loopholes in the corner towers of the courtyard were kept to facilitate the use of firearms at the time of the French Wars of Religion. Large crosses in stone with moulded frames and pediments open onto the courtyard and towards the Baïse.
Birrell 1964 Apparently only thirteen houses remain. The design of the houses emphasised use of stone and sand-coloured concrete, mostly low to the ground, mimicking and complementing natural earth forms. Griffin patented a material called knitlock concrete which is used in the Duncan House. It was manufactured locally, in moulded sections which join together in a kind of jigsaw fitting.
Trumpeter is a Chinese company that manufactures plastic injection moulded scale model kits. Their product line consists of model ships, aircraft, cars and military ground vehicles. The company is located in Zhongshan, China, just north of Macau. All of the design and development is done at this site and production facilities on site extend to full mold making engineering using spark erosion techniques.
The lower storey has close timber studding and an eleven-light leaded window. Above this is a row of twelve quatrefoil panels which slope slightly outwards over which is a continuous 34-light leaded window. The two gables are carried on brackets which curve outwards, and have herringbone struts, moulded bargeboards and shaped finials. The north face give the appearance of two buildings.
In the graveyard of St Dochdwy's is a monument known as the Irbic Cross. St Dochau's grandfather was known as Erbin, and it is thought that the cross is probably a commemoration to him. The cross is around ten feet high and dates from the 10th Century. It is built from Sutton Stone in four moulded blocks, though the cross head is missing.
Pitched slate roof with clay ridge tiles, overhanging eaves and verges, decorative uPVC fascias, and bargeboards. Vitrified brick chimneystacks to ridges with moulded yellow brick bands of houndstooth detail. Replacement uPVC gutters with cast-iron rainwater downpipes. Smooth rendered walls with raised rendered block-and-start quoins and plinth, coved houndstooth cornice to eaves of bay window, now obscured by fascia.
The prototype optics to achieve this was an expensive glass-lens arrangement. Hopkins was able to show, through a complete mathematical analysis of the system, that with a carefully calculated geometry, it was possible to use a single piece of transparent moulded-plastic instead. This continues to be a major factor in the low cost of laser disc- readers (such as CD players).
MSC Oliver has an overall length of , moulded beam of and maximum summer draft of . The deadweight of the cargo ship is and the gross tonnage is . The total capacity is 19,224 TEU and on board of the vessel there are 1,800 reefer points. According to its owner, the ship has better than 35% lower CO2 emissions per TEU than earlier container ships.
Mooneys Building is a two-storeyed stone building with a basement. It adjoins Perkins Stables and a laneway between 138 Mary Street and has Charlotte House and Harrolds Marine located behind addressing Charlotte Street. The building is divided into two symmetrical portions that reflect the original subdivision of land. The rendered facade is designed with restrained moulded Italianate detailing of predominantly horizontal banding.
Solid surface can also be moulded using dedicated moulds. For example free standing baths are manufactured using a two-part mould tool which creates a cavity for the material to be poured into. Once the mould has been prepared for casting, the material is mixed and degassed in an automated casting machine. It is then injected into the cavity of the mould.
The keys are injection moulded plastic attached to metal frames. A white speaker grill faces upward on the left box end. Tapered rectangular cross-section legs mount to the ends of the case, secured by four threaded knobs. The legs are wood grain to match the case, and braced by a gold cross bar towards the base of the rear legs.
The clearstory, with its three windows on each side, was apparently added about 1400 when the south wall was built. The west doorway with the walls on either side also formed a part of the early 12th-century church. The arch is of three orders, the two outer of which have roll mouldings resting on jamb shafts with moulded bases and carved capitals.
No 67 Harrington Street is a two-storey Victorian house, plastered and painted, set high on a rock base above the street and adjoins the terraces at Nos 61-65 Harrington Street. The detailing is simple, with moulded arches and label stops to windows and doors. The first floor windows rest on corbels. The steeply pitched roof is covered with corrugated iron.
Sit-on-top kayaks are usually chosen for diving. Inflatable or rigid, they are generally relatively wide, and therefore provide greater stability, which is important when loading or unloading dive gear, and for boarding from the water. A moulded cargo well behind the cockpit is suitable for carrying the scuba set. This is provided with straps to secure the gear.
All these bellsets appeared identical externally, with a contoured, moulded cover which looked stylish alone, but would dock firmly underneath a 232. They were all based upon the same baseplate but differed in the type of bell and whether this was alone or accompanied by a capacitor, and / or an induction coil and any other telephone circuit components and wiring.
He died young of hernia, at Mainz. Erasmus paid him a splendid tribute in his edition of St. Jerome in 1516, and Hieronymus Gebwiler describes him in the following words: "Dietrich was slender of body and of medium height, with well-moulded features, dark hair, grey eyes, even- tempered, without rancour, without presumption, without pride, without affectation, gentle in his manner, and truthful".
U.K. version of the keypad The U.S. and U.K./European versions were noticeably different. The U.S. version was moulded in gray plastic and labelled "BIG TRAK", while the U.K. version was white and labelled "bigtrak" with a different keypad. The U.S. version had Revision C, D, and E motherboards. While the U.K./European had Revision L and so on motherboards.
There are six square steps with a turned column. The column has a cyma moulded capital and is topped by an octagonal brass dial. English Heritage has given the sundial a separate Grade II listing. The oldest dated gravestone in the churchyard is from 1696 and there is a war grave of a Loyal Regiment soldier of World War I.
The interior has a fine king post roof with brackets, moulded shafts and capitals. There are some pews dating from the 16th and 17th century on the north side, one with the date 1589. The communion rail and west gallery, which had turned balusters, are probably early C18th- century. The pulpit, which has a tester, is 16th- or 17th-century.
Although some people carry their balls in their hand between rounds or place it in their pockets, others invest in various ball- carrying devices. The most basic is a moulded length of stainless steel which is attached to the belt or shoelaces. High-end carriers resemble a leather fanny pack and can hold multiple balls, cellular phones, score cards and other personal items.
The chapel occupies the western part of the building. It has a projecting porch to the west with a moulded doorway with carved spandrels. The porch is surmounted by a stone parapet, profusely decorated with relief sculpture, including ships and elephants, indicating Waldron's membership of the Guinea Company and his involvement in the Ivory trade. Another parapet at roof level is similarly decorated.
The partitioning on the upper floor is constructed with lath and plaster walls and the ceilings are also lath and plaster. The upper floor has more decorative finishes than the lower floor with moulded archways along the hall, and cornices and skirting boards of various sizes in the halls and rooms. Early paint schemes are evident in many places of the upper floor.
The church was designed in the a spare Early English version of the then-popular Gothic Revival style with a prominent saddleback tower. The walls have Leckwith limestone facings, bath stone dressings and bands, and red Staffordshire tiles. The gables have parapets and are surmounted by carved crucifix finials and moulded kneelers. The buttresses are low and set back with steep set-offs.
The hydraulically retractable landing gear is of conventional tricycle configuration with air-hydraulic shock-type nose and main gear. The main gear has dual wheels and brakes on each strut. The brake system incorporates four power-boosted disc-type brakes with integral anti-skid system. The nose wheel has a specially moulded tire to prevent water splashing into the engines.
It has a double plinth course, gargoyles, parapets, coped gables, and angled buttresses. Each buttress had an east window of five-light panes; the north and south sections had three-light windows. The chancel was built with a moulded king post truss roof and many rosettes, angels and other carvings. The wide panelled chancel arch has a well preserved Devon-style timber screen.
On the left side of the opening is the foot of a stairway, open on the dining room side, which ascends to a second floor landing. The stairs are carved wood with rectangular newel post. It has a turned balustrade, and moulded, wood rail. The north side of the dining room has three doorways with cafe doors to the kitchen on the west.
Newbiggin once belonged to Jervaulx Abbey. Newbiggin is home to a number of 18th-century houses, one of the more notable ones is in the north end of the parish. This house in particular has a doorway which is said to have: "a cambered lintel with a quatrefoil in each angle and moulded jambs". Above this door there is an inscription dated 1636.
The loggia forms an arcade of segmental arches carried on cylindrical columns with crocketed capitals. Behind the loggia are round-headed entrances and segmental-headed windows. The outer bays project forward, their lower storey is rusticated, and it contains a square-headed window with voussoirs. In the upper floor, each bay contains a tall round-headed window with moulded imposts.
