I kind of feel like this is my most experimental book.
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And in the fashion department, this year was her most experimental yet.
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There's art here, but it's not the most experimental kind of place.
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Google is letting users peek into some of its most experimental artificial intelligence projects.
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The most experimental of the four choreographers was Ms. Tanowitz, who contributed two premieres.
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This has no doubt been a most experimental year for Brown and her look.
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Pape, the most experimental and restless of Brazil's great postwar artists, offers one answer.
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L.I.E.S. Records has not flagged in its commitment to some of the most experimental techno around.
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"Asante" is among both the most traditional and the most experimental albums of Mr. Tyner's career.
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Before the invention of the computer, most experimental psychologists thought the brain was an unknowable black box.
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The truck is Tesla's sixth vehicle model since the company was founded in 2003, and is its most experimental.
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The truck will be Tesla's sixth vehicle model since the company was founded in 2003, and its most experimental.
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In her most experimental stories, she conveys this alienation with the mad-scientist approach of classic postmodernists like Donald Barthelme.
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At 19, Phillip Youmans is surely the youngest director in this year's American dramatic competition, and probably the most experimental.
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Takahata never drew himself, which led to his movies often serving as an outlet for Ghibli's most experimental and brilliant animation.
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It's Bon Iver's most experimental album to date, mixing the choral sounds of Vernon's previous efforts with something rawer and more frayed.
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Kit Kat is nowhere near the first brand to give non-American consumers a first taste at their wildest and most experimental flavors.
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Read the email the creator of 'BoJack Horseman' wrote to convince his Netflix bosses to approve one of the show's most experimental episodes
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Newer, smaller players are offering the most experimental tariffs, selling power in hourly or even half-hourly slots tied to wholesale spot prices.
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This album was definitely one of The Beatles' most experimental albums as it features Indian influences, as well as an innovative production value.
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And it's answered, in some ways, by the songs themselves on Bon Iver's most diverse, noisiest, shortest, knottiest and most experimental album so far.
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In October he gave an incisive account of Rachmaninoff's Fourth that made a case for this episodic piece as its composer's most experimental score.
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Things get looser and wilder as the album progresses, revealing some of McCartney's most experimental work since his freewheeling Fireman project with the producer Youth.
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This show's most experimental nonconformist is the near-manic "Early" (2017–203), a panel that agitates as if in the throes of its own creation.
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The Dreamcast library was arguably the most esoteric out there, and represented some of SEGA's most experimental output ever, with games like Chu Chu Rocket!
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Today, some of the most experimental modern architecture in the world is being built in Beijing, like the CCTV Tower, locally known as "The Trousers."
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Ms. Gerring came nearest; her "Duet" was the evening's most remarkable and most experimental piece, and Ms. Webber's score, sometimes abrasive, showed a kindred spirit.
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As it is, fans of the most experimental stories of Donald Barthelme and Lydia Davis are likely to find Ms. Williams's worthy of the same shelf.
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These recordings, with an atonal, droning, and industrial template, much in the spirit of Lynch's most experimental films, are now being made available as an album.
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The knowledge that multiple drugs will be needed for therapeutic combinations to treat NASH, and that most experimental drugs fail, are big drivers for deal activity.
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The company is showcasing its most experimental projects — all of which are part of the company's Future Lab R&D program — to SXSW attendees beginning Saturday.
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More than most experimental filmmakers working today, his films are extremely funny and allow for the influence of popular forms, even if they are rearranged or broken apart.
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Mr. Godard looms large over Mr. Bertolucci's third, and most experimental, feature, "Partner" (21993), a reworking of Dostoevsky's "Double" in which a young man encounters his revolutionary doppelgänger.
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It's a second-generation development kit focused on creating a VR experience with the most experimental technology and the least compromise , even if it means few people can afford it.
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Often, this was where Google would show off its most experimental and interesting projects — and sometimes, this ATAP keynote was actually more fun than the larger, flashier I/O keynotes.
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Given this, it seems counterintuitive and audacious that his daughter Anna Bergman has chosen to adapt for the stage one of his most experimental and purely cinematic works, "Persona" (1966).
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This was maybe the least calculated, least constructed, most experimental thing I've done; there are probably as many panels that I discarded as there are panels that made it into this book.
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In the final sequence of one of Lynch's most experimental movies yet, Lauren Dern who plays an aspiring actress, is approached by a man referred to as "the phantom" in a hallway.
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The epic 85-look collection was perhaps Bailey's most experimental and creative to date, incorporating all of the brand's hits over the years, from trenches, windbreakers, and Harrington jackets to scarves, caps, and capes.
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He was supported by a bunch of people too, including Yves Tumor—one of the most experimental and celebrated artists going, who last year released the fantastically warped album Safe In The Hands Of Love.
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And to celebrate the success of her most experimental and personal album to date, the singer decided to go big and glamorous at the award ceremony in an orange top and very full black skirt.
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Instead, 22, A Million pushes Vernon into the most experimental territory he's ever been in as a songwriter, though it's still rooted in distinctly American musical forms, as his December performances at Brooklyn's Kings Theatre showed.
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Linklater at his most experimental: Waking Life isn't for everyone — I've met more than a few avowed Linklater fans who don't care for it at all — but it's one of those movies you have to see.
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Batman Begins is the most classical and orchestral of the bunch, The Dark Knight is the harshest and most experimental, and The Dark Knight Rises is the volatile middle, combining and then exalting elements of both.
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On DVD Jacques Rivette, who died in January at 21960, was in some ways the most classical of French New Wave directors (adapting Denis Diderot and Balzac, celebrating Joan of Arc), and in others the most experimental.
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FB: There's definitely an uncanniness to the book's genre, since it seems on the surface that it will be your least experimental book, but in many ways it felt to me, too, like your most experimental book.
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Reporter Mr. Tatyana Bellamy Walker reviewed a copy of the exact email the show's creator wrote to convince his bosses at Netflix to approve one of the shows most experimental episodes, "Fish Out of Water," in season three.
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Now, the New York dealer Fergus McCaffrey, who has previously shown Shiraga's and Motonaga's vigorously abstract paintings, is showcasing the work of Toshio Yoshida, one of the less well-known but most experimental of the Gutai group's members.
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And it returns to the kind of future of VR that the Versions conference is trying to help steward: one in which new directions are explored to the fullest and most experimental degree while a dedicated ethical commitment is maintained in full view.
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It's also the most experimental thing he has tried, a laboratory where Ko's chef, Sean Gray, can give cooks a chance to learn new skills like making the gorgeous puff pastry for the formidable pork pie or to work out oddball ideas.
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Forsythe has worked with almost all of the dancers in its small cast—two women and five men—for years, on some of his most experimental pieces; one of the men is the hip-hop dancer Rauf (RubberLegz) Yasit, also a past collaborator.
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In the case of "22, a Million," his third and most experimental album as Bon Iver, that attention to detail meant taking five years to finish it, as well as a carefully curated debut at his own hometown music festival, Eaux Claires, in Wisconsin.
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And more than ever, in 2018, it feels like the oft-maligned sounds of easy listening are in the air—providing a deceptively blissful packaging for some of pop music's most experimental operators, offering the promise of relaxation, as if that's even possible anymore.
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The film by award-winning director Andres Veiel shows the contradictory path of a man who voluntarily joined the Hitler Youth and fought in World War Two, only to become one of Germany's most experimental artists and a vocal proponent of self-determination and grassroots democracy.
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" SahBabii also the logical extension of the burgeoning Atlanta sound that I've been harping on over the past few months, the next progression of the soothing melodicism that you hear in music like Lil Yachty's most experimental songs, Quavo's solo features like "Good Drank," and Rae Sremmurd's "Black Beatles.
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But the batch that became "Remind Me Tomorrow" was the most experimental, with sonic references that were "the sort of things you don't think of when you think of Sharon Van Etten," said the producer John Congleton, who would go on to oversee the recording sessions in Los Angeles.
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These are the company's most experimental pieces, in appearance and silhouette, and almost uniformly gorgeous in their mildly wilted forlornness, especially the faded black bomber ($998) and the wrinkled red gilet designed to be zipped into other pieces in the collection ($413) but which was eminently wearable on its own.
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Names like Phoenician Sailor draw hundreds of thousands of viewers, but some of the genre's most experimental voices are on its fringes: haunt ASMR Horror YouTube for long enough and you'll find the likes of Henrik Paavo Nilsson, whose videos are creepy in the way that only things you find on the internet late at night can be.
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PLAYLIST: "Little Green" / "California" / "A Case of You" / "You Turn Me On I'm a Radio" / "Blond In the Bleachers" / "People's Parties" / "Car On A Hill" / "Trouble Child" Conceived and composed on a pair of largely solitary, post-tour road trips back and forth across the United States, 1976's Hejira marks Mitchell's most experimental album to date, and announced a sea change from the more accessible pop melodies of Court And Spark and its 1975 follow-up, The Hissing of Summer Lawns.
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This would prove to be by far the most experimental record by The Faceless to date.
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"Long Gone Day" is possibly the band's most experimental song, as it takes influence from genres as diverse as jazz, progressive rock, classic rock, and blues.
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At the same time, the category of Most Experimental Video was renamed "Breakthrough Video", a name that it still keeps (as of the 2010 MTV Video Music Awards).
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Published by Audible in 2011. This is the final volume in the series. Most of the stories are from Ellison's most experimental period in the 1960s and 1970s.Starosta, Stuart.
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HotNewHipHop gave the album a 5-star rating, describing the project as one of his most experimental efforts to date in which he dabbles with elements of dancehall, R&B; and afrobeats.
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Among data collected, the study pinpointed NYC's most experimental venues as being located in Ridgewood, Queens and Bushwick South, Brooklyn. The report ranked NYC behind Berlin with a 7.29 out of 10.
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Grove describes the work as "one of the composer's most experimental works, blending film with stage action", and as "a mature drama" it is "comparable in theatrical impact to many of Martinů's later operas".
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Paul Young was one of the most experimental craftsmen in rodmaking. He was a restless artisan who pushed the boundaries of fly rod design, although he made a relatively limited number for his time.
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The MTV Video Music Award for Most Experimental Video was first awarded in 1984. The last of this award was given out in 1987, after which it was replaced with Breakthrough Video the following year.
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It is the most experimental song on the album. Hagen mentions cocaine, harakiri and Babylon. The last song is a punk version of "The Lord's Prayer", which features an interpolation of Aram Khachaturian's "Sabre Dance".
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According to Wilson himself, the album contained "the most experimental song-based music [he had] made." The album is named after the Avenida de los Insurgentes, the longest avenue in Mexico City near which part of it was recorded.
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The Waves is a 1931 novel by Virginia Woolf. It is considered by many to be her most experimental work,Goldman, Jane. "From Mrs Dalloway to The Waves: New elegy and lyric experimentalism." The Cambridge Companion to Virginia Woolf.
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"L.A.F" is an indie electropop song with lyrics describing letting loose with friends, or alternately "getting wasted," according to Caleb. Its rhythmic style has been described as one of their most experimental by Georgia and was labelled a "club banger" by FADER magazine.
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Paytress, Mark. p.120 Hedges also encouraged them to fiddle with effects; if the band came up with something off-the-wall, he'd want to top it.Paytress, Mark. p.124 According to the band, A Kiss in the Dreamhouse was probably their most experimental work.
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Cousin Henry is a novel by Anthony Trollope first published in 1879. The story deals with the trouble arising from the indecision of a squire in choosing an heir to his estate. Of Trollope's shorter novels, it has been called one of his most experimental.
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Some of Daevid Allen's most experimental work was with the long running Los Angeles noise band Big City Orchestra, including live performances and more than a half dozen CD releases. Other projects around this time included the Invisible Opera Company of Tibet and the Magick Brothers.
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Liberate Te Ex Inferis is the fourth full-length studio album by metalcore band Zao. It is considered by many to be their most experimental and darkest album. It was released on Solid State/Tooth & Nail. With the album came the addition of bassist Rob Horner.
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According to the USFS, "Most Experimental Forests are large enough to contain significant stream systems and several dozen contain experimental watershed study sites with multiple paired basins." Individual experimental forests range from in area. Experimental forests are distinguished from research natural areas and intensive monitoring sites.
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In 1980, the band released their second album Stagefright. Like their debut, it was recorded at Fairview Studios in Willerby, East Riding of Yorkshire, and is considered their most experimental work to date. During the period the album was released, bassist Andro Coulton was replaced by Pete Surgey.
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Impressions of Theophrastus Such is a work of fiction by George Eliot, first published in 1879. It was Eliot's last published writing and her most experimental, taking the form of a series of literary essays by an imaginary minor scholar whose eccentric character is revealed through his work.
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While the psychofuckdub of "Xnoybis" also appears on the "Crush My Soul" single, and the original version appears on the album Selfless, the clubdub and edit versions are unique to this release. In 1994, Broadrick called the eighteen-minute psychofuckdub remix "the most experimental thing Godflesh has ever done".
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R.E.M. and Fatboy Slim are the two biggest winners of this award, as they each have won it twice. Art of Noise, meanwhile, is the only artist or group to have won this award under its two incarnations: Most Experimental Video in 1985 and Breakthrough Video in 1989.
