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"lumpen" Definitions
  1. looking heavy and ugly or stupid

93 Sentences With "lumpen"

How to use lumpen in a sentence? Find typical usage patterns (collocations)/phrases/context for "lumpen" and check conjugation/comparative form for "lumpen". Mastering all the usages of "lumpen" from sentence examples published by news publications.

"Together, Grimace, we could own this town," he says, so we probably shouldn't be surprised if that lumpen purple triangle is appointed to our lumpen orange President's cabinet.
Scraping over brown patches and dodging lumpen rocks inspires far less enthusiasm.
On the other, she looks lumpen and wild-eyed as she pokes the side of one sausage!
The result can look lumpen and occasionally veer too far in the frumpy-is-cool art school direction.
They met in New Cross, south London, and wanted to bring something into their sound that wasn't just lumpen guitar.
It used to advertise them with a character called Uncle O'Grimacey, a lumpen puppet that looked like a furry green gourd.
Sometimes, we don't need to talk—we'll just point at each other's lumpen shoes, and our shoulders relax,and we laugh.
So I'm grateful to Jaron Lanier for redistributing blame on the lumpen-user, for pressing the public to flee social media.
With fewer migrant workers, firms might be forced to train lumpen locals and invest more in technology, thus improving Britain's poor productivity.
The textures of the times — the daily lighting of fires, the lumpen food and unwieldy domestic appliances — are drawn with poetic sensibility.
America's self-image is of a middle-class nation, unburdened by either a lumpen proletariat working class or an aristocratic upper class.
As he had several times since 1959, he veered back towards Jacobinism, recruiting lumpen youth as "social workers" to wage war against corruption.
Then, in the cafe itself, The Elephant Room, an action-figure sized Argus Filch appeared on my desk, chained to a lumpen metal ball.
The president is, of course, a pro wrestler of sorts, a lumpen orange shadow who darkened WWE's door long before he darkened the White House's.
As for my own brain, I reckoned that the scan would detect a lumpen mass of mac and cheese embedded with low-wattage Christmas lights.
Mr. Forbes, the least well-known of the leading players, is a knockout as an affectingly lumpen Buddy, a cousin to Arthur Miller's Willy Loman.
In lieu of feet, the piece has a tail, an assemblage of lumpen clay, perhaps an allusion to the demonization of the destitute and the displaced.
Moreover, the deep meaning of the generational divide in Christian America is that the electorate, mercifully, is more dynamic than the lumpen logic of tribal politics suggests.
It's just this, like, lumpen block of black matter that has existed and accumulated while sitting, presumably unattended, for God knows how long inside a kitchen appliance.
The appealing Zurin Villanueva is Cher's bestie and accomplice in binge shopping and Ephie Aardema is the lumpen new girl they try to remake in their own image.
When Stanley Spencer made St Francis modern, he painted him as lumpen and plod-a-day, wearing a Whiteleys dressing-gown, with ducks and chickens clucking round his slippers.
His polar opposite, and abiding frenemy from school, is Peter Keating (an ideally lumpen Aus Greidanus Jr.), who compensates for his lack of talent by general sycophancy and stealing Howard's ideas.
On the first screen I thought I saw a chick or a frog taking shape, though the creature would palpitate into an egg, a lumpen lime or a blastula of germinating cells.
When Spongebob says that the pair shouldn't disturb her, Patrick interrupts and says, "That's not disturbing, this is disturbing," before arranging his back fat to look like a lumpen but sentient face.
At 22, Ms. Hepnarova was disdained by her family, resigned to her sexuality but frustrated and bored by the women she was sleeping with, and reflexively shunned by most of her lumpen colleagues.
"Like horse-racing, Hillary-hating has become one of those national pastimes which unite the elite and lumpen," read a profile of the by-then beleaguered First Lady in the New Yorker in 1996.
The guitar itself has the fretboard of a full-sized electric but a squat hollow body that is full of batteries, a 20-watt amp, and speakers which gives it a sort of lumpen shape.
Resembling lumpen carnival tents or sinister birthday gifts, the tented houses are bright and menacing all at once — a neon lure to a fanciful haunted house, pumped full of poison and poised to be unwrapped.