Fashion in the 1850s through 1880s accented large crinolines, cumbersome bustles and padded busts with tiny waists laced into ‘steam-moulded corsetry’.Dress and Morality by Aileen Ribeiro, (Homes and Meier Publishers Inc: New York. 1986) p. 134 ‘Tight-lacing’ became part of the corset controversy: dress reformists claimed that the corset was prompted by vanity and foolishness, and harmful to health.
The parish church of Saint Mary has a nave built in the perpendicular style which is illuminated with transomed windows. There is a canonical sundial on the south wall. The chancel and west tower are in the decorated style. The chancel has a large Decorated five-light window with reticulated tracery, and there is an elaborately moulded tower arch on the west tower.
The final product is a homogeneous nearly 100%-cellulose mass free from any artificial glues, resins, or binders. The finished vulcanized fibre has useful mechanical and electrical properties. It offers high tear and tensile strength, while in the thinner thicknesses allowing flexibility to conform to curves and bends. In thicker thicknesses, it can be moulded to shape with steam and pressure.
In 1993, the Company acquired Moulded Fibre Technologies, which focused on recycling old newspapers into molded fiber packaging for light industrial goods, electronics, and health and beauty products. On February 4, 1997, UFP Technologies acquired the assets of FCE Industries Inc., formerly known as Foam Cutting Engineers, a supplier of foam plastics for industrial and consumer applications. UFP Technologies acquired Pacific Foam Inc.
The inner doorway to the nave is 15th century. The chancel has two- lighted traceried windows to the north and south and three small round-headed windows in the east wall. Attached to the south side is a 19th-century organ chamber. The 15th century west tower is in two stages on a stone plinth with a battlemented parapet above a moulded string.
The parapet has a central moulded panel of interlocking circles. The building was designed to accommodate offices on the ground floor and a courtroom and associated office space on the upper floor. The ground floor is presently essentially open plan with offices at the rear of the floor. The ground floor has a plaster ceiling with darkly stained timber grid framing.
The most successful was his eight Cherubs that were similar in design to the Mini Moke. Ross Baker's Heron Cars started in 1962 making racing cars and eventually began producing kit cars in 1980. Bill Ashton,and Ted George in the 1960s and moulded Tiki fibreglass bodies at their firm George and Ashton Limited in Dunedin.Three were known to have been made.
Both gable parapets have moulded block-work coping. The northern elevation of the porch features a doorway now accessed by a ramp with a bell mounted to the right-hand side of the doorway that is framed in bevelled concrete. The roofs of the nave and porch are gabled, pitched at a 45? angle and have ridges running east-west.
War memorial in Sloane Square. Also in the square, positioned slightly off-centre, is a stone cross that is known as Chelsea War Memorial. Made of Portland stone, and designed by an unknown architect, the cross has a capped head on a tapered shaft above a moulded three stage octagonal base. A large bronze sword is affixed to its west face.
It features wall-posts supporting moulded hammer-beams, and curved braces. The king posts are hidden above the ceiling, which is on the level of the horizontal ties, these stop the roof collapsing in upon itself. By this means, Jones was able to span a width of 45½ feet. The hall is some long, with a stage at one end.
Old link Through this company, Jordahl developed and patented an anchor channel for reinforced concrete buildings. He designed a C-shaped profile in 1913 which was moulded into walls and used as reinforcement and connection device at the same time. This was the first anchor channel ever developed. The patent for this invention was granted to Jordahl on December 11, 1913.
Most of the temples in the area are in ruins. The best preserved and most studied monument is the Parvati temple at Nachna. The temples are built on a raised and moulded plinth, a square plan, a square sanctum that is surrounded by a circumambulation passage with perforated screen stone windows. The entrance into the sanctum is flanked by goddess Ganga and Yamuna.
The design of the rear of the car differed from the production Holden ute at the time with a moulded Holden logo in the tailgate and stacked, twin circular tail lights. The SST was a result of Holden's efforts to emphasise the versatility of the then-new One-Tonner in late-2003 and the project was completed in under two months.
Timing belts, toothed belts, cogged or cog belts,in Contact !, Experimental Aircraft and Powerplant Newsforum for Designers and Builders, n°55, Dieselis Aircraft, A Prototype Aircraft with a Diesel Engine and synchronous belts are non-slipping mechanical drive belts. They are made as flexible belts with teeth moulded onto their inner surface. The belts run over matching toothed pulleys or sprockets.
The listing describes the building as a three- storey manor house with a symmetrical front and projecting gabled wings. It has brick walls in garden wall bond with burnt headers, and stone dressings, on a flint plinth. The roofs are tiled, with moulded copings to its parapets and gables. There are ball finials to the gables at the apex and springing.
Stone steps lead to an open mandapa, a sabha mandapa (community hall) which connects to the sanctum. The open portico has two square pillars and two pilasters. The lintel on the entrance has Gajalakshmi. The sabha mandapa is square (15.6'x15.6'), itself supported on four square moulded pillars set within the space in a square, while the side walls have twelve pilasters.
The Bobcat was the last of the RT125-based Harleys and the only one offered in 1966, its only year in production. Based on the '63-'65 Pacer frame, it had ABS resin bodywork moulded in one piece that covered the tank and the rear tire and supported the seat. It was the only RT125-based Harley with a standard dual seat.
A RAM press (or ram press) is a machine, invented in the USA in the mid-1940s, that is used to press clay into moulded shapes, such as plates and bowls. In operation a slice of de-aired clay body is placed in between two shaped porous moulds, and vertical movement of the moulds presses the body into the required shape.
On either side of the entrance portico are arched windows and pilasters; this western elevation is finished with a parapet and flagpole. Behind the parapet is a hipped roof clad in corrugated iron. The building is rendered and the details are moulded plasterwork. The side elevations of the building contain sash windows and decorative fanlights with a pattern of radiating glazing bars.
The south arcade has four bays carried on octagonal piers with moulded capitals. On the north and south walls is a cornice carved with a frieze containing a variety of motifs. There is a trefoil-headed piscina in the south wall of the aisle, and another in the south wall of the chancel. Also in the chancel is a double aumbry.
They can also be instrumental teachers or professional musicians. Head of the violin course is Alois Kottmann, university professor h. c. at Artistic Faculty of Frankfurt University of Music and Performing Arts, university lecturer at Hoch Conservatory and at University of Mainz. Head of the piano course is university professor Günter Ludwig, one of the most moulded pianists of his generation.
Gutta-percha is a natural rubber obtained from the sap of certain trees growing in the Far East. It hardens on exposure to air, but has the useful property of being thermoplastic. It can be moulded to a new shape after boiling in water and will reharden when cool. It is credited with being the first plastic available to manufacturing industry.
The ragged cords can be seen on the edge of this piece of rubber, hence the term "rag joint". The bolt holes themselves are often reinforced by steel tubes moulded into the doughnut. The origins of this form of universal joint are from early vehicles that used a disk of thick leather as a similar flexible joint. These were used into the 1920s.
The church is constructed in sandstone, and the chancel and north wall have been rendered. The roof is tiled. The plan of the church is simple, consisting of a nave, a chancel with a north vestry, and a relatively large but short tower, through which the church is entered. The tower is in a single stage, and stands on a moulded plinth.
The building has sash windows and corrugated iron hoods with timber brackets and battens. Internally, the building has tongue and groove boarding to walls and ceilings, moulded timber architraves and sills, a central masonry strongroom and carpeted timber floors. A First World War Memorial, consisting of a marble plaque, and flagpole are located at the southeast corner of the site.
The building is made in the style of French classicism, brick, plastered, H-shaped in plan, with a developed central avant-corps and lateral wings. It is also three storeys high with an attic. The facades are decorated with figured window frames and rustication, moulded balconies and balustrades. The front entrance is decorated with an arched portico with stucco and ionic columns.
Above these is a strapwork decorated frieze and an overhanging moulded cornice. On each side are steps leading from the causeway to ground level. Richards describes the loggia as "perhaps the most original example in the whole of Cheshire". The north elevation of the body of the chapel has a door which gave tenants access to the ground floor of the chapel.
Inside the chapel is a wooden panelled reading desk on a moulded plinth with an ogee cornice. On each side of the reading desk is a flight of three steps with balusters and newels. The reredos is also panelled, the central panel being wider than the outer panels, and with a semicircular head. The reredos is decorated with motifs including garlands and roses.