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The last track, "The Other Side", features B.o.B and Cee-Lo Green. It has been called the album's highlight, with its most experimental and complex production. "Somewhere in Brooklyn", which was only released in Germany as a promotional single, was included as a bonus track on several Doo-Wops & Hooligans editions.
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This includes Stills at his most experimental including using a Moog Synthesiser on "Move Around". The closing section, titled "Rock & Roll Is Here to Stay", is a rock and blues set. "What To Do" and "Right Now" are Stills take on the CSNY split and his relationship with Graham Nash.
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Esoptron is the second full-length album by Septic Flesh, released in 1995. The actual title is ΕΣΟΠΤΡΟΝ or Έσοπτρον, the word in Greek for "(inner) mirror". The album has been reissued in June 2013 by Season of Mist. This album is widely considered to be Septic Flesh's most experimental and progressive release.
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It is Heron who sings the piece in an uptempo style. The album also contains Robin Williamson's most experimental, "Pictures in a Mirror". The epic, a mixture of folk and drama, tells the story of Lord Randell. Williamson's vocals are prominent on this track for his range and ability to distort his voice.
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Ed. Boggs, Vernon W. (1992: 297–298). Salsiology; Afro-Cuban Music and the Evolution of Salsa in New York City. New York: Greenwood Press. During 1974–1976, they were members of one of Eddie Palmieri's most experimental salsa groups: salsa was the medium, but Palmieri was stretching the form in new ways.
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It also emphasized the abstract over the figurative. Much of his experimentation was based on his knowledge of chemistry from his early student days and made him one of the most experimental sculptors in 20th century Mexico. Examples include concrete, electrical cable and wire pieces such as Estela II, Máscara (1948) and El Nahual.
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Costume design for Romeo and Juliet. 1921. M.T. Abraham Foundation. Under the avant-garde umbrella, Ekster has been noted to be a suprematist and constructivist painter as well as a major influencer of the Art Deco movement. While not confined within a particular movement, Ekster was one of the most experimental women of the avant-garde.
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In the context of OA, the most attractive intra- articular sites for gene transfer are the synovium and the articular cartilage. Most experimental progress has been made with gene transfer to a convenient intra-articular tissue, such as the synovium, a tissue amenable to genetic modification by a variety of vectors, using both in vivo and ex vivo protocols.
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In this album, Rich continues to explore deeper into a rhythmic and organic style which began with Numena (1987). Several pieces carry a pronounced gamelan influence. The most experimental track on the album is a piece titled "The Raining Room", dedicated to the Russian filmmaker Andrei Tarkovsky. This was Robert Rich's first album released on Hearts of Space Records.
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The first video from the album, "The Right Thing,"premiered on Rolling Stone's website; it was followed by "Destroyer" and "Perfect." A third album, Things You Can't See, was released in the summer of 2015. Bass Player wrote it was Owl's "boldest and most experimental album." A video for the song "Lake Ego" was released in 2017.
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It was Electric Wizard's most experimental record to date. Following the release, the band embarked on a North American tour that raised tensions between band members. It was announced that the band was breaking up after the last concert of the tour. However, Electric Wizard did a UK tour with Cathedral soon after, with Justin Greaves (of Iron Monkey) on drums.
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The Rise & Fall is the fourth studio album by English rock band Madness. It was originally released on the 5th of November, 1982, on the label Stiff. This album saw Madness at their most experimental, exhibiting a range of musical styles including jazz, English music hall, and Eastern influences. NME described it at the time of its release as "The best Madness record".
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They also featured some of the best trombone soloists in the business, several of whom were "Anglo" jazz musicians who had mastered the típico style. Most famous of these was Barry Rogers. The Gonzalez brothers, Jerry and Andy, played congas and bass respectively, in Libre. Prior to the founding of Libre, they had played in one of Palmieri's most experimental salsa bands.
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During the summer of 2001, the group performed at both the Fuji Rock Festival and Rock in Japan Festival. The 2002 release Highvision continued the electronic development, and the single Strobolights did not even contain a guitar. Supercar released its last non-compilation album, Answer in 2004. Perhaps their most experimental album, Answer contained balance of both rock and electronica.
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Most experimental data can be explained by the model which considers cool flame just as a slow chemical reaction where the rate of heat generation is higher than the heat loss. This model also explains the oscillatory character of the cool flame: the reaction accelerates as it produces more heat until the heat loss becomes appreciable and temporarily quenches the process.
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There are music videos of each of these songs, by different directors. The music video of "Chandni te Unmad Ekjon"— which went national, trending #3 on YouTube—was directed by Samarpan Sengupta. The music video of "Daniken"—which also went national, trending #5 on YouTube—was directed by Samik Roy Choudhury. The album is one of the most experimental works of Rupam.
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It included a cover of the Regents' song "Barbara Ann" which unexpectedly reached number two when released several weeks later. In November, the group released another top-twenty single, "The Little Girl I Once Knew". It was considered the band's most experimental statement thus far. The single continued Brian's ambitions for daring arrangements, featuring unexpected tempo changes and numerous false endings.
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Nimbus 3 was successful and performed normally until July 22, 1969, when the IRIS experiment failed. The HRIR and SIRS experiments were terminated on January 25, 1970, and June 21, 1970, respectively. The remaining experiments continued operation until September 25, 1970, when the rear horizon scanner failed. Without this horizon scanner, it was impossible to maintain proper spacecraft attitude, thus making most experimental observations useless.
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The most experimental by far is Konyves. He's taken the poem off the page and turned it into visual performance. He has, in effect, made the "writing" of poetry into a creative act. He is also the most articulate defender of this type of poetry and his Poetry in Performance is crammed with explanatory notes, reasons why he does what he does and essays that anticipate criticism.
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This method is the most common for measurement of RNA over time in cell culture models, mainly due to its simplicity. Each biological sample need only be processed in exactly the same way, and the factor of time is easily adjusted in most experimental protocols. Furthermore, since each time point is its own sample, more RNA can be harvested and sequenced for a study.
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"Dark Ballet" received generally positive reviews from music critics, who deemed it a highlight from Madame X, as well as one of Madonna's strangest and most experimental songs. In the United Kingdom, "Dark Ballet" peaked at number 83 on the official downloads chart. A music video, directed by Emmanuel Adjei, was released on June 7, 2019. It features rapper Mykki Blanco playing Joan of Arc.
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Strange Old Brew is the second studio album by Norwegian black metal band Carpathian Forest. It was released on November 6, 2000, through Avantgarde Music. It was re-released under digipak format in 2007 by Peaceville Records, containing an extra track. Contrasting with the previous Carpathian Forest releases, the sonority of Strange Old Brew is their most experimental one so far, mixing black metal with jazz interludes.
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Educated Horses can be described as Zombie's most experimental album to date. Writing for Rob Zombie for the first time, John 5 experimented with a number of acoustics, which can be heard on tracks such as "Sawdust in the Blood" and "Death of It All". Yet the album still contains his signature horror tastes. "17 Year Locust" and "The Scorpion Sleeps" were both written about creepy-crawlies.
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Honky is the ninth studio album by Melvins, which was released in 1997 through Amphetamine Reptile Records. It is widely considered to be the band's most experimental album. Their first studio album after being dropped from Atlantic, it contains a mixture of traditional Melvins-sounding rock, experiments with drones and soundscapes, and some rather uncharacteristic electronic pieces. A video was made for "Mombius Hibachi".
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The many newly developed and recognized breeds of domestic cat are crossbreeds between existing, well- established breeds (sometimes with limited hybridization with some wild species), to either combine selected traits from the foundation stock, or propagate a rare mutation without excessive inbreeding. However, some nascent breeds such as the Aegean cat are developed entirely from a local landrace population. Most experimental cat breeds are crossbreeds.
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Sweden and proved to be his most experimental album, and also featured more Indian elements than the other albums. During his heyday, in 1996, he roped in to sing and dance for a music video, "NO PROBLEM", and also made an appearance in the Tamil film Love Birds, dancing alongside Prabhu Deva. it became a nationwide hit, then he became recognized by many Indian fans.
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As their spacing is known, and the resistivity, the resistance between them and (by Ohm's law) the current flow can be easily determined. An assumption in some cases is that the surrounding field is 'infinite', this would also require an infinite sheet of Teledeltos. Provided that the sheet is merely 'large' in comparison to the experimental area, a sheet of finite size is sufficient for most experimental practice.
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Bromine pentafluoride is severely corrosive to the skin, and its vapors are irritating to the eyes, skin, and mucous membranes. In moist air, it will in fact release "smoke" containing hydrofluoric acid vapors coming from its reaction with the water in the air. Additionally, exposure to 100 ppm or more for more than one minute is lethal to most experimental animals. Chronic exposure may cause kidney damage and liver failure.
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The compound readily decomposes into oxygen and fluorine. Even at a temperature of , 4% decomposes each day by this process: : → + The other main property of this unstable compound is its oxidizing power, although most experimental reactions have been conducted near . Several experiments with the compound resulted in a series of fires and explosions. Some of the compounds that produced violent reactions with include ethyl alcohol, methane, ammonia, and even water ice.
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He also wrote the score for the film O Fabuloso Fittipaldi (1973). Vento Sul (1972) found Valle long-haired and bearded, and backed by the progressive rock band O Terço. His most experimental effort to date (he even flirted with heavy metal on the song "Mi Hermoza"), it was a sales flop, although it has acquired admirers over the ensuing decades. The following year's innovative Previsão do Tempo fared better.
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In 2000, Merchant embarked on a folk tour in the United States with many shows being supported by alt-country band Wilco. Merchant's next studio album on the Elektra label was Motherland, released in 2001. Motherland saw Merchant at her most experimental musically. Motherland achieved Gold on the Billboard charts after debuting at No. 30 on the Billboard 200 and No. 13 on the Top Internet Albums of 2001, respectively.
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Azerrad, Our Band, p. 299. Their second LP was finally issued as Rembrandt Pussyhorse on Touch and Go in April 1986. Coming out some two years after the original sessions, it featured a different mix and song selection than Alternative Tentacles' unreleased version. Best known for its minimalist reworking of The Guess Who's "American Woman", it is one of the most experimental albums in Butthole Surfers' heavily experimental career.
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Despite not charting, it was received fairly favourably by critics. In April 2013, Lee released his ninth and arguably his most experimental studio album entitled Ayahuasca: Welcome to the Work, with collaboration from Jessica Chapnik. The album is based upon his personal experience with the psychoactive South American drug known as Ayahuasca. Lee featured as the mentor for Joel Madden's team on the 2013 season of The Voice Australia.
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Thomas Quinlan of Exclaim! gave the album a 9 out of 10, saying: "While Myka and Factor demonstrated their chemistry three years ago on previous collaboration 1969, Sovereign Soul distills that connection into an even better release." Meanwhile, Adam Maylone of PopMatters gave the album 6 stars out of 10, calling it "one of the most experimental hip hop records I've had the pleasure of hearing in 2012".
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This album was also named as the best album of its era. It became her most experimental album, which included many genres, Pop, R&B;, urban and dance-pop including pop rock and power ballad, also Eastern sounds. Despite having no album promotions in Malaysia, her album, Whaddup A’.. ?! was still a huge success which caused the album to be re-released with the new concept, and VCD bonus.
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Masataka Fujikake joined as drummer shortly thereafter, and the group embarked upon further extensive touring. Despite this activity, the band did not release another studio album until 2001, six years after Freedom Bondage. Their next record, 10,000 Light Years, was released on the Neurot Recordings label, and marked their most experimental effort. Null had been making increasing use of electronic instruments of his own design, and his "nulltron" device featured prominently on 10,000 Light Years.
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Substatic is known to be one of Jefferies' most experimental and musically adventurous recordings. The album comprises five pieces of music, including a lengthy seventeen-minute suite titled "Three Movements". The compositions are based around repetitious rhythms created by Jefferies' pianodrum, a combination of a keyboard and the snare and bass drum sections of a drum set, and are partially improvised. The use of sampling is prominently used as part of the composition of Substatic.
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Severino is the seventh studio album by Brazilian rock band Os Paralamas do Sucesso. It was released in 1994 and produced by famous record producer Phil Manzanera. It was their most experimental album. The sonority and lyrical themes of Severino were heavily influenced by the popular music and the culture of Northeast Brazil, and the poetry of famous writer João Cabral de Melo Neto (most notably his masterpiece Morte e Vida Severina).
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Later the Brussels Cinematheque awarded the film its L'Âge d'or Prize.Johnson. pp. 47–51. In 1986 Oliveira made one of his most experimental films, My Case (Mon Cas), partially based on José Régio's one act play O Meu Caso, although the film also takes inspiration from Samuel Beckett's Fizzles and the Book of Job.Johnson. p. 51. Oliveira takes a surreal and meta-narrative approach to examine the relationship between art and life.
