I started pedaling and immediately felt the 250-watt motor pull me forward without any jerkiness.
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In the wee hours, the fight got so raw he had to scold both sides for excessive jerkiness.
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Personally I'm not interested in perfectly seamless loops, I like looping GIFs with abrupt rhythms that emphasize the jerkiness.
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There it is, with its wrinkled snout and its leathery skin, moving with the unnerving jerkiness of a monstrous puppet.
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After spending about 20 minutes setting and calibrating the thing, it still exhibited some jerkiness while scrolling or moving the cursor.
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His movement was fluid, without the jerkiness that had plagued him earlier in the season, but the result was the same.
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At one point late in the first trial session, he scolded the House managers and the president's team for excessive jerkiness.
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Maybe a roller coaster is the right image here, with the loops and the flips and the sudden jerkiness and the sense that you might throw up.
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Like most men I know, I have managed to have a professional career and personal relationships free of assault, harassment or even run-of-the-mill jerkiness.
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This footage has been around for 100 years, and these men had been buried behind a fog of damage, a mask of grain and jerkiness and sped-up film.
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This footage has been around for 100 years and these men had been buried behind a fog of damage, a mask of grain and jerkiness and sped-up film.
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Ms. Oishi displays no ability to create memorable encounters or create movement that delineates character, despite giving Mr. Kobborg an odd puppetlike jerkiness and suggesting that Yusupov enjoys cross-dressing.
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Think of a toy claw machine, where the second the clamp touches down on an object, the automated process takes over and the arm springs to life with an uncanny jerkiness.
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The Mountain should be good for some needless violence, and though Chaim won't get points for general jerkiness, he could see the lord of House Tarly called into action by his new liege lady: Olenna Tyrell.
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But even so, the sculpting gives the characters a tactility that lines of coding have not yet matched, and the jerkiness of the movement — only slight in this case — affords the film a warm, organic feel.
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"This footage has been around for 100 years and these men had been buried behind a fog of damage, a mask of grain and jerkiness and sped-up film," Jackson said in an interview with The Times last year.
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Gail: If you talk with your Democratic friends over, say, a bottle of wine, you will hear a lot about the nefarious jerkiness of President Trump — and you won't mind what with the wine and their being totally right.
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Near nothing in particular, a gaggle of children wearing cardboard Harry and Meghan masks spontaneously began swinging their arms in a stiff-limbed arrhythmic dance for several minutes — with no apparent aim or supervision — and the uncanny jerkiness of their movements was enhanced by the eerie floating stillness of the adult-sized faces.
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But if Solo feels, at times, like the writers are going down a fan service checklist – here's how Han met this character or that one, how he acquired this or that, how he got here or there – at least the line items are handled with enough care and affection that it's easy to forgive any narrative jerkiness.
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Another option for reducing the impression of jerkiness is to reduce the time between the frames of a wiggle image.
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For example, viewing motion pictures by Internet connection generally necessitates a greatly reduced frame rate, making jerkiness clearly apparent. In conventional cinematography, the images are filmed and displayed at 24 frames per second, at which speed jerkiness is not normally discernible. Television screens refresh at even higher frequencies. PAL and SÉCAM television (the standards in Europe) refresh at 25 or 50 (HDTV) frames per second.
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It is especially prominent at lower speeds, with the symptom of jerkiness. Cogging torque results in torque as well as speed ripple; however, at high speed the motor moment of inertia filters out the effect of cogging torque.
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The Shake was a fad dance of mid-1960s, characteristic of "tense jerkiness" of limbs and head shaking, basically with no particular danced moves or steps. It superseded the twist in popularity by 1965. It was an individualistic dance, with no steps, legs trembling, arms arbitrarily gesticulating and head shaking. No partner was necessary.
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Positional alcohol nystagmus (PAN) is nystagmus (visible jerkiness in eye movement) produced when the head is placed in a sideways position. PAN occurs when the specific gravity of the membrane space of the semicircular canals in the ear differs from the specific gravity of the fluid in the canals because of the presence of alcohol.
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A spatial application is a technological application (such as video) requiring high spatial resolution, possibly at the expense of reduced temporal positioning accuracy, such as increased jerkiness. Examples of spatial applications include the requirement to display small characters and to resolve fine detail in still video, or in motion video that contains very limited motion.
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Attempts to convert the NTSC version back to PAL format using traditional conversion processes yielded unsatisfactory results. Such double conversions produce artifacts that manifest themselves as jerkiness in the picture where movement is present, and in soft-looking pictures. Using interpolation processes to convert source material twice-over (in this example, PAL to NTSC to PAL) causes the artefacts previously mentioned to be exacerbated.
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There was also strong engine braking when the throttle was backed off. The transmission got high marks in other tests, but the carburetors were criticized. Other testers found fault with the push-pull throttle cable arrangement, and commented on slack in the drivetrain causing some jerkiness. The bike was described as being heavy for its displacement but not feeling the weight on the road.