The tension was high, but it was sapped a little by how difficult it's been to care about the whiny, lumpen Pasha — I don't know about you, but I share Elizabeth's low opinion of him.
Seeing my lumpen balls of dough and my weak attempts to deal with it had to be like seeing a dog walk on its back legs: It's doing it, but it's obviously unnatural and clearly uncomfortable.
From, like 2001-2010, the defining image of the Knicks was Paul Pierce, all lumpen hunch, draped in that disgusting shade of Green, drilling a series of game winners over more and more pathetic Knicks squads.
To prove its point, the Mail got various lumpen middle-aged couples to stand back to back in a photography studio and share their stories of how only nailing once a week is actually really great, actually.
Katherine leaving without a word, absconding on the Dublin train from Carrick station, returning to Poland and the lumpen embrace of some previous, unnamed love, some steelworker fucker with a head on him like a thirty-kilo kettlebell.
While her stores stock simple cotton poplin shirts as well as more challenging lumpen jackets and her runway shows present one-off sculptures, the through-line is a thoughtful rejection of should and a strong feeling of perhaps.
Artificial intelligence, automated robotics, mechanized factories; each of these concepts gets rolled together in a lumpen ball of futurity, the only definitive commonality being that they all, in one way or another, threaten the autonomy of we puny humans.
I'll shift from foot to foot with the lumpen gracelessness of a deck chair unexpectedly granted the power of motion, worrying about what to do with my elbows and screaming in silence at the inside of my own face.
This latest model is an addition to the Sonos line and is sold alongside the Playbase — a lumpen soundbar designed to sit directly underneath TVs not attached to the wall — and the Playbar, a traditionally styled soundbar that preceded the Beam.
Conscription—known colloquially in Sweden as Lumpen—was eliminated in 2010, but due to Russia's ever-increasing aggression and fist-shaking, the largely neutral country decided that it might want to have enough personnel to defend itself, just in case.
The resplendent mélange of seated tin men — all evocative of that famous one from Oz — displays a frantic, cybernetic logic in terms of the painting's visual tactility, with once lumpen and deadlocked male forms set flowing in jerks and spasms across the surface.
Many of its infamous images are loaded straight into the new film: the identical twins, the axe-head splitting the door, the elevator that opens to unleash a blood-dimmed tide—in which, on this occasion, one of Spielberg's more lumpen characters slithers and slips, purely for a laugh.
It hijacked pages in our browser and redirected them to various destinations across the Shit Internet—lumpen web games, blinking encouragements to get to know the Thousand of Russian Womans In Area Now, and upgrade sites beseeching us through avant-garde punctuation and urgent Babblefish prose to upgrade Adobe Flash.
The populist right largely draws its support from baby boomers, born after World War II. Where does this leave the young people of today and, especially, that section of them, larger than ever before, who are students or who belong to that lumpen intelligentsia of those who have a higher education but not the kind of job that might once have matched that education?
Raising three daughters in Delhi, she was well situated to observe Indian society post-independence, with its Westernizing, marriage-minded middle class — and, at the same time, to apply her well-developed irony to the many European seekers of the 1960s she encountered, people for whom India was a semi-mythical destination, a warm, sensuous alternative to their own lumpen postwar continent, as it was for Jhabvala herself for a time.
And Johnny Coca at Mulberry riffed on workwear — buttoned-up, slightly lumpen, strangely interesting (well, his stylist was Lotta Volkova of Vetements fame) — at his sophomore outing for the brand, notably less tied to British cliché than the first, replete with culottes and slouchy shirting in schoolboy stripes or sparkling paisley, reflective lamé and velvet in traffic-cone-bright colors, and broad-shouldered frocks ready to carry the weight of the world on their ruffles.
The Young Lords Party adopted similar views to the Black Panther Party, believing in the potential of the lumpen. They developed a Lumpen Organization within their larger organization with the goal of enlisting the people considered the lumpenproletariat, or "lumpen," in the struggle; they considered the lumpen to be "the class in our nation which for years and years have not been able to find jobs, and are forced to be drug addicts, prostitutes, etc." (p. 20) in the face of the capitalist system the Party considered an enemy.
