51 Sentences With "make a recording" | Random Sentence Generator

The messages urge her to make a recording with a phone.

They had come to the Tank to make a recording and give a concert.

Again, translated, this means you can quickly make a recording and immediately get a smoothed-out GIF to share as a result.

Sometimes if you're in the right place at the right time, you just need to use what you've got and make a recording.

So much of what we do is focused on the music itself, and the playing itself, so for me it would probably be to make a recording with Norman Blake.

In the fall of 1945, as they journeyed from relocation camps on the West Coast towards the Aleutian Islands, anthropology professor Verne Ray arranged for them to make a recording in their native language at the University of Washington.

And give or take other life obligations, like children and jobs, the various NYC Tapers can often be seen hanging out even if only one of them is necessary to make a recording, easily spotted forming a collective tapers' section, like a school of fish.

However, standard practice when a president is talking to a foreign leader is not to make a recording but to have at least two and sometimes more note-takers from the National Security Council (NSC) on the call, a former senior NSC official told Reuters.

In July 1969, he invited the devotees to Abbey Road Studios to make a recording of the Maha Mantra for release as a single.Greene, p. 143. Harrison produced and performed on the song,Castleman & Podrazik, pp. 79, 202.

Her back is bruised, where her father had beaten her because of what Maruthi had told him. Manoj tells Praveen that Suma could become a very famous singer. He says he will make a recording of her voice, and send it to his father. Praveen is delighted, and so is Suma.

In 1938, she became the first pianist to make a recording of Ravel's Concerto for the Left Hand, under Charles Munch. She also performed three piano concertos by Mozart in New York.Jacqueline Blancard, une courte esquisse de sa biographie on Notre HistoireBlancard, Jacqueline (1909—1994) Blancard mainly recorded for the Decca Records label. Blancard died in Geneva aged 94.

Fields was born into a Ukrainian Jewish family. His family fled antisemitism in Kiev in 1885, and later settled in Dublin. Fields originally ran a sound studio where people could make a recording of their own voice, but later began his photography when he bought a box camera. Fields switched to a Polaroid instant camera later in his career.

Belle Davis (April 28, 1874 – 1938) was an American choreographer, dancer and singer who became famous in the UK before World War I. She was in a group called the "Octoroons" in America and moved to Britain in 1902 where she toured accompanied by young African American boys. She has been said to be the first black woman to make a recording.

In Sicily, a young thief who has nothing sleeps under the stars and steals and sells oranges. Thievery gets him tossed in jail where his cell mate is Turrido, who offers the thief a deal: get Turrido's ex-lover Rosalba to make a recording of her singing and Turrido will give the thief a piece of land of his own.

Therefore, under Scots law, the chief is recognised as the head of the clan and therefore, once recognised, serves as the lawful representative of the clan community worldwide. The Lyon Court remains the only authority which can make a recording of the dignity of a chiefship acknowledged by attestation, although it is suggested it cannot declare judicially a chiefship.Maclean of Ardgour v. Maclean, p.

Frisell's major break came when guitarist Pat Metheny was unable to make a recording session, and recommended Frisell to Paul Motian, who was recording Psalm (1982) for ECM Records. Frisell became ECM's in-house guitar player, and worked on several albums, most notably Jan Garbarek's 1982 Paths, Prints. Frisell's first solo release was In Line, which featured solo guitar as well as duets with bassist Arild Andersen.

Tarlton soon moved to Columbus, Georgia where he met Tom Darby. They began performing together and shortly, they were offered a chance to make a recording for Columbia Records. Two songs were cut on April 5, 1927 and the recording sold well enough to allow a second recording session. On November 10, 1927 they recorded four songs, among them "Birmingham Jail" and "Columbus Stockade Blues".

The Merry-Go-Round had a recording contract with A&M; Records when the group disbanded in 1969. Rhodes recorded songs at A&M; to fulfill that contract, but A&M; decided to not release them at the time. Rhodes then decided to go out on his own and bought equipment to make a recording studio in his parents' garage. Rhodes recorded his first album (Emitt Rhodes) in that home studio.

