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369 Sentences With "mandapam"

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The temple consists of three Mandapams: Artha Mandapam, Maha Mandapam and Kodi Mandapam.
The area which circumambulates the outer and inner compound walls is called Sampangi Pradakshinam. In olden days Magnolia champaca Flowers (Telugu:Sampangi) were grown in this area hence it got the name Sampangi Pradakshinam. Sampangi Pradakshinam includes Krishnadevarayala Mandapam(Pratima Mandapam), Addala Mandapam, Ranganayaka Mandapam, Tirumalaraya Mandapam, Dwajasthambha Mandapam, Kalyanotsava Mandapam, Ugranam (Store house), Balipetam(Altar), Kshetra palaka sila, Tulabharam. It also includes idols of Vijayanagara Kings Sri Krishnadevarayalu and his two consorts, Tirumala Devi and Chinnadevi, Venkatapatirayalu, Lala khemaramu, Lala’s mother Mata Mohana Devi and Lala’s wife Pita Bibi.
Mandapam is located at .Falling Rain Genomics, Inc - Mandapam It has an average elevation of 9 metres (29 feet).
Kannaki Amman Temple is built in non-Agamic tradition with simple four halls called as "Karuvarai"(Sanctum), "Mun Mandapam", "Nadu Mandapam" and maha Mandapam. Karuvarai and Mun Mandapam are closed always except from the festival season comes during May - June month. Pillayar, Vairavar and Nāga Thambirān are seated in separated shrines around the main temple of Kannaki. Pooja rituals are conducted in front of the closed doors of Mun Mandapam every Tuesday and Fridays.
Next to the Artha Mandapam, is the Maha mandapam, where Pechiamman, Karuppaswamy and Bairavar are showering their blessings to the devotees.
The first floor of the two-storied gopuram consists of a mandapam (Dias), and eight beautifully carved wooden pillars support the Mandapam.
Glass- bottomed boats available at Mandapam cater to tourists visiting the area. Access to the islands is prohibited. The nearest railway stations are at Mandapam and Tuticorin.
At the entrance of this temple, there is a hall called 'Parivedan mandapam'. Sculptured images of Vezha mugatthu Vināyagar in sitting and standing positions are kept on either side of the mandapam. To the front of the Artha mandapam, there is a 'dwaja sthambam' (Flag Staff). The Mukha mandapam is where the idols of Sarva Siddhi Vināyagar, Meenākshi Sundareswarar, Idumban, Rāmalinga Swāmigal (Vallalār),Kantha kottam temple photo gallery at temple.dinamalar.
India census, Mandapam had a population of 15,799. Males constitute 51% of the population and females 49%. Mandapam has an average literacy rate of 71%, higher than the national average of 59.5%: male literacy is 75%, and female literacy is 66%. In Mandapam, 13% of the population is under 6 years of age.
Similar columns of Virabhadra are found in Adikesava Perumal Temple at Thiruvattaru, Meenakshi Temple at Madurai, Nellaiappar Temple at Tirunelveli, Kasi Viswanathar temple at Tenkasi, Krishnapuram Venkatachalapathy temple, Soundararajaperumal temple at Thadikombu, Srivilliputhur Andal temple, Srivaikuntanathan Permual temple at Srivaikuntam, Avudayarkovil, Vaishnava Nambi and Thirukurungudivalli Nachiar temple at Thirukkurungudi. There are separate shrines for Ramanathaswamy and his consort goddess Parvathavardhini separated by a corridor. There are separate shrines for the goddess Vishalakshi, the utsava images, sayanagriha, Vishnu and Ganesha. There are various halls inside the temple, namely Anuppu Mandapam, Sukravara Mandapam, Setupati Mandapam, Kalyana Mandapam, and Nandi Mandapam.
This ceremony took place at Kulasekhara Mandapam in Sri Padmanabhaswamy Temple.
In the centre of the Flower Garden is a square vasantha mandapam with 100 pillars. The Nandi mandapam is said to have been built by Sivanthiappa Nayak in 1654. To the western portion of the chain mandapam is the flower garden that was set up in 1756 by Thiruvengadakrishna Mudaliar. There are a number of stone inscriptions in the temple.
This mandapam is used for the distribution of free food during festivals and social events. It is located on the Northern premises, nearby the Kalayana Mandapam. Oftentimes this venue is used to serve wedding feasts after wedding ceremonies which are held at the Kalayana Mandapam. It houses Annapoorneshwari Amman, the Hindu Goddess of nourishment, however regular poojas are not offered here.
The design of the mandapa incorporates different styles of temple architecture from all over India. The rocks are surrounded by the Laccadive Sea. The memorial consists of two main structures, the Vivekananda Mandapam and the Shripada Mandapam.
East and west "padipura"(entrance). North side "ananadhana mandapam" serve devotes everyday.
Like Thanjoor temple this teppakkulam mandapam tower shadow won't fall on ground.
There is sub-temple dedicated to Lord Lakshmi Narayana in the Alipiri Padala Mandapam Temple complex which lies east of Padala Mandapam. The temple entrance and the deity faces towards west. It has sub-shrine dedicated for Andal.
There are five inner Mandaps – Artha, Idaikazhi, Thapana, Maha and Isai Mandapams. Outer Mandapams are 20 pillar mandapam, Deeparadhana, 100 pillar mandapam, Vipachithu and Chitra mandapam. Five-time puja is followed in the temple - Thiruvanandal, Kalasanthi, Uchi Kala, Sayaraksha and Arthajama at scheduled times from early morning till night. The temple has five cars-Raths for Lords Vinayaka, Muruga, Pazhamalai Nathar, Mother Periyanayagi and Sri Chandikeswara.
Adi Sankara Keerthi Sthambha Mandapam Sri Adi Sankara Keerthi Sthamba Mandapam is an eight-story memorial built by Kanchi Kamakoti Math. The entrance to the memorial, guarded by two elephant statues, leads to the Paduka Mandapam. Two silver knobs represent the padukas, or wooden sandals of the Teacher. The walls of the memorial feature framed relief paintings that tell the story of Adi Shankaracharya.
The foot of the hill, where the Narasimha temple is located is known as Narasingam or Hasthigiri or Gajagiri. There one may find the Maha Mandapam, Garuda Mandapam and Mukha Mandapam of the Pandya period. The shrine of the Goddess Narasingavalli faces south, at the entrance. Inscriptions say that there was also an agraharam for Vedic Brahmins, but there is no trace of it now.
Laxmi has also presented a Contemporary dance creation called 'Seasons on Earth' in 2016 at Kalashakti Mandapam in Vaikom and the Kerala Museum in Kochi; and a Flamenco dance creation in 2017 at Kalashakti Mandapam and Kala Ghoda Festival, Mumbai.
Sri Sri Sri Trilinga Sanghameshwara Swamy Devalayam was constructed during the period of Kakatiya king “2nd Prolaraju” (1115-1157 AD). The temple entrance from porch (Pravesha Mandapam), there are three inner sanctums (Garbha gruha) with three Antharaalam in three sides of Mukha Mandapam. The dimensions of each Antharaalam and inner sanctums (Garbha gruha) are identical 8 feet 8 inches and 8 feet. Mukha Mandapam dimensions are 24 feet and 24 feet.
In the late 1990s, the oil expeller was removed to the Gandhi Mandapam complex.
He started constructing gopuram and installed idols, reconstructed the base for compound, mandapam etc.
This mandapam is used for various performances in dance, music and art. It was recently renovated and repainted in 2011 to suit the design of the newly constructed Raja Raja Gopuram. Common performances in this mandapam include bharatanatyam, mridangam, nadaswaram and sankeerthanam.
A special ablution performed for the festive image at the Vasantha Mandapam concludes the festival.
Tirumamani Mandapam is the mandapam in front of bangaru vakili and is constructed in the year 1417 AD by madhavadasar. From the Tirumamani Mandapam, one can enter the Bangaru vakili (translates to Golden Entrance) to reach the inner sanctum sanctorum. There are two tall copper images of the dwarapalakas Jaya and Vijaya on either side of the door. The thick wooden door is covered with gilt plates depicting the dasavataram of Sri Maha Vishnu.
Panyarams include laddu, vada, Dosa, Appam, jilebi, muruku, poli, payasam. Free meals are given daily to the pilgrims. On Thursdays, the Tiruppavada seva is conducted, where huge quantity of pulihora is offered to Venkateswara by heaping up into a pyramidal shape in Tirummani mandapam (ghanta mandapam).
Maraikayarpattinam is a Panchayat Village near Mandapam in Ramanathapuram district in the Indian state of Tamil Nadu.
His major contributions are the Vasantha Mandapam for celebrating Vasanthotsavam (spring festival) and Kilikoondu Mandapam (corridor of parrots). The corridors of the temple tank and Meenatchi Nayakar Mandapam were built by Rani Mangammal. The initiative for some changes to the structure was under the supervision of Ariyanatha Mudaliar, the prime minister of the Nayaka Dynasty. During the colonial era, the population around the Meenakshi temple attracted a hub of Christian missionary activity headed by competing missions from Portugal and other parts of Europe.
The central shrine is approached from the gopuram axially through a four pillared mani mandapam and pillared halls of mukha mandapam and artha mandapam. The shrine of Ranganayaki, the consort of Ranganathar is located in a shrine parallel to the sanctum. The temple has a historical grain storage container made of brick located in the south east corner of the temple. The granary is one of its kind as in other temples like Srirangam, Jambukeswarar Temple at Tiruvanaikaval and Palaivananathar Temple at Papanasam.
For better ambience, lights were also installed in the garden around the tank and additionally, focus lights were placed on the corners of the Neerazhi Mandapam (the Mandapam (structure) in the Center of the temple tank). Perumal (God) would come to the temple tank in Purappadu (departure) and be placed majestically inside the float. On all the days, the float completed five rounds around the Neerazhi Mandapam. After this, the deities were taken in a procession around the four Mada Streets.
On the left wall there are sculptures of the Nadaraja and Sivakami in dancing posture of the cosmic dance. Nine statues of goddesses (9 types of Sakthi) can be seen on the walls surrounding the inner shrine of Penang Sri Mahamariamman Temple. The primary deity Goddess Mahamariamman is seated at the moolastanam (sanctum) of the karuvarai (sanctum sanctorum). The temple has an artha mandapam (antechamber), mukha mandapam, mahamandapam (hall), prakaram (circumambient), vasantha mandapam (festive hall) and kodi maram (flag post).
Ganesha and Subramaniyaswami are installed at the artha mandapam (antechamber) facing east. There is a surrounding circumambulatory path. At the mukha mandapam we may find the vahana (mythical mount/vehicle) of the Goddess which is lion, the bali peedam (sacrificial altar) and the kodi maram (flag post) is also found facing west towards Mahamariamman. Stone carvings of the cosmic dance of Lord Nadaraja and His consort Goddess Sivakami are found at the wall facing south at the vasantha mandapam (festive hall).
There is also the Ranga Mandapam, which is to the left side of the temple as one enters.
This mandapam is used for conducting marriage ceremonies. It is located on the Northern premises of the temple property.
In the 16th century, the temple complex was further expanded and fortified by the Nayak ruler Vishwanatha Nayakar and later others. The restored complex now houses 14 gopurams (gateway towers), ranging from 45–50m in height, with the southern gopura tallest at . The complex has numerous sculpted pillared halls such as Ayirakkal (1000-pillared hall), Kilikoondu-mandapam, Golu-mandapam and Pudu-mandapam. Its shrines are dedicated to Hindu deities and Shaivism scholars, with the vimanas above the garbhagrihas (sanctums) of Meenakshi and Sundaresvara gilded with gold.
The sections of the temple include the main temple, Mukha Mandapam, seven gopurams (domes) with wooden rooves, vratha peetham, Swamy Vari Udyana Vanam, kalyana mandapam, satram etc. The pillars of 12 Alvars (those immersed in God) in the main temple is a significant feature. The temple entrance arch will depict Mahābhūta (the five elements).
Ahead is the Maha Mandapam and the Ardah Mandapam. On entering, devotees have a spiritual experience hearing the divine words "Om Namo Narayana" in their hearts. The main deity is in the form of a Swayambu in the sanctum sanctorum. The Lord "Sri Venkatesa Perumal" facing eastward gives his divine darshan to his devotees.
Ardhamandapa of the Khajuraho Kandariya Mahadeva Temple Plan of Kandariya Mahadeva temple In Hindu temple architecture, Ardhamandapa (lit. half-open hall), also spelled artha mandapam or ardh mandapam, is an important element of the entrance group. It is an entrance porch forming a transitional area between the outside and a mandapa of the temple.
The only Shanideva temple of Kerala is situated in Sooranad North from a little bit distance from the Sooranad Rakthasakshi Mandapam.
The Madras Railway laid the metre gauge lines viz. Manamadurai–Mandapam line in 1902, Mandapam–Pamban line in 1914, Pamban–Rameswaram line in 1906 and Pamban–Dhanushkodi line in 1908. During 1964 Rameshwaram Cyclone, the Pamban–Dhanushkodi section was completely damaged and was dismantled afterwards. The Manamadurai–Rameshwaram section was converted to broad gauge in 2007.
The sopana with carved hasti-hasta railings on either side provides access to the square Mukha Mandapam. The doors on the south and the west lead to the shrines of Lord Ganesh and Goddess Parvati respectively. The Mukha mandapam and the shrikovil have dvi-tala structure, which is covered with copper sheet. The nalam balam of the temple has two thidappallies.
Inside there are two corridors. At the main entrance, the sculptures of Narthana Ganapathy can be found on both the sides. Once we enter, there is a mandapam and the sculptures of Veerabadhirar, Oorthava Thandavar, Kaali can be seen on the pillars of the mandapam. The main shrine is for Lord Shiva known as Avinasiappar and the Ambal his consort is known Karunambikai .
Ramalingeswara Swamy Temple in Ramathirtham. Lord Siva and Kamakshamma are the presiding deities while Vigneswara and Subramanya Swamy are the also worshipped here. The architecture is reminiscent of the Pallava style with the temple built of bricks, a Dwaja Stambam, Kalyana Mandapam, Alankara Mandapam and Yajnasala for Nithyyagnam. The main temple is very small and covered with white granite rock.
Additional to that there are 3 separate shrines for both the male and female deities of famous Shiva temples in a mandapam outside the shrine.
The movies was shot in and around the Coimbatore city area showcasing places such as the Venkatlakshmi Kalyana Mandapam and the Viking baniyan company (currently in Tirupur).
The Nava-grahas (nine planets) are painted at the muktha-mandapam. On either side of the sreekovil, dwaara-palakas (Jays and Vijaya) are beautifully carved in wood.
According to a legend, Sri Rama on his return from Lanka to Ayodhya prayed at this temple and offered prostrations to the lord at this namaskara mandapam, and to commemorate this great event thereafter no one has made prostrations in the mandapam. Devotees receive Thulasi and Vibudhi as the prasaadam. Thaali, the wedding pendant, is an important offering for goddess Parvathi. Turmeric powder is the prasaadam of the goddess.
Shrines inside the temple The temple covers an area of over . Reaching a height of , the temple's Raja gopuram (the entrance tower to the temple) is one of the tallest in South India. The bottom half of the gateway tower has the shrines of Vinayaka and Murugan on either sides. From the entrance, there are two halls namely Vahana Mandapam (vehicle hall) and Sarabesa Mandapam (also called Navaratri hall).
The Rajagopuram of Sri Prasanna Venkatesa Perumal temple is in dilapidated state. Next to it is, Kodimaram, Pundareega Pushkarani and an altar, small mandapam and Maharishi Gopuram welcomes us. There is another mandapam in the entrance of Sanctum Sanctorum which has also Shrines for Thumbikkai Azhwar, Nammalwar, Madurakavi Azhwar, Thirumangai Azhwar, and Boothathazhar. Inside inner sanctum, the presiding deity lord venkatesaperumal stands on Avudaiyar (Siva lingam) with Abhaya Mutra.
The temple has two precincts and the main gateway faces the east. The central shrine houses the image of Hara Saabha Vimochana Perumal in standing posture. The sanctum is approached through two halls, namely, the Garuda Mandapam and the Maha Mandapam. Kapala Moksha Pushkarani, located on the west side of the temple is the major water body associated with the temple, while the Mahabali Theertham is located opposite to it.
The temple has a Navratri mandapam annexe situated near Pandalam central junction. The deity in the annexe temple is Saraswati, the goddess of knowledge, music and the arts.
Vethathiri Maharishi died on 28 March 2006 in Coimbatore. His embalmed body is now located in Mani Mandapam inside the World Community Service Center, Arutperunjothi Nagar, Azhiyar, Pollachi.
The beautiful large vyalas in the prathimukha are among the most powerfully conceived of their kind. It is of modest proportions and consists of the sanctuary and its attached mandapam(hall). The two cover a total length of 15.3m, with its vimana measuring about 15.3m. The mandapam is a hall of 4 central pillars, and a vestibule provided at its back, leading to the sanctum, which is a square chamber of 3.7m.
Raktha Sakshi Mandapam The major landmark of Vayalar is the "Raktha Sakshi Mandapam". It is a memorial to the hundreds who died fighting against the rule Divan of Travancore Sir C.P. Ramaswami Iyer in 1946. The revolt was orchestrated by the Communist Party of India. T. V. Thomas, M.N. Govindan Nair, Kunthrisseril Kumara Panicker (Vayalar Stalin), Kunthrisseril C. Velayudan (Vayalar Mooppan) were few among many lead the revolt and faced the punishments.
These are dedicated to his consort Parvati, his sons Subrahmanya and Ganesha, Nandi, Varahi, Karuvur deva (the guru of Rajaraja Chola), Chandeshvara and Nataraja. The Nandi mandapam has a monolithic seated bull facing the sanctum. In between them are stairs leading to a columned porch and community gathering hall, then an inner mandapa connecting to the pradakshina patha, or circumambulation path. The Nandi (bull) facing the mukh- mandapam weighs about 25 tonnes.
This species was described from a specimen collected at Noordwachter Island, northwest of Java, Indonesia. It is currently synonymised with Eolidina mannarensis, which was described from Mandapam, Gulf of Mannar, India.
Mandapam is a panchayat town in Ramanathapuram district in the Indian state of Tamil Nadu. The famed Pamban Railway bridge and Vehicular bridge lie to the East of this Panchayat Town.
Pages xxxii + 248 with 25 plans, 350 plates, An Aasthaana Mandapa with several artistically carved pillars lead one to the towering high seven-tiered rajagopuram at the entrance. The granite hill behind the temple is has a shrine of Kasi Viswanatha at the top. The image of Vinayaka in the temple in the temple is sported holding sugarcane and fruits. The Kambathadi Mandapam, Ardha Mandapam, and Mahamandapam, the three halls leading to the sanctum, are situated at varying elevation.
The flag stand near the Nandi was set up in 1155.Sthala Varalaru book published in 2004 by temple administration Later Pandya, Kulasekara Pandyan I built the outer wall of the Thirunelveli Nellaiappar temple, in 13th century. Originally, the Nellaiappar and Kanthimathi temples were two independent structures with spaces in between. It was in 1647 that Thiru Vadamalaiappa Pillaiyan, a great devotee of Siva linked the two temples by building the "Chain mandapam" (In Tamil Sangili Mandapam).
After the procession Vishwaksena is honoured by an Asthanam (seat) in Tirumala-raya mandapam. After recital of holy chants, he goes to Ankurarpana mandapam with Ananta, Garuda and Sudarsana and stays there during the entire Brahmotsavam period. In the temple complex, on the north-east corner, there is a separate temple with an installed deity for Vishwaksena. The temple is called Sri Vishwaksena Temple and daily prayers are offered to the deity as per the Vaikhanasa Agamam.
