What is artistically rewarding about them is that the immateriality of memories and dreams is matched here by the intricate immateriality of spatialized sound.
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In art there is a longstanding argument between the materialists and those who believe in immateriality.
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The term "Material Art" is a curiously paradoxical label given the remarkable immateriality of many of the works.
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This might make the emergence of the New York Tech Zine Fair seem surprising, given the immateriality of the digital world.
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The play between collecting art objects as an elite pursuit and contemporary art's idealistic attempts at immateriality is key to understanding this collection.
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The meanings of these three names are at best confounding and at worst unnerving, evoking big government, immateriality and darkness both individually and as a group.
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As the volume's editor, Carpenter has gathered the work of 60 artists and 12 writers working around the immateriality of radioactive isotopes, on site and in theory.
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Bloom's drawings and paintings are challenging, fascinating, disturbing, opulent, and scabrous – paradoxes of sensuality and repulsion, matter and immateriality, particularly in his depictions of cadavers and body parts.
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For all their seeming immateriality, the internet and the cloud rely on a vast industrial infrastructure consisting of data centers linked through a sprawling network of fiber optics.
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It also shows how the meanings of these three names are at best confounding and at worst unnerving, evoking big government, immateriality and darkness both individually and as a group.
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In his use of black and white, particularly in the felt tip pen drawings, it is clear that Conner saw reality as a struggle between dark and light, materiality and immateriality.
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The other thing that strikes me about the paintings, particularly the ones from his series of Quantum Walls, is the way he brings matter and immateriality, the visceral and invisible, together.
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He is a question mark, a lethal void whose immateriality makes an agonizing contrast to the men and women he shot, those who died as well as those who suffered and survived.
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On one side are those who insist that art is about materiality and visibility, while on the far shore there is another equally adamant group that insists on striving towards the invisible and immateriality.
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While the curators address at length the artists' idiosyncratic uses of specific materials, the lack of discussion of immateriality as a particular material choice is an odd omission (noted only in passing, in regard to Dong's use of water).
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As with Richard Tuttle, his rejection of the seductions of weight and thickness, his insistence on immateriality, were an open criticism of physical size and mass as the measures of Modernist progress, best exemplified then in Frank Stella's and Richard Serra's work.
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They have argued that we can secure certainty about at least some very important conclusions, not through empirical inquiry, but by introspection: the existence, immateriality (and maybe immortality) of the soul, the awareness of our own free will, meaning and moral value.
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Nobody, including Square, has any interest in the actual Yik Yak IP. Doublebacker: Sequoia partner Roelof Botha is on the board of Square, but the immateriality of this deal (were it to happen) makes it unlikely that it would rise to the level of a board vote.
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According to the introduction to his book "net.art. Materialien zur Netzkunst", the specific qualities of net.art are "connectivity, global reach, multimediality, immateriality, interactivity and egality".Baumgärtel, T. (1999). net.art.
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Checkmark Books, New York. . Parker published two volumes of essays:Six Philosophical Essays (1700) and Sylva (1701). These include early critiques of the religious and political ideas of John Locke. Among other things, Parker argues for the immateriality and hence immortality of the soul.
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Martti Aiha (born 1952) is a sculptor from Finland. He was born in Pudasjärvi and works in Fiskars. He has made abstracted sculptured wall reliefs and free- standing sculptures. His reliefs made of transparent acrylic sheet give an impression of immateriality, incorporeality and weightlessness.
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Stein, Edith. Essays on Woman. Stein's argument has been criticized for not realizing that the immateriality of the human soul transcends the limitations of the body as Aquinas argues. New feminist theories were also influenced by the Personalist and Phenomenology movements of the early 20th century.
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His poetry touched on themes of love, art, his own political commitment, drawing attention to wrongs, ethnography, physics, history, immateriality, mythology, the animal world, poetic expression, the passing of time, religion, society, language, agricultural labour, urbanism, and geography. The Day of Galician Literature was devoted to him in 2016.
