The crowd roared, and Stevens let Fall into the game.
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"We can't let fall behind the progress we've made in Nevada," Heller said.
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But all we can do is let fall a few drops in the sea of silence.
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So clearly that's a strategic dam that they couldn't let fall into the hands of the Taliban.
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When we pulled up, Teresa would be waiting in the doorway, wearing a silky robe that she let fall open.
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The Chinese yuan, which officials let fall past the key 7-per-dollar mark earlier this week, was last down 20193%.
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Bonus points if they're things you let fall by the wayside to free up more time for her when you were together.
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Maybe I'll give up my title and let fall lovers prosper, but I am gonna try to patent it so I can make millions from my genius idea.
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This is also seen in the issue of infrastructure, which Mr. Trump is happy to let fall by the wayside, knowing that his base wants him to build an impractical border wall instead.
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While pretty much all agreed it had changed their life, they had differing opinions on what parts of the philosophy were worth keeping up with, and while they had decided to let fall by the wayside.
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It's too cold to enjoy a stroll outside, so I duck into a coffee shop nearby, grab a ginger tea, and catch up on some Hinge and Bumble conversations I've let fall to the wayside $3.12 7:30 p.m.
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I was caught off-guard by the earnest emotion and sentimental nature of the story and struck by the unassuming way Tsumugi points out something her father let fall by the wayside: She hasn't shared a proper meal with him in ages.
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" The Book of Ruth in the Old Testament tells the story of literature's most famous gleaner, a pauper and an alien in Judah who so enchanted the landowner, Boaz, that he instructed his reapers actively to help her: "Let her glean even among the sheaves, and reproach her not: And let fall also some of the handfuls of purpose for her, and leave them.
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As he was speaking Anicetus foxily let fall a dagger between his legs.
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Yininmadyemi' - Thou didst let fall in Hyde Park, Sydney In 2014 Albert won first prize in the National Aboriginal & Torres Strait Islander Art Award with his work We can be Heroes, prompted by the 2012 shooting by police of two Aboriginal teenagers in Kings Cross. Albert's was the first photographic work to win the prize. In 2015, Albert was commissioned by the City of Sydney to create Yininmadyemi - Thou didst let fall, a public work for Hyde Park, Sydney. The work serves as a memorial to Aboriginal military history and features four large upright bullets and shell casings.
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Yininmadyemi - Thou didst let fall is a sculptural artwork by Indigenous Australian artist Tony Albert located in Hyde Park, Sydney. Unveiled on 31 March 2015, the artwork acknowledges the service of Aboriginal and Torres Strait Islander men and women in the Australian Defence Force.
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The summer of 2006 was the meteorite summer in Norway. The summer was very warm and dry. It was perfect weather to protect the valuable droppings that the skies let fall over Norway. It started in the beginning of June when on the 7th a very large meteor explosion was seen and heard over large areas in northernmost Norway.
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Verse translation by A.P. Graves O Land of my fathers, O land of my love, Dear mother of minstrels who kindle and move, And hero on hero, who at honour's proud call, For freedom their lifeblood let fall. :Country! COUNTRY! O but my heart is with you! :As long as the sea your bulwark shall be, :To Cymru my heart shall be true.
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The word Yininmadyemi is taken from an indigenous language of Sydney and translates as 'Thou Didst Let Fall'. The translation is sourced from the writings of Second Lieutenant William Dawes who recorded the local language and culture of the Aboriginal people of Sydney in the late 18th century. The sculpture's title is an example of poetic metonymy and is used to enhance the artwork's commemorative purpose.
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Dawes is the basis for Daniel Rooke, the central figure in Kate Grenville's 2008 novel The Lieutenant. The book is fictional but heavily based upon Dawes' notebooks. Jane Rogers' 1995 novel Promised Lands also focuses in part on the life of Dawes. The translation of Yininmadyemi - Thou didst let fall (the title given to a piece of public art in Sydney's Hyde Park) is from Dawes' notebooks.
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Yininmadyemi - Thou didst let fall is composed of four seven-metre tall bullets made of painted aluminium, black marble and Corten steel standing beside three fallen shell casings. The bullets and shell casings are arranged upon a crushed granite base that is in the shape of a boomerang. Albert's design for this sculptural memorial is inspired by international memorials such as the Memorial to the Murdered Jews of Europe in Berlin.
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Acerra. In Ancient Roman sacrificial tradition, an acerra (Greek: ') was the incense box used in sacrifices. The incense was taken out of the acerra and let fall upon the burning altar; hence, we have the expression de acerra libare. (turibulum) The acerra was also, according to Festus, a small altar, placed before the dead, on which perfumes were burnt. There was a law in the Twelve Tables, which restricted the use of acerrae at funerals.
