WTO agreements concerning non-tariff barriers WTO 2007 A recent example has been the application of the precautionary principle to exclude innovatory products.
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They have been described as 'Later Twentieth Century Boys' and 'Intelligent, Innovatory and Immodest'. Also included in the release were a cassette of demo recordings and a sticker bearing the "Electronically Yours" slogan.
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Scientific activity at the Sumy State University is related with: # Fundamental investigations in physics and mathematics. # Production and optimization of: innovatory workflows, progressive methods of material processing, automatic lines, equipment, machines and tools for engineering industry. # Ecological problems of the applied chemistry. Elaboration of progressive technology and equipment for chemical industry.
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It is built in a Geometrical Gothic style with an octagonal crypt below. A pier of eight shafts carries the vaulted ceiling. To the sides are blind arcading, remains of 14th-century paintings and numerous stone benches above which are innovatory large 4-light quatre-foiled windows. These are virtually contemporary with the Sainte- Chapelle, Paris.
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Innovatory scenographic suggestions taught audiences based on one's involvement in the performance. Never before in its history had Baj Pomorski spectacles received so many awards and honors. In 1994 Sieńko initiated Toruń's Meetings of Puppet Theaters. In 1999 this evolved to become Toruń's International Meetings of Puppet Theaters which has become a perpetual event in Toruń's puppet stage activity.
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In 1670 Weise became Hofmeister for Gustav Adolf von der Schulenburg, the Baron of Emden. However, later that same year he moved again, to teach at a school in Weißenfels, the Gymnasium Illustre Augusteum. During the 1670s Weise produced a number of innovatory political and satirical novels, starting with Die drey Haupt- Verderber in Teutschland (1671).Watanabe-O'Kelly (2000). p.
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Various rooms, like laboratories, offices, bar, book shop and restaurant were added after the inauguration. The Teatro Lirico di Cagliari has received some important national prizes, in particular the Premio Franco Abbiati in 2001 for its innovatory programme. The prize was also assigned in 2000 and 2005 for Lucia di Lammermoor and Carmen respectively. Conductor Carlos Kleiber gave his last concert here in February 1999.
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Though 100 years separate us, I feel we > are fellow-spirits, pioneers both, destined to annoy as well as please with > our innovatory cookery notions. Freeman went on to write eight books on Welsh cuisine. These are published by Y Lolfa, a publisher based in Ceredigion. Some of the books are illustrated with historical photographs from the John Thomas collection of the National Library of Wales.
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The inscription on the arch is dated two years later:"LIBERTY IN N AMERICA TRIUMPHANT MDCCLXXXIII". He has sometimes been credited with the design of Bedford Square in London: while this is uncertain some of the individual houses are attributed to him, and interiors, including those at No 13, where he lived from 1795. His chief skill lay in the innovatory design of small-scale interiors.
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Tower of the 'Krasny Gvozdilshchik' ('Red Nailer') Factory in St. Petersburg, February 2006 Yakov Georgievich Chernikhov (Яков Георгиевич Чернихов) (5 (17) December 1889 in Pavlograd, Yekaterinoslav Governorate, Russian Empire (now Pavlohrad, Ukraine) – 9 May 1951 in Moscow, Soviet Union) was a constructivist architect and graphic designer. His books on architectural design published in Leningrad between 1927 and 1933 are amongst the most innovatory texts (and illustrations) of their time.
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India Science Award is given annually in recognition of distinguished achievements in science, including medicine, engineering and agriculture. The recipient is a scientist, of no age limit, who had made a groundbreaking scientific research that is widely demonstrated and accepted, and the work done primarily in India. Originality and innovatory outputs are more important than mere quantity. Contribution to scientific development of the country has a huge impression.
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MS constructed 38 vessels between 1950 and its merger with OSK in 1964, and its operating tonnage was the largest in Japan. One of its ships, Kinkasan Maru, was the first bridge-controlled ship in the world. MS planned to rationalize its crews and at the same time improve the working conditions of engineers. It cooperated with Mitsui Shipbuilding & Engineering Co., a direct successor of Mitsui Tama Shipyard, and designed innovatory bridge-controlled ships.