The vilakkumadam, the palisade structure fixed with rows of oil lamps is added beyond the nalambalam as an outer ring. The Altar stone is also housed in a pillared structure, the Balikkal mandapam in front of the agrasala (valiyambalam). A deepastambham and dwajasthambham (the lamp post and flag mast) are added in front of the balikkal mandapam. Within the prakara but beyond the vilakkumadam, stood the secondary shrines of parivara devathas (sub-gods) in their assigned positions.
This mandapam is used for the distribution of free food everyday to all those who visit the temple. It is located 2 mins walk from the Southern premises of the temple property. This mandapam serves to validate the values that are mentioned in the ancient Tamil epic of Manimekalai. The epic is set in both the harbour town of Kaveripattinam, the modern town of Puhar in Tamil Nadu, and in Nainativu, a small sandy island of the Jaffna Peninsula.
200px There is a sixteen pillared Deepa Darshana Mandapam, or hall of light, in the third precinct. The temple tree, Magizha, is considered sacred and medicinal, and childless couples tie small cradles to its branches in obeisance. Vedas write that the mast of the temple separated the earth and the sky during creation of the universe. The Kalyana Mandapam, the marriage hall, is in the south-west of the precinct, and is built in Vijayanagara style.
Krishnadevaraya constructed the hall and dug the tank opposite to it. The pillars in the hall are carved with images of yali, a mythological beast with body of lion and head of an elephant, a symbol of Nayak power. The Arunagirinathar Mandapam is located to the right of the Kalayana Linga Sundara Eswara Mandapam, and the Gopurathilayanar shrine is to the left of a broad flight of stone stairs that lead up to the Vallala Gopuram.
9 km from Mandapam. Pirappanvalasai Pin code is 623516 and postal head office is Irumeni. Ramanathapuram, Rameshwaram, Paramakudi, Sivaganga are the nearby Cities to Pirappanvalasai. It is near to bay of Bengal.
Muthu Mandapam is a 1962 Indian, Tamil-language film directed by A. S. A. Sami. The film was produced by S. S. Rajendran who also featured in the main role with R. Vijayakumari.
Festival deity New Moon Day is auspicious for this Kshetram. During Fridays Thayaar will be taken to a separate mandapam for puja. Two annual festival are celebrated. Chitra Festival is also important here.
Dwajastambam- the golden flagstaff is found in between Maha dwaram and Vendi vakili in Dwajastambha mandapam. While entering or leavingInner sanctorum one has to encircumbulate Dwajastambam including Lord Venkateswara. During Sri Venkateswara Brahmotsavams the imprint of garuda is hoisted on this flagstaff inviting all Gods and Goddesses to the festival. During the invasion of Srirangam by Malik Kafur in 1310–11 AD, the Ranganayaka Mandapam of the temple served as the shelter for the presiding deity of Srirangam, Ranganatha Swamy.
There is an Ardhamandapam (half Mandapam). On the walls of the Ardhamandapam one can see panels of deities such as Brahma with Saraswati and Vishnu with Lakshmi on either side. The shrine faces east and the garbhagriha is surrounded on all the three sides by sub-shrines (Anga Kovil or Limb Shrines – which are attached to the main shrine). A few more sub-shrines and a Mahamandapam (a big Mandapam) have been added to the structure at much later period.
There is an Ardhamandapam (half Mandapam). On the walls of the Ardhamandapam one can see panels of deities such as Brahma with Saraswati and Vishnu with Lakshmi on either side. The shrine faces east and the garbhagriha is surrounded on all the three sides by sub-shrines (Anga Kovil or Limb Shrines - which are attached to the main shrine). A few more sub-shrines and a Mahamandapam (a big Mandapam) have been added to the structure at much later period.
The doorway is directly in line with the Padi Kavali and the Vendi Vakili(Meaning Silver Corridor in Telugu). It admits pilgrims to the Snapana Mandapam. Suprabhatam is sung in front of this door.
Next to the Lakshmi Thayar temple is the Rushya Mookham Exhibition centre. In the centre, the Rama mada coins given to the Shah, jewellery made by Gopanna for the deities, and other important items are housed. The jewellery includes the chintaku patakam (a necklace studded with rubies), kirithas (crowns), plaited decorations, and a mutyala haramu (chain of pearls). In the outer ambulatory passage of the temple, there is a hall called the Nithyakalyana mandapam or kalyana mandapam, intended for conducting the marriage festival of Rama and Sita.
Swami Pushkarni during night with Mandapam at its centre and Venkateswara Temple in the background Swami Pushkarni is the temple pond located on the northern side of the main temple. The pond which is spread over 1.5 acres is believed to be brought by Garuda from Vaikuntham to Tirumala Hills and hence considered most sacred. The tank had a mandapam at its centre which was constructed by Saluva King Narasimha Raya in 1468. A harathi will be given to the Pushkarni daily during evening by Temple priests.
Gandhi Mandapam Gandhi Mandapam is a series of memorial structures built on Sardar Patel Road, in Adyar, Chennai. The first structure to be built on the premises was a memorial to Mahatma Gandhi, opened by then Chief Minister of Madras, C. Rajagopalachari on 27 January 1956. Later, four other memorials for independence activist Rettamalai Srinivasan and former chief ministers Rajaji, Kamaraj and M. Bhaktavatsalam were added. Owing to its prominence, the premise is often utilized for public functions, particularly for cultural discourses and music shows.
The same are found in Meenakshi Amman temple, Thanumalayan temple, Kasi Viswanathar temple, Tenkasi, Krishnapuram Venkatachalapathy temple and Azhwar Tirunagari temple. The image of standing Ganesa holding Angusa in his hands, Vishnu Durga containing exceptional features and Anjaneya occupying pillars are noteworthy. The fourteen life size images of the Sundarapandiya Mandapa are Vaikuntanatha, Stunanarasimha, Mahavishnu, Chakkarathazwar, Madanagopala, Manmadan & Rathi, Trivikrama, Nataraja & Kali, Agora Veerabhatra, Rama and Kartha Veerayarjuna. The Ranga Mandapam (also called Anna Mandapam) has beautiful architectural representation of various forms of Vishnu.
The unique feature of the temple is the 'Mani manadapam' located near the nandi mandapam with two giant pillars carved out of a single stone and each one is having 48 sub pillars which produce musical notes when struck. Tamil poet says that the pillars here are a combination of the Shruti Gana Laya types. Other mandapams in the temple include Oonjal Mandapam and the 1000 pillared hall. The composite columns of Virabhadra holding sword and horn are found be additions of the Vijayanayagara kings during the early 1500s.
Srivari Padala Mandapam is a temple dedicated to Lord Venkateswara at Alipiri. The presiding deity is referred to Padala Vennkateswara Swamy. As per legend Lord Venkateswara after Ekantha seva at Tirumala will come visit his consort Padamavati at Tiruchanur, down the hill through Alipiri Steps path and will leave his footwear at this place and hence the name "Padala Mandapam"(Telugu : Padalu refers to Foot). Devotees going on Tirumala Yatra from Tirupati will offer prayers here first by carrying "Srivari Padukalu"(believed to be footwear worn by Lord Venkateswara himself) on their heads.
There are three rectangular precincts, each of which has granite walls of incremental dimensions. The sanctum is approached through the gateway tower, the flag staff, Nandi, Mukha Mandapam and Artha mandapam. Unlike other temples, the shrine of Nandi or the flagstaff are not axial to the sanctum and are located on the side providing a direct view of the sanctum from the gateway tower. From the gateway tower, the shrine of Durga is located on the northern side in the third precinct, which also has a gateway tower axial to the shrine of Durga.
Five tiers Rajagopuram was successfully built and also big mahamandapam with four giant saptaswara pillars was built by replacing the old 16 pillars mandapam the samprokshana took place on 29 May 2013 Wednesday. Thousands of devotees were witnessed it.
This mandapam houses the various vehicles the Utsavamurtis (processional deities) are seated upon during temple festivals. It is located on the North wall of the temple. It houses nearly 50 different vehicles. The most impressive being Ravana-Kailasa Vahanam.
Sri Sri Bharathi Teertha Mahaswamigal visited this village during his visit to the town of Batlagundu in June 2012. He visited the Dhyana mandapam of the 25th pontiff and the Kunnuvarankottai Kasi Visalakshi-Viswanathar temple. The devotees of this village organized a function in the premises of this temple to welcome the Jagadguru. In the Anugraha Bhashanam, the Jagadguru said that the 25th pontiff, Sri Sri Sri Sacchidananda Bharati I had reigned as the Peethadhipati for about 40 years and had enhanced the greatness of the Peetham. Jagadguru appreciated the efforts of the villagers for having built a Dhyana Mandapam in this village for Sri Sri Sri Sacchidananda Bharati I. He recalled his visits to this village in 1987 and his Guru's visit in 1965 and blessed the residents of this village along with the proposed construction of a mandapam in the Vishalakshi Vishwanathar temple(August 2012, P. 68,69,70).
The small six- pillared swing mandapam (Unjal) was built by Cheventhi Murthi Chetti during this period, and this remains in use currently for a Friday ritual and it also houses the model of the entire temple complex created in 1985.
The Vinayagar statue was kept at this temple and was aptly named as Gangai Vinayagar. Currently, the Vinayagar is present in the ardha mandapam, in front of the sanctum of Nageswarar. The Vinayagar seems to be in the Pala style.
The Sai Bhaktha Nivas is a place made for the visitors where in rooms are available to stay, and also a kalyana mandapam (wedding hall) for some auspicious functions such as marriages, upanayana (sacred thread initiation ceremony), akshara bhyasam etcetera.
As of October 2006, an estimated 200,000 refugees have been reported in Mandapam Camp. Sivarasan, one of the mastermind behind the Assassination of Rajiv Gandhi, the ex-prime minister of India registered as refugee in Rameswaram camp on 12 September 1990.
There is also temple dedicated to Lord Ganesha in the Alipiri Padala Mandapam Temple complex which lies on the 2nd Ghat Road leading from Tirupati to Tirumala. Devotees going by Road will offer prayers at this temple before starting Tirumala Yatra.
Thiyaganur has more-than-1000-year- old heritage. The historical importance of this village comes from the presence of two Buddha statues. One statue is under worship and a temple was built recently. Dhyana mandapam (meditation center) opened in 2013.
The estate was subdivided into five zamindari tehsils: Ramnad, Tiruvadanai, Paramakudi, Tiruchuli and Mudukulathur. The administration was based in the town of Ramanathapuram in Ramnad tehsil. Ramanathapuram, Kilakkarai, Paramakudi, Rameswaram, Mandapam and Pamban were some of the important towns in the estate.
Apart from Hindus, the organising committee for the Navratri festival includes people from other religions also, including Muslims and Christians. This symbolises the religious and cultural harmony of Pandalam. The Navratri Mandapam has facility to initiate Vidyarambham at the completion of Navratri celebrations.
This mandapam is used for special poojas during festivals and fasting days to house to Utsavamurtis (festival deities). It is grand in manner. It can directly be viewed from outside through a newly constructed archway on the Southern wall of the temple.
It is famous for the grand celebration of Durga festival (Nav Ratri). It ranks 2nd after Kolkata in the enormous decorations of Durga mandapam. The mini train called Shakuntala is a historic remark built by the British government to transport cotton which is now closed.
The deity is seen in standing posture. The shrine of Garuda faces Adi Kesava, the eagle mount (Vahana) of Vishnu. The central shrine is approached through a worship hall and a narrow Ardha Mandapam. The flagpost ("Dhwaja sthambam") is located behind the shrine of Garuda.
This made him furious. To pacify, Meenakshi and Lord Shiva came to Vaigai river. He chose to give all the gifts that he carried, to Meenakshi and Sundaraswarar in a Mandapam in the middle of Vaigai river, and returned to Alagar Hill without entering Madurai.
In the late eighties, the Aanapandal was constructed with decorated pillars. The committee members also took up construction of a shopping complex and Kalyana mandapam. There are extensive paintings of Daśāvatāra on the temple walls inside. The Dhvaja pratishta was done on 18-1-1991.
He tells Parvathy to go and do penance in Ayiramkal Mandapam (Place having 1000 pillars in Kailash). Parvathi did penance. Shiva was happy about that. Then he plucked his hair, it started to burn as soon as he plucked and threw in that place.
The temple was also guarded by the invading Muslim troops. The images of Rama, Sita, Hanuman, Navaneethakrishnan, Santhanakrishnan and Venugopalan were dug out from Vaithikupam in 1902 and subsequently housed in the temple. It is believed that Vasantha Mandapam was built by a Muslim.
Manjur is a village in Bogalur block, Paramakudi Taluk, Ramanathapuram district, Tamil Nadu. There is a District Institute of Teacher Education. The village has a veterinary hospital, a primary health center (PHC) and a library. The village is situated on NH 49, Madurai Mandapam Highway.
Rama Varma performing at Swathi Sangeethotsavam Prince Rama Varma organises the Swathi Sangeethotsavam, a 10-day annual festival held at the Kuthira Malika in Thiruvananthapuram from 4–13 January. The festival, dedicated exclusively to the compositions of Maharaja Swathi Thirunal, features maestros of Carnatic and Hindustani music, and attracts music aficionados from all over the globe. Varma also organises the annual Navarathri Mandapam concerts held in Trivandrum in connection with the Navarathri Festival . In 2006, he got veteran vocalist Parassala Ponnammal to perform there, and permitted women to attend the concerts, thus breaking a 300-year-old tradition of not allowing women inside the Mandapam.
The Maha Mandapam and the outer Mandapam depict the true tradition, architecture and values of Chola culture. It is believed, from the village elders, that the temple was renovated 250–300 years back by a Deekshidar whose Samadhi is located between the Kulam (Pond) and the temple. During our trip to Thiruvannamalai in early 1990s, we met Sri Yogi Ram Suratkumar and he informed us that there is a Samadhi of a Sadhu located at our village. Sri Ramalingam of SBI tried locating this Samadhi after spending couple of years, he was stopped by Yogi saying that this task has been assigned by the almighty for somebody else.
The murti rests upon a three-foot pedestal and weighs 1.2 tons. It is flanked by the murtis of the ideal devotee, Aksharbrahma Gunatitanand Swami and Aksharmukta Goplanand Swami, both in postures of loving devotion toward Swaminarayan. In each of the four corners of the mandir sits a life-sized marble murti of the lineages of gurus or successors of Swaminarayan revered by BAPS. The first floor of the mandir is known as the Vibhuti Mandapam and features lotus-shaped displays describing the spiritual character of Swaminarayan, while the basement of the mandir, called the Prasadi Mandapam, houses a historical display of various sacred relics from Swaminarayan's life.
The complex houses an Abhishek Mandapam an area designated for all visitors to perform abhishek on the murti of Neelkanth Varni - a yogic form of Swaminarayan. The murti of Neelkanth Varni was consecrated in 2014 by Pramukh Swami and the Abhishek Mandapam was inaugurated on 14 December 2015 by Mahant Swami, the sixth spiritual successor of Lord Swaminarayan according to the denomination of Swaminarayan Hinduism. The abhishek ritual begins with the tying of a Kalava, a sacred Hindu thread, on the visitor's wrist along with the recitation of Hindu shlokas. Following the tying of the thread, the visitors bath the murti of Neelkanth Varni with a small pot of sanctified water.
A kitchen is located in the south eastern corner of this cloistered chutambalam. The mukha mandapam is integrated with the gopura entrance is also a part of chutambalam. The flagstaff or dwaja stambham is located outside of the chutambalam. The balipitham is located in the mukhamandapam.
A wide range of activities are visible. There are many card players and chess players in the maidan in the evening. Political debates also take place here every day. Students Corner, Labour Corner and Nehru Mandapam are the famous spots where historical events had taken place.
Kriya Shakthi Vodavaru Swamy named Dharmavaram after the name of his mother, Dharmambai in the year 1153–54 AD. By 19th century, silk handloom industry emerged as the main occupation. Paintings on the roof wall of Lepakshi temple and Latha Mandapam depicts the designs of Dharmavaram saris.
These include renditions and lectures based on Hindu epics and puranas. The idol erection day is celebrated at the temple in June every year. Navratri is also of great significance to this temple. Special poojas, Carnatic concerts and cultural programmes are performed at the Navratri Mandapam annexe.
The place will be greenish even during the summer months. During the month of Chitirai (mid April) to Puratasi (mid October) wind from the mountains blows gently and rain sprinkles and makes the place cool. Sivasailam Temple Mani Mandapam on the banks of river in Sivasailam.
The Kumbhabhishekam of this temple was completed in January 2013 and a mandapam was constructed in front of Lord Sri Dakshinamoorthy shrine in this temple.(January 2013. pp. 13). "Arulmigu Iswarar enra Visalakshi Viswanathar Thirukkoil - Kunnuvarankottai - Sthala Varalaru", 'Harsha Printers and Xerox', Kunnuvarankottai, Tamil Publication.Ku. Ve. Nagabhushanam.
For this particular program, the stage arrangement will be a replica of the Thyagaraja Aradhana Mandapam at Thiruvaiyaru. Printed copies of the kritis will be distributed to members of the audience, who can join the singing. Lakshman Sruthi - The musical consortium in Chennai, is conducting this event.
There is a flight of six steps called the "Shadashara Padigal", before Ardha Mandapam. The rock carvings of Mahisshasura Mardini, Karpaga Vinayagar, Andarabaranar and Uggirar are seen in the hall. There are five divine water bodies, namely, Saravana Poigai, Lakshmi Theertham, Saniyasi Kinaru (well), Kasi Sunai, and Sathiya Koopam.
These include Nataraja, Shiva, Brahma, Vishnu, Kali, Biramasakthi, Samundi, Thirumagal, Mageswari, Meenatchi, Valambigai, Andal, Kamatchiamman, Karumari-amman, Sivagami and Parvati who has Murugan in her lap."Hindu temples in VIETNAM", at shaivam.org from Aum Muruga journal There is also a huge mandapam or main hall inside the kovil (Temple).
The Ekadasi Mandapam, which is opened on Vaikunta Ekadasi days, contains sculptures. During the period of conflict between the East India Company forces and Veera Pandiya Kattabomman, the temple served as a fort. The Kailasanathaswamy temple is another important temple and contains six inscriptions of the times of Kattabomman.
Uchipuli or Uchippuli is a locality in the Mandapam block of Ramanathapuram district, Tamil Nadu, India. It is a major source of water supply for the Ramanathapuram town.Increase in price of petrol `ignites' rise in cost of water An Indian Navy air station, INS Parundu, is located near Uchipuli.
During Thaipoosam festival in Thai, Lord Shiva and Parvathy are taken to the banks of Thamirabarani river in Tirunelveli junction called "Thaipoosa mandapam". Special rituals are undertaken there and the Lord return to the temple at night. Nellaiappar Temple car is the third largest car in Tamil Nadu.
In 2012, its recorded that as many as 3,768 pilgrims including 875 women on Saturday began their journey to attend St. Antony's Church festival here. According to sources, in 2012, as many as 35 country boats and 106 mechanised boats ferried the pilgrims, mostly from Rameswaram, Thangatchimadam and Mandapam.
And the Sivaye medai is located left to the central prayer hall. The Flag mast is placed in front of the prayer hall. The outer corridor is constructed enclosing all these. The Thear mandapam, which houses the temple car is located 100 feet east to the prayer hall.
