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"inextinguishable" Definitions
  1. not extinguishable : UNQUENCHABLE

67 Sentences With "inextinguishable"

How to use inextinguishable in a sentence? Find typical usage patterns (collocations)/phrases/context for "inextinguishable" and check conjugation/comparative form for "inextinguishable". Mastering all the usages of "inextinguishable" from sentence examples published by news publications.

For him, the inextinguishable thrill of life is in noticing.
"Our love for making and performing music is inextinguishable," the note concluded.
To some people, ashes are sacred, the physical embodiment of our inextinguishable spirits.
Such prioritisation would still leave an inextinguishable whiff of dirty dealing surrounding sports betting.
" This redemptive replacement would be premised upon an historically inextinguishable global solidarity or "oneness.
The inextinguishable flame burns in the factory, and shines on my resolute and bold chest.
It was a window, or so we thought, into a partnership of enduring passion and inextinguishable tenderness.
The common psychological state is best described as an inextinguishable anguish and pain that seem never-ending.
A handful of users report that a mysterious and inextinguishable green line has appeared on their device's display.
In theme and texture, structure and influence, "Old Town Road" becomes the first inextinguishable art proposition of 2019.
We hope that all who come to our exhibition will recognize the inextinguishable power of David Wojnarowicz's art.
Inextinguishable Fire is not the work of a video journalist, but a highly doctored film with its own agenda.
He was just a few years from retirement, but he still burned with the inextinguishable hunger of a newsman.
Related: Linkin Park cancels tour after frontman's death "Our love for making and performing music is inextinguishable," the band wrote.
It's comforting to know that Alex's inextinguishable spirit will accompany me on the rest of my journey through this life.
If he has a sharp eye for brokenness, he is even keener on the inextinguishable flicker of love that remains.
In this ideal city, the energy needed to run it would come from a completely reliable an inextinguishable source, the sun.
Even so, it's faring better than MoviePass itself, which has proven something of an inextinguishable garbage fire over the last several months.
Its aroma had a fruity sweetness, and the wine seemed to have an inextinguishable life force and intensity while staying completely in character.
"She should be put on that thing with the four presidents — Mount Rushmore," Fisher said, praising Reynolds's unflagging work ethic and inextinguishable cheer.
And yet evidently there was an inextinguishable need to approach an opening built into a wall for air and light, and to look through it.
By applying various capitalistic modes of production and exchange, Smith asserted, an inextinguishable social inequality might still be favorably reconciled with measurable increments of human progress.
Advertise on Hyperallergic with Nectar Ads BOSTON — In "Inextinguishable Fire," a digital video by Cassils, the artist assumes the aspect of a martyr while being enveloped by flames.
But he and others live with an inextinguishable awareness of the threats to their homes, and to the islands themselves, from sea level rise or the next big storm.
With a jaunty wave, he is suddenly gone, and though he takes all his fire off with him like no less a force than Prometheus, our own lives now seem inextinguishable.
In tones that oscillate between solemnity and fierce ecstasy, the baritone Prisoner and his soprano interlocutor (sung here by the able soloists Tobias Greenhalgh and Chelsea Shephard) discuss, along with the chorus, the inextinguishable nature of human passions.
" In "Elle," he wrote, Ms. Huppert has "a passion, at once distant and inextinguishable, to suffer and to make others suffer, a sadomasochistic stubbornness of a kind we have probably never seen before in the history of French acting.
As "Inextinguishable Fire" progresses, the camera zooms out to reveal a sound stage, with dolly tracks in the foreground, industrial fans in the wings, and a desert sunset projected on a scrim, an ironic jibe at the visual language of Hollywood.
Is this the pivotable moment that will push him out the door, onward to New York City or Los Angeles or whichever city will next be blessed by his inextinguishable knack for introducing a basketball to the inside of a rim?
And when their terrible first date improbably leads to something more, there's the sense that it's less the result of an inextinguishable spark between the pair, and more just another example of Jessica's commitment to keep barreling ahead in life, to hell with whatever obstacles she may encounter along the way.
The question Xi Jinping and his communist comrades must face is whether the clash of value systems will end with another Chinese civil war rivaling America's titanic struggle if they continue to resist the inextinguishable urge for freedom, or with a premeditated evolutionary plan that will bring China to a system of peaceful political reform.