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According to Mary Cadogan in Twentieth-Century Children's Writers, "This truly innovatory book gives new dimensions to the day-school story, and an authoritative boost to feminism. More convincingly than any other juvenile book it demolishes many accepted ideas about aspirational and experiential differences between boys and girls." She added: "The exactly appropriate first person narrative is punctuated by consciously dire playground rhymes and jokes which sharpen its pacy succinctness."Twentieth-Century Children's Writers, ed.
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Section 7 creates the "broad and innovatory offence" of the failure of commercial organisations to prevent bribery on their behalf. This applies to all commercial organisations which have business in the UK. Unlike corporate manslaughter, this does not only apply to the organisation itself; individuals and employees may also be found guilty.Sullivan (2010) p.92 The offence is one of strict liability, with no need to prove any kind of intention or positive action.
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Chloe Goodchild is an international singer and innovatory educator and founder of The Naked Voice and its UK Charitable Foundation, dedicated to the transforming practice of self-awareness and conscious communication skills, through spoken and sung voice. Veronica Goodchild practices as a Jungian psychotherapist and is an Affiliate Member of the Inter-Regional Society of Jungian Analysts. Gabrielle Goodchild is an artist producing etchings and paintings in the West Country of England.
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Sheridan Morley worked as a late-night newscaster for ITN from 1965, before moving to the BBC to present Late Night Line-Up for BBC 2 from 1967 to 1971, alongside Joan Bakewell and Tony Bilbow. He also presented Film Night for BBC 2 in 1971 and 1972. He presented Kaleidoscope for BBC Radio 4, and an innovatory arts programme for BBC Radio 2 from 1990 to 2004. He had begun The Radio Two Arts Programme in April 1990.
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Facilitated by its flourishing textile industry, Oldham developed extensive structural and mechanical engineering sectors during the 18th and 19th centuries. The manufacture of spinning and weaving machinery in Oldham belongs to the last decade of the 19th century, when it became a leading centre in the field of engineering. The Platt Brothers, originated in nearby Dobcross village, but moved to Oldham. They were pioneers of cotton- spinning machinery, developing innovatory products which enabled the mass- production of cotton yarn.
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The school's work in this area of the curriculum was commended by Rt. Hon. Peter Mandelson MP in the House of Commons in July 2003. The Secretary of State for Education and Skills, Rt. Hon. Charles Clarke MP, endorsed Mr. Mandelson's statement by applauding Manor's work, stating: > “Manor College are behaving in an entirely innovatory way in an outstanding > application of Information Communications Technology with different > partnerships outside the school which is focused on raising educational > standards”.
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Cane was born and educated in Essex where he studied horticulture and architecture. In 1930 Cane founded and edited the quarterly journal Garden Design and wrote many books on garden design. Cane’s style can best be described as Arts and Crafts and his curvy borders were seen as innovatory at the time. Conservation in the garden is achieved through general maintenance, which includes clearing leaves, mowing the main lawn, tidying the flower beds and planting, enhancing and creating wildlife habitats.
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It also houses the office of the Gandhi Foundation, which pursues interests of peace internationally, in the tradition of its namesake. In 1995, The Hall suffered two major burglaries when vandals broke in and burnt down the offices. The committed staff and volunteers were devastated by this destruction, but continued to run youth groups, advice sessions, clubs and meetings. The management interprets its remit as serving the local community and the cause of international peace and to do so in exciting and innovatory ways.
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Mendelssohn was a noted conductor, both of his own works and of those by other composers. At his London debut in 1829, he was noted for his innovatory use of a baton (then a great novelty). But his novelty also extended to taking great care over tempo, dynamics and the orchestral players themselves – both rebuking them when they were recalcitrant and praising them when they satisfied him. It was his success while conducting at the Lower Rhine music festival of 1836 that led to him taking his first paid professional position as director at Düsseldorf.
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Cuclin had the naivety to think that the official Marxism could incorporate his philosophy. We have several published compressed versions of his metaphysical system, some being to his disciples which noted them after a lecture or oral exposition of the master, and one being written by Cuclin himself (in Cuclin 1986), thus more reliable . Other published works with philosophical content are Musique: science, art et philosophie (Cuclin 1934), in the documents of the Eighth International Congress of Philosophy from Prague and his innovatory Treatise of Musical Aesthetics (Cuclin 1933).
