Add a blush in a similar shade for a fresh, monochromic finish.
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Vocalist Caro Tanghe adds a whole new range of colors to the band's already far-from-monochromic sonic palette, and it's a goddamn revelation seeing the band let loose live.
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The Nokia Actionman II is a revised edition of Nokia Actionman. It was launched in May 1984, 6 months after the launch of Actionman. It used the NMT 450 network. It has a monochromic LCD display.
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The Nokia Actionman is a mobile phone from Nokia which has been discontinued. It was launched in January 1984 and used the NMT 450 network. It has a monochromic LCD display. The phone is meant to be kept in cars.
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The architect was HGP Greentree Allchurch Evans with Higgs and Hill as the main contractor. A new glass fronted staircase was woven into the existing facade, which also featured a new canopy, and above, two vertical stacks of large single line monochromic LED dot matrix displays.
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The is a spiritual realm in the form of a forest of monochromic trees where Makai creatures exist. This particular forest gives a sensation of quietness even though spiritual creatures of Makai live there. These creatures are not under the control of the Makai, making the forest dangerous for those caught unprepared.
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The Gigabeat G was first introduced during the Japanese WPC Expo in September 2003. The hard drive player features capacities from 5 GB to 40 GB, support for MP3, WMA and WAV sound files, USB 2.0, and integration with Windows Media Player. The device has a 160x86-pixel monochromic screen with blue backlighting. Battery life is specified at 11 hours.
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Under computer control, dots would be activated to create tactile patterns of highs and lows representing the information to be read. Figure 6: High resolution tactile display consisting of 4,320 (60x72) actuator pixels based on stimuli-responsive hydrogels. The integration density of the device is 297 components per cm². This display gives visual (monochromic) and physical (contours, relief, textures, softness) impressions of a virtual surface.
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Correggio's first major commission (February–September 1519) was the ceiling decoration of a private chamber of the mother-superior (abbess Giovanna Piacenza) of the convent of St. Paul in Parma, now known as Camera di San Paolo. Here he painted an arbor pierced by oculi opening to glimpses of playful cherubs. Below the oculi are lunettes with images of statues in feigned monochromic marble. The fireplace is frescoed with an image of Diana.
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In February to September 1519, Correggio was commissioned by the Abbess Giovanna Piacenza to decorate the domed ceiling of her private room, now called the Camera di San Paolo or Camera della Badessa. He painted between the ribs to simulate a pergola, pierced by ovals (small windows) with smiling puttoes and hunting representations. Below the oculi are lunettes with monochromic scenes painted to simulate marble. The fireplace is frescoed with a depiction of the goddess Diana.
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In 1950 his drips became more solid and aggregate around a central kernel. The palette was limited to warm colors. From 1951 Mathieu studied tachism on monochromic canvases: blobs of painting appeared "because one needs a certain colored area at a certain place, and the most direct way is to lay the brush on the canvas with a varying degree of violence (inducing spatters) without having delimited the space to be so colored.", as in Le Maréchal de Turenne, Blanche de Turenne, La Bataille de Bouvines.
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ZEN Stone Plus with caseAlthough it is slightly larger than the ZEN Stone, the ZEN Stone Plus is identical in design. However, the ZEN Stone Plus has a monochromic OLED screen, a built-in FM tuner, a stopwatch (the first ZEN player to have this ability) and a built-in microphone. The ZEN Stone Plus plays approximately 9.5 hours of continuous audio playback, and comes with the same colors as the ZEN Stone in a 2 GB capacity. A 4 GB model was subsequently released on June 29, 2007.
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A second music video was directed by Merlyn Rosenberg and first aired in February 1994. Known as the Black and White version for its monochromic content throughout, the intentionally grainy, distorted footage shows the band performing in a darkened Burlesque-era ballroom, and is interspersed with footage of Sandoval and Roback at various sites around San Francisco, including the All Seasons Hotel (now the Crescent Hotel) and neighboring Stockton Street tunnel, coupled with genuine footage of the same sites shot in the 1930s. Only the latter music video was broadcast internationally.
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Much less common than other materials, copper axes and other tools have been discovered that were made from ore mined in Volyn, Ukraine, as well as some deposits along the Dnieper river. Pottery-making by this time had become sophisticated, however they still relied on techniques of making pottery by hand (the potter's wheel was not used yet). Characteristics of the Cucuteni–Trypillia pottery included a monochromic spiral design, painted with black paint on a yellow and red base. Large pear-shaped pottery for the storage of grain, dining plates and other goods, was also prevalent.
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Some of Keszler’s early work shows the importance of his research in material science for application purposes. For example, in 2002, he worked on thin-film electroluminescent devices which display high definition monochromic color outputs, and developing them to display a full range of color. They specifically focused on phosphor (Zn, Ga) S:Mn and strontium sulfide codoped with copper and potassium powders which was observed to have identical emission properties as thin films. Essentially by codoping, the band gap length of a material can be tuned so that the color of the light can be adjusted.
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When leaving Ghent for Brussels in 2005, Vandenberg bought a studio in Molenbeek. Another monochromic phase was preluded when he started to overpaint works in grey, orange and yellow. Letters and words reappeared on these monochrome canvases, like the enigmatic K.A. or the sentence L’important c’est le kamikaze (The Importance Is the Kamikaze), which was also the title of his 2006 exhibition at the Musée Arthur Rimbaud in Charleville-Mézières in France. Continuing to work on alternating geometric, figurative and monochrome cycles, these image schemes began to blur together: letters turned into geometrical grids, abstract compositions were intruded by figures, and monochromes served as backgrounds for words.
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