My mother had spent the previous several years in a muddle.
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That will provide more transparency — but could result in a muddle.
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So the episode gets stuck somewhere in the middle, in a muddle.
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How difficult is it: Some effort to not get in a muddle
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But Team Trump is determined to convince Mr Xi that he has his hierarchy of horrors in a muddle.
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I got in a muddle thinking that good economic numbers would be soothing to a market fraught with uncertainty.
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Because it is in a muddle over what to do, the British government has not yet triggered this procedure.
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"On balance, equities are in a 'muddle-along' zone," said Terry Sandven, chief equity strategist at U.S. Bank Wealth Management.
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He could not have been unaware that his Presidency was floating away, and that Iraq appeared ready to end not in a muddle but in a rout.
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But the retired Canadian curler Kevin Martin, who is providing commentary for NBC here, said he was scrupulous about his health because catching a cold while he was competing put his mind in a muddle.
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Mr. Davis also ended up in a muddle in which a mafia-acquainted head of artist relations dummied up false expense reports, included one for $21995,21997 for the Plaza Hotel bar mitzvah of Mr. Davis's son Fred, billed as a party for Ms. Minnelli.
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What else he has done, and what can be proved, and what Republicans are willing to do about it remain to be seen; meanwhile, Trump's entire Presidency, from his Cabinet appointments to his foreign policy, lies in a muddle of money-grubbing, kowtowing, and influence-peddling.
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The closeted Forster is even a character in "The Inheritance," looking with awe and no little concern at his hotheaded progeny — a sampling of contemporary gay men in a muddle — as they make the same blunders his parallel "Howards End" characters made then: ignoring history, trying to manhandle the future, acting from selfishness and self-delusion.
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The sidewalks will be worse obstructed in every street than > Wall-street is where the brokers are in full blast. Old beds and ricketty > bedstands, handsome pianos and kitchen furniture, will be chaotically > huddled together. Everything will be in a muddle. Everybody in a hurry, > smashing mirrors in his haste, and carefully guarding boot boxes from harm.
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Pitlyar, I., Collected works, Vol. 2, pp. 479–494 In 1896 Russkoye Bogatstvo published Moloch, Kuprin's first major work, a critique of the rapidly growing Russian capitalism and a reflection of the growing industrial unrest in the country. Since then only twice did he briefly returned to the theme, in "A Muddle" (1897) and "In the Bowels of the Earth" (1899).
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It is alleged that the Crugers were wardens of Trinity Church, an Episcopal Church—today, one of New York City's biggest land owners. Maybe everything was tangled in a muddle of colonial Manhattan land giveaways. But, according to family lore, the whole tract wound up in Trinity's hands. Trinity indeed got a large slice of the land that seems to be described in the Edwards family account.
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In HMS Surprise (Chapter 6), Aubrey says that "A bird in the hand is worth any amount of beating about the bush". Sometimes Aubrey gets in a muddle and Maturin affectionately mocks him by playing on the mixed metaphor: '... they have chosen their cake, and must lie in it.'; Maturin replies, 'You mean, they cannot have their bed and eat it?' (also from HMS Surprise, Chapter 7).
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An alcoholic duo, met at a de-addiction center helps each other to arrange their lives back together with their persistent illness. Pambu Joy's (Prithviraj) married life is in a muddle due to his alcoholism. Pavada Babu's (Anoop Menon) life is in pieces due to a film he produced in which Sicily, Joy's mother, was the heroine. For financial gain the film was adulterated by his friend Eldho (Shajon).
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Brown gives it to him, much to William's horror. He gets it back and hides it again, in his neighbours house, Mr. Marks finds it again, but thinks that it is just one similar to his own. William gets in a muddle as he hides it, and eventually gives it (twice) to Mr. Marks. In the end, when Mr. Marks finds out that there was only one all along, he turns to ask William about it – but he's gone.