Sixteen years after he started Lumpen in Champaign, Marszewski is supporting his empire by carpentering, designing Web sites, and working at his mother's Bridgeport bar.
Marszewski is co-director of the Public Media Institute which publishes Lumpen magazine and Mash Tun Journal. Marszewski also publishes Proximity Magazine and the Quarantine Times.
Velasco Mackenzie in October 2018 Jorge Eduardo Velasco Mackenzie (Guayaquil, January 16, 1949) is an Ecuadorian writer and professor. His most popular novel is El rincón de los justos (1983) about Guayaquil's lumpen proletariat.
Karl Marx and Friedrich Engels are generally considered to have coined the term lumpenproletariat. It is composed of the German word lumpen, which is usually translated as "ragged" and prolétariat, a French word adopted as a common Marxist term for the class of wage earners in a capitalist system. Hal Draper argued that the root is lump ("knave"), not lumpen. Bussard noted that the meaning of lump shifted from being a person dressed in rags in the 17th century to knavery in the 19th century.
WLPN-LP is a low-power radio station in Chicago started by Lumpen founder Edward Marszewski in 2015 who started a kickstarter campaign to raise funds for the station. The station operates out of an art gallery called the 'Co- Prosperity Sphere'.
Lumpenbourgeoisie is a term used primarily in the context of colonial and neocolonial elites in Latin America, which became heavily dependent on and supportive of the neocolonial powers. It is a hybrid compound of the German word Lumpen ("rags") and the French word bourgeoisie.
Il Futuro is a 2013 drama film directed by Alicia Scherson. Based on Roberto Bolaño's 2002 novel Una novelita lumpen, the film stars Manuela Martelli and Rutger Hauer. The film was shot in Italy, Chile, and Germany, and is an Italian-Chilean-German-Spanish production.
The inspiration for forming of Schelmish was the birthday of Des Demonia's mother in 1999. Musically, Schelmish is rooted in Irish Folk. Today though they are rather oriented towards Mittelalter Rock. Their first CD Von Räubern, Lumpen und anderen Schelmen (Of Robbers, Rascals and other Scoundrels) was released in 2000.
Artlovers could even meet some of them during their visit. Some saw it as the Pygmalion story. The lumpen, ponderous, swarthy creatures who are ignored or pitied on the street appear in Mumbiram's renderings as proud elegant muses of high art. They were destined to adorn walls of well endowed lovely homes.
Pasolini wished to bring to the attention of the public the existence of this underground class they thought extinct. As he saw it, "They were thought of as a closed book. Yet, poor devils, they really did exist".Ward, 59 He wrote the book in lowbrow language and derogatory slang that the real life "lumpen proletariat" would use.
Ed Marszewski in 2001, protesting the production of MTV's Real World Chicago in Wicker Park Ed Marszewski on the Bloomingdale Trail in 2014, before development of the trail into a park Along with others, Marszewski rented space for an art gallery called 'BuddY' in Wicker Park from 2002 until 2004 which operated as an "experimental cultural center", and currently operates an art gallery called Co-Prosperity Sphere (named after a live action role-playing group faction in the film Darkon) which operates Lumpen Radio as low-power radio station WLPN- LP inside the gallery. Marszewski is founder of various festivals in Chicago such as Version Fest and Select Media Festival. Marszewski has written many articles for Lumpen magazine and is opening a new 'Buddy' in the Chicago Cultural Center.
Ritter with an Ordnungspolizei officer and a Romani woman, 1936 Robert Ritter, a physician and Nazi Germany's leading expert on The Romani, considered them a "highly inferior Lumpenproletariat" as they were "parasites who lacked ambition and many of them had become habitual criminals." The Romani were seen in post-World War II communist-ruled eastern and central Europe as an example of the lumpen proletariat and were, therefore, subject to an aggressive policy of assimilation. Ken Gelder noted that in cultural studies, subcultures are "often positioned outside of class, closer in kind to Marx's lumpenproletariat, lacking social consciousness, self-absorbed or self- interested, at a distance from organised or sanctioned forms of labour, and so on." In Ukraine, titushky, pro-Viktor Yanukovych thugs, have been characterized as lumpen elements.