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Since Rev1 does not read according to Watson and Crick basepair, it can introduce any random nucleotide into the DNA sequence. In most experimental cases, Rev1 is responsible for the C→G mutation during DNA repair. The effect of Rev1 can be combined with that of the APOBEC family. If the C→U mutation error is detected by its specific glycosylase, the glycosylase will cut the base pair and form an abasic site.
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1967 Perhaps the most experimental and enigmatic of the Theatre Genesis playwrights was Murray Mednick. Mednick, who later co-ran Theatre Genesis after Cook's departure, often workshopped his scripts repeatedly with Genesis actors before finalizing the text. His plays The Hunter, Willie the Germ, and The Hawk were ritualistic interpretations of life on the streets. For The Hawk, Mednick developed the script through improvisation with a group of actors over two months.
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Others were impressed by Lyxzén's ability to diversify his musical output. The Lost Patrol returned in 2003 with "Songs about Running Away". According to Lyxzén, the album had been supposed to be just as subversive and political as his previous album, yet due to relationship problems, it ended up being an emotional outburst. Guests such as David Sandström (Refused), Stefan Granberg (Randy) and Lisa Miskovsky helped to make this album one of Lyxzén's most experimental.
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3: (The Subliminal Verses). Steffen also wrote that " 'Psychosocial' is capped off with a time-signature shattering guitar/drum breakdown that will leave the best air-instrumentalists stumped". The album was praised by Total Guitars writer Nick Cracknell, who declared the effort "Slipknot's heaviest and most aggressive work to date". He compared "Dead Memories" to the works of Alice in Chains, while praising "Gehenna" for being the band's "most experimental work in their history".
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He was one of the most experimental painters in Ireland technically and stylistically. He painted extensively on the continent, and showed at the Royal Academy and the New English Art Club. He was elected to the London Group in 1920.Dickey's listing in the London Group's records He had several one-man exhibitions, at the Leicester Galleries in 1923, at the Manchester City Art Gallery in 1924, and the Beaux Arts Gallery in 1935.
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A pair of releases followed quickly in 1995. The Mirror Repair EP added elements of electronic music. The Harp Factory on Lake Street, released on the Table of the Elements label, was their most experimental work, a piece for chamber orchestra with only occasional voice and piano from Grubbs. Also in 1995, the band contributed the song "Quietly Approaching" to the AIDS benefit album Red Hot + Bothered produced by the Red Hot Organization.
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It is a relentlessly artistic vision that never comes off as either pretentious or hollow because the naïve and silly qualities of the music play so enticingly off the duskier edges. As inventive as it is, the album perhaps draws a bit too freely from the XTC melodic bag of tricks, and occasionally Ruben's most experimental quirks sabotage his songs. But on the whole, Modes of Transportation, Vol. 1 is a confectionary treat.
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They decided to rename their project Fortran 5 in order to give their new dance/techno style a fresh start. The new project also involved the duo collaborating and working with a number of other artists. These included Kris Weston of The Orb, and Rod Slater from Bonzo Dog Doo-Dah Band. The band's final album was titled Avocado Suite and was their most experimental work; this was far removed from their early electropop sound.
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Skywriting is the second album by The Field Mice. It is often regarded as the most experimental of their three albums: featuring six wildly eclectic tracks ranging from post-acid house electronica (the side-long opener "Triangle"), country and western (side two's opener "Canada"), Go-Betweens-influenced jangle pop ("Clearer") and New Order-type sequencer/guitars ("It Isn't Forever"), to wistful, atmospheric, slow-motion ambience ("Below The Stars") and bizarre sample-strewn noise-collages (final track "Humblebee").
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Like his fellow Bardfield artists his work was figurative but became near abstract in the 1960s. Although little known as a painter, Rothenstein became one of the most experimental printmakers in Britain during the 1950s and '60s. He authored several books on art subjects including Looking at Painting (1947) and Frontiers of Printmaking (1966). He taught art for many years at Camberwell School of Art and Stoke-on-Trent College of Art, he also lectured extensively in the USA.
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The New Way Out is the sixth studio album by the Portland, Maine, band Rustic Overtones, released on November 11, 2009. Recorded throughout 2008 and 2009, the album is the band's first since the departure of keyboard player Spencer Albee, and their first full-length release of all-new material since ¡Viva Nueva!. With just over an hour of music, the album is the band's second longest after Long Division and features the most experimental work of their career.
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In either proposed mechanism, at least one water molecule participates in the reaction. Most experimental evidence for the mechanism of RNase H catalysis comes from measurements performed on members of the H1 group, usually the E. coli homolog. According to measurements of this protein, one of the aspartate residues has an elevated pKa, while another has an abnormally low pKa. It is unclear whether any of the active-site residues participates in the reaction as a general base.
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The Beatles were delighted with the invention, and used it extensively on Revolver. ADT soon became a standard pop production technique, and led to related developments such as the artificial chorus effect. The band's most experimental work during the sessions was channelled into the first song they attempted, "Tomorrow Never Knows". Lennon sang his vocal for the song through the twin revolving speakers inside a Leslie cabinet, which was designed for use with a Hammond organ.
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Several reviewers welcomed Swift's new musical direction. In the words of Chris Willman from Variety, the album is a reminder Swift is among the few pop stars who are willing to experiment with different musical styles. The Guardian's Laura Snapes complimented the album for being both the most cohesive and the most experimental among Swift's releases. Entertainment Weeklys Maura Johnston deemed the album a bold move for a pop star like Swift to challenge its audience.
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Retrieved on 2010-09-10. Alexis Petridis of The Guardian, also reviewed the song negatively, stating, "The sonic trickery on the most experimental track, 'Diva', isn't interesting enough to distract you from the absence of a tune." Spence D. of IGN Music, felt that Beyoncé's rapping in the song was a "bad idea" and described the song as "awkward, [and] horribly dated." On The Village Voices 2009 Pazz & Jop singles list, "Diva" was ranked at number 224.
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Blind is the second studio album by the Sundays. It was released by Parlophone on October 19, 1992 in the UK, then in the US by Geffen the following day, October 20. Often considered the darkest and most experimental of The Sundays' albums, noted for its melancholic lyrics and closer resemblance to the darker dream pop work of artists such as Cocteau Twins. The title of the album is from a lyric in the song "24 Hours".
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The film is one of Hitchcock's most experimental and "one of the most interesting experiments ever attempted by a major director working with big box-office names", abandoning many standard film techniques to allow for the long unbroken scenes. Each shot ran continuously for up to ten minutes (the camera's film capacity) without interruption. It was shot on a single set, aside from the opening establishing shot street scene under the credits. Camera moves were carefully planned and there was almost no editing.
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From November 2012 to March 2013, this painting was on display at the Prado as part of an exhibit called "The Young van Dyck." Covering his output from ages 16 to 22, this exhibit collected some 90 artworks from when he resided in Antwerp. This tally included 30 large, ambitious artworks like Entry of Christ into Jerusalem. This particular work, though, was noted as one of his most experimental, as the young artist sought to heighten the visual impact of his works.
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The Tevatron and LHC have active experimental programs searching for supersymmetric particles. Since both of these machines are hadron colliders – proton antiproton for the Tevatron and proton proton for the LHC – they search best for strongly interacting particles. Therefore, most experimental signature involve production of squarks or gluinos. Since the MSSM has R-parity, the lightest supersymmetric particle is stable and after the squarks and gluinos decay each decay chain will contain one LSP that will leave the detector unseen.
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Inside Out is an album released in 1973 by British singer-songwriter John Martyn. His fifth solo album, it was also his most experimental, and his jazziest release to date. The album features two that are favourites with his fans, "Fine Lines" and "Make No Mistake", as well as two songs that he enjoyed playing live as jazz epics, "Outside In" and "Look In". An 18-minute live version of "Outside In" appears on Martyn's self-distributed Live at Leeds album.
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There are two crucial factors for the success of the CALPHAD method. The first factor is to find realistic as well as convenient mathematical models for the Gibbs energy for each phase. The Gibbs energy is used because most experimental data have been determined at known temperature and pressure and any other thermodynamic quantities can be calculated from it. It is not possible to obtain an exact description of the behavior of the Gibbs energy of a multi-component system with analytical expressions.
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Due to the cytokine pattern, which corresponds more closely to Th1, an immune deviation is seen in this direction in most experimental models, away from Th2 characteristics. Conjugates are being developed as vaccines or are already being used without a priori knowledge. A peculiarity first recognized in 2006 is the expression of TLR2 on Tregs (a type of T cell), which experience both TCR-controlled proliferation and functional inactivation. This leads to disinhibition of the early inflammation phase and of specific antibody formation.
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From 1920 to 1921 he designed posters and advertising boards. After 1920 he made numerous designs for ballets and operas in Kharkiv and Kiev, mainly in the Constructivist style. In 1926 he cooperated in the production of Prokofiev's Love for the three Oranges (one of his most experimental projects that was not performed) in Kharkiv. In 1927 he participated in the All-Ukrainian Exhibition Ten Years October together with Alexander Bogomazov, Vadym Meller, Vladimir Tatlin, Victor Palmov, Anatol Petrytsky, Mark Epshtein.
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Fifteen days before its release date, West enlisted the help of producer Rick Rubin to strip down the sound of Yeezus in favor of a more minimalist approach. The album has been characterized as West's most experimental and sonically abrasive work. It draws from an array of genres, including industrial, acid house, electro, punk, and Chicago drill. West's unconventional use of samples is also contained, as on "Blood on the Leaves", which contains a sample from Nina Simone's 1965 rendition of "Strange Fruit".
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On 6 October 2009, he released his fourth studio album Kaleidoscope, which featured artists such as Priscilla Ahn, Calvin Harris, Tegan & Sara and Nelly Furtado. Unlike his earlier albums, which were all mostly trance, Kaleidoscope explores other electronic genres, and is considered Tiesto's most experimental album. The first single "I Will Be Here" featuring Sneaky Sound System being released in July 2009. It reached number three on the much acclaimed Driscoll 5, and lasted there for 24 weeks in the beginning of 2012.
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The latter holds the record for the most number of weeks a song (foreign or local) has stayed in a countdown. It stayed in the NU107 Midnight Countdown for more than 52 weeks and gave Chicosci the Song of the Year award at the 2002 NU 107 Rock Awards. In 2004, the band released their third album, Icarus, under Viva Records. The band again enlisted the help of Marasigan, who brought along Buddy Zabala, to produce the band's most experimental album.
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The line-up however was the same as on Bumper Crop, including Miller on piano and Waleik on sitar. 1989 brought their most experimental release, Thing of Beauty, also on SST, on which David Kleiler (formerly from the band Sorry) replaced Chuck Hahn on guitar.Kellman, Andy "[ Thing of Beauty Review]", Allmusic, retrieved 2010-09-11 This would be the Volcano Suns' final line up. The band moved to Chicago-based indie label Quarterstick Records for their final release, Career in Rock in 1991.
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This album has been called Urban's most experimental album to date. Urban told Rolling Stone, "It was a lot of searching, a lot of experimenting, and when you get to work with as many people as I did, you end up with a lot of stuff." One of the tracks, "Sun Don't Let Me Down" features Pitbull, and Nile Rodgers on guitar. The first verse in that song makes reference to Urban's wife Nicole Kidman's 1995 film To Die For.
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" Jean-Michel Frodon said that he incarnated "the spirit of the New Wave." Hélène Frappat praise his use of mise en scène in regards to his portrayal of women. Martin Scorsese called him a fascinating artist who was "the most experimental of the French New Wave directors." Richard Brody called Rivette "the most open and the most reticent of French filmmakers", claiming that all of Rivette's films "represent an effort to capture the fullness of an inner world, a lifetime’s range of obsessions and mysteries.
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The band self-produced two EPs that drew attention on the underground circuit before signing to Vanguard Records in 1966. Their debut album, Electric Music for the Mind and Body, followed in 1967. It contained their only nationally charting single, "Not So Sweet Martha Lorraine", and their most experimental arrangements. Their second album, I-Feel-Like-I'm-Fixin'-to-Die, was released in late 1967; its title track, with its dark humor and satire, became their signature tune and is among the era's most recognizable protest songs.
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The band is known as one of the most experimental groups to have come from the alternative metal scene, and are sometimes dubbed by critics as "the Radiohead of metal". Deftones have released nine albums since their inception. After the lineup settled in 1993, the band secured a recording contract with Maverick Records, and subsequently released their debut album Adrenaline in 1995. Promoting the album by touring exhaustively with other bands in the scene, Deftones managed to gain a dedicated fan base through word of mouth.
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Little Bitch is considered to be Tarantula's most experimental album. It was different from the past two albums in many ways: it featured a large amount of synthesizers, numerous female backing vocalists, and several entirely-acoustic tracks. Larriva also experimented with his vocals on this album, as can be heard in the falsetto singing in "Forever Forgotten and Unforgiven" and the screaming in "Crack in the World". Also, surprisingly, the song "Super Vita Jane" featured a rap at the end, unlike anything they had ever done before.