Statue of Rettamalai Srinivasan, Gandhi Mandapam, Chennai Commemorative stamps have been issued in memory of Rettamalai Srinivasan by the Department of Posts of the Government of India. Cadres of the Viduthalai Siruthaigal party claimed to have discovered the remains of the Paraiyar leader in Otteri and constructed a memorial over his mortal remains and named it Urimai Kalam. On 6 July 2011, Chief Minister J Jayalalithaa had directed that his birth anniversary on 7 July be observed as a government function and ministers to honour him by garlanding his statue located inside Gandhi Mandapam, Chennai. His grandson B. Parameswaran became a minister in the Government of Tamil Nadu and a member of the Indian parliament.
The hotel is 10 stories high and has 90 rooms, including 48 Fortune Club exclusive rooms (with an area of 650 sq ft), 26 Fortune Club rooms (with an area of 440 sq ft), and 16 standard rooms (220 sq ft). Food and beverages include Earthen Oven, a North Indian specialty restaurant,WelcomCafe Marina, 24-hour multi-cuisine restaurant, My Deli, serving light snacks and confectioneries, and Durrant's Bar. There are three meeting halls in the hotel—Mandapam banquet hall, with an area of 1,880 sq ft to accommodate 200 persons, Sagari with an area of 1,400 sq ft to accommodate 60 persons, and Mandapam board room with an area of 480 sq ft. accommodating 18 persons.
Inside the Mandapam there is an idol of Nataraja, the dancing manifestation of Lord Shiva, facing the east.. From this Mandapam towards the west, a 60 feet high Gopuram (artistically carved towering arches) could be seen on the eastern side. The 18 ascending steps from the Gopuram lead to the sacred idols of Indiliyappan (Sastha) and the Mahasiva idol, which is the presiding deity of the Mahadeva temple. Due to the presence of Mahadeva and Sastha idols in the temple, there are two Dhwajas (towering flag posts coated with copper) adjacent to each other which is a rare spectacle seldom seen in other temples. The Mahasiva idol and the Sastha idols are installed facing each other in this temple.
68A Sanrnugaratna Ayyar ed., Tirukkonasalapuranam, Jaffna, 1909, Avaiyadakkarn, p. 6 The temple's "Aayiram Kaal Mandapam" earned it the title Pagoda of Trincomalee – Temple of a Thousand Columns among Europeans. The rocky promontory is dedicated to Siva in his ancient form of Kona-Eiswara, and is a major centre of pilgrimage today.
Each of these smaller pillars produce a different musical note when tapped. Unfortunately these pillars are surrounded by iron grills to prevent vandalism. Step out of the 'Alankara mandapam' and you come face to face with a gigantic figure of Hanuman. The figure is 18 feet high and depicts 'visuvaroopam'.
Aryadevi Samadhi Mandapam is dedicated to Aryadevi (Aryamba), Shankaracharya's mother, as the place of her cremation. Shankara performed the cremation of his mother after her death. He was assisted by two of the ten Namboothiri families of Kalady. One family, Kappilly Mana, honoured the location with daily lamps for centuries.
In front of the cave, a mandapam with 16 pillars is constructed which is 24.5 feet long and 21.5 feet broad. The main gateway to the temple is situated in south facing towards the Thiruchendur Murugan Temple. Inside the cave, paintings and statues of God Muruga and Valli story are present.
Boats at Mandapam that fish in GOMMNP The islands are uninhabited except for Krusadai, Musal and Nallathanni islands where antipoaching sheds are operating. Along the coast near the park there are about 125 villages which support about 100,000 people who are mainly Marakeyars, a local community principally engaged in fishing.
It is one of the oldest temples in Thrissur district. It believe that the present temple was constructed almost 200 years back. Lord Shiva is also known as the patron of the name of the god of Perakam village. The temple is comprise with Nalambalam, Thidapalli, Vatta Sreekovil and Mandapam.
From twentieth day there will be Koṭṭāyi Utsavālu (కొఠాయి ఉత్సవాలు), also known as (Challagāli Utsavālu) on for five days. The first day Sponsor of the ritual (ఉత్సవ నిర్వాహకులు) will be family of Raja Bommadevara Mangayamma. Koṭṭāyi means generally a large shed or pent house. However, in a vishnu temple, it meant Kalyana Mandapam.
The prasna is conducted on a peedha (a raised platform) situated outside the temple. The quadrangular sanctum has a two- tiered pyramidal roof. In front of the sanctum is the namaskara mandapam. The temple has no kodi maram (flagstaff) which is a unique feature as other temples in Kerala do have one.
This dance hall has traditionally been known as Navratri Mantapa. The festivities begin with Vedic chants inaugurating the dances and other ceremonies. Other Tamil Hindu temples, such as those associated with Sri Vaishnavism, also celebrate the Navarathri festivities. A large sculpted dance hall inside Padmanabhapuram Palace near Kanyakumari is called Navarathri Mandapam.
The film's audio was launched by the former chief minister of AP and the former governor of Tamil Nadu Mr. Rosaiah at an event held at Vasavi Kalyana Mandapam in Hyderabad. Stalwarts including Dr. D Rama Naidu, Minister TG Venkatesh, Suman, Ganji Raja Mouli, Kallakuri Nageshwara Rao etc. were present in the event.
Tiruvaikuntam is a panchayat town in Thoothukudi district in the Indian state of Tamil Nadu. It is located on the banks of the river Thamirabarani. Tiruvaikuntam has a temple dedicated to Vishnu, known as Tiruvaikuntapathi Swami, with a lofty gopuram. The Thiruvengada Mudaiyar Mandapam is rich with sculptures of Yallis, elephants and warriors.
Shankar Viman Mandapam is a Hindu temple in Prayagraj, Uttar Pradesh, India and is dedicated to the Hindu God Shiva. Located north of the famous Triveni Sangam on the left banks of river Ganga, this four story temple is built in memory of Adi Shankaracharya. Architecture style is South Indian Vimana style.
To reach the main temple complex, worshipers have to climb a flight of steps. The Gopuram (entrance) of the temple is adorned with several sculptures of Hindu deities. Mandapam is located on the left-hand side of the main temple entrance. Beautiful carvings can be found on the ceilings of the temple.
Horse-drawn chariot carved onto the mandapam of Airavatesvara Temple, Darasuram, c. 12th century. Krishna, Arjuna at Kurukshetra, 18th- to 19th- century painting. The horse has been present in the Indian subcontinent from at least the middle of the second millennium BC, more than two millennia after its domestication in Central Asia.
The annual festival is hosted in the Malayalam month of Meenam (March/April). Utsav Bali, a sacred ceremony is conducted on the ninth day of festivities accompanied by the presence of thousands of devotees. This temple also have the largest 'Kalyana Mandapam' or wedding hall in central Travancore region named as 'Krishna Theertham'.
Inside the nalambalam, sreekovil and the main mandapam are surrounded by paths made of carved stones. The temple of Shiva is on the right side of the main sreekovil. Bhadrakali temple is situated on the south of the temple along with the full stretched surrounding path on carved stones for the whole temple.
Researchers also found a few Sepioteuthis and tintinnid. Lastly, 46 species of coastal fish were documented. Offshore, catastrophic damage occurred to coral reefs, with Echinopora lamellosa, Montipora foliosa, and alcyonarians being killed in large numbers. At Manacadu Point, near Mandapam, an elevated coral colony of Faviids and Porites was completely wiped out.
In 1897, he built a hall (mandapam) for the dakshina thirupathi venkatesa perumal koil in Kathiramangalam in the name of his mother. He is reputed to have dug a few wells in Kathiramangalam and built a road from the village to the main Kumbakonam-Mayavaram road, all out of his own pockets.
Sri Sri Vidhusekhara Bharathi swamigal visited this village during his visit to the town of Batlagundu in April 2017. He visited the Dhyana mandapam of the 25th pontiff and the Kunnuvarankottai Kasi Visalakshi-Viswanathar temple. The devotees of this village organized a function in the premises of this temple to welcome the Sri Sri Vidhusekhara Bharathi Swamigal . In the Anugraha Bhashanam, the Jagadguru appreciated the efforts of the villagers for having built a Dhyana Mandapam in this village for Sri Sri Sri Sacchidananda Bharati I.He mentioned that birthplaces of Jagadgurus happen at holy spots as per general belief of the Hindus and cited the incident of Lord Anjaneya idol unearthed in the holy birthplace of Sri Sri Bharathi Teertha Mahaswamigal in Machilipatnam.
They were also used by officials traveling on public business. Many major temples have mandapam and pillared halls, some called Thousand pillared halls with an attached kitchen for servicing pilgrims and travelers to the temple. The term choultry may overlap with a mandapa.Choultry, Merriam-Webster Many Hindu monasteries (matha) also built and operated such choultries.
Othakkalmandapam is a suburb of Coimbatore city in the Indian state of Tamil Nadu. The suburb is known locally as O.K. Mandapam or O.K.M. It is located outside the city limits, which recently merged with the Corporation of Coimbatore up to Eachanari. Othakkalmandapam is located outside the city limits of Coimbatore.It belongs to kinathukadavu constituency.
The sanctum houses the image of Aravindalocha facing east. The image is made of Saligrama stone. The hall preceding the sanctum, the Artha Mandapam houses the festival image of Aravindalocahanar with the images of Sridevi and Bhudevi on either of his sides. The Mahamandapa has shrines for Senai Mudaliyar, Garuda, Venugopala, Manavalamamunigal and Azhwars.
The District Tourism Promotion Council has plans to preserve the temple and its surroundings for its uniqueness. The temple has an excellent collection of wood carvings on the ceilings of the mandapam. These carvings depict the incidents taken from the stories of Dashavatharam (the ten incarnations of Lord Vishnu). Some of them are painted.
He is seen having Mahalakshmi in his chest and sported with a garland made of Saligrama. There is a separate shrine for Pushpakavalli Thayar, the consort of Perumal. There is a four pillared hall named Friday Mandapam in front of the shrine. It is customary to worship Thayar before proceeding to the worship of Perumal.
Aayiram Kaal Mandapam(Thousand Pillar Hall) built by Ariyanatha Mudaliar. A section of the hall in the morning. The process of consolidation of the Tamil region under the Vijayanagara empire began at the start of the 16th century. The regions were brought primarily under the control of the Nayaka kingdoms of Madurai, Tanjore and Senji.
The Aayiram Kaal Mandapam, or the "hallway with a thousand pillars", which was built by the Vijayanagar Kings, is found on precinct after the gateway tower. There is said to have been an underground holy river. The fourth courtyard contains a small Ganesha temple and a pond. The third courtyard contains lot of smaller shrines.
230px The Srirangam Temple towers (Gopurams) of the North and West and the eighth Prakara (temple Wall Street) and several Halls (Mandapam) inside the Temple complex were built by him. The Golden Vimana of the inner most shrines (Temple Flag) and the image of God studded with Crown jewels was presented by Achuthappa Nayak.
Yavatmal is famous for its unique Navratri festival celebration, whole city is known for organizing huge celebration events for Navratri. It ranks 2 after Kolkata in the enormous decorations of durga mandapam. People from nearby cities like Nanded, Amravati come to city to enjoy the festival. People from across different part of India visits the place every Navratri.
Lakhs of devotees flock to river Vaigai to see this event. "Ethir Sevai" festival is celebrated on the day before Alagar steps into river Vaigai. It is a tradition for the people of Madurai to welcome Alagar. As Alagar returns from Vandiyur Dhasavatharam festival is celebrated throughout the night at Ramarayar Mandapam in the Northern part of river Vaigai.
NH 55 starts from the junction of NH 47 at Kundannoor in Kochi and terminates at Muguntharayar Chattram between Rameswaram and Dhanushkodi. Kerala: Kochi Metropolitan Area{Kundannoor, Thripunithura, Thiruvankulam, Puthencruz}, Kolenchery, Muvattupuzha, Kothamangalam, Neriamangalam, Adimali, Munnar, Devikulam and Poopara, Bodimettu Tamil Nadu: Bodinayakkanur, Theni, Andipatti, Usilampatti, Madurai, Tiruppuvanam, Manamadurai, Parthibanur, Paramakudi, Ramanathapuram, Mandapam, Pamban, Rameswaram and Mukundarayar Chathiram.
The Navaka pooja is performed at the Mandapam, in front of the Srikovil. In most of the major temples this second Abhishekam and Navaka pooja are performed only on special auspicious days. In this temple these rituals are conducted every day. The next pooja, the Uchha pooja is performed at 10am and the Mahaa Naivedyam is offered.
Devotees offer Neyy-amrita and Neyy-vilakku and pattrom all these poojas. Ponnumkudam and Vellikkudam, filled with ghee, are offered from Natravat pooja onwards. Special prostrations knew as Yaamanamaskaaram and Ashwamedha namaskar with appropriate mantras from Rigveda are very important offerings for the lord. However, prostrations to the lord are not made at the namaskara mandapam.
Hence pure cows milk alone is used for abhishekam. A Thirumurai mandapam has been set up in which Tirumura are sung daily for the past 11 years. The shrine of Shiva, which has the idols of Shiva in his three forms, Theyagaraja, Marundeeswarar, and Nataraja. The last shrine is for Marundeeswarar's consort, Goddess Thirupurasundari, who is actually Goddess Parvati.
The Otraikkal Mandapam (single stone hall) made of a single stone 3 feet thick, is a marvel. Oorthuva Thandavam, Venugopala, Rathi, Manmatha, Lakshmana and Indrajit are excellently carved. The temple is also renowned for its murals. The composite columns of Virabhadra holding sword and horn are found be additions of the Vijayanayagara kings during the early 1500s.
The temple has quite a few sculptures and art. In the 'Alankara mandapam' adjacent to the Northern corridor there are four large pillars each formed by a group of smaller pillars all carved from a single stone. Two of these large pillars have 33 smaller pillars and the other two 25 each. These are the famous musical pillars.
The 24 pillared hall and the 30 pillared circular hall are other features of this temple. There is a shrine to Vembadi Vinayakar under a neem tree. On the southern side of the temple there is Saravana Poigai and Valliyar Odai, the two sacred teerthams. On the eastern side of the teerthams, there is a mandapam of four pillars.
Putrumandapam The Mother in order to keep blessing people at all times, dwells in the snake pit (putrumandapam) in the form of a cobra. The Mother appears before the devotees who stay in the mandapam (Hall) at nights, in the form of a snake till this day. It is the putrumandapam where the Mother gives her Oracle.
In 1882 Shri. Sethu Rao and Rama Rao started a small primary school in a small pillared outdoor hall (mandapam) in the Valaikulam Street in Srivilliputhur. Initially, the school functioned as co- educational school. With other higher classes started in new building in Pennington Library Street, the school functioned with the name as Hindu High School (HHS).
A statue of Purandara Dasa adorns the Asthana Mandapam (auditorium) on the Tirumala hill. Sri Purandara Dasa Memorial Trust (SPDMT),Welcome to Sri Purandara Dasa Memorial Trust (R). Purandara.org. Retrieved 25 December 2018. formed in Bangalore in 2007, has been actively involved in promoting and researching all aspects of the life and works of Purandara Dasa.
Currently the temple is undergoing renovations and developments under the supervision of the Temple development committee and the Devasom. The main temple was renovated some years back and currently the Chuttambalam is under construction which is likely to be completed soon. The inside pradakshinavari is paving with stone and the Namaskara Mandapam in also having a new face.
Jean-Baptiste Tavernier, a French traveler who had visited this temple in 1652, appreciated the elegance of the temple's architecture. There is Rama Baktha named Bhavanasi Mala Obanna sang songs or kirtans in praise of Rama in front of temple and there is symbol of Mandapam (Utla Stambam) Bhavanasi Mala Obanna in front of east Gopuram.
However, there is a separate temple for Hanuman here. There is also an image of Ganesha in a dancing posture in the mandapam. The state government has decided to take over the upkeep of this temple, which is presently with the Archaeological Survey of India (ASI). This temple is notified as an Ancient Monument (N-AP-50) by ASI.
Elaborate arrangements have been made to accommodate some 500+ artists to take part and render the eternal Pancharatna Kriti in unison. For this particular program, the stage arrangement will be a replica of the Thyagaraja Aradhana Mandapam at Thiruvaiyaru. Printed copies of the kritis are distributed to members of the audience, who can join the singing.
A garden along the walls of outer corridor decorates the temple. Entering the inner mandapam, the main sanctum sanctorum of Lord Shiva is situated. The sanctum is semi-circular in shape at the back. This type of architecture is called Gaja Brishta Vimana or Thoonganai Maadam in Tamil as this resembles the back of a sleeping elephant.
Beach Road (also known as, Visakhapatnam Beach Road) is a major highway road in Visakhapatnam. It is home for Tourist destinations such as RK Beach and Kailasagiri. The Beach Road has cultural importance with the presence of buildings and structures such as, Rajiv Smruthi Bhavan (city's cultural hub), Annamayya Mandapam, AU Convention Center and organising rallies, city parades etc.
Hatakeswara, Karpureswara, Koteswara, Sundareswara, and Pathalasiddheswara are among the temple's guardian deities. The temple's tank Swetha Pushkarani is also known by the name Sudha Kundam. In the middle of the temple tank, there is a small construction named Narasimha mandapam. The sand below the waters of the temple tank is white in colour, and is known as Gopi Chandanam.
Adichikkavu Sree Durga Devi Kshetram, is a Hindu temple, dedicated to goddess Sree Vana Durga (ശ്രി വന ദുര്‍ഗ). The major attraction of the temple is its top opened Sreekovil (ശ്രീകോവില്‍), specially made for Vana Durga (വന ദുര്‍ഗ). The temple complex also includes Anakottil (ആനകൊട്ടില്‍) & Sapthaha Mandapam (സപ്താഹ മണ്ഡപം) which is built on the west- north side of the temple.
These face the four large gopurams that are gateways into the third courtyard. These gopurams are also landmarks from afar. Inside the third courtyard, near the northern gopuram, is the Shivaganga tank, the thousand pillar mandapam, the Subrahmanyar (Murugan, Kartikeya) shrine and the shrine for Parvati (as Shivakama Sundari). The other three gateways are closer to the sanctum.
Some of the sculptural masterpieces of Tamil Nadu can be seen in the Thiruoolaka Mandapam at the Swami sannathi. There are 16 statues in the hall. # Agni Veerapathirar # Rathidevi # Maha Thandavam # Urthuva Thandavam # Kalidevi # Mahavishnu # Manmathan # Veerapathirar # Paavai # Paavai # Tharman # Beeman # Arjunan # Nakulan # Sahadevan # Karnan The above statues are all sculpted out of single stone with subtle workmanship by the Pandya-era sculptors.
The Nayakas, who were the local governors for the Vijayanagara rulers, expanded the temple complex. In 1516, Saluvanarasana Nayaka added the sacred pool for pilgrims to take a dip, naming it Ezhukadal (seven seas, Saptasaharam). Chettiappa Nayakkar rebuilt the north colonnade of the Golden Lotus Tank, as well as Dvarapala mandapam in front of the Sannadhi gopuram. Golden Lotus in the temple pool.
The uthsava moorthi is known as 'Shri Mutthu kumāra swāmi' (), has consorts Deivānai and Valli. They are in a separate shrine in a big uthsava mandapam. Next to the temple tank Saravana poigai, there is a shrine for Shri Kulakkarai Vināyagar with Siddhi and Buddhi as his consorts. There is a shrine nearby for Shri Kāshi Vishwanādhar and Shri Kāshi Vishālākshi.