Don Martin, billed as "Mad's Maddest Artist", drew gag cartoons, generally one page but sometimes longer, featuring lumpen characters with apparently hinged feet. Martin's absurd sight gags were frequently punctuated by an array of onomatopoeic sound effects such as "GLORK" or "PATWANG-FWEEE", coined by Martin himself (or by frequent ghost writer Don Edwing).Martin, Don. The Completely Mad Don Martin, Running Press, 2007.
Modern Greek uses a few German loanwords for terms related to German or Austrian culture, such as snitsel (σνίτσελ; Schnitzel) and froilain (φροϊλάιν, from Fräulein, "Miss", used only for young women from Germany or Austria). Some loan words were introduced by the gastarbáiter ( γκασταρμπάιτερ , German Gastarbeiter), who have spent part of their life in Germany or Austria, such as lumben (λούμπεν), meaning "riffraff", from German Lumpen, "rogues".
The Band of the 10th of December was a secret Bonapartist society organized mainly from among lumpen proletariat, opportunists, and military leaders. The society helped progress Napoleon III's election as president of the Republic of France on December 10, 1848. It is also known as "Society of December 10" and it is analyzed in great detail by Karl Marx in his essay The Eighteenth Brumaire of Louis Napoleon.
Critical reactions to the television version were mixed, with several critics complaining that the stylised language, which worked so well on radio, was not suited to television, leaving the play lumpen and impenetrable.John Lawrence "Play for Today: Evelyn", The Stage and Television Today, 4 November 1971, p.14 Director Piers Haggard, however, was praised for bringing a clarity to the production that the material itself was considered lacking.
Manuela Abril Martelli SalamovichManuela Martelli: "No me imagino yendo por la calle y que me pidan autógrafos" elMercurio.cl August 13, 2009 (born April 16, 1983 in Santiago) is a Chilean film and television actress best known for her roles in the films B-Happy and Machuca. She starred with the famous dutch actor Rutger Hauer in the chilean-italian films Il Futuro, based on Roberto Bolaño's novel A Little Lumpen Novelita.
"I Don't Want to Know" has a country music flavor. It is an uptempo song, which recording engineer Ken Caillat describes as "3:16 of high impact energy." Fleetwood Mac biographer Cath Carrolll describes the opening of the song as being "unprepossessing" and "almost lumpen." However, she claims this has a purpose, as it makes it even more powerful and energetic when the main part of the song kicks in.
Eintopf is a traditional type of German stew which can consist of a great number of ingredients. Technically, the term refers to a way of cooking the ingredients in one pot, not to any specific recipe. Many different regional specialty recipes for Eintopf are known in Germany; for example, the Kassel area has a type called Lumpen und Fleeh ("rags and fleas" in the local dialect), which is quite similar to Irish stew.
The 1979 report of the Carnegie Council on Policy Studies in Higher Education warned that the US is in danger of creating "a permanent underclass, a self‐perpetuating culture of poverty, a substantial 'lumpen proletariat'." Eleanor Holmes Norton wrote in 1985: "An American version of a lumpenproletariat (the so-called underclass), without work and without hope, existing at the margins of society, could bring down the great cities, sap resources and strength from the entire society and, lacking the usual means to survive, prey upon those who possess them." According to political scientist Marie Gottschalk the tough-on-crime stance on African Americans has been caused by political manipulation of public fears of a lumpen underclass threatening the majority as African Americans were perceived to have turned to crime due to losing in the deindustrialization of the country. Mark Cowling argued that there is considerable similarity in both definition and function between the lumpenproletariat, as proposed by Marx, and the contemporary theory of the underclass by Charles Murray, an American libertarian political scientist.
"Lumpen-bourgeoisie" also occurs in E. Franklin Frazier's The Black Bourgeoisie (1957), which was translated from the original French text that was published in 1955. He uses it to describe African American businessmen who cling to what he terms the "myth of Negro business" to affect meaningful change in racial politics (173). He was especially focused on the development of black-owned business that developed and expanded in both the U.S. South and North during the first decades of the 20th century.