During Soviet times, however, the Dymkovo handicraft was revived. In 1933, they organized an artel called Вятская игрушка (The Vyatka Toy), which would turn into a workshop of the Artistic Fund of the RSFSR (). These days, the Dymkovo toys are known as a popular Russian souvenir. Dymkovo toys The Dymkovo toys are moulded from a mixture of local potter's clay and river sand.
Post-consumer waste is material discarded after consumer use, such as old corrugated containers (OCC), old magazines, and newspapers. Paper suitable for recycling is called "scrap paper", often used to produce moulded pulp packaging. The industrial process of removing printing ink from paper fibres of recycled paper to make deinked pulp is called deinking, an invention of the German jurist Justus Claproth.
MSC Maya was built in 2015 in Daewoo Shipbuilding & Marine Engineering by yard number 4280. The container ship has overall length of , moulded beam of , boards depth of and maximum draft of . The deadweight of container ship MSC Maya is , the gross tonnage is and the net tonnage is . With such dimensions, the vessel has capacity to carry 19,224 TEU.
The link between castle and village was severed. The castle ruins became neglected and were used as a quarry for those needing stone to repair their houses: dressed and moulded stones can be seen in farmhouses and cottages in the area. The castle is now maintained by Cadw, although the Duke of Beaufort remains the hereditary keeper of the castle.
How Hill House was built to a vernacular Jacobean style in roughcast brick and is laid out in 2-and-a-half storeys. The roof is supported by gabled with moulded timber bargeboards and is covered in thatched roof. The interior remains original and includes a panelled hall, staircase and sitting room.How Hill House, National Heritage List for England, retrieved 24 June 2018.
The site for the church was given by Mr Denison of Scarborough. It was built to designs of the architect Robert Hargreave Brodrick. The church comprises a nave, chancel, apsidal vestry, organ chamber, south porch and bell cote. It was built in brick with stone dressings, moulded red and blue Staffordshire bricks being used for window jambs and string courses.
The masses under His protection are ruthlessly monitored by the Inquisition. Any sign of heresy or Demonic corruption in a subject planet's population is punishable by genocide. The other half is controlled by the satanic Dunkle Reik ("Dark Empire"). Each subjugated planet is ruled by a Demon Lord viceroy who has moulded it to fit the incarnation of their Demon Prince's Word.
The house is well composed and articulated with moulded detail and retains much of its original fabric including decorative chimney pots and historic windows. The yard and outbuildings survive their historic layout and appearance and enhance the context of the house. The entire ensemble demonstrates the affluence of a larger tenant or gentleman farmer at the close of the nineteenth century.
The walls are single-skin, vertical, v-jointed timber boards with moulded timber belt rails. The ceilings are lined with v-jointed, tongue-and- groove boards. Original internal timber panelled doors with glazed fanlights and glazed French doors with glazed fanlights open onto the verandahs. The understorey retains some original timber perimeter battening and a small laundry enclosure under the kitchen.
Two brick-built chimneys can be seen rising above the roof-line. The northern chimney is original, built as part of the c. 1575 house comprising a rectangular stack with roll-moulded brick courses reducing the wider base at intervals towards the upper part of the stack. On the north side, the stack has three sections separated by recess detail.
The chapel also has barrel-vaulted undercroft and a roof from 1520 of 4 heavily moulded arch braces rising from stone corbels. The corbels are decorated with Catherine wheels. Nikolaus Pevsner has described the details of this ‘exquisite little building’ as being ‘of the utmost refinement, far above the level of the local parish churches’ in his Buildings of England.
The chapel is constructed in Flemish bond brick. Its gabled facade is topped by a 19th-century bellcote with a single bell. A pair of panelled doors in moulded surrounds with flat hoods is separated by a Venetian style window with leaded glass. There is a similar window immediately above it and above that a roundel panel bearing the date.
The chancel c.1500 ceiling is panelled with moulded ribs with decorative bosses. Fixtures an fittings include an 18th-century pulpit, and a c.1140 red sandstone font, its bowl, sitting on crouching figures, carved with interlaced decoration top and bottom, in between which are carvings representing the Baptism of Christ, the Evangelists, the hand of God, and two doves.
The interior of the church is plastered. Between the nave and the aisles are five-bay arcades with clustered piers and carved capitals. The roof of the nave has scissor-braced trusses with pendants, and is supported by corbels carved as angels. The chancel arch is moulded, the chancel ceiling is panelled and painted, and around the chancel is a painted dado.
The church is built in rubble stone and has roofs of Westmorland slate. It consists of a wide six- bay nave with a tower on the north side. At the corners of the tower are clasping buttresses. There is a west door with a moulded arch at the base of the tower, and above this is a decorative hood mould.
The southern chapel and northern vestry/organ chamber lie under their own gables and have florid three-light fenestration similar to that in the aisles. Both porches have moulded outer doorways. The northern porch is vaulted. An unusual feature of the exterior walls is the widespread traces of former putlog holes, no doubt used for the scaffolding during the construction of the building.
It has corner pilasters supporting a full and wide cornice. Windows are set in moulded frames, the main entry is framed by sidelights, pilasters, and a cornice, and there are secondary entrances one the east elevation, one with sidelights and a transom window, the other with a transom window. On October 7, 1983, it was added to the National Register of Historic Places.
In its moulded surround are leaves, tendrils, fruit, a pelican, and an inscription. In the spandrels of the arch are a coat of arms, Adam and Eve and the serpent, and a Paschal Lamb. Above the doorway is a large 15th-century four-light window. There is another 15th-century window in the west window of the north aisle, this with two lights.
To the east of the door is a damaged piscina, and to its west is a 16th-century alms box that has been carved from a tree trunk. The font is Norman. It is made in Purbeck marble, and consists of a square bowl supported by a moulded stem on a square base. The other fittings date from the 19th century.
They consist of four gate piers with moulded bases, which are surmounted by pyramidal finials. Between the piers are ornamental wrought iron gates. To the south of the Priory Road entrance is another lodge, also in a single storey with an attic, which is similar to the lodge to the south of the main entrance. In Priory Road is the former registrar's office.
Mauryan Figurines A number of Mauryan figurines have been reported from Tilaurākoṭ. They are quite large and are characterised by smooth and sensitive modelling though only the face was moulded and the rest the body was hand- made. Decorations were done with suitable clay bands made separately and added later over the body. Sometimes wooden pins have been used to decorate the body.
Some of these rectangular pieces have perforations in 4 corners, indicating that they were strung together, or sewn into a fabric, to form a protective burial suit. Other shapes, such as circular, triangular and rhomboidal, are often decorated with moulded patterns. All the glass plaque shapes have jade counterparts, suggesting that glass burial suits were a cheaper alternative to jade burial suits.
Decorative elements include scalloped barge boards, turned finials with twisted lightning conductors, distinctive arched dormer windows, turned cedar verandah balusters and two classically moulded chimney heads. Internally, much of the original cedar joinery survives. There are four rooms on the main floor and another four rooms in the attic. These are lit by windows in the dormers and in the gable ends.
A series of moulded steps sit above this, on which the digger statue stands. The digger statue stands with his head erect and his hands resting on top of a rifle which is in the reversed position and rests on the top of the right boot. A tree stump support is located behind and to the right side of the statue.
The keys are injection-moulded plastic. The word 'Cembalet LH' appears in gold facing upward on the left hand end of the music support ledge. The ledge includes a formed recess for the bottom of the music. It has a transistorised pre-amplifier, a small transistorised power amplifier, two small speakers like the Pianet L and a knee lever for volume control.
The timber slatted balustrade is a replacement. The rear of the building has a two storeyed post supported verandah, onto which internal rooms are accessed. Openings to the ground floor have moulded plaster surrounds, and retain some early joinery and leadlight glazing, although there are some replacement louvres. First floor openings are generally inward opening, half glazed, french doors with operable fanlights above.
He is mentioned in Laurence Sterne's Tristram Shandy and Lavengro by George Borrow, although Borrow places his exploits as far north as Lincolnshire. The elaborate moulded plasterwork (pargeting) decorating the Old Sun Inn in Saffron Walden, Essex features his battle against the Wisbech Giant. There are still references to Hickathrift in the Wisbech area. Hickathrift Farm, Hickathrift House and Hickathrift Corner exist.
Jamie Staff riding a 1 km time trial Aerodynamic drag is a significant factor in both road and track racing. Frames are often constructed of moulded carbon fiber, for a lightweight design. More recently, track bikes have employed airfoil designs on the tubes of the frame to reduce aerodynamic drag. Given the importance of aerodynamics, the riders' sitting position becomes extremely important.