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Caroll Kendall became interested in writing for children when her first novel The Black Seven was published in 1946. She enjoyed writing about children and eventually decided to write children's stories. Of her first forays into fantasy writing she says, "I thought I didn't know enough to write fantasy, and then suddenly I had a theme to work on and gradually the characters became real". Kendall's main character Muggles was inspired by a friend who often joked about being in a muddle.
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Levien's first foray into politics appears to have been in 1860 when he unsuccessfully stood for the Board of Works.Editorial, Colonist, Volume III, Issue 252, 20 March 1860, Page 2 He was actively interested in politics and public affairs, but only became prominent in 1875 when the municipalities affairs were in crises. Levien became Mayor of Nelson on 26 February 1875 after the Mayor and several Councillors resigned over a dispute with the Provincial Council and finance. The council's accounts were in a muddle according to its auditors and it had a large overdraft at the bank, and it went bankrupt in early 1875.
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Verbal language soon enters this electronic focus co-performatively, as an intensification of a dialogue with and within the medium, yet with a new language force all its own, its own unprecedented poetics. Highly realized single-channel works in this process include: Processual Video (1980), Videograms (1980–81), and Happenstance (part one of many parts) (1982–83), another stage of the dialogue with technology as a language site where machines talk back. Here the artist's path moves to the celebrated language-intensive works of the 1980s: Primarily Speaking (1981–83), Why Do Things Get in a Muddle? (Come on Petunia) (1984), URA ARU (the backside exists) (1985–86), and Incidence of Catastrophe (1987–88).
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The > following works (alphabetical order) may be viewed at Gary Hill's Videos on > Vimeo.com: Around & About (1980), Electronic Linguistic (1977), Equal Time > (1979), Figuring Grounds (1985/2008), Happenstance (part one of many parts) > (1982–83), Incidence of Catastrophe (1987–88), Isolation Tank (2010–11), > Mediations (towards a remake of Soundings) (1979/1986), Picture Story > (1979), Processual Video (1980), Site Recite (a prologue) (1989), Site > Recite (a prologue) (1989), Tale Enclosure (1985), Videograms (1980–81), Why > Do Things Get in a Muddle? (Come On Petunia) (1984). These works are > discussed in detail in An Art of Limina: Gary Hill's Works and Writings, > George Quasha & Charles Stein, with a foreword by Lynne Cooke (Barcelona: > Ediciones Polígrafa, 2009), which also contains detailed descriptions of > Hill's major installations.
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That final sequence is truly squirm-inducing, not least because he changes tone so completely from the opening and middle sequences, from verite, to fast-cut scares, to long, languorous, brooding shots of this incredible antechamber to hell that he has created." Ben Kenigsberg from The New York Times gave the film a positive review, comparing it to A Nightmare on Elm Street for its themes of childhood and dreams, and its lavish use of violence and gore. The film was not without its detractors, with some critic complaining about the plot lacking any narrative sense. Dennis Harvey from Variety wrote a mixed review, stating "Of interest as a rare modern Turkish horror film, Can Evrenol’s debut feature will be a must-see for fans at fantasy fests, but its initial promise dissipates in a muddle of repetitious phantasmagoria and too little narrative or character development.
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Further, the work shows evidence of its having been put together in a very haphazard and hasty fashion, with little to no subsequent editing of the material to form a cohesive narrative. Birley sees an example of the carelessness with which the author approached the work in the construction of Marcus Aurelius' biography, where midway through the Life of Marcus Aurelius the author found himself in a muddle, probably because he had historical material in excess of what he required, and also because he had already used up much of his source to write separate biographies of Lucius Verus and Avidius Cassius, whose lives intersected with Marcus'. The answer he came up with was to use Eutropius as his source for a brief overview of Marcus' principate following the death of Lucius Verus. However, he found that in doing so, the narrative's ending was too abrupt and so, after including some gossip about Commodus not being his son, he once again began an account of Marcus' reign after the death of Verus.
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