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Varietys Jeremy Helligar deemed it, alongside "God Control", as one of the moments in Madame X where "true weirdness sets in", and "the closest Madonna may ever come to her own 'Bohemian Rhapsody'". Robbie Barnett from the Washington Blade, wrote that it was one of the album's "standout" tracks, as well as "a bold statement of extreme artistic expression". Writing for Idolator, Mike Wass called it "a little heavy-handed, but nonetheless mesmerizing". In a further review, Wass said it was the singer's "most experimental" single.
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Diabolus in Musica (Latin for "The Devil in Music") is the eighth studio album by American thrash metal band Slayer, released on June 9, 1998 by American Recordings. Guitarist Jeff Hanneman wrote most of the album's content, which has been described as Slayer's most experimental. It was the band's first album to be played mostly in C tuning, and named after a musical interval known for its dissonance. Lyrical themes explored on the album include religion, sex, cultural deviance, death, insanity, war, and homicide.
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Bucketheadland 2 is the tenth studio album by guitarist Buckethead. Released in 2003, it is a sequel to his debut album, Bucketheadland, a concept album about his fictional "abusement" park. The album, in addition to featuring contributions from musicians Dan Monti, Bootsy Collins and Bryan Mantia, is one of Buckethead's most experimental works, containing abrupt tempo changes, spoken word segments, samples and distorted keyboard parts, as well as his usual guitar riffs and solos. The album was nominated for the 2004 Shortlist Music Prize.
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It is crudely melodramatic,... but its style—stark understatement, irregular lines, and abrupt rhymes—makes it the most experimental poem in the book." His next book, Labour and the Angel, "is a slighter volume than The Magic House in size and content. The lengthy title poem makes dreary reading.... Of greater interest is his growing willingness to experiment with stanza form, variations in line length, use of partial rhyme, and lack of rhyme." Notable new poems included "The Cup" and the sonnet "The Onondaga Madonna.
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Vicuña has authored and published twenty two books of her visual art installations and poetry. Her writing has been translated into several languages. These include Saboramí (1973), the first book testimony of the Military Coup in Chile, documenting the death of Salvador Allende, The Precarious/Precario (1983), Cloud Net (2000), Instan (2002) and Spit Temple (2010), a collection of her oral performances. In 1966, for one of her most experimental books, El Diario Estúpido, Vicuña wrote 7,000 words a day, recording her emotions and experiences.
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Vitalogy is the third studio album by American rock band Pearl Jam, released on November 22, 1994 on Epic Records. Pearl Jam wrote and recorded Vitalogy while touring behind its previous album Vs. (1993). The music on the record was more diverse than previous releases, and consisted of aggressive rock songs, ballads, and other stylistic elements, making it Pearl Jam's most experimental album to date. The album was first released on vinyl, followed by a release on CD and cassette two weeks later on December 6, 1994.
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Now Minimal could play live, this was to prove a strong element in their career. As Minimal began to tour more extensively they went from strength to strength as a live band. Deadly Weapons, produced by Gilles Martin and Tuxedomoon's Peter Principle dates from 1984 and is considered by some their most experimental album. Nonetheless it threw up a "club classic" of the time in the shape of "Next One Is Real" (famously remixed by Dick O'Dell, one time boss of the Guerilla label).
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Death's Design is Blakkheim's fourth and final album, released under the moniker of Diabolical Masquerade and his most experimental. The album is broken up into 20 movements, the shortest of which is just 6 seconds long. Also the album seems to be without genre, changing directions many times. According to the last update of Blakkheim's website it was to be an original motion picture soundtrack to a movie that was never made but that turned out to be a prank on everyone by Blakkheim.
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She has stated that it is her most experimental album to date.Rob Weisberg, host, “Transpacific Sound Paradise,” WFMU, May 19, 2012. With this release, she “developed a style that borrows liberally from all sorts of unexpected places, from Santigold fusion-pop to gothic metal,” while taking care to insure that “during these genre experiments the Ladino influences don’t disappear, but are integrated.” Gracia has been labeled “the strongest case around for the ongoing relevance of Ladino music.” In 2012, music from Gracia was featured on Alt.
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Covering practices like sound poetry, sonic art, and improvised vocalization, his work engages with the most experimental iterations of speech and sound. He was featured in The Liberated Voice (2019) exhibition at Palais de Tokyo, which recounted the history of phonetic and sound poetry in the 20th and 21st century. Other projects include Lunalia (2018), a collaboration with artist and opera singer Maja Jantar, which responded to the lunar cycle with exchanged recordings, and several collaborations with celebrated improviser Phil Minton. He is a member of Minton's Feral Choir.
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Evoked activity is brain activity that is the result of a task, sensory input or motor output. It is opposed to spontaneous brain activity during the absence of any explicit task. Most experimental studies in neuroscience investigate brain functioning by administering a task or stimulus and measure the resulting changes in neuronal activity and behavior. In EEG research, evoked activity or evoked responses specifically refers to activity that is phase-locked to the stimulus onset and is opposed to induced activity, which is a stimulus-related change in (the amplitude of) oscillatory activity.
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Rembrandt Pussyhorse is one of the most experimental releases in Butthole Surfers' considerably experimental catalog. Making heavy use of in-studio tape editing and sound modulation, the album adds piano, organ, and violin, among other sounds, to Butthole Surfers' then-usual battery of electric guitar, bass, and dual drummers. According to guitarist Paul Leary and lead vocalist Gibby Haynes, Butthole Surfers were a four-piece for most of these sessions, with Leary playing the majority of the bass lines. However, not all the new instrumentation was performed by the band.
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The Bonniwell Music Machine failed to reach the Billboard 200, although it was Bonniwell's most experimental recording period in his career. Its attending singles, "The Eagle Never Hunts the Fly" and "Double Yellow Line", also did not fare well nationally. Disillusioned by the music industry, Bonniwell produced additional recordings that went widely unnoticed, and disbanded The Bonniwell Music Machine and abandoned his music career within a year. The album went relatively unheard until its material was rereleased along with studio outtakes on the compilation album, Beyond the Garage.
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In X Japan, Hide is the second most credited songwriter and the only member other than Yoshiki to pen one of their singles. He appears to have been the most experimental as well, with the song "Xclamation" from 1989's Blue Blood, co-composed with Taiji, including traditional Indian percussion,Blue Blood LP lyrics sheet insert, 1989-04-21. Retrieved 2013-03-08 and the single, "Scars", being progressive metal. According to Alexey Eremenko of AllMusic, "Scars" and "Drain" from 1996's Dahlia were a glimpse into Hide's future experiments in industrial rock.
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"Worlds Apart," the most experimental song on the album, features a heavy Middle Eastern influence along with Qawwali singers in the introduction. "The Fuse," another experimental track, features a subtle hip hop beat and vocal looping. A re-recorded version of the song, with an orchestral backing, features in the Spike Lee-directed film 25th Hour. "Mary's Place" is directly inspired by Sam Cooke's "Meet Me at Mary's Place"; The gospel-like "My City of Ruins" is organized around the melody line of Curtis Mayfield's "People Get Ready".
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Bernard Meisler, writing for Sensitive Skin, named Shmailo's book Medusa's Country one of its Best of 2017, praising the book's smart truth-telling. Writing for Lit Pub, Dean Kostos thoroughly analyzed Medusa's Country, discussing its "prosody and nuanced rhymes," as well as how the author's personal life and her "bouts with mental illness, mania, and deleterious behaviors" inspire her work. In Compulsive Reader, Michael T. Young praised Medusa's Country for its intelligence, subtlety, and experience. RW Spryszak, writing for Ragazine, discussed what he sees as the failure of most experimental writing.
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Reviewing the re-release, Jayson Napolitano of Original Sound Version called it "one of the most experimental and disturbing soundtracks I've heard in a while". He praised the soundtrack despite not finding it memorable, and commented that he found it more appealing when he knew some of the plot details that were censored in the game's western release. Reviewers of the game itself also noted the soundtrack. Greg Kasavin of GameSpot mentioned it as the most distinctive aspect of the game, stating that it was "the most nerve-racking and most intense aspect of [Drakengard]".
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The General Education Board and other foundations offered significant financial backing towards the study. The study concluded that, when compared to their peers in traditional secondary school programs, students of the study's experimental programs performed on par academically and showed more activity in artistic, political, and social engagement. Students of the study's most experimental schools outperformed the others. The implications of the study were limited by the natural advantages of the student–participants' high social class backgrounds and their schools' lack of privations, even before the study's added resources.
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The musical style of Slipknot is constantly contested due to the genres their music covers; however, Mate. Feed. Kill. Repeat. is the band's most experimental release and differs significantly from the heavier style for which the band became known. One of the band's initial aims was to mix many genres of music to achieve their own style; an early incarnation of the band was called "Meld" based upon this. However, tracks such as "Slipknot", "Some Feel" and "Only One" feature a dominantly heavy metal influence, specifically in the guitars.
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256 Generally, Bolland recalls "she was enthusiastic about my ideas," although Morrison had "creator's approval" on all designs. Finding that he had a rapport with, and the trust of, his editor, Bolland thinks that these factors "resulted in some of [his] most experimental work." Newly embracing the use of a computer, Bolland cites The Invisibles Vol 2 No. 11 as his earliest computer-assisted piece of artwork, using it to "insert... a computer generated background behind a severed hand."Bolland, "The 1990s – The Computer" in The Art of Brian Bolland, p.
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The opening track, "Standing on the Edge", is seen by Grant as the most experimental track on the album, as it is mostly synthesized. The closing track "Bug", was recorded live in the studio and uses more dirty-sounding riffs than most of the tracks on the record. The voice heard at the beginning of the track "Standing on the Edge" is that of Matt Sime who is a friend of the band. He played keyboards on tour from 2000 to 2001, and also at their festival appearances of 2002.
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Abaddon, arguably Sabato's most experimental work, presents a fragmented narrative structure. It mixes autobiographical events – which combine actual events with fantastic elements – with parallel stories, philosophical analysis, hypotheses and literary criticism, retold by characters who, in the same role, were often present in the previous novel. Abaddon is arguably apocalyptic in tone, recreating adverse historical events that took place in Argentina in the 1970s, as well as mentioning twentieth century events, such as the Second World War, the bombing of Hiroshima and the Vietnam War. Through the novel, Sabato presents a denunciation of evil.
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Some of their original material would be characterized by ghostly downcast melodies and arrangements. Their albums are sought after among collectors, particularly their final LP, which is their most experimental. The band began with the merging of two earlier groups, Dynamic (1961–1964), whose membership included Fernando Latorre, Alfredo Besoza and Humberto Monroy, and Electronic, whose roster included Luis and Edgar Duenas, children of the composer Luis Dueñas Knob. The earliest lineup of the Speakers was Rodrigo Garcia, from Spain (guitar) Colombian Humberto Monroy (bass), Fernando Latorre (drums) and guitarists Oswaldo Hernandez and Luis Dueñas.
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The Hum received a four-starred review in The Irish Times. In a four-starred review in The Guardian, Robin Denselow described it as the duo's most experimental album to date, with "thoughtful, inventive songs about industry, migrant workers and war alongside a sturdy tribute to Pussy Riot; an exquisite lament about motherhood and sacrifice; a mystical love story about a fox who becomes a woman, and a haunting treatment of Ruins By the Shore, the Nic Jones song of time and decay. Surely one of the albums of the year".
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The Phoenix Living Poetsalso P.L.P. or PLP was a series of slim books of poetry published from 1960 until 1983 by Chatto and Windus Ltd. The poets included in the series offer a cross-section of poets of the era, including some notable writers. Generally those writing were not producing the most experimental work of the era but, taken as a whole, the series covers a significant range of voices and styles. The series had its origins in the Hogarth Press, which was founded in 1917 by Leonard and Virginia Woolf.
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The first post-war edition of the festival hosted directors such as Giorgio Strehler, Frank Castorf and Peter Schumann. In 2008 the festival changed its original format by introducing a handful of new programs. The Mittel Europe MESS program is designed to showcase the most interesting theatre pieces from the Former Yugoslavia and the wider South-Eastern European region. The World MESS program hosts pieces from Africa, Asia and Latin America, while the Future MESS program cultivates the original concept of the festival by showcasing the most experimental and subversive productions from across the globe.
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In it, everyone in the advertising agency is injected, by a physician, with his proprietary cocktail of B vitamins and stimulants that will give them energy and focus over the weekend while working on the Chevrolet campaign. Meanwhile, as Don's children are left at his apartment with Sally to babysit, a stranger enters. "The Crash" was watched by 2.16 million viewers and achieved 0.8 million viewers in the key 18–49 demographic. It is widely considered to be the show's most experimental episode, and was initially met with largely unfavorable reviews from television critics.
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The Late Great Townes Van Zandt is a 1972 studio album by Texas singer- songwriter Townes Van Zandt. It was the second album that he recorded in 1972, and a follow-up to High, Low and In Between. The album features two of his most covered songs, the Western outlaw ballad "Pancho and Lefty" and the gentle love song "If I Needed You". The album also includes three cover songs, the definitive version of "Sad Cinderella", and Van Zandt's most experimental track, the darkly psychedelic epic "Silver Ships of Andilar".