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Peckwell's wood engravings were part of the "new school" of wood engraving in the last decades of the 19th century, and his work employed and advanced that school's innovatory and more subtle techniques.Weitenkampf, Frank, "American Graphic Art," New York: Henry Holt and Company, 1912, page 161. The persistence of finely crafted hand-done wood engravings in the face of modern photoengraving was also noted in the 1897 Columbian Cyclopedia, which noted in its entry on "wood-engraving" that Peckwell was "among the most noted and skillful of the present school."Columbian Cyclopedia, vol.
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Reviewing the album in Melody Maker, Steve Lake called In Praise of Learning "the album of the year". He said it is "revolutionary" in the sense that it is both "innovatory" and promoting "a revolution in government". With quotes from Mao Zedong, "no punches [are] pulled ... all the cards are on the table", although Lake did feel that Henry Cow tend to be "over-scholarly" at times. He described the music on the album as "nothing less than staggering", and called "Living in the Heart of the Beast" the LP's "tour-de-force".
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The innovatory journalistic format and techniques from the 1975 article had by then become well established. Ann Barr and her editorial team at Harpers & Queen spent much time working on the original draft of the 1975 article. The potential of the piece, to become a talking point and to define a new form of social comment, was seen from the start. Barr and the sub-editors at the magazine devised many of the 'attributes' of a Sloane, added as boxes to the main text, in what became a widely imitated format.
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George Coleridge Emerson Goode (29 November 1914 – 2 October 2015)"RIP Coleridge Goode 1914-2015", Gary Crosby website, 4 October 2015. was a British Jamaican-born jazz bassist best known for his long collaboration with alto saxophonist Joe Harriott. Goode was a member of Harriott's innovatory jazz quintet throughout its eight-year existence as a regular unit (1958–65). Goode was also involved with the saxophonist's later pioneering blend of jazz and Indian music in Indo-Jazz Fusions, the group Harriott co-led with composer/violinist John Mayer.
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An ex-Jean-Pierre Jabouille Renault RS01 being demonstrated by René Arnoux in 2007. Team Lotus had introduced ground effect with the Lotus 78, while Tyrrell were using the six wheeled Tyrrell P34. Renault continued the innovatory path with their car, drawing on the knowledge gained from their turbocharged 2.0L V6 engine used in Sports car racing which culminated in finishing 2nd at Le Mans in 1977 and winning in 1978, proving that Renault's turbocharged engines could not only be powerful, but reliable. The RS01 appeared cumbersome and overweight and indeed it was.
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Stating that "Love on Top" is reminiscent of 1980s R&B;, Erika Ramirez of Billboard magazine complimented the song as a "Halcyon love song, perfect to be whisked away to". Spence D. of IGN commented that Beyoncé's "cheery disposition" and the "brash horns" will remind listeners of "damn good" mid-1980s R&B; can be. While including the song as a "must hear" from the album, Andy Gill of The Independent named "Love on Top" as "a small footnote to Stevie Wonder's innovatory genius." Alexis Petridis of The Guardian praised Beyoncé's vocals and called "Love on Top" a "well-written" song.
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It held regular exhibitions and had an organised structure, showing works annually until 1825 and again from 1828 until its dissolution in 1833. The Norwich School's leading spirits and finest artists of the movement were Crome and Cotman. The impact of the Norwich School outside East Anglia was based largely upon the works of Vincent and Stark, who were seen as important members of the second generation of the school, and whose exhibited paintings in the capital attracted much praise in the London press. This generation, which included David Hodgson, represented a shift towards the work of the mid-Victorian artists, who were less innovatory that those of thirty years earlier.
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141 Similar arrangements between Dutch merchants and foreign governments occurred throughout the 17th century. The transition to more modern forms of international lending came after the Glorious Revolution of 1688. The new Dutch regime in England imported Dutch innovations in public finance to England, the most important of which was the funded public debt, in which certain revenues (of the also newly introduced excises after the Dutch model) were dedicated to the amortization and service of the public debt, while the responsibility for the English debt shifted from the monarch personally, to Parliament. The management of this debt was entrusted to the innovatory Bank of England in 1694.