He has played with leadng accompanist Chowdaiah,Kumbakonam Sitharama Aiyar,Tiruvalangadu Sundaresier, T.K. Jayarama Iyer ,Sri Lalgudi Jeyaraman, RK Venkatarama sastry, M.N Chandrasekhar, Veena Balachander,V. Thyagarajan and Thiruvizhimazhalai Swaminatha Pillay. Posters and invitations of Chennai Music Academy and gramophone recordings talks volumes of this. He has got laurels playing to Royal family of Travancore at Navarathri golu mandapam festivals.
Thousands were killed and many were displaced. Many Tamils left Sri Lanka and sought refugee status in places like Canada and the United Kingdom. Those lacking money or family connections were left behind. With nowhere else to go, these people left Sri Lanka by boat from the northern town of Mannar, (18 km from the Indian coast) and arrived in Mandapam, India.
The principal Belikkallu is situated as usual, in front of the main entrance leading to the inner regions. The belikkapura has long fallen down. The detached pillars of Namaskara Mandapam has wooden pilasters on four sides, so also four stone pillars with two facing the sopanam carrying stone carvings. The square shaped copper tiled roof carries a crest spot on top.
The railway bridge carried metre gauge trains connecting Mandapam on mainland India to Pamban. Indian Railways upgraded the bridge to carry broad gauge trains and the work was completed on 12 August 2007. From Pamban, the railway line bifurcated, one line towards Rameshwaram about up and another branch line of terminating at Dhanushkodi. The Boat mail express runs from Chennai Egmore to Rameswaram.
These have reliefs and intricate carvings. Towards the east of the maha-mandapa is the agra-mandapa also called the Rajagambhiran-tiru-mandapam after the king. This hall is shaped like a chariot, provided with stone horses and wheels. The design is similar to the Nritta-sabha (community dance hall) of the Chidambaram temple and the Konark Sun Temple near Puri, Odisha.
It is believed to be those of the Ambal, who performed a severe penance for Sri Ponmalainathar, in a standing posture. Just in front of the temple there is a thirty-six pillared mandapam bearing several beautiful sculptures in its pillars. The temple is 140 feet long and 70 feet wide. The famous "Navanarikunjaram" sculpture is found in the inner prakaram.
Shiva is called Tiruttalinathar, Sreetalinathar and the Ambal, while his mother Parvathy is called Sivakami, Soundarya Nayaki. The shrine is elevated and faces east. The shrine for Sivagami is situated parallel to the north of the main sanctum and faces east. The mandapam in front of the sanctum has pillars with beautiful sculptured images of Rishabavaaganar, Narthana Ganapathy, Venugpolan and Narasimhar.
Next to the Maha Mandapam one can find a 32 feet height Kodimaram which is fully covered with brass. At the bottom of the Kodimaram you can see a square consists of Ambal and Swami, on one side, Astira devar on the other side, Lord Vinayaga on the third side, and on the fourth side Lord Balasubramaniyan statues are molded in brass.
The fruit that occasionally fell on his body gave him excruciating pain. In agony he cried out a curse : "Let this tree bear no fruit any longer". Even today the tree bears no fruit, though it has leaves. It is interesting that during the festival, the dancing Namboothiri priests place the idols of various gods in a small "Mandapam" under the tree.
He spent a lot of his time at this temple. Rāmalingam composed 'Deiva mani malai' here. At this temple, there is a hall called the Mukha mandapam, where the idols of Sarva Siddhi Vinayakar, Meenakshi Sundareswarar, Idumban, Sri Rāmalinga swāmigal,Dinamalar newspaper- Kandha kottam photos and Pamban swāmigal are found. The locality where he lived, has been renamed as 'Vallalār nagar'.
The images of Rukmini and Satyabhama are located on either of his sides. The shrine of Garuda facing Jagannatha Perumal, the eagle mount of Vishnu, is located axial to the central shrine. The central shrine is approached through Mahamandapa, the worship hall and a narrow Ardha mandapam. The Mahamandapa has a twenty eight pillared hall with sculptured pillars depicting Vaishnava mythology.
Rambha married Indrakumar Pathmanathan, a Canada based businessman, on 8 April 2010 at Karnataka Kalyana Mandapam in Tirumala, followed by the wedding reception on 11 April 2010 at Rani Meyyaiamma Hall, Chennai. The newly married couple travelled to Fiji and New Zealand for their honeymoon. Since then, the two settled in North York, Toronto. They have two daughters and a son.
Reconstruction of the Pamban Bridge was deemed a priority and initially expected to take six months to complete. However E. Sreedharan, an engineer tasked on the project, managed to have the railway bridge finished in 45 days. A stable road connection was built in the following years. In Mandapam, the cyclone's surge created five tidal pools over a stretch of coastline.
The Arulmigu Navasakti Vinayagar Temple in Victoria, the first and only Hindu temple in Seychelles, has Lord Ganesha as the presiding deity. In addition, icons of Murugan, Nadarajah, Durga, Sreenivasa Perumal, Bairava and Chandekeswarar are enshrined in the inner mandapam of the temple. Prayers are performed for the different deities on special occasions. Seychelles Tamil Mandram was registered in 2002.
Poongavanathamman Temple Poongavanathamman Temple is in Sivampatti and is situated in the route to Tirupattur at a distance of 2 km from Maththur. Lord Shiva and Angala Parameswari are the main deities in this temple. Ant hills can be seen on either side in the artha mandapam. New moon day [Amavasai] worship to Poongavanathamman deity in this temple is very popular.
The original monuments of this 11th century temple were built around a moat. It included gopura, the main temple, its massive tower, inscriptions, frescoes and sculptures predominantly related to Shaivism, but also of Vaishnavism and Shaktism traditions of Hinduism. The temple was damaged in its history and some artwork is now missing. Additional mandapam and monuments were added in centuries that followed.
She is only marrying Prabhu for his money. Divya who dumps her ex-boyfriend for him on learning of his riches. On marriage day things take a tumultuous turn when Divya's ex- boyfriend abducts her and plants a note, stating that she has run off on her own. The letter is discovered the next day when Prabhu is sitting at the mandapam.
The city has many landmarks which include, Prakasham Barrage across the Krishna river; Krishnaveni Mandapam (River Museum) depicting the history of Krishna river and a nearby idol of the river known as, Krishnaveni statue; Gandhi Hill, the first Gandhi Memorial in the country, located at an elevation of 500 ft on the on a hill; Bhavani Island, one of the largest river island amidst Krishna River.
On the Ranganayakula Gutta is a temple dedicated to the god Shiva, who is worshipped as Ramalingeswaraswamy. Near the kalyana mandapam, there is a hermitage named Govindaswamy matham where many saints stayed in the past. A huge hall named Mithila Stadium was built facing the Vaikuntha Dwaram. Its construction was initiated by Jalagam Vengala Rao and was completed at a cost of 3.8 million.
However, Vishnu forgot that Rama was a mortal human and appeared as Vaikuntha Rama with four hands. Sita and Lakshmana form part of the temple's moolavar. The self-manifested moolavar was discovered in the 17thcentury by Pokala Dhammakka, a tribal woman living in Bhadrareddypalem. After she built a mandapam for the idols, Bhadrachalam's tehsildar Kancherla Gopanna constructed this temple during the reign of Abul Hasan Qutb Shah.
There is a garden in the southern side and a Vasantha Mandapam in the north. The sanctum of Mullaivananathar is in the second precinct and the shrine of Amman is located parallel to the Swami shrine. The shrine is Nandi is located in front of Swami, with the Palipeeda and Dwajasthambam located right behind the Nandi. There is a Nataraja hall and a yagasalai.
The ancient Chola temple of Vriddhagiriswarar was commissioned by Sembiyan Mahadevi, among the most powerful queens of the Chola empire and an ardent worshipper of Lord Siva. The temple is surrounded by high walls and five gopurams. The mandapam is carved like a chariot. The chains of the temple car were donated by Charles Hyde, the District Collector of the then South Arcot district in 1813.
He offered his wooden model of the Sabarimala Temple inside which he worshipped his revered idols to the Subrahmanya-Hanuman temple at Makreri in Kannur district. The Saraswathi Mandapam is now a home ground bearing all the crowning jewels of his lifetime achievement in the form of Awards and Trophies. The Thiagaraaja Akandam started at Makreri Ambalam has been taking place for more than 12 years.
The vessels are intended for patrolling the coast, interdiction of smugglers and infiltrators, and search and rescue operations. The AMPL class interceptors have a complement of 1 officer and 11 sailors. They have a range at . The vessels have been based at various Indian coast guard station such as Mandapam, Mangalore, Visakhapatnam, Okha, Chennai, Kochi and Goa, and one boat was leased to Mauritius in 2001.
Ettumanoor Temple Kalyana Mandapam Wedding Hall Christuraj church (Christ the King Church) is one of the famous churches in Kottayam district. This church is tall and beautiful; the church being renovated recently stands in the heart of the town. Peroor Marthesmooni Jacobite Syrian Church located at Peroor is a famous pilgrim centre. The feast of Marthesmooni is celebrated every year here from 24 July to 1 August.
All Quarters have been allotted based on the lottery system. After the Construction, the Society carved out 600 plots, in phase-1 which were allotted to the members in 1987 by draw of lots. The Society then developed the area by providing all basic amenities like Manjeera water, electricity, transportation, temples, commercial complex, Kalayana Mandapam in 2011. Now Allwyn Colony contains more than 1000 independent houses.
Kotilingam Situated close to Panchadharala in Visakhapatnam district, Kotilingam Temple is dedicated to Lord Shiva. Literally meaning ‘millions of Lingams’, Kotilingam Temple enshrines a Shivling on which are carved other lingams in 12 rows and each row contains 85 lingams. The temple is noted for its mandapam with astounding pillars. It also bears inscriptions dating back to the 15th century, Another temple is situated near KGF mines.
The Centennial Jubilee was celebrated in 1970, in a Grand manner by the villagers through the guidance of the then Parish priest Fr. Saleth for one week. The current entrance hall (mandapam) was constructed during the 100th year jubilee. Also, the church was fully renovated and re-painted during that occasion. In 1993, Fr. K. Jesuraj, the then parish priest renovated the whole Church.
People are extremely industrious and innovative. Due to the confluence of two cultures Tamil and Malayalam, people have a broad sense of appreciation for arts and culture. Most of the people are bilingual – Tamil and Malayalam. Prof. Parassala B. Ponnammal,recipient of Padma shri , an elderly woman who was the first female singer in the famous Navarathri Mandapam of Thiruvananthapuram during 2006 comes from this town .
Its importance has enhanced because it is located at the eastern end of Pamban Bridge through which supplies enter the island. Pamban is 11 kilometres from Rameswaram, 30 kilometres from the tip of Dhanushkodi and around 7 kilometres from Mandapam on the Indian mainland. It is separated from the Indian mainland by a narrow strip of sea. Thangachimadam situated between Pamban and Rameswaram is a minor settlement.
The salient feature of 'Sripuram' is the Lakshmi Narayani temple whose Vimanam and Ardha Mandapam is covered with pure gold, housing the deity Sri Lakshmi Narayani (female consort of Vishnu Narayana). The temple is located on 100 acres of land and has been constructed by the Vellore-based charitable trust, Sri Narayani Peedam, headed by its spiritual leader Sri Sakthi Amma also known as 'Narayani Amma'.
Sivarathri is the main festival for Lord Shiva. On the same day after athazha pooja Lord Shiva is received outside the main sreekovil and is placed in a specially designed mandapam outside the sreekovil. On the same day devotees donate "para" for Lord Shiva which is a ritual the temple. Sree Parvathy Devi Sree Parvathy Devi is on the same sreekovil near to Lord Shiva.
They are in the Alankara Mandapam area, and they emit the sounds of various musical notes when struck. There are an additional 1035 pillars with carvings in the area known as the dancing hall. There is an Anjaneya, (or Hanuman), statue which stands at and is carved of a single granite block. It is one of the tallest statues of its type in India.
Pradosha Sabhai with Pradosha Moorthy, Ashta Dik Balakas with their respective Vahanas, Siva Boothaganas and Apsaras women is a very rare specimen of deities. Chandikeswari goddess Saraswathi and Uchchishta Ganapathy are seen in the Praakara of the goddess Brahannayaki’s shrine. The Arudra Mandapam is an example of Architectural Excellence. The Dharma Nandhi is of a very big size made in a single stone carved with magnificent skill.
While the two shrines of Ahobilavalli and Andal have precincts, unlike the shrine of Narasimhar. The shrine of Garuda facing Narasimhar, the eagle mount of Vishnu, is located axial to the central shrine. The central shrine is approached through Mahamandapa, the worship hall and a narrow Ardha mandapam. The flagpost is located behind the shrine of Garuda, axial to the central shrine and the gateway tower.
The corridor was called "Chokkatan Mandapam". The Mukhya Pradhani (Chief Minister) was Muthuirullappa Pillai and the Chinna Pradhani (Deputy Chief Minister) was Krishna Iyengar. The Setupati's statue and those of his two Pradhanis (ministers) can be seen at the western entrance to the third corridor. The composite columns of Virabhadra holding sword and horn are found be additions of the Vijayanayagara kings during the early 1500s.
The Sri Lankan Tamil refugees in Tamil Nadu have three different kinds of shelter. The first is the camp refugees or those who took shelter in camps mostly located in the rural areas. They were sent from the Mandapam transit camp to different locations. The second group is non-camp refugees are those living in tented house with relatives and friends without any assistance from the government.
The famous temple Thumpodu mudippura devi temple is situated in Thumpodu ward of kallara panchayath. The Annadhanam and Ponkala associated with thumpodu mudippura fest calls attention of many people. Raktha sakshi mandapam, in memory of those who shed blood in kallara pangodu revolution is situated in the town. Juma masjidh of kallara is also situated in the town, thousands of devotees used to come and pray here.
From 15 January to 15 July, Utharayanya Vaasal is opened while Dhakshanaya Vaasal is opened during the other half of the year. The Potramarai tank has a central hall called Hemarishi Mandapam. The temple has two processional chariots carved out of wood stationed outside the rajagopuram. It is classified as Karakkoil, a temple fashioned after temple chariots which are taken in procession around the temple during festivals.
The deity is seen in seated posture with images of Sridevi and Bhoomidevi on either sides. There is a small shrine for Varaha, an avatar of Vishnu, located behind the central shrine. The shrine of Garuda facing Madhava Perumal, the eagle mount(vahana) of Vishnu, is located axial to the central shrine. The central shrine is approached through a worship hall and a narrow Ardha mandapam.
The Ekambareswarar temple covers an area of over . Reaching a height of , the temple's Raja gopuram (the entrance tower to the temple) is one of the tallest in South India. One notable feature of the temple is the Aayiram Kaal Mandapam, or the "hallway with a thousand pillars", which was built by the Vijayanagar Kings. The temple's inner walls are decorated with an array of 1,008 Siva lingams.
The idol of the chief deity is tall and made of a special element called Katusarkara Yogam (Mustard and Jaggery paste) and no Abhishekam (ritual bathing) is performed to it. The deity has shangu and chakra in the hands and Goddess Mahalakshmi in his chest (ThiruVazhMarbhan). Dashavathara (Ten incarnations of Vishnu) paintings adorn the Indra Kalyana Mandapam of this temple. Other shrines for Garuda, Ganesha, Rama, Vishwaksenar, Nammalvar, Nataraja are present.
Many local people took shelter in the halls of the temple. The kalyana mandapam (marriage hall) was completely inundated except for its gopuram (temple tower). P.Seshacharyulu and other priests stayed in the temple and performed all the daily rituals without any interruption during the floods. The Nizam of Hyderabad, Mir Osman Ali Khan during his time made a huge donation of Rs. 50,000 for this temple during his time.
Korravai at the 7th century mandapa, Mahabalipuram. In Tamil Nadu, the blackbuck (Kalaimaan) is considered to be the vehicle of the Hindu goddess Korravai She is sometimes shown as riding a lion, as in the 7th-century Mahishasuramardini mandapa of the Group of Monuments at Mahabalipuram, Tamil Nadu. Both the lion and blackbuck is shown with a standing Korravai in a rock- relief panel at the Varaha mandapam of Mahabalipuram.
The AVM family also owns a marriage hall, AVM Rajeswari Kalyana Mandapam which is generally rented for Hindu marriages. This marriage hall is controlled by the AVM family through AVM Charities. Following the astounding success of the 2007 Tamil film Sivaji, AVM Productions declared publicly that it would offer 25% of the revenues from the film as charity. The AVM Group owns a string of educational institutions all over Chennai.
Thiru Navasakthi Vinayakar Kovil Victoria The Arulmigu Navasakti Vinayagar Temple is the first and the only Hindu temple in Seychelles that has Ganesha as the presiding deity. Since 1999, Ganesha has been elevated to this position. Apart from the presiding deity, icons of Murugan, Nadarajah, Durga, Sreenivasa Perumal, Bhairawa and Chandekeswarar are enshrined in the inner mandapam of the temple. Prayers are performed for the different deities on special occasions.
The central sanctum (Sree Kovil) of Amunthirathu temple is in pandya kovil structure similar to many other Kannaki temples of Tamil Nadu and Kerala. It is surrounded by a cloistered prakara, pierced at one or more cardinal points with only a main entrance (gopuradwara). The cloistered prakaram has a namaskara mandapam located directly in front of the sanctum and is also an artistic excellence. Sree Kovil is surrounded by chutambalam.
The temple is located in Thiruvathigai, a village 2 km from Panruti in Cuddalore district. The temple covers an area of with three precincts. The temple has a seven tiered gateway tower which has sculptures depicting 108 poses of Bharatanatyam. There is a sixteen pillared hall called Thiruneetru mandapam, which is believed to have constructed at the behest of Thilagavathiyar, the sister of Appar to commemorate his conversion to Saivism.
This museum was established in 1983 by the State Department of Museums at Cantonment after Salem and Madurai, as a principle of government of Tamil Nadu to have museum in every district. It was later moved to Rani Mangammal Darbar Hall (a Monument built during Nayak rule, also known as Kolu Mandapam) during 1997, which is within Town Hall Complex. The museum is maintained by the Public Works Department.
The temple was damaged in its history and some artwork is now missing. Additional mandapam and monuments were added in centuries that followed. The temple now stands amidst fortified walls that were added after the 16th century.George Michell (2008), Architecture and art of Southern India, Cambridge University Press, pages 16-21, 89-91 Built out of granite, the vimanam tower above the sanctum is one of the tallest in South India.
The Pamban Road Bridge connects the National Highway (NH 49) with the Rameswaram island. It stands on the Palk Strait and between the shores of Mandapam (a place on the Indian mainland) and Pamban (one of the fishermen town in Rameswaram island). It was inaugurated by former Indian Prime Minister Rajiv Gandhi on 2 October 1988. This 2.345 km long Bridge took close to 14 years to be completed.
Legend goes that the temple was so rich earlier that all the vessels and articles used in temple were made of gold. There has also been a tradition of the chanting of Shyamala Dandakam every evening at this temple. Next to the Shiva temple, a mandapam called Shiva Mahal has been built. Shiva Mahal includes an elementary school, a high school, a Bharatiya Vidya Bhavan branch centre, and an Ayurvedic Hospital.
In the south-west corner of the court is a mandapam having 4 shrines. One of these has an image of Yama. Adjoining this shrine are large stone slabs sculptured with images of the sapthamathas (seven celestial nymphs). The construction of a separate temple for Devi, slightly later than the main temple, indicates the emergence of the Amman shrine as an essential component of the South Indian temple complex.