In 1987, she made her recording debut with an album of piano works by Florence Price. She was the first pianist to make a recording of Price's music. A review in the academic journal The Black Perspective in Music highlighted the album's significance as a record of an important figure (Price) in American music history. Waites has performed across the United States and in Canada, Europe, and Latin America.

Security guards were the first to start using these cameras and ticket controllers followed in December 2018. The cameras are used in order to improve the safety of staff. Additionally, the cameras can be used to make a recording of travellers without a valid ticket. By filming them, the identity of the person in question can be verified even if they used someone else's identity during the check.

Following the release of Racing the Moon, Stanley made the decision to start his own label Beachwood Recordings. Stanley said, "I wanted to make a recording of music and comedy and all the labels said: 'Choose one or the other.' So I chose to start my own label and do just what I do.". Stanley currently records for Beachwood, and tours regularly, performing up to three hundred dates each year.

As early as 1982, Joel and the Boston Camerata had developed a program called "The Sacred Bridge," exploring Jewish and Christian interactions during the Middle Ages. In 1988 Erato Records decided to make a recording of this program. Still in demand after more than two decades, the recording has recently been reissued on Warner Classics. The "Sacred Bridge" program continues to tour internationally; most recently (April 2007) in Worcester, Massachusetts and Paris, France.

Rhythm and blues musician Eric Mercury performed during the dinner interval. Stax Records had negotiated an agreement with the DLM to make a recording of the event in exchange for showcasing Mercury, one of their new acts. They had already released an album titled "Blue Aquarius" in 1973 that was on sale at the event. Mercury, a Canadian of African ancestry and the only non-member who performed, played before an audience of 5,000 or fewer.

Loyal Verdi Club members watch respectfully, but others barely contain their laughter. Encouraged by her good reviews, she arranges to make a recording at Melotone as a Christmas gift for members of the Verdi Club. Florence gives McMoon a copy and recalls that Bayfield was an unsuccessful actor and that she hid negative reviews from him. She also informs McMoon of her history as a piano player and teacher, having once played for the President as a child.

That same year, the film version of Mame, another famed Jerry Herman musical, was released with Preston starring, alongside Lucille Ball, in the role of Beauregard Burnside. In the film, which was not a box-office success, Preston sang "Loving You", which Herman wrote especially for Preston's film portrayal. In 1961, Preston was asked to make a recording as part of a program by the President's Council on Physical Fitness to encourage schoolchildren to do more daily exercise.

It has been claimed that in 1863 Scott's phonautograph was used to make a recording of Abraham Lincoln's voice at the White House. A phonautogram of Lincoln's voice was supposedly among the artifacts kept by Thomas Edison. According to FirstSounds.org, these stories are variations of a myth that seems to have first appeared in print in a 1969 book about antique collecting, in which it is explicitly categorized as a legend and dismissed as based on "garbled accounts".

Later re-issues on compilations were stereo versions of the mono singles, these are the versions featured here. Original mono single recordings made for EMI Columbia were re-issued in 2006 on the 2-CD set The Complete EMI/Columbia Singles Collection. It was not unusual in this era to make a recording twice, as recording methods for mono and stereo were very different. This created two recordings of the same song, with differing vocals and instrumentation.

In 1961, Hall took out a loan to buy an abandoned brick warehouse in Muscle Shoals, Alabama to make a recording studio. Muscle Shoals is one of four towns in northwest Alabama clustered along the Tennessee River; the others are Florence, Sheffield, and Tuscumbia. His rhythm section (piano, bass and drums) was Briggs, Putnam, and Carrigan. One of Hall's first protégés was an African American bellhop at the Sheffield Hotel named Arthur Alexander who had written some songs.

She appeared with two, sometimes four, African American boys who would add dances and comedy to her songs. Two of the boys, both then under ten years old, Irving "Sneeze" Williams and Sonny Jones went on to have their own careers as musicians. She has been said to be the first Black woman to make a recording. On 24 January 1902 she made a recording of "The Honeysuckle and the Bee" under the name of "Belle Davis and her Piccaninnies".