In short, his work displays a "violent prejudiced patriarchal society" confronted to "all manner of sexual repression, perversions and taboos".Albuquerque, 280 It was this petit- bourgeois, almost lumpen viewpoint, that explained Rodrigues' antipathy towards the higher middle-class intelligentsia that made much of the political Left of the period ("I'm not moved by marches of the ruling classes", was he to say before a march of protesters against the military dictatorshipA cabra vadia, São Paulo: Cia. das Letras, 1995, 175).
Other notable songs included "William Butler Yeats Visits Lincoln Park and Escapes Unscathed" and "Where Were You in Chicago" by Phil Ochs, featured on his 1969 album Rehearsals for Retirement, "Circus '68 '69" (1970) by Charlie Haden, "Christmas in My Soul" (1970) by Laura Nyro, "Free Bobby Now" (1970) by Black Panther group The Lumpen (about Bobby Seale), "Chicago's 7" by Walt Wilder, "Chicago 7" by Warren Farren, "Chicago Seven" (1971) by blues artist Memphis Slim, and "The Chicago Conspiracy" (1972) by David Peel.
De Laferrère and Juan Carulla's idea, that the Liga should support the Independent Socialists, was endorsed and Irazusta resigned from the movement. Following the establishment of the Argentine Civic Legion in 1931 Laferrère began to wane in his support for José Félix Uriburu and eventually withdrew his Liga Republicana from the movement, citing the "lumpen" nature of what was approaching a mass movement, as well as its ties to mainstream conservatism. As a consequence of de Laferrère's split other nationalist intellectuals followed suit.Deutsch, Las Derechas, pp.
Ernesto Laclau argued that Marx's dismissal of the lumpenproletariat showed the limitations of his theory of economic determinism and argued that the group and "its possible integration into the politics of populism as an 'absolute outside' that threatens the coherence of ideological identifications." Mark Cowling argues that the "concept is being used for its political impact rather than because it provides good explanations" and that its political impact is "pernicious" and an "obstacle to clear analysis." Laura Pulido argues that there is a diversity in the lumpen population, especially in terms of consciousness.
Shikasta was originally intended to be a single self- contained book, but Lessing's fictional universe developed, and she ended up writing a series of five. Lessing's switch to science fiction was not well received by readers and critics. By the late 1970s Lessing was considered "one of the most honest, intelligent and engaged writers of the day", and Western readers unfamiliar with Sufism were dismayed that Lessing had abandoned her "rational worldview". George Stade of The New York Times complained that "our Grand Mistress of lumpen realism has gone religious on us".
Because of her occupation, Evdokia both attracts and repels the sergeant. The petit bourgeois environment, the lumpen elements, the social fringes and petty interests stifle the young couple: they apparently want to rebel, but never succeed. With everything moving among violent sensuality, cruelty, coarseness, and total austerity, this "prosaic" story assumes the dimensions of an ancient tragedy. The inner struggle of the protagonists, the conflict of desires and values, the straightforward narration, vigorous pace, immediacy and sound construction constitute one of the most important works of the Greek cinema.
Mustafa Kemal in a conversation that took place in 1921, about two years before he proclaimed the Republic, exhorted the 19 years old Nazim Hikmet, already a famous poet, who would soon embrace the communist ideology and influence the course of modern Turkish literature, particularly poetry, more profoundly than anyone else. Since 1950, there has been a massive output, in all genres, depicting the plight of the lumpen proletariat. But surrealism, neosymbolism, theater of the absurd, stream of consciousness, hermeticism, black comedy and so on have also flourished.
Various works of Daniil Kharms are filigreely connected in a single whole by means of a character dressed in a sailor's pea coat, which roams from the "case" to the "occasion", getting into various stories and leaving unscathed from the most incredible situations. The character is a nice embodiment of the revolutionary sailor in reserve, what was filled with Russian society in the early 30-ies. He is quite a good- natured "lumpen", not devoid of features of his class: impudence, self-will, impudence and unceremoniousness. In the film the works of Harms are screened: "Noise", "Victory of Myshin", "Grigoriev and Semyonov", etc.