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In a review for her GHV2 album, he also described the song as a "trippy follow-up to the mainstream hit 'Take a Bow'" and gave it an "A" rating. Larry Flick from Billboard noted that "It is easily among [Madonna's] boldest and most experimental pop singles to date" with "trippy and cutting- edge trance dance rhythms". He finished his review praising its "ingratiating" hook and "it is an affecting plea for unconscious bliss and escape, voiced with underplayed angst and resolve". Peter Galvin from The Advocate found that the song "calls to mind the Ecstasy anthem 'Rescue Me'".
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Papá Lucas (1987), a novel centered on the war against Chile in the 1880s. Next, El señor de Lunahuaná (1994), which is devoted to the wars of independence from the 1810s and 1820s. Finally, El encomendero de la adarga de plata (1999), the most experimental of the three, is a powerful evocation of the Spanish conquest written in 17th-century Spanish and set during the Inca siege of Cuzco in 1536. In his books the reader gets caught from the first pages in a world of wonder, passion and violence of a strange beauty and poetry.
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The Starres are Marching Sadly Home (Theinmostlightthirdandfinal) is an EP by the experimental music collective Current 93. It is the final part in the Inmost Light Trilogy, a cycle of three thematically related recordings released in 1995 and 1996. The Starres are Marching Sadly Home is the most experimental of the three, serving as an epilogue to the centerpiece album All the Pretty Little Horses and the introductory EP Where The Long Shadows Fall (Beforetheinmostlight). Like Long Shadows, The Starres is a lengthy, minimal piece with eerie loops and layered vocals; unlike Long Shadows, this piece features full, continuous lyrics.
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When the album was reissued, The Quietus praised it saying: "[It was] their most experimental work, Smith's presence is keenly felt on the disciplined execution of the grandiose 'Dazzle' or the starkly seductive 'Swimming Horses'. But the real treasures were buried deep within the album. The lysergic Spaghetti Western twang of 'Bring Me The Head of the Preacher Man' is evocative in its execution while the densely epic 'Blow The House Down' finds Smith indelibly stamping his mark on the track courtesy of some his finest guitar work". Hyæna was namechecked by Brett Anderson, the singer of Suede.
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" Matthew Perpetua of Pitchfork Media wrote that "it's the album's boldest, most experimental track, and it's marred only by a just-off vocal performance that renders her very familiar voice a bit anonymous, and a halfhearted attempt at a dub-step bass drop." Nick Levine of BBC Music called it "a preposterous piece of pop schlock." Priya Elan of NME wrote that "the music is cold and minimal, recalling the grubby house beats of Erotica, and Madge bleats on like some antagonistic disco Fury driven to the edge by her thirst for vengeance. And gosh, it's thrilling stuff.
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Hisscivilization is the third studio album by the Brazilian musician Jupiter Apple. It was released in 2002 by Voiceprint Records, and is the musician's most experimental, ambitious and elaborate output. Heavily influenced by the sonority of Syd Barrett, Stereolab and of the Canterbury scene (in particular Kevin Ayers and his 1970 release Shooting at the Moon),Voiceprint Records - Jupiter Apple - Hisscivilization Hisscivilization is characterized by the inclusion of electronic interludes, absent in Jupiter Apple's previous two releases,Mofo - Jupiter Apple - Hisscivilization in a move that polarized critics and fans alike. It is also fully sung in English, like its predecessor Plastic Soda.
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In 2011, Coldplay released their fifth studio album, Mylo Xyloto. Originally conceived by the band as a "stripped-down, more acoustic collection", it became one of Coldplay's most experimental and pop-orientated records to date, being described as "luxuriously colourful" where "the choruses are bigger, the textures grander [and] the optimism more optimistic." Produced by Markus Dravs, Brian Eno, Rik Simpson and Dan Green, the album peaked at number one on 18 national album charts and was certified Platinum in 16 different countries. Mylo Xyloto had also sold 8 million copies within the first year of release.
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In the 20th century, scientists around the world experimented with eucalyptus species. They hoped to grow them in the tropics, but most experimental results failed until breakthroughs in the 1960s-1980s in species selection, silviculture, and breeding programs "unlocked" the potential of eucalypts in the tropics. Prior to then, as Brett Bennett noted in a 2010 article, eucalypts were something of the "El Dorado" of forestry. Today, eucalyptus is the most widely planted type of tree in plantations around the world,Bennett (2010) in South America (mainly in Brazil, Argentina, Paraguay and Uruguay), South Africa, Australia, India, Galicia, Portugal and many more.
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His 2002 film Shameful Family: Pin Down Technique won Meike the Best Director title, and was named the fifth best pink release of the year at the Pink Grand Prix. Meike is one of the most experimental and daring of the shichifukujin directors. His 2003 film The Glamorous Life of Sachiko Hanai concerns a call- girl who becomes a super-genius after she is inadvertently shot by a North Korean in negotiations with a Middle Eastern man in a coffee shop. A frantic search for a rubber model of George W. Bush's finger, capable of releasing the U.S.'s nuclear arsenal, ensues.Sharp.
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In the rectangular configuration the system evolves until a single finger (the Saffman–Taylor finger) forms. In the radial configuration the pattern grows forming fingers by successive tip-splitting. Most experimental research on viscous fingering has been performed on Hele- Shaw cells, which consist of two closely spaced, parallel sheets of glass containing a viscous fluid. The two most common set-ups are the channel configuration, in which the less viscous fluid is injected at one end of the channel, and the radial configuration, in which the less viscous fluid is injected at the center of the cell.
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Tiomkin also wrote scores for four of Alfred Hitchcock's suspense dramas: Shadow of a Doubt (1943), Strangers on a Train (1951), I Confess (1953), and Dial M for Murder (1954). Here he used a lush style relying on solo violins and muted trumpets. He composed the score for the science fiction thriller The Thing from Another World (1951), which is considered his "strangest and most experimental score." He also worked with Howard Hawks on The Big Sky (1952) and Land of the Pharaohs (1955), with John Huston on The Unforgiven (1960), and with Nicholas Ray on 55 Days at Peking (1963).
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Written four years after The Alchemist, five after Epicœne, or the Silent Woman, and nine after Volpone, it is in some respects the most experimental of these plays.Hibbard, p. xiv. The play was first printed in 1631, as part of a planned second volume of the first 1616 folio collection of Jonson's works, to be published by the bookseller Robert Allot—though Jonson abandoned the plan when he became dissatisfied with the quality of the typesetting. Copies of the 1631 typecast were circulated, though whether they were sold publicly or distributed privately by Jonson is unclear.
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As in the Decameron, Susana and Rodrigo lock themselves up in the hills, far away from the city pestilence, and tell each other stories that would save them from death. Basura (2000; t: Garbage) is perhaps Abad’s most experimental work. It alludes to role models, such as the storytellers Kafka or Pavese who were angst ridden for life, and tells of a writer, Bernardo Davanzati, who tosses his works directly into the garbage can. His neighbour finds the texts and over time turns into an assiduous and diligent reader, to whom the many woes of being a writer are revealed.
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The aspect of the Parson magneton with the most experimental relevance (and the aspect investigated by Grondahl and Webster) was the existence of an electron magnetic dipole moment; this dipole moment is indeed present. However, later work by Paul Dirac and Alfred Landé showed that a pointlike particle could have an intrinsic quantum spin, and also a magnetic moment. The highly successful modern theory, Standard Model of particle physics describes a pointlike electron with an intrinsic spin and magnetic moment. On the other hand, the usual assertion that an electron is pointlike may be conventionally associated only with a "bare" electron.
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In Geneva, the orchestra presents every season three main concert series. The first, called “Prestige Concerts” is the ensemble’s subscription series, in which the orchestra features international soloists from the worlds of baroque, classical, contemporary, and jazz music. The second, called “Crazy Concerts” is the orchestra’s most experimental series, in which the group presents shows that bring together classical music, pop, rock, techno, musicals, free jazz, and folk music. The third series, called “Family Concerts”, is the orchestra’s educational series, presenting to young audiences shows that feature opera singers, actors, magicians, shadow theatre artists, and circus artists.
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Claire Falkenstein (; July 22, 1908 – October 23, 1997) was an American sculptor, painter, printmaker, jewelry designer, and teacher, most renowned for her often large-scale abstract metal and glass public sculptures. Falkenstein was one of America's most experimental and productive twentieth- century artists. Falkenstein relentlessly explored media, techniques, and processes with uncommon daring and intellectual rigor. Though she was respected among the burgeoning post–World War II art scene in Europe and the United States, her disregard for the commodification of art coupled with her peripatetic movement from one art metropolis to another made her an elusive figure.
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The Notorious Byrd Brothers reached number 47 on the Billboard Top LPs chart and number 12 on the UK Album Chart. A cover of the Gerry Goffin and Carole King song "Goin' Back" was released in October 1967 as the lead single from the album to mild chart success. Although The Notorious Byrd Brothers was critically praised at the time of its release, it was only moderately successful commercially, particularly in the United States. The album later came to be widely regarded as one of the Byrds' best album releases, as well as their most experimental and progressive.
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Sing Me a Song of Songmy (subtitled "A Fantasy For Electromagnetic Tape") is an album-length composition by avant-garde Turkish composer İlhan Mimaroğlu, released in 1971. Principal performers include jazz trumpeter Freddie Hubbard and Mimaroğlu himself. The piece includes a chorus, strings, recitations of poems by Fazil Husnu Daglarca and other texts, organists and tape-based musique concrète, as well as Hubbard's jazz quintet: (tenor saxophonist Junior Cook, pianist Kenny Barron, bassist Art Booth and drummer Louis Hayes). It was Hubbard's third album released on the Atlantic label, and is one of his most experimental albums.
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Common themes are the maintenance of traditional Aboriginal culture and the everyday realities of European occupation. Among the most 'experimental' of contemporary Australian poetry, his work has sometimes been described as 'surrealist'. Certainly large amounts of Indigenous Language, which white Australians sometimes find confronting, are employed but in part as an attempt to further dialogue between Australian cultures. Fogarty has been involved with not-for-profit poetry organisation, The Red Room Company, participating in Unlocked, a program for inmates in New South Wales correctional centres, as well its creative projects including Clubs and Societies and The Poet's Life Works.
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Most experimental work is on vision, where it is known that humans and other mammals process different aspects of perception by separating information about those aspects and processing them in distinct regions of the brain. For example, Bartels and Zeki have shown that different areas in the visual cortex specialize in processing the different aspects of colour, motion, and shape. This type of modular coding has been claimed to yield a potential for ambiguity. When humans view a scene containing a blue square and a yellow circle, some neurons signal in response to blue, others signal in response to yellow, still others to a square shape or a circle shape.
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Color television had been studied even before commercial broadcasting became common, but it was not until the late 1940s that the problem was seriously considered. At the time, a number of systems were being proposed that used separate red, green and blue signals (RGB), broadcast in succession. Most experimental systems broadcast entire frames in sequence, with a colored filter (or "gel") that rotated in front of an otherwise conventional black and white television tube. Each frame encoded one color of the picture, and the wheel spun in sync with the signal so the correct gel was in front of the screen when that colored frame was being displayed.
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The quartet also collaborated with Swedish production team Ghost on "I Believe in You," and Arnthor Birgisson and Max Martin on "I Had a Feeling," both being remakes of the same-titled songs on Swedish singer Agnes Carlsson's 2006 album Stronger. As reported, "I Had a Feeling" occupied the longest work until complementation. Uptempo dance track "Been Here Before" was written and produced by Itchycoo band members Tobias Gustafsson and Mia Bergström and features distorted vocals. With an instrumentation that includes a pounding bass beat, electronic chords, and drum machine sounds, it has been described as the most experimental as well as the sexiest record on the album.
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In early 1976, Mitchell traveled with friends who were driving cross country to Maine. Afterwards, she drove back to California alone and composed several songs during her journey which featured on her next album, 1976's Hejira. She stated that "This album was written mostly while I was traveling in the car. That's why there were no piano songs ..." Hejira was arguably Mitchell's most experimental album so far, due to her ongoing collaborations with jazz virtuoso bass guitarist Jaco Pastorius on several songs, namely the first single, "Coyote", the atmospheric "Hejira", the disorienting, guitar-heavy "Black Crow", and the album's last song "Refuge of the Roads".
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Color television had been studied even before commercial broadcasting became common, but it was only in the late 1940s that the problem was seriously considered. At the time, a number of systems were being proposed that used separate red, green and blue signals (RGB), broadcast in succession. Most experimental systems broadcast entire frames in sequence, with a colored filter (or "gel") that rotated in front of an otherwise conventional black and white television tube. Each frame encoded one color of the picture, and the wheel spun in sync with the signal so the correct gel was in front of the screen when that colored frame was being displayed.
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The MTV Video Music Award for Breakthrough Video was first awarded in 1988, replacing the award for Most Experimental Video. Along with Best Direction in a Video, this award was considered to be one of the most important professional categories at the VMAs, as every once in a while it was even presented during the main show (unlike most technical awards which were presented during the pre-show). The award for Breakthrough Video was given out every year from 1988 to 2005, after which it was retired. In 2009, however, MTV decided to bring back this category and continued to present it until 2011, when it was retired again.