In 1970 and 1971, he appeared on Leon Spencer's first two albums on Prestige Records, together with Idris Muhammad and Melvin Sparks. Washington's big break came when Alto sax man Hank Crawford was unable to make a recording date with Creed Taylor's Kudu Records, and Washington took his place, even though he was a backup. This led to his first solo album, Inner City Blues. He was talented and displayed heart and soul with soprano, alto, tenor, and baritone saxophones.

Although primarily the trumpet player, Halcox also had a fine singing voice, and led the band's various renditions of "Ice Cream", one of their most popular standards. He also played piano on the Lonnie Donegan recording of "Digging My Potatoes". The Pat Halcox Allstars did make a recording of their own during a Chris Barber Band summer break, now re-released as a Lake Records CD. Halcox announced his retirement from the Chris Barber Band at the age of 78, effective from July 2008.

On 23 July 1947 Taoiseach Éamon de Valera made an official one-day state visit to the island. He was escorted around the island by the director of the Manx Museum, Basil Megaw and the attorney-general, Ramsey B. Moore. When he found out that no good sound recording of the near- extinct Manx language were in existence he offered to send someone over from Ireland to make a recording. De Valera ordered that a recording device be bought and on 21 April 1948 a man was sent over to make the recordings.

Cohen's interest in cross-cultural and intercultural musical encounters have led to projects exploring early African and Amerindian contributions to New World music ("Nueva España", cited above), and to several endeavors with Middle Eastern/Near Eastern artists. As early as 1982, Joel and the Boston Camerata had developed a program called "The Sacred Bridge," exploring Jewish and Christian interactions during the Middle Ages. In 1988 Erato Disques decided to make a recording of this program. Still in demand after more than two decades, the recording has been reissued on Warner Classics.

Once inside, they emptied 268 safety deposit boxes. The gang had posted a lookout on a nearby roof, who was in contact via walkie-talkie, and their broadcasts were accidentally overheard by Robert Rowlands, an amateur radio enthusiast. He called the police, who initially did not take him seriously, so he used a small cassette recorder to make a recording of the burglars' conversations. The second time he contacted the police they accepted what he was saying, and began hunting for the burglars while the break-in was in progress.

The 1972 Broadway production was written and directed by Michael Brown, who also supplied the music and lyrics. It was choreographed by Todd Jackson, scenic design and costume design by David Guthrie, lighting design by Martin Aronstein and his partner Lawrence Metzler. It starred Karin Baker, Mary Jo Catlett, Candace Cooke, Ronnie DeMarco, Dorothy Frank, Patti Karr, Joe Masiell, Terry Nicholson, Joyce Nolen, Mary Bracken Phillips, Jamie Ross, Sam Stoneburner, David Thomé, Barbara Williams, and Ronald Young. In 1987, the original cast reassembled to make a recording that was issued on the Painted Smiles label.

However, when he returned, in 1957 to make a recording of the complete story, Ulang Udig could only recount the Epic of Labaw Donggon; he could no longer recount the much larger Epic of Humadapnon. Weeks later, Ulang Udig introduced Jocano to his aunt, an old babaylan named Udungan. However, the old babaylan could only chant little portions of the Humadapnon Epic. Jocano was then introduced to Udungan's niece, mountain singer named Hugan-an, who, after much cajoling, allowed herself to be taped recounting both her story and the Hinilawod.

The company begins to disband as the ensemble's members must face reality and find work elsewhere to make ends meet. Master Jiao urges Tianming to continue the tradition of the suona ensemble, although he himself is compromised by a diagnosis of terminal lung cancer. An official from the government arrives to ask Tianming to make a recording with his ensemble to preserve the culture of this dying art form. However, the few remaining members of the ensemble are unable to play, as they have sustained injuries from labour in factories.

He then worked in Brussels, Belgium before spending the duration of World War I in Scandinavia. In 1921 Coppola resided in London and he later moved to France. Between 1923 and 1934 he was the artistic director of La Voix de son Maître, the French branch of The Gramophone Company. In 1924 he was asked by Sylvia Beach to make a recording of James Joyce reading from Ulysses: Coppola replied that the recording would have to be made at Beach's expense, would not have the HMV label on it and would not be listed in the catalog.