1335 A dissenting voice was the critic Rodney Milnes, who spoke of Godfrey's recordings as "leaden, lumpen and dull","Building a Library", BBC Radio 3 Record Review, 15 April 1995 but his fellow critic Hugo Cole, who had been a D'Oyly Carte orchestra player under Godfrey, wrote admiringly, "he was like Henry Wood in that if you watched him you couldn't come in wrong."The Guardian, 29 June 1971, p. 8 Members of the company from Leslie Rands in the 1920s to John Reed in the 1960s praised Godfrey – known to company members as "Goddie" – for his musicianship and friendliness.Reed, pp.
He invented an early washing machine, for which he published designs in 1767: Die bequeme und höchstvortheilhafte Waschmaschine. His other inventions included a saw and furnaces. The paper industry also interested him and between 1765 and 1771 the results of his observations and experiments were published as Versuche und Muster, ohne alle Lumpen oder doch mit einem geringen Zusatze derselben, Papier zu machen. It discussed, in particular, the manufacture of paper using various plants such as the poplar, moss and hop, which might not have been used by the paper pulp manufacturers without his experimental work.
Their potentialities would be limitless and their > intelligence ungraspable by humans. In the same interview, he also blames the poor critical reaction to 2001 as follows: > Perhaps there is a certain element of the lumpen literati that is so > dogmatically atheist and materialist and Earth-bound that it finds the > grandeur of space and the myriad mysteries of cosmic intelligence anathema. In a 1969 interview to American Cinematographer, Kubrick expressed his atheism when asked if there was an unseen cosmic intelligence or god behind the events in 2001:Smith 2010, p. 68. > The whole idea of god is absurd.
He takes him to case for ignoring Black's own writings on work, for idealizing technology and for misunderstanding the history of work. He denounces Bookchin's alleged failure to form links with the leftist groups he now praises and for denouncing others for failings (such as not having a mass audience and receiving favourable reviews from "yuppie" magazines) of which he is himself guilty. He accuses Bookchin of self- contradiction, such as calling the same people "bourgeois" and "lumpen", or "individualist" and "fascist". He alleges that Bookchin's "social freedom" is "metaphorical" and has no real content of freedom.
Web Mulhstock, considered one of the finest draughtsmen in the country. was singled out for hi sensitive depictions of individuals by Montreal art critic Robert Ayre of The Gazette. IBy the mid-30s 1935 they were reviewed collectively in the Canadian Forum (Toronto): "The subject matter of [Louis Muhlstock, Alexander Bercovitch, and Sam Borenstein] is similar: they paint the Montreal ghetto, tramp steamers in the harbour, street scenes, typical workers and members of the lumpen proletariat.... Muhlstock and Borenstein link their preoccupations closely with political awareness, though neither has as yet participated in the revolutionary movement."The National Art Gallery of Canada.
Fidel Castro speaking in Havana, 1978 By the 1980s, Cuba's economy was again in trouble, following a decline in the market price of sugar and 1979's decimated harvest. For the first time, unemployment became a serious problem in Castro's Cuba, with the government sending unemployed youth to other countries, primarily East Germany, to work there. Desperate for money, Cuba's government secretly sold off paintings from national collections and illicitly traded for U.S. electronic goods through Panama. Increasing numbers of Cubans fled to Florida, but were labelled "scum" and "lumpen" by Castro and his CDR supporters.
John M. Perry (born 4 June 1952) is an English musician, songwriter, and author. He came to prominence in the mid-1970s as the guitarist for the English rock band the Only Ones. The Only Ones came out of London during the first wave of punk (1976–77) and, rather like the New York bands the Heartbreakers and Television with whom they later toured, suffered from being too musical for lumpen-punk but too "new" for conservative record business sensibilities. Though they were lumped in with the new wave vanguard, the band were too musically literate - not to mention long in the tooth - to be punks.