Its geometric decorations are done with moulded brick. Along with the Granja de Torrehermosa and the surrounding Hornachos, Alange and Puebla de la Reina and others, the church is the most outstanding example of the achievements of the Mudéjar style in Lower Extremadura. The tower was built before 1550. Its body is square and takes up almost the entire nave.
The stair hall has a fine Neoclasical interior and domed ceiling, with stained glass inserts. There is a centrally placed entrance on the north elevation with elegant fanlight and classically detailed moulded entablature. It is constructed of rendered brick ashlar coursed single-storey verandah with timber supports and posts, corrugated iron roofed. The main roof is of galvanised iron, hidden behind the parapet.
BS 1363 rewirable plug Moulded plugs manufactured by Longwell Company. Front: Schuko type (47 grams); rear: BS 1363 (44 grams). BS 1363 "13 A plugs, socket- outlets, adaptors and connection units"BS 1363 (1995), BS 1363:1995 "13 A plugs, socket-outlets, adaptors and connection units", British Standards Institute. is the main plug and socket type used in the United Kingdom.
The underside of the verandah is of ripple iron with internal gutters and a moulded plaster cornice at the wall. The verandah is accessed at the upper level by four pairs of glazed French doors. Only the stonework to this street elevation has been painted. All four sides of the two-storeyed section show cross-plates with tie rods stabilising the upper level.
The first floor verandahs are supported by paired cast iron columns with corinthian capitals; these are in turn supported by masonry plinths. Between these are cast iron balustrades with timber hand rails. These columns support a dentiled soffit. Similarly paired cast iron columns support the first floor balcony and the ground level balustrade has moulded concrete balustrading with hourglass-shaped balusters.
Then named Dock Express 20, the ship's keel was laid in 1982 in the Netherlands at Verolme Shipyard Heusden, and it was launched the following year. Originally a heavy-lift ship, it has an overall length of . The ship has a beam (width) of . Her height from the top of the keel to the main deck, called the moulded depth, is .
The porch is supported at ground level by timber Tuscan columns surmounted by a simple entablature bearing the name of the Lodge and a sign commemorating its centenary. The columns are mounted on pedestals. The central entrance consists of a pair of timber doors with a fanlight above and moulded architrave. The doorway is flanked by double hung timber windows on both levels.
Acroteria are located at the apex and ends of the pediments. Moulded string courses separate the pediments from the walls and sections of the lower facade are recessed around window openings. These recessed sections are further divided by an enlarged concrete sill that stretch the full width of the recess. Windows and doors are generally timber framed surmounted by large, painted iron hoods.
The bellcote is rectangular and weatherboarded, with a pyramidal roof. At the west end of the church is a doorway with a moulded architrave and a raised keystone. Above this is a stone inscribed with the dates 1748 and 1908, and there is a band with a pediment above that. Along each side of the church are two semicircular-headed windows.
Brassmasters did a limited edition kit in 4 mm. The erstwhile Kitmaster company produced an unpowered polystyrene injection moulded model kit for TT gauge. In late 1962, the Kitmaster brand was sold by its parent company (Rosebud Dolls) to Airfix. It is thought that the moulds for this locomotive were amongst those lost or destroyed at about this time or before.
The rendered stone three-storey building has a slate roof with a parapet. The hall fireplace dates from the early 17th century as does some of the fabric of the central block however most of the building was added in the 19th century. The fireplace has a gadrooned surround with clustered colonnettes on each side. These finish with caryatids and a moulded cornice.
The top displays moulded string courses and a trefoil pierced triangular parapet with gargoyles and corner pinnacles. The belfry stair is in the south-east turret. The interior includes stone busts to John Locke and Hannah More dating from the early 19th century on either side of the door. The chancel has Gothic reredos by Charles Barry dating from 1832.
In the 14th century, decorative plasterwork called pargeting was being used in South- East England to decorate the exterior of timber-framed buildings. This is a form of incised, moulded or modelled ornament, executed in lime putty or mixtures of lime and gypsum plaster. During this same period, terracotta was reintroduced into Europe and was widely used for the production of ornament.
Jali functioned as windows or room dividers, providing privacy but allowing in air and light. Jali forms a prominent element of the architecture of India. The use of perforated walls has declined with modern building standards and the need for security. Modern, simplified jali walls, for example made with pre-moulded clay or cement blocks, have been popularised by the architect Laurie Baker.
Its hipped roof is covered with slates. The entrance to the house is on the north side through a single storey portico. The north façade features tall sash windows on the ground and first floors of 12 panes; the second floor windows to the central section are shorter and of nine panes. moulded stucco cornices run above the ground and first floor windows.
The four columns support a large entablature comprising a smooth faced fascia and a concave cornice. Each corner is surmounted by large acroteria. Positioned in the centre of the entablature is a red granite column which sits on a square base step. It has a simply moulded base and no capital and is capped by a polished red granite sphere.
He served his guru as his attendant. He moulded his life under the active guidance of Swami Brahmananda. Amulya's visits to various places in India with Sister Nivedita and a visit to Japan with Swami Sadananda, helped him to gather educative experiences related to culture, religion and architecture. He was instrumental in building the monastery at Bhubaneswar, under the guidance of Swami Brahmananda.
"Break the Rules" is a single by British rock band Status Quo in 1974. It was included on the album Quo. The song was not the band's choice of single as they wanted the track "Backwater" to be the single instead. Some copies of this single were mis-pressed with the moulded label for the track "Lonely Night" on both sides.
The structure is a single storey Flemish bond face brick building with white rendered mouldings. The heavily moulded Darling Street facade has tuckpointed brick with five arches forming a symmetrical arcade. The central portico is surmounted by a pediment on Corinthian pilasters. There are masonry balustrades to the verandah and at parapet level, the parapet being broken by a large central pediment.
The interiors are relatively plain, having moulded plaster ceilings of Regency style with deep coved cornices only to the main living and reception rooms. The original door and window joinery is largely intact - these elements, like the deep timber skirting which survives in most rooms were dark stained maple. In some rooms original timber finishes have been covered by white paint.
Windows are narrow sash, separated between floors by panels, with moulded hoods above the second-floor windows. A tower rises above the main roof, with a square stage rising to an octagonal louvered belfry and then a steeple with flared base. The Baptist congregation in Waterville was established in 1818 by Rev. Jeramiah Chaplin, and at first met in the town's meeting house.
The front is constructed of finely coursed slate-stone while the other external walls are made of rubble stone or faced with brick. The roof is slated, the rear wings having gable ends. The roof is concealed by a parapet and moulded cornice. The central part of the house has two storeys and a part basement while the rear wings have three storeys.
The verandah to three sides has cast iron corinthian columns and excellent decorative cast iron brackets and valances. It has a straight-pitched iron roof and a gabled portico above the main door. Windows have moulded brackets and there is a rendered string course at sill height. The front door has leadlighting, and three french doors open onto the verandah.
The stair has a moulded timber handrail, decorative timber newels and decorative wrought iron balustrading. The openings to the main stairwell on each level have large decorative consoles. The walls and partitions are of brick; the verandah floors, corridors and staircases are of concrete; and the roof is sheeted with corrugated fibro cement tiles. Internal walls are rendered and painted.
It stands 7.6 centimetres above the roof below. It has a curved surface, and is ornamented on one side with recessed work like two moulded tiles and on the other with one row. These are adorned with a simple Triquetra, the sign of the Trinity on each tile. Along the eaves is a broad band worked with a kind of key pattern.
Then named Amazonia, the ship's keel was laid on 1 January 1977 at Equitable Shipyard in Madisonville, Louisiana. Its hull, constructed from ordinary strength steel,American Bureau of Shipping 2010, Hull page. has an overall length of , a beam of , and a moulded depth of . Its three general cargo holds have a total bale capacity of or grain capacity of .
In 1924, an excavation took place on the wall line 1924 at a point west of the fort. The north face was erected on a foundation course of coarse white stones. The first course was topped by an elaborately moulded plinth (unknown elsewhere). It has been speculated that this was the location of a special inscription stone marking work on the wall.
Eventually it was shipped to the Museum of Australian Army Flying at Oakey, Queensland for restoration to its original state. During its short flying career, the SC1 remained unpainted apart from the engine cowling and wing tips. These were both moulded from fibreglass and painted white. The cowling was also painted black on top in front of the windscreen to reduce glare.