The name does not apply to the symphony itself, but rather to "that which is inextinguishable". In his notes for the symphony, Nielsen refers to "the elemental will to live".
The film is a replica, in color and in English, of Harun Farocki's 1969 black and white German language film Inextinguishable Fire, on the production of Napalm at Dow Chemical Company. Her film was featured in the 2000 Whitney Biennial.
Il pensiero dominante and Il risorgimento are the only poems of joy written by Leopardi, though even in those two poems there always reappears, inextinguishable, the pessimism which sees in the object of joy a vain image created by the imagination.
Through this, Red Boy had developed True Samādhi Fire (三昧眞火, Pinyin: Sānmèi-zhēnhuǒ), which enables him to shoot fire inextinguishable by water and smoke from his eyes, nostrils and mouth. Samādhi is the Sanskrit word for concentration.
Symphony No. 4, Op. 29, FS 76, also known as "The Inextinguishable" (), was completed by Danish composer Carl Nielsen in 1916. Composed against the backdrop of the First World War, this symphony is among the most dramatic that Nielsen wrote, featuring a "battle" between two sets of timpani.
It fully exploits Nielsen's technique of confronting two keys at the same time and includes a peaceful section with soprano and baritone voices, singing a tune without words. Symphony No. 4, The Inextinguishable (Op. 29, 1914–16), written during World War I, is among the most frequently performed of the symphonies.
Once upon a time, there was the Western Planet and the Eastern Planet. The two sides were bound by the "Dragon Pulse" spanning the heavens. The civilization that once had prospered has now turned to a tale of dreams, as the inextinguishable flames of war tear the realm asunder. The two planets remain engulfed in endless battles.
Their 1993 song "Osaekirenai Kono Kimochi" (lit. "Inextinguishable This Heart") was used for the ending theme of Ichigo Hakusho (in which then-unknown Namie Amuro played a role). The single reached number 1 on the Japanese Oricon weekly charts, becoming their first number-one single. However, Moritomo suffered throat problems so his doctor advised that he should give up singing.
In January 2014, following the reported suicide of MMA female fighter Cat Zingano's husband, Thomas shared that his mother took her own life when he was 23 years old (2003). Thomas described his loss "a pain that is torturous and inextinguishable". Thomas's wife is Colombian born and raised in Bogotá. Thomas is into Oenophilia, since his family is in the wine business.
And when it > does, everything there out in the open, the last of the last pulsation, he > himself gets up and goes, leaving behind him our redemption. With a jaunty > wave, he is suddenly gone, and though he takes all his fire off with him > like no less a force than Prometheus, our own lives now seem > inextinguishable. Nobody is dying, nobody--not if Bronfman has anything to > say about it.
A passionately sinister Pierrot Lunaire has even shadowed DC Comics' Batman.The character made his first appearance in issue #676: Batman R.I.P.: Midnight in the House of Hurt (2008); he resumed his role in ten other issues. The inextinguishable vibrancy of Giraud's creation is aptly honored in the title of a song by the British rock-group The Soft Machine: "Thank You Pierrot Lunaire" (1969).From the album Volume Two.
In his inaugural speech at the opening ceremony of the University he said, addressing the students: The Imperial University of Dorpat, 1832–1835. According to the memoirs of Parrot's contemporaries, these words made an inextinguishable impression. However, Parrot's hour of triumph arrived on May 22, 1802. Tsar Alexander I stopped in Dorpat on his way to Memel (Klaipėda) for the meeting with the King Frederick William III of Prussia.
But the School of Brigid continued. The holy fire called the "inextinguishable", which had probably been kept alight since the days of Brigid, was put out by order of Henry de Loundres, Archbishop of Dublin, who thought the practice savoured of superstition. The fire was kindled again by the Bishop of Kildare, and it burned until the crackdown in the reign of Elizabeth I extinguished it and every other monastic light in Ireland.
John O Jordan devotes two pages to this woman, also "lost," though never having sinned. The sanctification of the Victorian home, he says, depends on the opposition between two stereotypes, the "angel" and the "whore". Dickens denounced this restrictive dichotomy by portraying women "in between". Such is Rosa Dartle, passionate being, with the inextinguishable resentment of having been betrayed by Steerforth, a wound that is symbolised by the vibrant scar on her lip.