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Price and Priestley took diverging views on morals and metaphysics. In 1778 appeared a published correspondence, A Free Discussion on the Doctrines of Materialism and Philosophical Necessity. Price maintained, in opposition to Priestley, the free agency of man and the unity and immateriality of the human soul. Price's opinions were Arian, Priestley's were Socinian.
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Incorporeality is "the state or quality of being incorporeal or bodiless; immateriality; incorporealism." Incorporeal (Greek: σώματοςm) means "Not composed of matter; having no material existence." Incorporeality is a quality of souls, spirits, and God in many religions including Islam, Christianity and Judaism. In ancient philosophy, any attenuated "thin" matter such as air, aether, fire or light was considered incorporeal.
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"The Genetic Esthetic," ARTnews, April 2000, p. 134–6. Heavenly Bodies (2003) translated genetic coding into cloud motifs, whose celestial immateriality undermined notions of certainty associated with DNA testing. Iñigo Manglano- Ovalle, Cloud Prototype No. 1, fiberglass and titanium alloy foil, (2003). In several projects, Manglano-Ovalle investigated intersections of cultural systems, such as modernism, with politics, science, and nature.
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1979) force fields,Justice League of America (vol.1) #37 (Aug. 1965) ice manipulation, immateriality,Justice League of America (vol. 1) #100-102 (Aug- Oct. 1972) Justice League of America (vol. 1) #208 (Nov. 1982) and the ability to travel between parallel Earths.Justice League of America (vol. 1) #29-30 (Aug-Sep. 1964)DC Comics Presents #23 (July 1980)Justice League of America (vol.
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In Topologies, expansive networks of found black lace are deconstructed to create large horizontal topographies. Some of the structures are formed by Wilson from computer-mediated scans of lace fragments that are manipulated and re- materialized by hand stitching. The form of Topologies is inspired by forms of physical and electronic networks, city structures, immateriality, biology and the urban sprawl.Anne Wilson Topologies (2002-ongoing)Hixson, Kathryn.
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Intellectuality necessarily follows upon immateriality, and furthermore, in such manner that the further the distance from matter, the higher the degree of intellectuality. Any being is the adequate object of understanding in general. But in the present state of union of soul and body, quantities abstracted from the material conditions of individuality are the proper object of the human intellect. 19. Therefore, we receive knowledge from sensible things.
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Yunfeng Temple Yúnfēng Sì), also known as Baofu Temple, is located in the mountain's largest natural cave inside Baofu Rock. It was first built during the Three Kingdoms Period (3rd century), was refurbished by Li Shimin, and now contains more than 200 rooms. It is dedicated to the Tang buddha Tian Zhichao under his title of "King of Immateriality". His clay-entombed mummy resides in the center of the temple's main hall.
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In the late 1950s, Seung-taek Lee was inspired by a small photo of a sculpture by Giacometti. The image depicted a female body composed of bare bones, without any flesh or muscle. Lee questioned himself whether he can even negate the bones, the remainder, and moved on to creating works without solid forms; he became interested in immateriality. He was then inspired by smoke coming out of Saudi Arabia's oil- burning furnace, which was broadcast on the news.
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Calder's kinetic sculptures are regarded as being amongst the earliest manifestations of an art that consciously departed from the traditional notion of the art work as a static object and integrated the ideas of gesture and immateriality as aesthetic factors.Alexander Calder Fondation Beyeler, Riehen. Dating from 1931, Calder's sculptures of discrete movable parts powered by motors were christened "mobiles" by Marcel Duchamp, a French pun meaning both "motion" and "motive".Alexander Calder, Romulus and Remus (1928) Guggenheim Collection.
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Mala Senanayake immateriality called her father Kularatne who was a member of parliament and a founder of the Sri Lanka Freedom Party. Kularatne shared with Abeykoon all the information he had. Abeykoon called and informed the head of the Criminal Investigation Department (CID) S. A. Dissanayake and went back to his game of bridge. S. A. Dissanayake who was DIG (CID) and twin brother of C. C. Dissanayake, was not on talking terms with his brother.