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While older speakers in London today display a vowel and consonant system that matches previously dominant accents such as Cockney, young speakers often display different qualities. The qualities are on the whole not the levelled ones noted in recent studies (such as Williams & Kerswill 1999 and Przedlacka 2002) of teenage speakers in South East England outside London: Milton Keynes, Reading, Luton, Essex, Slough and Ashford. From principles of levelling, it would be expected that younger speakers would show precisely the levelled qualities, with further developments reflecting the innovatory status of London as well as the passage of time. However, evidence, such as Cheshire et al.
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They were on the losing side in the 1895 United Kingdom general election and remained out of power until their landslide win in the 1906 United Kingdom general election. The Newcastle Programme was important for two reasons; first, it gave the Liberal party a Radical agenda on which to fight the next general election and second, the detailed 'shopping list' of policies it adopted was innovatory in British politics, setting a precedent for modern political parties. Today ordinary members of all major political parties participate in policy development and the parties present the electorate with a programme or manifesto for government, agreed or endorsed in some way by their members.
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Manfredi was born in Ostiano, near Cremona. He may have been a pupil of Caravaggio in Rome: at his famous libel trial in 1603 Caravaggio mentioned that a certain Bartolomeo, accused of distributing scurrilous poems attacking Caravaggio's detested rival Baglione, had been a servant of his. Certainly the Bartolomeo Manfredi known to art history was a close follower of Caravaggio's innovatory style, with its enhanced chiaroscuro and insistence on naturalism, with a gift for story-telling through expression and body-language. Caravaggio in his brief career — gaining fame in 1600, exiled from Rome in 1606, and dead by 1610 — had a profound effect on the younger generation of artists, particularly in Rome and Naples.
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These records documented archaeological sites and buildings of all periods, and the amalgamation created a substantial national archive which was renamed the National Monuments Record of Wales to reflect its unique scope and importance. Its primary functions were 'to provide an index of all monuments, so that inquirers can be directed at once to the best information concerning any structure; and to fill the gaps in that information'. These ambitious and important aims resulted in a classified card index, innovatory in its day, for every known site and structure in Wales. Managed by C. H. Houlder, it laid the foundation of the Commission's structured archive, database and enquiry service as they are today.
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He then goes on to list composers in other European countries who are making strides in the futurist evolution of music even when battling tradition. For example Pratella discusses the geniuses of Richard Wagner and Richard Strauss and how they struggled to combat and overcome the past with innovatory talent. He expresses his admiration for Edward Elgar in England because he is destroying the past by resisting the will to amplify symphonic forms, and is finding new ways to combine instruments for different effects, which keeps in line with the Futurist aesthetic. Pratella also mentions Finland and Sweden, countries in which innovations are being made by means of nationalism and poeticism, citing the works of Sibelius.
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The lyrics of the song were written by Lear herself, who contributed words to every track on Sweet Revenge, and the music was composed by Anthony Monn, her long-time producer and collaborator. Musically, "Follow Me" showcased mainstream disco sound, which in the second half of the 1970s was at the peak of its popularity, however, with symphonic elements, and inspired by the innovatory work of German band Kraftwerk. Lyrically, the song tells about seduction as the first track in conceptual suite on side A, which tells a story about a girl tempted by Devil. The suite is concluded with an alternative version of the song, billed as "Follow Me (Reprise)", which contains different lyrics and sees the girl reject the Devil's offers.
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Although the civilian court system is reluctant to use unproven technologies, the military's future use of them may generate controversy over the possible innocence or guilt of enemy combatants. With the advent of novel technological innovations and information in the field of neuroscience, the military has begun to anticipate specific uses for such neuroscience research. However, these approaches, which can alter human cognitive abilities as well as infringe on an individual's right to the privacy of his or her own thoughts, are still innovatory and early in development. Present day treaties, such as the U.N. Declaration of Human Rights and the Chemical Weapons Conventions, address only the use of certain chemical agents and are not regulating the fast-paced evolution of recent advancements in cognitive science research.