In 1875 Holmes obtained a British Patent for a marine audible alarm signal (B.P. 2564 of 1875); and in 1877 he bought, for £80 Pound Sterling, a half-share of John Grey's Patent (B.P. 2564 of 1868) for Improvements in fog alarms. In 1876 he obtained, with J.H. Player as co-applicant, a provisional application for Improvements in self-igniting and inextinguishable signal lights for marine and other purposes; it became British Patent 4215 of 1876.
While Janus has the first place Vesta has the last, both in theology and in ritual (Ianus primus, Vesta extrema). The last place implies a direct connexion with the situation of the worshipper, in space and in time. Vesta is thence the goddess of the hearth of homes as well as of the city. Her inextinguishable fire is a means for men (as individuals and as a community) to keep in touch with the realm of gods.
This is commonly called a glissando, though this use of the term is not strictly correct. The most effective glissandos are those from low to high notes and those performed during rolls. One of the first composers to call for a timpani glissando was Carl Nielsen, who used two sets of timpani playing glissandos at the same time in his Symphony No. 4 ("The Inextinguishable"). Pedaling refers to changing the pitch with the pedal; it is an alternate term for tuning.
The word "asbestos", first used in the 1600s, ultimately derives from the Ancient Greek ἄσβεστος, meaning "unquenchable" or "inextinguishable". The name reflects use of the substance for wicks that would never burn up. It was adopted via the Old French abestos, which in turn got the word from Greek via Latin, but in the original Greek, it actually referred to quicklime. It is said by the Oxford English Dictionary to have been wrongly used by Pliny for asbestos, who popularized the misnomer.
He then founded the Theater of the Inextinguishable Passion. He was later artistic director of the Transatlantic Project, for scenic investigation and expanding the exchange of theatrical teaching between Chile and Spain. As an actor, he has interpreted many of his own works. With Chile's return to democracy, after Augusto Pinochet was forced to surrender power due to his defeat in the 1988 plebiscite, de la Parra was appointed cultural attaché to the embassy in Spain by the government of Patricio Aylwin.
"Early Works: Tonality and Beyond", The Cambridge Companion to Berg, p. 81. Pople, Anthony, ed. . Works in the classical music era and later beginning in minor typically end in major, or at least on a major chord (such as a picardy third), but there are a few notable examples of works in D minor ending in much sharper keys. Two symphonies that begin in D minor and end in E major are Havergal Brian's Gothic Symphony and Carl Nielsen's Symphony No. 4 (The Inextinguishable).
This extensive work (approximately 95 700 words) reflects the spiritual state of Georgia during the last two centuries (1801–1993), and it’s read with inextinguishable interest. The author together with the protagonist of the novel, Vache Andronikashvili is looking for The Knight of All Times, and the reader also is looking for him. The genre of the novel as identified by the author as Menippea. The novel is a mixture of eccentric and scandalous events that ends with Carnival - one of the main character of menippea - which brought together the living and the dead.
The Inextinguishable Symphony by Martin Goldsmith, published by John Wiley & Sons, New York, New York. 2000. p. 61 In the early 21st century, the Ring Parable of Nathan the Wise was taken up again in Peter Sloterdijk's God's Zeal: The Battle of the Three Monotheisms.English translation God's Zeal – The Battle of the Three Monotheisms, Polity Pr. (2009). Edward Kemp's 2003 version of the play, first produced by the Minerva Theatre, Chichester, was used in 2016 in New York by the Classic Stage Company with F. Murray Abraham in the lead.
In 1916, Kahn was elected to the Prussian Academy of Arts, a membership he held until 1934 when the Nazi regime ordered him to resign because he was a Jew. The Nazis also prohibited the publication and performance of his music. This drove him to leave Germany for England in 1938, where he spent the last years of his life in relative obscurity but inextinguishable creative power, which resulted in a voluminous collection of piano music with more than 1,000 still unpublished pieces. He died in Biddenden, Kent.