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Locke acknowledged Bold's support in his 'Second Vindication' of his essay; and in 1703 Bold visited Locke at Oates, Essex. He was then meditating the publication of further tracts which Locke dissuaded him from proceeding with. They were, however, published in 1706, and consist of a Discourse concerning the Resurrection of the Same Body and two letters on the necessary immateriality of created thinking substance. The letters discuss and condemn the views expressed in John Broughton's Psychologia and John Norris's Essay towards the Theory of an Ideal World.
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" An interesting observation by Jones and Stallybrass is that "at the historical point at which ghosts themselves become increasingly implausible, at least to an educated elite, to believe in them at all it seems to be necessary to assert their immateriality, their invisibility. [...] The drapery of ghosts must now, indeed, be as spiritual as the ghosts themselves. This is a striking departure both from the ghosts of the Renaissance stage and from the Greek and Roman theatrical ghosts upon which that stage drew. The most prominent feature of Renaissance ghosts is precisely their gross materiality.
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Voutsaki is an expert on the Middle Helladic period and on mortuary archaeology in particular, and in 2015 delivered a keynote address on 'Death, disembodiment and immateriality: some reflections on recent developments in mortuary theory and methodology' at the 22nd Archaeology & Theory Symposium. She also researches a wide range of themes in Aegean Bronze Age archaeology such as social change, diet, gender, and the economy, as well as the application of scientific analysis to archaeological investigations, and the history of archaeology in Greece in the 19th and 20th centuries.
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Companies need to consider materiality when providing financial information. Particularly, companies must disclose the material information which can influence the financial performance and some immaterial information can be excluded. For example, a company owns $10 million net assets and therefore a default of customer with $1000 is immateriality and in contrast if the amount of default is $2 million, which can influence the financial decisions and thus means material. However, there are also some small items which can transfer net profit to net loss and these item can be considered as material items.
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This dogma was two-fold: the unity of God and the > immateriality of God; the former telling what God is, the latter telling > what God is not; the one overthrowing false gods with the sword, the other > starting an idea with the words. Philosopher, orator, apostle, legislator, > warrior, conqueror of ideas, restorer of rational beliefs, of a cult without > images; the founder of twenty terrestrial empires and of one spiritual > empire, that is Muhammad. As regards all standards by which human greatness > may be measured, we may well ask, is there any man greater than he.
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"Man the Maker" focuses on Aristotle's views on excellence in craftsmanship (the ancient Greek concept of techne), "Man the Doer" on Aristotle's ethics and his concept of moral virtue (both personal and political), and "Man the Knower" on knowledge (epistemology) and logic. The final part of the book is called "Difficult Philosophical Questions," and in it Adler tries to apply Aristotle's views to infinity, eternity, the immateriality of the mind, and the Gods (the Greeks believed in many gods). The book concludes with an epilogue listing the specific writings of Aristotle that Adler drew upon for his book so that interested readers can consult those works directly.
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Timothy Edwards enslaved at least one person in their household, a black man named Ansars. Minkema, Kenneth P. (1997, Oct.) "Jonathan Edwards on Slavery and the Slave Trade." The William and Mary Quarterly 54(4). Jonathan was trained for college by his father and elder sisters, all of whom received an excellent education and one of whom, Esther, the eldest, wrote a semi-humorous tract on the immateriality of the soul, often mistakenly attributed to Jonathan.Kenneth P. Minkema, "The Authorship of 'The Soul,'" duke University Library Gazette 65 (October 1990):26–32. He entered Yale College in 1716, at just under the age of 13.