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Deemed the "one we never got to make", the album was a cohesive take on the band's psychedelic sound. In August 2002, the group toured Europe for the first time since 1968, with concerts in the UK and Greece and, in 2003, a DVD looking into the UK portion of their European tour, called Rewired, was released. Additional albums were released over the years, including the concept album, California, in 2004, and their most experimental album since The Electric Prunes's reformation, Feedback, in 2006. On February 26, 2011, Tulin died aged 62 from a heart attack while volunteering at the University of Southern California Catalina Hyperbaric Chamber.
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In 1999, NME readers named them 'best new band' in January (this despite the fact it was now three years since they released their debut album). In May, the single "Northern Lites" was released and made No. 11 in the charts. A dense production, with steel drums clattering out a calypso rhythm whilst Rhys sang an irreverent lyric about the El Niño-Southern Oscillation weather phenomenon, it was an apt taster for the new album, Guerrilla. Recorded at the Real World Studios, the album retained SFA's pop melodies but took a less guitar-centric approach to their execution and was their most experimental work to date.
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" Theme with Variations and William's Wife were both published in 1938. The first was Trevelyan's most experimental work, weaving the narratives of three very different Londoners, none of whom ever encounter the other and all of whom come to tragic ends. In her review for The Times Literary Supplement, Leonora Eyles wrote, "There is pity in this book and something of horror: it is as though the author had looked on human nature and turned away with a mixture of disgust and compassion from what she has seen. But, as always, Miss Trevelyan's genius and her sincerity make her book one that the reader cannot lay aside.
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In an interview with MTV.com, Ghostface Killah stated that he was upset with RZA for starting the 8 Diagrams project while he was in the middle of writing and recording The Big Doe Rehab, and further upset with RZA for giving 8 Diagrams the same release date as The Big Doe Rehab, for which RZA rescheduled a release date one week later. The final outcome of 8 Diagrams received mixed views from both fans and critics, and is regarded as being RZA's most experimental work to date. Both Raekwon and Ghostface Killah were unhappy with the album, and proposed recording a group album titled Shaolin Vs. Wu-Tan without RZA production.
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Over the course of a decade, many of the incidents written in the book were freshly experienced by the author, such as the death of his father and his own near-death account. Initially, one reviewer wrote that "the book is certainly unique in voice and style, but it’s also frightening, ugly, dense, and borderline offensive...it will make all but the most experimental of readers throw it across a room." Messiahs, his second novel, is scheduled for fall 2021 publication. In Messiahs, in a Kafkaesque America, one can assume a relative's capital sentence for holy reform, the proxy initiative, patterned after the Passion.
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According to Pegg, another album Bowie listened to during the sessions was D'Angelo's Black Messiah (2014), which featured a fusion of soul, jazz and funk that was reminiscent of Bowie's work on "Sue (Or in a Season of Crime)". James Murphy of LCD Soundsystem played percussion on "Sue (Or in a Season of Crime)" and "Girl Loves Me". The music on Blackstar has been characterised as incorporating art rock, jazz, experimental jazz, free jazz, and experimental rock, as well as elements from industrial rock, folk-pop and hip hop. Bryan Wawzenek of Ultimate Classic Rock writes that it was his most experimental album in years.
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The opening cut on I Don't Wanna is the delta blues-tinged "Uncle Sam Do", a highly sarcastic diatribe against the Vietnam War, and establishes the characteristically caustic mood that extends throughout the whole set. The second track, "Goodbye Wall St." takes dead- center aim at capitalism. The lyrics to "Go Down" depict a picket line in which the target of anger is not only directed at the war and social inequality, but seemingly provides blank slate for whatever particular grievance that comes to mind. "Jumping", though not topical, is the most experimental cut stylistically, featuring a heavily reverbed high-pitched saxophone accompanied manic guitar strumming.
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In 2009, after ending their contract with EMI, urbandub signed with a new label MCA MUSIC and released their fifth and most experimental album entitled "The Apparition". The writing took place again in Cebu, the band's homecourt, with the band renting a house up the mountains and turning it into a home studio for 2 months. after which, they returned to Manila and recorded again in Tracks Studio with their Under Southern Lights producer Angee Rozul. The first few prints of the album included a cover of Depeche Mode's song "Home", which, along with their cover of Sade's "No Ordinary Love", exhibited the band's eclectic taste in music.
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Its narrator, Charlie "Little" Bigger (also known as Carl Bigelow), is a small, tubercular hitman whose mind is deteriorating with his body. In reviewing Savage Night, Boucher said it was "written with vigor and bite, but sheering off from realism into a peculiar surrealist ending of sheer Guignol horror. Odd that a mass-consumption paperback should contain the most experimental writing I've seen in a suspense novel of late". Savage Night contains an interlude—whether or not it is fantasy or dream, hallucination or flashback is unclear—when Bigger meets a poor, verbose writer who, much like Thompson, has a penchant for booze and makes a living writing pulp fiction to be sold alongside pornography.
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The evidence that Gesualdo was tortured by guilt for the remainder of his life is considerable, and he may have given expression to it in his music. One of the most obvious characteristics of his music is the extravagant text setting of words representing extremes of emotion: "love", "pain", "death", "ecstasy", "agony" and other similar words occur frequently in his madrigal texts, most of which he probably wrote himself. While this type of word-painting is common among madrigalists of the late 16th century, it reached an extreme development in Gesualdo's music. His music is among the most experimental and expressive of the Renaissance, and without question is the most wildly chromatic.
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One of his most experimental albums, Invisible Connections is quite different from the majority of Vangelis's work. Despite this, it can very loosely be said to belong to a trilogy of his '80s albums, the other two being Soil Festivities from 1984, and Mask from the same year as Invisible Connections. These all feature a willingness of the artist, at this time, to experiment with not only music itself, but his own album release patterns, as the content differs so markedly from the style for which he was known up to this point. In fact, it may be that he was deliberately revisiting the style of Beaubourg, a 1978 album in the same minimalist vein as Invisible Connections.
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At the 1986 MTV Video Music Awards, the video for "Take On Me" won six awards—Best New Artist in a Video, Best Concept Video, Most Experimental Video, Best Direction in a Video, Best Special Effects in a Video, and Viewer's Choice—and was nominated for two others, Best Group Video and Video of the Year. It was also nominated for Favorite Pop/Rock Video at the 13th American Music Awards in 1986. The second music video was produced by Limelight Productions. The crew of the video were director Steve Barron, producer Simon Fields, cinematographer Oliver Stapleton, editor Richard Simpson from Rushes Film Editing,Laurent Labuche: A-ha, la vérité sur un groupe de légende.
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Still, each of these 16 songs succeeds on its own terms, which is a vision for America beyond the black and white divide." Remi of SoulBounce argued that "even as you play Lenny Bingo, marking off the familiar styles he dusts off over the course of the album, you'll find yourself weighing the 2011 editions pretty favorably against their progenitors." Melinda Newman of HitFix said "Though everything Kravitz does here is deeply rooted in his stellar guitar work and the beat, it's his most experimental album in years". She added "Like Marvin Gaye or Al Green, Kravitz is able to blend both the sensual and the spiritual." and described the album "robust, full and uplifting.
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In 2000, Hornsby chronicled this journey with a compilation live album entitled Here Come The Noise Makers, and did extensive touring with his new band featuring John "J.T." Thomas (keyboards, organ), Bobby Read (saxophones, woodwinds, flute), J.V. Collier (bass), Doug Derryberry (guitar, mandolin), and several different drummers before Sonny Emory took over full-time. North Bethesda, Maryland, audience requests visible across keyboard His next studio album of new material was not until 2002: Big Swing Face. The album was Hornsby's most experimental effort to date; Big Swing Face, the only album on which Hornsby barely plays any piano, relied heavily on post-electronica beats, drum loops, Pro Tools editing, and dense synthesizer arrangements.
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Gilberto Gil (also commonly referred to as Gilberto Gil (Cérebro Eletrônico) to differentiate it from Gil's other self-titled releases) is the third solo album by Gilberto Gil, originally released in 1969. The album was arranged by Rogério Duprat, and has a strong element of psychedelic rock to it, being considered by some to be his most experimental album. Since Gil was not allowed by the Brazilian military dictatorship to leave Salvador, Bahia, before being exiled to London, he recorded vocals and acoustic guitar in Salvador, and Rogério Duprat recorded the other instruments in Rio de Janeiro and São Paulo. The album has one of Gilberto Gil's most famous songs, "Aquele Abraço".
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Since 1979 she is member and co-founder of the EK Dance Studio and teaches at the National School of Dance Arts – Sofia as well as in the State Academy of Music – Sofia, the National Academy for Theatre & Film Arts and at the Ballet Academy in Athens, Greece. Since 1989 she has been employed by the Bulgarian National Television as a Choreographer and since 1996 she is professor in Contemporary Dance in the Academia Philharmonica di Messina (Italy). In 1999 she was nominated as Honorary member of the Board of Trustees of the Academia Philharmonica di Messina. In 2001 she was appointed pedagogue and choreographer of Ballet Arabesque – one of the most experimental dance companies in Bulgaria.
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Acts range from the most traditional, like the Old Swan Band, to the most experimental like the electronic dance music influenced Monster Ceilidh Band. Many other forms of music have been combined with English ceilidh music including; Irish music from the band Phoenix Ceilidh Band; ska from the band Whapweasel; Traditional Jazz from the bands Chalktown and Florida; Funk Fusion from Licence to Ceilidh, Ceilidhography and Climax Ceilidh Band, Rock from the bands Peeping Tom, Aardvark Ceilidh Band, Touchstone and Tickled Pink; West African and Indian influenced music from the band Boka Halattraditional; traditional French music from the band Token Women; traditional Welsh music from Twm Twp; and heavy metal from Glorystrokes.
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Museum of Modern Art in New York City, where the video is kept permanently on display The music video for "Bedtime Story" has received generally positive reviews from critics ever since its release. It was exhibited and permanently kept in different art galleries and museums, including the Museum of Modern Art as well the School of Visual Arts in New York City. O'Brien praised the video, calling it "one of [Madonna]'s most experimental" music videos and a "Dali- esque epic", causing it to enter "the portals of high art". MTV News' James Montgomery, while writing an article on the pop culture references of Britney Spears' "Hold It Against Me" music video (2011), claimed that "Bedtime Story" was an ultra artistic video, influencing Spears' one.
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The studio disc of To Venus and Back is recognized as one of Amos's most experimental yet melodic, and received mixed reviews. Some critics praised its originality, innovation and unpredictable song structures, with one reviewer describing the album as having "some of the best vocals of her career, embedded in modern, special-effects-laden soundscapes that move from electronica-spiced piano pop and hip-hop to ambient space music", while others begrudged the album because of its overuse of electronic instruments and lack of Amos's trademark simplistic sound, most present on albums such as Little Earthquakes (1992) and Under the Pink (1994). The album received two 2000 Grammy Award nominations: Best Female Rock Vocal Performance for "Bliss" and Best Alternative Music Album.
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By the end of 2017, Lieberman stopped all cancer treatment. From this time, he was in and out of home hospice care. After being admitted into home hospice care in early 2018, Lieberman, during his last years of recording had produced his most prolific and sometimes most experimental music of his career, as he was aware time was running out on him. Lieberman had arranged orchestral parts to blend with his punk/thrash style, fusing it to progressive rock (The Gangsta Rabbi's Punk Thrash Thick as a Brick/A Passion Play), opera (recreating a fully orchestrated three-hour version of Gilbert and Sullivan's HMS Pinafore) and his classical punk/thrash fusion The Gangsta Rabbi's Thrash Opus Year 1812 Festival Overture in E♭ Major, lasting 38 minutes.
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The artists of this genre usually writes songs based on romanticism and their lyrics are often considered to be poetic. Arnob with his visual arts education from Visva Bharati University and Shironamhin with their poetic songs began to develop Bangladeshi rock in an artistic manner, and soon got huge success as both artists sold half a million copies of their albums and was soon being considered one of the greatest of the decade. Most of Arnob's early works were considered to be folk or some kind of fusion, his most experimental album was Arnob & Friends Live (2009), which contained songs from his world tour in 2008. Arnob and Shironamhin, these two artists were also the first to release a Rabindra sangeet album as a rock artists.
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This is one of the two songs on the album to feature E Street Band legendary saxophonist Clarence Clemons, who died in 2011. The song "Rocky Ground" is perhaps the most experimental track on the album. While the song does recall Springsteen's previous work, such as the similarly gospel music–influenced "My City of Ruins" and the hip-hop tinged "Streets of Philadelphia", it features a brief rap by Michelle Moore, a first for a Springsteen song. The song features an atmospheric arrangement that includes a gospel choir and vocal looping (the words "I'm a soldier" from the Church of God in Christ Congregation's recording of "I'm a Soldier in the Army of the Lord" are looped throughout the song).