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This is helpful for some types of photography, such as macro photography. Other head types include the gimbal, fluid, gear, alt-azimuth, and equatorial heads. Fluid heads and gear heads move very smoothly, avoiding the jerkiness caused by the stick-slip effect found in other types of tripod heads. Gimbal heads are single-axis heads used in order to allow a balanced movement for camera and lenses.
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Jessica enters, and Tyrone proceeds to bluntly flirt with her. Margery leaves the classroom, prompting Timothy to harass Jessica, causing Tyrone to come to her defense, which Jessica assumes is Jason trying to be nice. However, Tyrone takes it to a whole new level, calling out Timothy for his insecurity and jerkiness, telling him to run off. Timothy, feeling bold, reveals to Jason he had sex with his mother.
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Jerkiness, sometimes called strobing or choppy, describes the perception of individual still images in a motion picture. Motion pictures are made from still images shown in rapid sequence. Provided there is sufficient continuity between the images and provided the sequence is shown fast enough, the central nervous system interprets the sequence as continuous motion. However, some technologies cannot process or carry data fast enough for sufficiently high frame rates.
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This faulty technique gave a measure of jerkiness to an otherwise smooth performance." The Bulletin said "Intelligently produced by John Croyston, it [the show] had everything but a good time-slot. It was buried after the late news. The duty announcer urged viewers to stay up for it, and I hope some did. They would have found that “The Quiet Season” was one of those small plays requiring sensitive management, and this Croyston achieved in a masterly way.
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That resulted in serious jerkiness when running. A remedy was achieved by coupling the tender closer to the locomotive and thus raising the compression of the buffer springs. Not until the lines were upgraded in 1910 to take a axle load, could the necessary reinforcing measures be taken. The S 6 then became the heaviest 4-4-0 locomotive on continental Europe, even outweighing the subsequently built four-cylinder, saturated steam locomotives of Class S 7\.
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Deep Zoom is a technology developed by Microsoft for efficiently transmitting and viewing images. It allows users to pan around and zoom in a large, high resolution image or a large collection of images. It reduces the time required for initial load by downloading only the region being viewed or only at the resolution it is displayed at. Subsequent regions are downloaded as the user pans to (or zooms into them); animations are used to hide any jerkiness in the transition.
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O'Connor's fascination with photographing steam locomotives led to his best known invention, an improved tripod fluid head with counterbalance and adjustable drag. As he tried photographing moving trains, he became annoyed by the jerkiness of the pictures. To solve this problem he developed a silicone- filled platform that interfaced between the tripod and the camera to allow smooth panning and tilting of the camera. He still viewed this as a hobby and shot more than 100,000 feet of film on the waning days of steam locomotives.
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Vocal cord nodules and polyps are different phenomena, but both may be caused by vocal abuse, and both may take the form of growths, bumps, or swelling on the vocal cords. Vocal fold paralysis is the inability to move one or both of the vocal cords, which results in difficulties with voice and perhaps swallowing. Paradoxical vocal fold movement occurs when the vocal cords close when they should actually be open. Spasmodic dysphonia is caused by strained vocal cord movement, which results in awkward voice problems, such as jerkiness or quavering.
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Video game consoles in the 1990s began offering S-video output as well. The mismatch between NTSC's 30 frames per second and film's 24 frames is overcome by a process that capitalizes on the field rate of the interlaced NTSC signal, thus avoiding the film playback speedup used for 576i systems at 25 frames per second (which causes the accompanying audio to increase in pitch slightly, sometimes rectified with the use of a pitch shifter) at the price of some jerkiness in the video. See Frame rate conversion above.
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Fluid heads are the dominant tripod heads used in the motion picture industry. They provide extremely smooth free movement, even with the heaviest of filmmaking and professional video cameras. The fluid reduces the risk of the camera operator introducing any jerkiness or vibration to the shot during a pan or tilt through dampening, and also reduces the friction between moving parts of the head. As the size of high-quality video cameras has become greatly reduced, there are now fluid heads designed even for consumer camcorders, which are being used increasingly in television production environments.
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Shiny capitalized on the breakthrough, spending a few weeks to rewrite a portion of Sacrifices software. Brownlow and his team refined and improved the game's graphics, increasing the number of polygons per model and setting the software to scan through scenes a few more times to determine what objects to render and how to display them. Sacrifice was acknowledged as the first game on the market to make full use of the new graphic cards (the GeForce 2 and Radeon series). Because of the adopted technology, animation in the game was smooth, without the jerkiness associated with overstressed graphical engines.
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There is generally a screw or lever mechanism that presses against the washers—the higher the pressure, the greater the resistance. Drag washers are commonly made of materials such as steel, Teflon, carbon fiber, other reinforced plastics or metal alloys. Since large fish can generate a lot of pulling power, reels with higher available drag forces (which generate greater heat) for higher-test lines will use stronger and more heat-resistant materials than reels designed for low-test lines. A good drag system is consistent (generates the same force over and over), durable and smooth (no jerkiness).