The main shrine houses Anjaneya inside a Temple Tower 90 feet tall. Anjaneya is facing west, and thus the main entrance is on the west. There is an auxiliary entrance on the southern side used during temple festivals. The main temple building has path-ways all around the sanctum sanctorum and also a large covered space (Mandapam) for devotees to assemble in front of the deity for offering worship.
Narasingam is a village located 8 km from Madurai on the road to Melur, in the Indian state of Tamil Nadu. It is named for the nearby cave temple dedicated to Yoga Narasimha Perumal, at the foot of the Yanaimalai hills. This temple was constructed in 770 A.D. by Madurakavi alias Marankaari who was the minister of the Madurai King Parantaka Nedunjadaiyan . There is a front mandapam (court).
Hanumth Jayanthi, the birth anniversary of Lord Hanuman is also celebrated along with the temple festival. Artwork: The "DAARUSILPAS"(wood sculpture) seen around the temple belong to the 17th century when the temple was rebuilt/renovated. The wood carvings on the outer wall of the Sreekovil (sanctum sanctorum), inner roof of Balickalpura and Namaskara Mandapam are excellent. The Temple itself is a beautiful specimen of Kerala style architecture.
Since Vinayaka is the form of the first sound "Om", eight bells have been installed. They represent the seven notes Sa, Ri, Ga, Ma, Pa, Da, Ni, with the eighth bell signifying the Sa that follows. In the "Mandapam" before the sanctum sanctorum is a shrine to Vinayaka's brother Muruga. The temple has become famous for its unique idol of "Adhyantha Prabhu", which is part Ganapathy and part Anjaneya.
The then Chief Minister of Tamilnadu Dr. Kalaingar Karunanidhi opened the college on 18th August, 1974. The foundation for the college building was laid by Cavalier Mr. G.K. Devarajulu Naidu. The college which had initially functioned in Shenoy Nagar at Shri Rama vilas Mandapam, was shifed to its own premises in Pasumalai on 4th September, 1979. Our college was upgraded to degree status during the academic year 1979-1980.
Vivekananda Rock Memorial is a popular tourist monument in Vavathurai, Kanyakumari, India. It was built in 1970 in honour of Swami Vivekananda who is said to have attained enlightenment on the rock. According to local legends, it was on this rock that Goddess Kumari performed tapas in devotion of lord Shiva. A meditation hall known as Dhyana Mandapam is also attached to the memorial for visitors to meditate.
Adhiyamankottai: Tourists visiting the site can see ruins of the roughly oval- shaped fort. Also close to this site is the Chenraya Perumal Temple, which is believed to have been constructed by King Krishnadevaraya as well as the Hoysala kings. The Mandapam within the temple leads to the sanctum sanctorum, where there are paintings depicting the scenes from the Mahabharata and the Ramayana. The Kalabairavar Temple is also located here.
The antiquity of the Mahamaham is deduced from the architectural and epigraphical patterns. The ceiling of the Gangatirtha mandapam carries the sculptural representation of Tulapurushardava. It is believed that Govinda Dikshitar subjected himself to the event and donated the gold to the building of the sixteen mandapas. The visit of Krishandevaraya during 1445 is recorded in an inscription in the gopuram of Nagalpuram, a village in Chengalpattu district.
The temple has a rectangular plan surrounded by high walls, pierced by a seven-tier gopuram, the gateway tower. The presiding deity is housed in the sanctum and is an image made of granite seen in standing posture. The shrine of Garuda facing Adi Kesava, the vahana of Vishnu, is located axial to the central shrine. The central shrine is approached through a worship hall and a narrow Ardha mandapam.
Saraswathi Mandapam In another legend, long ago Madayi was troubled by a demon Darika and Madayikavilamma killed him and requested Shiva to enshrine in a temple near him. Lord Shiva ordered his disciple Parashuram to consecrate a shrine for the Shakti. Parashurama created the Madayippara and the Holy shrine on it. The shrine is considered the last resort for the removal of Occult Sorcery(Black Magic and Witchcraft).
A view of Devotees on 22, May 2010 The Temple is recently renovated by contributions from devotees and it was initiated by the former Alangudi MLA Mr. A. Venkatachalam along with support of the village people. A new Temple Mandapam is constructed to add to the beauty of ancient Kuthirai (The Horse) which also got re-painted as part this. After the renovation, the Maha Kumbhabhishekam happened on 22, May 2010.
Thirucharanathumalai is a hillock located in Chitharal village 6 km from Marthandam, and 55 km from Kanyakumari. On the top of the hill under a path that seems naturally hanging there in a temple with mandapam, corridor and balipeetam with a madappalli (kitchen). There are 3 sanctums housing Mahavira, Parswanatha and Padmavathi Devi. The idol of Bagavathi was installed instead of Padmavathi Devi by Sri Moolam Thirunal, king of Travancore in 1913.
Malayappa swami is used as the utsava murti and marriage to his consorts and post- marriage rituals are performed to the idol every day. Srivari Kalyanotsavam (Lord's marriage festival) is conducted with Sridevi and Bhudevi. After the marriage ceremony, the lord and his consorts are seated on various vahanams (Vehicle) as part of the Arjitha Brahmotsavam. Dolotsavam seva has the Lord seated in the Addala mandapam (Mirror hall) and entertained with vedic hyms.
The first photograph of Swami rock and ruins of Koneswaram in 1870, prior to the reconstruction of the temple. Local residents offered services to a pillar from the original mandapam in memory of the destroyed temple Under Dutch Ceylon, most of Trincomalee town was administered under Jaffna-dependent Vanniars again, while the fort was occupied by the Dutch on what they called "Pagoda Hill". Batticaloa district remained dependent to Trincomalee's fort until 1782.Jacob Burnand.
Kalyana Mandapam () is a 1971 Telugu-language film produced and directed by V. Madhusudhan Rao. A remake of Puttanna Kanagal Gejje Pooje (1969), the film features Sobhan Babu and Kanchana in the lead roles; Kongara Jaggaiah, Anjali Devi, and Gummadi Venkateswara Rao play key supporting roles. P. Adinarayana Rao composed the fiolm's soundtrack and score, and S. Venkatarathnam handled the cinematography. The film was a commercial success, completing a 100-day run.
Vasco da Gama railway station was used to portray as Kalyan Junction railway station. A romantic scene on board a train passing next to Dudhsagar Falls was also shot. In December 2012, the crew went to Jakarta to film certain scenes. The Pamban Bridge also known as Annai Indira Gandhi Bridge, connecting the town of Mandapam in Tamil Nadu with Pamban Island, and Rameswaram was the scene for the song "Tera Rastaa Chhodoon Na".
The newly constructed and consecrated 5-tier Raja Gopuram of Kumaran Kundram A five tier Rajagopuram has been constructed recently. Though the spade work had commenced long ago, the actual construction work on the Rajagopuram commenced in 2011-12 and concluded in January 2014. Renovation and painting works have also been carried out in the temple in connection with the Mahakumbhabhishekam (consecration ceremony). A new Artha mandapam adjoining the Rajagopuram has been constructed.
Just south of the Arjuna's Penance bas-relief is the Panchapandava mandapam, the largest (unfinished) cave temple excavated in Mamallapuram. It has six pillars, one of which has been restored, and two pilasters as its facade. Another row of pillars follows in the ardhamandapa, and largely-unfinished, deep side halls also contain pillars. Evidence of work in progress suggests that the cave was intended to have a walking path and large wall reliefs.
The Amman temple has a five-storey main Gopuram at the South corner and an outer mandapam covering the inner sanctum made of black marble. There are intricate carvings on the pillars of the temple including a ball shaped of single stone inside the lion's mouth. The lion is considered the main vahana (vehicle) of the Goddess. The goddess facing north wears a crown of fire and is seen stamping a demon under her feet.
She also trained under Smt. Sucheta Chapekar in Pune and at Dr. Padma Subrahmanyam's Nrithyodaya School of Dance in Chennai. On September 14, 2012 at Vaikom Mahadeva temple, she married Pallippuram Sunil, Kathakali dancer from Kerala. Together they created in 2012 the Kalashakthi School Of Arts and inaugurated a theatre cum-class-room, the Kalashakthi Mandapam in 2014 in Vaikom, Kerala where they both teach their respective dance forms and organise Art performances and workshops.
The namaskara mandapam is connected to the eastern rock by a foot-bridge which is the only passage to the sreekovil. The principal deity is Lord Vishnu. One of the key features of the temple is that the original idols in the sanctum sanctorum were not made of metal or stone, but of a rare combination of more than 70 medicinal materials called `kadu- sharkara-yogam.' These idols were replaced by panchaloha metals in 1972.
Ambal's sanctum is to the right of Avinasiappar's sanctum, unlike that in most temples. The mandapam in front of Ambal's sanctum has interesting sculptural work.The pathways on the four sides of the sanctum sancotrum are decorated with the images of Nayanmars, Murugan Sannadhi in the northwest and Karaiakal Ammaiar Sannadhi on the northeast. The large Nandi here and the carved image of a scorpion in the Ambal sanctum are of significance here.
19–20 The temple also has inscriptions about the Pallava king, Nandivarman of the 8th Century. The temple was extensively built during the Chola period and a lot of inscriptions dating back to the same period are found here. The outer most mandapam is replete with sculptures of various forms of Vishnu, especially the avatars. One can also see inscriptions of Dantivarma Pallava of the 8th century, Chola and Vijayanagara in the temple.
Others are from the times of Cholas, Nayakas, Pandyas, Hoysalas and the Vijayanagara era. The historic inscriptions at the Ranganathaswamy Temple are in six major Indian languages: Tamil, Sanskrit, Kannada, Telugu, Marathi and Odia. Many of the inscriptions are in Grantha characters. P.R. Srinivasan (1982), South Indian Inscriptions Volume XXIV, Archaeological Survey of India, pages xiv-xv Some of the mandapam and corridors of the Temple complex have frescoes, of which some have faded.
Most of the men from this village are working as drivers and conductors in Tamil Nadu transport corporation and while being as formers. Arulmigu Muthumalai sri muppidari amman, pathirakali amman, sivananaindha perumal, ponnurivi amman, Irullappa samy, irulli ammal and other gods are worshiped by Nadar community. Nadar thirumana mandapam is at the main road of sivagalai. Sri muthumalai amman temple, pathirakali amman, veiyulugantha amman, maariamman, muppidaathi amman are the famous temples here.
There is another legend that Lord Shiva got rid of his Brahmahathi Dosha after worshipping Vishnu in the place. There is a small shrine for Shiva in this temple premises. The temple tank, Hritayathabhanasini, is located to the West of the temple and is believed to have medicinal effects. There is an ornate four pillared black stone hall called Vellikizhamai mandapam where the festival image of the presiding deities are displayed every Friday.
There are separate sannidhis for Vigneswara, Subrahmanya, Dharma Sastha, Balamurugan, Surya, Chandra, Dhakshinamoorthy and Navukkarasar, Appar & Sundarar. The big doors of the main entrance with wooden carvings and wood sculptures inside the temple are proving that artisans from Kerala were taking active rolls in this temple. The Somawara Mandapam is another masterpiece of the sculptors of that age. Many more details can be seen when one pays a visit to the temple.
Spoked chariot wheel, Airavateswarar Temple, Darasuram c. 1200 C.E. The horse-drawn chariot is carved on the front of the mandapam. The chariot and its wheel are so finely sculpted that they include even the faintest details The Chola style continued to flourish for a century longer and expressed itself in a very large number of temples. Of these two large temples are worthy of comparison to those of Rajaraja and Rajendra.
Kalaiyar kovil A lofty Rajagopuram (150 feet) and an imposing Teppakkulam tank (with a mandapam) named Aanai madu adorn this shrine. Airavatam the elephant of Indra is said to have created this tank. There are three shrines in this temple associated with the three functions of creation, preservation and completion. The presiding deity lord shiva is called as Kaaleeswarar, Someswarar, Sundareswarar and the Ambal his consort mother Parvathy is called as Swarnambikai, Soundara Nayagi, Meenakshi.
The main shrine is a two-storied one in 'Gajaprishta' shape, literally meaning the shape of the back of an elephant, and is very large in size. It has a southward extension, which encloses the shrine of Goddess Parvati, thus having the concept of 'Ardhanarishwara. There is a 'namaskara mandapam' in front of the sreekovil, used by the Brahmins for reciting Vedas, Shiva Sahasranama, etc. Here, we can find the idol of Nandi, the vehicle of the Lord.
Thiruvannamalai Annamalaiyar Temple Gopuram and Mandapam View Thiruvannamalai Annamalaiyar Temple Gopurams The history of Tiruvannamalai revolves around the Annamalaiyar Temple. The recorded history of the town dates back to the ninth century, as seen from a Chola inscriptions in the temple. Further inscriptions made before ninth century indicate the rule of Pallava kings, whose capital was Kanchipuram.Mack 2008, pp. 88–90 The seventh century Nayanar saints Sambandar and Appar wrote of the temple in their poetic work, Tevaram.
The Statues of the Gods in the Kanchi Sri Vaikunta Perumal temple bring these scenes in front of our eyes, and the sculptures existing therein describe these events. These metallic books also tell us about granting land to Veda experts and donating land for reading Mahabharatam in both the temples. Sri Natansapureeswarar Temple is in a square shape. After the Pallavas in the days of the Cholas, the sanctum sanctorum & Ardha Mandapam were renovated, but were subsequently damaged.
Vendivakili leads to Vimana Pradakshinam. Vimana Pradakshinam is the area which circumambulates Ananda Nilayam Vimana Gopuram or Sanctum sanctorum or Main Shrine. Angapradakshina Seva will be performed in this area and hence this path is also called Anga pradakshina Margam. Just after entering the Vimana pradakshinam opposite to Vendivakili and behind the Garuda Mandapam there are small idols of Sri Varadaraja Swamy, Sri Ranganatha Swamu in sleeping posture over Adisesha and Sri Venkateswara Swamy plated in gold.
After the holy marriage of Meenakshi, her brother tries to come to the marriage. Lord Alagar comes from Alagarkoil to Madurai slowly and by making couple of stops on the way. It is considered that when reaching the Vaigai river bank, he hears that marriage is over, so he gets angry and returns to Alagarkoil after giving the gifts to Meenakshi and sundereswarar and this event happens in a mandapam in the middle of river Vaigai.
Kanniyakumari is the tip of peninsular India where the Bay of Bengal, Indian Ocean and Arabian Sea meet. The southernmost tip of the subcontinent, Kanniyakumari is known for the Hazrat Peer Mohammed waliyullah Dargah, Kumari Amman Temple, Gandhi Memorial Mandapam, Vivekananda Rock Memorial and the Thanumalayan Temple. Other religious sites include the Mondaicaud Bhagavathi Temple, Sri Adikesavaperumal Temple, St. Xavier's Church, devasahayam mount, St. Therese of Infant Jesus church and the St. Arockiya Nathar Church within the district..
Sree Chenbagavalli Amman Temple is dedicated to Chenbagavalli Amman, an incarnation of Goddess Parvati. Within the ‘Mandapam,’ the sanctum is situated below the vimana and is supported by 17 pillars that coordinate with the 17 letters of the ‘Chenbagavalli Amma’. The deity of the temple is postured to hold a trident, and a child in her hands. A shrine of the temple is dedicated to hard working people of payanam, who put tremendous effort to build this temple.
There is a temple tank named Chakrateertha kulam and a Vasantha mandapam on the northern portion of the tank. On the second precinct, there is a flag staff and a five tiered temple tower. The sanctum is built on an elevated structure. There are shrines around the sanctum in the first precinct that has a shrine of Thilagavathiar, a pillared hall housing the sixty three nayanmar, Saniswarar, Durga, Siddivinayagar, Muruga, a set of Lingam, Nataraja and Surya.
Padmanabhaswamy Temple in Thiruvananthapuram was re-created as the gigantic structure of today and new state ceremonies such as Murajapam, Bhadra Deepam, and others were introduced by Marthanda Varma. The main Vishnu idol of the shrine, which was mostly destroyed in a fire during his predecessor Rama Varma's time, was also re- constructed. He also created Ottakkal Mandapam as well as the Sheevelippura. Out of the seven floors of the temple gopura, five were finished during his reign.
There are also shrines to Vijayasundari and Balasundari, friends and playmates of the Goddess in her youthful form. Navarathri Mandapam is a hall where devotees can display their artistic ability in music as a dedication to the goddess. Shri pada paara, the rock in the shape of Devi's foot. This is now famous as Vivekananda paara, where Vivekananda got enlightenment to dedicate his life as an active Sanyasi rather than the usual practice of being passive.
14 The Pamban railway bridge connecting Mandapam on the Indian mainland with Pamban island was opened for traffic in 1914. The Nilgiri Mountain Railway was inaugurated between Mettupalayam and Ootacamund in 1899. The Madras Tramways Corporation was promoted in Madras city in 1892 by Hutchinsons and Co. and began operating in 1895, before even London had its own tramway system. It plied six routes in Madras linking distant parts of Madras city and covered a total of .
Veera was formally launched with a puja at the Lord Ganapathi temple within AVM Studios, although principal photography began at Rajahmundry. A four-day filming schedule with 40 background dancers was planned for the song "Maadethile Kanni" at Talakona. After the first day's filming, Krissna was unhappy because the location did not provide him with the expected quality. The crew returned to Madras and filmed the song at Raghavendra Kalyana Mandapam and at a house at AVM Studios.
This posture is unique as usually the image of Lakshmi on Narasimhar temples are sculpted on the left side. The festival deity is named Thiruvali Nagaralan and the image is also housed in the sanctum. A south facing shrine of Thirumangai Azhwar is located outside the temple walls, opposite to the Garuda Mandapam. It is believed that the image of Narasimhar in the temple are among the five original images of Narasimha worshipped by Thirumangai Azhwar.
Tene Manasulu (1965) was Telugu cinema's first social colour film. In the late 1960s and 1970s, films such as Ave Kallu, Bhakta Prahlada, Rahasyam, Kalyana Mandapam, Krishnaveni, Prem Nagar, Sampoorna Raamaayanam, Sri Krishna Satya, Manchi Rojulu Vachayi, Andala Ramudu, and Bhakta Tukaram were shot in Eastmancolor. There were no Telugu films shot in Technicolor. Technicolor films from Tamil cinema such as Veerapandiya Kattabomman (Telugu: Veerapandya Kattabrahmana) and Konjum Salangai (Telugu: Muripinche Muvvalu) were dubbed into Telugu.
Open mandapa at Amritapura Mandapa (also spelled mantapa or mandapam) in Indian architecture, especially Hindu temple architecture, is a pillared hall or pavilion for public rituals. Mandapas are described as "open" or "closed" depending on whether they have walls. In temples, one or more mandapas very often lie between the sanctuary and the temple entrance, on the same axis. In a large temple other mandapas may be placed to the sides, or detached within the temple compound.
This mixture, with the addition of aromatic ingredients, is known as Goti talambralu (talamralu polished by nails). The event begins with Vaishnava women gathering in the Chitrakoota mandapam hall in the temple's premises and participating in an initial prayer to the traditional grinding equipment. They powder the turmeric seeds using the traditional grinding equipment and use them in the preparation of the Goti talambralu. The icon of Rama is decorated using nine blocks of turmeric powder and other aromatic ingredients.