"The One Who Loves You Now" was written by Jörgen Elofsson together with Pär Westerlund a few years before Fältskog was approached to make a recording. Though the song wasn't written with Fältskog in mind, it was one of the first songs that Elofsson played to her when discussing a possible future album project. Fältskog apparently liked the song very much and chose to record it as the very first track for her album A. When asked about the final result, Pär Westerlund stated that the song "sounds very good" and that he was "very proud to be involved in that project".

The following year (in July 1934), they visited Angola once again. This time Lead Belly begged them to make a recording of a song he had written to take to the Governor requesting parole, which they did. However, unbeknownst to them, Lead Belly was released in August for good time (and because of cost-cutting due to the Depression) and not because of the Lomaxes' recording, which the Governor may not have listened to. In September 1934, Lead Belly wrote to Lomax requesting employment, since he needed to have a job in order not to be sent back to prison.

While on tour in 1984, they were asked to make a recording for broadcast on Radio Vatican, inaugurating the World Year of Music in 1985. One of their performances of The Fire Mass, considered the ensemble’s major work, at Roy Thomson Hall in Toronto was broadcast nationwide by the (Canadian Broadcasting Corporation) in 1988. On their tour to the then-USSR in 1991, Mills and the Singers led the first non-military Victory Day Parade down Gorky Street in Moscow. Mills co- composed or arranged over 150 pieces for the Star-Scape repertoire in collaboration with composer Christopher Dedrick.

After the symphony had been premiered in December 1922, the E-flat Sonata was forgotten and inaccessible until Cohen donated Bax's manuscripts to the British Library following his death. However, once the work was microfilmed and made available for study, interest began to grow in hearing it performed. Pianist and composer Patrick Piggott copied out the central movement as a separate work, and pianist John Simons was coaxed out of retirement to make a recording of the complete sonata, which was issued on cassette in 1982. Pianist Noemy Belinkaya gave the first public performance of the sonata for the Bax centenary in October 1983.

Roché was born in Wilmington, Delaware, as Mary Elizabeth Roach, and was raised by her grandparents in Atlantic City, New Jersey. She won a talent contest at the Apollo Theater after settling in New York City in 1939, and then joined the Savoy Sultans, with whom she made her first recordings in 1941. The following year, she joined the Duke Ellington Orchestra to make the film Reveille with Beverly (1944), which also featured Frank Sinatra and Count Basie. She performed "Take the A Train" in the film, but the AFM recording ban meant that she could not make a recording of it at the time.

What came next was fame and success. Aside from radio, private parties, local fairs, serenades, by 1947 Toño Fuentes, founder of Discos Fuentes in Medellín and pioneer of the LP industry in Colombia, arrived in Barranquilla looking for Buitrago's band to take them to make a recording at his studio in Cartagena. Elsewhere, Odeón Records of Argentina had also contacted Buitrago, producing some recording that had won a strong following nationally, so much that plans were put in motion to have Buitrago and his band tour the south of the South America. 2 successful years later, Guillermo Buitrago woke up on a day in January 1949, sick and short on sleep.

On the day of her first wedding anniversary, Pallavi (Nivetha Thomas), under the pretext of running errands for their party, travels to Los Angeles from her home in San Francisco without the knowledge of her husband Arun (Aadhi Pinisetty) to meet Uma (Nani), her former lover. One and a half years ago in Vizag, Pallavi is a student who wishes to make a recording of a dance performance so that she can show it to her family post marriage. However, a lack of natural talent forbids her from doing so. Uma Maheswara Rao, a young statistics student, is an orphan whose godfather Murthy (Tanikella Bharani), happens to be the principal of his institution.