It is a parody of the old literary technique of the false document found by chance, probably influenced by the fact that, in real life, de la Iglesia writes his film scripts on a laptop computer, which he has lost at least twice. According to this introduction, the rest of the fifteen chapters are Juan Carlos Satrústegui's autobiographical tale. Satrústegui considers himself a genius, superior to all those he comes across. But the reader soon realises his psychic problems (obsessions, deliria, paranoia, lack of empathy) become worse due to the drugs he uses in fiestas, the want of slept and the beatings he earns when dealing with the lumpen.
Jones had praise only for the chorus of "Spaceman", likening the remainder of the record to "being thumped on the head with a large chunk of wood then dragged backwards through thick sludge". The Guardian and Q, who initially published favourable reviews, have named the record one of the worst of all time. In a 1999 Guardian article, critic Andrew Mueller labelled The Boy with the X-Ray Eyes "one of the most hilariously terrible albums ever made". Q staff ranked the LP at number 42 in their 2006 list of the 50 worst records in history, calling it an "album of lumpen MOR rock" that "sank without trace".
Since 1988, New City Magazine has covered the visual arts in Chicago, joined in the 1990s by Lumpen Magazine.. Gapers Block, a Chicago- focused web publication established in 2003, added coverage with their arts and culture section. They were soon followed by Paul Klein's Art Letter in 2004 and the Bad At Sports podcast and blog in 2005. In 2008, print-based Proximity Magazine was established, joined by two more print publications, Jettison Quarterly, and The School of the Art Institute's F News Magazine in 2009. Also in 2009, Chicago Art Magazine broke off of Art Talk Chicago, part of the Chicago Tribune-sponsored blog network, to start their own independent online platform.
It looks like someone having a bad reaction to hair dye, or like The Goonies Sloth after some partially successful plastic surgery, and as is to be expected in these situations, the internet went wild." McCormick also noted the many photoshopped parodies that appeared online, depicting Ronaldo as "Batman's Two-Face, Mass Effect's eerily animated main character, Han Solo frozen in carbonite, BioShock Andrew Ryan, and as IT, the monster hiding in the sewers. Others went the other way, mapping the unheimlich contours of the bust's face onto the real man's real face, making his head lumpen and his eyes scream 'kill me. The sculpture has also been said to depict Irish former professional footballer and businessman Niall Quinn.
He has been characterised by favourable critics as a "rock god", and an artist who has remained "down to earth". In The New Rolling Stone Album Guide, published in 2004, J. D. Considine wrote: "For a time, Phil Collins was nearly inescapable on the radio, and enormously popular with the listening public — something that made him an obvious target for critics. Despite his lumpen-pop appeal, however, Collins is an incisive songwriter and resourceful musician." Tim Chester of the New Musical Express described Collins as "the go-to guy for ironic appreciation and guilty pleasures" and stated he was responsible for "some moments of true genius (often accompanied, it must be said, by some real stinkers)".
This technological modernization in the Brazilian Navy was not matched by social change, and tensions between the navy's officer corps versus the regular crewmembers kindled much unrest. A quote from the Baron of Rio Branco, the esteemed politician and professional diplomat, shows one of the sources of tension: "For the recruitment of marines and enlisted men, we bring aboard the dregs of our urban centers, the most worthless lumpen, without preparation of any sort. Ex-slaves and the sons of slaves make up our ships' crews, most of them dark-skinned or dark-skinned mulattos."José Paranhos, Baron of Rio Branco, in Edmar Morel, A Revolta da Chibata 4th ed. (Rio de Janeiro: Edições Graal, 1986), 13, in Morgan, "Revolt of the Lash," 37.
145 Simon Price of The Independent, agreeing that the album was a departure, asserted that although "something horrible happened" later in Simple Minds' career, Sparkle in the Rain was not the cause: "Their post-New Gold Dream decline didn't immediately make itself obvious. Sparkle in the Rain pioneered a new "Big Music" whose full stadium- sized horror had yet to become apparent, and there was something attractive about the clattering majesty of "Waterfront". Peter Walker, writing for The Guardian, went against this view, describing "the thudding, plodding backdrop to "Waterfront", lead single for the follow-up album, 1984's Sparkle in the Rain. The song was their first major hit but heralded a new, lumpen Simple Minds, who in pursuit of U2 and world domination shed all that was good about their sound.