The mandapam (hall) housing the Somaskanda form of Shiva has 36 massive pillars adorned with carvings. Devasriyan mantapam inside the temple conducts shaiva sidhantha lectures every day between 7 pm and 8.30 pm. The temple has smaller shrines for Ganesha, Murugan, there is a shine for 3 ganeshas who control all three time periods, adjacent to this a vedagama padasalai is situated. The shiva linga is a swayambu (or a natural formation and not built like Kapaleeshwara temple at Mylapore).
Kamba Ramayana was first delivered in Sri Ranganathaswamy Temple, Srirangam at the court hall (Kambar Arangetra Mandapam) near Thaayar sannithi. Legend says that when contemporaries objected to Hiranyavadaipadalam ("Story of Hiranyakasipu", which occurs as Vibhishana telling Ravana while warning against his false sense of invincibility), Kamban read it in front of the Narasimha Swami temple in Sri Ranganathaswamy Temple. The Swami applauded by laughing out aloud from his Sanctum Sanctora (Mettu Narasimhar Sannidhi), and this was taken as proof of approval.
Verses from the 'Nalayira Divya Prabandham' are recited by a group of temple priests amidst music with Nagaswaram (pipe instrument) and Tavil (percussion instrument). The processional idols of Uppiliappan and Bhumidevi are brought to the temple car early in the morning amidst Vedic chantings. Subsequently, the festive idols are taken to the 'ther thatti mandapam' (chariot launching hall). The 'ratharohanam', the rituals associated with taking the idols to the temple car is performed in an auspicious time before starting the procession.
The anoinment function was a very private affair and only the closest family members and priests took part in it. Rama Varma, as of now, is also the Supreme Guardian or Custodian of Sree Padmanabhaswamy Temple, Thiruvananthapuram. After his installation, he arrived at the Kulasekhara Mandapam of the temple where the Ettara Yogam presided over by the Pushpanjali Swamiyar held a meeting. The Yogam recognised Rama Varma as Chirava Mooppan and Thrippappoor Mooppan, and the Swamiyar signed on the neettu.
Lord Shiva, otherwise piously called Tharugavaneshwarar, ParaithuraiNather, ParaithuraiSelvar is being worshipped by the large number of people since 7th century A.D. The Total area of the land which the holy Temple is situated is more than . The temple is surrounded by a gigantic boundary wall. When we enter through the main gate, an ornamented arch, the seven tiered RajaGopuram, a holy tank, and a hundred pillar mandapam (The present Vivekandha Primary School). These things enable and enhance the sanctity of the ambience there.
The sanctum houses the image of Devapiran in standing posture. The image is made of Saligrama stone and ablution is usually done with milk. The hall preceding the sanctum, the Artha Mandapam houses the festival image of Kallapiran made of panchaloha with the images of Sridevi and Bhudevi on either of his sides. It is believed that the sculptor caressed the cheeks of the image with his hand as he got enchanted by the image and it is seen in the image.
Parassala Ponnammal sings at Doordarshan National Program of Music in 2009. Avaneeswaram Vinu (Violin), Erickavu N. Sunil (Mridangam), Trikkakkara Y N Santharam (Kanjira) Parassala B. Ponnammal (born 1924) is an Indian Carnatic musician. On 23 September 2006, she sang at the Navaratri Mandapam in Trivandrum, breaking 300 years of tradition that forbade women from performing at or attending the famed Navaratri Celebrations of the Sri Padmanabhaswamy temple in Kerala.This was made possible by Prince Rama Varma of the Travancore Royal Family.
The temple is unique in its structural aspects for it is erected in the middle of an impressive lake of 302 feet. The lake is gifted with a perennial supply of pure spring water. We can find the ruins of temples all round the lake which stand testimony to the fact that it was part of a great temple complex. The sreekovil (sanctum sanctorum), namaskara-mandapam, thitappalli, and shrines of Jala-Durga and the entrance of the cave are located in the lake.
The Vimanapradakhinam is the second pradakshinam, which circumbulates Ananda Nilayam Vimanam. This path has sub-shrines dedicted to Varadaraja and Yoga Narasimha, Potu (main kitchen), Bangaru Bavi (golden well), Ankurarpana Mandapam, Yagasala, Nanala (coins and Notla (Paper notes) Parkamani, Almyrah of Sandal paste (Chandanapu ara), cell of records, Sannidhi Bhashyakarulu, Lords's hundi and the seat of Vishvaksena. ;Anandanilayam vimanam and Garbhagriha Garbhagriha is the Sanctum sanctorum where the presiding deity Venkateswara resides along with other small deities. Golden Entrance leads to Garbhagriha.
Plan of four inner courts of the Srirangam Temple (Burgess, 1910) The temple is enclosed by 7 concentric enclosures with courtyards (termed prakarams or mathil suvar). Each layer has walls and gopurams, which were built or fortified in and after the 16th century. These walls total or over six miles. The temple has 17 major gopurams (towers, 21 total), 39 pavilions, 50 shrines, 9 sacred water pools, Ayiram kaal mandapam (a hall of 1000 pillars) and several small water bodies inside.
The Temple Chariot festival The temple is one of the few temples in the Travancore region in both Kerala style architecture and Tamil style architecture. The Navaratri Mandapam built during the 16th century has a typical wooden structure like Kerala temples. The temple is known for its quality of workmanship in stone. There are four musical pillars carved out of a single stone, and which stand at in height; these are an architectural and design highlight of the temple grounds.
The estuarine whiting is one of 29 species in the genus Sillago, which is one of three genera of the smelt whiting family Sillaginidae. The smelt-whitings are Perciformes in the suborder Percoidea. The species was first scientifically described by Roland McKay of the Queensland Museum in 1980, who was the first to recognize it as a distinct species from the anatomically similar S. sihama. McKay designated a specimen collected in 1965 from Mandapam Camp in India to be the holotype.
The temple is 1 kilometer from Samarlakota City. The limestone Linga, installed in the shrine, is 16 feet tall that it rises from the pedestal on the ground floor and enters the second floor by piercing the roof, where the Rudrabhaga is worshipped. The temple has a mandapam that is supported by 100 pillars and is of great architectural importance. The temple has an Ekasila Nandi (A Bull carved from a single stone) guarding the Shiva Lingam at the entrance of the temple.
On the whole, however, the kingdom progressed during Achuthappa's reign. Achuthappa built the Thiraikattuvar Mandapam in the Vilanagar temple in 1608 and made generous land grants to the Margasahayeshwara Temple at Muvalur near Mayiladuthurai, Thirumulasthana Temple at Chidambaram and Panaipakkam Temple. The Sangitha Sudha says that Achuthappa Nayak was an ardent devotee of the Hindu god Ranganatha right from his boyhood. Achuthappa constructed the golden vimana and gopuras around the Ranganathaswamy Temple, Srirangam and constructed the flight of steps leading to the Cauvery.
Gandhi Mandapam, Chennai. Rettamalai Srinivasan represented the Paraiyars in the first two Round Table Conferences in London (1930 and 1931) along with Dr. B. R. Ambedkar.Cotextualizing Dalit Movement in South India, Pg 29 In 1932, Ambedkar, M. C. Rajah and Rettamalai Srinivasan briefly joined the board of the Servants of Untouchables Society established by GandhiA saga of long struggle – TAMIL NADU – The Hindu In 1936, he established the Madras Province Scheduled Castes' Party. In 1936 he was conferred to the title of 'Diwan Bahadur' by British govt.
A statue of alt=A black statue of an aged man holding a tambura in his hand In the 17th century CE, Pokala Dhammakka, a tribal woman living in Bhadrareddypalem, found the central icon of Rama in an anthill. She dissolved the anthill using the water from the Godavari River. With the help of the villagers, Dhammakka constructed a mandapam (hall) and offered prayers to the deities. During the reign of Abul Hasan Qutb Shah (1672-1686), Kancherla Gopanna served as the tehsildar (revenue officer) of Bhadrachalam.
Installed inside are idols of Adilakshmi, Aishwaryalakshmi, Santanalakshmi, Dhanalakshmi, Dhanyalakshmi, Gajalakshmi, Vijayalakshmi and Varalakshmi. Depicting these eight postures, the idols are adorned with gold and kasula Peru necklace and other necklaces. If one is all praise for the richly ornamented idols inside the temple, one is equally agog to see the intricately carved designs on the temple gopuram. Proposals are in the offing to construct a two-storeyed Kalyana Mandapam at a cost of Rs 15 million and an Archaka nilayam residential quarters for the priests.
Jonnalagadda is a politically active village and the first Assembly Speaker of Andhra Pradesh, Mr Nallapati Venkata Ramaiah comes from this village. Jonnalagadda is a perfect village with soils suitable to grow rice and rainfed crops, and dairy, temples, Kalyana Mandapam (contributed by TTD), schools and Pharma and engineering colleges. There are 7 temples in the village i.e. Sai baba temple, Vinayaka temple, Venugopala swamy temple, Anjeneya swamy temple, Sivalayam, Poleramma temple and Gangamma temple besides Boddurai where prayers are offered on special occasions.
Soundararajaperumal Temple is a temple dedicated to Hindu god Vishnu, located in Thadikombu, a village near Dindigul in the South Indian state of Tamil Nadu. Constructed in Dravidian style of architecture, the temple is believed to have been built by Achyuta Deva Raya during the 16th century AD. Vishnu is worshiped as Soundararaja Perumal and his consort Lakshmi as Soundaravalli. The temple is known for the Ranga Mandapam, which features rare life size sculptures. The temple has two inscriptions dating from the Nayak period.
Badrinath Temple Sattanatha Muthiah Ganapathi, popularly known as S. M. Ganapathi sthapathi, (26 April 1931 – 7 April 2017)) was an Indian architect and builder (sthapati) of traditional Hindu temple architecture. He was known for his contribution in saving 48 archaeologically important temples near the Nagarjun Sagar reservoir from submergence. Orirukkai Manimantapam, Ramalayam and Kalyana Mandapam at Bhadrachalam and the Mahamantapam of the Badrinath Temple are some of his notable creations. The Government of India awarded him the fourth highest civilian award of Padma Shri in 1990.
Mouldings are also seen in the mandapam, the hand rails of the steps (sopanam) and even in the drain channel (pranala) or the shrine cell. The sculptural work is of two types. One category is the low relief done on the outer walls of the shrine with masonry set in lime mortar and finished with plaster and painting. The second is the sculpturing of the timber elements – the rafter ends, the brackets, the timber columns and their capitals, door frames, wall plates and beams.
Mahadeva Temple, Kalanjoor popularly known as Thrikkalanjoor Sree Mahadeva temple is a Hindu temple. It is 80 kilometers to the south-west of the Sabarimala temple on the Punular-Muvattupuzha highway in Pathanamthitta District, Kerala, India. A majestic banyan tree, flanked by an Althara that is visible from a distance for any traveler on the main road, announces the presence of the temple to the devotee. A Mandapam artistically etched with magnificent mural paintings announcing the prowess of artists and artisans of yore surrounds the banyan tree.
Guindy National Park, Guindy Snake Park, Gandhi Mandapam, Cancer Institute, CLRI (Central Leather Research Institute), Madhya Kailash Temple are important landmarks on this road. A right turn from Madhya Kailash Junction takes you to Rajiv Gandhi Salai(IT Expressway) which has now been christened Rajiv Gandhi Salai. Kasturibai Nagar Railway Station on the Beach - Velachery MRTS Line is located at the junction of S.P. Road and Old Mahabalipuram Road. In 2014, the Corporation started widening the road, which is currently 24 metres, to 30.5 metres.
As per Hindu legend, when Jothista Homam, a penance, when done during the period, helps devotees attain moksha. It is believed that one devotees are liberated from his curse if they drink the sacred water of Vishnu during the festival. During the mid of 15th century during the Vijayanagara rule, the Vasantha Mandapam was built inside the garden for the festive image to spend the evenings during the festival. Every evening during the festival, the festival image of Ranganatha is brought to the garden.
The mandapam of the Brahma temple Pushkar is said to have over 500 temples (80 are large and the rest are small); of these many are old ones that were destroyed or desecrated by Muslim depredations during Mughal emperor Aurangzeb's rule (1658–1707) but were rebuilt subsequently; of these the most important is the Brahma temple. The structure dates to the 14th century. The temple is described to have been built by sage Vishwamitra after Brahma's yagna (ritual). It is also believed that Brahma himself chose the location for his temple.
Malanada - There is a Temple (Nada) on the Hill (Mala). Unlike other temples, there is no deity, nor a ‘Sreekovil’ as such in Malanada. Down the hill on the south and west we see vast low lying paddy fields and on the east and north inhabited agricultural land. In place of Sreekovil and deity we could see only a raised platform called ‘Althara’ or ‘Mandapam’. In the absence of an idol, devotees submit themselves to a divine power (of their imagination/understanding) through a mental process of ‘Sankalpam’.
After the destruction of the Hindu Vijayanagara Empire in the late 16th century by a coalition of Islamic Deccan sultanates north of Karnataka, the Madurai region declared its sovereignty. Visvanatha Nayak then poured resources to heavily fortify the temple complex, set a new plan for the temple complex. The Nayaka ruler also gilded the vimana of the primary shrines with gold. Chettiappa Nayakkar rebuilt the Dvarapala mandapam in front of the Sannadhi gopuram, as well as the north colonnade of the Golden Lotus Tank, the second protective wall around the Meenakshi Devi's shrine.
After this event Alagar is taken to Mysore Veera Mandapam on decorated Anantharayar Palanquin. The next morning Alagar in the form of Kallar returns to Alagar kovil in ‘Poo Pallakku'(Palanquin decorated with flowers) In the month of April and may, each year the great Chitra festival is celebrated on Pournami (full moon day). The Festival dramatically re enacts the visitation of Lord Kallalagar to Madurai from Alagarkoil . Lakhs of devotees flock to river Vaigai to personally witness the event of lord Alagar stepping down into the river and to get his blessings.
There are two extension centers for CECRI, located at Chennai, and Mandapam Major R&D; programs at CECRI are in the areas of corrosion science and engineering, industrial metal finishing, batteries (primary and secondary), electrometallurgy, electropyrometallurgy, electrochemicals (organic and inorganic), Materials Science, and electrochemical instrumentation and pollution control. The programs are directed towards development of new processes or products or novel use of electrochemistry. Techniques, upgrading of the already developed technology, and basic research are carried out. An excellent library, computer center, workshop, and centralized characterization and measurement laboratory lend active support.
Gandhi Mandapam Guindy By 1908, Chidambaram's political involvement drew the attention of the British. Hearing of his intention to speak at a rally celebrating the release of Bengali leader Bipin Chandra Pal, Winch, a British official invited Chidambaram to meet him in Thirunelveli with his political comrade Subramanya Siva. At the meeting, Winch expressed concern about Chidambaram's activities and asked him to give assurances that he would not participate in any political revolt. Chidambaram refused to accept his conditions, so he and Siva were arrested on 12 March 1908.
The Buddha mandapam (Buddha statue installed here predates the building of the palace) is located in the finely landscaped and tended garden with profusion of flower plants (endemic to Kerala) that surrounds the palace complex. The four Buddha statues found in recent years in the Alappuzha district testify the prevalence of Hinayana Buddhism in Onanadu in the Maveli kingdom of Kerala several. The four Buddha images are in meditating posture with Ushnisha (cap) and Upavita (upper garment). These had been thrown into fields and ponds during the anti-Buddhism campaign in Kerala.
When this is done symbolizing the killing of the Asura , nagaswarams and other music instruments play to indicate that there is victory over evil. Then the Goddess comes in procession into the village and returns to Kanyakumari late in the night. The expenses towards lighting by lighted cloth balls fixed to poles (cloth balls are drenched in Oil and lighted)and any other incidental expenses for coming to the village from the Mandapam is met by the village. On this day Mahadanapuram village stands host to visitors who witness this event.
The Kolam would then be led to the Mandapam of Irattayappan where each has specific spot to rest. At midnight they all mount their own elephants and form an array outside the western entrance to Irattayappan. The respective oil lamps which lead the deities from their temples to Peruvanam also form an array in front of the elephants. The drummers (Marars) and other supporting percussionists from the respective temples then start an elaborate Panchari Melam. At midnight with no artificial light to spoil the show this event called a ‘Vilakku’ has a mesmerizing effect.
Mandapam Camp was built in the early 1900s by the British Government to house migrant plantation workers coming to India from Sri Lanka. The Camp is located in South India, 700 km South of Chennai (formerly known as Madras), the capital of the state of Tamil Nadu. In the late 1970s the Liberation Tigers of Tamil Eelam (also known as the Tamil Tigers) began an armed conflict with the Sri Lankan government. The clash peaked in the early 1980s and erupted into a full-scale civil war in 1983.
For Margi styles, he describes Vedayata, Veddangam, Bommalata, Perani, Chindu, Bahurupam, Pagativeshalu and others; while for Desi styles, Senapati describes Rasaka, Charchari, Bhandika, Kollata and others. Some of these styles are discernible in Warangal sculptures of the 13th century. The dance styles are based on the standard treatises, Abhinaya Darpana and Bharatarnava of Nandikeswara, which is sub-divided into Nattuva Mala and Natya Mala. Nattuva Mala is of two types — the Puja dance performed on the Balipitha in the temple and the Kalika dance performed in a Kalyana Mandapam.
Public works at the lake have been historically done by Devdasis. The Moolanathaswamy Temple displays numerous sculptures of Devdasis carved out of granite in various dancing postures. The plaque on the western side of the Ayi Mandapam Monument narrates how two Devdasi sisters- Bangari and Singari were responsible for the renewal of the lake. Bangari, to put an end to the dependency of the lake on rain water had taken up the task of building an irrigation canal which was excavated from Pennaiyar River to Bahour Lake and ran at the length of 13 km.
It is believed that it was used by the Kayamkulam raja and was a favourite of his. Other attractions here include the beautifully landscaped garden in the palace compound where you have a variety of flora typical of Kerala, and a newly erected Buddha mandapam, where a recently recovered statue of the Buddha is housed. Other collections at the museum include rare antique bronze sculptures and paintings. Krishnapuram Palace - Getting there: Krishnapuram Palace - Nearest railway station: Kayamkulam about 6 km; Nearest airports: Thiruvananthapuram International Airport, about 103 km; Cochin International Airport, about 132 km.
There is an inscription in kolezhuthu on a stone slab placed in front of the temple between the flag staff and the Nandi Mandapam, outside the temple, but within the temple courtyard. This inscription records some endowments made by one Ittikombi Achan, member of the Royal family of Palakkad in Malayalam Era 600 [1424–25 AD]. Evidently the temple must have been founded earlier than that. The villagers, however, claim that the temple was consecrated at the instance of one Lakshmi Ammal, a Brahmin wife of Venkitanarayanaiyer of Kollengode,.
Pirappan Valasai a village near Pamban in Ramnathapuram district is the place where Sri Pamban Swamigal did his penance. Sri Pamban Swamigal is said to have completed his 35 days penance in Pirappan Valasai on Chithrai Full Moon Pooja day where he had dharsan and Ubadesam and blessings of Lord Muruga and on the basis of which the work called "THAKARALAYA RAHASYA SASHTRAM" was written. Pirappan Valasai is a Village in Mandapam Block in Ramanathapuram District of Tamil Nadu, India. It is located 36 km towards East from District headquarters Ramanathapuram.
Sri Sacchidananda Bharati I (1623-1663) was born in this area and the annual birthday is celebrated in this temple every year in Sravana month Rohini star. A Dhyana mandapam in the memory of this saint is in this village near the Vaigai River. It is pertinent to note that the current and the previous pontiff of Sringeri Sarada Peetam Sri Sri Sri Abhinava Vidyateertha Swamigal visited this temple in 1965 and Sri Sri Bharathi Teertha Swamigal have graced this temple twice till date respectively. (Last visit was on 2 June 2012)R.