The proscenium frames the stage with a gently stepped recess decorated with plaster reliefs moulded into stripes and scrolls. The stage area is flanked by small storage and dressing areas, and the timber roof structure above is exposed. The Art Deco scheme of this interior is both impressive and intact. The Goondiwindi Civic Centre is a mixed-use Art Deco public building.
This section of the floor leads through to the glazed, steel-framed link to the Commonwealth Offices on the adjoining block. The link is constructed over a courtyard. The hall has a fence at the front of the building with non- original cast iron railings and original moulded concrete pillars. The rear of the site has a bitumen surfaced carpark.
The lodge is built in brick with stone banding and dressings on a stone plinth in 1½ storeys. It is roofed with red tiles. It has two gables, each with pargeting decorated with foliated geometric patterns. The windows have moulded stone surrounds; those on the ground floor have camber arches and on the upper floor the window arches are semicircular.
The Church of Santa Maria di Valverde is outside the town walls and nearly contemporary with the cathedral, with similar style and structure. Like the cathedral, it has a typical Romanesque style with Gothic features. The church's façade underwent conservation and restoration until the twentieth century. Built of pink trachyte ashlar, it is divided into two parts by a horizontal, moulded cornice.
Start Point is one of twenty nine towers designed by James Walker. The lighthouse is in the gothic style, topped by a crenellated parapet. The main tower is built of tarred and white-painted granite ashlar with a cast-iron lantern roofed in copper. The tall circular tower is high with a moulded plinth and pedestal stage and two diminishing stages above that.
Mastera is long overall and between perpendiculars. The moulded breadth and depth of her hull are and , respectively, and from keel to mast she measured . Her gross tonnage is 64,259 and net tonnage 30,846, and the deadweight tonnage corresponding to the draft at summer freeboard, , is 106,208 tons, slightly more than in Tempera. In ballast Mastera draws only of water.
Tempera is long overall and between perpendiculars. The moulded breadth and depth of her hull are and , respectively, and from keel to mast she measured . Her gross tonnage is 64,259 and net tonnage 30,846, and the deadweight tonnage corresponding to the draft at summer freeboard, , is 106,034 tons, slightly less than in Mastera. In ballast Tempera draws only of water.
At about the same time, just before the Second World War, hobbyist production of reproduction dolls, firstly elaborately moulded female doll heads from the 1860s and 1870s, began in the US with doll artists such as Emma Clear. Reproduction bisque doll making grew slowly as a hobby in the United States in the 1950s and 1960s, expanding greatly during the 1970s and by about c. 1980 spreading to Europe, Great Britain and Australia, via companies retailing moulds and supplies such as Seeley's and Wandke, which ran large scale networks of classes and seminars. Another branch of bisque doll making that also emerged during the 1940s in the USA was "artists dolls" which were original creatively designed and moulded dolls that were not copies of 19th century or early 20th century dolls, or cast from earlier dolls.
The building of the nave, begun in 1323, was halted by plague and completed 150 years later. The choir, of five bays, was built between 1283 and 1315 to the design of Richard Lenginour, and is an early example of Decorated Gothic architecture. The piers have strongly modelled attached shafts, supporting deeply moulded arches. There is a triforium gallery with four cusped arches to each bay.
Glass-aramid-hybrid fabric (for high tension and compression) Fibre-reinforced plastics are best suited for any design program that demands weight savings, precision engineering, definite tolerances, and the simplification of parts in both production and operation. A moulded polymer product is cheaper, faster, and easier to manufacture than a cast aluminium or steel product, and maintains similar and sometimes better tolerances and material strengths.
The Brown Room is located at the south-eastern point of the quadrangle space, on an embankment fronting the river. It is a single storeyed brown painted timber structure, surrounded by verandahs on three sides. It has a hipped terracotta tiled roof, is of single skin construction and elevated on low stumps. The verandah has posts with moulded collars and a handrail, but no balustrading.
Floating staircase in Minneapolis Staircase in Ford plant in Los Angeles with double bullnose and two volutes. An intermediate landing is part of this U-shaped stair. ;Apron : This is a wooden fascia board used to cover up trimmers and joists exposed by stairwell openings. The apron may be moulded or plain, and is intended to give the staircase a cleaner look by cloaking the side view.
It has also been placed in the tokonoma, a small decorated alcove in the main room of the home. Contemporary kagami mochi are often pre-moulded into the shape of stacked discs and sold in plastic packages in the supermarket. A mikan or a plastic imitation daidai is often substituted for the original daidai. Variations in the shape of kagami mochi are also seen.
The floor layout of the building comprises a booking office, waiting room, ladies waiting and toilets and male toilets with access from the south end of the building. The interiors generally feature custom orb ceilings with ceiling roses, fireplaces with no grates, timber floor boards to main rooms and tiling to toilets, beaded dado line and timber bead style moulded cornices. Toilet fittings are modern.
This two-storeyed building, situated in Alice Street, is of brick construction with a rendered facade and a galvanised iron roof. The facade has semi-circular arched windows on both levels. There are eight openings on the upper level and three to each side of a central square carriage way on the lower level. All the arched openings have moulded architraves, sills, and ornamented keystones.
At the top is a moulded cornice, and a plain parapet. The north transept (Kilmorey chapel) has a battlemented parapet with crocketed pinnacles at the corners and on the apex of the gable. It contains a three-light north window, a two-light east window, and a west doorway with four steps leading up to it. The remainder of the church has a plain parapet.
The church is constructed in sandstone with slate roofs. Its plan consists of a five-bay nave with a clerestory, north and south aisles, a chancel, a north organ chamber and vestry, and a west tower. The tower has angle buttresses, and a west doorway with a moulded surround. Above the doorway is a three-light window, over which are three narrow lancet windows.
Part of the keelson is now in its place; it is sided ten inches and moulded eight, and was fastened to the keel with four iron bolts, driven between the floor- timbers (not through them) into the keel.Sparrow Hawk Ye antient wrecke.-- 1626. Loss of the Sparrow-Hawk in 1626, by Charles W. Livermore and Leander Crosby, Alfred Mudge & Son: Boston: 1865, p.11-12.
Sited on a rise, the Hartwig house is a rectangular two-story cream brick Italianate style building with an attached ell and entrance porch. The foundation is made of fieldstone which is substantially exposed. The dwelling is further characterized by a cupola, overhanging eaves, flat window lintels, peaked moulded lintels, a hip roofed dormer and eyebrow windows. The entrance features a sidelighted door with an overlight.
Concrete stairs in the southern, front elevation lead to the ground floor verandah which, like the first floor balcony, extends from the southern elevation around and along the eastern elevation. The front, main entrance is a panelled timber door with moulded architrave. The words "GREEN HOUSE" appear on the architrave. Internally, the Green House is lined in tongue-in-groove timber panelling, with a picture rail.
Rooms open off the corridors and have views to the surrounding streets or the inner courtyard. There are stairwells off the corridors to each corner of the building. The stairwells contain terrazzo stairs, terrazzo panelling to dado level, plain and twisted steel balustrading and moulded timber handrails and are top-lit by roof lanterns. The stair to the east corner is now enclosed at ground floor level.
The tower is thin and oblong. On each side of the tower, above a string course, is a louvred bell opening with a triangular head, and around the top of the tower is a moulded cornice. On its summit is a rotunda consisting of a cupola carried on columns, surmounted by a weathervane. The turret had two bells but one was moved to Holy Trinity.
The main surviving building is a 15th-century sandstone range which probably contained the Prior's guest-house. Some original stone corbels and wooden carved tie beams remain, as does a moulded stone fireplace and a magnificent medieval wall painting depicting the crucifixion. The timber-framed addition is of 16th century date. Internally the building was substantially altered in the 16th century when it became a private house.
It would be easy to drive and park and for the driver to enter or exit, and it would require minimum maintenance. The vehicle would be engineered for simplicity using injection-moulded plastic components and a polypropylene body. It would also be much cheaper than a car, costing £500 (now £) at the most.Dale, p. 152–3 One area of development that Sinclair purposely avoided was battery technology.
A prism sheet is somewhat like a linear Fresnel lens, but each ridge may be identical. Unlike a Fresnel lens, the light is not intended to be focused, but used for anidolic lighting. Other film is moulded with thin near-horizontal voids protruding into or through the acrylic; the slits reflect light hitting their top surfaces upwards. Refraction is minimized, to avoid colouring the light.
St Aldhelm's is built of Poole bricks, with purple-grey facing Sussex bricks and dressings of Box Ground Bath stone. The piers were constructed using engineering bricks to provide additional strength. The interior is painted white and the ceiling is of five-sided barrel design, with moulded pine ribs and panels. The steps of the original chancel and sanctuary are of Purbeck stone, with artificial stone paving.