Buddy Holly, a teenager from Lubbock, Texas, emerges into the world of rock and roll with friends and bandmates, drummer Jesse Charles and bass player Ray Bob Simmons, forming a trio known as The Crickets. The band's first break comes when it is invited to Nashville, Tennessee to make a recording, but Buddy's rock and roll vision soon clashes with the producers' rigid country music based ideas of how the music should sound and he walks out. Eventually, he finds a more flexible producer, Ross Turner, who, after accidentally publishing their demo to public acclaim, very reluctantly allows Buddy and the Crickets to make music the way they want. Turner's secretary, Maria Elena Santiago, quickly catches Buddy's eye.

At their debut concert in Novosibirsk, they won the festival's award for "Best Original Artists," an honor which nearly got them expelled from school (for sullying their stern classical training by performing Jazz and Rock music). As White Fort, the duo released nine studio albums in their native country between 1995 and 2006, including the score for a ballet, and soundtracks for Russian television and film. They toured extensively in Russia and were featured at many major festivals. In 1997, playing for vodka shots at the opening of an exclusive photography exhibit in Moscow, White Fort captured the attention of an American music producer, who casually suggested he'd like to see them make a recording back in the United States.

After having difficulty composing the Christ theme for the Hill Cumorah Pageant, he received a blessing from Harold B. Lee, which told him he would "hear the music in the night." After hearing the music in a dream, Gates composed what he felt was the "right" theme. In 1987, Gates started composing a new score for Orson Scott Card's new script for the Hill Cumorah Pageant. Gates conducted the Mormon Tabernacle Choir, Utah Symphony Orchestra, and Salt Lake Children's choir to make a recording of the new score to use in rehearsals. He composed two hymns in the LDS hymn book: "Our Savior’s Love" and "Ring Out, Wild Bells", and wrote the music for two hymns in the LDS Children's Songbook: "On a Golden Springtime" and "Baptism".

On November 4, 1945, while still in the midst of composing the concerto, Stravinsky wrote a letter to Nadia Boulanger describing his progress as well as plans to make a recording with the Herman band in February 1946. This recording session was ultimately postponed but, at that time, Stravinsky foresaw its release on a 78-rpm disc, with the first two movements on one side and the theme and variations on the other. He expected the durations of the three movements to be just two-and-a- half, two, and three minutes. On 19 August 1946, the day after performing the piece together on a "Columbia Workshop" national broadcast, Herman and Stravinsky recorded the concerto in Hollywood, California.. The recording was first released on LP in 1951, Columbia ML 4398 .

While promoting "Fool in Love," Stewart met with Memphis disc jockey and R&B; singer Rufus Thomas, and both parties were impressed by the other. Around the same time, and at the urging of Chips Moman, Stewart moved the company back to Memphis and into an old movie theater, the former Capitol Theatre, at 926 East McLemore Avenue in South Memphis. In the summer of 1960, Rufus Thomas and his daughter Carla were the first artists to make a recording in this new facility; the record, "Cause I Love You" (credited to Rufus & Carla), became a substantial regional hit and was picked up for national distribution by Atlantic Records on its Atco subsidiary. It went on to sell between thirty and forty thousand copies, becoming Satellite's biggest hit to that time.

Reshma was spotted, at the age of 12, singing at the Shrine of Lal Shahbaz Qalandar by then Pakistani television and radio producer, Saleem Gilani. Gilani arranged for her to make a recording of "Laal Meri Pat Rakhio" on Radio Pakistan in 1968. She became an instant hit and since that day, Reshma has been one of the most popular folk singers of Pakistan, and garnered international renown. Reshma had been appearing on television since 1968, recording songs for both the Pakistani and Indian film industry, and performing in live concerts at home and abroad.Reshma's TV interview on YouTube Retrieved 14 July 2019 Some of her famous songs are "Dama Dam Mast Kalandar", "Hai O' Rabba nahion lagda dil mera", "Sun charkhe di mithi mithi khook mahiya meinu yaad aunda", "Wey main chori chori teray naal laayyan akhhian" ( song lyrics by renowned Punjabi poet Manzoor Hussain Jhalla ), "Kithay Nain Na Jori", "Lambi Judai" and "Ankhiyan nu rehen de ankhyan de kol kol".