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The animals used for the dragon's vocalizations included lions, tigers, leopards, jaguars, alligators, pigs, camels, and elephants. Phil Tippett built a model for the scenes in which the dragon would be required to walk. Tippett did not want to use standard stop motion animation techniques, and had his team build a dragon model which would move during each exposure rather than in between as was once the standard. This process, named "go motion" by Tippett, recorded the creature's movements in motion as a real animal would move, and removed the jerkiness common in prior stop motion films.
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NTSC television displays (the standard in North America) refresh at 29.97 frames per second. Animated cartoon films are typically made at reduced frame rates (accomplished by shooting several film frames of the individual drawings) so as to limit production costs, with the result that jerkiness tends to be apparent, especially on older limited animation features. Strobing can also refer to cross colour and Moiré patterning. Cross colour refers to when any high frequency luminance content of the picture, close to the TV systems colour sub-carrier frequency, is interpreted by the analogue receiver's decoder as colour information.
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ZootFly experimented extensively with the possibilities of reading and interpreting players' inputs and adapting the gameplay experience accordingly based on specific psychological profiles extrapolated via psychometrics. According to ZootFly, users' inputs reveal comprehensive information about them—reactions in tight situations, how they use resources, how they interact and communicate, how they deal with challenges, keypress sequences, mouse movement jerkiness, actions performed when entering a new space: i.e. whether they go in the middle of the room and look around or explore details first, the average speed of their movements, etc. Zoofly researched building psychological profiles of players using their inputs and adapting the game accordingly.
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Canadians contributed greatly to the technologies and practices used to create animated television shows, movies and special effects. Starting in 1912, Canadian born cartoonist and painter Raoul Barre introduced standard perforations in the drawing paper and "peg bars" to hold them in place which eliminated jerkiness when going from one image to the next. He also introduced the slash system, a method of drawing the background only once (instead of with each frame as had been done previously) on a separate sheet, leaving blank spaces for character movement. In 1913, Barre organized a systematic method of producing animated cartoons in an assembly line fashion.
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H and S both have a double edged sword quality, demanding the player carefully consider when to pick them up; H releases a fleet of enemies on opposing sides of the screen, and S increases the jerkiness of the ship, making it impossible to maneuver or aim with precision. At the end of each level, the player is awarded additional points on the percentages of enemies destroyed and hostages rescued, as well as point bonuses based on secret achievements. Hostages are rescued by ramming into the capsules they are contained in. The capsules are otherwise invincible, and can serve as obstacles blocking the player's fire.
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Years after he turned his back on his hometown, a burned-out major league ballplayer who "forced himself into retirement by the depths of his own jerkiness" returns to teach physical education at his old middle school. Still trying to reclaim his fame he starts on a comeback—righting his previous wrongs along the way—only to unwittingly sabotage his own efforts. While not based on the life of former Major League Baseball relief pitcher John Rocker, the show's creators do cite Rocker's attitude as an inspiration. Former major league pitcher Mitch "Wild Thing" Williams has often been cited as the inspiration for the Powers character, though Williams himself has disavowed any connection.
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To trick the eye and the brain into thinking they are seeing a smoothly moving object, the pictures should be drawn at around 12 frames per second or faster. (A frame is one complete image.) With rates above 75-120 frames per second, no improvement in realism or smoothness is perceivable due to the way the eye and the brain both process images. At rates below 12 frames per second, most people can detect jerkiness associated with the drawing of new images that detracts from the illusion of realistic movement. Conventional hand-drawn cartoon animation often uses 15 frames per second in order to save on the number of drawings needed, but this is usually accepted because of the stylized nature of cartoons.
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Illustrations included photographs of Dayton with her clay figures, a picture from the animated sculpture play Battle of the Suds, a part of a film strip showing circa ten frames of three dancing chorus girls and another of a man and a snake. The journalist found the effect "startingly (sic) realistic and highly amusing" and believed that "the rather jerky action serves only to enhance the amusing result". Later in the year, Dayton admitted: “The difficult thing at first was to determine just how much to move an arm or a head, to avoid an appearance of jerkiness. I used to make the changes too great, but am learning to overcome that now.” Dayton created 16 poses for her sculpted figures for each foot of film, with up to 30 figurines moving in a scene.
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At the time, Moakes told Rolling Stone that the album would hopefully include electronic, processed beats and a sound in the vein of alternative rock band Radiohead and indie rock ensemble TV on the Radio. Bloc Party wanted to expand their sonic palette without losing the musical "jerkiness" of Silent Alarm. They selected Lee—who had worked with world-renowned act U2 and indie rock band Snow Patrol—based on the rapport that developed between the two parties while recording the demo song "I Still Remember", which later appeared in A Weekend in the City. Moakes has explained the choice of producer by stating that the band members were looking to work with someone who could help them craft an accomplished album, "although as much as anything it's about finding someone who you'd want to spend six weeks in an enclosed space with".
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