Aristotle's metaphysical theory from times of antiquity had wide-ranging influence on similar theory found in later medieval Europe, as the historian Berthelot notes: > The theory of exhalations was the point of departure for later ideas on the > generation of metals in the earth, which we meet with Proclus, and which > reigned throughout the middle ages. Fibrous asbestos on muscovite Ancient Greek terminology of minerals has also stuck through the ages with widespread usage in modern times. For example, the Greek word asbestos (meaning 'inextinguishable', or 'unquenchable'), for the unusual mineral known today containing fibrous structure.Needham, Volume 3, 656.
Schopenhauer notes the misery which results from sexual relationships. According to him, this directly explains the sentiments of shame and sadness which tend to follow the act of sexual intercourse; for, he states, the only power that reigns is the inextinguishable desire to face, at any price, the blind love present in human existence without any consideration of the outcome. He estimates that a genius of his species is an industrial being who wants only to produce, and wants only to think. The theme of lust for Schopenhauer is thus to consider the horrors which will almost certainly follow the culmination of lust.
That is one of the reasons that the concrete Pantheon of Rome could last for 1850 years, and why the thatched farmhouses of Holland sketched by Rembrandt have long since decayed. The use of asbestos as a material blossomed in Ancient Greece, especially when the fireproofing qualities of the material came to light. Many scholars believe the word asbestos comes from a Greek term, sasbestos, meaning inextinguishable or unquenchable. Clothes for nobles, table clothes and other oven adornments were all furnished with a weave of the fibrous materials, as the materials could be cleansed by throwing them directly into fire.
He has settled in Montreal and worked as a drafter in the company Canadair Ltd. Traxler published his memoires "Já nic, já muzikant" (Don't Blame Me, I'm Just a Musician, 1982) in the Czech Canadian exile publishing house Sixty-Eight Publishers, led by Josef Škvorecký. In 2008, the Edmonton chapter of the Czechoslovak Society of Arts and Sciences (SVU) arranged for publication of Traxler's second book "Já nic, já muzikant na penzi" (subtitled "Literary etudes of the jazz mohican"). The book contains Traxler's witty writing, verses, song texts, aphorisms, short stories and other literary forms witnessing the inextinguishable creativity of his mind until the last years of his life.
Reports that homeless people were possibly inside the engulfed warehouse caused fire-rescue personnel to search the six-story building. The searchers' task was made extremely difficult by the large size of the building's interior, the layout, which was a maze of corridors and meat lockers, many with identical flush-handle doors, and the highly flammable composition of its insulation. Nearly a century old, the interior walls had been progressively covered with various forms of insulating materials, including cork impregnated with tar, polystyrene foam, and polyurethane foam, to a thickness of 18 inches. Once ignited, the large amount of fuel, fed initially by the large volume of air in the building, became virtually inextinguishable.
City of Baku – Administrative Department of the President of the Republic of Azerbaijan Local church traditions record the belief that Bartholomew's martyrdom occurred at the bottom of the Maiden Tower within the Old City, where according to historical data, a Christian church was built on the site of the pagan temple of Arta. A record from the 5th-century historian Priscus of Panium was the first to mention the famous Bakuvian fires (ex petra maritima flamma ardet – from the maritime stone flame emerges). Owing to these eternal fires Baku became a major center of ancient Zoroastrianism. Sassanid shah Ardashir I gave orders "to keep an inextinguishable fire of the god Ormazd" in the city temples.
Nielsen was thinking about a new symphony in 1914, and in May he wrote to his wife (who was in Celle): > I have an idea for a new composition, which has no programme but will > express what we understand by the spirit of life or manifestations of life, > that is: everything that moves, that wants to live ... just life and motion, > though varied – very varied – yet connected, and as if constantly on the > move, in one big movement or stream. I must have a word or a short title to > express this; that will be enough. I cannot quite explain what I want, but > what I want is good. Nielsen concentrated on this until 1916, and named his 4th symphony "The Inextinguishable" (Det Uudslukkelige).