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He was also member in the advising group of IECLB's presidency from 2003 to 2010 (). Dr. Westphal has experience in the theological area, with emphasis in Lutheran confession, and performing especially in the following themes: Protestant theology, ethics and bioethics, hermeneutics and cultural patrimony and society. He has five published works. The themes deal with Protestant theology, liberation theology and bioethics as well as in philosophy of science, contemporary thought and hermeneutics. He performs in the research lines of Patrimony and Sustainability of the Master’s in Cultural Patrimony and Society in UNIVILLE, Master's where he is also a professor at. His research project is entitled “Epistemology of the Cultural Patrimony: hermeneutical aspects of the immateriality of the material patrimony”.
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In 1798 the first part of Thomas Paine's Age of Reason was put into his hands; and in the following year he made his first appearance as an author by publishing his Remarks on that work. The book was favourably received, and was republished in 1820. Drew had begun to meditate a greater attempt before he wrote his Remarks on Paine; and, encouraged by the antiquary John Whitaker, he published his Essay on the Immateriality and Immortality of the Soul in 1802. This work made the "Cornish metaphysician," as he was called, widely known, and for some time it held a high place in the judgment of the religious world as a conclusive argument on its subject.
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While he was imprisoned in the castle of Fardajan near Hamadhan, Avicenna wrote his famous "Floating Man" – literally falling man – a thought experiment to demonstrate human self-awareness and the substantiality and immateriality of the soul. Avicenna believed his "Floating Man" thought experiment demonstrated that the soul is a substance, and claimed humans cannot doubt their own consciousness, even in a situation that prevents all sensory data input. The thought experiment told its readers to imagine themselves created all at once while suspended in the air, isolated from all sensations, which includes no sensory contact with even their own bodies. He argued that, in this scenario, one would still have self-consciousness.
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Shebile Emunah (Shevilei Emunah) is divided into ten chapters, which treat respectively of: # The existence of God, His attributes, His immateriality, unity, and immutability, which is not affected by prayer or even by miracles – introducing in each case a cabalistic discussion of the names of the Deity. # The creation of the world, which does not necessitate any change in God or any plurality in His nature; an explanation of the Biblical account being given, followed by a dissertation on the seven climates or zones of the earth as then conceived, the spheres, the stars, the sun and moon and their eclipses, and on meteorology. # Human embryology and the generative functions. # Human anatomy, physiology, and pathology.
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Kapoor drew on past experience to design Cloud Gate, in particular the designing of Sky Mirror (2001), a concave stainless steel mirror that also used a theme of distorted perception on a grand scale. Kapoor's objects often aim to evoke immateriality and the spiritual, an outcome he achieves either by carving dark voids into stone pieces, or more recently, through the sheer shine and reflectivity of his objects. This Indian artist's works have no fixed identity, but rather occupy an illusionary space that is consistent with eastern theologies shared by Buddhism, Hinduism and Taoism, as well as Albert Einstein's views of a non-three-dimensional world. Kapoor explores the theme of ambiguity with his works that place the viewer in a state of "in- betweenness".
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Avicenna, the proponent of the argument, depicted on a 1999 Tajikistani banknote The Proof of the Truthful (, also translated Demonstration of the Truthful or Proof of the Veracious, among others) is a formal argument for proving the existence of God introduced by the Islamic philosopher Avicenna (also known as Ibn Sina, 9801037). Avicenna argued that there must be a "necessary existent" (), an entity that cannot not exist. The argument says that the entire set of contingent things must have a cause that is not contingent because otherwise it would be included in the set. Furthermore, through a series of arguments, he derived that the necessary existent must have attributes that he identified with God in Islam, including unity, simplicity, immateriality, intellect, power, generosity, and goodness.
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This reasoning was known to the Scholastics as "Anselm's argument" () but it became known as the ontological argument for the existence of God following Kant's treatment of it. A 12th-century illumination from the Meditations of St. Anselm More probably, Anselm intended his "single argument" to include most of the rest of the work as well, wherein he establishes the attributes of God and their compatibility with one another. Continuing to construct a being greater than which nothing else can be conceived, Anselm proposes such a being must be "just, truthful, happy, and whatever it is better to be than not to be". Chapter 6 specifically enumerates the additional qualities of awareness, omnipotence, mercifulness, impassibility (inability to suffer), and immateriality; Chapter 11, self- existent, wisdom, goodness, happiness, and permanence; and Chapter 18, unity.