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Because of this he was deposed by the General Assembly. He petitioned to be reinstated and the Assembly was just about to do so when, according to a letter from Robert Baillie who was present, Patrick "let fall out of his pocket a poem too invective against the Church's proceedings. This, by a mere accident, came into the hands of Mr Murdo Law, who gave it to Mr James Guthrie, and he did read it to the Assembly, to Mr Patrick’s confusion".
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The term stems from Italian climber, Emilio Comici, who said: > "I wish some day to make a route, and from the summit let fall a drop of > water, and this is where my route will have gone"Venables, Stephen (2008). > First Ascent, Firefly. There are usually many climbing routes to the summit of a mountain and it often takes days of studying to work out which route might be suitable. Sometimes the theoretical considerations turn out to be impracticable or inexpedient in hindsight.
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The design of Yininmadyemi - Thou Didst Let Fall is a symbolic reflection upon the war experience of Albert's grandfather, Eddie Albert, an indigenous soldier who served in the Australian Military in World War Two. During his World War II service, Eddie was captured as a prisoner of war following battle in Libya. The story of Eddie's escape from an Italian POW camp, consequent recapture and survival after three of his fellow Allied soldiers were executed is expressed by the three fallen shells of the sculpture.
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The tension was high right to the end. In the 78th minute Jarryd Hayne crossed but the try was disallowed since in the previous play Steve Price had been illegally concussed. After being knocked out by a Brett White punch, Price was "blindsided" on his way down by Trent Waterhouse and then medi-cabbed off several minutes later in a state of severe concussion. Queensland players became particularly incensed by the actions of Justin Poore who appeared to pick up and then let fall to the ground the concussed Price.
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In medicine, paresis () is a condition typified by a weakness of voluntary movement, or by partial loss of voluntary movement or by impaired movement. When used without qualifiers, it usually refers to the limbs, but it can also be used to describe the muscles of the eyes (ophthalmoparesis), the stomach (gastroparesis), and also the vocal cords (Vocal cord paresis). Neurologists use the term paresis to describe weakness, and plegia to describe paralysis in which all voluntary movement is lost. The term paresis comes from the 'letting go' from παρίημι 'to let go, to let fall'.
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These devices were then called "mills" but are now known as steam jacks. Another similar rudimentary steam turbine is shown by Giovanni Branca, an Italian engineer, in 1629 for turning a cylindrical escapement device that alternately lifted and let fall a pair of pestles working in mortars. The steam flow of these early steam turbines, however, was not concentrated and most of its energy was dissipated in all directions. This would have led to a great waste of energy and so they were never seriously considered for industrial use.
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The word sebil or sabil comes from the Arabic verb root sabala (سبل) meaning "to let fall, drop, to let hang down, to close eyes or to shed tear". Sabil initially meant "road" or "path" and is used both metaphorically and literally in multiple instances in the Qur'an. Its use as an architectural term for a public water building or fountain likely derives from a more abstract meaning it acquired to refer to general acts or provisions done for the sake of God (such as a charitable act).
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He often sent his poetry to his contemporary and hometown friend, al-Ma'arri, for the latter's commentary. Ibn Abi Hasina's diwan (poetry collection) was published in Damascus in 1956 by Muhammad As'ad Talas. The diwan consisted of two volumes, the first containing Ibn Abi Hasina's poems, the second containing commentary by al-Ma'arri. Among the poems attributed to Ibn Abi Hasina is the following verse: > When we stopped to say a mutual farewell, > and whilst her heart and mine were overflowing with passion and with love, > she wept liquid pearls; > my eyelids let fall cornelians, > and both formed a necklace on her bosom.
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Anne Winston- Allen, Stories of the Rose: The Making of the Rosary in the Middle Ages (Pennsylvania State University Press, 1997), pp. 81–82. Alanus, who played a key role in the development of the rosary, preferred the term "psalter". Memorial to Thérèse of Lisieux, inscribed with her motto "After my death, I will let fall a shower of roses"; she wears a floral wreathJohn J. Delaney, Dictionary of Saints (Random House, 2005), p. 656. Miracles involving roses are ascribed to some female saints, while roses are a distinguishing attribute of others ranging from Cecilia of Rome (d.
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Critics of this view point out that Elisha was already appointed as Elijah's successor earlier in the narrative and that Elisha is described as performing twice as many miracles as Elijah. In this interpretation the "double-portion" isn't merely an allusion to primacy in succession, but is instead a request for greater prophetic power even than Elijah. By means of the mantle let fall from Elijah, Elisha miraculously recrossed the Jordan, and Elisha returned to Jericho, where he won the gratitude of the people by purifying the unwholesome waters of their spring and making them drinkable.