Speeches by J. Wheeler-Hill, Rudolf Marman, George Froboese, Hermann Schwinn, G. William Kunze, and the Bund Fuehrer: Fritz Kuhn Last to speak, the Bundersfuhrer himself, Fritz Kuhn continued to push the anti-Semitic theme, going as far as to refer to President Roosevelt as 'Rosenfield' and the man to which he promised to make no anti-Semitic remarks, Fiorello "Jew Lumpen" LaGuardia himself."Free America!" The German American Bund at Madison Square Garden, February 20, 1939. Speeches by J. Wheeler-Hill, Rudolf Marman, George Froboese, Hermann Schwinn, G. William Kunze, and the Bund Fuehrer: Fritz Kuhn All came to an immediate halt as in the middle of Kuhn's final speech, a man dressed in blue broke through the lines of OD men and ran onto the stage and charged at the speaker.
Instead of associating himself with the organized working class—either by means of corporatist trade unionism or by vying with Lula and the WP for the support of the new trade unionism—Brizola sought a basis of support among the unorganized urban poor by means of an ideological tie-in between traditional radical nationalism and a charismatic lumpen-friendly populism, in what one scholar called "the aesthetics of the ugly".Sento Sé, Brizolismo, Chapter III For his opponents, Brizola and his Brizolismo stood for shady deals with the "dangerous", resentful, "overrebellious" underclasses;Alba Zaluar, Marcos Alvito, eds., 1 século de favela. Rio de Janeiro: FGV, 1988, , page 41 for his supporters, they stood for the paternalistic empowerment of the destitute—the lowest, least organized and poorest of the working classes.
Architect amidst the Ruins (, other versions: - 'The Architect of the Ruins', - 'To the Architect of the Ruins') was an open letter by Gennady Zyuganov, then a relatively little known party functionary (later leader of the Communist Party of the Russian Federation) to Alexander Yakovlev, the ideological founder of perestroika, who was also known as the "architect of perestroika". The letter was published in the hardline communist newspaper Sovetskaya Rossiya on 7 May 1991. The letter argued that perestroika caused disintegration of the state, that democratization resulted in a "war of legislation", glasnost turned out to be a weapon in the psychological war against the Soviet people, and that a new alliance of obscurantists, lumpen intelligentsia, and criminals was coming into being. The letter was perceived as the start of the campaign to overthrow Mikhail Gorbachev.
The first collaborative work by Karl Marx and Friedrich Engels to feature the term lumpenproletariat is The German Ideology, written in 1845–46. They used it to describe the plebs (plebeians) of ancient Rome who were midway between freemen and slaves, never becoming more than a "proletarian rabble [lumpenproletariat]" and Max Stirner's "self-professed radical constituency of the Lumpen or ragamuffin." The first work written solely by Marx to mention the term was an article published in the Neue Rheinische Zeitung in November 1848 which described the lumpenproletariat as a "tool of reaction" in the revolutions of 1848 and as a "significant counterrevolutionary force throughout Europe." Engels wrote in The Peasant War in Germany (1850) that the lumpenproletariat is a "phenomenon that occurs in a more or less developed form in all the so far known phases of society".
Wynbrandt was nominated for an Ignatz Award in 2015 for Promising New Talent, based on the work in her minicomic Big Pussy.Small Press Expo, Announcing the 2015 Ignatz Nominees Her first graphic novel Someone Please Have Sex With Me was published by 2dcloud in 2016.Los Angeles Times, Review of Someone Please Have Sex With Me In 2017, she was a featured guest at the Barcelona International Comic FairFICOMIC, "The 35th SALÓN DEL CÓMIC DE BARCELONA counts 118,000 visitors" (in Spanish) and Comic Arts Brooklyn,Comic Arts Brooklyn, 2017 exhibitor list and in 2018 she was a featured guest at the Chicago Alternative Comics Expo.Chicago Alternative Comics Expo, 2018 exhibitor list Her work has been featured in Best American Comics,"Five comics artists to watch from 2015's 'Best American Comics,'" Los Angeles Times VICE Media, Lumpen, and The Believer.

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