At the top of the columns are moulded cornices, which are carried out over the lateral bays. These bays contain two round-headed windows with imposts and keystones, one in each storey. The lower windows are partly blocked with notice boards, and the upper windows contain circular geometric glazing. Under the arch, steps lead up to a recessed porch with doorways and a Venetian window.
British Museum, London Tessellated roof is a frame and a self-supporting structural system in architecture. A simple ridged roof may inside be a tessellated system. The interlinking shapes are replicated across the moulded surface using curvilinear coordinates, a specific technique with rigid interlinking beams, having characteristics similar to woven fabric. A tessellated roof is one of the most flexible framed systems to design.
The chancel, measuring by , dates from the 13th century with a 14th-century roof. The chancel arch is 14th-century, plain with no mouldings and traces of an earlier roof gable above it, and preserving two sawn-off ends of the rood beam. The roof has braced collar beams and the two tie beams are moulded. The east window has been restored with glass from 1887.
There are two windows in the south wall. The eastern one is 14th-century with two trefoil lights and is square-headed, with modern glass. The sill is a stone slab with a moulded edge, probably from a tomb or altar. The other window is one, wide pointed, 13th-century light (probably a lancet window reduced) with modern glass showing St Laurence with gridiron.
In a February 20, 1980 issue of The Hollywood Reporter, the film was announced as to start it principal photography on 13 March 1980 under the title Moulded to Murder. It was announced in March that the film's title had been changed to Murder by Mail. The film was announced for sale at the Cannes International Film Festivla Market, but was not screened for potential buyers.
The line of the previous 13th- century north transept is defined by a pointed relief moulding above. The south stub transept window is Early English, incorporating four lancet lights with three quatrefoil rosettes above. The 14th-century south porch is of the same banded limestone and ironstone, and set on an ashlar plinth. Its pointed and moulded arched entrance is supported by octagonal pillars.
The west wing was rebuilt after the Second World War. Internally, the entrance hall is early 18th century with a black-and-white stone floor. Four rooms have moulded plaster ceilings and cornices dated to the second quarter of the 18th century. The central staircase was installed when the courtyard was enclosed and features carved panelling from circa 1540, believed to be from Royton Chapel.
There is a timber floor to the hall, and a timber stage to the northern end. The ceiling is divided into six bays by curved and moulded timber brackets, joined by tie rods across the room. A pressed metal ceiling rose is centred within each bay. The ceiling also is lined with beaded boards, running diagonally where the ceiling rakes up to the collar tie.
The font is octagonal, standing on a moulded shaft, and has panelled sides. The wooden pulpit dates from 1907, and stands on a stone quatrefoil column. The stained glass in the east window depicts the Baptism of Jesus and the Crucifixion. Elsewhere there is glass by Heaton, Butler and Bayne of 1908, G. Wragge of 1923, Shrigley and Hunt of 1939, and W. Pointer of 1958.
Sampo was long overall and at the waterline. Her moulded breadth was and breadth at the waterline slightly smaller, . The draught of the icebreaker at maximum displacement, 2,050 tons, was defined in the contract as in the bow and in the stern. She was initially operated by a crew of 36, but this was later increased by two divers and additional stokers.Laurell 1992, p. 291.
These two bays are covered with groined vaults put on ionic capitals, which resemble those used in the Church of Saints Sergius and Baccus. The two external bays are surmounted by central saucer domes and are separated from the others by projecting pilasters. The exterior is clearly Ottoman. It is made with finely dressed and polished stone, with no tiles, and has a stone moulded cornice.
The plain exterior conceals the spectacular interior which has "gorgeously enriched" panelling, bolection moulded stone fireplaces and "outstanding" plaster ceilings. The quality and style of the plasterwork in the house bears similarities to that at Holyrood Palace which led Geoffrey Beard, a historian of English decorative arts, to suggest that the same craftsmen may have been involved. Eye Manor is a Grade I listed building.
Both entrances are at the top of stone staircases and flanked by columns—the south entrance by round Doric columns and the north entrance by square columns. Between the two staircases there are iron railings with spear-shaped finials. At the roof line there is a parapet with ornamental iron decoration and corner finials. Below the parapet there is a blocking course and a moulded cornice.
Even the Physiocrats insisted that the market, the sovereign had to really respect the market. How could this new problematic of liberalism, the sovereign, the market, and the new-found political power, homo oeconomicus which economic activity had at least specific patterns of correlation could be moulded into one tight unit? Foucault seeks the answer to this with a new field of reference, civil society.
Three windows are placed on the north wall, the fourth serves as the aisle west window. Between the two north wall western windows is a simply moulded and slightly pointed door opening with hood mould and label stops, and a carved finial above. Within is a face-hinged oak door. The north aisle parapet is deeply crenellated to the same style as the tower battlements.
The skills of the Khalasi community have amazed the sailors and merchants from European and Mediterranean countries, which brought them to Beypore to buy Urus. The native technique employed by Khalasis for their work is based on the principle of pulleys. The equipment consists of wooden rails, rollers and ropes. The wooden pole is moulded as windlass and pulleys and hawsers are used for leverage.
The bridge is constructed from sandstone ashlar, some of which may have been quarried in nearby Bury. It crosses the Irwell in a single, semi- elliptical arch with a span of about 100 feet. This is lined with rusticated voussoirs and topped with a straight roll-moulded string course. Two large queen's orbs rest on Grecian scrolls, which themselves sit on two of the bridge's parapets.
The church is built in Perpendicular style except for the north arcade, which is built in Decorated style. The porch has granite coping and kneelers, and the moulded, arched granite outer doorway is set under a sundial in the gable. Apart from the arcade, the interior walls are plastered. The roof is probably original and is of the open waggon type with carved ribs and bosses.
An exception to this method is the Enfield rifle- musket cartridge. There were no lubrication rings moulded or swaged into the Enfield projectile. The projectile was inserted upside down in the cartridge and the outside of the cartridge paper was greased at the projectile end and intended to be inserted and used as a paper patch. A ramrod was used to fully seat the round.
Retrieved 14 March 2018. founded by the late Geoffrey Griffin who spotted his creative talent..Kenya: Griffin's Hands Moulded Top Leaders. All Africa. Retrieved 14 March 2018. He studied Law at the University of Nairobi from 1997 until 2001 before shifting his focus to creative writing and journalism. He attended Herzen University Summer Literary Seminars to hone his creative writing between 2003 and 2006.
The bronze elements of the monument were moulded by the Technical Appliance Works at Gliwice. The copying of the Washington monument was executed by Kraków sculptors Anna and Wojciech Siek. The monument was unveiled on 16 November 2010. The monument shows the figure of Tadeusz Kościuszko in the uniform of an American general, holding drawings of the West Point garrison defenses in his hand.
Inspiration was drawn from the African Maasai warriors' ritual scar markings. As for the Archers, skin-toned Tactel was selected and tattoo designs were printed on it to make the Archers' tattoos look truly realistic. They also have moulded rubber toes attached to their shoes, giving the appearance that they are barefoot. Tattooing techniques used for the Archers were also applied to the Counselor's Son.
1878 and 1934). North of the aviaries past a herb garden is the secluded rose garden, which is enclosed on one side by columns transferred from the original Townsville Town Hall. This layout is a copy of the early twentieth century formal garden and includes the moulded terrazzo urn (1957) as the central focus. The south- eastern half of the garden comprises open lawns and shady trees.
The chancel's east window dates to the late 14th century. Internal fittings of note include a stone altar of early 13th century origin, which sits on a base of Purbeck Marble. In the chancel are two 15th century moulded stone corbels, as well as a piscina dating to the 13th century but since restored. The chancel floor has eighteen re-set tiles of medieval origin.
Biosensor implant for glucose monitoring in subcutaneous tissue (59x45x8 mm). Electronic components are hermetically enclosed in a Ti casing, while antenna and sensor probe are moulded into the epoxy header. An in vivo biosensor is an implantable device that operates inside the body. Of course, biosensor implants have to fulfill the strict regulations on sterilization in order to avoid an initial inflammatory response after implantation.
The moulded window hoods are fairly simple on the first floor but sport a center crest and carved leaf design on the second. The arches, however, have been infilled following the installation of modern rectangular windows. Both street-facing façades have ornamented porches conjoined to a projecting bay with tall, narrow windows. The front porch is open while the side porch is screened in.