Krishnaswamy Iyer. (1965). Sri Sachchidananda Bharathi Vijayam - Part-II, Sringeri Sarada Peetadhipathi (25th Pattam), Sri Sachchidananda Bharathi Swamigal Avargalin Divya Charitram - Part-II - ( Peetarohanam mudal Videha Kaivalyam varai), TAMIL Edition, Srirangam: Vani vilas Press With the blessings and benevolence of Sri Sri Bharathi Teertha Swamigal, the Kumbhabhishekam of this temple was completed in January 2013 and a mandapam was constructed in front of Lord Sri Dakshinamoorthy shrine in this temple with the help of devotees. Sri Sri Vidhusekhara Bharathi Swamigal visited this village during his visit to the town of Batlagundu in April 2017.
The Government Park or Bharati Park is in the green centre of the town. The Aayi Mandapam is a famous monument which lies at the center of the Bharati Park. The Government Park in Pondicherry is aptly located in the central region of the old colonial town. The significance of this park is derived from the fact that it is surrounded by some of the most important government buildings like the Lt. Governor's Palace, the Legislative Assembly, Government Hospital, Ashram Dining Room, the Cercle de Pondichéry private club, and the old Hotel Qualité.
The central hall of the temple, the Goratha Mandapam, houses the images of Ramanuja, Koorathazhwar and idols of eleven azhwars, leaving that of Andal. The southern side of the temple has a garden where the Magizha tree, the Sthala Vriksha (temple tree) is present. The Vasantha Mandapa or the spring hall is located next to it, which hosts the Vasanthothsavam or spring festival during the Tamil month of Vaikasi (May–June). The temple also has a 100-pillared hall where the wedding festival is held during the Tamil month of Aavani (September–October).
Ramanathapuram district has one of the lowest literacy rates in the state of Tamil Nadu and Rameswaram, following the district statistics has a lower literacy rate. There are a couple of Government high schools, one each for boys and girls. There are seven other schools namely, Swami. Vivekananda vidyalaya Matriculation School( which provide excellent education in the island and secure district and state level ranks in board exams frequently), St. Joseph Higher Secondary School, Mandapam Panchayat Union 9 – School, Micro Matriculation School, Sri Sankara Vidhyalaya, Holy Island Little Flower School and Kendriya Vidhyalaya School.
Map of Andhra Pradesh prior to Independence There were 25 inscriptions of Vengi Chalukyas found on these pillars of Mandapam at Kotadibba, (Eluru Fort Land) The history of Eluru dates back to the 2nd century CE and has great prominence in the history of Andhra. Vengi near Eluru was the capital of Andhra from the 2nd century to the 12th century, ruled by Salankayanas, Vishnukudinas, and Eastern Chalukyas. Vengi was the capital city of Andhradesa for more years than any other city in Andhra Pradesh. Eluru was part of the Buddhist kingdom of Vengi.
Anjali takes this as Rahul rejecting her again, so she leaves the summer camp and decides to marry Aman as soon as possible. Rahul and his family go to Anjali's wedding, where Rahul silently confesses his love to Anjali and watches in tears as she is brought forth for the wedding. Knowing of Rahul's feelings, Anjali is hesitant to go through with the marriage, and sobs on her way to the mandapam. Aman realizes that she has always been in love with Rahul, and he releases Anjali from their engagement.
Ariyanatha Mudaliar was the Delavoy (General) and the Chief Minister of the greatest of the Nayaka domains established by the Vijayanagar viceroy and later ruler of Madurai, Viswanatha Nayak (1529–64). He assisted in running a quasi-feudal organisation of regions called the poligar or the palayakkarar system where the regions are divided into palayams (small principalities) and are independently governed by poligars or palayakkarars (petty chiefs). The Aiyaram Kaal Mandapam, or Thousand Pillared Hall, in the famous Meenakshi Temple was constructed by him in 1569. There is a statue of him at the entrance.
The outer hall has two small raised platforms paved with slabs of yellow stone, covered with representations of feet in pairs called padukas, which represent the 2452 feet of the Ganadharas, first disciples of Tirthankaras. On the west of this is a porch overhanging the perpendicular scarp. On two of the pillars of the mandapam are inscriptions dated 1275, 1281, and 1278—dates of restoration. The enclosure is nearly surrounded inside by 70 cells, each enshrining a marble image, with a covered passage in front of them lighted by a perforated stone screen.
The temple also has a multi-purpose hall called The Mahalakshami Kalyana Mandapam (Mahalakshmi Wedding Hall), a favourite place of the Indian community in Klang to have their weddings. The entire space of this temple is befitted with air-cool system for the convenience of devotees. Sri Sunderaraja Perumal Temple is now in the process of undergoing major renovations to restructure the temple area. It is planned to commence around November 2010 and end by 2014, with all the painstaking effort by the present temple president, Mr. S. Ananda Krishna.
Guindy national park Painted Stork There is a new interpretation center about the biodiversity of the park. Entry into this protected reserve is restricted, and visitors can go into the core area only when escorted by a forest ranger from the Forests Department. The rear southeast edge of the park adjoins the campus of Indian Institute of Technology, Madras. Along its northern fringes on the Sardar Patel road are the Cancer Institute, CLRI campus, the Anna University, the Raj Bhavan and spaces allotted for the Gandhi Mandapam, Kamaraj Memorial and Rajaji Memorial.
The temple has a colonnaded hall and a good collection of silver vahanas (sacred vehicles used to carry deities during festival processions) Beyond the flagstaff, a hallway whose columns feature painted brackets representing yali (a mythological creature) leads to the gopuram.Middle East and Africa 2009, p. 503 The Navarathiri Mandapam (Hall of Navrathri celebration) has 27 stars and 12 rasis (constellations) carved in a single block. The idol of Subramanya having six hands instead of 12, stone nadaswarams (pipe instrument) and Kiratamurti are main attractions of the temple.
ICRS organizes the International Coral Reef Symposium (ICRS), which is held quadrennially. The last symposium was the Honolulu, Hawaii, in 2016. The symposium has previously been held in Cairns, Queensland, Australia (2012); Fort Lauderdale, Florida, United States (2008), Okinawa, Japan (2004), Bali, Indonesia (2000), Panama City, Panama (1996), Guam (1992), Townsville, Queensland, Australia (1988), Tahiti, French Polynesia (1985), Manila, the Philippines (1980), Miami (1977), on board the M.V. Marco Polo in Australian waters (1974), and Mandapam Camp, India (1969, the first symposium). Published proceedings of the ICRS are available at ReefBase.
97-101 These inscriptions and texts from this period suggest that the significance of the Agama texts and Shaiva Bhakti movement was strengthening within the Chola leadership and thought. The copper plate inscriptions of Parantaka I (c. 907-955 CE) describe him as the "bee at the lotus feet of Shiva" who built the golden house for Shiva, with Chit-sabha, Hema-sabha, Hiranya-sabha and Kanaka- sabha (all mandapam, pillared pilgrim rest places). He is referred to as "Pon veinda Perumal", which means "one who covered with gold" the Chit-sabha of Chidambaram.
The shrine was known to Europeans as the Pagoda of Trincomalee – Temple of a Thousand Columns. The main shrine was built upon the jagati while its thousand pillared hall was the Aayiram Kaal Mandapam – a distinctly thousand pillared platform close to the vimana of the koil that forms a distinct part of the site plan of classical Dravidian temple architecture. Ruins of this feature at Koneswaram indicate that the hall was a structural addition erected by Pallava artisans, dated between 537–668. It formed one of the nine prakara or major courtyard compounds of the Koneswaram complex.
Others include six stone lions carved into the pillars each of which contains a stone ball freely rotatable in its mouth but not removable, a large stone bell, and stone chains with loose links. Pillared Mandapam inside the templeThe temple is facing south and built according to vastu science. Vastu architecture aims at creating a space that will elevate the vibration of the individual to resonate with the vibration of the built space, which in turn is in tune with universal space. The whole space of the temple is defined in multiples and fractions of one unit, and 71/4 inches.
His body was received at the airport by the three service chiefs and national and state dignitaries, including cabinet ministers Manohar Parrikar, Venkaiah Naidu, Pon Radhakrishnan and the governors of Tamil Nadu and Meghalaya, K Rosaiah and V. Shanmuganathan. After a brief ceremony, Kalam's body was flown by air force helicopter to the town of Mandapam, from where it was taken in an army truck to his hometown of Rameswaram. Upon arriving at Rameswaram, his body was displayed in an open area in front of the local bus station to allow the public to pay their final respects until 8p.m. that evening.
However, some refute the claims of the Muslims, as in the late 1980s, Muslims including the late Abdul Samad had given a commitment that the Muslims did not want to worship inside the fort structure, in support of re-opening of the Jalagandeeswarar Temple. The local jamaath leadership was also against this move, and blamed fringe political organisations of whipping up communal dis-harmony. The church inside the fort was constructed during the early British period (Robert Clive, East Indian Company). Muthu Mandapam is a memorial built around the tombstone of Sri Vikrama Rajasinha, the last ruler of Sri Lanka.
Mandapa of Krishna or Krishna Mandapam is a monument at Mahabalipuram, on the Coromandel Coast of the Bay of Bengal, in the Kancheepuram district of the state of Tamil Nadu, India. It is part of the Group of Monuments at Mahabalipuram, a UNESCO World Heritage Site inscribed in 1984. It is located on a hillock next to the open rock relief of Descent of the Ganges (Mahabalipuram). It is constituted by an originally open-air bas-relief dedicated to Lord Krishna, dating to the mid-seventh century, which was later enclosed within a mandapa in the 16th century during the Vijayanagara Empire.
Perunthachan leaves the place disillusioned. Years roll on and his son Kannan (Prasanth) has grown into an insightful young man of great charms and talent. Perumthachan is proud of his son's abilities and pleased by his son's growing reputation, but is also worried by his son's tendency to overlook the traditional rules and values of sculptural art and by the strain of unscrupulousness in the son which is a mark of the new, more materialistic and self-centred generation. It is Perumthachan's long cherished wish that he be the one who builds the Saraswati mandapam which Bhargavi Thamburatti had desired for.
Famous people like Mahatma Gandhi, Jawaharlal Nehru, and E. M. S. Namboodiripad have given speeches in the Students Corner. Joseph Vadakkan, a politically active priest held the controversial Holy Mass in the maidan, which led to suspension from the church. It is a major spot for gatherings and festivals in the district, including the Pooram festival and the Thrissur Motor Show (organised by students of Government Engineering College, Thrissur). Nehru Mandapam was named after India's first Prime Minister of India Jawaharlal Nehru when he visited Thrissur city in 1952, and made a speech in Thekkinkadu Maidan.
A stone trident is present in the outer shrine of the temple in open air, and has protective railings like a sacred tree. The Vasantha Mandapam, meaning the Hall of spring, is the third precinct, and contains the temple office and Kalahateeswarar shrine. The fourth precinct has an image of Nandi, Brahma Theertham, the temple tank, the Yanai Thirai Konda Vinayaga shrine, and a hall with a six-foot-tall statue of Nandi, erected by Vallala Maharaja. Inside the doorway of the first tower and the fifth precinct, there is a thousand-pillared hall built during the late Vijayanagara period.
The pillars which support this mandapam are typical of Mahendra-order. The entry into the garbha-griha is flanked by two niches, which also have smaller size pilasters, similar to the pillar design, with bold relief of lotus medallions carved on them. In the southern and northern sides of the ardhamantapam, niches are provided where the 23rd tirthankara Parsvanatha and a Jain acharya (teacher) are respectively carved in bas-relief. Parsvanatha is shown seated in "the dhyana (meditative) pose, cross-legged, with the hands placed one over the other, palms upwards, resting on the folded legs", a five-hooded serpent sheltering his head.
The Unjal Festival in Aani, the Mulai-Kottu festival in Aadi, the Aavani Moolam Aavani, the Kolattam festivals of Ayppasi and Karthikai months, the Arudhra Dharsan festival of Margali month, the Thai month utsavam that co-celebrated with the Mariyamman temple in Madurai, the Masi utsavam and Vasamtham utsavam in Panguni. In the Tamil month of Purattasi, the temple celebrates the Navarathri festival, also known as Dasara or Dussehra elsewhere. During this autumn festival, the temple complex is lit up at night with garlands of lights and with colourful displays during the day. The mandapam halls display mythological scenes from Hindu texts using golu dolls.
Vimana Pradakshina includes small shrines dedicated to Varadaraja Swamy Temple to the right of Vendi vakili facing towards west and Yoga Narasimha Swamy Temple to the left of Vendi vakili also facing west. Other Rooms include Potu(main kitchen), Bangaru Bavi(golden well), Ankurarpana Mandapam, Yagasala, Nanala (coins) and Notla (Paper notes) Parkamani, Almyrah of Sandal paste (Chandanapu ara), cell of records, Sannidhi Bhashyakarulu - the seat of Sri Ramanuja, Lords’s hundi and the seat of Vishvaksena. Devotees will have darshan of ‘Vimana Venkateswara Swamy’ residing on Ananda Nilayam from Sampangi Pradakshinam. All the small temples in this path way are called ‘Chutttu Gullu’(Sub-shrines encircling the main shrine).
Cheranmahadevi was under the ruling of kings like pandiyas, cherans, cholans, vijayanagra, chola pandiya, chera pandiya, veenadu kings we have the proof for their ruling of the city. Cheranmahadevi was known as King Cheran's gift to her daughter. We can see the history of the Christian church which is located in heart of the city on the cheranmahadevi and Ambai road on the right side St. Emmanuel church opened on the year 8-4-1925 by Norman Hendry and the front mandapam was opened by father Jason dharamaraj. There are about 12 sub churches are under the direct control of the church located around cheranmahadevi.
Pamban Road and Rail Bridge Pamban Bridge is a railway bridge which connects the town of Mandapam in mainland India with Pamban Island, and Rameswaram. Opened on 24 February 1914, it was India's first sea bridge, and was the longest sea bridge in India until the opening of the Bandra-Worli Sea Link in 2010. The rail bridge is, for the most part, a conventional bridge resting on concrete piers, but has a double-leaf bascule section midway, which can be raised to let ships and barges pass through. Until 1988, the Pamban bridge was the only surface transport that connected Tamil Nadu's island of Rameswaram to the mainland.
Now the kovil have a kalyanamandapam and an Annadaana mandapam, and many more projects are under process. Maha Kiratha Rudra Yajnam at Thottathil mana Vettekkaran temple is also famous, now last eight years this yajnam is going on in the months of April or May. It was normally ten days program including Bhagavatha Sapthaha Yajnam, shatha chandikayagam, major team Panjavadyam and Thayambaka, and very important and powerful program is Kalampaattu and 12000 coconut-breaking (pantheerayiram). Vettekkaran Seva Samithi does this program under the chief instruction by Thottathil mana Kuttan Namboothiri, the disciple of Thanthri ThanthraRathnam Azhakathu Shasthru Sharman Namboothirippad, the president of thanthra Vidya peetham-Aluva.
Aerial view of the temple Intricate carvings on one of the stone pillars in the mandapam The temple, the largest in the region is built in Vijayanagara style of architecture, in the "Sandhara" order within a rectangular yard enclosed by walls. The temple, located from Siddhout via Bakarapeta, is architecturally elegant and impressive. It has three ornate Gopurams (towers) of which the central tower, which faces east, is the entrance gateway to the temple; the other two towers face north and south. This central tower is built in five tiers, and a number of steps are provided to access the approach gate of the tower.
In earlier centuries, the Devadasi Community in Srirangam, offered dance performance in front of the festive images of the temple in the Vasantha Mandapam during the festival. The practise is discontinued in the temple, but a practise is still continued at the Puri Jagannath temple. Vasanthotsavam is one of the three festivals of the temple when Ranganathar goes back to his sanctum led by the a set of men singing Divya Prabhandam and also makes a pass by through the Ranganayagi shrine. During the festival, the festival image of Ranganatha is taken in a procession on a horse mount around the four Chitirai streets of Srirangam.
In readiness for the arrival of the groom and his family, the bride's family keeps 'Chandan' (sandalwood paste), 'Kumkum' (vermilion), rose water, sugar candy, garlands and a platter for the 'Aarthi' (traditional welcoming ritual). Bride's younger brother will clean the groom's feet while receiving him to the mandapam (Kaalu kazhukal) and in return he will be rewarded with 'Kacha' (Dress) and Money. Kacha Samarppanam (giving clothes) will also be performed by groom to the relatives (normally eldest members) of both bride and groom and takes blessings from them. Once the procession reaches the marriage venue 'Aarthi' is performed and a coconut is broken to ward off evil.
The temple sprawls in a 6 acres of land out of which 3 acres consists of monuments built in traditional Kerala style architecture and is also famous for its sculptures and astonishing wooden carvings which depicts the ancient stories from Ramayana and other epics. Most of the carvings are found in Thekkini, western Gopuram and the Mandapa near the pond. The 'Thekkini Mandapam' near the temple kitchen has the etchings of Dakshayagam, Seethaswayamvaram and the Vanayathra of Rama and Lakshmana. All the wooden etchings in this portion of temple is partially or mostly destroyed as it's turned black due to the continuous exposure of smoke from the kitchen.
In Khmer temples during Angkor era, A Mandapa is generally attached to the central tower of a temple and lied longitudinally to one of each main direction. In Tamil, this platform is the Aayiram Kaal Mandapam – a distinctly thousand pillared hall close to the vimana of the Koil which forms a distinct part of the site plan of classical Dravidian architecture. In Thai, it is called a mondop (). It features often in Thai temple art and architecture, either in the form of a Hor Trai (a temple library) or as an altar shrine such as the one in Wat Chiang Man in Chiang Mai.
Presently, although there is festivity for 8 days from Kodiyettu to Malakkuda, there is no change in the rituals connected therewith. On the festival day afternoon Oorali accompanied by his aids visits ‘Gurukkalssery Bhagavathy Temple’ and invites Devi to Malanada. Bhagavathy arrives Malanada in a procession and occupies her reserved seat (Mandapam in front of Malanada Temple). Thereafter Oorali goes to his abode at Kaduthamsserry Kottaram and gets ready with ‘Kachakettu’(wearing his priestly attire) with the help of his aidis, viz. ‘Thalikkaran’, ‘Kalassakkaran’ and ‘Naluveedar’. The team led by Oorali first worships at Malanada and thereafter proceed to ‘Muravukandam’ via ‘Adaipad’ to witness and bless the most spectacular and colourful event of the day known as the ‘Kettukazhcha’.
Shezada Hyder Ali was the grandson of Hyder Ali and the eldest son of Tipu Sultan. After the fall of Srirangapattana and death of Tipu Sultan on 4 May 1799, Shezada Hyder Ali and other family members were sent to the Vellore fort on 19 June 1799 and kept under custody of the East India Company. Shezada Hyder Ali managed to escape; he joined the Marathas in 1801. On July 10, 1806, at the marriage of one of Tipu Sultan's daughters at the Vellore fort, Indian soldiers staged a revolt known as the Vellore Mutiny, opening fire in the fort (mandapam), killing several army officers and taking control of the fort's arms and ammunition.
