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11 Sentences With "more unconscious"

How to use more unconscious in a sentence? Find typical usage patterns (collocations)/phrases/context for "more unconscious" and check conjugation/comparative form for "more unconscious". Mastering all the usages of "more unconscious" from sentence examples published by news publications.

But there is an effort from churches like Zoe and Hillsong underway — probably more unconscious than deliberate — to make Christianity accessible, cool, and interesting to young people.
This kind of learning is a more unconscious process, Dr. Squire said, in that you cannot necessarily describe what you know, but it creates a kind of memory that does indeed last for a long time.
The Das siblings are constantly trying to flee their immediate surroundings. This need is fuelled by the shortage of attention they get from their parents. Raja starts inclining towards Islamic culture against his family’s wishes, Tara first seeks attention from Mira Masi and starts to spend longer with the Misra sisters, ultimately marrying Bakul and leaving Delhi . Baba also tries to flee his immediate surroundings, albeit during a more unconscious manner, by constantly playing an equivalent music on a loop.
Journal of Experimental Social Psychology, 46, 564–570. Improved financial circumstances require increased self-awareness because every financial decision is impacted by an individual's thoughts, feelings and attitudes about money which are often more unconscious than conscious. The Financial Social Work model incorporates the transformative learning approach to expand self-awareness, sense of self and provide financial knowledge. As individuals gain more insight into why and how their thoughts and attitudes about money developed, they are more likely to make deep, long-lasting financial choices that positively impact their future.
Carole loses her job as a result of her drinking and apparently begins spending a lot of time with Bill in his apartment. One evening, while alone in Bill's apartment, Carole gets drunk, passes out, and falls and hits her head on the arm of a couch, which renders her even more unconscious. Her necklace (designed to look like a snake) gets caught on the arm of the couch and she strangles as she is slumped over the side of the couch. Eventually, the necklace slips loose and Carole's body falls to the floor.
Backpropagation occurs actively in the neocortex, hippocampus, substantia nigra, and spinal cord, while in the cerebellum it occurs relatively passively. This is consistent with observations that synaptic plasticity is much more apparent in areas like the hippocampus, which controls spatial memory, than the cerebellum, which controls more unconscious and vegetative functions. The backpropagating current also causes a voltage change that increases the concentration of Ca2+ in the dendrites, an event which coincides with certain models of synaptic plasticity. This change also affects future integration of signals, leading to at least a short-term response difference between the presynaptic signals and the postsynaptic spike.
Processes in this dendritic arbor, the network of teledendrons and dendrites, occur due to the oscillations of polarizations in the membrane of the fine-fibered dendrites, not due to the propagated nerve impulses associated with action potentials. Pribram posits that the length of the delay of an input signal in the dendritic arbor before it travels down the axon is related to mental awareness. The shorter the delay the more unconscious the action, while a longer delay indicates a longer period of awareness. A study by David Alkon showed that after unconscious Pavlovian conditioning there was a proportionally greater reduction in the volume of the dendritic arbor, akin to synaptic elimination when experience increases the automaticity of an action.
Using the terminology of the Nobel Laureate Daniel Kahneman, he has explored how System 1 and System 2 interact in everyday life and the implications of this interaction for both behaviour and talk. He has given a number of significant keynote addresses on this theme at a variety of applied conferences, including the Annual Conference of the Staffordshire Fire and Rescue Service, the Asian Fire Service Association National Conference, the Equality Challenge Unit Biennial Conference, the Respect Difference Conference, Police Service of Northern Ireland etc. The overarching focus of his research has been on how human beings communicate and make decisions in their everyday social worlds, with emphasis on the more unconscious and implicit aspects of these everyday processes. He has been interested, throughout his career, in the real-world relevance of his research.
228 (In spite of this, the villanelle has also often been used for light verse, as for instance Louis Untermeyer's "Lugubrious Villanelle of Platitudes".French 2004 p. 147) On the relationship between form and content, Anne Ridler notes in an introduction to her own poem "Villanelle for the Middle of the Way" a point made by T. S. Eliot, that "to use very strict form is a help, because you concentrate on the technical difficulties of mastering the form, and allow the content of the poem a more unconscious and freer release". In an introduction to his own take on the form, entitled "Missing Dates", William Empson suggests that while the villanelle is a "very rigid form", nonetheless W. H. Auden—in his long poem The Sea and the Mirror—had "made it sound absolutely natural like the innocent girl talking".
Beebe is particularly interested in the way an understanding of typology can foster the development of the capacity to take responsibility for our impact on others. Following up on Jung's theory of psychological types, where the contrasting attitudes of extraversion and introversion colored the judging (rational) functions of thinking and feeling, and the perceiving (irrational) functions of intuition and sensation, he developed an archetypal model of a dialogical self wherein conscious functions contend with more unconscious complexes in the shadow. A person's dominant (most preferred) function is the “hero” (or "heroine"), which is most closely allied with a semi-conscious complex called the “anima” (or "animus"). The hero is also challenged by an “opposing personality”. The next most preferred, or auxiliary, function is the good parent, which may be counteracted by a shadowy witch/senex complex; similarly the tertiary function (“child”) may be undermined by a more juvenile “trickster”.
Max Ernst rediscovered the frottage technique (based on the rubbing principle); in 1927 he transposed this drawing technique - generally applied to paper - to oil painting, thus creating the grattage process.Max Ernst, Metropolitan Museum of Art, New York, 2005 Grattage allowed Max Ernst to free the creative forces full of suggestions and evocations, less theoretical and more unconscious and spontaneousUwe M. METKEN, Max Ernst, Karin von Maur, Sigrid Metken, Uwe M. Schneede, Tate Gallery, Sarah Wilson, Max Ernst: A Retrospective, Prestel, 1991. This technique was refined by the artist Hans Hartung;Hans Hartung, Domenico D'Oora, Maurizio Medaglia, Vittorio Raschetti, Hans Hartung, Silvia, 2006 through this process he reaches the sublimation of his typical pictorial gestures, creating a new sign alphabet relying on pointed tools, suitably modified brushes, and rollers.Hans Hartung, Michel Enrici, Fondation Maeght, Hans Hartung: le geste et la méthode, Fondation Marguerite et Aimé Maeght, 2008 The grattage technique has been further studied and refined by the Italian painter Giovanni Guida and the American portraitist Richard Rappaport.

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