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"ANZAC Memorial, Sydney ", ANZAC Day Commemoration Committee (Qld) Incorporated, 1998. It was opened on 24 November 1934 by His Royal Highness Prince Henry, Duke of Gloucester. ANZAC War Memorial Close to the ANZAC Memorial in the southern end of the park is Yininmadyemi - Thou didst let fall, a public artwork that acknowledges the service of Aboriginal and Torres Strait Islander men and women in the Australian Defence Force. The artwork by Indigenous Australian artist Tony Albert was unveiled on 31 March 2015 and was commissioned by the City of Sydney as part of its Eora Journey public art initiative.
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A few days after they decided, in a public meeting, to plant their banner on the ramparts and throw in their lot with the Commune. On the 29th, accordingly, 10,000 of the brethren met (55 lodges being represented), and marched to the Hôtel de Ville, headed by the Grand Masters in full insignia and the banners of the lodges. Amongst them the new banner of Vincennes was conspicuous, bearing the inscription in red letters on a white ground, "Love one another." A balloon was then sent up, which let fall at intervals, outside Paris, a manifesto of the Freemasons.
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Rope bridges had to be replaced about every two years: to this end, the communities around the river crossing were commanded into a mita for the construction of the new bridge, while the old bridge was cut and let fall into the river. This type of bridge was built with ropes of vegetable fibers, such as ichu (Stipa ichu) a fiber typical of the Altiplano, which were tied together to form cords and ropes which constituted the bridge floor cables, the two handrails and the necessary connections between them. Ravines were sometimes crossed by hanging baskets, or oroyas, which could span distances of over . An "oroya" or basket to cross rivers.
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He introduced the theory of impetus. Aristotle's physics was not scrutinized until Philoponus appeared; unlike Aristotle, who based his physics on verbal argument, Philoponus relied on observation. On Aristotle's physics Philoponus wrote: > But this is completely erroneous, and our view may be corroborated by actual > observation more effectively than by any sort of verbal argument. For if you > let fall from the same height two weights of which one is many times as > heavy as the other, you will see that the ratio of the times required for > the motion does not depend on the ratio of the weights, but that the > difference in time is a very small one.
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If the whip was needed it was flicked out in front of the bullock driver; then by the use of all his strength he swung it over his head, often twirling it several times before he cracked it or let fall upon the back of a bullock he might wish to reach. Sometimes the bullocky had an “offsider” (a type of an apprentice) who walked on the offside (right) of the team and also assisted the bullocky yoke up and care for the team. Many Australians who have never had contact with bullocky or a team still use the word “offsider’ as a synonym for an assistant, helper or learner.Coupe, Sheena (ed.), Frontier Country, Vol.
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A percussion drilling tool that is not mechanically driven requires some method of raising the drill so it can be released, to fall on the ice. To do this efficiently with manual labour, it is usual to set up a tripod or other supporting scaffold, and a pulley to allow the drill string to be raised by a rope. This arrangement, known as a cable-tool rig, can also be used for mechanical drilling, with a motor raising the drill string and allowing it to fall. An alternative approach is to leave the drill string at the bottom of the borehole, and to raise and let fall a hammer weight onto the drill string.
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"Gerig, 236. As quoted in Sachs, 83 In his book The Great Pianists, former New York Times critic Harold C. Schonberg describes Rubinstein's playing as that "of extraordinary breadth, virility and vitality, immense sonority and technical grandeur in which all too often technical sloppiness asserted itself." When caught up in the moment of performance, Rubinstein did not seem to care how many wrong notes he played as long as his conception of the piece he was playing came through.Schonberg, 272–74 Rubinstein himself admitted, after a concert in Berlin in 1875, "If I could gather up all the notes that I let fall under the piano, I could give a second concert with them.
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When Suttungr discovered the theft, he too took the shape of an eagle and flew off in hot pursuit. When the Æsir saw Odin coming, they set out vessels in readiness to hold the mead and when, in the nick of time, the god arrived, he spat his loot into them. But Suttungr was so close to him that, in his fear and haste, the god let fall some of the precious liquid from his anus. Anybody could drink of this paltry and sullied portion, which was known as the "rhymester's share" ("skáldfífla hlutr"); but the greater portion of the mead of poetry (which had issued from his mouth) Odin gave to the gods and to those truly gifted in poetry.