Lately because of the negligence of fostering and foreign invasion many part of the temple had been destroyed and during 1980s the families of the temple trustees and local devotees started the renovation works of this temple. An astrological thought was conducted in the temple from 7 March to 13 March 2011 and many remedial works had been revealed to conducted. Thereafter a well structured committee has been formed and started the efforts to retain the ancient grace of the temple. The renovation of the main Sanctum Sanctorum, Namaskara Mandapam, four-sided building around the Sanctum Sanctorum (nalambalam), temple for Lord Vigneshar, temple for Lord Subrahmanya, Saraswathi Mandapa are some of the most important works to be completed.
According to Naman Ramachandran, the author of Rajinikanth: The Definitive Biography, most of Rajinikanth's philanthropic activities went unpublicised because he chose to keep them undisclosed. In the 1980s, when superstitious beliefs in Tamil Nadu created a stigma towards eye donation, Rajinikanth took the case of campaigning in support of corneal transplantation via television and public speeches. In 2011, Rajinikanth announced his support for the anti- corruption movement led by Anna Hazare and offered his commercial wedding venue, the Raghavendra Kalyana Mandapam, in Chennai free of cost for the India Against Corruption members to hold their fast. Rajinikanth's fan associations regularly organise blood donation and eye donation camps and distribute food during his birthday.
Three Shiva lingas are identically same in three inner sanctums which are 5 feet 5 inch height (paanipattam and Linga). Goddess Sri Parvathi Devi on the left-hand side and Sri Lakshmi Ganapathi located on the right-hand side in Mukha Mandapam. On each inner sanctum (garbha gruha) Shikharam is constructed in stepped pyramidal form which has ten steps for each. Kalasham is constructed on the top of each Shikharam which reminds Karnataka Kadamba temple structure. It is also identical to the Padmakshi temple located in Hanmakonda of Warangal district which is constructed in the name of “Mailamma” wife of minister “Bethana” during the period of Kakathiya king 2nd “Prolaraju” (1115-1157 AD) according to the Archaeology Department.
Alipiri Padala Mandapam or Alipiri is the place at foot of seven hills in Tirupati, the pilgrim city of Sri Venkateswara Swami, in the state of Andhra Pradesh, India. One Footstep way and two road ways, one up and one down, leading to Tirumala through seven hills starts from Alipiri and hence it got the name "The Gate Way to Tirumala Venkateswara Temple" In older days pilgrims used to climb all the seven hills only through the stepped way on foot, as there was no other option. Hence the pilgrims came from long distances used to take rest for some time there, cooked their food, eat there. After taking rest they started to climb the steps.
In addition, the Rajarajeswara (Airavateswara temple) at Darasuram received Kulothunga Chola III's devoted attention. At the Shiva temple at Thiruvarur, Kulothunga Chola III built the sabha mandapam and the big gopura of the shrine of Valmikeswara. Kulothunga Chola III was keenly aware of the secular religious traditions of the Chola monarchy. Contrary to popular impression, the Chola kings, despite constructing some of the largest temples for Siva, nonetheless considered the Nataraja temple of Chidambaram, called Periya Koil or "big temple" in Saivite parlance as well as the Sri Ranganathaswami Temple of Srirangam, also called Periya Koil or simply "big temple" in Vaishnavite parlance as their "Kuladhanams" or tutelary deities which attests their secular outlook in religious matters.
The decorative paintings in the ceiling of the sanctum and ardha-mandapam of Aravirkovil though compared to the classical cave painting styles used in the Ajanta Caves but have minor variations in use of the materials for creating the paintings and also reported to provide a link between the Ajanta paintings (4th–6th century AD) and the Chola paintings of 11th century at Thanjavur. The ceilings have depiction of a lotus tank with natural looking images of men, animals, flowers, birds and fishes representing the Samavasarana faith of Jainism. The pillars are also carved with dancing girl and the king and the queen. Paintings in the roof of the Ardhamnatapa are the mural paintings with Samavasarana theme.
One of the major achievements of ICAR-CMFRI is the development and refinement of "Stratified Multistage Random Sampling" Method for estimation of marine fish landings in the country with a coast line of over coastline and landing centers. Currently, the institute is maintaining the National Marine Fisheries Data Centre (NMFDC) with over 9 million catch and effort data records of more than 1000 fished species, from all maritime states of India. Presently, the institute has three regional centres located at Mandapam, Visakhapatnam and Veraval and eight research centres at Mumbai, Chennai, Calicut, Karwar, Tuticorin, Vizhinjam, Mangalore and Digha. Besides, there are also fifteen field centres and 2 KVKs (Ernakulam and Kavaratti, Lakshadweep) under the control of the institute.
Some of the shrines and structures were added during the Pandya, Nayaka, Vijayanagara and Maratha era, before the colonial era started, and these builders respected the original plans and symmetry rules. Inside the original temple courtyard, along with the main sanctum and Nandi-mandapam are two major shrines, one for Kartikeya and for Parvati. The complex has additional smaller shrines.Tanjavur: Brhadisvara temple, The monument and the living tradition , Kapila Vatsyayan and R Nagaswamy et al, Indira Gandhi National Centre for the Arts, Government of India (2012), page 7 The Brihadisvara temple continued the Hindu temple traditions of South India by adopting architectural and decorative elements, but its scale significantly exceeded the temples constructed before the 11th century.
The Gopuram of Nellaiappar Temple Tirunelveli is one of the many temple towns in the state which is named after the grooves, clusters or forests dominated by a particular variety of a tree or shrub and the same variety of tree or shrub sheltering the presiding deity. The region is believed to have been covered with Venu forest and hence called Venuvanam. The original complex is believed to have been built by Pandyas, while the present masonry structure was added by Cholas, Pallavas, Cheras, and Madurai Nayaks. The sanctums of the temple and the gopurams were constructed by Nindraseer Nedumaran (Koon Pandian) who reigned in the 7th century AD. The mani mandapam with its famous musical pillar was also likely built by Nindraseer Nedumaran.
Shri Lalita Parabhattarika presides over the Kamakoshtha in five forms: # Shri Kamakshi Para Bhattarika – Sri Kamakshi is the mula devata of the Kamakoti pitha seated in the centre of the inner sanctorum of the shrine in Kanchipuram known as the GayatrI mantapam. According to kamakshI rahasya, this mandapa was built by the celestials with the four walls representing the four Vedas and the twenty-four pillars representing the twenty-four syllables of the sacred formula of gayatri. Shrividya ParameshvarI, who forms the inner core of the prakata gayatri and thus called rahasya gayatrI, is enshrined at the centre of the gayatrI mandapam as ShrI Kamakshi. She is seated on pancha brahmasana and sports in her four hands pasha, ankusha, iskhu kodanda and pushpa bana.
The deity receives the share of the daily worship in the temple. The deity is included in the weekly Sahasra Kalashabhishekam along with Sri Malayappa Swami and his consorts and the main deity. The day prior to the start of the annual Brahmotsavam, the Vishwaksena deity (Lord's commander-in-chief) in the company of other deities related to Vishnu - Ananta (Lord's Conch and war announcing instrument), Garuda (Eagle and Lord's vehicle) and Sudarsana (Lord's weapon), are taken to the Vasanta mandapam (Spring hall) and oversee the Ankurarpana ceremony (sowing nine types of seeds for germination in decorated earthen plates). After the ceremony, Vishwaksena is taken in a procession when he is believed to inspect the correctness of all the arrangements made for the festival.
The idol is 6 ft tall and is consecrated facing east. The idol of Sree Hanuman is consecrated in front, slightly towards the left of Sree Rama; the pilgrims give equal importance to Sree Hanuman. The idol of Hanuman is made of Metal. The other sub deities are Sree Porkali Devi in the ‘Namaskara Mandapam’, Sree Subramanyan near Thidappally facing West, Sree Ganapathy and Sree Dakshinamoorty in the South Nada, Sree Vanasasthavu in the ‘Pichakathara’, Sree Guruvayurappan (Lord Vishnu) on the north side facing East and various Thevara Moorthies (condemned idols) on the north side facing West. It is said that the idols of some of these minor deities might have been transferred from the neighbouring temples for safe custody during Tipu Sultan’s invasion.
Chennai airport Between 9 and 10 November 2015, Neyveli received of rainfall; rains continued to lash Cuddalore, Chidambaram, Tiruvallur , Kanchipuram and Chennai. Several low-lying areas in Kanchipuram, including major thoroughfare Gandhi Road, were inundated as the city and its neighbourhood received a heavy precipitation of 340mm during the 24-hours that ended with 8.30 a.m. on 13 November 2015. The Manjalneer Kalvai, primarily a flood drain channel for the city, overflowed after the Netteri lake breached on the Kancheepuram-Vellore Road in the wee hours of Friday, flooding the entire stretch of Gandhi Road and Munusamy Mudaliyar Avenue and forcing the police to close for traffic the prime junction Moongil Mandapam where the Gandhi Road joins with Vallal Pachaiyappan Salai.
The temple complex is a rectangle that is almost two stacked squares, covering east to west, and north to south. In this space are five main sections: the sanctum with the towering superstructure (sri vimana), the Nandi hall in front (Nandi- mandapam) and in between these the main community hall (mukhamandapam), the great gathering hall (mahamandapam) and the pavilion that connects the great hall with the sanctum (ardhamandapam). The temple complex integrates a large pillared and covered veranda (prakara) in its spacious courtyard, with a perimeter of about for circumambulation. Outside this pillared veranda there are two walls of enclosure, the outer one being defensive and added in 1777 CE by the French colonial forces with gun-holes with the temple serving as an arsenal.
Connected at the mouth of the Mahavilli Ganga River to the footprint of Shiva at Sivan Oli Padam Malai at the river's source, the temple symbolically crowns the flow of the Ganges River from Shiva's head of Mount Kailash to his feet. Developed from 205 BC, the original kovil combined key features to form its basic Dravidian temple plan, such as its thousand pillared hall – "Aayiram Kaal Mandapam" – and the Jagati expanded by King Elara Manu Needhi Cholan. Regarded as the greatest building of its age for its architecture, elaborate sculptural bas-relief ornamentation adorned a black granite megalith while its multiple gold plated gopuram towers were expanded in the medieval period. One of three major Hindu shrines on the promontory with a colossal gopuram tower, it stood distinctly on the cape's highest eminence.
Christian Medical College & Hospital, founded in 1900 by the American medical missionary Dr. Ida S. Scudder, is another Vellore landmark. The hospital has grown into a medical institution of international repute. The central prison in Vellore, established in 1830, had imprisoned notable figures like C. Rajagopalachari and Ramaswamy Venkataraman. Other landmarks include the Aruganthampoodi mausoleums, located close to the section of National Highway 48 between Vellore and Arcot, where the family members of Tipu Sultan were buried; and the Muthu Mandapam, a memorial on the banks of Palar River built by the Tamil Nadu Government to honor Sri Vikrama Rajasinha, the last ruler of the Kingdom of Kandy in Sri Lanka, who ruled from 1798 to 1815 and was imprisoned in Vellore Fort for 17 years until his death.
Sri Venkateswara Suprabhatam is the first and pre-dawn seva performed to Venkateswara at Sayana Mandapam inside sanctum sanctorum of Tirumala Temple. 'Suprabhatam' is a Sanskrit term which literally means ‘Good Morning’ and is meant to wake up the Lord from His celestial sleep. Sri Venkateswara Suprabhatam hymns were composed by Prathivadhi Bhayankaram Annangaracharya during 13th century and consists of 70 slokas in four parts including Suprabhatam(29), Stotram(11), Prapatti(14) and Mangalasasanam(16). The thirteenth sloka of Sri venkateswara Suprabhatam is as follows: > Devanagari > श्रीमन्नभीष्ट-वरदाखिललोक-बन्धो > श्रीश्रीनिवास-जगदेकदयैकसिन्धो । > श्रीदेवतागृहभुजान्तर-दिव्यमूर्ते > श्रीवेङ्कटाचलपते तव सुप्रभातम् ॥ > IAST > śrīmannabhīṣṭavaradākhilalokabandho > śrīśrīnivāsajagadekadayaikasindho । > śrīdevatāgṛhabhujāntaradivyamūrte > śrīveṅkaṭācalapate tava suprabhātam ॥ > Tallapaka Annamacharya (Annamayya), the poet saint of 14th century, one of the greatest Telugu poets and a great devotee of Venkateswara, had sung 32000 songs in praise of Venkateswara.
The railway bridge historically carried metre-gauge trains on it, but Indian Railways upgraded the bridge to carry broad-gauge trains in a project that finished on 12 August 2007. Historically, the two leaves of the bridge were opened manually using levers by workers. About 10 ships – cargo carriers, coast guard ships, fishing vessels and oil tankers pass through the bridge every month. After completion of bridge, metre-gauge lines were laid from Mandapam up to Pamban Station, from where the railway lines bifurcated into two directions, one towards Rameswaram about up and another branch line of terminating at Dhanushkodi. The noted Boat Mail ran on this track between 1915 and 1964 from Chennai Egmore up to Dhanushkodi, from where the passengers were ferried to Talaimannar in Ceylon.
During the intense civil war of Sri Lanka, post 1980, Rameswaram acted as one of the focal points of smuggling and intense patrolling was carried out during the period. There are a total of 65,940 registered destitute Sri Lankan refugees dwelling in 129 Refugee camps situated in different parts of Tamil Nadu as of Apr 2000 and a majority of them enter via Rameswaram. There are an additional 20,667 non-camp refugees who entered via Rameswaram, registered in Mandapam transit camp and opted to reside outside the camps in various parts of Tamil Nadu. On 11 March 1990, a record number of 2,337 refugees in 38 boats arrived from Talaimannar in Sri Lanka to Rameswaram – this was the largest number of refugees arriving in a single day since the ethnic violence from July 1983.
About 700 years back the Lord manifested himself as Swayambhu Sri Lakshmi Narasimha Swamy at Road No. 12 Banjara Hills. Along with Lord Swayambhu Sri Lakshmi Narasimha Swamy, Lord Shiva also self manifested himself as Swayambhu Sri Panchajanyeshwara Swamy at the same place. The Majestic Hare Krishna Golden Temple is the 1st Golden Temple in Telangana and this Transcendental temple of the Lord has 50 ft Golden Dhwaja Stambh, 4600 sqft Maha Mandapam and 5 golden stairs Rajagopuram.HKM Temple HYDERABAD website, Temple Information The uniqueness of Lord's manifestation at this place is that the Lord and his eternal consort Sri Lakshmi Devi are in a self-manifest standing posture where Lord Narasimhadev appears in a blissful divine state and Mother Lakshmi Devi is mercifully showing her Abhaya Hastha and blessing all the Devotees.
The Vellikizhamai Mandapam, made of blackstone The temple is originally believed to have been built by the Pallavas during the 8th century. There are inscriptions dating back to the later half of the 9th century Pallava dynasty reign here. Local folklore claims that the temple is around 5000 years old. According to historian K.V. Soundararajan, the Rangantha temples in South India built during the 9th and 10th centuries have a systematic arrangement of subsidiary deities as seen in this temple along with the Appakkudathaan Perumal Temple at Koviladi, Sowmya Narayana Perumal temple at Thirukoshtiyur, Rajagopalaswamy temple at Mannargudi and Rangantha temple at Srirangapatna. There are inscriptions in the temple from the period of Kulothunga Chola I (1070-1122 AD) indicating gift of 1000 kulis of land by Tiruvenkatadeva to the temple.
It took 350 years to complete with 35 villages granted for its maintenance. The sanctum sanctorum, square in shape, built with in circular shrine, is encircled by seven tier of walls of height) spaced at , with outer wall measuring nearly . There are twenty one towers or "gopurams" (some of them unfinished) and each forming a common gated entry and all of similar design; the 13- tiered rajagopuram, or chief tower, on the western side, in height (illustration), was built in 1987 by Ahobila Mutt and dominates the landscape for miles around. There are many pavilions and shrines within the complex an Ayiram kaal mandapam (a hall of 1000 pillars of carved granite and decorated with carvings) and several small water tanks (two important ones for pilgrims to bathe are Agni Thirta and Kodi Tirtha) inside.
In 1988, the centre moved to T. Nagar, where the congregation of Chennai ISKCON increased greatly. During a morning walk on 18 December 1975, Prabhupada remarked: "Now our European and American boys are preaching in South India and big, big acaryas have received them." The central prayer hall In January 1976, Prabhupada visited Madras again and lectured in AVM Rajeswari Kalyana Mandapam, Dr. Radhakrishnan Salai and in the house of the then Chief Justice Veeraswamy. Inspired by the positive response to Krishna consciousness in Madras, Prabhupada wrote a letter to his disciples in Madras: However, the effort to fulfill the desire of Prabhupada to build a "gorgeous temple" in Chennai did not prove fruitful until 2000 when devotees serving under the leadership of Bhanu Swami located 6.5 acres of land in Injambakkam and acquired immediately for construction of the temple.
Sreekovil or Garbhagruham (sanctum sanctorum) is considered as the head of the deity, Antharalam or inner Balivattom is considered as the face, Mukhamandapam or Namaskara mandapam is considered as the neck, Nalambalam is considered as the hands, Pradakshinaveethi is considered as the Kukshi Pradesa (stomach), compound wall is considered as the legs and the main Gopuram is considered as the foot of the deity. That means Panchaprakaras (Prakaram or compound wall, Bahyahara or Sheevelippura, Madhyahara or Vilakkumadam, Anthahara or Nalambalam and Antharalam or inner Balivattom) of the temple is the Sthoola Sareera (visible part of the body) of the deity. The Deva Prathishta or idol inside the Sreekovil or Garbhagriha and the Shadaadharas (Aadharashila, Nidhikumbham, Padmam, Koormam, Yoganaalam and Napumsaka Shila) under the Prathishta is the Sookshma Sareera (soul) of the deity. The Dwajam (flag staff) or Kodimaram is the spinal code of the deity.
The Airavateswara temple at Darasuram near Thanjavur built during the reign of Rajaraja Chola II is a magnificent structure typical of the stage of architectural development reached in the 12th century CE. This temple has artistic stone pillars and decorations on its walls, in a style bordering on mannerism, with an emphasis on elongated limbs and polished features. Best among them are the dark black basalt figures in the temple niches of Dakshinamurti, the image on the southern side of Shiva in a teaching attitude, and to the west, Shiva erupting out of the pillar of light to convince Brahma and Vishnu of his superiority. The front mandapam is in the form of a huge chariot drawn by horses.Nilakanta Sastri, A History of South India, pp424–425Jagadisa Ayyar, p349–353 The final example of this period is the Kampaheswarar temple at Tribhuvanam near Kumbakonam which has survived in good repair as built by Kulothunga Chola III.
Velimalai is the southern tip of western ghats and Kumarakoil is in the foothills of Velimalai There are ample evidence to show Kumarakoil is the Earagam referred to in Silappathigaram. The places connected with Valli viz, Thirukurangudi and Valliyoor, the capital from where Nambirajan the step father (valarpu thanthai) ruled over the place, Nambiyaru, Nambi Thalaivan pattayam, Valli Aaru (river), Valli Kalyana Mandapam in the hill top, Valli Kugai koil (cave temple) in the hill top, Valli Thinaipunam, Valli Cholai (ravine), Vatta Cholai, Kilavan Cholai, (connected with the disguised form as an old man enacted by Lord Muruga), Valli Chunai (small water body) the sacred place where Valli used to take bath, Uravar Padukalam, connected with the war waged by the relatives of Valli against Lord Muruga, the Vengai tree, the disguised form of Lord Muruga etc., in and around Veli Malai are evidences that conforms to the story of the marriage of Lord Muruga with Valli at Valli Malai. The Valli marriage function is being re-enacted every year in the Tamil month of Painkuni (March–April).

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