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The Allmusic review by Thom Jurek states "this is yet another criminally underappreciated Rahsaan Roland Kirk recording from the last phase of a remarkable career. This is perhaps Kirk's most experimental recording in that it involves his most involved performing on multiple horns and flutes — including his infamous and wonderful nose flute — and working with drones on a more surface level. Given Kirk's system of playing three horns at once, the drone horn was always a part of his sonic architecture. The difference here is that the melodic and improvisational lines take a back seat... There are numerous metaphors and metonyms here, but they will not come to the listener until later, when she or he regains the conscious notion of breathing".
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Nolan has been described as "American cinema's most experimental blockbuster auteur" and a "franchise unto himself." Geoff Andrew of the British Film Institute and Sight & Sound magazine, called Nolan "a persuasively inventive storyteller", singling him out as one of the few contemporary filmmakers producing highly personal films within the Hollywood mainstream. He also pointed out that his films are as notable for their "considerable technical virtuosity and visual flair" as for their "brilliant narrative ingenuity and their unusually adult interest in complex philosophical questions". David Bordwell observed that Nolan is "considered one of the most accomplished living filmmakers", citing his ability to turn genre movies into both art and event films, as well as his box office numbers, critical acclaim, and popularity among cinemagoers.
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Until the band's 2007 release of the further groundbreaking Ire Works, Miss Machine was considerably the band's most experimental release to date, as the band drew from the experience of working with Mike Patton and the industrial influence of bands such as Nine Inch Nails. It is also arguably their most accessible due to the band toning down the musical complexity and adding new elements like slower song tempos, singing vocals, and more straightforward song structures. Due to Mike Patton collaborating with the band, his experimental influences began to rub off on The Dillinger Escape Plan. In addition, Greg Puciato was involved with Error, an industrial band, around the same time as the release of Miss Machine, all of which would form their sound on Miss Machine.
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Girl with Pigs, 1781–82, Private Collection, was said by Sir Joshua Reynolds to be "the best picture he ever painted" The art historian Michael Rosenthal described Gainsborough as "one of the most technically proficient and, at the same time, most experimental artists of his time". He was noted for the speed with which he applied paint, and he worked more from observations of nature (and of human nature) than from application of formal academic rules. The poetic sensibility of his paintings caused Constable to say, "On looking at them, we find tears in our eyes and know not what brings them." Gainsborough's enthusiasm for landscapes is shown in the way he merged figures of the portraits with the scenes behind them.
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It proved to be Lord's most experimental work and was released to mixed reactions. However, the dalliances with Bach on Windows and the pleasure of collaborating with Schoener resulted in perhaps Lord's most confident solo work and perhaps his strongest orchestral album, Sarabande, recorded in Germany in September 1975 with the Philharmonia Hungarica conducted by Schoener. Composed of eight pieces (from the opening sweep of Fantasia to the Finale), at least five pieces form the typical construction of a baroque dance suite. The key pieces (Sarabande, Gigue, Bouree, Pavane and Caprice) feature rich orchestration complemented sometimes by the interpolation of rock themes, played by a session band comprising Pete York, Mark Nauseef and Andy Summers, with organ and synthesizers played by Lord.
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Some of the best-known and loved abecedarians have been written for children, such as Dr. Seuss's ABC or the roughly half-dozen alphabet books of Edward Gorey, the most notorious among them The Gashlycrumb Tinies. However, even the most experimental authors of the twentieth century have authored children's or quasi-children abecedarians. Written in an attempt to compose "a birthday book [she] would have liked as a child", To Do: A Book of Alphabets and Birthdays, Gertrude Stein's intended follow-up to her first children's book, The World Is Round, has been described as "a romp through the alphabet" and an "unusual alphabet book". Also, Djuna Barnes' last book, Creatures in an Alphabet is a collection of rhyming quatrains about different animals, ordered, albeit loosely, in an alphabet sequence.
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Evelyn (1969), which starred Ian Richardson and Pauline Collins as a couple trapped in an extra-marital and over-crowded affair, won the RAI Prize for Literary and Dramatic Programmes at the Prix Italia and was later adapted for television. Buffet (1976) saw Richard Briers playing a borderline alcoholic city gent unwinding at a railway buffet at the end of a long and exhausting day. In an introduction to the broadcast, John Tydeman, then head of Radio 4 drama, and the producer of 27 of Adrian's plays, paid tribute to the author - referring to him as "one of the great unknown British playwrights [...] very much a language man rather than a man who used whizzy, 'show-offy' radio." 1982's Watching the Plays Together was one of Adrian's most experimental works.
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Kelefah Sanneh of The New York Times called Aaliyah "a digital diva who wove a spell with ones and zeroes", and writes that her songs comprised "simple vocal riffs, repeated and refracted to echo the manipulated loops that create digital rhythm", as Timbaland's "computer-programmed beats fitted perfectly with her cool, breathy voice to create a new kind of electronic music." When she experimented with other genres on Aaliyah, such as Latin pop and heavy metal, Entertainment Weeklys Craig Seymour panned the attempt. While analyzing her eponymous album, British publication NME (New Musical Express) felt that Aaliyah's radical third album was intended to consolidate her position as U.S.R&B;'s most experimental artist. As her albums progressed, writers felt that Aaliyah matured, calling her progress a "declaration of strength and independence".
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Having just written the Rights of Woman, Wollstonecraft was determined to put her ideas to the test, and in the stimulating intellectual atmosphere of the French Revolution, she attempted her most experimental romantic attachment yet: she met and fell passionately in love with Gilbert Imlay, an American adventurer. Wollstonecraft put her own principles in practice by sleeping with Imlay even though they were not married, which was unacceptable behavior from a 'respectable' British woman. Whether or not she was interested in marriage, he was not, and she appears to have fallen in love with an idealisation of the man. Despite her rejection of the sexual component of relationships in the Rights of Woman, Wollstonecraft discovered that Imlay awakened her interest in sex.Todd, 232–36; Tomalin, 185–86; Wardle, 185–88; Sunstein, 235–45.
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The Unwed Sailor The Marionette and the Music Box concept album was then released on Burnt Toast Vinyl in August 2003 as a companion piece to the Jamie Hunt illustrated children's book of the same name. Ford explained in 2010 that the album was their most experimental recording at the time: > We literally created our own sounds and instruments for that record. It was > very much like creating a movie soundtrack—just being in a room with a > couple of random objects and using them to create the sound another object > would make. Like spinning quarters on a table to get the sound a clock would > make if it was being wound, or rolling an old toy car across a picnic table > to simulate the sound of an old windmill.
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We Begin (1987) is a collaborative album by the American jazz musicians Mark Isham and Art Lande. It is a highly experimental album featuring a wide range of compositional styles. The first track on the album is a piece titled “The Melancholy of Departure”. It consists of a soft and mournful trumpet melody set against a harsh and almost mechanical rhythm. “The Melancholy of Departure” takes its title from a 1916 work by the Italian metaphysical painter Giorgio de Chirico. The two most experimental tracks on the album are “Ceremony in Starlight” and “Surface and Symbol”. “Ceremony in Starlight” is an eerie avant-garde composition with muted trumpet, piano and synthesized bells. “Surface and Symbol” is a complex arrangement of looped trumpet, piano and percussion with synthesizer accompaniments.
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The following table lists some reported reactions that are relevant to photogeochemical study, including reactions that involve only naturally occurring compounds as well as complementary reactions that involve synthetic but related compounds. The selection of reactions and references given is merely illustrative and may not exhaustively reflect current knowledge, especially in the case of popular reactions such as nitrogen photofixation for which there is a large body of literature. Furthermore, although these reactions have natural counterparts, the probability of encountering optimal reaction conditions may be low in some cases; for example, most experimental work concerning CO2 photoreduction is intentionally performed in the absence of O2, since O2 almost always suppresses the reduction of CO2. In natural systems, however, it is uncommon to find an analogous context where CO2 and a catalyst are reached by light but there is no O2 present.
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The first album released was 1975's Dos Benefícios de um Vendido no Reino dos Bonifácios followed by Coisas do Arco da Velha in 1976 which won the "Album of the Year" award in Portugal, notable for the appearance of Cândida Branca Flor on vocals. Their most renowned and considered by some, their most experimental, album was their 1977 release Hoje há Conquilhas, Amanhã não Sabemos which featured António Pinheiro da Silva on guitar, Rão Kyao on saxophone and Gabriela Schaaf on vocals. They went on to release Contos da Barbearia in 1978 followed by No Jardim da Celeste in 1981 which featured the inclusion of female singer Né Ladeiras and Jerry Marotta, Peter Gabriel's former drummer. The band played live on only three occasions: at Aula Magna, Festa de S. Mateus in Viseu and Casa do Povo in Cacia.
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Cernat (2007), pp. 180–183, 345, 346, 351; Funeriu, p. 601 Examples include, in 1922, a parody of Hamlet; in 1923, a Futurist prose poem about the coming world revolution (signed as "Ivan Aniew"); and, in 1927, Victoria sălbatică.Cernat (2007), pp. 182–183, 184–186 According to Manolescu, Descântecul și Flori de lampă is a failed work, ranking below models such as Macedonski and Anghel, and announcing Vinea's turn to the "unbearable kitsch". These traits he integrated in Paradisul suspinelor, one of the most experimental (and possibly the earliest) avant-garde novel or novella by a Romanian—although it remains shadowed by Caragiale's Craii de Curtea- Veche.Cernat (2007), pp. 183–184, 336 He added to the mix psychoanalytical and sexual themes, with an unreliable narrator that hinted the influence of André Gide.Călinescu, p. 896; Cernat (2007), p.
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A term that not long after would also be used as an umbrella to group bands with a hard- to-pin-down style, like the neo-surf pop of Super Ratones (from Mar del Plata), and neo-fusionists La Portuaria with their world music touches. "Nuevo Rock" would be the dominant form of rock in Argentina until the middle of the decade when it lost ground to so-called "rock suburbano". In 1992, Soda Stereo presented Dynamo, their sixth album, arguably the most conceptual (the other being "Signos"), and the most experimental to that point. It apparently took fans by surprise, and was the lowest seller of the group's works (it didn't help that in the middle of all this the band changed labels; Sony wouldn’t promote a band that was leaving, and BMG wouldn't promote another label's album). Babasónicos, 2006.
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Two of his most acclaimed commissions are Reconcilition/Hands Across the Divide in Carlisle Square, Derry, overlooking the Craigavon Bridge crossing the River Foyle, and the Gaelic Chieftain, arguably his most experimental and impressive piece sited in the Curlew Mountains, County Roscommon. This statue overlooks the site of the Battle of Curlew Pass, fought in August 1599, when a Gaelic Irish force under Hugh Roe O'Donnell defeated an English column during the Nine Years War. His work Let the Dance Begin, dating from 2000, is sited near the Lifford Bridge in Strabane, County Tyrone and was commissioned by the Strabane Lifford Development Commission. It features 5 semi-abstract figures (a fiddler, a flautist, a drummer and two dancers) on the theme of music and dance, each 4 metres high and is made of stainless steel, bronze and ceramic tile mosaic.
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" Journalist Andy Beta analyzed the album has a "warmth and fragility" that sets it apart from most experimental records. Andrew Ryce praised it for feeling "universal," where "anyone can pick up the objects around them and make music, and Sakamoto shows how engaging even the simplest exercises in sound can be." The A.V. Club's Sean O'Neal wrote that when hearing all the songs in order, they "creat[e] a transcendent introspective mood that allows the listener to hear their own story within them," but when the songs are heard separately, they "can be a bit boring." Some critics spotlighted the use of elements of Sakamoto's previous works, Ryce calling them the best parts of async. Spectrum Culture compared it to the composer's earlier albums in that "it sacrifices coherency and consistency in getting as many of its creator’s ideas on wax as possible.
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He conducted all the music (with the exception of a "jam session" in the middle of the film) and included his own orchestrations for the Toccata and Fugue in D minor and Night on Bald Mountain/Ave Maria segments. Stokowski even got to talk to (and shake hands with) Mickey Mouse on screen, although he would later say with a smile that Mickey Mouse got to shake hands with him. This footage of Stokowski was incorporated into Fantasia 2000. A lifelong and ardent fan of the newest and most experimental techniques in recording, Stokowski saw to it that most of the music for Fantasia was recorded over Class A telephone lines laid down between the Academy of Music in Philadelphia and Bell Laboratories in Camden NJ, using an early, highly complex version of multi-track stereophonic sound, dubbed Fantasound, which shared many attributes with the later Perspecta stereophonic sound system.
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The remaining album songs are credited to the band members and include "Drinking Muddy Water", an interpretation of the blues classic "Rollin' and Tumblin'" and nominally a tribute to bluesman Muddy Waters, and "Smile on Me", a re-working of Howlin' Wolf's "Shake for Me" (which Wolf later re-worked for his "Killing Floor" which Led Zeppelin adapted for "The Lemon Song"). The Yardbirds also recorded "Stealing Stealing", a jug- band-style song that has been traced back to Gus Cannon's Jug Stompers and the Memphis Jug Band. Russo describes the four and a half minute instrumental collage "Glimpses" as a "brilliant piece of psychedelic imagery [that] revealed the Yardbirds at their most experimental and inspired". It features multiple-guitar tracks, with effects and bowing, and an electric sitar-backing propelled along by a 6/8 beat and bass riff by McCarty and Dreja.