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Audiobook of The Love Song of J. Alfred Prufrock by T.S. EliotIn the following passage from The Love Song of J. Alfred Prufrock, T.S. Eliot provides another example of an extended metaphor: :The yellow fog that rubs its back upon the window-panes, :The yellow smoke that rubs its muzzle on the window-panes :Licked its tongue into the corners of the evening, :Lingered upon the pools that stand in drains, :Let fall upon its back the soot that falls from chimneys, :Slipped by the terrace, made a sudden leap, :And seeing that it was a soft October night, :Curled once about the house, and fell asleep. Qualities (grounds) that we associate with cats (vehicle), color, rubbing, muzzling, licking, slipping, leaping, curling, sleeping, are used to describe the fog (tenor).
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Shang Wei, "The Literati Era and Its Demise" in The Cambridge History of Chinese Literature, edited by Steven Owen and Kang-i Sun Chang. Cambridge, 2010, pp.263-64.Fong, Grace S.; Widmer, Ellen, The Inner Quarters and Beyond: Women Writers from Ming through Qing In his eulogy of Jin Yi, Yuan Mei wrote: “At a very early age she could already read books and distinguish the four tones. She loved to compose poetry, and every time she let fall her brush it was like a fleet horse prancing along unable to talk.”Women Writers of Traditional China: An Anthology of Poetry and Criticism,’’ edited by Kang-I Sun Chang and Haun Saussy, Stanford: Stanford University Press, 1999, pp. 485-87Hu Wenkai 胡文楷, Lidai funü zhuzuo kao 歴代婦女箸作考, SHanghai, 1985, pp.
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The composer summarises the ballad Der Handschuh, which Schiller wrote in 1797 in a friendly ballad competition with Goethe: "The story is set in the reign of the French King François I. In it the king stages a fight between a variety of wild animals for the entertainment of his guests (we read in the "Essais historiques sur Paris" of Monsieur de Saint-Foix that an arena existed in what is now known as the "Rue des Lions" in Paris). The animals, however, prove to be placid creatures: the real contest plays itself out among the spectators, when a certain Dame Cunigund challenges her lover to demonstrate his affection for her by retrieving a glove she had affected to let fall accidentally into the arena. This he does, to the amazement of the crowd; at the end, however, events take an unexpected turn." The different actors, including the animals, are portrayed musically in leitmotifs.
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In his Commentaries on Aristotle, Philoponus wrote: > But this is completely erroneous, and our view may be corroborated by actual > observation more effectively than by any sort of verbal argument. For if you > let fall from the same height two weights of which one is many times as > heavy as the other, you will see that the ratio of the times required for > the motion does not depend on the ratio of the weights, but that the > difference in time is a very small one. And so, if the difference in the > weights is not considerable, that is, of one is, let us say, double the > other, there will be no difference, or else an imperceptible difference, in > time, though the difference in weight is by no means negligible, with one > body weighing twice as much as the other. Bas-relief plaque of Tribonian in the Chamber of the House of Representatives in the United States Capitol refugee Byzantine scholars fled to North Italy in the 1400s. Here John Argyropoulos (1415–1487), born in Constantinople and who ended his days in north Italy.
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The blocks, or pullies, by which he is suspended, are > fastened to the opposite extremities of the main-yard, and a weight of lead > or iron is hung upon his legs to sink him to a competent depth. By this > apparatus he is drawn close up to the yard-arm, and thence let fall suddenly > into the sea, where, passing under the ship's bottom, he is hoisted up on > the opposite side of the vessel. As this extraordinary sentence is executed > with a serenity of temper peculiar to the Dutch, the culprit is allowed > sufficient intervals to recover the sense of pain, of which indeed he is > frequently deprived during the operation. In truth, a temporary > insensibility to his sufferings ought by no means to be construed into a > disrespect of his judges, when we consider that this punishment is supposed > to have peculiar propriety in the depth of winter, whilst the flakes of ice > are floating on the stream; and that it is continued till the culprit is > almost suffocated for want of air, benumbed with the cold of water, or > stunned with the blows his head received by striking the ship's bottom.
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They attempted to make amends by sacrificing 200 children of the best families at once, and in their enthusiasm actually sacrificed 300 children. Freeman in The History of Sicily from the Earliest Times (1894) states that the Carthaginian nobles had acquired and raised children not of their own for the express purpose of sacrificing them to the god. The author states that during the siege, the 200 high-born children were sacrificed in addition to another 300 children who were initially saved from the fire by the sacrifice of these acquired substitutes. Plutarch wrote in De Superstitione 171: > ... but with full knowledge and understanding they themselves offered up > their own children, and those who had no children would buy little ones from > poor people and cut their throats as if they were so many lambs or young > birds; meanwhile the mother stood by without a tear or moan; but should she > utter a single moan or let fall a single tear, she had to forfeit the money, > and her child was sacrificed nevertheless; and the whole area before the > statue was filled with a loud noise of flutes and drums that the cries of > wailing should not reach the ears of the people.
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