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17 Sentences With "imaginativeness"

How to use imaginativeness in a sentence? Find typical usage patterns (collocations)/phrases/context for "imaginativeness" and check conjugation/comparative form for "imaginativeness". Mastering all the usages of "imaginativeness" from sentence examples published by news publications.

And with typical imaginativeness, he has made a dance of that process.
Brahms's imaginativeness in rhythm, harmony and thematic development makes him a progressive force.
When I wasn't digging into Baltimore's imaginativeness and camp, I was digging its food.
For all the imaginativeness of A Wrinkle in Time, L'Engle didn't invent the idea of a tesseract.
They claimed their altered mental states took them to dreamy, smiling happy places, to streaks of ingenuity, enhanced imaginativeness — genius, even.
Section 2, p. 5. Kevin Thomas of the Los Angeles Times wrote, "Low in budget but high in imaginativeness, it's an amusing, well-crafted diversion."Thomas, Kevin (September 1, 1972). "Dobermans in Bank Caper".
Jacob Parker-Dalton of Otaquest calls Shimeji Simulation a continuation of the imaginativeness of Girls' Last Tour, and compares the dour/dashing dynamic between Shijima and Majime to Chito and Yuuri in a May 2020 review. Matthew England of CBR, meanwhile, ranks it as number eight on their list of 5 Manga That Need An Anime Adaptation (& 5 That You Didn't Know Already Have One).
Bellette's treatment of classical subjects extended beyond conventional painting; in 1947 she created a textile design, titled "myths and legends", and in 1948 she created the sets for a production of Shakespeare's Pericles, Prince of Tyre. Her "vigorous imaginativeness" was well reviewed, though the acting was not. alt=An oil painting of five figures in a landscape, three standing, one seated, and one reclining on the ground. They are painted in a slightly abstract manner rather than being realistic.
Grants to Artists are unrestricted, annual $40,000 awards made to provide recipients with the financial means to engage in their choice of artistic endeavors. Recipients are selected from confidential nominations. FCA invites dozens of artists and arts professionals to anonymously propose one exceptional individual, collective, or performing group. Then, FCA’s Directors, together with an advisor in each discipline, select grantees based on the merit and imaginativeness of their work and the impact such support might have at this point in their careers.
Intellectual virtues are qualities of mind and character that promote intellectual flourishing, critical thinking, and the pursuit of truth. They include: intellectual responsibility, perseverance, open-mindedness, empathy, integrity, intellectual courage, confidence in reason, love of truth, intellectual humility, imaginativeness, curiosity, fair-mindedness, and autonomy. So-called virtue responsibilists conceive of intellectual virtues primarily as acquired character traits, such as intellectual conscientiousness and love of knowledge. Virtue reliabilists, by contrast, think of intellectual virtues more in terms of well-functioning mental faculties such as perception, memory, and intuition.
Awarding it only ✦✧✧✧ (1 star), Slant grappled with the film's "insufficient imaginativeness" and forced "theme of duality". Maitland McDonagh, a critic specialist in horror films, wrote that Tamara "panders to horror buffs" and "squanders the efforts of a competent cast", calling it a "rehash of Carrie", and awarding it ✦✦✧✧✧ (2 stars). Jessica Reeves of the Chicago Tribune was even more critical, panning the film with a harsh grocery list of descriptions: "dismal, depressing, embarrassing and utterly lacking in any artistic or social worth". Some reviewers were slightly more magnanimous.
Some British reviewers reportedly considered Invisible Tides to be the best novel of 1920. A reviewer from The Bookman wrote that it was: "a good and moving story, brilliantly set down, having affinities, it seems to us, with Jude the Obscure on the one hand and with Mr. McKenna's Sonia on the other. Mrs. Seymour is strong in characterisation, subtle and revealing in dialogue, and exquisite in her descriptions of nature, touched as they are with a fine imaginativeness". Her 1925 novel Unveiled received a glowing review in the 30 May 1925 issue of The New Yorker.
Film critic Lewis Jacobs has said that "the film expressed all of Méliès talents ... The complexity of his tricks, his resourcefulness with mechanical contrivances, the imaginativeness of the settings and the sumptuous tableaux made the film a masterpiece for its day." Later in 1904, Folies Bergère director Victor de Cottens invited Méliès to create a special effects film to be included in his theatre's revue. The result was An Adventurous Automobile Trip, a satire of Leopold II of Belgium. The film was screened at the Folies Bergère before Méliès began to sell it as a Star Films production.
" Stephanie Zacharek, of Salon.com, viewed the film as being "an expensive-looking mess that fails to capture the mood, and the poetry, of its source material" because "good actors fighting a poorly conceived script, under the guidance of a director who can no longer make the distinction between imaginativeness and computer-generated effects." Todd McCarthy, of Variety, felt that Jackson had undermined the "solid work from a good cast" with "show-offy celestial evocations" that "severely disrupt the emotional connections with the characters." McCarthy stated that he felt that the film, overall, was a "significant artistic disappointment.
In the garden of dreams She wrote a weekly literary letter for the Sunday issue of the Boston Herald from 1886 to 1892. Thenceforward, she spent the summers in London and the rest of the year in Boston, where her salon was one of the principal resorts of literary talent. In 1889, another volume of verse, In the Garden of Dreams, confirmed her reputation as a poet.Chisholm, 1911 Of the poems in this volume, "In the Garden of Dreams," Meiklejohn affirmed that the perfect little gem, "Roses," was worthy of Goethe, and that "As I Sail" had the firmness and imaginativeness of Heine, the perfect simplicity containing magic.
This mural was the first example in the city of "super graphics," which was becoming a way to refresh the visual appearance of buildings in urban settings. Woollen Associates was so in favor of the design that the firm itself paid for part of the painting. This mural, along with Roland Hobart's 1973 Untitled, Milton Glaser's 1974 Color Fuses which surrounds the Minton-Capehart Federal Building, and James Mcquiston's 1975 The Runners in downtown Indianapolis were hailed in August 1975 as adding a "delightful touch of color and imaginativeness to urban settings." The mural was removed in the 1980s leaving practically no trace of its existence.
To further increase their "magic realism," works of paranoid fiction often employ common devices and archetypes from other genres, including a detective-solving structure, plot twists, or philosophical themes, to create a surrealistic tone and an atmosphere of fear and dread. Plots also tend to be fanciful and occasionally futuristic to emphasize their inherent absurdity and imaginativeness, but also maintain some measure of realism to comment on how apparently unrealistic stories can, in fact, be (often frighteningly) closer to real life than one might think at first glance. Sometimes paranoid fiction will strongly imply, and occasionally admit outright, that its constructed world is a lie or an illusion. In this case, the plot will center on the main character's struggle between the physical and spiritual; i.e.

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