The statue depicts Palmer, standing, with top hat and umbrella clasped in his right hand, while his left holds his lapel. It was the first statue in Britain with an umbrella. The statue was unveiled on 14 November 1891, the same day that Palmer Park was given to the city. The statue is in bronze, mounted on a substantial pink granite plinth, with moulded cornice and base.
The almond flour mixture is roasted and cooled, after which sucrose (table sugar) and possibly a binding agent such as starch syrup or sorbitol are added. It may then be moulded into any shape. Marzipan must be covered in an airtight container to prevent it from hardening and dehydrating. It should be protected from direct light to prevent rancidity of almond oil, a result of lipid oxidation.
There’s a wide debate in what concerns to socarrat manufacturing. Being objects with ceramic base, controversy starts when one considers the stages that occur after drying the moulded ceramic paste. González Martí and Blat Monsó are the most representative authors on this subject. According to González Martí, the dry tile should be covered with a kaolin based earth and painted with iron and manganese oxides.
McCrory's costume was designed to be similar to her alien creature to make the transition smooth. McCrory was coached to move like a fish, which she pursued diligently. Each pair of teeth for the vampires was unique and moulded to their mouths. They were hard to speak with and Alex Price's lines were re- voiced, though he commented he got "quite good" at speaking with them.
Clockwise from top: Sperry Top- Sider, Le Chameau, Jeantex, Aigle, Gill, Helly-Hansen and Newport short and tall rubber sailing wellingtons. Marine footwear is extremely important in order to stay safe while sailing. Sailing wet-boots are designed to keep the sailor's feet dry and can be either rubber moulded or more technical. The most common range of fabrics are Gore-Tex and leather.
An inter-war two-storeyed rendered cavity brick building, with hipped terracotta tiled roof. The building is square in plan with a projecting entrance portico and balcony. The entrance facade to Abbott Street is decorated with moulded details that are classically derived including double height pilasters, which rise to a stepped parapet. On the upper level of the Abbott Street elevation all the openings have timber shutters.
The chancel has an east window of two lights with a circle in the head, originally c. 1250, and there are single lancets in the north and south walls. The vestry is of brick and is five steps below the chancel level. The 13th-century arch to the nave is of two chamfered orders, the inner one resting on moulded corbels supported by grotesque heads.
It has two stages, the lower stages consisting of a colonnade of eight Doric columns with rectangular windows in the walls between them. The top stage consists of an octagonal drum containing eight louvred openings, and this is surmounted by a dome with a cross. Two steps lead to a central doorway in the west front. The doorway is flanked by pilasters and has a moulded architrave.
There are two-light decorated, lancet windows in the second and third stages, and paired bell-chamber lights at the fourth stage. Its west door is in a moulded archway with polished granite shafts. The door, designed by Hubert Austin, retains its original ornate hammered ironwork door furniture. The church has a five-bay nave, divided by buttresses with lean-to aisles and a clerestory above.
In 1980, the facelifted and better equipped Mini Mille made its appearance. The Mille (1000) replaced the larger- engined 120 in most markets, and featured moulded plastic bumpers, headlights which sloped backwards, and redesigned taillights. Overall length increased by a couple of inches (5 cm). There was also a "90 LS II" version introduced for 1981, and the "90 SL" for the 1982 model year.
He moulded the hero's character with a sole aim of giving him a mass image." Cinegoer.com gave a review stating "The movie has nothing new or good to offer, but it isn't an unbearable affair either. Sushanth's debut is not bad, but a makeover and voice modulation, some more of the grooming and training (dance-fights-etc) he's obviously received will go a long way.
A decorative frieze of serpentine foliage is set at the top. Above the reredos is the Perpendicular-style three-light east window with 19th-century stained glass. The north chapel contains a parish chest of wood held with metal straps, in the east wall a piscina with moulded and pointed surround, and against the north wall the church organ. The south chapel piscina is ogee-headed.
Reilly, 19 There is evidence of a range of figures being produced but not in great quantities.Halfpenny, 243 Forms were sometimes based on contemporary silver and pewter shapes and were both press-moulded and slip-cast.Reilly, 19–20 None of Whieldon's pottery was marked, making attribution difficult. The shards excavated at the Fenton Vivian site are a vital source of information allowing some attribution by typology.
The Georgian Bucklebury Manor contains within its interior an early C17 ashlar fireplace that is carved with panelled pilasters that support a rich cornice. There is also an over-mantel with shallow carved decoration, and a moulded flat arch with Delft type glazed tiles behind. There are seven bedrooms. Bucklebury Manor has been listed as Grade II by English Heritage since 22 November 1983.
Eames and Saarinen's work displayed the new technique of wood molding (originally developed by Alvar Aalto), that Charles would further develop with Ray in many moulded plywood products, including: chairs and other furniture, and splints and stretchers for the US Navy during World War II.Alexandra Griffith Winton. Charles Eames (1907–78) and Ray Eames (1912–88) . The Metropolitan Museum of Art. Accessed 12 December 2007.
The sole is moisture-wicking, and most widely breathable. The TPU properties of the soles let players to run easily even on hard ground without grass. Shoe insoles are made up of moulded Ethylene Vinyl Acetate (EVA) material that makes players more comfort during playing the game on the wet ground as well. The series of shoes includes identical properties as per their categories.
The present awning is cantilevered, replacing an earlier posted version, and supports some timber farm relics. Above the awning is a row of small clerestory-like windows with arched brick lintels, which light the ground floor. The shopfront has large panes of plate glass divided by cast iron column mullions with simple moulded bases and capitals. Behind are circular metal columns supporting the brick facade above.
The front verandah has stop-chamfered timber posts, doubled at the central and end bays. The cast iron balustrade features the classical motif of a woman in flowing gowns at the centre of each panel. Below the balustrade is a pressed metal frieze, then a slatted timber valance. To the underside of the verandah has a ripple iron lining trimmed with moulded metal gutters.
The hipped bullnose roof to the verandah is of corrugated iron, and framed with stop-chamfered purlins and shaped rafters. The gutter has a decorative metal acroterion remaining on one corner. Above is balustraded parapet of moulded plaster pedestals topped with ball motifs, concrete balusters and face brick surrounds. To each end are ornate metal rainwater heads announcing 1912 as the year of the building's construction.
The Acholeplasmatales are an order in the class Mollicutes, containing only one family, Acholeplasmataceae, comprising the genera Acholeplasma and Phytoplasma. Yet, Phytoplasma has the candidatus state, because members still could not be cultured. Etymology: The name Acholeplasmatales is derived from the Greek a = not, cholè = bile and plasma = anything moulded or formed. D.G. Edward, E.A. Freundt Amended nomenclature for strains related to Mycoplasma laidlawii.
It has a two-window gabled symmetrical facade, with a plinth and a pedimental gable. There is a tall central doorway with altered double doors and a plain overlight. The doorway has a plain surround with a moulded cornice on large fluted consoles, There is a rectangular plaque above the doorway inscribed: JIREH/ ERECTED A.D./ MDCCCLII. There are tall segmental-headed windows which have eared architraves.
Sacred Heart College is an educational institution in Lucena City, Quezon, Philippines. The first catholic learning institution in Quezon Province, it was founded on April 27, 1884. It had its roots in the vision of a simple and saintly woman named Hermana Fausta Labrador whose exemplary life was moulded on the Vincentian spirituality. The school grew and its status was changed from Academy to College in 1941.
The St Mark's Clock was assembled in 1493, by the famous clockmaker Gian Carlo Rainieri from Reggio Emilia, where his father Gian Paolo Rainieri had already constructed another famous device in 1481. In 1497, Simone Campanato moulded the great bell, which was put on the top of the tower where it is alternately beaten by the Due Mori (Two Moors), two bronze statues handling a hammer.
Back surfaces of iPhone 3G. Apple uses Autodesk Alias for all their products In the product design realm, Class A surfacing can be applied to such things like housing for industrial appliances that are injection moulded, home appliances, highly aesthetic plastic packaging defined by highly organic surfaces, toys or furniture. Among the most famous users of Autodesk Alias software in product design is Apple.
Hardwood weatherboards were fixed over the vertical slabs to the east of the rear door (south elevation) and the eastern gable. Beaded lining boards were added to the south and east with a Victorian moulded-top skirting board along the east wall. At some time in the 19th century, corrugated galvanised steel sheeting was fixed over the roof and original shingles, and guttering was probably first installed.