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Maria Wyke mentions Nero as "one of the first tentative experiments in the screening of Roman history made by an Italian production house", remarking that it bases its plot on "a vastly condensed synthesis of the Italian dramatic tradition for Nero - from grandiose production of Claudio Monteverdi's opera L'incoronazione di Poppea (first performed in 1642) to recent stagings of Pietro Cossa's popular tragedy Nerone". Regarding the cinematographic style, she writes: "Highly dependent still on the conventions of the Italian stage, almost every scene of Nerone (...) operates as a self-contained unit within which the actors playing Nero, Octavia or Poppea, planted before papier mâché backdrops and facing their unseen film audience, gesture majestically". Only the scene mentioned above on Nero's vision is regarded as a "celebration of the innovatory powers of cinema".
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Civil society (largely non-political) was to have its own elected chamber in the Consultative Committees specific to each Community as democratically agreed, but the process was frozen (as were Europe's parliamentary elections) by Charles de Gaulle and other politicians who opposed the Community method. Today supranationalism only exists in the two European Communities inside the EU: the Economic Community (often called the European Community although it does not legally cover all State activities) and Euratom (the European Atomic Energy Community, a non-proliferation community, in which certain potentialities have been frozen or blocked). Supranational Communities provide powerful but generally unexploited and innovatory means for democratic foreign policy, by mobilising civil society to the democratically agreed goals of the Community. The first Community of Coal and Steel was agreed only for fifty years.
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Therefore,... ISNA perhaps cannot be characterized as a member of the media with the highest journalistic values and professional standards. However, under the circumstances that prevailed at the time, it would be safe to say that it provided the best possible and strategic way to set up a relatively reliable but constant information flow in the country during this period". As indicated in the thesis, "Regardless of any fate that the agency [ISNA] faces in the future..., it is clearly evident that ISNA, in the context of the Iranian media sphere and in comparison with other news sources in the country [during the period in between 1999-2005], rose as a new media phenomenon. This unique student news agency created a range of innovatory and influential journalistic work.
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Nicholas Wright was born in Cape Town, attended Rondebosch Boys' School and from the age of six was a child actor on radio and on the stage. He came to London in 1958 to train as an actor at the London Academy of Music and Dramatic Art (LAMDA) and subsequently worked as a floor- assistant in BBC Television and as a runner in film, notably John Schlesinger's Far From the Madding Crowd. He started work at the Royal Court Theatre in 1965 as Casting Director and became, first, an Assistant Director there and then the first Director of the Royal Court's Theatre Upstairs, where for several years he presented an innovatory programme of new writing. From 1975 to 1977 he was joint artistic director of the Royal Court and he was subsequently a member of the Royal Court Theatre's Board.
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In the finale of the second act, it is used as a cantus firmus to affirm the resolution and strength of Protestants in the face of danger. In the third act, it is a call to arms to escape traps and betrayals. Finally, in the last act, it becomes the stifled and distant prayer of the Protestants who seek to escape the massacre to become an ultimate cry of defiance against the Catholic executioners and is also sung in unison by Valentine, Raoul and Marcel as they have an ecstatic vision of heaven awaiting them upon their imminent deaths.Letellier 2006 Also very innovatory were the huge multiple choruses, as for instance in the Pré-aux-Clercs scene at the start of Act 3, when Protestant soldiers sing a "rataplan" chorus, Catholic girls cross the stage chanting praise to the Virgin with a third chorus of law clerks.
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It was during this time that the largest numbers of preview shows within the history of the theatre were staged; ambitious spectacles (influenced by traditional folk theatre) were created, and innovatory stage productions by contemporary regional authors were shown. The Club of Creative Circles Azyl, formed during that time, was a unique artistic phenomenon in Poland, making Baj Pomorski the center of cultural life and the venue for many a theatrical initiative. Thanks to Tadeusz Petrykowski the theatre reanimated its cooperation with theatre groups abroad, including those from the Czech Republic and Romania; it also increased its participation in Polish puppet festivals. Konrad Szachnowski made his name in Baj's past by coming up with a modern concept for staging theatrical classics. His preview puppet show of Fernando de Rojas’ Celestine found its place in Polish puppet theatre's historic lore by using an amazingly creative theatrical idea involving supermarionnette and trashy theatre.