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Between 1989–95 Grubinger studied at the Hochschule der Künste Berlin where she worked with Valie Export and Katharina Sieverding. Her graduation project, C@C, or Computer Aided Curating (1993–95), provided a branching interface for visitors to explore a social network of artists. While Grubinger began her career with works that reflected and commented, in a pioneering manner, on the early development of the Internet, since the mid-1990s she has worked primarily in sculpture and installation. These phases are not, however, disconnected: her latter-day focus on materiality and space, not least social space and how it subliminally affects us, might be seen as a reaction to the immateriality of the online world. Grubinger’s method is primarily to focus on, and unsettle via various strategies, recognizable objects.
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Bato Hiroshige Museum Although remaining in continuity with Japanese traditions with the clarity of structural solutions, implied tectonics, and importance of light and transparency, Kuma does not restrain himself to the banal and superficial use of ‘light’ materials. Instead, he goes much deeper, extending to the mechanisms of composition to expand the possibilities of materiality. He utilizes technological advancements which can challenge unexpected materials, such as stone, into providing the same sense of lightness and softness as glass or wood. Kuma attempts to attain a sense of spatial immateriality as a consequence of the ‘particulate nature’ of the light and establishing a relationship between a space and the natural round around it. Commune by the Great Wall of China Describing his practice, Kuma said “You could say that my aim is ‘to recover the place’.
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The strict common-law approach, which requires exact performance of an undertaking that has not necessarily been established as a “material” aspect of the contract (and risk assessment), and entitles the insurer to cancel a contract on the basis of a breach of warranty despite the fact that the representation complained of concerns an immaterial inaccuracy, or a matter with no bearing at all on the risk insured against, has led to absurd results in some cases. Jordan v New Zealand, discussed above, is one such example: Jordan stated that his age at his next birthday would be twenty-two, whereas in fact it would be twenty-three. Since this statement was warranted, the insurer was entitled to repudiate liability, in spite of what most would regard as the immateriality of the inaccuracy, and where, in fact, it "was actually to the advantage of the insurer."Reinecke General Principles para 367.
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The apparatus, as defined by Freud, includes pre-conscious, conscious, and unconscious components. Regarding this, Freud stated: As a psychologist, Sigmund Freud used the German terms psychischer Apparat and seelischer Apparat, about the functioning of which he elaborates: Freud proposed the psychic apparatus as solely a theoretic construct explaining the functioning of the mind, and not a neurologic structure of the brain. Moreover, in emphasizing the immateriality of the psychic apparatus, Freud dismissed the matter of its physical substance: Freud's psychic apparatus is intended to be a means by which our subconscious interacts with the external world. This central psychic apparatus would control the relationship between other existing apparatuses within the unconscious (neural, language, and memory), the basic drives of the person- functioning in the pursuit of satisfaction-, and the constant stream of stimuli from the reality in which one interacts with on a day-to-day basis.
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Transparency is a characteristic of Japanese architecture; I try to use light and natural materials to get a new kind of transparency.” In many of Kuma’s projects, attention is focused on the connection spaces; on the segments between inside and outside, and one room to the next. The choice of materials stems not so much from an intention to guide the design of the forms, but to conform to the existing surroundings from a desire to compare similar materials, yet show the technical advances that have made possible new uses. When dealing with stone work, for example, Kuma displays a different character from the preexisting buildings of solid, heavy, traditional masonry construction. Instead his work surprises the eye by slimming down and dissolving the walls in an effort to express a certain “lightness” and immateriality, suggesting an illusion of ambiguity and weakness not common to the solidity of stone construction.
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