When he was at school in his younger days, C.S. Lewis studied classic Greek works including the Odyssey. One of the iconic scenes from the Odyssey is repeated in The Voyage of the Dawn Treader, in which Drinian fears his crew's sanity and safety when Lucy discovers merpeople (although Drinian does not resort to using wax on his crew to block out their noise like Odysseus). Indeed, Dawn Treader follows in the same sea saga as the Odyssey, with the crew encountering mythical creatures and mysterious islands. Although Drinian is highly proficient in nautical expertise, he is not depicted as being noble or as having an inextinguishable desire for glory and, as a result, does not exhibit any other trait similarities with Odysseus.
In addition, the behavior of the proposed mixture would have been radically different from the siphōn-projected substance described by Byzantine sources. A second view, based on the fact that Greek fire was inextinguishable by water (some sources suggest that water intensified the flames) suggested that its destructive power was the result of the explosive reaction between water and quicklime. Although quicklime was certainly known and used by the Byzantines and the Arabs in warfare, the theory is refuted by literary and empirical evidence. A quicklime-based substance would have to come in contact with water to ignite, while Emperor Leo's Tactica indicate that Greek fire was often poured directly on the decks of enemy ships,Leo VI, Tactica, XIX.
"Pee Dee" comes from the abbreviation of DPs, Displaced persons, so dubbed in the West after Second World War, millions of refugees who tried, often unsuccessfully, to find refuge from Stalin's secret police. In Italy Boris Shiryaev actively writing fiction and literary articles, published in the Russian magazine "Rebirth" and "The Edge." The first three Shiryaev's books - " Pee Dee in Italy "( 1952), "I'm a Russian" (1953) and "Lights of the Russian Land" (1953) were published in Buenos Aires, with the assistance of his associate, living in Argentina, the publicist and monarchical publisher Ivan Solonevich, whose brother, Boris Solonevich also sat in prisons. The best-known works by Boris Shiryaev " Inextinguishable lamp "is dedicated to his stay in the Solovki prison camp.
Sun Wukong had battled against Red Boy in hopes of returning his master Tang Sanzang. Red Boy did not believe Wukong's statement that Red Boy's father (the Bull Demon King) was his sworn brother, which technically made Wukong a relation of his. Red Boy then tried to kill Wukong by controlling five carts (each one representing one of the Five Elements) that emitted in great amount of fire that had the power to blot out the heavens, but Wukong cast a fire resistance spell and chased after Red Boy, who had went back into his cave, thinking he had defeated Wukong. Sun Wukong at first asks for some rain from the Eastern Dragon King to counter Red Boy's Samadhi Fire, to no avail (the Dragon King's rain can only extinguish normal fires, but Red Boy's fire is inextinguishable to normal efforts to quench fire) with the rain in fact intensifying the flames.
The Officine di Pietrarsa, or Reale Opificio was conceived in 1840 by decree of Ferdinando II di Borbone as a plant capable of producing war and civilian material using iron from the Mongiana ironworks. A first factory had been built between San Giovanni a Teduccio and Portici in 1832, using land previously occupied by a coastal artillery battery. In 1842, therefore only two years after the decree had been issued, the first building and ancillary rooms had already been completed, where about 200 workers worked among turners, adjusters, forgers and carpenters under the direction of the Captain of the Artillery, Don Luigi Corsi and other army officers who assisted him. It is no coincidence that the Captain Corsi was chosen as director; he was already known to Ferdinand II for his invention of the famous "incendiary balls", a sort of shells that were inextinguishable in the water and for this reason they are very efficient in dripping down the enemy ship.
As well as being the means by which Wagner first became aware of the Lohengrin legend, the anthology also retold the tale of Tannhäuser. Seeking a more authentic picture of the Tannhäuser legend, Lehrs then provided Wagner with the annual proceedings of the Königsberg Germanic Society which not only included C.T.L. Lucas's critical study of the "Wartburg war" but also included a piece of criticism about the poem Lohengrin, together with a lengthy narrative of the rambling epic's principal content. Thus, Wagner admits, with one blow a whole new world was opened to him, and although unable to find the form to master the material for his own dramatic purpose, he could clearly visualize Lohengrin and it remained as an inextinguishable image within him. Stewart Spencer neither regards the abandonment of the Hohenstaufen projects during the 1840s at this time nor, more specifically, in the musical and formal dissimilarities between Rienzi and Der Fliegende Holländer as symptomatic of a fundamental turn from history towards myth.

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