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Jára Cimrman is claimed to have authored numerous plays, many of which are said to have been lost. These plays include Posel světla (English "Herald of Light"), featuring his own comic vision of the future world where people are all good to each other and so a person may act as a complete heartless monster without any remorse. Another play presented as a work of Cimrman is Záskok ("The Stand-in"), which portrays actors of a fictional amateur theatre, performing a play that is messed up by a famous and reportedly brilliant, yet in reality dumb person who cannot forget to say other people's lines and lines from other plays and who cannot even remember the name of his own character. Cimrman never received great fame as a playwright in his lifetime, often because of his innovatory practices, such as changing the length of the play in several successive performances or presenting new ideas.
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Franco Faccio in later life Faccio's second opera, Amleto, one of the many operas based on William Shakespeare's Hamlet, was written for Genoa's Teatro Carlo Felice and was given its première on 30 May 1865. The cast included some of the finest singers of the day. As Ashbrook notes, while its "innovatory libretto" was written by Boito, there was "dismay at the score's paucity of melody", but he does add that Ophelia's funeral march, the "Marcia Funebre", "[won] general approval". However, the critics were unanimous in their praise of the promise shown in the young composer and, in the following contemporary accounts, the audience appears to have shown its pleasure at what they had heard. On 31 May, the Gazzetta di Genova wrote: :The opera was generally applauded at the end of the first act, at Ofelia and Amleto’s duet, at the finale of the second act, at Ofelia’s canzone in the third, and at the funeral march of the fourth.
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Craig's concept of the "übermarionette"—in which the director treats the actors like objects—has been highly influential on contemporary "object theatre" and "physical theatre". Tadeusz Kantor frequently substituted actors for puppets, or combined the two, and conducted each performance from the edge of the stage, in some ways similar to a puppeteer. Kantor influenced a new formalist generation of directors such as Richard Foreman and Robert Wilson who were concerned with the 'object' in theatrical terms "putting it on stage and finding different ways of looking at it" (Foreman). Innovatory puppeteers such as Tony Sarg, Waldo Lanchester, John Wright, Bil Baird, Joan Baixas, Sergei Obratsov, Philipe Genty, Peter Schumann, Dattatreya Aralikatte, The Little Players, Jim Henson, Dadi Pudumjee, and Julie Taymor have also continued to develop the forms and content of puppetry, so that the phrase 'puppet theatre' is no longer limited to traditional forms of marionettes, glove, or rod puppets.
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Alan Walker (1989), p. 296. Nevertheless, he persevered with the work, conducting another performance (along with his symphonic poem Die Ideale and his second piano concerto) in Prague on 11 March 1858. Princess Carolyne prepared a programme for this concert to help the audience follow the unusual form of the symphony.Alan Walker (1989), p. 317 and pp. 488–489. Like his symphonic poems Tasso and Les préludes, the Dante Symphony is an innovatory work, featuring numerous orchestral and harmonic advances: wind effects, progressive harmonies that generally avoid the tonic-dominant bias of contemporary music, experiments in atonality, unusual key signatures and time signatures, fluctuating tempi, chamber-music interludes, and the use of unusual musical forms. The Symphony is also one of the first to make use of progressive tonality, beginning and ending in the radically different keys of D minor and B major, respectively, anticipating its use in the symphonies of Gustav Mahler by forty years.
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Scott was called the "Father of modern British music" by Eugene Goossens, and was also appreciated by Claude Debussy, Maurice Ravel, his close friend Percy Grainger, Richard Strauss and Igor Stravinsky. His experiments in free rhythm, generated by expanding musical motifs, above all in his First Piano Sonata of 1909, appear to have exerted an influence on Stravinsky's The Rite of Spring (see The Cyril Scott Companion, pp. 45-47). He used to be known as 'the English Debussy', though this reflected little knowledge of Scott and little understanding of Debussy.Hurd, Michael. Cyril Scott, in Grove Music Online, 2001 Among his orchestral compositions, the First Piano Concerto (1913–4), Disaster at Sea (a tone poem on the sinking of the Titanic, composed in 1918–26, and published in a revised version with the title Neptune in 1935), the Violin Concerto (1928), and Neapolitan Rhapsody (published 1959) are the most important. The shorter piano works suffer in the main from unimaginative form and texture, though the five 'Poems' (1912) are an important exception; more worthy of revival are the piano sonatas, especially the innovatory first (1909) and the intricate, wayward third (1956).
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