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Much of the album is experimental, but especially so are: "Overture," played with six simultaneous guitars, some in different tunings from others, with vocal echo effects; "The Tenth World," an extended-length instrumental of Latin percussion; and "Dreamland," which features only percussion and voices (including Chaka Khan). Most experimental of all is "Paprika Plains," a 16-minute song played on improvised piano and arranged with a full orchestra; it takes up all of Side 2. In it, Mitchell narrates a first-person description of a late-night gathering in a bar frequented by Indigenous peoples of Canada, touching on themes of hopelessness and alcoholism. At one point in the narrative, the narrator leaves the setting to watch the rain and enters into a dreamstate, and the lyrics – printed in the liner notes but not sung – become a mixture of references to innocent childhood memories, a nuclear explosion and an expressionless tribe gazing upon the dreamer.
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The album was released to generally favorable reviews scoring 72 on aggregate website Metacritic, based on 11 reviews. Team Rock gave the album 3 out of 5 stars and reviewer Dom Lawson said of the album "if you compare this to past triumphs like Come My Fanatics... and Dopethrone – albums that pushed doom metal into heavier and more joyously drug-addled territory than ever before – Wizard Bloody Wizard falls a spliff or two short of the mark." Josh Gray of Clash noted the band's paying homage to Black Sabbath's Sabbath Bloody Sabbath in selection of the album's title but pointed out the absurdity of the tribute; "Sabbath Bloody Sabbath is by far Black Sabbath's most experimental album," he said, "while this record is by far Electric Wizard's least." He further suggested that this album may be the one (as opposed to Dopethrone) you play to demonstrate Electric Wizard's distinctive sound to an uninitiated friend.
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Vapor Drawings (1983) is the debut solo album by the American trumpeter/synthesist Mark Isham. It was the first album released on the Windham Hill label to belong to the electronic music genre. This album focuses more on Isham’s talents as an electronic composer than future releases. “Something Nice for My Dog” is purely electronic and “Men Before the Mirror” only features a brief segment of trumpet at the beginning. The tone of the album ranges from sweeping and melancholy (“On the Threshold of Liberty”, “In the Blue Distance”) to light and humorous (“Something Nice for My Dog”, “Mr. Moto’s Penguin”). The most experimental piece on the album is “Sympathy and Acknowledgement”, the full title of the song being "Thank you for your Sympathy and Acknowledgement of my Disease". This piece is centered on a complex arrangement of electronic sequences and processed trumpet and piano recordings. The most famous piece on the album is a military-style march titled “On the Threshold of Liberty”.
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Next, Nick directed the feature, Illtown, starring Michael Rapaport, Lili Taylor, Adam Trese, Kevin Corrigan, Angela Featherstone, Tony Danza, Isaac Hayes, Paul Schulze, Oscar Isaac, and Saul Stein. Of his third, and most experimental feature, Nick told the Village Voice “The mood and tempo of Illtown express what I felt like at the time. I had to make it come out the other end. It was incredibly hard, but it was really satisfying working on a more intimate scale again.” Former NYC mayor, Ed Koch is claimed to have said of Illtown, “It’s like a Picasso. You don’t always understand it, but you know it’s a masterpiece” In 1995, after a screening of Laws of Gravity, Nick was approached by Tom Fontana and Barry Levinson to create with them a look and tone for their new series for NBC; Homicide: Life on the Street Nick would, in turn, direct the pilot for the series and subsequent episodes.
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Osborne had previously worked with the band Happy Mondays. According to Anderson, Head Music was Suede's most experimental album, and Osborne's role played into the group's experimentation, "Steve was responsible for a hell of a lot of this album's sound. We chose him first of all because he did this fucking brilliant job on 'Savoir Faire'... It just sounded really exciting and unusual." Osborne's involvement sparked rumours of Suede going in a dancier direction, which the band denied. Osman insisted it is “groovier” than their previous songs with some using only one or two chords, while Anderson said: “The last thing we wanted to do was some obvious attempt to make a dance album, because it would have sounded like shit.” Osborne was initially hired for one week of trial-run recording at Mayfair Studios, just to see how the process was going to work, or indeed if the two parties could work together.
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Federal Theatre Project national director Hallie Flanagan considered the company the best "Negro unit" in the program, and historian Rena Fraden says that they put on "some of the most experimental of productions of any Negro unit." Historian Quintard Taylor estimates that as many as 200 African Americans—about 5 percent of Seattle's black population in 1940—were involved with at least one of the productions over the next several years. The company put on plays such as Paul Peters and George Sklar's Stevedore—already a success in New York—in which a Black waterfront union organizer is unjustly framed for the rape of a white woman, and his union fights back. The state administrator of the Works Progress Administration (WPA), which oversaw the FTP, shut down a 1937 production of Lysistrata after one night, although he had not personally seen it, because his wife and secretary complained about its risque nature.
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Lick My Decals Off, Baby (1970) continued in a similarly experimental vein. An album with "a very coherent structure" in the Magic Band's "most experimental and visionary stage", it was Van Vliet's most commercially successful in the United Kingdom, spending twenty weeks on the UK Albums Chart and peaking at number 20. An early promotional music video was made of its title song, and a bizarre television commercial was also filmed that included excerpts from Woe- Is-uh-Me-Bop, silent footage of masked Magic Band members using kitchen utensils as musical instruments, and Beefheart kicking over a bowl of what appears to be porridge onto a dividing stripe in the middle of a road. The video was rarely played but was accepted into the Museum of Modern Art, where it has been used in several programs related to music.Music Video: The Industry and Its Fringes, Museum of Modern Art, September 6–30, 1985Looking at Music, Museum of Modern Art, August 13, 2008 – January 5, 2009 On this LP Art Tripp III, formerly of the Mothers of Invention, played drums and marimba.
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After hundreds of radio shows spanning different periods of the genre, including a series of live interviews with Djs, MCs and people involved in the scene, in 2004, Bruno Verner & Eliete Mejorado compiled the pioneering mixtape Slum Dunk Presents Funk Carioca mixed by Tetine, released on Mr Bongo Records. At the same year they released an original blend of queer funk carioca in an album entitled Bonde Do Tetao on Bizarre Records in São Paulo. Critically acclaimed in Europe and in the USA, Slum Dunk Presents Funk Carioca influenced an entire new generation of DJs and producers including M.I.A and Diplo - artists who were beginning to experiment with funk carioca at more or less the same time. Tetine's Slum Dunk radio show was responsible to bring Funk Carioca – the intense lo-down Miami-bass driven sound from Rio’s favela parties – within London’s cultural radar, giving exposure to a number of Baile Funk artists for the first time in Europe, introducing the British and Americans to a new genre, as well as playing Brazil’s most experimental segments of funk carioca culture including the proibidoes.
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After hundreds of radio shows spanning different periods of the genre, including a series of live interviews with Djs, MCs and people involved in the scene, in 2004, Bruno Verner & Eliete Mejorado compiled the pioneering mixtape Slum Dunk Presents Funk Carioca mixed by Tetine, released on Mr Bongo Records. At the same year they released an original blend of queer funk carioca in an album entitled Bonde Do Tetao on Bizarre Music in São Paulo. Slum Dunk Presents Funk Carioca was critically acclaimed in Europe and in the USA and influenced a new generation of DJs and producers including M.I.A and Diplo - who were then beginning to experiment with Funk Carioca more or less at the same time. Tetine's Slum Dunk radio show was responsible to bring Funk Carioca – the intense lo-down Miami-bass driven sound from Rio’s favela parties – within London’s cultural radar, giving exposure to a number of Baile Funk artists for the first time in Europe, introducing the British and Americans to a new genre, as well as playing Brazil’s most experimental segments of funk including the proibidoes.
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We decided that Anthem of the Sun was going to be our statement on the matter". Drummer Bill Kreutzmann's description of the production process describes the listening experience of the album as well: > ...Jerry [Garcia] and Phil [Lesh] went into the studio with [Dan] Healy and, > like mad scientists, they started splicing all the versions together, > creating hybrids that contained the studio tracks and various live parts, > stitched together from different shows, all in the same song — one rendition > would dissolve into another and sometimes they were even stacked on top of > each other... It was easily our most experimental record, it was > groundbreaking in its time, and it remains a psychedelic listening > experience to this day." Tom Constanten, a friend of Lesh and Garcia, joined the band in the studio while on leave from the United States Air Force to provide piano, prepared piano, and electronic tape effects influenced by John Cage and Stockhausen. Constanten would formally join the band following his discharge in November 1968; however, his contributions to the band's sound were more evident in the studio than in live shows, and Anthem of the Sun was no exception.
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After a three-year absence from the music scene Bissi returned with the album Mezzogiorno sulle Alpi ("Noon in the Alps") in 1992, her most experimental and mature work to date, again recorded with a number of distinguished international musicians such as Steve Jansen, Richard Barbieri, Dave Gregory, Paolo Fresu as well as double bass player Danny Thompson, drummer Gavin Harrison and bassist Jakko Jakszyk. Mezzogiorno sulle Alpi displayed Bissi's effort to steer away from being a commercially oriented Mediterranean pop act to a much more ambitious performer and marked an increasing expansion into electronics, expressed in colourful synth sounds, occasional drum loops and subdued ambient passages as well as influences from contemporary jazz. The material was mainly co-written by Bissi and producer Francesco Messina with contributions from Richard Barbieri, Paolo Fresu and Rosario Cosentino but the album also included an English language cover version of Tim Buckley's "Blue Melody" and lead single "In viaggio sul tuo viso" incorporates the Hungarian folk melody "Istenem Istenem". Despite receiving generally positive reviews from music critics and a following sold- out European concert tour the Mezzogiorno sulle Alpi album itself was only a moderate commercial success.
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The emphasis in teaching at the Slade was on technique and draughtsmanship, to which Bomberg was well suited — winning the Tonks Prize for his drawing of fellow student Rosenberg in 1911. His own style was rapidly moving away from these traditional methods, however, particularly under the influence of the March 1912 London exhibition of Italian Futurists that exposed him to the dynamic abstraction of Francis Picabia and Gino Severini, and Fry's second Post Impressionist exhibition in October of the same year, which displayed the works of Pablo Picasso, Henri Matisse and the Fauvists alongside those of Wyndham Lewis, Duncan Grant and Vanessa Bell. Bomberg's response to this became clear in paintings such as Vision of Ezekiel (1912), in which he proved "he could absorb the most experimental European ideas, fuse these with Jewish influences and come up with a robust alternative of his own." His dynamic, angular representations of the human form, combining the geometrical abstraction of cubism with the energy of the Futurists, established his reputation as a forceful member of the avant-garde and the most audacious of his contemporaries; bringing him to the attention of Wyndham Lewis (who visited him in 1912) and Filippo Marinetti.
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The music video is one of the first to use computer graphics. The video features band leader Ric Ocasek and model Susan Gallagher in a series of quirky encounters. Ocasek appears in her bathroom mirror, inside a large periscope that pops up in her bathtub, in her mouth, as a fly, as King Kong on top of the Empire State Building and as the Robot Monster, among other incarnations. The rest of the band appears together and separately throughout the video; after they all appear in the movie-theater scene, keyboardist Greg Hawkes plays the dentist in the scene in which Ocasek is jackhammering a tooth in the girl's mouth. In the King Kong scene, the other 3 members, guitarist Elliot Easton, bassist Benjamin Orr and drummer David Robinson, are paired off in the 2 planes flying around Ocasek. "You Might Think" won the first MTV Video Music Award for Video of the Year and was nominated for 5 more awards (Best Special Effects, Best Art Direction, Viewer's Choice, Best Concept Video and Most Experimental Video) at the 1984 MTV Video Music Awards. The video also won 5 awards (Best Video, Best Conceptual, Most Innovative, Best Editing and Best Special Effects)Billboard vol. 96 no.
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" In another of Johnston's write- ups in Voyeur, Virgin Airlines' in-flight magazine, he wrote, "There's no more outrageously original restaurant on the planet than the recently opened Ultraviolet..." Claudio Grillenzoni reviewed the restaurant for Identita Golose in 2013, describing Ultraviolet as: "An incredible psycho-gustative odyssey lasting 4 hours and 22 dishes". He commented on the food, saying “all dishes, on top of being remarkable, are always served in a very fun and unassuming way… one of the most experimental and challenging, one of the most fun and accomplished of the recent past.” Crystyl Mo wrote for Time Out Shanghai in Ultraviolet's opening month (May 2012), "Ultraviolet is radical and it was very much worth the wait… The food is central to the night, never just a prop; each meticulously crafted bite is so delectable, we’re left craving more after nearly every course." Condé Nast Traveller UK edition selected Ultraviolet in its Gold Standard Restaurants 2013, saying “Ultraviolet is China's most immersive foodie experience… Truly extraordinary.” Food & Wine US listed Ultraviolet in its global Go List in 2014 May issue, "An evening at Ultraviolet is a surreal drama... Paul Pairet serves 22 courses, each a theatrical production with music, scents and video.
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