Small dark stained timber vestibules with stained glass doors provide protected entry on the inside of the church. The building is elaborately decorated both externally and internally. Contrasting brickwork is used for attached pilasters, buttresses, quoining around window and door openings, string courses and coloureds bands of brickwork, and diamond panels in the facework. Contrasting moulded bricks are used for string courses, sills and hood moulds.
The house was finely detailed with costly materials and decorations. The brick walls are rendered inside and out. The exterior decoration includes moulded entablatures and rounded arches and pilasters, to which the architect has added idiosyncratic detailing including Romanesque dentils in the arches, French Renaissance eaves and chimney corbels, and Aesthetic Movement column capitals under the entry arch. The tower has banded patterns of slate.
The ceiing of the chapel had ornamental cornice, with moulded and enriched panels. The total cost of construction was over £6,000. In 1941 the Nottingham Education Committee purchased the building for £1,100 to use as a gymnasium and youth centre for Windley School. The interior fittings were sold off and the hand-blown pipe organ by Conacher was purchased for £40 for Cotmanhay Methodist Church.
The building is sheltered by a gabled roof hidden from view behind the pediment. The roof is timber-framed and clad with corrugated metal sheeting and rests within parapet walls on all four sides. Box gutters drain to two rainwater heads at each end of the northern elevation. A masonry chimney with moulded cornice rises through the roof on the eastern side of the building.
Ang Thong (, ) is one of the central provinces (changwat) of Thailand. The name "Ang Thong" means 'gold basin', thought to have derived from the basin- like geography of the area, and the golden color of the rice grown in the region. Neighboring provinces are (from north clockwise) Sing Buri, Lopburi, Ayutthaya, and Suphanburi. Ang Thong native handicrafts include moulded court dolls, firebrick, and wickerwork.
Several materials are used for housings. Injection moulded plastics are most popular for the low end and some of the more powerful lights produced in large quantities. Low volume products and home built lights are generally machined from aluminium alloy or high grade engineering plastics such as acetal (Delrin), or occasionally stainless steel, brass or bronze. Lenses (ports) are usually high grade transparent plastic or toughened glass.
Leading up from the road to the garden of the hall is a flight of eight sandstone steps that are dated 1653. They are protected on the outside by a sloping parapet with roll-moulded coping. The steps incorporate an enclosed viewing platform on an open-topped turret with loopholes on its sides. They were designed as a Grade II listed building on 22 October 1952.
Each is truncated at the corner following the line of the building and each is decorated with lacy cast iron valances. The upper level also has cast iron balustrading. The wing to the rear of the main section along Qualtrough Street is much simpler in form and has sash windows with moulded decoration. The upper level of the hotel has French windows opening onto the verandah.
Cooper (2010), p. 42 Fine Etruscan pottery was heavily influenced by Greek pottery and often imported Greek potters and painters. Ancient Roman pottery made much less use of painting, but used moulded decoration, allowing industrialized production on a huge scale. Much of the so-called red Samian ware of the Early Roman Empire was in fact produced in modern Germany and France, where entrepreneurs established large potteries.
The body was a modified version of the TC 108G styled by Graber of Switzerland but built by Mulliner Park Ward and distinguished by having twin headlights mounted one above the other. Saloon and drophead versions were available. The design was noted for its lack of bright side trim or creases moulded into the body parts. The windshield was one-piece, curved, and not too highly sloped.
Zeoform can be used as a replacement for conventional materials in hundreds of industries, including construction grade flat sheets and curved panels to replace MDF, Masonite, Formica, Corian and other synthetic composites. Zeoform can be sprayed, moulded, pressed, laminated or formed using manual and mechanical processes. It can be produced in quantities ranging from small cottage industry to fully automated and robotic mass production.
Every year in Aug- Sep, there is another festival called "MOOSHARI UTSAVAM" in commemoration of the sculptor who had moulded the divine image of SREE POORNATHRAYEESAN. It is believed the sculptor himself merged with the divine to give life to the amazing mould of Poornathrayeesha which is still used in the sanctum. Lakshmi Naryana Vilakku, Uthram Vilakku and Thulam ombath Utsavam are other main celebrations every year.
Rusthall Common is a geological Site of Special Scientific Interest in Rusthall, a suburb of Tunbridge Wells in Kent. It is a Geological Conservation Review site. It is owned by the Manor of Rusthall and managed by Tunbridge Wells Commons Conservators. This Quaternary site is important for its examples of sandstone weathering, especially Toad Rock, which stands on a narrow base moulded by periglacial wind erosion.
The spire is divided into five stages by moulded bands; in three of the stages are gabled windows. On its summit is a finial and a weathervane. At the west end of the church is a deeply recessed doorway, over which is a tympanum containing sculpture. The south porch contains an arcade of three arches, each containing a single-light trefoil-headed window, and deeply recessed doorways.
The German chemists Arthur Eichengrün and Theodore Becker invented the first soluble forms of cellulose acetate in 1903, which was much less flammable than cellulose nitrate. It was eventually made available in a powder form from which it was readily injection moulded. Arthur Eichengrün developed the first injection moulding press in 1919. In 1939, Arthur Eichengrün patented the injection moulding of plasticised cellulose acetate.
Then the second material, a different colour, is injection-moulded into those spaces. Pushbuttons and keys, for instance, made by this process have markings that cannot wear off, and remain legible with heavy use. A mould can produce several copies of the same parts in a single "shot". The number of "impressions" in the mould of that part is often incorrectly referred to as cavitation.
Some of the moulded plaster ornamentation is visible at the tops of the columns, on the faces of the pilasters, and under the beams on the ground floor. The upper floors have drop panels on two sides of the columns and on the face of the pilasters. A timber Commonwealth crest has been installed between the doors of two of the refurbished lifts in the lobby.
It is a dense, and hence heavy, material, which can cause issues with large designs. It can be moulded by hand, without using special tools or fixtures, and it does not stain hands. More complex sculptures can be made using basic tools. It is commonly used to make simple sculptures such as apples, leaves, or mushrooms, or more complex shapes such as trees, birds and animals.
The result is an "extraordinary, continuous and closely moulded net of tracery", complementing the new stained glass windows commemorating the fire, designed by Joseph Nuttgen,Nicolson, pp. 246, 264. based on an idea of Prince Philip's. The Great Kitchen, with its newly exposed 14th-century roof lantern sitting alongside Wyatville's fireplaces, chimneys and Gothic tables, is also a product of the reconstruction after the fire.
Miller managed St Mirren from 1983 until 1986. He moulded a side that would win the 1987 Scottish Cup Final, later in the season that he left the club. Miller guided St Mirren to qualification for European competition. One of Saints all-time great nights came in a European campaign when in 1985, Slavia Prague were knocked out after a 3–0 Saints win at Love Street.
Built in the Perpendicular style, with possible Norman origins, it consists of a chancel, nave and north and south aisles. Several monuments were removed by Rev. Granville Leveson- Gower in 1818 and some restoration occurred in 1884; it was re-seated and repaved in 1889. The building is of ashlar slate stone on a moulded plinth and wall plate, rag slate roofs with gable ends.
The exterior and interior of the building are substantially as they were when constructed. Exterior features include the curved entrance colonnade, "roughcast" stucco panels, gable treatments and tuck pointed brickwork. The interior has decorative metal and boarded ceilings, moulded plaster wall decoration and panels, leadlight door panels, cedar joinery, and clerestory windows to the Long Room. The place is important because of its aesthetic significance.
DPS Aligarh (Junior Wing), with approximately 1600 students on its rolls, is one of the best residential schools in the state and adjoining regions. Here the students are moulded in a manner that they mature as a responsible citizen of the country. The school itself never forgets it social responsibilities. Thus, under Asha Ki Kiran (the ray of hope), it serves the children with special needs.
The Oxford Dictionary gives the comparative and superlative forms of chic as chicer and chicest. These are wholly English words: the French equivalents would be plus chic and le/la plus chic. Super-chic is sometimes used: "super-chic Incline bucket in mouth-blown, moulded glass".Times Magazine, 8 July 2006 An adverb chicly has also appeared: "Pamela Gross ... turned up chicly dressed down".
1270 capital detail. The c. 1270 chamfered rebated chancel arch has a hood mould finished with human head label stops on both chancel and nave sides. Set within the arch is a further chamfered arch supported by responds--half-piers attached to walls supporting an arch--of semi-circular columns with flat-face faceted moulded bases, and foliate capitals that have been part-restored.

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